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News Archives - ReverbNation Blog The roadmap for your music career Wed, 15 Oct 2025 18:24:33 +0000 en-US hourly 1 News Archives - ReverbNation Blog 32 32 What Artists Need to Know About Spotify’s ChatGPT Integration Wed, 15 Oct 2025 18:23:42 +0000 Spotify just teamed up with ChatGPT, and it could change the way fans discover music (or at least how they ask for it). With this new integration, anyone can now chat directly with Spotify inside ChatGPT. You can say things like, “Spotify, play moody indie rock for a rainy night,” and it’ll instantly recommend tracks […] The post What Artists Need to Know About Spotify’s ChatGPT Integration appeared first on ReverbNation Blog. ]]> Spotify just teamed up with ChatGPT, and it could change the way fans discover music (or at least how they ask for it). With this new integration, anyone can now chat directly with Spotify inside ChatGPT. You can say things like, “Spotify, play moody indie rock for a rainy night,” and it’ll instantly recommend tracks and playlists that fit the vibe. One tap later, you’re listening on Spotify. It’s all happening in real time and feels surprisingly natural. Kind of like having your own music concierge sitting inside ChatGPT. What Is the Spotify + ChatGPT Integration? It’s essentially a mini Spotify built into ChatGPT. You just mention Spotify in your chat, connect your account once, and you’re off and running. At launch, it’s available (in English) to Spotify users in 145 countries, and it works for both Free and Premium accounts, however  Premium users get more personalized recommendations. Spotify says it’s keeping things private too: it won’t share your audio or video content with OpenAI for training, and you can disconnect anytime. The idea is simple: make discovering music through conversation as easy as talking to a friend about what you’re in the mood to hear. Notable Features for Artists and Fans This feature benefits everyone in the Spotify ecosystem, but it especially benefits the artists who think strategically about how people find and talk about music. Here’s what makes it interesting: Instant, conversational discovery: Fans can ask ChatGPT for music by vibe (“chill for a study session”) or activity (“songs for a long commute”). Spotify responds with tailored playlists or tracks, giving artists one more way to surface in front of potential listeners. More “context-based” plays: Since ChatGPT understands the why behind a request, your music might appear in highly specific moments (like “road trip through the desert” or “Sunday morning jazz vibes”). That’s powerful context that goes beyond normal playlist algorithms. Less friction = more listening: The entire flow from “chat” to “play” is almost instant. That’s a win for both fans who want convenience and artists who want one fewer step between discovery and a stream. Fan-friendly fun: Because it’s conversational, fans can experiment endlessly. They might ask for “music that sounds like The 1975 but less sad,” or “female-fronted pop for a beach drive.” Every time, there’s a chance your music fits the bill. In short: it’s a lightweight, talk-to-listen experience that could help curious listeners stumble into your catalog without searching for you directly. A New Experiment in Music Discovery This integration is brand new, and honestly, nobody knows exactly how it’ll play out yet. It could become a powerful new way for fans to discover music and for artists to get heard. Or it might just be one of those cool features that fades into the background. Either way, it’s worth experimenting early. Try a few prompts, share them with your fans, and see what happens. The best part? You don’t need to master any new tools, you just need to understand how people talk about music. Whether this turns into the next big discovery engine or just another tech blip, it’s still a glimpse into where music and AI are headed, which is more conversational, more personal, and maybe a little more human. The post What Artists Need to Know About Spotify’s ChatGPT Integration appeared first on ReverbNation Blog. ]]> feed/ 0 TikTok launches TikTok for Artists /tiktok-launches-tiktok-for-artists/?utm_source=rss&utm_medium=rss&utm_campaign=tiktok-launches-tiktok-for-artists /tiktok-launches-tiktok-for-artists/#respond Tue, 05 Aug 2025 23:02:25 +0000 What musicians need to know about claiming their TikTok artist profile TikTok for Artists is a new suite of tools designed by TikTok to give musicians more control over their music presence on the platform. By claiming your artist profile, you’ll be able to update your profile photo and bio as a musician (not just […] The post TikTok launches TikTok for Artists appeared first on ReverbNation Blog. ]]> What musicians need to know about claiming their TikTok artist profile TikTok for Artists is a new suite of tools designed by TikTok to give musicians more control over their music presence on the platform. By claiming your artist profile, you’ll be able to update your profile photo and bio as a musician (not just a general user), track how your music is being used across TikTok and see which songs or sounds are gaining traction, promote releases more effectively with deeper insights and engagement tools, and ensure your identity and catalog are properly represented within TikTok’s music ecosystem. Why it’s worth claiming your artist account If your music is distributed to TikTok (via ReverbNation or another distributor), your songs are already available to users as sounds. But if you haven’t claimed your artist identity, you’re missing out on: Customization – Your artist photo, bio, and presence may be generic or inaccurate. Visibility – Claimed artists are more discoverable and look more “official” in search. Insight – You get deeper analytics on how people are using your music. Control – You can fix issues, update your image, and manage your presence more professionally. In short: it’s about putting your best foot forward in one of the most important music discovery spaces today. How to claim your TikTok for Artists profile Here’s how to do it in a few simple steps: Go to: (This is the official TikTok for Artists site.) Click “Claim your profile.” Log into your existing TikTok account (or create one if you don’t already have one linked to your artist brand). Search for your artist name and claim the official artist identity associated with your catalog. Submit any verification materials TikTok may require (they may request links to your distributor, streaming platforms, or social presence). Wait for approval. Once verified, you’ll unlock the full suite of TikTok for Artists tools. If you’re serious about growing your fanbase and building your brand, tools like TikTok for Artists are essential. This isn’t about going viral overnight. It’s about making sure that when people do discover your music on TikTok, your artist identity is solid, searchable, and professional. Keep an eye out as we’ll soon be sharing a deeper post about how to actually use TikTok for Artists to grow your audience. But for now, step one is simple. Hit the link below and claim your account now! Claim your profile at artists.tiktok.com The post TikTok launches TikTok for Artists appeared first on ReverbNation Blog. ]]> /tiktok-launches-tiktok-for-artists/feed/ 0 New Instagram features to help you promote your music /new-instagram-music-promo-features/?utm_source=rss&utm_medium=rss&utm_campaign=new-instagram-music-promo-features /new-instagram-music-promo-features/#respond Tue, 25 Feb 2025 16:35:43 +0000 Instagram just revealed a bunch of new features. And three of them seem particularly useful for artists promoting music. Here's the TLDR... The post New Instagram features to help you promote your music appeared first on ReverbNation Blog. ]]> Instagram has unveiled a bunch of new features to help you “stay close to your crew.” And a few of these tools could be really useful as you promote your music. Here’s the TLDR… 1. Share playable tracks in your DMs If your music is available in Meta’s music catalog, you can share a 30-second snippet within your DMs. Or share a song by your favorite artist. It’ll appear in the conversation, and a nice little vinyl record spins while the track plays. Now don’t go spamming all your contacts! But this feature could be handy for the right moment of promotion or networking. 2. Schedule DMs Ever wanted to write a message to someone on Instagram, but you didn’t, because you thought it’d be more effective or polite to send it at a later time? Now you have the best of both worlds: Compose the DM now, schedule it, and it’ll automatically be delivered later. Again, this could make both networking and fan engagement more convenient. 3. QR codes for group-chat invites Got a valuable group discussion going? Maybe a bunch of musicians sharing venue contacts or advice? Want to make it easier for the right people to join the conversation? QR codes! Which you can change at any time in order to control access to the group-chat. Those are the three new features that seemed most immediately useful for musicians, but there are others — including: Instant text translation Pinning messages to the top of chats And more Check out Instagram’s official announcement for details. The post New Instagram features to help you promote your music appeared first on ReverbNation Blog. ]]> /new-instagram-music-promo-features/feed/ 0 3 key findings about music fans on TikTok /tiktok-fans/?utm_source=rss&utm_medium=rss&utm_campaign=tiktok-fans /tiktok-fans/#respond Mon, 24 Feb 2025 19:26:22 +0000 The newest Music Impact Report just dropped, and there's three interesting things you should know about music fans on TikTok. The post 3 key findings about music fans on TikTok appeared first on ReverbNation Blog. ]]> The newest Music Impact Report by TikTok and Luminate just dropped. There are some interesting stats about music fans on TikTok, plus the artists whose tracks performs well on the platform. Let’s take a closer look.  1. Music discovery is massive on TikTok According to the report: U.S. TikTok users are 74% more likely to discover and share new music on social and short-form video platforms than the average short-form video user.  That’s an impressive distinction between US users of TikTok versus users of other social video platforms.  But remember, even the most active on-platform engagement isn’t proof of off-platform fandom. In a world of algorithmic recommendation, passive consumption, constant feeds, easy (forgettable) sharing, and surface-level engagement, the word “discovery” isn’t very specific. You want more than impressions, views, likes, and shares. You want fans who will follow you music for life. So what are you doing on social to build your email list and boost sales?  2. TikTok drives off-platform results US music fans on TikTok are 68% more likely to pay for streaming than the general population. They also spend 46% more money on music per month. Another impressive figure? TikTok’s Add to Music App feature has generated more than one billion track saves since last year.  This too is encouraging, but remember: TikTok’s definition of “off-platform” means the user is leaving one app for another (Spotify, Apple Music, etc.)  What are you doing to get your audience off those platforms and into venues, onto YOUR website, YOUR email list, YOUR store? 