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512 Pixels Recent content on 512 Pixels 512 Pixels Hugo en-US Hackett Technical Media, LLC Mon, 19 Oct 2026 11:13:31 -0500 Pro and Tell 2026/10/pro-and-tell/ Mon, 19 Oct 2026 11:13:31 -0500 2026/10/pro-and-tell/ Looks like Apple isn’t done with new products this month. Tyler Stalman shared this over on Threads: I think the MacBook Pro is about to enter its touchscreen era. Looks like Apple isn’t done with new products this month. Tyler Stalman shared this over on Threads: I think the MacBook Pro is about to enter its touchscreen era. ]]> Sponsor: SoundSource, Sound Control So Good It Ought to Be Built In 2026/10/sponsor-soundsource-sound-control-so-good-it-ought-to-be-built-in/ Mon, 19 Oct 2026 10:13:46 -0500 2026/10/sponsor-soundsource-sound-control-so-good-it-ought-to-be-built-in/ Superior sound control for your Mac The audio experts at Rogue Amoeba are back to sponsor 512 Pixels. Their app SoundSource adds powerful audio controls to your Mac that you’ll be glad to have. It starts with volume controls for each and every app on your Mac, all in one place: your menu bar. Turn down noisy websites without affecting your music, or boost a quiet video call past the usual maximum. SoundSource does much more than just volume, though. Use it to send any app’s audio to a different device, so your music plays through your desk speakers while your calls stay in your headphones. Built-in effects like Magic Boost and Headphone EQ bring better sound to the tiniest speakers and your favorite headphones, and experts can even use it to apply powerful Audio Unit plugins to any app. Once you’ve used SoundSource, it’s hard to imagine your Mac without it. Try it free before you buy. And, as a 512 Pixels reader, you can save 20% on SoundSource with discount code 512SOUND in Rogue Amoeba’s online store through the end of the month. My thanks to Rogue Amoeba for sponsoring 512 Pixels, and for more than two decades of great Mac audio software. ]]> Duo Walk-In Purchases Discouraged 2026/10/duo-walk-in-purchases-discouraged/ Sun, 18 Oct 2026 21:23:32 -0500 2026/10/duo-walk-in-purchases-discouraged/ Hartley Charlton at MacRumors with some bad news for me: Apple Store employees told MacRumors that they have been advised that there will likely be no ‌iPhone Duo‌ stock available for walk-in purchases on launch day. Staff have been instructed to discourage customers without pre-orders from coming … Hartley Charlton at MacRumors with some bad news for me: Apple Store employees told MacRumors that they have been advised that there will likely be no ‌iPhone Duo‌ stock available for walk-in purchases on launch day. Staff have been instructed to discourage customers without pre-orders from coming in expecting to buy the device, warning that they will be disappointed. Apple’s online store tells customers to check back on Saturday, October 24 for pickup availability. Pickup reservations were briefly available when pre-orders opened before the option was disabled. The October 24 message does not guarantee stock will be available that day, and it remains unclear how firm the warning shared with employees is and whether it applies worldwide. ]]> Mojave Paint 2026/10/mojave-paint-thanks/ Fri, 16 Oct 2026 07:30:17 -0600 2026/10/mojave-paint-thanks/ My thanks to Mojave Paint for sponsoring 512 Pixels. Development is moving quickly on Mojave Paint; during this week’s sponsorship they added true Clipping Masks. My thanks to Mojave Paint for sponsoring 512 Pixels. Development is moving quickly on Mojave Paint; during this week’s sponsorship they added true Clipping Masks. ]]> My iPhone Duo Pre-Order Went South 2026/10/my-iphone-duo-pre-order-got/ Fri, 16 Oct 2026 05:28:41 -0700 2026/10/my-iphone-duo-pre-order-got/ I am currently traveling, but dutifully set my alarm to order an iPhone Duo. Having multiple devices is the way to go in these situations, so I was at my laptop and had my iPhone. The Apple Store app on my phone loaded first, and that’s when I learned a terrible truth: I could only choose Apple … I am currently traveling, but dutifully set my alarm to order an iPhone Duo. Having multiple devices is the way to go in these situations, so I was at my laptop and had my iPhone. The Apple Store app on my phone loaded first, and that’s when I learned a terrible truth: I could only choose Apple Stores near me for pickup, and uhhh, I am not flying across the country again next week to pick this thing up. I just tried again, out from under the pressure of doing this in the first few minutes of availability, and for the life of me, I cannot find a way to tell the app you want to pick up a phone someplace other than your current immediate region. By the time the website came up over six minutes later — where you can search for other Apple Stores1 — my ship date had already slipped to the end of November or early December. It seems that my work2 on Widgetsmith and our other apps will be constrained to the simulator a little longer. It is also nice to have the new thing when it’s new, so I can write and talk about it when it’s new. I guess the upside is that, now that shipping dates have slipped into 2027, the iPhone Duo will be new for a long time. Best I can tell, there is not a way to change a delivery into a pickup, but currently the Apple Store support chat just won’t connect. Maybe they can change it, or I’ll get lucky with a walk-in, but this is a really dumb limitation of the Apple Store app. Update: I haven’t been able to talk to Apple Support, but I’ve got a Best Buy order for November 3. Wish me luck. I’m actually traveling again on launch day, so I wanted to pre-order at an Apple Store in the city where I will be. So even if the only other option was “Your Home Apple Store,” I’d still be stuck. ↩︎ I know some folks got calls from their local Apple Store Business Reps about pre-ordering through them. I had a voicemail from my store, but this morning realized they never called me back after I left them a voicemail in return. I guess that’s okay; I’ve seen folks say phones ordered that way are not arriving until the end of January. ↩︎ ]]> The iPhone Duo is Expensive to Repair 2026/10/duo-repair-costs/ Thu, 15 Oct 2026 19:36:01 -0600 2026/10/duo-repair-costs/ iPhone Duo preorders open tomorrow. AppleCare seems like a very good idea for this product: Repair Price Cover layer damage $49 Back glass damage $199 Battery service $229 Rear camera damage $229 Outer display damage $379 Outer display and back glass damage $509 Inner display damage $999 Other … iPhone Duo preorders open tomorrow. AppleCare seems like a very good idea for this product: Repair Price Cover layer damage $49 Back glass damage $199 Battery service $229 Rear camera damage $229 Outer display damage $379 Outer display and back glass damage $509 Inner display damage $999 Other damage $1,499 I’ve been using AppleCare One for a while now, and recently moved to the AppleCare One Family. For my family, it was a good bit cheaper than all five of us having our own AppleCare One accounts. ]]> “I’d Just Use My Phone” 2026/10/id-just-use-my-phone/ Thu, 15 Oct 2026 17:52:27 -0600 2026/10/id-just-use-my-phone/ Years ago, Marco Arment said something that I think about all the time: Don’t bet against the smartphone. It’s amazing how many products have run straight into this idea, like a sprinting outfielder who hasn’t slowed down in time to avoid the wall. There are some obvious examples, especially in our … Years ago, Marco Arment said something that I think about all the time: Don’t bet against the smartphone. It’s amazing how many products have run straight into this idea, like a sprinting outfielder who hasn’t slowed down in time to avoid the wall. There are some obvious examples, especially in our AI-crazed day. The Humane AI Pin never stood a chance. The Rabbit R1 is beautiful, but is at best a novelty. The friend is never going to escape the gravity of its own domain name. I think there are some less obvious examples as well. Think back to 2014, when Tim Cook announced the Apple Watch, and Kevin Lynch’s wide-ranging demo that showed the Watch as capable of almost everything the iPhone was. Apple has since learned that the Watch is a peripheral to the iPhone for folks who want health and fitness tracking, as well as easy access to notifications. I mean, how many times do you glance at your watch, see a message, and pull out your iPhone to respond? The HomeView may be on a similar trajectory. When I showed my wife Apple’s video featuring the new product, she turned to me and asked: Why wouldn’t I just use my phone for that stuff? I’ve been turning that over in my head for the last day or so, and then heard very similar thoughts from Ben Thompson and John Gruber on Dithering. It is way too early to know how this will shake out. Some folks will undoubtedly find the HomeView useful, and I do think there are real use cases where it will shine. I highly doubt that any family will use their HomeView the way the family in that video did. Of course the iPhone will continue to be the most important product in Apple’s lineup, but that doesn’t mean the HomeView isn’t worth doing. For some folks, it will really click, and it puts Apple in the home category in a new and fun way. I like that the HomeView is a little weird, and we should encourage Apple to experiment with products that are a little weird. For years, it’s felt like the company has been too conservative with new products, and I suspect John Ternus has more things like this on the way. While it is doing some very clever things, it is an ancillary device, and one that not everyone with an iPhone will want or need. At Apple’s scale, even ancillary devices are big businesses. Even if most iPhone users look at this thing and shrug, it was still worth doing. ]]> With HomeView, Apple Shows How Powerful Its Ecosystem Can Be 2026/10/apple-homeview-impressions/ Tue, 13 Oct 2026 19:17:00 -0600 2026/10/apple-homeview-impressions/ Some early thoughts on Apple’s newest product. Do you remember “Everything is a Remix,” the series of work by Kirby Ferguson? His main premise is that almost all the creative work we see in the world derives inspiration from what came before it. I think Apple’s just-announced HomeView may be the latest entry in the list of things that prove Ferguson’s point. To put it in another set of terms: the HomeView is “new but somehow familiar,” to borrow a Jony Ive phrase. I think it applies to just about every aspect of this product. The HomeView’s existence is not a surprise, as it was rumored for ages. With it, Apple has moved into a space previously occupied mostly by products from Google (Nest?) and Amazon, albeit at a higher price point. What does that $299 price get you? Hardware Right off the bat, we have to address something — a bunch of people have compared it to the iMac G4: I mean, come on. Sure, the HomeView’s 7-inch square display doesn’t move in all the ways the iMac’s display did, but I’ll take a hit of that sweet nostalgia. If the next version includes a larger display with more flexibility, I may pass out. From the front, the HomeView strongly resembles an Apple Watch sized for a giant. The aluminum base looks right at home in Apple’s lineup, and should wear much better than the fabric-covered HomePods, especially in a kitchen. I am very curious as to how it sounds. The base and its included woofer aren’t that big, and Apple has put some of the speakers in the display to compensate. I assume Apple has done a good job here, but I’m looking forward to hearing one myself. Apps & Services Here are the biggest remixes. The clock face looks a lot like Apple Watch faces1 and iOS’ StandBy had a baby: I love the customization here; I think finding a setup that matches your space will be totally doable. Apple’s own apps follow this same trajectory. Reminders, Home, Music, Podcasts, and more look like themselves, just tweaked for the form factor. If your life is in these apps, the HomeView will be much more useful. A lot of that comes down to the third-party app story, which is … weird. Unlike basically every other part of Apple’s ecosystem, the HomeView does not have an App Store. Instead, it has Apple’s built-in apps and “compatible third-party audio and video apps.” Under the hood, it seems that some of these apps will be projected from the user’s iPhone, not unlike CarPlay apps. Here is a bit from Julian Chokkattu’s article at Wired: It doesn’t have an App Store. Instead, Apple has a curated selection of apps, including FaceTime, Messages, and Safari. A handful of third-party media apps like Spotify are available, and developers can bring over existing CarPlay apps. If your iPhone already has one of these CarPlay apps installed, it can automatically appear on the HomeView after setup. (There are no video streaming apps like YouTube, Netflix, or Disney+, but if those companies choose to make their apps available on the CarPlay framework, they will show up on the HomeView; for now, you’ll have to consume videos by using the Safari browser.) Will the HomeView become a carrot for developers to support CarPlay? I doubt it, but time will tell. This may seem like it goes against my premise that the HomeView is a remix, but I don’t think it does. Instead of an App Store, HomeView relies on Apple’s first-party apps and the user’s iPhone — and the apps that are already on that device. The glue holding most of that together? A mix of iCloud and Continuity. Whatever apps are available, they are all accessible on a scrolling screen intermixed with widgets. Apple hasn’t shared a lot of information about this — the HomeView isn’t even on the developer website as of this writing — but Apple has a couple of ways that widgets can show up across devices. Back in macOS Sonoma, Apple added the ability to show iPhone widgets on the Mac. In iOS 