3. Viral & chart success are correlated According to the report: 84% of all songs that entered the Billboard Global 200 this year ‘went viral’ (i.e. had a period of high engagement) on TikTok beforehand. You could interpret this a few ways…. Songs poised for chart success are often supported by teams. Who position tracks that have potential for viral momentum. Prior to release. Via pro influencer campaigns. Or perhaps TikTok functions like radio did. Providing repeat exposure to a hook until we love the track. Or a bit of both? These are just three of the points I found most interesting. There are a lot more stats, insights, and specific case studies in the full report. At the same time as this data suggests users on TikTok lean in more when they engage with music, other data shows the app has lost ground to Instagram, Facebook, and YouTube Shorts over the past year (partially due to uncertainty around TikTok’s future in the USA). Which serves as a good reminder: Trends come and go, and your fans on social platforms are rented audiences. Do what you can to co-own that relationship directly with your fan. The post 3 key findings about music fans on TikTok appeared first on ReverbNation Blog. ]]> /tiktok-fans/feed/ 0 What the heck is happening with TikTok? /tiktok-ban/?utm_source=rss&utm_medium=rss&utm_campaign=tiktok-ban /tiktok-ban/#respond Thu, 23 Jan 2025 14:11:44 +0000 The uncertainty around TikTok's future in the USA has been absolutely nuts. Here are the most important things musicians should know. The post What the heck is happening with TikTok? appeared first on ReverbNation Blog. ]]> It’s nuts. All this uncertainty around TikTok’s future in the USA. The last week alone seemingly contained years of political and corporate intrigue (+whiplash). And musicians have been left scrambling to figure out what it all means for their careers. So we thought we’d have a discussion about: The current state of TikTok in the USA The timeline and decisions that lead to this point Why it’s so important to understand what’s happening And how your music can thrive no matter what else unfolds We break down everything you need to know: What’s Going On TikTok faced a brief U.S. ban after a Supreme Court decision upheld laws targeting platforms owned by “foreign adversaries.” The app is back (for now) thanks in part to President Trump’s intervention, but the future of TikTok in the USA remains uncertain. Why It Matters TikTok has revolutionized music discovery, viral video creation, and audience engagement. But creators can’t rely on a single platform for long-term success. Because even if an app doesn’t face permanent shutdown, it could simply go out of fashion, as we’ve seen with countless other platforms. What You Can Do In this video we share practical tips to diversify your promotional strategies, engage your audience across other platforms like Instagram Reels and YouTube Shorts, and — most importantly — how to get your fans OFF social platforms and ONTO your website and email list. Watch the full discussion above to hear about TikTok’s rocky timeline, its impact on musicians, and some actionable advice to weather the turbulence. The post What the heck is happening with TikTok? appeared first on ReverbNation Blog. ]]> /tiktok-ban/feed/ 0 How the music industry could evolve in 2025 /2025-music-industry/?utm_source=rss&utm_medium=rss&utm_campaign=2025-music-industry /2025-music-industry/#respond Tue, 07 Jan 2025 13:49:47 +0000 Ready to capitalize on new opportunities for your music in 2025? Here are the music industry predictions you should know about. The post How the music industry could evolve in 2025 appeared first on ReverbNation Blog. ]]> Predicting the future? Difficult. Still fun though! And something musicians should do at the start of every new year. Because as a creator, it’s worth keeping an eye on the possible evolutions of the music business, music production, and music marketing. You’ll be better prepared to capitalize on the new opportunities that actually do emerge. So… What do we predict for musicians in 2025? It’s an interesting list of forecasts. And we discussed it all on the first Music Career Study Group of 2025! What could the year ahead mean for artists, creators, labels, and musician services? 2025 Music Predictions Predictions for social We’ll see the equivalent of the great resignation in social usage. Artists will still use social, of course, but we’ll stop prioritizing context-free discovery and algorithmic reach to the same obsessive degree we have for the past few years. “I quit” videos will appear all over YouTube. By which creators will mean: “I quit using these tools for the benefit of the platforms. I will use them for me, even if that means my content isn’t optimized.” – There will be a lot of additional scrutiny placed on social media for its damaging impact on children. Governments, parents, and even kids may turn away from TikTok, Snapchat, BeReal, etc. – in favor of the perceived “safer” incumbent: Instagram. It’s a bit of the devil you know. And because of that, Meta will dominate in 2025. And Instagram will thus become an even more indispensable app for musicians who want to build an audience. – Targeting will become almost obsolete when it comes to music advertising. Meta tools will be further improved to find the right people within a wide audience. – TikTok lives? We predict TikTok survives in the USA, at least in some capacity. The Supreme Court is about to rule on whether the TikTok ban is constitutional. If it’s lawful, there’s still the chance a new buyer can acquire TikTok in the USA. So it’ll probably still be around. But yes, the app is likely to feel different by the end of 2025 no matter what happens. And this whole scenario with TikTok has been a good reminder that you don’t own your relationship with fans on these platforms. Always be working to move your audience closer and closer to methods of communication you control (email, SMS, etc.) Predictions for AI in Music The REAL impact of AI will start to be felt. Distributors and DSPs will be problematically flooded with AI content until they reach some kind of breaking point.  – We’ll also realize how good AI music can be; and have to wrestle with what that means for human creators. But then of course the industry will have to grapple with the fact that people make music for other reasons than just having a hit. Imagine that! Personal growth, expression, the pride of mastering or at least improving at something difficult. – 2025 might see the first true AI hit song. A label will probably be behind it. Could be a posthumous release by a deceased megastar, or possibly a totally new AI artist/avatar. We’ll also see the first “we don’t care that it’s AI” viral hit. A song will break on social, and the fact that it was made by AI will play almost no part in the context for listeners. They will enjoy the song on its own merits. That also means we’ll hear endless takes about the “Death of Music.” – We’ll hear more about blockchain again, as a counterforce to AI deepfakes and generative music. In a world of uncredited digital abundance (AI) you need provable digital scarcity (blockchain).  – A Century of IP precedent is being established this year. Can companies train their models on copyright-protected content? How can artists protect their brand and likeness from imitation or unlicensed usage? We’ll probably know by the end of 2025. – AI tools in music creation and music marketing will make our lives “easier,” but then… we’ll just be even busier. Like is often the case, the solution can become the problem. AI Agents may even help you add to the noise — tweeting for you, for instance — and now the world is even noisier! – Hyper-personalized blah blah blah — Tech giants will keep shoving all manner of hyper-personalization at us, and human tastes will revolt. Maybe not in 2025, but in the next few years. Because while “mood” music works for many hours of the day, when our ears and hearts want to finally put their focus entirely on a musical experience, our souls long for authentic human brilliance and the kinds of communal connections and experiences that grow out of SHARED appreciation, not hyper-personalized lonely isolated listening.  Predictions for the Music Industry An individual artist’s music catalog will sell for $2billion.  – One of the big indie distributors will go through a dramatic transformation as the industry grapples with issues of streaming fraud, fake artists, AI-generated content, the impact of lesser-known artists on the streaming revenue pool, catalog acquisitions, and the general question: How much music can the market hold? I don’t know exactly how the landscape will transform, but in the indie aggregator market, things have been mostly business as usual for years. 2025 will mark a transition. – Taylor Swift will stay home. We won’t hear much from her — besides a couple “Taylor’s Versions” of course. And she will emerge in 2026 to reconquer the world. – Spotify’s grip on the industry will loosen further, as it becomes cooler and cooler for artists to blossom in some strange corner of the internet first, and then turn to Spotify as mere delivery system for tastes that were established elsewhere.  This direct-to-fan trend will be supercharged by subscription fatigue among listeners. – Streaming services will raise more paywalls and in-app style purchases. Want that exclusive live album by your favorite artist? That’ll be an extra few dollars please. – Gracie Abrams will become a household name. This is according to my daughter. She might already be well on the way towards megastardom, so it’s a safe prediction for 2025. But essentially, she’ll have a year like Chappell Roan did in 2024 and build her future as the next T Swift-style artist in terms of command over an audience. Predictions for Indie Music and Artists Will a genre emerge that sounds truly… like the future? I hope so. Maybe that’s less a prediction than a wish for the year ahead. But it seems that despite endless options and hyper-niches, music tastes and music creation has converged towards a mean. It’s a wide enough mean, sure, but still… it feels like the days of musical revolution are over. When’s the last time you heard something that offended your sense of what music even IS? It can’t be true that shocking stylistic innovation is over though. Especially with so much technological and geopolitical unrest, and a global exchange of influence. A new sound is bound to emerge that is truly divisive, the way rap was in the 80s, or punk in the 70s, or even dubstep around the change of centuries. An arresting style that feels unmoored to the average listener. A sound that is surprising, but eventually reshapes music in the 21st century. I’m ready! Or maybe I’ll be the guy shouting “turn it down; that’s not music.” – Running a music career like a real business online will get more expensive. Things like email, SMS, Shopify, Squarespace, merch production, your ad budget — it adds up, and prices are going up.   So perhaps in 2025, artists will do more with less, as a response to price-gouging. Indies will figure out how to get scrappy again.  – A “new” regional sound will go global. It won’t be new at all, of course. Not to the practitioners and fans of that genre. But in the same way that K-pop and Latin Music gained global influence over the last 20 years, we’ll start to hear Western Pop music that contains the stylistic elements of some regional music from an unexpected country.  Any guesses where? The post How the music industry could evolve in 2025 appeared first on ReverbNation Blog. ]]> /2025-music-industry/feed/ 0 2024 Recap: The biggest music news of the year /2024-music-news-recap/?utm_source=rss&utm_medium=rss&utm_campaign=2024-music-news-recap /2024-music-news-recap/#respond Thu, 19 Dec 2024 14:26:09 +0000 What were the biggest music industry news stories of 2024? Let's take a stroll down memory lane and recap the most important events. The post 2024 Recap: The biggest music news of the year appeared first on ReverbNation Blog. ]]> It was an incredibly dynamic year for the music industry. And it’s coming to a close.  Let’s take a look back at 2024 and review the biggest events in music tech, trends, promotion, law, finance, concerts, and more: Show me the money! If 2024 proved anything, it’s that investment is back Some notable examples include: The sale of Hipgnosis Songs Fund Private equity paying big dollars for a stake in GMR Massive price tags for the purchase of classic catalogs by Pink Floyd and Michael Jackson And maybe most notably, Sony Music buying the recording and publishing rights to Queen’s music for almost $1.3billion The details of these individual sales and acquisitions are less important than the overall story:  Money is returning to the music space after the dramatic economic downturn in 2022. As a result, big players are buying, horse-trading, and positioning themselves for an era where proven catalogs can be further leveraged.  So sue me! In 2024, we got momentous lawsuits aplenty  These aren’t your average contests between aggrieved parties. Some of these cases will set important precedent as we face new frontiers in tech, creativity, and ownership: The Department of Justice went after Live Nation-Ticketmaster, accusing the concert giant of operating an unfair monopoly.  Drake is suing his own label’s parent-company, accusing it of using unethical tactics to boost a rival track by Kendrick Lamar. The famous rap beef now continues in court, with accusations of streaming fraud, shady deals with DSPs, and more.  Miley Cyrus famously answered Bruno Mars’ song “When I Was Your Man” with her track “Flowers.”  And now a copyright holder for the Bruno song is suing Miley for copyright infringement, despite Bruno Mars and most of the songs’ writers being against the suit. It will be interesting to see what musicologists and experts in copyright have to say, because “answering” and “influence” (IMO) are not the same thing as plagiarism and infringement.  In a similar copyright gray area, lots of musicians didn’t like how the next president of the USA used their tracks during his campaign events in 2024. And they sued. At the heart of this type of case is the question: Where is the line between the simple remunerated public broadcast of copyright-protected content, and an artist’s right to protect their likeness, image, brand, and reputation. And that question isn’t just important for matters of politics, it’s also being asked in court cases related to AI-generated content.  Speaking of… AI goes to court “Hey Siri, find me a good lawyer” The first half of 2024 was dominated by discussions about AI’s influence on artistry and creativity. But then did you notice? That talk kinda flatlined. The hype waned. Fears subsided (somewhat). Then came the court cases: The major labels sued UDIO and SUNO, accusing them of training their AI models on copyright-protected content. The case will (potentially) settle whether that practice is lawful.   Other cases and legislation wrestled with the question of whether AI services and the people who use them can employ voice mimicry, manipulate someone’s likeness, or otherwise profit from a recognizable brand, image, or style.  Michael Smith – with the help of one of those AI companies mentioned above – distributed a bunch of “fake songs” and is now being sued for streaming manipulation.  And as AI helps to resurrect Bing Crosby for an end-of-year Christmas collaboration with V of the band BTS, we’re reminded that posthumous releases are going to be a continued legal and ethical battleground. It’s no longer a matter of combing through the archives of an artist’s unreleased material for profit potential. There are now unlimited opportunities to make new material and generate new revenue streams.  How do you responsibly manage the legacy and estate of a deceased celebrity in the present and future world of digital resurrections?  (Old) school is still in session Vintage FTW Despite radical shifts in music consumption over the past 25 years, old forms and formats are still showing resilience: Among listeners 13+, radio is still the most popular method of music consumption, accounting for 32% of listening. That includes AM/FM stations and their digital offerings. Honestly, I was surprised radio (in the aggregate) remains so strong, with streaming a close 2nd at 28%.  In 2024, there’s also been a continued uptick in vintage audio sales (vinyl and cassette), as well as increases in vintage audio equipment sales and repair.  App scraps Platform drama on a global stage Here’s the tea: TikTok continued to prove itself a prime player in music discovery, with its unique ability to impact a track’s chart positions and virality. But not everyone loved that fact. Or at least, they didn’t view virality as a fair trade for low payment.  That’s why early in 2024, Universal Music Group made huge headlines by removing its music (and publishing catalog) from TikTok, saying the social platform did not compensate rights-holders fairly. After some downtime, a lot of back and forth, and some complaints from the artist community, UMG eventually restored its catalog on TikTok. Meanwhile, the USA decided it would force parent-company ByteDance to sell TikTok, or else face a ban of the app. This law is being challenged and we’ll see what happens if it gets to the Supreme Court.  In the Spotify department, lots of huge changes in 2024. Starting with its amended payment rules, effectively de-monetizing tracks that have less than 1000 plays per year.  Spotify also stirred up controversy with an attempt to pay less for music when it’s “bundled” with audiobooks.  And then there was that moment mid-year when Spotify’s Daniel Ek said that the cost of creating content was nearing zero, and the entire internet exploded in outrage. (Personally, I think his tweet was taken out of context, but… it made for some good drama).  Gigs go bigger The megastars make a concerted effort Where are stars turning to maximize their earnings? Concerts. As the economics of touring remain a challenge for lesser-known acts and smaller venues, superstars are driving unprecedented profits from live events: 2024 saw the conclusion of Taylor Swift’s record-breaking Eras tour, a 21-month stadium spectacle that generated over $2billion. The highest-grossing tour of all time, Eras also gave a boost to local economies along the tour route, to the tune of $6.5 billion in the USA and Canada alone.  Colplay joined the billion-dollar tour club, with its Music of the Spheres World Tour grossing more than $1billion. They are now the first group in history to gross that much money in a single run of concert dates. Tours are one thing. Mega-concerts are another. With acts like Adele and The Weeknd playing events that draw massive crowds that make your average stadium show look quaint.  All your music in the world Release your entire catalog for no extra cost What’s the biggest story of the year over here at ReverbNation? We launched UNLIMITED music distribution for our premium members. So you can release everything you create and never pay additional distribution fees. Albums, EPs, singles, remixes, sped-up versions, live cuts, demos, collabs, holiday tracks, and more. Plus, you’ll get unlimited promotion through Opportunities, an onramp to major music publishing, and a host of musician tools! RELEASE MUSIC NOW What big events did I miss? As I said above, 2024 was a dynamic year. Lots of change. Lots of debate. Lots of big achievements and memorable stories.  Inevitably, as with all end-of-year lists, I’m sure I missed something noteworthy. So join me and Kevin Breuner on this week’s Music Career Study Group as we recap these news stories from 2024. We’d love for you to be a part of the discussion on YouTube or Facebook, and let us know what you thought was the biggest music news of the year: JOIN THE STUDY GROUP The post 2024 Recap: The biggest music news of the year appeared first on ReverbNation Blog. ]]> /2024-music-news-recap/feed/ 0 ReverbNation launches UNLIMITED music distribution /unlimited-music-distribution/?utm_source=rss&utm_medium=rss&utm_campaign=unlimited-music-distribution /unlimited-music-distribution/#respond Mon, 04 Nov 2024 18:11:54 +0000


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Special Needs Archives | Schoolyard Blog | Teacher Resources | School Specialty Tips and trending topics for the teacher who's always learning Thu, 10 Sep 2026 14:34:48 +0000 en-US hourly 1 6 Steps to Creating a Classroom Calming Corner #respond Fri, 14 Aug 2026 15:01:12 +0000 Self-management doesn’t come easy to many children, especially those with behavioral and emotional issues. And for some students, the noise levels, social interaction, and sensory input they experience during the school day can feel overwhelming. Like adults, students sometimes need some space to calm themselves. You can offer your students this respite when they […] The post 6 Steps to Creating a Classroom Calming Corner appeared first on Schoolyard Blog | Teacher Resources | School Specialty. ]]> Self-management doesn’t come easy to many children, especially those with behavioral and emotional issues. And for some students, the noise levels, social interaction, and sensory input they experience during the school day can feel overwhelming. Like adults, students sometimes need some space to calm themselves. You can offer your students this respite when they need it and a space to decompress with a calming corner in your classroom. What is a calming corner? Calming corners can take many forms. In general, they are an area in your classroom that reduces stimuli and is equipped with comfortable furnishings and tools to help children identify and manage their emotions.  Benefits of a calming corner Learning social-emotional skills like self-management has many benefits for students, including helping them focus on academics. Here are just a few of the reasons calming corners should be an essential part of your strategy for teaching social-emotional skills:  It’s inclusive: Although you can create a calming corner in any area of the school, such as the library or counseling office, when you create one in your classroom, your students can continue to be a part of the learning environment even when they need to cool down. This ensures that self-management isn’t treated as a punishment but rather as a normal way to deal with emotions.  It rewards positive behavior: A well-created calming corner will be a place where students feel safe to escape to and enjoy. In this way, managing their emotions is treated as a reward, which reinforces this positive behavior and essential social-emotional skill.  It builds skills: The more tools kids have in their social-emotional toolbox, the easier it is for them to control their emotions and impulses in stressful situations. Implementing a calming corner allows students to practice these skills in a safe space so they can be prepared for any situation.  Creating your calming corner Your calming corner doesn’t have to be fancy or expensive. Here are some key things to think through when you start planning. 1. Consider comfort   Sometimes the ability to physically shift and relax their body can help a student focus. Start by choosing an out-of-the-way area of the room that you can partition off for privacy. Then furnish it with a soft rug and cozy elements, such as a beanbag chair and some pillows. A comfortable space gives students a place to relax, take deep breaths, and let their body loosen up. Weighted blankets and other weighted materials also help reduce anxiety. Provide a blanket, vest, or a weighted animal friend in your calming corner to help reduce students’ worries and fears. 2. Help students identify emotions For younger students, it starts with learning about all the different types of emotions they can experience. Once they can put a name to those emotions, they can identify, understand, and process them.  Help students identify emotions, understand what types of things trigger them, and use techniques to manage them. After working on identifying emotions in the classroom, provide notebooks or manipulatives in your calming corner to help students do emotion check-ins, and feature comforting elements like a plush companion.  You can also hang posters that remind students of calm-down strategies they can use when they are feeling frustrated or overwhelmed.  3. Channel the senses Some students need something to manipulate, see, or smell to help them refocus their minds and get ready to return to learning. Here are some ways to engage all the senses:  Active seating, such as a ball chair or a rocking stool, can help students expel excess energy.  Fidget tools give hands something non-destructive to do. Students can twist, turn, tug, and rub these sensory tools to help quiet their minds.   Biophilic elements have soothing benefits. Incorporate some plant life into your space if you can, or bring in natural calming elements, such as a desktop aquarium. Sensory liquid sets offer students a soothing visual distraction.  Coloring or working with clay or other materials can help students express their emotions through art and give them a relaxing project to focus on.  4. Reduce sensory stimulation  Too much noise, light, or visual distraction can quickly overwhelm children, especially those with sensory issues. Your calming corner can help students cope by reducing external stimuli. Try these effective tools:  Visual barriers: Use freestanding barriers or curtains to create barriers around your calming corner, which offers a sense of privacy and reduces visual stimulation.  Noise-canceling headphones: Cut down on the amount of noise students experience.  Light-reducing filters: Reduce the glare of fluorescent lights and produce a serene atmosphere.  Black-out tent: Give students the ultimate respite with a tent that reduces sensory input. 5. Think through your calming corner procedures  Before you start using your new space, you’ll want to think through some of the procedures you’ll use.  How will students know you would like them to go to the calming corner?  How can students signal you that they need to use the space?  Will you have a set time limit? If so, do you have a way to visually represent the time for students, such as a sand timer?  How should students act when another student is using the space?  How will you handle students who aren’t using the space properly or are abusing the space?  How will you handle students who are overusing the space (perhaps by providing time-out tickets for a set number of uses)? 6. Remember to practice, practice, practice After you create your calming corner, be sure to model the procedures for using it. Role-play situations and show students how to act when they need to use the space. You’ll also want to talk about how the rest of the class should act when they see a student using the space. Involving students in setting the rules for your calming corner will help them feel more invested in making sure the rules are followed.  