26, CarPlay gained support for iPhone widgets as well. I fully expect that all third-party iOS widgets will be able to run on the HomeView, just as they do on the Mac.2 Then there’s Siri AI, which is at the heart of the product, and supposedly why it didn’t ship a year ago. The HomeView taps into your personal context, just like your iPhone, iPad, and Mac. That means it should be able to extract details from your messages, emails, notes, calendar, and more in response to a query. Siri AI can also pull from its world knowledge and will sync conversations back to the Siri app on your iPhone. Smart Home Controls In addition to Apple’s first-party apps making it more useful, the HomeView’s value also comes from Apple’s smart home platform, which has seen both ups and downs over the years, but this product is a clear message from Apple that it believes in HomeKit. The HomeView can easily become a smart home controller, with controls for your favorites. In most of Apple’s press photos, these controls are front and center, like this one of the wall-mounted version. I run Home Assistant behind the scenes, but my family interacts with things like smart plugs and the garage door3 using HomeKit, usually via one of the HomePod minis4 I have placed around the house. This has led to some frustration over the years when a HomePod doesn’t hear them correctly. Tapping a button would certainly clear that up. Multiple Users We now have a mix of hardware and software and services, but the HomeView goes one step further than some of Apple’s other products with its support of up to six users. Here’s a bit from Apple’s press release: HomeView recognizes up to six people and delivers a personalized experience for each one. Each user gets their own personalized Home Screen with apps and widgets. Personal content stays private from others, while shared photo albums and music can be easily enjoyed by everyone in a household, including guests. This recognition can be via sight (with the HomeView’s built-in Center Stage camera) or by voice, as shown in Apple’s promo video: The video shows this working in a lightning-fast way, and I hope that is true. Out of everything about this product, this is the feature I am most curious about. I have had very mixed results with personal requests on my HomePod minis. The Apple Way The HomeView doesn’t bring that much new to the table in terms of raw innovation. Instead, it’s like some product folks walked around Apple Park, picked some of the best parts of the company’s ecosystem, and baked them into one device. That is by no means a complaint on my part. As someone steeped in Apple’s ecosystem, I love that my notes and tasks and bookmarks and messages and events are on all of my devices, all of the time. The HomeView is a new surface for that content and information, and a showcase of what Apple can do when its various teams work together on something new. Apple, if there was ever a time to allow developers to make watch faces, it’s now. ↩︎ Which I am obviously a fan of, given my work on Widgetsmith. (Does that mean I can expense my HomeView?) ↩︎ Apple also announced a slew of HomeKit-compatible devices, born from partnerships with LG and Schneider Electric. Most of the products look nice, but have alternatives on the market now with lower price tags. I am sure some folks will pick these up when “select accessories [become] available starting early 2027,” but I think this announcement is a bit of a nothingburger. ↩︎ (HomePods mini?) ↩︎ ]]> Siri AI Coming to HomePod mini 2 ‘In a Future Software Update’ 2026/10/siri-ai-homepod-mini-2/ Tue, 13 Oct 2026 09:48:21 -0600 2026/10/siri-ai-homepod-mini-2/ I’m a little surprised by this bit of news, and sad that my beloved orange model is gone. I’m a little surprised by this bit of news, and sad that my beloved orange model is gone. ]]> Sponsor: Mojave Paint 2026/10/sponsor-mojave-paint/ Mon, 12 Oct 2026 08:00:32 -0600 2026/10/sponsor-mojave-paint/ Mojave Paint for Mac is a love letter to image editing programs of the past — a time before generative AI, infinitely customizable tool palettes, and online-required subscription access. With familiar layer-based rendering and powerful typography tools, Mojave Paint works equally well for design or … Mojave Paint for Mac is a love letter to image editing programs of the past — a time before generative AI, infinitely customizable tool palettes, and online-required subscription access. With familiar layer-based rendering and powerful typography tools, Mojave Paint works equally well for design or photography. Use masks on any filter or adjustment to get the right look on a photo, or make the best-looking flyer for a lost cat your neighborhood telephone pole has ever seen. Sprinkled throughout, you’ll find nice touches you won’t find in competing products from the world’s billion-dollar companies. Keep an eye on the Mojave Paint blog for updates. Mojave Paint is available on the Mac App Store with a 14-day free trial. After that, it’s normally $9.99, but this week it’s on sale for $4.99. ]]> “HomeView” 2026/10/homeview/ Sun, 11 Oct 2026 19:23:18 -0600 2026/10/homeview/ Mark Gurman, writing two days before Apple’s event this week: The centerpiece is a new smart home hub called the HomeView. Equipped with a display and an A18 chip, the product essentially serves as the Siri command center for an Apple-powered household… The HomeView comes in two versions: a … Mark Gurman, writing two days before Apple’s event this week: The centerpiece is a new smart home hub called the HomeView. Equipped with a display and an A18 chip, the product essentially serves as the Siri command center for an Apple-powered household… The HomeView comes in two versions: a countertop model with a metal speaker base and a wall-mounted version with a flat, square base that sits against the wall beneath the display. The countertop offering will come in four colors: space gray, silver, starlight and pink, while the wall-mounted version will be limited to space gray and silver. I certainly like this name more than “HomePad.” This product is designed to give users a look into their personal information and smart home. HomeView totally works. ]]> NAS Reborn 2026/10/nas-reborn/ Fri, 09 Oct 2026 13:20:04 -0600 2026/10/nas-reborn/ My thanks to NAS Reborn for sponsoring the site this week. It turns an iPhone 6s, iPad Air 2, or anything newer into a network drive for the Finder, the Files app and even Windows Explorer. Check out the TestFlight beta for iPhone, iPad and Mac at nasreborn.com. My thanks to NAS Reborn for sponsoring the site this week. It turns an iPhone 6s, iPad Air 2, or anything newer into a network drive for the Finder, the Files app and even Windows Explorer. Check out the TestFlight beta for iPhone, iPad and Mac at nasreborn.com. ]]> Welcome Home 2026/10/welcome-home/ Fri, 09 Oct 2026 10:39:41 -0500 2026/10/welcome-home/ Next week should be fun. Next week should be fun. ]]> Connected 623: It Would Kill Me, Slowly, Eventually 2026/10/connected-623/ Thu, 08 Oct 2026 15:05:38 -0500 2026/10/connected-623/ This week on the podcast: Federico talks about pixels, Myke talks about Steve Jobs, and Stephen talks about scratches. This week on the podcast: Federico talks about pixels, Myke talks about Steve Jobs, and Stephen talks about scratches. ]]> $756,200.97 Raised for St. Jude 2026/10/75620097-for-st-jude-2026/ Wed, 07 Oct 2026 09:07:40 -0500 2026/10/75620097-for-st-jude-2026/ From the bottom of our hearts, thank you. We just closed our annual St. Jude campaign and raised an amazing amount of money. Together, the Relay community donated $756,200.97 to assist St. Jude in understanding, treating, and defeating childhood cancer and other life-threatening diseases. That means that since 2019, the community has given just shy of $5.6 million for this noble cause. That number truly leaves me speechless. From the bottom of our hearts, thank you. Your donations mean that more families will have more tomorrows with their children, just like we have enjoyed with our son. ]]> Turns Out, Apple Maps Totally Knows About Smooth Pyramids 2026/10/apple-maps-smooth-pryamids/ Mon, 05 Oct 2026 09:30:12 -0500 2026/10/apple-maps-smooth-pryamids/ After my recent post about how Apple Maps butchers the Great American Pyramid, several readers sent in images of other pyramids Apple has rendered properly. One in particular is quite painful to see — Luxor Las Vegas. Here is the hotel in satellite view, and then in Apple’s 3D rendered view: It … After my recent post about how Apple Maps butchers the Great American Pyramid, several readers sent in images of other pyramids Apple has rendered properly. One in particular is quite painful to see — Luxor Las Vegas. Here is the hotel in satellite view, and then in Apple’s 3D rendered view: It seems that Apple does have the technology to make smooth pyramids! ]]> Sponsor: NAS Reborn, from the Maker of Working Copy 2026/10/sponsor-nas-reborn/ Mon, 05 Oct 2026 09:17:22 -0500 2026/10/sponsor-nas-reborn/ In a kitchen drawer, between a key that fitted no door and a knot of charging cables, lay an iPhone 6s. It had once been the newest phone in the house, and it had taken more pictures of the cat than anyone would ever look at. Then one Christmas a bigger phone arrived, the old one went into the … In a kitchen drawer, between a key that fitted no door and a knot of charging cables, lay an iPhone 6s. It had once been the newest phone in the house, and it had taken more pictures of the cat than anyone would ever look at. Then one Christmas a bigger phone arrived, the old one went into the drawer “for now,” and for now lasted nine years. “We are retired, you and I,” said the key. “I am resting,” said the iPhone. One evening a hand took it out, plugged it in and installed NAS Reborn. It heard the Mac in the study — which had never once spoken to — ask for a folder, and the iPhone appeared in the Finder as if it had always belonged there. Then the Mac wanted to hand over its Time Machine backups. “I have only sixteen gigabytes,” the iPhone whispered. So the hand brought a hard drive, a broad, quiet fellow who hummed to himself, and joined the two with Apple’s Lightning to USB 3 Camera Adapter, which took the charger as well. Soon it served a website over HTTPS, answered anyone who spoke S3 and took in Git repositories from Working Copy, all on a few watts. The things in the drawer did not believe a word, and the key still tells everyone that the iPhone is only resting. NAS Reborn turns an iPhone 6s, iPad Air 2 or anything newer into a network drive for the Finder, the Files app and Windows Explorer. Join the TestFlight beta for iPhone, iPad and Mac at nasreborn.com. ]]> It’s Podcastathon Day! 2026/10/its-podcastathon-day/ Fri, 02 Oct 2026 09:52:04 -0500 2026/10/its-podcastathon-day/ Starting at noon Eastern, I’ll be live-streaming from the St. Jude campus with five of my favorite people in the world, raising money for one of the most incredible places in the world. I expect we will hit our campaign goal while on the air, which is going to be magical. Tune in! Starting at noon Eastern, I’ll be live-streaming from the St. Jude campus with five of my favorite people in the world, raising money for one of the most incredible places in the world. I expect we will hit our campaign goal while on the air, which is going to be magical. Tune in! ]]> Apple in the Home 2026/10/apple-in-the-home/ Thu, 01 Oct 2026 11:49:09 -0500 2026/10/apple-in-the-home/ Mark Gurman, writing about Apple’s upcoming move into more smart home devices, which we may see as early as this month: At the center of the strategy is a smart-home hub code-named J490, according to people familiar with the matter. Apple also plans to announce the first update to the HomePod mini … Mark Gurman, writing about Apple’s upcoming move into more smart home devices, which we may see as early as this month: At the center of the strategy is a smart-home hub code-named J490, according to people familiar with the matter. Apple also plans to announce the first update to the HomePod mini since that device’s 2020 debut and its first new TV set-top box since 2022. … The hub’s defining feature will be its ability to serve multiple members of a household. It is designed to recognize who is speaking to it or approaching it, and then display personalized content and provide answers based on that person’s data and accounts. When a user walks up, for example, the device will show that person’s contacts, messages, calendar appointments, notes and preferred app layout. The interface can then change automatically when another recognized household member approaches. It will also have a mode for visitors that hides personal information. The device identifies users by their voices or through a facial-recognition system, though the latter is less reliable than Face ID on the iPhone. Users can require secondary authentication through an iPhone if they don’t want to rely solely on voice or facial recognition. The iPhone also serves as a fallback when the hub cannot identify someone correctly. I really hope this works well, but that’s on Apple to prove. A lot of the company’s devices are shockingly single-user.1 The HomePod can support multiple users, but my experience with that has been pretty rough. That’s not a big deal for a lot of people, but something with a screen is going to need to support families in a much deeper way. Gurman’s reporting makes me optimistic about this being better, but I also have questions. Let me re-quote part of his article: When a user walks up, for example, the device will show that person’s contacts, messages, calendar appointments, notes and preferred app layout. The interface can then change automatically when another recognized household member approaches. It will also have a mode for visitors that hides personal information. We have