Last but not least, have your students help you choose a name for your calming corner that helps them feel the space belongs to them.  The post 6 Steps to Creating a Classroom Calming Corner appeared first on Schoolyard Blog | Teacher Resources | School Specialty. ]]> feed/ 0 How to Create and Deliver High-quality Student Interventions /how-to-create-and-deliver-high-quality-student-interventions/ /how-to-create-and-deliver-high-quality-student-interventions/#respond Thu, 09 May 2024 14:26:26 +0000 /?p=15567 Student interventions are an essential part of any K-12 education system. Each student’s needs are unique, and some students might need additional guidance beyond what they get through whole class instruction. A multi-tiered system of supports (MTSS) or a Response to Intervention program (RTI) ensure that students’ various learning needs are addressed, allowing everyone […] The post How to Create and Deliver High-quality Student Interventions appeared first on Schoolyard Blog | Teacher Resources | School Specialty. ]]> Student interventions are an essential part of any K-12 education system. Each student’s needs are unique, and some students might need additional guidance beyond what they get through whole class instruction. A multi-tiered system of supports (MTSS) or a Response to Intervention program (RTI) ensure that students’ various learning needs are addressed, allowing everyone to thrive. In a tiered intervention system, all students receive core instruction. Those who need more help in meeting academic or behavioral goals then receive additional instruction in a small group environment, such as in reading or math groups. Students who need further help might receive one-on-one support through specialized instruction, behavioral support, or even replacement instruction as necessary. Along with instructional practices, the learning environment can support intervention. Whether the interventions are academic, social emotional, or behavioral in nature, high-quality student intervention systems all share some key characteristics. Here are four critical strategies for designing and delivering student interventions that lead to success. Information is Power For interventions to be effective, educators must identify every student’s strengths and needs, then match each child with an appropriate intervention, monitor their progress, and make adjustments as needed. This requires educators to collect and analyze social-emotional, behavioral, and achievement data for every student on an ongoing basis. The Center on Multi-Tiered System of Supports from the nonprofit, nonpartisan American Institutes for Research (AIR) describes four essential components of an MTSS framework. Screening This is a systematic process for identifying students who might be at risk for not meeting learning outcomes. Screening is generally conducted three times a year through reliable and valid assessment tools. Multi-level Prevention System This is an integrated continuum of academic, social emotional, and behavioral instruction and intervention that includes three tiers of intensity. MTSS is a multi-tiered system of supports. MTSS teams should be representative of all key stakeholders, including regular education, special education, administration, and family and community input. Progress Monitoring This involves the use of valid and reliable assessment tools to monitor students’ progress, gauge their response to interventions, and evaluate the effectiveness of these supports. If students aren’t making sufficient progress, they might be paired with a different intervention or moved from Tier 2 to Tier 3 intervention. Data-based Decision-making All of this activity relies on the collection and use of student performance data, including grades, test scores, teacher observations, and the results from student screening and progress monitoring. It Takes a Village Decisions about which students need which types of interventions are best made collectively, with a student support, success, or intervention team regularly reviewing the data and discussing the best course of action for specific students. Teams should include representation from a broad array of roles and perspectives, including administrators, counselors, and both regular and special education teachers. The process should be collaborative, with everyone on the team having a voice. The most successful teams are made up of volunteers, so leaders should try to assign members who genuinely want to participate. The Center on Multi-Tiered System of Supports provides guidance on creating effective school-based intervention teams. Elementary Sensory Chill Corners take a small footprint within a general education classroom (or other space within a school) primarily designed for an individual to take respite within a classroom setting for self-regulation. Rendering provided by Projects By Design® from School Specialty®. Effective Interventions Require High-Quality Resources and Environments This might seem obvious, but you can’t deliver effective interventions without high-quality (and evidence-based) instructional resources to support them. The right resources can foster creativity and self-expression, which are essential components of social emotional learning. The learning environment should also be utilized to support instruction and intervention. Ensuring that the environment supports instruction allows students to build agency for their learning, collaborate, and have choice and voice to learn where they best learn is critical to support the instructional practices. Research indicates that the design of the physical learning environment has a big influence on both the type and quality of instruction that occurs in that space. To maximize the effectiveness of student interventions, think about the design of the classrooms and other spaces where this learning occurs. Learning environments can be designed to support student interventions at each tier of instruction. In Tier 1, for instance, flexible furnishings that can be moved around the room easily to create various student groupings make it easy to transition from whole group to small group instruction or even individual learning. The right type of classroom design can also promote student wellness and social emotional learning. In this tier, a school might also consider how they encourage social interactions and collaboration by providing a “hallway hangout” with soft seating or small group work areas. Schools may want to consider the use of acoustics to quiet noise in a more public area. These areas may also be used with tier two interventions. Snoezelen® multi-sensory environments provide a self-guided sensory options space for students at all levels of cognitive and motor function. They can used for relaxation or purposeful engagement and learning. Rendering provided by Projects By Design® from School Specialty®. Tier 2 environments can allow students to take respite or support the need for a quiet space to work. This can be a chill corner in the back of a classroom that has soft seating, fidgets, or even sensory panels. Again, some of this instruction at tier two can benefit from using a “hallway hangout” space for small group or individual support. Students who need Tier 3 behavioral intervention might benefit from spending time in a Snoezelen® multi-sensory room. Students with sensory processing concerns may benefit from interventions focused on proprioceptive input, vestibular input, or oral motor, language, and auditory skills. A Snoezelen® multi-sensory room allows a student to control their environmental inputs by changing the colors or sounds in the room, among other things. Fostering Success With interventions playing an increasingly important role in K-12 instruction, how you design and deliver these programs is fundamental to student success. By following this advice, you can develop highly effective student intervention programs that enable everyone to flourish. Dr. Sue Ann Highland Sue Ann Highland, PhD, is the National Education Strategist for School Specialty. She has more than 25 years of experience as an educator, administrator, and consultant with school systems across the United States, with broad expertise in designing and creating highly effective learning environments. Read more by Dr. Sue Ann Highland–> The post How to Create and Deliver High-quality Student Interventions appeared first on Schoolyard Blog | Teacher Resources | School Specialty. ]]> /how-to-create-and-deliver-high-quality-student-interventions/feed/ 0 Creating Inclusive Early Childhood Spaces /the-schoolyard-podcast-episode-11-creating-inclusive-early-childhood-spaces/ /the-schoolyard-podcast-episode-11-creating-inclusive-early-childhood-spaces/#respond Thu, 30 Nov 2023 15:57:11 +0000 /?p=15055 An inclusive early childhood classroom space is an intentional environment that promotes both physical and emotional development. In this episode, host Nancy Chung interviews early childhood expert Jennifer Fernandez, and we welcome back Cecilia Cruse, MS, OTR/L, to discuss ways to create an early childhood space and how to modify it to encourage independence […] The post Creating Inclusive Early Childhood Spaces appeared first on Schoolyard Blog | Teacher Resources | School Specialty. ]]> An inclusive early childhood classroom space is an intentional environment that promotes both physical and emotional development. In this episode, host Nancy Chung interviews early childhood expert Jennifer Fernandez, and we welcome back Cecilia Cruse, MS, OTR/L, to discuss ways to create an early childhood space and how to modify it to encourage independence and inclusivity. Table of ContentsLively and Engaging EnvironmentOpen, Spacious, and Clutter-freeEncourage Independence and Inclusivity Lively and Engaging Environment Important considerations for creating an engaging early childhood space include providing a clear spatial boundary definition. If deep touch pressure input isn’t available, there are many items that can be used as spot markers. Commonly used in physical education, a set of colored tiles or tactile shapes work well as visual “seed spots” to set clear boundary expectations. Many of our children need that extra boundary input so they know where they are in space, because their own body doesn’t register well enough yet. So those are kids that fall off their chair or crash into other kids. We have to set up very clear boundaries that give deep touch pressure to their body, if possible. But if not, at least a visual cue, like a spot marker or painter’s tape on the floor, whether it’s color-based or shape-based, so they know where they belong in space. Cecilia Cruse HowdaHug Petite Hug Roll-Up Seat, Multiple Colors Abilitations Round Sensory Floor Tiles, Set of 4 Learning Advantage Tactile Shells, Transparent, Set Of 36 Open, Spacious, and Clutter-free An early childhood classroom should include items that are purposeful and intentional. Everything from acoustics to color palette will affect young learners. The right manipulatives should be inclusive and help students develop fine motor skills. If there’s too much color or the room is too bright, light-dampening shades can help relieve added stress and overstimulation from fluorescent lighting. The teacher should be able to know the ‘why’ behind everything in your classroom. Why are you using this piece of furniture? Why do you have this material out? Which is kind of a daunting thing to think of as a teacher. Can I explain everything in my classroom? But if you have been purposeful and intentional, you should be able to do that. Jennifer Fernandez Childcraft Magnetic Building Tiles, Set of 64 Childcraft Peaceful Plaid Carpet, Rectangle Pacific Play Tents Cozy Shades Softening Light Filters, 54 x 24 Inches, Green, Set of 4 Encourage Independence and Inclusivity As discussed in a previous episode, there are a number of ways to create an engaging sensory space that’s suitable for everyone. You can even turn common classroom materials into adaptive tools that promote inclusivity in the classroom. An inclusive universal design is adaptive for students with special needs and encourages independent learning for all early childhood students. Jennifer Fernandez – Early Childhood Subject Matter Expert at School Specialty Jennifer has over 30 years of experience in education. She has a BA in Elementary Education & Spanish and a Master’s in Bilingual Education. She has taught PreK4-2nd grade in general & bilingual/dual language settings in Texas, Minnesota, and Mexico City. She was a professional learning specialist for PreK4SA in San Antonio for seven years. Jennifer is currently the national Early Childhood Subject Matter Expert at School Specialty, where she supports sales, marketing, and merchandising in the early childhood category, provides professional development, and presents at state and national early childhood conferences throughout the country. Cecilia Cruse MS, OTR/L – Special Needs Subject Matter Expert at School Specialty Cecilia received her BS degree in Occupational Therapy from the University of Florida and her Master’s in Education from Georgia State University. She is SIPT (Sensory Integration & Praxis Test) certified. She has over 30 years of experience in pediatrics with school-based services (including preschool and Head Start programs), acute care, and outpatient pediatric settings, including Augusta University in Georgia and Children’s Healthcare of Atlanta at Scottish Rite. Cecilia has experience as a consultant, author, and lecturer, including TV appearances such as CNN’s Health Watch. She has authored multiple articles for professional periodicals and magazines and has served as a trainer, consultant, and service provider in several school systems. Cecilia is currently the Subject Matter Expert for Abilitations and School Specialty’s Special Needs Division, where she frequently consults with Learning Environment Specialists to make recommendations for inclusive and sensory-friendly spaces and classrooms. She also lectures nationwide on practical sensory solutions for educators and therapists. The post Creating Inclusive Early Childhood Spaces appeared first on Schoolyard Blog | Teacher Resources | School Specialty. ]]> /the-schoolyard-podcast-episode-11-creating-inclusive-early-childhood-spaces/feed/ 0 Adaptive Art – Art for All Students /the-schoolyard-podcast-episode-7-adaptive-art-art-for-all-students/ /the-schoolyard-podcast-episode-7-adaptive-art-art-for-all-students/#respond Mon, 02 Oct 2023 18:38:52 +0000 /?p=14849 Adaptive art is a wonderful way to bring people together through creativity and self-expression. In this episode, host Nancy Chung interviews art therapist and adaptive art specialist Susan Loesl about making art accessible and enjoyable for everyone, regardless of their abilities or limitations. Defining Adaptive Art The importance of adaptive art lies in its […] The post Adaptive Art – Art for All Students appeared first on Schoolyard Blog | Teacher Resources | School Specialty. ]]> Adaptive art is a wonderful way to bring people together through creativity and self-expression. In this episode, host Nancy Chung interviews art therapist and adaptive art specialist Susan Loesl about making art accessible and enjoyable for everyone, regardless of their abilities or limitations. Defining Adaptive Art The importance of adaptive art lies in its ability to allow individuals with disabilities or special needs to engage with and express themselves through art. It breaks down barriers and promotes inclusivity, allowing everyone to participate in the creative process. Adaptive art provides ways to access artmaking as independently as possible by providing alternative art materials and adapting art techniques. Susan Loesl Why We Need Adaptive Art By making art more accessible, we can challenge societal norms and stereotypes surrounding disability, showcasing the unique talents and perspectives of individuals who have been marginalized in the past. It also encourages personal growth, fosters a sense of belonging, and empowers individuals to embrace creativity. Adaptive art celebrates diversity and helps create a more inclusive society. Oftentimes what will happen is that if a student can’t cut well, somebody will always cut the materials out for them and they don’t get that experience. Susan Loesl In this scenario, Sue suggests using adaptive scissors, which feature a loop on the handle that allows for increased strength and control in cutting. She also encourages having these tools available for the entire class so that no one feels left out or different. Nancy Chung interviews art therapist Sue Loesl Creating an Adaptive Art Classroom For teachers who want to incorporate adaptive art into their classrooms, there are plenty of resources available. Online platforms and communities dedicated to adaptive art provide a wealth of information, including lesson plans, instructional videos, and tips for adapting art activities to meet the needs of diverse learners. Organizations and nonprofits specializing in adaptive art education also offer workshops, training sessions, and professional development opportunities for educators. Local art therapists or art educators with experience working with individuals with disabilities or special needs can also provide valuable insights and guidance. By utilizing these resources and seeking support from the adaptive art community, teachers can confidently incorporate adaptive art into their classrooms and create a more inclusive and accessible learning environment for all students. Sue Loesl is an adaptive art specialist and art therapist presently consulting with School Specialty concerning adapted art materials, tools, and techniques for persons with disabilities. Professionally, she is a board-certified art therapist and certified supervisor through the American Art Therapy Association, possesses an art therapist with psychotherapy license from Wisconsin, and has a lifetime art and adaptive educator license. She retired from Milwaukee Public Schools in Milwaukee, Wisconsin, after 30 years of supporting art and special educators with strategies that create opportunities for students with disabilities to access artmaking as independently as possible. Sue has also worked with adolescents in residential treatment centers and with the elderly, sharing her adaptations. She was the Wisconsin Art Educator of the Year in 2020. Sue has published articles, white papers, and chapters in four books pertaining to adaptive art, presents at conferences, and is available for online presentations to preservice teachers’ classes and to seasoned art therapy and art education professionals throughout the US and internationally. Sue now lives in the woods in North Central Wisconsin and loves being outdoors with her husband. The post Adaptive Art – Art for All Students appeared first on Schoolyard Blog | Teacher Resources | School Specialty. ]]> /the-schoolyard-podcast-episode-7-adaptive-art-art-for-all-students/feed/ 0 What Sports Athletes Know: Chewing Makes Good Brain Sense! /what-sports-athletes-know-chewing-makes-good-brain-sense/ /what-sports-athletes-know-chewing-makes-good-brain-sense/#respond Wed, 15 Mar 2023 16:34:08 +0000 /?p=13593 Watch any of the great baseball pitchers, and you’ll often see them chewing sunflower seeds or a wad of bubblegum in their mouth. Or how about football players that chew on their mouthguards between plays. These athletes are using oral motor skills as part of their success repertoire. Research studies have reported the positive […] The post What Sports Athletes Know: Chewing Makes Good Brain Sense! appeared first on Schoolyard Blog | Teacher Resources | School Specialty. ]]> Watch any of the great baseball pitchers, and you’ll


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andysug, Author at UOSM 2033 UOSM2033: Living and Working on the Web Sun, 11 Jan 2015 18:45:41 +0000 en-GB hourly 1 All good things must end. #respond Sun, 11 Jan 2015 18:45:41 +0000 Unlike every other module I’ve done at this university, UOSM2033 has been pretty much entirely based around communication. This has been a very interesting difference, as people have been able to put their points of view across strongly and actually … Continue reading → The post All good things must end. appeared first on UOSM 2033. ]]> Unlike every other module I’ve done at this university, UOSM2033 has been pretty much entirely based around communication. This has been a very interesting difference, as people have been able to put their points of view across strongly and actually try to better each other’s understanding while going about it. In some ways I think everyone has learnt a lot from it, and by the end views were not so disparate as they might have been at the start of the module. As I’ve found necessary during the module occasionally, it’s time to have a break to reduce it into stats. My blog has had 698 hits during the period of the module. In total, my posts had 26 comments, and 10 pingbacks as well, my favourite being from week 2’s general feedback post! I’ve also created a word cloud of the words I used in my posts this module, just to give a sense of perspective and shape to proceedings. I definitely used sources from the Guardian more often than I was expecting. The module has made me take on a number of different social networking platforms that I may not otherwise have used. I made a return to LinkedIn, and found that very little had changed since I’d been away. I was convinced to, however, by the massive amounts of support for it around the course, which was something I did find very interesting. It makes me very curious indeed as to what sort of contacts other people might have built up throughout life that it’s possible I am entirely missing. I also created an about.me some time back, though all this has managed to do for me so far is send me another newsletter email to delete every week. Ah well. I think one thing we can all take forward to other modules is the communicative community that has built up around UOSM2033 (it’s getting hard to write that without a hashtag in front). It will definitely encourage me to partake more in facebook groups for other modules I am involved in next semester to see if that has equally positive results. I have also enjoyed thinking about how the web, which one uses every day, can be used from such a number of different perspectives. Academia, for example, uses the web more than I could have imagined, and it’s also a battleground for all sorts of disputes… from #Gamergate to Topic 5’s Spotify debate! Finally, I’ve learnt a plethora of new ways to present information, which I will be keeping in mind for use in other modules when the situation allows it. My own Powtoon and Prezi, along with a range of other ideas including vlogs and audio presentations have made this a very interesting and varied course. And of course, who knows what could happen on this blog in the future? The post All good things must end. appeared first on UOSM 2033. ]]> feed/ 0 494 Reflections on Open Access /2014/topic-5-2014/2014/12/reflections-on-open-access/ /2014/topic-5-2014/2014/12/reflections-on-open-access/#respond Sun, 14 Dec 2014 01:16:14 +0000 This topic has proved an interesting one, partly for the addition of some MANG2049 students to the discussion, which has meant that we’ve had some extra voices and a little more chat. The talk around Spotify after Anna’s blog was … Continue reading → The post Reflections on Open Access appeared first on UOSM 2033. ]]> This topic has proved an interesting one, partly for the addition of some MANG2049 students to the discussion, which has meant that we’ve had some extra voices and a little more chat. The talk around Spotify after Anna’s blog was especially lively, and it was great to see some people with really disparate opinions having a good debate about how things should be. As for the area I was focussing on this topic, namely open access in academia, some good discussion points were also raised. In his blog and subsequent response to my comment, Charlie put forward his point that having content forced on people, such as in the U2 example, could give the entirety of open access a bad name. I’m not so certain that people would ever link the two, myself, but I can see how if people started to think that open access meant breaches of privacy, they wouldn’t be fans. In my comment on Jess’ blog (currently awaiting moderation, thus linked as screenshot) I make a point that I’d previously not thought of in response to her (almost) unequivocally positive take on open access in academia. To stay afloat, publishing companies would have to find new strategies, and one that popped to my mind was simply purchasing any open access journal that gained a reputation for good work, and past editions of said journal. In this scenario, the open access journal world would be constantly shifting, making it even easier for bogus journals to pose as reputable ones. Finally, and indeed, for the last time, dear reader, we turn to the comments on my blog. Din made a good point about how open access and a payment model could benefit specific researchers – if they could make certain tasters of work available for free, and charge for more, you might end up with a good system. Khairul made another good point, though more tangentially related, that open access could be the answer to the ‘file drawer problem’. While this may be true of a green open access model, I’m sure no-one would pay to publish