a HomePod mini in our kitchen near the sink. The countertop in front of it is often used for food prep, and when things are busy, my wife, at least one of our kids, and I are all using that space. Is the HomePad just going to endlessly cycle between sets of information? What controls will I have to manage that from being a rotating billboard? I can’t wait to see the details, because in a device like this, they really matter. The iPad is the one that really gets me, especially since iPadOS does support multiple users under certain circumstances. ↩︎ ]]> Apple Maps Gave Us the Wrong Pyramid 2026/09/apple-maps-wrong-bass-pro/ Tue, 29 Sep 2026 08:06:09 -0500 2026/09/apple-maps-wrong-bass-pro/ Yes, I am serious about this. This morning, I saw Basic Apple Guy’s recent post about Apple Stores popping up in Apple Maps, and I was reminded that we have some fancy Apple Maps features here in Memphis, too. I present to you downtown Memphis, looking east from the Mississippi River: Yes, we have a Bass Pro inside a pyramid. No, it doesn’t look like Apple’s rendering of it: Ramesses now stands at the University of Memphis, but that’s a story for another time. I was going to report to Apple that the sides of our pyramid are actually smooth and not stepped, but the “Report an Issue” feature inside of Apple Maps doesn’t have a category for 3D rendering issues. Instead, I opted to submit feedback. If you or someone you know can help with this very important issue of civic pride, you’ll find it filed as FB24988556. ]]> Connected 622: Just Me and My Sad Friends 2026/09/connected-622/ Thu, 24 Sep 2026 19:25:07 -0500 2026/09/connected-622/ This week on the podcast: Federico has an M5 Ultra Mac Studio review unit and shares what local AI looks like on macOS today — and in the future. Myke has advice for buying iPhones in countries other than your own, and Stephen is old. We will be off next week for the Podcastathon, but will be back … This week on the podcast: Federico has an M5 Ultra Mac Studio review unit and shares what local AI looks like on macOS today — and in the future. Myke has advice for buying iPhones in countries other than your own, and Stephen is old. We will be off next week for the Podcastathon, but will be back on October 8. ]]> Geneva Moon Returns 2026/09/geneva-moon-returns/ Thu, 24 Sep 2026 19:20:40 -0500 2026/09/geneva-moon-returns/ David Smith: I have launched and withdrawn more than 50 apps from the App Store over the years, but never have I had a withdrawal sustain the consistent attention that Geneva Moon (and its astronomically accurate complications) has. I pulled it 6 years ago and yet I still get people asking about it … David Smith: I have launched and withdrawn more than 50 apps from the App Store over the years, but never have I had a withdrawal sustain the consistent attention that Geneva Moon (and its astronomically accurate complications) has. I pulled it 6 years ago and yet I still get people asking about it on a regular basis. It broke in watchOS 27. Over the weekend I got it working again. Here it is. I hope this makes a small but highly dedicated group of people happy. Also, I made it free. ]]> Save the Date: Podcastathon 2026 2026/09/save-the-date-podcastathon-2026/ Wed, 23 Sep 2026 09:39:56 -0500 2026/09/save-the-date-podcastathon-2026/ We are flying through September, and our St. Jude campaign is rocking and rolling. As of this writing, we are knocking on the door of $450,000 raised this month! St. Jude cares for some of the world’s sickest children regardless of their race, ethnicity, beliefs, or ability to pay. Its patients … We are flying through September, and our St. Jude campaign is rocking and rolling. As of this writing, we are knocking on the door of $450,000 raised this month! St. Jude cares for some of the world’s sickest children regardless of their race, ethnicity, beliefs, or ability to pay. Its patients receive the customized care they need to treat childhood cancer and other life-threatening diseases, no matter what barriers they face. Donations from normal folks like you and me make that possible. If you haven’t donated or signed up to host your own fundraiser, today is a great day to change that! We’ll be hosting the 8th-annual Podcastathon on Friday, October 2, from noon to midnight Eastern. We have been working on this for months, and I believe it will be the best one we have ever done. Like in previous years, the stream will be on Relay’s YouTube channel: The Podcastathon is my favorite workday of the entire year. I hope you will join us! ]]> The Performa’s In-Store Demo 2026/09/performa-store-demo/ Tue, 22 Sep 2026 08:58:05 -0500 2026/09/performa-store-demo/ Doug Brown has dug up something previously lost to time. In working with an early Performa, he discovered a true gem on its hard drive: This Performa 410 was a store demo unit! This is the kiosk software that would have been running on a demo Mac inside a store like Sears or Circuit City. The … Doug Brown has dug up something previously lost to time. In working with an early Performa, he discovered a true gem on its hard drive: This Performa 410 was a store demo unit! This is the kiosk software that would have been running on a demo Mac inside a store like Sears or Circuit City. The machine was never wiped back to factory state before being sold, and the original owner kept the demo software the entire time they had the machine. Such a cool find! It includes a comparison between the Performa 410 and the Performa 466, so clearly those two models must have been sold side-by-side at the same retailer. Aside from that, there is a tutorial about how to use a mouse, info about a few Apple accessories, and a ton of software demonstrations about several included software and devices such as ClarisWorks, Quicken, the Global Village fax modem, AOL, American Heritage Dictionary, and SuperMunchers. There are also several demos of other software you could buy including Lotus 1-2-3, WordPerfect, Yearn2Learn, and Battle Chess. He’s shared the whole thing on YouTube: ]]> Air to the Throne 2026/09/air-to-the-throne/ Fri, 18 Sep 2026 19:00:18 -0500 2026/09/air-to-the-throne/ One day, all iPhones could be like this. Life is full of trade-offs. I often think about this in terms of vehicles. If you have a big family, a minivan is probably the right call, even if it means sacrificing performance. A luxury sedan may be nice to sit in, but it will cost you big bucks. You can drive a pickup truck, but you will probably pay for it at the pump. In the world of technology, trade-offs change nature over time. The first iPhone was amazing, but it was expensive and only ran on AT&T. The original MacBook Air was an incredible piece of engineering, but it ran hot and slow. After a product matures, those trade-offs begin to shift, especially when it becomes a family of products. When there was just one iPod, it was easy to know which one to get. Once the iPod mini came along, it changed the equation for many people. For the last several years, iPhone customers have faced similar questions when looking at the Pro and non-Pro models. The trade-offs between those two devices have always been pretty clear. The Pro has a better camera system and other nice-to-haves, but you have to be willing to pay for them. I think most iPhone buyers knew what camp they fell into and were mostly okay with it. Last year, the iPhone Air upset the apple cart, adding a new third option that was both better and worse than its more established siblings. I’ve been using one for the better part of a year, and the trade-offs aren’t as bad as you may think. What You Know Right off the bat, I should note that the iPhone Air has not sold well. Compared to its more mainstream siblings, its numbers are downright embarrassing. There are several reasons for that. First, Apple hasn’t advertised the Air; last cycle’s marketing focused on the cosmic orange 17 Pro. Given how people have reacted to seeing my iPhone Air, I feel like most consumers don’t even know Apple sells it. I’ve had more “Is that an Android?” than “Oh, is that the iPhone Air?” over the last 12 months. Then there’s the Curse of the Fourth iPhone. Apple has sold two sizes of Pro phones successfully, but finding that same success with non-Pro phones has proven elusive. The Mini and Plus were both on sale for just two years, then Apple took them off the market. The iPhone Air is very different from those older devices. They were the regular iPhone in a different size; the Air is wholly different from the iPhone 17, yet the curse remains. Third, Apple made some big trade-offs to make the iPhone Air a mere 5.64 mm thick. The battery life isn’t up to par with other modern iPhones, and the single camera can leave you without the reach of the iPhone Pro. The thin Titanium chassis can become quite warm under load. The single loudspeaker is … not great. How I Feel Here’s the thing — I’ve found I can live with all those limitations to have such a thin phone in my hand and in my pocket. That’s not to say the last year has been perfect. On days I am at my desk, I can top up the battery, but on weekends or travel days, I’ve had to rely on the Air’s external battery. This isn’t a big deal, but it does require some thinking ahead. The camera has been my biggest pain point. The 1× lens isn’t bad, but the lack of flexibility is pretty limiting. This is true on both ends of things — the lack of a true macro mode and the limited zoom limit what the Air can capture. The Air is not a bad phone today, just an imperfect one. It’s not the best phone Apple sells, but it’s the next best thing. Parts of it are magical. Remember how light the iPhone 5 felt back when it was new? The Air feels that impossible at first, and it hasn’t really worn off in the months since. I never got into the whole Marie Kondo thing, but this iPhone does spark joy for me. It’s also affected every other iPhone in my house, at least in my mind. They all feel clunky. What Comes Next Every once in a while, a product comes along that shows us a glimpse of the future. There is a phrase that is often used to describe a failed product that ends up being right in the end: It was ahead of its time. Think about the Newton, Apple’s PDA from the 1990s. It foretold much of what we have today in the smartphone age, but it couldn’t reach far enough into the future to grasp it. Of course, the iPhone Air isn’t really like the Newton, but the point stands—the iPhone Air is a little part of the future we can enjoy now. One day we’ll look back on it and realize it was the start of a new era. This Air may not be a winner, but one of its successors will surely take the crown. ]]>


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tag:blogger.com,1999:blog-1085572380540048308Tue, 04 Aug 2026 08:15:32 +0000516 ARTSNew Mexico ShowcaseAlbuquerque artiststudio visitAlbuquerqueNew Mexican artistsPeter Frankabstract paintingpaintingCAS PrizeCedra WoodInpost ArtspaceRebekah PotterThe Harwood Art CenterUniversity of New MexicoValerie Roybalinterview20 x 200AROSAaron NobleAlbuquerque painterAline HunzikerAlisa DworskyAndrea PolliArtificial SelectionBethany DelahuntChristy HengstDIYDavid KochDavid LeighEllen BabcockEnormous Tiny Art ShowEtsyEvil and Everything in BetweenISEA2012Installation shotsJessamyn LovellJill ChristianJohn Phillip AbbottLarry Bob PhillipsLaurie MarionLewAllen ContemporaryLindsey FrommLuanne RedeyeMachine WildernessMargaret FitzgeraldMariposa GalleryMark WalkerMel ChinMelanie MosesMetropolis with the ChuppersMiriam SaganMolly GeissmanNanibah ChaconNatalie SmithNettrice GaskinsOutpost Performance SpacePete Yahnke RailandSanta Fe artistSimon MehalekSuperheroes: Icons of GoodSuzi Davidoff and Rachelle ThiewesTamarind InstituteThe Happiness ProjectUNM Art MuseumWells Park Neighborhood AssociationWest Elmassemblageblokscollageencausticmuralpanel discussionsurfboard shaperwomen and creativity516 BLOGnoreply@blogger.com (Anonymous)Blogger57125tag:blogger.com,1999:blog-1085572380540048308.post-809280996738278170Thu, 24 Jan 2019 21:00:00 +00002019-01-29T10:42:43.601-07:00Public Forum: The Future of Work <div style="text-align: left;"> </div> <div style="text-align: left;"> <span style="font-size: 11.0pt;"> In conjunction with the exhibition titled <span style="color: black;"><a href="; target="_blank"><i style="mso-bidi-font-style: normal;">Currency: What do you value</i>?</a></span><span style="color: black; mso-themecolor: text1;">, </span>516 ARTS presented a public forum on January 10 at 516 ARTS examining the future of work. Moderated by <b style="mso-bidi-font-weight: normal;">Shelle Sanchez</b> (Director of Cultural Services, City of Albuquerque), the panelists were: locals <b style="mso-bidi-font-weight: normal;">Sarita Nair</b> (CAO, City of Albuquerque), <b>Solve Maxwell </b>(blockchain entrepreneur and musician), and guests from Austin, Texas <b style="mso-bidi-font-weight: normal;">Steven Tomlinson</b> (chaplain, seminarian and business mentor/coach) and <b style="mso-bidi-font-weight: normal;">Eugene Sepulveda</b> (<span style="color: black;"><a href="; target="_blank">Capital Factory</a></span>, <span style="color: black;"><a href="; target="_blank">Culturati</a></span>, advisor to mayor of Austin). The packed audience included a mix of artists, the general public, people from the City’s Cultural Services and Economic Development Departments, and business and technology organizations that 516 ARTS invited including The BIoScience Center, CNM’s Deep Dive Coding, Cultivating Coders, FatPipeABQ, Impact &amp; Coffee, New Mexico Technology Council and TEDxABQ, among others. The air was buzzing with all of these folks in the room together!