null and unexciting research under a gold system, so it may only be part of the answer. Thank you for reading my witterings for the last 10 weeks, and keeping the brain awake with your comments! The post Reflections on Open Access appeared first on UOSM 2033. ]]> /2014/topic-5-2014/2014/12/reflections-on-open-access/feed/ 0 301 Open Access Journals. Good, Evil, Or Not-As-Dramatic? /2014/topic-5-2014/2014/12/open-access-journals-good-evil-or-not-as-dramatic/ /2014/topic-5-2014/2014/12/open-access-journals-good-evil-or-not-as-dramatic/#respond Sun, 07 Dec 2014 23:21:24 +0000 Here’s a link to the Prezi I’ve made for this week’s post. (It has sound!) References Beall, Jeffrey, 2012. Predatory publishers are corrupting open access. Nature, 489, (179) doi:10.1038/489179a Beall, Jeffrey, 2014. Bogus Journal Accepts Profanity-Laced Anti-Spam Paper. Scholarly Open Access at WordPress. Directory of … Continue reading → The post Open Access Journals. Good, Evil, Or Not-As-Dramatic? appeared first on UOSM 2033. ]]> Here’s a link to the Prezi I’ve made for this week’s post. (It has sound!) References Beall, Jeffrey, 2012. Predatory publishers are corrupting open access. Nature, 489, (179) doi:10.1038/489179a Beall, Jeffrey, 2014. Bogus Journal Accepts Profanity-Laced Anti-Spam Paper. Scholarly Open Access at WordPress. Directory of Open Access Journals, search engine feature, accessed 07/12/2014. Mazières, David & Kohler, Eddie, 2004. Get Me Off Your F***ing Mailing List. As yet still unpublished. Prezi, Presentation creation and hosting. Rice, Curt, 2013. Open access: four ways it could enhance academic freedom. The Guardian. Suber, Peter, 2013. Open access: six myths to put to rest. The Guardian. The post Open Access Journals. Good, Evil, Or Not-As-Dramatic? appeared first on UOSM 2033. ]]> /2014/topic-5-2014/2014/12/open-access-journals-good-evil-or-not-as-dramatic/feed/ 0 287 Trolls Just Want to Have Fun /2014/topic-4-2014/2014/11/trolls-just-want-to-have-fun/ /2014/topic-4-2014/2014/11/trolls-just-want-to-have-fun/#respond Sun, 30 Nov 2014 18:20:56 +0000 It was an interesting fortnight on planet UOSM2033, with people making forays into the world of vlogging and including more imaginative media in their posts, something I tried to demonstrate with the Powtoon in my post. (On a side note … Continue reading → The post Trolls Just Want to Have Fun appeared first on UOSM 2033. ]]> It was an interesting fortnight on planet UOSM2033, with people making forays into the world of vlogging and including more imaginative media in their posts, something I tried to demonstrate with the Powtoon in my post. (On a side note here, many thanks to Calum and Jess for pointing out my fantastically stupid mistake of making the video private when it was meant to be unlisted… I’m a silly one.) The discussion floated in a number of different directions as well, although I feel this did make some aspects a little less incisive than in previous weeks where there has been a little more overlap in terms of content people are discussing. I had three comments on my blog to help the discussion along, and responded to them in turn, and the reoccurring theme in them was one of police resources – I was very keen on going after these trolls and trying to bring them to justice, but where was the time going to come from to do that. My reaction was twofold – Firstly, and ideologically, for me, if there are not enough police to deal with all the crime, we need more police and not just a redefinition of crime. Secondly, I think a lot of these trolls would stop after a simple warning letter… as soon as they realised that their actions might have real world consequences, they would be forced to take different routes to fulfilling their sadist needs. One of the blogs I commented on this week was Calum’s, which took an intriguing look at the #GamerGate movement, something I had only heard negative things about from the media and various celebrities. I was interested to read about where the movement had actually started and what it was meant to be rallying against, and that story links back into my topic well by showing just how easy it is for an internet campaign like this to be totally undermined by a few trolls and abusers pushing everything too far. (My other comment this week was made on Catherine’s blog.) The post Trolls Just Want to Have Fun appeared first on UOSM 2033. ]]> /2014/topic-4-2014/2014/11/trolls-just-want-to-have-fun/feed/ 0 265 The Only Way Is Ethics. /2014/topic-4-2014/2014/11/the-only-way-is-ethics/ /2014/topic-4-2014/2014/11/the-only-way-is-ethics/#respond Sun, 23 Nov 2014 22:59:44 +0000 Otherwise known as ‘The One Where Andy Thought of the Title Before the Content’. On first inspection, I think it’s obvious that there is a massive link between this topic on ethics and how some of the strands of discussion … Continue reading → The post The Only Way Is Ethics. appeared first on UOSM 2033. ]]> Otherwise known as ‘The One Where Andy Thought of the Title Before the Content’. On first inspection, I think it’s obvious that there is a massive link between this topic on ethics and how some of the strands of discussion developed during topic 2. In my reflection article I touched on the subject of Twitter trolling, a subject which this Guardian article featured in the starter post for this topic discusses in detail. Therefore, in the spirit of coherency, I thought it might be nice to continue with the theme. I decided to create a Powtoon to set up the issue I’ve chosen, and to add a little spice to this week’s output! The link here to educational uses of social media is the Mary Beard example quoted in the above video. Unless we can find a way of dealing with the issue of trolling, the problem is going to get larger and larger until any user with a large number of followers will be subjected to this abuse. As shown, women with great intelligence can often threaten men who have little, so women aiming to educate from their Twitter accounts might be at the greatest risk of having their physical appearance picked apart and then horrible threats made to them. Why do the trolls even do it? Well, an article from the Psychology journal ‘Personality and Individual Differences’ (fantastically called ‘Trolls just want to have fun’) suggests that trolling was linked to Machiavellianism, psychopathy and sadism, which does, as the title suggested, say that these trolls are doing it because they find causing offence and hurting people to be enjoyable activities. Unfortunately, that makes them harder to stop. So, what are we going to do? It’s the kind of question that until you start thinking about it sounds hard, and when you’ve thought about it, sounds even harder. This Guardian article (I’ve been reading the Guardian too much, it seems) suggests a large number of ways of dealing with these trolls, but unfortunately every single one of them met with cons as well as pros. I think the lesson in that is that we need to tackle it from multiple angles – While the con for “report abusive tweets to police” is “police have to balance conflicting demands on their time: is a rape threat on Twitter more urgent than a real-life stalker or online fraud?”, I’d say that if we haven’t got enough police to deal with the issues, that’s more a recruitment error than a con. We do need these online police teams to stop those out to verbally abuse and attack the great and the good, and these trolls need to be brought to justice. References: Arthur, Charles, & Kiss, Jemima, 2013. Twitter abuse: what can be done to stop trolling?. The Guardian. Buckels, Erin E., Trapnell, Paul D., & Paulhus, Delroy L., 2014. Trolls just want to have fun. Personality and Individual Differences, 67.  Harris, Lisa, 2014. UOSM2033 Topic 4 Starting Post. Urban Dictionary: Trolling Editorial, 2014. Twitter abuse: easy on the messenger. The Guardian. Mead, Rebecca, 2014. The Troll Slayer. A piece on Mary Beard in ‘The New Yorker’. (Used for Powtoon) Andy Sugden, Powtoon & Youtube, 2014. The Holloways, 2009. Under a Cloud from No Smoke, No Mirrors. (The only song I could find in my collection with lyrics related to the internet!) The post The Only Way Is Ethics. appeared first on UOSM 2033. ]]> /2014/topic-4-2014/2014/11/the-only-way-is-ethics/feed/ 0 253 A Reflection on Professional Online Profiles /2014/topic-3-2014/2014/11/a-reflection-on-professional-online-profiles/ /2014/topic-3-2014/2014/11/a-reflection-on-professional-online-profiles/#respond Sun, 16 Nov 2014 00:19:09 +0000 I’m going to start this topic’s reflection with a confession. I don’t actually dislike Linkedin, per se. I think my comments on it recently have mainly reflected the fact that, in general, I am ambivalent towards it, as opposed to … Continue reading → The post A Reflection on Professional Online Profiles appeared first on UOSM 2033. ]]> I’m going to start this topic’s reflection with a confession. I don’t actually dislike Linkedin, per se. I think my comments on it recently have mainly reflected the fact that, in general, I am ambivalent towards it, as opposed to the standard line that it’s a fantastic way to make yourself look better for everyone ever. (In a fun turn of events, this blog is now the 5th highest google entry for ‘Andy Sugden Linkedin’!) I do see its uses, and in some sectors pretty much everyone is on Linkedin, as I mentioned in my comment on Aumar’s blog, but it is nowhere near as widely used as is sometimes suggested by people outside these sectors. I’ve also found some more evidence for my theory of the online profile being more useful for defence than offence, as an interesting graphic (albeit using a slightly old survey) from Sophie’s blog (which I also commented on) showed, when the source was looked at in full, only 18% of those surveyed had been influenced toward hiring a candidate from social profiles, as opposed to 35% who were caused not to hire someone by what they found there. A number of other people have made some great points on how we can improve these profiles though, and whilst I feel I may always shirk when I hear the words ‘personal brand’, Pippa’s blog certainly was a great advocate of Linkedin in an interesting way that did actually show how it can be used to good effect. So I bit the bullet. I logged back into Linkedin. I could be accused of being closed-minded if I didn’t, and I wouldn’t want that to be the case. I’ve updated my profile with a number of more relevant bits of information/skill set etc. (though there were some bits I struggled with… there are some of us who don’t really have a dream job or life goals) and even included a lovely link to this blog within the projects section. As if I wasn’t meta enough already. The post A Reflection on Professional Online Profiles appeared first on UOSM 2033. ]]> /2014/topic-3-2014/2014/11/a-reflection-on-professional-online-profiles/feed/ 0 212 An Authentic, Professional Online Profile. /2014/topic-3-2014/2014/11/an-authentic-professional-online-profile/ /2014/topic-3-2014/2014/11/an-authentic-professional-online-profile/#respond Sun, 09 Nov 2014 18:40:07 +0000 I am Andy Sugden. Andrew, to be precise, but Andy is the name I’ve chosen to be referred to as. The one issue with this and creating a successful online profile is that I’m unlikely to ever reach the top … Continue reading → The post An Authentic, Professional Online Profile. appeared first on UOSM 2033. ]]> I am Andy Sugden. Andrew, to be precise, but Andy is the name I’ve chosen to be referred to as. The one issue with this and creating a successful online profile is that I’m unlikely to ever reach the top page of a google for ‘Andy Sugden’, those spots generally being taken by sites relating to the Emmerdale character of the same name. My Twitter account, @AndySugden, has just crept into the second page of results though, so there’s a start. Andy Sugden vs. Andy Sugden. If we ever had to fight, I wouldn’t fancy my chances. Creating an authentic and professional online presence though has more about it than being top of search results. For a start, it’s incredibly important when job hunting to not have anything on your profiles that may land you in the ‘reject’ pile. As the Wall Street journal reported over two years ago, a survey of 2000 employers found that 44% would immediately reject a candidate who had badmouthed a former employer or colleague on a social media site. A recent study (Scott, Sinclair, Short & Bruce, 2014) showed that in general, we see a person who has made spelling mistakes on Facebook as less employable, so even if you do not earn an immediate rejection for bad behaviour, it may well tarnish your chances of being the outstanding candidate. Authentic is an interesting word in this situation as well. At the end of the day, companies are looking to recruit people with ideas who can get along together, rather than a team of robots spouting the same platitudes day after day. Twitter is a fantastic resource for employers, and for job hunters if we understand how to use it as well. If we are authentic online, can post articles we are interested in and showcase opinions that aren’t divisive or extreme, we can show that we aren’t those robots and that we can be a very useful cog in the team we wish to join. Realistically, building an authentic professional profile online is all about being the best bits of us, showcasing our skills and talents to some extent, while making sure we don’t show anything that could lead to us being dumped straight on the ‘reject’ pile. References Google (and ‘LMGTFY’, sorry to anyone who clicked that!). Kwoh, Leslie, 2012. Beware: Potential Employers Are Watching You, The Wall Street Journal. Scott, G. G., Sinclair, J., Short, E., and Bruce, G, 2014. Cyberpsychology, Behavior, and Social Networking. 17(8) doi:10.1089/cyber.2013.0584. P.S. I hope no-one ever Googles me and presumes I burnt down a barn and killed my adopted mother. The post An Authentic, Professional Online Profile. appeared first on UOSM 2033. ]]> /2014/topic-3-2014/2014/11/an-authentic-professional-online-profile/feed/ 0 183 Reflections on Identity /2014/topic-2-2014/2014/11/reflections-on-identity/ /2014/topic-2-2014/2014/11/reflections-on-identity/#respond Sun, 02 Nov 2014 18:45:58 +0000 Personally, I have found Topic 2 to be a very interesting starting point for discussion, as its broad nature has allowed it to be taken in a number of intriguing directions. I was most interested in questions in terms of … Continue reading → The post Reflections on Identity appeared first on UOSM 2033. ]]> Personally, I have found Topic 2 to be a very interesting starting point for discussion, as its broad nature has allowed it to be taken in a number of intriguing directions. I was most interested in questions in terms of behaviour, as in how having more than one identity online can actually help us socially. This point was reinforced by Din’s blog, where he also looked at how having separate identities as a teenager can allow us to try different parts of our personality, allowing us to shape ourselves into better, more likable people in the real world. He also looked at the other topic I tried to cover, anonymity and how any identity at all on the internet is sometimes not necessary. Nabeel’s blog also dealt with this more murky aspect of identity. The assertion that “everyone has something to hide” is not one I’m sure I agree with, and the fact that the anonymous side of the web allows most hacking, and drug/firearms deals for example is something that we are going to have to sort out in this age. On a lower level, the abuse handed out on Twitter labelled as ‘trolling’ is something that can be done anonymously, and as a criminal offence can only be stopped by a greater use of identity online. The comments on my blog also allowed me to think more deeply into the issue. Freya asked the question of online dating sites, and whether having a separate identity on there could be justified, and raised for me the point of the boundary. When you get to a point where you are expected to be yourself, and you are still not, you are just deceiving the other people in an unhealthy way. Catherine’s comment probed at the paradoxical nature of my statements, asking how I could say I saw people converging to a single identity when I myself had had many. A valid point indeed, one which I think refers to the age of the user. At 16, having 2/3 identities was fine and useful, but now I’m 20, I like to view myself as a coherent person online. The post Reflections on Identity appeared first on UOSM 2033. ]]> /2014/topic-2-2014/2014/11/reflections-on-identity/feed/ 0 162 Online Identity or Online Identities? /2014/topic-2-2014/2014/10/online-identity-or-online-identities/ /2014/topic-2-2014/2014/10/online-identity-or-online-identities/#respond Sat, 25 Oct 2014 17:15:40 +0000 My degree subject, Psychology, refers to identity as a collection of ways we think about ourselves, with some thoughts more central, important and pervasive than others (Gregg, 2014). In many ways, I think that’s a good place to start thinking … Continue reading → The post Online Identity or Online Identities? appeared first on UOSM 2033. ]]> My degree subject, Psychology, refers to identity as a collection of ways we think about ourselves, with some thoughts more central, important and pervasive than others (Gregg, 2014). In many ways, I think that’s a good place to start thinking about online identity, as online, while still being the same people, we can choose how we display that. It’s almost paradoxical, but the real truth is that the ability to have more than one identity, or none at all, is one of the reasons that makes the internet so fantastic and also the largest source of problems for it. In transactions, for example, maintaining security and collecting enough reliable data to prevent fraud is incredibly difficult and complex, and we only do it by maintaining links to the real world (Smedinghoff, 2012). It’s one of the reasons the value of Bitcoin, the largest online currency, is so volatile. Let’s take an exemplum from my own life as to the benefits of multiple online identities. I had a Facebook account in my real name, my first identity, and other identities in different worlds, one in online gaming, and one in forums. As a teenage geek, being able to use a pseudonym with strangers gives a fantastic veil of confidence. Research from Bullingham and Vasconcelos shows that people tend to largely recreate their offline selves in these situations, although they do edit small parts of their personalities, like my confidence, which in real life was low, but online could be artificially raised. (An interesting aside here is that research by Vasalou and Joinson shows that bloggers tend to portray themselves as closer to their offline selves when using a picture of themselves as an avatar. Psychology, eh?) From personal experience, I’d say that in general the number of online identities people have is gradually converging toward one. The proliferation of smartphones in the modern age mean that one online identity is the easiest number to maintain, with contacts/phone numbers etc. automatically synced from various servies, and the number of sites that allow an anonymous user to access their full service on the fall. The ‘Connect via Facebook/Twitter’ button is always more appealing and less time consuming than setting up something new. Time is a finite resource. References Bullingham, L., & Vasconcelos, A. C., 2013. ‘The presentation of self in the online world’: Goffman and the study of online identities. Journal of Information Science, 39 (1). doi:10.1177/0165551512470051 Gregg, A. P., 2014. PSYC3014 – Self and Identity Lecture Material. Smedinghoff, T. J., 2012. Solving the legal challenges of trustworthy online identity. Computer Law & Security Review, 29 (5). doi:10.1016/j.clsr.2012.07.001 Vasalou, A., & Joinson, A. N., 2009. Me, myself and I: The role of interactional context on self-presentation through avatars. Computers in Human Behavior, 25 (2). doi:10.1016/j.chb.2008.11.007 P.S: ‘Computer Law & Security Review’ sounds like the kind of journal I should immediately be signing up to receive. Thrilling. The post Online Identity or Online Identities? appeared first on UOSM 2033. ]]> /2014/topic-2-2014/2014/10/online-identity-or-online-identities/feed/ 0 139 Reflective Summary – Digital Visitors and Residents /2014/topic-1-2014/2014/10/reflective-summary-digital-visitors-and-residents/ /2014/topic-1-2014/2014/10/reflective-summary-digital-visitors-and-residents/#respond Sun, 19 Oct 2014 17:41:39 +0000 It has been interesting over the past couple of weeks for me to see, on this university wide course, how different people from different backgrounds of study choose to research and think about different areas. There were many differences of opinion on the concept as well, which was equally interesting as some of us chose […] The post Reflective Summary – Digital Visitors and Residents appeared first on UOSM 2033. ]]> It has been interesting over the past couple of weeks for me to see, on this university wide course, how different people from different backgrounds of study choose to research and think about different areas. There were many differences of opinion on the concept as well, which was equally interesting as some of us chose to question the point and usefulness of it, while others took it as a positive that it left room for interpretation. Calum’s (fair) point on my blog that I was getting too bogged down in specifics of why White should back some of his claims up with numbers was one of those things that made me think – Did I think empiricism was really needed in such a matter, or was it pointless? – My thoughts are currently that it is always important. There are no real numbers to show that we aren’t all vaguely similar in terms of how often we’re a visitor or a resident, and unless we’re sure there’s a distinction to be made, how do we know whether to make it? Freya’s blog was nicely balanced between the two viewpoints, which is why I found it interesting to read. By self-identifying as a resident, she added a more personal perspective to things, which helped the tone of the post, making it a good balance between the personal and the formal. The other blog I chose to comment on was Charlie’s. He mentioned another weakness of the continuum that I hadn’t mentioned in great detail, simply that it can be impossible to pinpoint oneself on the spectrum, and even if you can, people near you do not have to be doing anything vaguely similar to you with the internet. In retrospect, one of the things I noted first about the topic seems to be key – the lack of research. Only one researcher has really done much work on this, and that does seem to be reflected in the fact that there was a very low amount of variance between the reference list of all the blogs I looked at. It also shows that, the concept, while White’s baby, could well do with a bit of work from researchers at other institutions to see if they can show it has a use. The post Reflective Summary – Digital Visitors and Residents appeared first on UOSM 2033. ]]> /2014/topic-1-2014/2014/10/reflective-summary-digital-visitors-and-residents/feed/ 0 89 Digital ‘Visitors’ and ‘Residents’ /2014/topic-1-2014/2014/10/digital-visitors-and-residents-2/ /2014/topic-1-2014/2014/10/digital-visitors-and-residents-2/#respond Sat, 11 Oct 2014 14:19:00 +0000 The idea of classifying web users as ‘visitors’ and ‘residents’ is a fairly new one, first identified in a paper from White, Manton and Le Cornu (2009). Their final 2011 write-up had the aim of replacing the pre-existing idea of digital ‘natives’ and ‘immigrants’ coined by Marc Prensky in an article back in 2001, but […] The post Digital ‘Visitors’ and ‘Residents’ appeared first on UOSM 2033. ]]> The idea of classifying web users as ‘visitors’ and ‘residents’ is a fairly new one, first identified in a paper from White, Manton and Le Cornu (2009). Their final 2011 write-up had the aim of replacing the pre-existing idea of digital ‘natives’ and ‘immigrants’ coined by Marc Prensky in an article back in 2001, but now found to barely scratch the surface. The system positions all web users on a continuum between being a total ‘visitor’ (one who uses the digital world for specific purposes, and leaves when those purposes are completed, leaving no trace) and a total ‘resident’ (someone who ‘lives’ on the web, with constantly updating social media presences). This video by Dave White, the creator of the paradigm, is very useful in explaining the terms more fully. As with most continuums such as this, the thought is that the majority of users are likely to exist somewhere in the middle of the spectrum. I do have a couple of concerns about the dynamic here, however. Firstly, after researching for a fair amount of time on this topic, I can’t find a well-constructed study offering any data about how numbers of visitors and residents break-down by age or social class (A rather flawed study by Wright, White, Hirst and Cann appears to offer the only data on the issue, and as a study of students forced to use Google+ for the purposes of their course, there are many ways it can be criticised). While I accept the theory is useful in any respect, it feels strange that White makes claims that suggest age is not a large factor in this spectrum without having any numbers to back himself up. From my own personal use of the web, I would suggest that the lower-skilled users overall would tend to split in terms of age largely, with older low-skill users likely to be almost entirely visitors, and younger low-skill users likely to be resident but with little to say for themselves. The lack of empiricism is my main concern, but I am also worried that White thinks he has replaced the natives/immigrants paradigm, which looks largely at skill, with a visitor/resident paradigm that doesn’t include skill on any level. Personally, I’d suggest that both systems could well be coexisting in the way people use the web, while Prensky’s thoughts could benefit from the continuum White employs. References All references are displayed as links in the text. Prensky, M., 2001. MCB University Press Volume 9 (5). Digital Natives, Digital Immigrants. White, D. S., 2013. YouTube video on ‘Dave White’s channel named ‘Visitors and Residents’. White, D. S., and Le Cornu, A., 2011. First Monday, Volume 16 (9). Visitors and Residents: A new typology for online engagement. White, D. S., Manton, M., and Le Cornu, A., 2009. Isthmus: Headline Findings Report. Wright, F., White, D. S., Hirst, T., and Cann, A., 2013. Learning, Media and Technology, Volume 39 (1). Visitors and Residents: mapping student attitudes to academic use of social networks. The post Digital ‘Visitors’ and ‘Residents’ appeared first on UOSM 2033. ]]> /2014/topic-1-2014/2014/10/digital-visitors-and-residents-2/feed/ 0 57