<br /></span><br /> <div class="separator" style="clear: both; text-align: center;"> <a href="; imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="799" data-original-width="1600" height="318" src="; width="640" /></a></div> </div> <div class="MsoNormal" style="text-align: left;"> <br /></div> <div class="MsoNormal" style="text-align: left;"> <span style="font-size: 11.0pt;">What big shifts do we see coming in how, where and why we work? Steven emphasized that automation and globalization are almost certainly going to continue, causing mass upheavals in employment and re-definition of work. If there is a guaranteed livable wage what will we do? Evidence points to very socially productive activity…spontaneous re-deployment, collaboration and engagement. The increased value of tech-enabled “high leverage artistic talent” presents opportunities for creative people to impact and express ideas on a larger scale, to create those things that only humans (as opposed to A.I.) can create. These changes present an opportunity to pursue meaningful work instead of just money.</span></div> <div class="MsoNormal"> <br /></div> <div class="MsoNormal"> <span style="font-size: 11.0pt;">Solve pointed out that this is a time to erase borders and collaborate globally, and that innovations like blockchain can provide intellectual property royalties to every contributor to a project, without clumsy and expensive contracts and middlemen. Artists are involved in constructing and communicating new realities in virtual settings.</span></div> <div class="MsoNormal"> <br /></div> <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody> <tr><td style="text-align: center;"><a href="; style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1204" data-original-width="1600" height="240" src="; width="320" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><span style="font-size: xx-small;"><span style="font-family: &quot;verdana&quot; , sans-serif;">Panelists Solve Maxwell &amp; Steven Tomlinson</span></span></td></tr> </tbody></table> <div class="MsoNormal"> <span style="font-size: 11.0pt;">Within the emerging workplace, Eugene emphasized the value of putting the right people together in teams, and evidence was showing that successful innovation requires artists who see things in new ways. Stephen pointed out the challenge to artists in letting go of the anguish of personal expression when participating in the workplace, and instead channeling their prophetic vision in service to others. He highlighted the work of Allison Orr (<a href="; target="_blank"><span style="color: black;"><i style="mso-bidi-font-style: normal;">Trash Dance</i></span>)</a> and her emphasis on the choreography of labor.</span></div> <div class="MsoNormal"> <br /></div> <div class="MsoNormal"> <span style="font-size: 11.0pt;">Sarita questioned the inevitability of these larger changes, and worried that the economic transformations suggested by the other panelists were yet another hurdle for those people (especially in New Mexico) left behind or disadvantaged by previous transformations (such as industrialization and white collar professionalization). Artisan and manual labor still play a role locally and could be emphasized in the future.</span></div> <div class="MsoNormal"> <br /></div> <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody> <tr><td style="text-align: center;"><a href="; style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1253" data-original-width="1600" height="249" src="; width="320" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><span style="font-size: xx-small;"><span style="font-family: &quot;verdana&quot; , sans-serif;">Sarita Nair</span></span></td></tr> </tbody></table> <div class="MsoNormal"> <span style="font-size: 11.0pt;">Are those with wealth/mobility the only ones who can afford and benefit from risk? Eugene concurred that there is reason for caution based on past inequities, but good reason for seeing abundance of opportunity in the current direction. Concern about risk may make us miss opportunities, especially since smart corporations are now valuing and mandating diversity and civic engagement at all levels. On the micro scale, Sarita wanted to see women and communities of color control and own their own production, and sees the City of Albuquerque’s role in providing tools to help these start-ups engage.</span></div> <div class="MsoNormal"> <br /></div> <div class="MsoNormal"> <span style="font-size: 11.0pt;">There was discussion of the need for bold experimentation and constant testing of innovative ideas by cities and civic institutions, and of the role of artists in developing those ideas and providing visions of change. Power and money are seen as only magnifying existing structures, while art, community dialogue, and personal contact are seen as the engines that connect us to our humanity and to a sustainable future. At the same time, Eugene pointed out that the workplace may be one of the last truly integrated places in our lives, where we intersect with individuals form other political, ethnic, gender, and religious groups, and emphasized the need to program civic, cultural and arts dialogue into the work environment.</span></div> <div class="MsoNormal"> <br /></div> <div class="MsoNormal"> <span style="font-size: 11.0pt;">Overall, panelists agreed that within the context of technological and workplace upheaval, definitions of success are being questioned. New emphasis is on community, connection, and the pleasure of shared experiences, with money seen as a tool to achieve these ends rather than an end in itself.</span><br /> <br /> <div class="separator" style="clear: both; text-align: center;"> </div> </div> <div class="MsoNormal"> <b style="mso-bidi-font-weight: normal;"><span style="font-size: 11.0pt;"><br />Panelists’ Suggestions: </span></b></div> <div class="MsoNormal"> <br /></div> <div class="MsoListParagraphCxSpFirst" style="margin-left: 0in; mso-add-space: auto; text-align: justify;"> <span style="font-size: 11.0pt;">Essential Reading:</span></div> <div class="MsoListParagraphCxSpMiddle" style="margin-left: 0in; mso-add-space: auto; text-align: justify;"> <br /></div> <div class="MsoListParagraphCxSpMiddle" style="margin-left: 0in; mso-add-space: auto; text-align: justify;"> <span style="font-size: 11.0pt;">Sarita: <span style="color: black;"><a href="; target="_blank"><i style="mso-bidi-font-style: normal;">Secret Skin</i></a></span><b><span style="color: red;"> </span></b>Podcast by Open Mike Eagle</span></div> <div class="MsoListParagraphCxSpMiddle" style="margin-left: 0in; mso-add-space: auto; text-align: justify;"> <span style="font-size: 11.0pt;">Solve: <i style="mso-bidi-font-style: normal;">Shantaram</i> by Gregory David Roberts,<span style="mso-spacerun: yes;"> </span><span style="color: black;"><a href="; target="_blank"><i style="mso-bidi-font-style: normal;">Off the Chain</i></a></span><span style="color: red;"> </span>Podcast</span></div> <div class="MsoListParagraphCxSpMiddle" style="margin-left: 0in; mso-add-space: auto; text-align: justify;"> <span style="font-size: 11.0pt;">Eugene: Kara Swisher, <span style="color: black;"><a href="; target="_blank"><i style="mso-bidi-font-style: normal;">Box</i></a></span> Podcast</span></div> <div class="MsoListParagraphCxSpMiddle" style="margin-left: 0in; mso-add-space: auto; text-align: justify;"> <span style="font-size: 11.0pt;">Steven: <a href="; target="_blank"><i style="mso-bidi-font-style: normal;">The Wealth of Humans</i></a><span style="color: red;"> </span>by Ryan Avent</span></div> <div class="MsoListParagraphCxSpMiddle" style="margin-left: 0in; mso-add-space: auto; text-align: justify;"> <br /></div> <div class="MsoListParagraphCxSpMiddle" style="margin-left: 0in; mso-add-space: auto; text-align: justify;"> <span style="font-size: 11.0pt;">Favorite Economist:</span></div> <div class="MsoListParagraphCxSpMiddle" style="margin-left: 0in; mso-add-space: auto; text-align: justify;"> <br /></div> <div class="MsoListParagraphCxSpMiddle" style="margin-left: 0in; mso-add-space: auto; text-align: justify;"> <span style="font-size: 11.0pt;">Sarita: Amartya Sen </span></div> <div class="MsoListParagraphCxSpMiddle" style="margin-left: 0in; mso-add-space: auto; text-align: justify;"> <span style="font-size: 11.0pt;">Solve: John Mason Clark</span></div> <div class="MsoListParagraphCxSpMiddle" style="margin-left: 0in; mso-add-space: auto; text-align: justify;"> <span style="font-size: 11.0pt;">Eugene: Paul Krugman</span></div> <div class="MsoListParagraphCxSpMiddle" style="margin-left: 0in; mso-add-space: auto; text-align: justify;"> <span style="font-size: 11.0pt;">Steven: Amartya Sen, Kenneth Boulding, Thomas Picketty</span></div> <div class="MsoListParagraphCxSpLast" style="margin-left: 0in; mso-add-space: auto; text-align: justify;"> <br /></div> <div class="MsoNormal"> <span style="font-size: 11.0pt;">Favorite Artist:</span></div> <div class="MsoNormal"> <br /></div> <div class="MsoNormal"> <span style="font-size: 11.0pt;">Sarita: Wendell Berry, Prince, Barclay Hendricks</span></div> <div class="MsoNormal"> <span style="font-size: 11.0pt;">Solve: Thomas Christopher Haag</span></div> <div class="MsoNormal"> <span style="font-size: 11.0pt;">Eugene: Julie Speed</span></div> <div class="MsoNormal"> <span style="font-size: 11.0pt;">Steven: Wendell Berry<br style="mso-special-character: line-break;" /> <br style="mso-special-character: line-break;" /> </span></div> <div class="MsoNormal"> <i style="mso-bidi-font-style: normal;"><span style="font-size: 11.0pt;">_____________________</span></i></div> <div class="MsoNormal"> <span style="color: black;"><a href="; target="_blank"><i style="mso-bidi-font-style: normal;"><span style="font-size: 11pt;">Currency: What do you value?</span></i></a><span style="font-size: 11pt;"> </span></span><span style="font-size: 11.0pt;">is on view through February 23, 2019 at 516 ARTS</span></div> <div class="MsoNormal"> <span style="font-size: 11.0pt;">516 Central Ave. SW, Albuquerque, New Mexico<span style="mso-spacerun: yes;">&nbsp; </span>•<span style="mso-spacerun: yes;">&nbsp; </span>open Tue – Sat, 12-5pm</span></div> <div class="MsoNormal"> <span class="MsoHyperlink"><span style="font-size: 11.0pt;"><a href="; <div class="MsoNormal"> <span style="font-size: 11.0pt;">Instagram: @516_arts</span><br /> <span style="font-size: 11.0pt;">Facebook: 516artsABQ </span></div> <div class="MsoNormal" style="line-height: 120%; mso-hyphenate: none; mso-layout-grid-align: none; tab-stops: 45.0pt; text-autospace: none; vertical-align: baseline;"> <span style="color: black; font-size: 11.0pt; letter-spacing: 0.5pt; line-height: 120%;"><br /></span></div> <div class="MsoNormal" style="line-height: 120%; mso-hyphenate: none; mso-layout-grid-align: none; tab-stops: 45.0pt; text-autospace: none; vertical-align: baseline;"> Video courtesy of <a href="; target="_blank">Melinda Frame/Frame + Work </a></div> <div class="MsoNormal" style="line-height: 120%; mso-hyphenate: none; mso-layout-grid-align: none; tab-stops: 45.0pt; text-autospace: none; vertical-align: baseline;"> <br /></div> <iframe allowfullscreen="" frameborder="0" height="360" mozallowfullscreen="" src="; webkitallowfullscreen="" width="670"></iframe>2019/01/notes-from-public-forum-future-of-work_24.htmlnoreply@blogger.com (claude.)2tag:blogger.com,1999:blog-1085572380540048308.post-6733741941159034559Sat, 10 Jun 2017 22:48:00 +00002019-01-23T15:12:35.061-07:00Landscapes of Life & Death<div class="separator" style="clear: both; text-align: center;"> </div> <div style="text-align: center;"> <span style="font-family: &quot;verdana&quot; , sans-serif;"><b><span style="font-size: medium;"></span></b></span></div> <div style="text-align: center;"> <div class="separator" style="clear: both; text-align: center;"> </div> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="; imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="720" data-original-width="900" height="512" src="; width="640" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><span style="font-size: xx-small;"><span style="font-family: &quot;verdana&quot; , sans-serif;">Donna J. Wan</span></span></td></tr> </tbody></table> <br /> <span style="font-family: &quot;verdana&quot; , sans-serif;"><b><span style="font-size: medium;">Landscapes of Life &amp; Death</span></b></span></div> <div style="text-align: center;"> <span style="font-family: &quot;verdana&quot; , sans-serif;">by Mary Anne Redding</span></div> <div style="text-align: center;"> <span style="font-family: &quot;verdana&quot; , sans-serif;">Guest Curator<i><br /></i></span></div> <span style="font-family: &quot;verdana&quot; , sans-serif;"><span class="im" style="color: #500050;"></span></span><br /> <div> <div class="m_-2372983172960472573gmail-p1" style="background-color: white;"> </div> <div style="text-align: center;"> <span style="color: #222222; font-family: &quot;verdana&quot; , sans-serif; font-size: 12.8px;"><br /></span></div> <span class="m_-2372983172960472573gmail-s1" style="color: #222222; font-size: 12.8px;"><span style="font-family: &quot;verdana&quot; , sans-serif;">The exhibition,&nbsp;<i>Landscapes of Life &amp; Death</i>, offers a poignant opportunity to look at life, loss, death and the fragile ecosystems we inhabit. Spanning emotionally fraught landscapes of human death as well as environmental landscapes of devastation and renewal, six contemporary photographic artists, Lynne Buchanan, Kevin Horan, Marietta Patricia Leis, Ella Sala Myers, Kevin O’Connell and Donna J. Wan, address the nuances of loss and grief, both for themselves and for the planet, by examining our intimate connections with nature. The idea of death generally makes people uncomfortable, especially when it’s the intimate experience of human death, the death of a beloved pet, or the mass destruction of life and landscape after a devastating fire. Yet many artists explore the shape of loss as a meditation, whether through contemplation of their own passing or through a more universal meditation on loss and grief. Many artists are exploring the no-longer-subtle effects of climate change on the landscape, and on those of us who inhabit altered lands. Photographs, grounded as they are in the “real”—or at least some approximation of reality given digital interventions—reveal a unique vision of the cycles of life and death, often in a public setting. How do contemporary photographic artists grapple with the nuances of loss, of death and life, on both a personal scale and the broader scope of a seared landscape or endangered wildlife inhabiting polluted waterways and lands?</span></span><br /> <span class="m_-2372983172960472573gmail-s1" style="color: #222222; font-size: 12.8px;"><span style="font-family: &quot;verdana&quot; , sans-serif;"><br /></span></span> <br /> <span class="m_-2372983172960472573gmail-s1" style="color: #222222; font-size: 12.8px;"><span style="font-family: &quot;verdana&quot; , sans-serif;"></span></span><br /> <a name='more'></a><span class="m_-2372983172960472573gmail-s1" style="color: #222222; font-size: 12.8px;"><span style="font-family: &quot;verdana&quot; , sans-serif;"><br /></span></span> <br /> <div class="m_-2372983172960472573gmail-p1" style="background-color: white; color: #222222; font-size: 12.8px;"> <div class="separator" style="clear: both; text-align: center;"> </div> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="; imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="792" data-original-width="1008" height="500" src="; width="640" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><span style="font-size: xx-small;"><span style="font-family: &quot;verdana&quot; , sans-serif;">Marietta Patricia Leis</span></span></td></tr> </tbody></table> <span class="m_-2372983172960472573gmail-s1"><span style="font-family: &quot;verdana&quot; , sans-serif;"><b style="font-size: 12.8px;"><br /></b></span></span> <span class="m_-2372983172960472573gmail-s1"><span style="font-family: &quot;verdana&quot; , sans-serif;"><b style="font-size: 12.8px;">Marietta Patricia Leis</b><span style="font-size: 12.8px;">&nbsp;(New Mexico) writes: “The Antarctic is a place so special, so untouched and regal in its natural beauty. The magnificence of the glaciers, mountains, icebergs and yes, storms dwarfing the ship and our ‘humanness’ were beyond anything I had ever experienced. The raw and untouched surroundings felt like being on Earth on the day of its birth.” At the apex, birth is difficult. Drawn to “the end of the earth” because of its position on the planet, Leis did not initially anticipate the dangers of navigating the Drake Passage, even in a seasoned Russian Research vessel. On a trip that took two additional harrowing days, a furious storm and, 50-foot waves pounded the sturdy boat and its sea-sick inhabitants who were lashed to their bunks for safety (even the captain later admitted he had never experienced seas so rough). The storm ended in a sunrise so heartbreaking and beautiful it struck its viewers as a precious gift: they had survived. Ever an artist, Leis managed to photograph the storm through her cabin window and record the sounds of the boat creaking as it crashed through the unrelenting waves.&nbsp;</span></span></span><br /> <span class="m_-2372983172960472573gmail-s1"><span style="font-family: &quot;verdana&quot; , sans-serif;"><br /></span></span></div> <div class="m_-2372983172960472573gmail-p1" style="background-color: white; color: #222222; font-size: 12.8px;"> <div class="separator" style="clear: both; text-align: center;"> </div> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="; imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="543" data-original-width="864" height="402" src="; width="640" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><span style="font-size: xx-small;"><span style="font-family: &quot;verdana&quot; , sans-serif;">Lynne Buchanan</span></span></td></tr> </tbody></table> <b style="font-family: verdana, sans-serif; font-size: 12.8px;"><br /></b> <b style="font-family: verdana, sans-serif; font-size: 12.8px;">Lynne Buchanan</b><span style="font-family: &quot;verdana&quot; , sans-serif; font-size: 12.8px;">&nbsp;(Florida) creates artwork that is place specific, exploring, initially, the protected watersheds and wild riparian areas of her home state of Florida; at the same time, she acknowledges that water issues do not stop at the borderlines of municipalities or states. Instead she sees the interconnected and global nature of our environmental problems, exploring water issues across the United States, in Iceland and in Patagonia. The world’s waterways, she writes, “are treasures that are being irreparably damaged from the negative impacts of climate change, agricultural pollution, population and urban growth, and land development. The preservation of water should not be a partisan issue. It is a basic human right that we all need to work together to preserve”. In the deserts of the Southwest, where dams and water usage wars scar the landscape, Buchanan’s photographs are a call to action to preserve our natural resources for both their natural beauty and their essential role in species survival.&nbsp;</span></div> <div class="m_-2372983172960472573gmail-p1" style="background-color: white; color: #222222; font-size: 12.8px;"> <span class="m_-2372983172960472573gmail-s1"><span style="font-family: &quot;verdana&quot; , sans-serif;"><b><br />Kevin Horan&nbsp;</b>(Washington) began his photographic exploration of the death and metamorphosis of animals when he stumbled upon the scene of a dead deer still bleeding in the snow. Initially horrified, Horan presumed the deer had been killed by careless hunters interested only in the kill, who left without dressing the meat to use for food. Moving closer to photograph the buck, he realized it had been brought down by coyotes or wolves, and his approach had scattered them into the trees to wait, watching, until he left. Moved to ruminate on the words of a friend who was afraid of dying, Horan now seeks out the cycles of life in the natural world as a way of coming to terms with parsing his own physicality. Looking at the still animals, not seeing but sensing the microscopic life that continues, or the dark burnt trees ravished by fire yet carpeted with green soft shoots, brings to mind the poetry of e. e. cummings:&nbsp;</span></span></div> <div class="m_-2372983172960472573gmail-p2" style="background-color: white; color: #222222; font-size: 12.8px;"> <span class="m_-2372983172960472573gmail-s1"><span style="font-family: &quot;verdana&quot; , sans-serif;"><br />… for the leaping greenly spirits of trees</span></span></div> <div class="m_-2372983172960472573gmail-p2" style="background-color: white; color: #222222; font-size: 12.8px;"> <span class="m_-2372983172960472573gmail-s1"><span style="font-family: &quot;verdana&quot; , sans-serif;"><br />and a blue true dream of sky; and for everything</span></span></div> <div class="m_-2372983172960472573gmail-p3" style="background-color: white; color: #222222; font-size: 12.8px;"> <span class="m_-2372983172960472573gmail-s1"><span style="font-family: &quot;verdana&quot; , sans-serif;"><br />which is natural which is infinite which is yes …<sup>&nbsp;1</sup></span></span></div> <div class="m_-2372983172960472573gmail-p1" style="background-color: white; color: #222222; font-size: 12.8px;"> <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody> <tr><td style="text-align: center;"><a href="; imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="725" data-original-width="900" height="514" src="; width="640" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><span style="font-size: xx-small;"><span style="font-family: &quot;verdana&quot; , sans-serif;">Kevin Horan</span></span></td></tr> </tbody></table> <span class="m_-2372983172960472573gmail-s1"><span style="font-family: &quot;verdana&quot; , sans-serif;"><b><br /><br />Donna J. Wan</b>&nbsp;(California) is drawn to “suicide destinations,” those places where people suffering from profound despair will travel, often at great distances from where they live, to situate themselves in nature, in sublimely beautiful landscapes one last time before ending their lives. From her personal experience and research, Wan has found these places are frequently near water, mountains or valleys. She does not pretend to know why anyone chooses the locations they do, nor is it her intent to romanticize places of death, rather, she hopes that her elusively hazy and delicately soft-focused images, which she believes reflects the clouded state of the suicidal mind, will provide just the barest glimpse into the minds of those “that may have thought that dying in these beautiful places was a peaceful way to end their suffering.”&nbsp;</span></span></div> <div class="m_-2372983172960472573gmail-p1" style="background-color: white; color: #222222; font-size: 12.8px;"> <span class="m_-2372983172960472573gmail-s1"><span style="font-family: &quot;verdana&quot; , sans-serif;"><b><br />Kevin O’Connell&nbsp;</b>(Colorado) has a rare form of cancer. He has spent more time than he would like to recall in hospital rooms, in his own room, confined, enduring the process of illness and therapy. Turing to his camera, the artist seeks release from the discomfort, from the ongoing battle between the pain and his weak body, from his struggle to do something with the hours of inactivity, of waiting. Intensely personal, O’Connell’s series,100 Days (inside), 2006 was made while he was undergoing blood transfusions and other invasive cancer treatments. Seeking instant gratification, the artist aimed his Polaroid camera at the shadows and corners of his room, looking for the reward of light, color, and form that pushed past the physicality of the walls, the inescapable smells, and the scratchy sheets, to release, to creativity.&nbsp;</span></span><br /> <br /> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="; imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="702" data-original-width="900" height="498" src="; width="640" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><span style="font-size: xx-small;"><span style="font-family: &quot;verdana&quot; , sans-serif;">Kevin O'Connell</span></span></td></tr> </tbody></table> </div> <div class="m_-2372983172960472573gmail-p1" style="background-color: white; color: #222222; font-size: 12.8px;"> <div class="separator" style="clear: both; text-align: center;"> </div> <span style="font-family: &quot;verdana&quot; , sans-serif; font-size: 12.8px;"><br /></span> <span style="font-family: &quot;verdana&quot; , sans-serif; font-size: 12.8px;">The final part of this exhibition is a tribute to the young artist,&nbsp;</span><b style="font-family: verdana, sans-serif; font-size: 12.8px;">Ella Sala Myers&nbsp;</b><span style="font-family: &quot;verdana&quot; , sans-serif; font-size: 12.8px;">(New Mexico)—Ella’s life ended when she died at the age of 16 in a tragic plane crash. Ella, along with two other students, Michael Sebastian Mahl and Ella Jaz Kirk, were eco-monitors for the Aldo Leopold Charter School in Silver City, New Mexico studying the effects of the newly formed burn scar created by the Signal Fire in the Gila Wilderness. The students were part of the Youth Conservation Corps, monitoring water quality on the Gila River and San Vicente Creek and researching soil and forest ecology for the US Forest Service. During a reconnaissance flight over the path of the flames, the weather changed unexpectedly and the small plane crashed as the private pilot tried to land. No one survived. The short film, cloud photographs and text—reveal a young artist on the brink of a career in the arts—honor the New Mexican landscape, clouds and water, horses and family.&nbsp;</span><br /> <br /> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="; imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="600" data-original-width="900" height="426" src="; width="640" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;"><span style="font-size: xx-small;"><span style="font-family: &quot;verdana&quot; , sans-serif;">Ella Sala Myers</span></span></td></tr> </tbody></table> <span style="font-family: &quot;verdana&quot; , sans-serif; font-size: 12.8px;">&nbsp;</span><span class="m_-2372983172960472573gmail-s1"><span style="font-family: &quot;verdana&quot; , sans-serif;"><br />In many ways, these are the moments that are important to each of us: the landscapes in which we live, our families, and our animal companions. The artists in&nbsp;<i>Landscapes of Life &amp; Death</i>&nbsp;understand that the future of our individual self-preservation, the ongoing exceptionalism of Antarctica, or the beauty of Florida’s waterways are threatened not only by personal action or inaction, but also by global climate change and geopolitical competition for natural resources and other short-sited economic or political gain. We all live and we all die downstream. What are you going to do about the climate we have, personally and collectively, created?&nbsp;</span></span></div> <div class="m_-2372983172960472573gmail-p1" style="background-color: white; color: #222222;"> <div style="font-size: 12.8px;"> <span class="m_-2372983172960472573gmail-s1"><span style="font-family: &quot;verdana&quot; , sans-serif;"><br /></span></span></div> <div style="font-size: 12.8px;"> <span class="m_-2372983172960472573gmail-s1"><span style="font-family: &quot;verdana&quot; , sans-serif;"><br /></span></span></div> <div style="font-size: 12.8px;"> <span class="m_-2372983172960472573gmail-s1"><span style="font-family: &quot;verdana&quot; , sans-serif;"><br /></span></span></div> <br /> <span class="m_-2372983172960472573gmail-s1" style="font-size: x-small;"><span style="font-family: &quot;verdana&quot; , sans-serif; font-size: xx-small;"><span style="color: #333333;">Mary Anne Redding is currently Curator at the Turchin Center. She was previously the Curator of the Marion Center for Photographic Arts and the Chair of the Photography Department at Santa Fe University of Art &amp; Design. And before that was the Curator of Photography for the Palace of the Governors/New Mexico History Museum. She has more than tw</span><span style="color: #333333;">enty-five ye</span><span style="color: #333333;">ars experience working as a curator, archivist, librarian, educator, and arts administrator.</span></span></span></div> </div> <div> <span class="m_-2372983172960472573gmail-s1"><br /></span></div> 2017/06/lanscapes-of-life-death.htmlnoreply@blogger.com (Anonymous)0tag:blogger.com,1999:blog-1085572380540048308.post-3379368427504566633Tue, 02 May 2017 22:13:00 +00002019-01-23T15:19:14.200-07:00Experiments in Cinema v12.3: The Cubano Edition<div class="separator" style="clear: both; text-align: center;"> </div> <div style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 12.8px;"> <b><br /></b></div> <div style="background-color: white; color: #222222; text-align: center;"> <div class="separator" style="clear: both; text-align: center;"> <a href="; imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="946" data-original-width="904" height="640" src="; width="610" /></a></div> <br /> <br /> <span style="font-family: &quot;verdana&quot; , sans-serif;"><b>Experiments in Cinema v12.3: The Cubano Edition</b></span></div> <div class="m_-973122230714301071gmail-p1" style="background-color: white; color: #222222; font-size: 12.8px;"> <span class="m_-973122230714301071gmail-s1"><span style="font-family: &quot;verdana&quot; , sans-serif;"><br /></span></span></div> <div class="m_-973122230714301071gmail-p1" style="background-color: white; color: #222222; font-size: 12.8px;"> <span class="m_-973122230714301071gmail-s1"><span style="font-family: &quot;verdana&quot; , sans-serif;">Experiments in Cinema is an annual celebration of international, cinematic&nbsp;<i>undependence</i>. This Basement Films festival brings the global community of alternative moving image artists to New Mexico as a way of inspiring a new generation of media activists to recognize the value of their voices and to participate in shaping future trends of cultural representation. Experiments in Cinema screens approximately 100 films from over 35 countries in addition to hosting unique lectures, workshops and a regional youth program that features films made by New Mexican high school students. &nbsp;</span></span></div> <div class="m_-973122230714301071gmail-p1" style="background-color: white; color: #222222; font-size: 12.8px;"> <span class="m_-973122230714301071gmail-s1"><i><span style="font-family: &quot;verdana&quot; , sans-serif;"><br /></span></i></span></div> <div class="m_-973122230714301071gmail-p1" style="background-color: white; color: #222222; font-size: 12.8px;"> <span class="m_-973122230714301071gmail-s1"><span style="font-family: &quot;verdana&quot; , sans-serif;"><i>Expanding Video</i>&nbsp;is a pop-up exhibit that mirrors the mission of our festival, offering attendees a cross section of works that speak to our understanding of the depth and breadth of the current sate of the (media) art. To this end, we try to be inclusive while also challenging our own aesthetic predisposition.&nbsp;<i>Expanding Video</i>, and the films and programs presented at the Guild Cinema (our other festival venue), are expressions of this mission. In this exhibit of media-based installation work, not only are we featuring works that embrace new technologies, but also those that look back to embrace what we like to call dead technologies.&nbsp; And, at the risk of suggesting a false binary, we would like to think that we are also presenting works that study “everything in between.” &nbsp;</span></span></div> <div class="m_-973122230714301071gmail-p1" style="background-color: white; color: #222222; font-size: 12.8px;"> <span class="m_-973122230714301071gmail-s1"><span style="font-family: &quot;verdana&quot; , sans-serif;">The title,&nbsp;<i>Expanding Video</i>, is borrowed from Cuban media scholar Yainet Rodriguez. Rodriguez who is one of five Cuban scholars who Experiments in Cinema is hosting as part of our festival’s special focus on Cuban media art this year. Yainet is presenting a program that explores time-based installation work from that island country in conjunction with this pop-up exhibition. One might note that amongst the works in this exhibition is&nbsp;<i>Three In One Flags</i>&nbsp;by Cuban artist, Nestor Siré.</span></span></div> <div class="m_-973122230714301071gmail-p1" style="background-color: white; color: #222222; font-size: 12.8px;"> <span class="m_-973122230714301071gmail-s1"><span style="font-family: &quot;verdana&quot; , sans-serif;"><br /></span></span></div> <div class="m_-973122230714301071gmail-p1" style="background-color: white; color: #222222; font-size: 12.8px;"> <span class="m_-973122230714301071gmail-s1"><span style="font-family: &quot;verdana&quot; , sans-serif;">I am often asked to define&nbsp;<i>undependent</i>&nbsp;cinema (sometimes referred to as experimental, personal or the alternative screen), which is a fair question considering the dynamic nature of the form. Unlike a Western, romantic comedy or horror movie, the parameters and tropes of cinematic&nbsp;<i>undependence</i>&nbsp;are much more slippery, as they necessarily move and oscillate in challenging and unexpected ways. Consider how, back in the 1930s, Georgia O’Keeffe experimented with paint and canvas in terms of how one might re-envision the way a landscape can be represented on a rectangular surface. Or, think about how a scientist might develop a hypothesis and then stage an experiment to explore the validity of his/her assertion. These are all illustrations that suggest possibilities for assessing and interpreting cinematic experimentation.&nbsp;</span></span></div> <div class="m_-973122230714301071gmail-p2" style="background-color: white; color: #222222; font-size: 12.8px;"> <span class="m_-973122230714301071gmail-s1"><span style="font-family: &quot;verdana&quot; , sans-serif;"><br /></span></span></div> <div class="m_-973122230714301071gmail-p2" style="background-color: white; color: #222222; font-size: 12.8px;"> <span class="m_-973122230714301071gmail-s1"><span style="font-family: &quot;verdana&quot; , sans-serif;">I consider&nbsp;<i>undependent</i>, cinematic practitioners to be the traveling troubadours of our day. In the most egalitarian way, these artists are invested in sharing the news of the day (literally and often metaphorically), from their perspectives and from their particular corners of the world. These are works that speak from the heart. They are not tainted by boardrooms filled with marketing executives, burdened by multi-million dollar budgets or assigned value by Saatchi &amp; Saatchi. Too often, the moving image/cinema is thought of as something that necessarily costs millions of dollars to make. If one believes in the cultural importance of the arts, imagine if a painting necessarily cost millions of dollars to make, we would be culturally bankrupt.&nbsp; The moving image arts have a responsibility (like all the arts) to deliver a vital, barometric read of the human condition. To this end it is the goal of Experiments in Cinema to offer works that speak to this responsibility, while also offering opportunities for engagement and, most importantly, participation. Go make a movie (that doesn’t cost millions of dollars to craft) or a time-based installation, and then share it with EVERYONE!</span></span></div> <div class="m_-973122230714301071gmail-p3" style="background-color: white; color: #222222; font-size: 12.8px;"> <span style="font-family: &quot;verdana&quot; , sans-serif;"><span class="m_-973122230714301071gmail-s2"><br /></span></span></div> <div class="m_-973122230714301071gmail-p3" style="background-color: white; color: #222222; font-size: 12.8px;"> <span style="font-family: &quot;verdana&quot; , sans-serif;"><span class="m_-973122230714301071gmail-s2">—</span><span class="m_-973122230714301071gmail-s1">&nbsp;<b>Bryan Konefsky</b></span></span></div> <div class="m_-973122230714301071gmail-p3" style="background-color: white; color: #222222; font-size: 12.8px;"> <span class="m_-973122230714301071gmail-s1"><span style="font-family: &quot;verdana&quot; , sans-serif;">&nbsp; &nbsp; Founder/Director, Experiments in Cinema</span></span></div> <div class="m_-973122230714301071gmail-p3" style="background-color: white; color: #222222; font-size: 12.8px;"> <span class="m_-973122230714301071gmail-s1"><span style="font-family: &quot;verdana&quot; , sans-serif;">&nbsp; &nbsp; President, Basement Films</span></span></div> 2017/05/experiments-in-cinema-v123-cubano.htmlnoreply@blogger.com (Anonymous)0tag:blogger.com,1999:blog-1085572380540048308.post-2464091294738027849Tue, 02 May 2017 21:59:00 +00002019-01-23T15:22:19.299-07:00Decolonizing Nature<div style="background-color: white; color: #222222;"> <div class="separator" style="clear: both; font-family: arial, sans-serif; font-size: 12.8px; text-align: center;"> </div> <div style="font-family: arial, sans-serif; font-size: 12.8px;"> <b style="font-size: 12.8px;"><br /></b></div> <div style="font-family: arial, sans-serif; font-size: 12.8px;"> <div class="separator" style="clear: both; text-align: center;"> <a href="; imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="940" data-original-width="1408" height="426" src="; width="640" /></a></div> <b style="font-size: 12.8px;"><br /></b></div> <div style="font-family: arial, sans-serif; font-size: 12.8px;"> <b style="font-size: 12.8px;"><br /></b></div> <div style="text-align: center;"> <b><span style="font-family: &quot;verdana&quot; , sans-serif;">Decolonizing Nature</span></b><br /> <span class="m_5282114876524945561gmail-s1" style="font-family: &quot;verdana&quot; , sans-serif; text-align: start;">Chloë Courtney &amp; Lara Esther Goldmann,&nbsp;</span><span style="font-family: &quot;verdana&quot; , sans-serif; text-align: start;">Exhibition Curators</span></div> </div> <div class="m_5282114876524945561gmail-p1" style="background-color: white; color: #222222;"> <span class="m_5282114876524945561gmail-s1" style="font-family: &quot;verdana&quot; , sans-serif;"><i><br /></i></span></div> <div class="m_5282114876524945561gmail-p1" style="background-color: white; color: #222222; font-size: 12.8px;"> <span class="m_5282114876524945561gmail-s1" style="font-family: &quot;verdana&quot; , sans-serif;"><a href=" Nature</i>&nbsp;</a>brings together diverse voices to the conversation on geopolitical power structures, coloniality, and their severe impact on ecology and indigenous communities. Together the artists reveal the complexity, as well as the interconnected relationships between ecological and social injustices. Looking at the work of&nbsp;<b>Allora &amp; Calzadilla</b>, addressing the military occupation and ensuing environmental and social injustices in Vieques, Puerto Rico, or the installation&nbsp;<i>Return of a Lake</i>&nbsp;by Brazilian artist&nbsp;<b>Maria Thereza Alves</b>, points to the continuous reproduction of hierarchical power structures.&nbsp;<i>Return of a Lake</i>&nbsp;represents both the artist’s research practice as well as her deep collaboration with the community of Xico in the Valley of Mexico, examining the impact coloniality (the continuation of the logics that made colonization possible) has had and still has on that community and its agricultural practices.</span></div> <div class="m_5282114876524945561gmai


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518 Bites & Sights 518BitesNSights@gmail.com Sun, 23 Feb 2025 00:26:51 +0000 en-US hourly 1 518 Bites & Sights 32 32 9013579 Ichiran Ramen, NYC 2025/02/22/ichiran-ramen-nyc/ 2025/02/22/ichiran-ramen-nyc/#respond Sun, 23 Feb 2025 00:26:49 +0000 ?p=126367 When you hear that some restaurant is the best in New York City, it’s tough to not be skeptical. There are so many restaurants with so many different kinds of […] The post Ichiran Ramen, NYC appeared first on 518 Bites & Sights. ]]> When you hear that some restaurant is the best in New York City, it’s tough to not be skeptical. There are so many restaurants with so many different kinds of foods from so many different countries, how can one be the best. Well, I’m here to tell you that when Ichiran Ramen says they’re the best ramen in New York City, it’s gonna be tough to prove them wrong. I was going to New York City for a work conference, and I was ready for a new, interesting experience. It’s tough to find something different in New York City because (See above) a lot of places lie to get tourists in the door. Add to it that the location I went to was the Times Square location, alarms were already going off in my head as a scam. But, thankfully, I went for it anyway. My theory in New York City, when you choose to dine at a restaurant with food from another country, is if people in the restaurant or in line are speaking the native language of the food in that restaurant, it’s a good tip that the food is decent. Apparently, I was the new kid in line, because everyone seemed to know the plan, except for me. You arrive to the counter where you order your food on a screen. It’s ramen, yes, but you can decide the spiciness and other things to potentially include. Then, you walk to your space facing a window. You hand the receipt you got from the counter to a person behind the window. You can’t see them; you just see hands. Everyone is speaking in Japanese, but there are translations around you so if you’re not fluent, you’re not totally confused. If you order a dessert (I did), they give you a little dish. When you’re done with your meal, you put that little dish on a designated space, and somehow, that tells the kitchen you’re ready. Everything I ate was amazing. The ramen? Best I’ve ever had. The dessert? Incredible. The experience? I won’t stop talking about it. It’s quite calming to be in a space where you don’t feel like you have to talk to anyone, or don’t feel odd for eating alone. Your back is to a room of people, but the experience is with you and the unknown people handing you food through a window. A lot of times these gimmicks are just that, but the experience, paired with how delicious the food is, makes this a place I can’t wait to visit again! The post Ichiran Ramen, NYC appeared first on 518 Bites & Sights. ]]> 2025/02/22/ichiran-ramen-nyc/feed/ 0 126367 Emry’s Garden + The Berlin, Troy 2025/02/22/emrys-garden-the-berlin-troy/ 2025/02/22/emrys-garden-the-berlin-troy/#respond Sun, 23 Feb 2025 00:09:55 +0000


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520 Sports Talk Sports Talk with a Southern Arizona Twist. We Focus on Local Sports. Fri, 23 Oct 2026 02:55:02 +0000 en-US hourly 1 No. 6 men, No. 18 women Swim and Dive conquers SMU /2026/10/no-6-men-no-18-women-swim-and-dive-conquers-smu/ Fri, 23 Oct 2026 02:55:02 +0000 /?p=39254 (Tempe, AZ)  Competing in short-course meters, Sun Devil Swim and Dive came away with two wins against the Mustangs in their final home meet of the calendar year, Thursday afternoon at Mona Plummer Aquatic Center. The women defeated the Mustangs, 221-79 as the men won 210-90, winning 26 races. Final scores: No. 6 ASU Men 210, – SMU, 90 No. 18 ASU Women, 221 – SMU, 79 Who’s going to World Championship trials? Ilya Kharun, Quin Seider, Tolu Young, JT Ewing, Nick Simons, Oliver Munn, Miriam Sheehan, Julia Illmann, Daniel Marinov, Mattia Mauri. Senior Ilya Kharun earned victories in both butterfly events, winning the 100m fly in 49.40 and the 200m fly in 1:51.44, both by multiple seconds. Additionally, junior butterfly specialist Julia Ullmann won both fly events, hitting the wall in 57.59 (100m fly) and the 200m fly in 2:08.82. Both will compete at world trials next weekend. Fifth year Nick Simons swept both of his backstroke events, winning the 100m back in 50.44 and the 200m back in 1:52.18. Junior Tolu Young won his only individual event, placing first in the 50m free in 21.02. Senior Miriam Sheehan was second in the 100m fly in 58.32 and was on both relay teams that placed first. The women’s 200m medley won by 2.05 seconds, hitting the wall in 1:47.00 as the women’s 200 free relay was won in 1:39.03. ASU’s men’s top relay won the 200m medley in 1:33.02 and the 200m free in 1:24.66. Diving results: Women’s 1M: 2. Kayden Hayes (233.55), 3. Libby Thai (204.30), 4. Saeren Brett (198.23) Women’s 3M: 2. Kayden Hayes (247.05), 3. Saeren Brett (222.08), 4. Libby Thai (212.70) Men’s 1M: 2. Mario Del Valle (310.43), 5. Cody Smith (233.25), 7. Carson Christiansen(215.85) Men’s 3M: 4. Mario Del Valle (325.50), 6. Cody Smith (250.35), Carson Christiansen (196.35) Final results: 200m Medley Relay Women – 1. ASU A: 1:47.00 2. ASU B: 1:49:05 3. ASU C: 1:51.04 Men – 1. ASU  A: 1:33.02 2. ASU B: 1:35.42 3. ASU C: 1:35.54 4. ASU D: 1:35.66 800m Freestyle Women – 1. Alexa Reyna: 8:41.84 2. Lia Csulak: 8:58.01 3. Eleaunah Phillips: 9:07.59 Men – 1. Reece Grady: 7:58.27 4. Michael Hochwalt: 8:20.06 5. Ethan Linville: 8:21.35 200m Freestyle Women – 1. Albane Cachot: 1:56.33 2. Grace Lindberg: 1:57.85 3. Maya Hetland: 2:00.10 5. Sonia Vaishnani: 2:01.43 Men – 2. Mattia Mauri: 1:44.28 3. Quin Seider: 1:45.26 4. Noah Mudadu: 1:46.21 7. Saadeddin Saadeddin: 1:51.47 –  Dillion Albertyn: 1:49.22 – Kuba Shaw: 1:46.85 100m Backstroke Women – 1. Jordan Greber: 58.37 2. Alyssa Albertyn: 59.87 3. Alexia Sotomayor: 59.98 (Peru national record) 4. Payden Rafferty: 1:00.57 Men – 1. Nick Simons: 50.44 2. Nathan Muratory: 51.54 3. Parker Deshayes: 51.83 4. Henry Lyness: 52.75 Hayden Hakes: 52.97 Jack Troy: 52.44 100m Breaststroke Women – 1. Lucie Vasquez: 1:06.30 2. June Selin Tran-Hansen: 1:06.89 3. Cali Watts: 1:09.05 7. Lily Jayne Allison: 1:11.94 Men – 1. Oliver Munn: 57.54 3. Brayden Taivassalo: 1:00.45 4. Ian Disoway: 1:00.47 200m Butterfly Women – 1. Julia Ullmann: 2:08.82 3. Monica Leydar Lasalvia: 2:11.01 4. Haddie Vohs: 2:12.54 6. Belis Sakar: 2:16.46 Men – 1. Ilya Kharun: 1:51.44 2. Jake Mason: 1:55.21 4. London Rising: 1:59.34 50m Freestyle Women – 2. Ellie Chalupsky: 24.97 3. Shane Golland: 25.03 6. Rowyn Biffart: 25.83 8. Olivia Colombo: 26.06 Men – 1. Tolu Young: 21:02 2. Jake Lloyd: 21.29 3. August Vetsch: 21.40 4. Tyler Porter: 21.84 100m Freestyle Women – 1. Albane Cachot: 52.55 2. Ellie Chalupsky: 54.15 4. Alyssa Albertyn: 54.70 8. Rowyn Biffart: 56.72 Men – 1. Filip Senc-Samardzic: 47.06 2. Quin Seider: 47.15 3. Mattia Mauri: 48.00 6. Tyler Porter: 48.58 – Dillion Albertyn: 48.99 – Jack Troy: 50.04 200m Backstroke Women – 1. Jordan Greber: 2:09.38 2. Alexia Sotomayor: 2:11.80 3. Payden Rafferty: 2:11.94 5. Alexa Reyna: 2:17.44 Men – 1. Nick Simons: 1:52.18 2. Nathan Muratory: 1:53.75 4. Hayden Hakes: 1:55.64 5. JT Ewing: 1:56.43 200m Breaststroke Women – 1. Lucie Vasquez: 2:24.46 2. June Selin Tran-Hansen: 2:29.54 4. Cali Watts: 2:30.64 5. Lily Jayne Allison: 2:34.86 Men – 1. Daniel Marinov: 2:08.76 2. Ian Disoway: 2:11.49 3. Brayden Taivassalo: 2:12.21 8. Michael Hochwalt: 2:24.56 400m Freestyle Women – 1. Grace Lindberg: 4:11.86 3. Haddie Vohs: 4:17.71 6. Riley Christensen: 4:26.73 Men – 1. Noah Mudadu: 3:44.48 2. Mattia Mauri: 3:44.78 4. Kristupas Trepocka: 3:46.86 – Jake Mason: 3:48.44 – Kuba Shaw: 3:52.02 – Ethan Linville: 4:00.23 100m Butterfly Women – 1. Julia Ullmann: 57.59 2. Miriam Sheehan: 58.32 5. Shane Golland: 1:01.04 7. Monica Leydar Lasalvia: 1:02.10 – Olivia Colombo: 1:02.03 Men – 1. Ilya Kharun: 49.40 2. August Vetsch: 51.00 3. London Rising: 52.17 4. Henry Lyness: 52.39 – Jake Lloyd: 52.63 – Parker Deshayes: 53.38 200m IM Women – 1. Maya Hetland: 2:12.32 2. Sonia Vaishnani: 2:13.39 3. Grace Lindberg: 2:14.27 4. Ariel Beltran: 2:16.33 – Eleaunah Phillips: 2:16.15 – Belis Sakur: 2:20.62 – Lilly Jayne Allison: 2:21.08 – Lia Csulak: 2:22.62 Men – 1. Filip Senc-Samardzic: 1:58.90 3. Reece Grady: 2:01.67 7. Michael Hochwalt: 2:05.77 8. JT Ewing: 2:06.07 200m Free Relay Women – 1. ASU B: 1:39.03 2. ASU A: 1:39.15 5. ASU C: 1:42.74 6. ASU D: 1:44.63 Men – 1. ASU B: 1:24.66 2. ASU A: 1:25.42 3. ASU C: 1:27.52 Up Next: ASU qualifiers will travel to Westmont, Illinois to compete in the World Championship Trials (SCM) from Oct. 28 – 31 at FMC Natatorium. Press Release courtesy of Sun Devil Athletics – Moira Ann Boyes   ]]> Skylar Westburg posts 12 kills as Volleyball beats Scottsdale College /2026/10/skylar-westburg-posts-12-kills-as-volleyball-beats-scottsdale-college/ Thu, 22 Oct 2026 07:23:39 +0000 /?p=39249 (Tucson, AZ)  The Pima Community College volleyball team (13-7, 6-3 in ACCAC) won its fourth straight match and picked up a big ACCAC conference victory as the Aztecs returned to the West Campus Aztec Gymnasium for the first time since Sept. 30. The Aztecs picked up a straight set victory over the Artichokes 25-15, 25-12, 25-15 as they never trailed in the match. Pima swept the regular season meetings with the Artichokes (9-9, 5-5) for the first time since 2021. The Aztecs won in five sets at Scottsdale on Sept. 18. Up 10-9 in the first set, the Aztecs created a little breathing room with three straight points. Sophomore Addison Gilvin (Sahuarita HS) and freshman Skylar Westburg had kills while freshman Leah Stoneking’s (Catalina Foothills HS) ace made it 13-9. Pima led 20-15 and closed out the set with five straight points. Westburg and freshman Victoria Page helped put the Aztecs up 1-0 with their kills during that stretch. Westburg got the Aztecs started in the second set with four kills and Stoneking’s ace put them up 9-1. Sophomore Alexia Hutchens’ (Salpointe Catholic HS) kill gave Pima their first double digit lead of the set at 12-2. The Aztecs held a 19-10 advantage and scored another three straight points to get the lead back to double digits with the help of Page and Wesburg’s kills, and Stoneking’s ace to make it 22-10. The Aztecs took a 2-0 lead. Freshman Amaris Biancuzzo (Mica Mountain HS) scored back-to-back points with a kill and an ace as Pima scored three straight points to take a 7-3 lead and maintained the advantage throughout the final set. Biancuzzo was part of another run as she had two kills and an ace to help them go up 17-9. The Artichokes cut the deficit to five points at 19-14 but would not get any closer. The Aztecs came out of a timeout and scored five straight points to set up match-point at 24-14. Wesburg had the final kill to seal the win. Westburg closed out the match with a team-high 12 kills. Biancuzzo finished with seven kills and two blocks. Stoneking posted 14 digs and three aces while sophomore Breeze Schelter had 15 assists and three aces. Sophomore Alexandra Jacome (Canyon del Oro HS) closed it out with 16 assists and two aces. The Aztecs will play their final regular season road game on Friday at Phoenix College. Game time is set for 7:00 p.m. Press Release courtesy of Pima Aztec Athletics – Raymond Suarez    ]]> Alexia Hutchens named ACCAC Division II Offensive Player of the Week /2026/10/alexia-hutchens-named-accac-division-ii-offensive-player-of-the-week/ Wed, 21 Oct 2026 08:49:13 +0000 /?p=39241 (Tucson, AZ)  Pima Community College volleyball team Alexia Hutchens (Salpointe Catholic HS) produced a standout week on the court for the week of Oct. 11-17. Hutchens, a sophomore outside hitter, was selected ACCAC Division II Offensive Player of the Week. She is the third Pima player to earn the Player of the Week honor this season. Freshman Victoria Page was selected Offensive Player of the Week for Aug. 24-30 and freshman Leah Stoneking (Catalina Foothills HS) captured Defensive Player of the Week for Sept. 13-19. Hutchens had a total of 16 kills on 29 attempts while hitting .448 for the eight sets she appeared in. The Aztecs grabbed victories on the road at Central Arizona College and Mesa Community College. She had six kills on 10 attempts with no errors in their straight set win over the Vaqueras and 10 kills on 19 attempts (.368 hitting percentage) in a five-set thriller over the Thunderbirds. Hutchens has appeared in all 19 matches and played in 58 sets so far this season. She has 86 kills on 247 total attacks (.219 hitting percentage) with 18 digs, 13 blocks, seven aces, three assists and 101.0 points. The Aztecs have four regular season games remaining on the schedule; three of them will be at the West Campus Aztec Gymnasium. They will face off against Scottsdale Community College on Wednesday at 7:00 p.m. See her selection on the ACCAC website: Press Release courtesy of Pima Aztec Athletics – Raymond Suarez    ]]> Paulius Murauskas named Big 12 Preseason Newcomer of the Year /2026/10/paulius-murauskas-named-big-12-preseason-newcomer-of-the-year/ Wed, 21 Oct 2026 08:05:57 +0000 /?p=39232 (Irving, TX)  Sun Devil Men’s Basketball’s Paulius Murauskas was named the Big 12 Newcomer of the Year ahead of the upcoming 2026-27 season. The award, which is voted on by the other coaches in the league, shows the respect Murauskas has garnered after a fantastic 2025-26 campaign. This is the first time a Sun Devil Men’s Basketball player has been named Preseason Newcomer (or Freshman) of the Year in any league. Not only was Murauskas tabbed as the conference’s top newcomer, he also landed on the Big 12 Preseason All-Conference First Team. He is one of 10 individuals to earn the accolade and he becomes the first Sun Devil to achieve the feat since the program transitioned to the Big 12. Here is a breakdown at the Big 12 Preseason Awards/Honors: 2026-27 Big 12 Men’s Basketball Preseason Honors Preseason Player of the Year: Motiejus Krivas, Arizona Preseason Newcomer of the Year: Paulius Murauskas, Arizona State Preseason Freshman of the Year: Tyran Stokes, Kansas 2026-27 All-Big 12 Preseason Team Paulius Murauskas, Arizona State Ivan Kharchenkov, Arizona Motiejus Krivas, Arizona Robert Wright III, BYU* Dedan Thomas Jr., Houston Joseph Tugler, Houston Tamin Lipsey, Iowa State Tyran Stokes, Kansas Xavier Edmonds, TCU JT Toppin, Texas Tech* *Indicates unanimous selection Better call Paul-ius Unanimously regarded as one of the premier transfer prospects in the 2026 portal class No. 10 overall transfer prospect (No. 4 power forward) according to 247 Sports No. 9 overall transfer prospect (No. 6 forward) according to ESPN No. 8 overall transfer prospect (No. 2 power forward) according to Rivals ON3 No. 10 overall transfer prospect (No. 6 forward) according to CBS Sports NABC First Team All-District (2025-26); NABC Second Team All-District (2024-25) Two-time First Team All-WCC selection (2024-25, 2025-26) Teamed up with new Sun Devil Head Coach Randy Bennett to finish a combined 56-12 (82.4%) with two NCAA Tournament appearances over the past two seasons WCC Newcomer of the Year (2024-25) Lute Olson National Player of the Week (Jan. 27, 2025) USBWA Oscar Robertson National Player of the Week (Jan. 6, 2026) Four-time WCC Player of the Week recipient (Dec. 9, 2024, Dec. 1, 2025, Jan. 5, 2026, Jan. 26, 2026) Sixth-most points scored in a Single Season in Program History (606 in 2025-26) Third-most made free throws in a Single Season in Program History (168 in 2025-26) Appeared in every game for the Gaels in 2025-26, starting 32 of the 33 Team’s leading scorer, averaging 18.4 PPG and second leading rebounder at 7.6 RPG Shot 48.2% from the field and 84% from the stripe in 2025-26 Scored in double-figures 30 times for the year Reached 1,000 career points thanks to a career-best 32-point/15-rebound performance at Pacific (Feb. 14, 2026) Recorded seven double-doubles in 2025-26, bringing his career tally to 20 Started and appeared in every game in 2024-25, finishing second on the team in scoring (12.1 PPG) and rebounding (7.7 RPG) Led the WCC with 13 double-doubles in 2024-25 2024-25 Lou Henson Mid-Major All-American Press Release courtesy of Sun Devil Athletics – Connor Smith     ]]> Glover named Big 12 Offensive Player of the Week /2026/10/glover-named-big-12-offensive-player-of-the-week/ Wed, 21 Oct 2026 07:26:58 +0000 /?p=39228 (Irving, TX)  After notching 20-plus kills in both wins last week, senior opposite Noemie Glover is the Big 12 Offensive Player of the Week, No. 8 Sun Devil Volleyball’s second weekly award of the season. Additionally, Glover is on the Big 12 Starting Seven, alongside fellow Sun Devil junior libero Faith Frame. This is the second Big 12 weekly award for Arizona State this season, the first since the first week of the season when freshman Elle Mottola was the Big 12 Rookie of the Week. ASU now has five total Big 12 Starting Seven nods. For Glover, this is her fourth weekly award of her career. For the complete list of Big 12 weekly award winners, head to the conference website. Glover helped Arizona State improve its win streak to six in a row after two wins last week. She started the week by earning 23 kills and a career-high 16 digs in the rivalry win against Arizona at home. In the reverse sweep at No. 17 Kansas on Sunday, she collected a season-high 25 kills, as well as four blocks. Glover has had three matches this season with 20-plus kills (seven in her career) and is on a streak of 12-straight matches with double-digit kills. Holding down the back row, Frame notched double-digit digs in both wins with 18 against Arizona and 17 against Kansas. She has reached double-digit digs in both matches and in three of the last four, making it 11 matches in double figures this season. Additionally, in the rivalry win, she surpassed 1,000 career digs and helped ASU to a 69-dig total, the second-largest dig total of the season for the Sun Devils. Weekly awards this season Big 12 Rookie of the Week Elle Mottola (9/1) Big 12 Offensive Player of the Weekk Noemie Glover (10/20) Big 12 Starting Seven: Elle Mottola (9/1) Una Vajagić (9/1) Zoey Burgess (10/13) Noemie Glover (10/20) Faith Frame (10/20) Up next Arizona State is on the road this week, playing Utah on Thursday and No. 11 BYU on Saturday. Press Release courtesy of Sun Devil Athletics – Kimberlie Haner   ]]> Rattlers Sign Defensive Lineman Jelani Davis /2026/10/rattlers-sign-defensive-lineman-jelani-davis/ Tue, 20 Oct 2026 04:37:06 +0000 /?p=39223 (GLENDALE, AZ)  The Arizona Rattlers have signed rookie defensive lineman Jelani Davis to a contract for the 2027 season.Davis, 6-2, 295 pounds, completed his college eligibility at Kent St. in 2025 where he played one season and appeared in all 12 games recording 24 tackles, 11 of those solo. He had four tackles for loss and 2½ sacks. He had a career high five tackles in a game against Florida St. Prior to Kent St., Davis played two years at Southern University, one at Jacksonville St. and a year of junior college football at Dodge City Community College. In his two seasons at Southern University, Davis played in 15 games and recorded 29 tackles, 13 of those solo. He also had 10½ tackles for loss including six sacks. Davis is from St. Louis. Press Release courtesy of the Arizona Rattlers – Jay Gonzales   ]]> #8 Volleyball completes reverse sweep at #17 Kansas /2026/10/8-volleyball-completes-reverse-sweep-at-17-kansas/ Mon, 19 Oct 2026 06:05:46 +0000 /?p=39218 (Lawrence, KS)  Behind a season-high 25 kills from senior Noemie Glover, No. 8 Sun Devil Volleyball came back from down 2-0 at No. 17 Kansas to win a five-set thriller (17-25, 14-25, 25-22, 25-20, 15-10) in Allen Fieldhouse on Sunday afternoon. Notable stats Arizona State (15-3, 6-1 Big 12) improved its winning streak against Kansas (12-5, 5-2 Big 12) to four in a row after completing the reverse sweep. It also was the second match in a row in this series to go to five sets, both in Lawrence. Head coach JJ Van Niel improved to 9-4 in five-set matches. This was the first reverse sweep during his tenure and the first ASU has had since 2022. The Sun Devils improved to 7-1 against ranked teams this season. This was Van Niel’s 23rd ranked win in his four seasons. Additionally, this is the sixth win in a row. Senior opposite hitter Noemie Glover shined during the national broadcast, earning a season-high and match-high 25 kills. This was her second match in a row with 20-plus kills and 12th-match in a row in double figures. In her career, this was her seventh match with 20 or more kills. It also was a career high in attempts (68). The block came alive in the back half of the match as Arizona State ended up totaling 14.5 in the win. This was the ninth time this season with double-digit blocks, including in five of the last six matches. Senior middle blocker Ella Lomigora tied her season best with eight blocks to lead all players. Fellow middle junior Zoey Burgess added five while three other players had four. The double-double machine of junior outside hitter Una Vajagić kept up her well-rounded play with 15 kills and 10 digs. This was her eighth double-double of the season, all of which have come in the last 10 matches. She now has 18 double-doubles in her career. Junior libero Faith Frame had a match-high 17 digs. This is her second match in a row in double figures, 11th this season. Setters senior Isabella Costantini and freshman Elle Mottola totaled 50 assists in the win. Costantini had 26 assists and 13 digs for her second double-double of the year, 25th of her career. Mottola had 11 assists and four blocks, the latter tying her personal best. Sophomore Maéva Schalk had seven kills, four digs and four blocks in the win. Her block total is a new career high.   Set one: Kansas 25, ASU 17 The Sun Devils started off strong, Glover earning three early kills to help ASU go up 6-2. However, the Jayhawks responded with a big 7-0 run with five aces to take the 9-6 lead. After another run of three for Kansas, Arizona State called its second timeout, down 12-7. The home team added three more to make it six in a row, ASU down 15-7 at the media timeout. The Sun Devils were able to score three in a row with two pin hitter kills and a block, making it 20-14. Glover added a few more points, but Kansas would win 25-17. Set two: Kansas 25, ASU 14 In the second set, the teams traded points until Kansas scored five in a row to double it up, 10-5, and force an early ASU timeout. The Jayhawks made it seven straight until a kill from Vajagić ended the run, 12-6. Following some back and forth, Kansas went on a 4-0 run, which ended after a tip kill from junior middle blocker Antonina Serafinowska at 20-11. A few late kills from Vajagić and Glover got ASU some sideouts, but Kansas would take the 2-0 match lead after winning the set 25-14. Set three: ASU 25, Kansas 22 An ace from freshman defensive specialist Paige Lehman gave ASU an early 4-1 lead. However, Kansas responded with three-straight points to tie it. The Sun Devils went on a 4-1 run with two kills from Glover to go up 11-8. Heading into the media timeout, the Jayhawks scored three in a row to go up 15-14. From there, the back and forth resumed until Arizona State went on a 5-1 run with three Kansas errors to extend the lead to 23-18. The Jayhawks battled back, scoring three-straight points to get within two, 23-21. However, a kill from Burgess got ASU to set point and a block from Burgess and Mottola sealed the win, 25-22. Set four: ASU 25, Kansas 20 The close competition carried over to the fourth set. ASU created some space after scoring three in a row with a kill from Vajagic and two Kansas errors to make it 9-6 and force a timeout from the home team. After a solo block from Mottola, it was an 11-7 lead for the Sun Devils, and the Jayhawks called their second timeout. Kansas put together four-straight points to bring an ASU break, tied at 12-12. The Jayhawks got back on top after a 3-0 run, 18-17, but a kill from Vajagić knotted it up again. Two more kills from Vajagić and a block from Glover and Lomigora put the Sun Devils up 22-19. Arizona State closed out the set with three-straight points, all involving Glover, to win 25-20. Set five: ASU 15, Kansas 10 Vajagić served ASU on a dominant 7-0 run to lead 7-2 to start the fifth set. Glover had three kills in that run. An ace from sophomore defensive specialist Ella Lewis made it a 10-4 advantage, bringing Kansas’ second timeout. Out of the break, the Jayhawks scored three in a row to close the gap, but after a Sun Devil timeout, they missed their serve for the timeout. The block stayed strong, with Burgess getting involved down the stretch, including a block with Mottola to set up match point at 14-10. Fittingly, a block from Lomigora and Vajagić completed the comeback, winning the fifth set 15-10. Up next Arizona State stays on the road next week, heading to Utah to take on the Utah Utes on October 22 before a top-20 matchup at BYU on October 24. Press Release courtesy of Sun Devil Athletics – Kimberlie Haner    ]]> Hockey completes road series sweep over UMass Lowell with 4-2 win /2026/10/hockey-completes-road-series-sweep-over-umass-lowell-with-4-2-win/ Mon, 19 Oct 2026 05:53:29 +0000 /?p=39214 (Lowell, MA)  Behind a career-high 42-save performance from sophomore goaltender Samuel Urban and goals from four different skaters, Sun Devil Hockey (4-2-0) completed its first road series sweep since the 2024-25 season with a 4-2 victory over UMass Lowell (1-3-0) on Saturday night at the Tsongas Center. The victory marked Arizona State’s third consecutive win and second under head coach Dave Hakstol, who is now 2-0-0 since taking over behind the Sun Devil bench. Urban turned aside 42 of 44 shots, including 16 saves in each of the first two periods, to help the Sun Devils secure their first road series sweep since Jan. 31-Feb. 1, 2025. Richard Baran, Nathan Behm, Filip Nordberg and Ben Muthersbaugh each found the back of the net for ASU, while Muthersbaugh added an assist to finish with a team-high two points. Both Baran and Nordberg recorded their first collegiate goals in the win. Freshman forward Nathan Behm continued his impressive start to the season, scoring his fourth goal through six games as he leads all NCAA Division I freshmen in goals scored. Fellow freshman Jonas Woo added an assist on Behm’s second-period power-play goal, bringing his season total to six points (1G, 5A). The Sun Devils also continued their success on special teams, converting one of three power-play opportunities while holding the River Hawks scoreless on all four of their chances. ASU improved to 4-0-0 this season when scoring a power-play goal and has a 95.8% success rate on the penalty kill. ASU will enjoy a bye week before opening NCHC conference play with a two-game road series at St. Cloud State on Oct. 30-31. Game Notes Sophomore goaltender Sam Urban recorded a career-high 42 saves on 44 shots, surpassing his previous career best of 40 saves against North Dakota on Jan. 24, 2026. ASU completed its first road series sweep since Jan. 31-Feb. 1, 2025 (at Miami), and extended its winning streak to three games. Head coach Dave Hakstol improved to 2-0-0 behind the Sun Devil bench after earning his first collegiate victory since March 28, 2015, in Friday night’s series opener. Richard Baran recorded his first collegiate goal, while Filip Nordberg scored his first goal of the season. Sophomore forward Daniel Shlaine extended his career-high point streak to six games with an assist on Baran’s first-period goal. Shlaine has recorded six points (4G, 2A) through ASU’s first six contests. ASU’s penalty kill finished a perfect 4-for-4, while the power play converted once in three opportunities. ASU has scored 26 goals through its first six games of the season, averaging 4.33 goals per contest. The Sun Devils improved to 4-0-0 when scoring a power-play goal this season. Period-by-Period First Period Baran and the Sun Devils opened the scoring  just 3:22 into the first period, with Daniel Shlaineand Ben Kevan collecting assists. Urban made 16 saves in the opening frame to preserve the Sun Devils’ 1-0 advantage heading into the first intermission. Second Period UMass Lowell evened the contest at 1-1 1:35 into the second period The Sun Devils responded late in the frame, beginning with Behm’s power-play goal at 16:27 off assists from Woo and Muthersbaugh to regain the lead. Nordberg extended ASU’s advantage to 3-1 with 13 seconds remaining in the second period to give the Sun Devils a two-goal cushion entering the final frame. Third Period The River Hawks cut the deficit to 3-2 at 3:04 of the period, but ASU responded with Muthersbaugh’s third goal of the season at 9:34 off an assist from Cade Littler, restoring the two-goal advantage. Urban turned aside 10 shots in the final frame as the Sun Devils held on to secure the 4-2 victory and complete the weekend sweep. Quotes Head Coach Dave Hakstol On Samuel Urban’s performance “Tonight, we saw in full display the battle level that Urbs (Samuel Urban) has. A lot of it obviously comes down to skill and ability, but sometimes, even as a goaltender, I think we look past their competitive level, their willingness to meet things nose to nose. I thought Urbs did that this weekend, and for sure at times tonight, he was really important.” On the team’s resilience “For sure, tonight had its challenges, but I sure like the way we reacted. That’s a pretty good hockey team over there. They pushed us and pushed hard. We got through the first 10, 12 minutes of that [second] period, and then we were able to take advantage of the power play. It takes a little bit of presence to go out and take advantage of the power play when you’ve been defending for the better part of the last 10 minutes, and our guys did that.” Press Release courtesy of Sun Devil Athletics – Danny Sullivan   


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