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tobiejackson, Author at UOSM 2033 UOSM2033: Living and Working on the Web Fri, 06 Jan 2017 11:21:26 +0000 en-GB hourly 1 My Learning Journey #respond Fri, 06 Jan 2017 11:21:26 +0000 This module has developed my skills, expanded my knowledge and changed my views of the Internet. To uncover just how far I have come, we must begin by looking back at one of the answers I provided within the self-test document. What in particular do you want to learn from the module? “I am entering […] The post My Learning Journey appeared first on UOSM 2033. ]]> This module has developed my skills, expanded my knowledge and changed my views of the Internet. To uncover just how far I have come, we must begin by looking back at one of the answers I provided within the self-test document. What in particular do you want to learn from the module? “I am entering with an open mind in regards to what I will learn. I feel the ability to write and maintain a blog will be invaluable, as well as the skills to create a range of online materials. I would also be interested in learning the ways in which I can use the Internet to boost my chances of employment after graduation” For further context, I produced the following infographic – to communicate why I believe the Internet to be so important, and how I feel the module will enable me to reap the rewards it has to offer. The development of my professional online profile With the aforementioned goals in place, my professional online profile is the most effective tool I have available to aid me in achieving them. Topic 3 made me consider the different components of my professional online profile as well as its overall strength. As a result, I am now beginning to pay closer attention to each element, creating a brand across all platforms – following the advice of Michael Weiss. The Vlog below explores my professional profile in more depth, detailing the advancements I have made so far, and what my plans are in the future. So, have there been any results so far? I am delighted to say I have already received an offer for work experience via direct message on Linkedin. Furthermore, I took examples of my blog and Linkedin profile to a recent placement year interview and was offered the job! Although this may not be the only reason, their feedback indicated that my professional online presence impressed them. What I have learnt about living & working online, and how I will take this into the future An improved professional online profile is not the only thing I have taken from this module. The slideshow below incorporates the self-test that I carried out – detailing numerous other advancements I have made so far.   Click to view slideshow. It is evident that my skills and knowledge have improved in every area. In addition to helping me achieve my original goals, I am now safer, more aware and confident in carrying out online tasks than ever before. This timeline highlights some of the key events that developed my learning. What does the future hold? I intend to carry on my learning by participating in more online discussions on Twitter and Linkedin, watching TED talks and attending university speeches regarding the internet and related technologies. Blogging is something I find extremely satisfying, as it showcases creative writing, the incorporation of media and connecting with other like-minded people. Therefore, I have decided to take what I have learnt from UOSM2033 and will be creating a new blog focused around lifestyle later this year. I would like to thank Lisa, Sarah and Nic for delivering UOSM2033, as well as my peers for their inspiring work that I have greatly enjoyed reading throughout. It has undoubtedly been my favourite learning experience since starting university, and I hope that more education will take this form in the future. My online profiles can be found here: Linkedin Facebook Twitter Instagram About.me Words: 549 References: BBC News. (2017). Visualising the Internet. Available: . Last accessed 04/01/2016. Smith, A. (2015). Searching for Work in the Digital Era. Available: . Last accessed 04/01/2016. Office for National Statistics. (2016). IT and Internet Industry. Available: . Last accessed 04/01/2016. BBC News. (2013). Job hunting: How to promote yourself online.Available: . Last accessed 05/01/2016.   The post My Learning Journey appeared first on UOSM 2033. ]]> feed/ 0 1969 Topic 5 – Reflection #respond Sun, 18 Dec 2016 17:22:22 +0000 When reflecting upon Topic 5 using the work of my peers, I am slightly disappointed with my overall answer to the question provided. I feel that by trying to stand out from others – focusing on the knowledge economy – I gave too much of a one sided argument that did not represent enough reasons […] The post Topic 5 – Reflection appeared first on UOSM 2033. ]]> When reflecting upon Topic 5 using the work of my peers, I am slightly disappointed with my overall answer to the question provided. I feel that by trying to stand out from others – focusing on the knowledge economy – I gave too much of a one sided argument that did not represent enough reasons to why content producers should use paywalls. To aid this, I created the graphic below which includes some arguments that may have improved my own post. I decided to comment upon Allie’s post as I felt she had carried out her research in depth, giving strong arguments both for and against, utilising self made materials such as the Powtoon and an infographic. I was deliberating whether to include a self-made video in my own post, however I decided that I will challenge myself by including this media in my final reflection – using the increased time to create something (I hope) will impress. What drew me to Harry’s post was the map of the world, which linked nicely to what I had written, and was something I wish I had found myself. Seeing this reminded me of the importance of visualisation, which I used well in topic 2 but have neglected slightly since. Although I did not comment on Will’s, his inclusion of Spotify, gave a sense of familiarity that I mentioned in my last reflective post, but unfortunately I was not able to find a way to link something similar into my own post. When looking through the archive at last year’s blogs, I noticed an inclusion of an interview a student carried out around open access that provided a personal touch to their work. This is something else I will aim to utilise in my final reflection as I feel some primary information, rather than purely secondary taken from the internet, would give my post more substance and increase engagement. Links to my comments can be found below: Harry’s here Allie’s here Word count: 314   The post Topic 5 – Reflection appeared first on UOSM 2033. ]]> feed/ 0 1794 Free for all, or a fee for all? #respond Sun, 11 Dec 2016 23:58:36 +0000 “An investment in knowledge pays the best interest”. Although over 200 years old, Benjamin Franklin’s quote appears to be more true today than ever before. Many believe the world is currently amidst a transition to a ‘knowledge economy’, replacing previous eras primarily focused upon agricultural or industrial activities. One of the most influential individuals within […] The post Free for all, or a fee for all? appeared first on UOSM 2033. ]]> “An investment in knowledge pays the best interest”. Although over 200 years old, Benjamin Franklin’s quote appears to be more true today than ever before. Many believe the world is currently amidst a transition to a ‘knowledge economy’, replacing previous eras primarily focused upon agricultural or industrial activities. One of the most influential individuals within the online world, Mark Zuckerberg, shares this belief and sheds some light upon his view of why the knowledge economy benefits the world in the following video. It is undeniable that the internet has been a key catalyst in this societal shift – with over 3 billion users worldwide, many of whom are digital residents contributing to the mass of information online (Internet Stats, 2016). But the question I would like to explore is whether the knowledge distributed online should be paid for? Often, the resources used to create online content hold significant value and therefore the creator surely has the right to implement charges. In this article Alexander Brown comments upon how academic publishers still add value and justify their fees. Open access, which focuses upon a common goal of freely distributing scholarly knowledge at minimal cost, while letting authors keep rights and allowing other researchers to build on their work in new ways, has been highly debated as a solution to the problem of highly priced journals. This method can cause a snowball effect and generate further great ideas across the world – driving innovation forward. The ‘hole-in-the-wall’ experiment, implemented in India – proved that with free access to information in underdeveloped countries people can use the internet to educate themselves (Dunn, 2013). If this content is paid for, then less economically developed countries would not be able to access it, denying valuable knowledge to those who need it the most. After all, look at what a difference the knowledge economy has made for the following countries. Click to view slideshow. Open Educational Resources, which aim to deliver free teaching online – explained in this video – are another means of boosting the knowledge economy through free web based material. However, with much success this paradigm poses the threat of replacing the ‘physical teaching’ industry, potentially endangering millions of jobs and institutions (Annone, 2013). Although industries such as publishing certainly have a strong case to justify their costly online resources, I feel that hiding information behind paywalls can hinder the chances of overall world development. If the digital divide begins to close and more developing countries are exposed to the internet, having free access to the information they need will increase innovation and ultimately boost the knowledge economy – making the world a better place. Word count: 432 References: Brown, A. (2012). Open access: why academic publishers still add value. Available: . Last accessed 11/12/2016. Dunn, D. (2013). Education Finally Ripe For Radical Innovation By Social Entrepreneurs. Available: . Last accessed 11/12/2016. Internet Live Stats. (2016). Number of Internet Users. Available: . Last accessed 11/12/2016. Annone, J. (2013). OER Benefits and Disadvantages. Available: . Last accessed 11/12/2016. The post Free for all, or a fee for all? appeared first on UOSM 2033. ]]> feed/ 0 1916 Topic 4 – Reflection #respond Sun, 04 Dec 2016 22:53:39 +0000 With a subject more open to individual interpretation, Topic 4 offered a much wider range of different approaches to the post than the previous weeks. Although this led to some interesting reads, ranging from the digital divide to social media in education, it also presented the challenge of being authentic whilst staying within the topical […] The post Topic 4 – Reflection appeared first on UOSM 2033. ]]> With a subject more open to individual interpretation, Topic 4 offered a much wider range of different approaches to the post than the previous weeks. Although this led to some interesting reads, ranging from the digital divide to social media in education, it also presented the challenge of being authentic whilst staying within the topical guidelines – something I mentioned I intended to continue from my previous post. I therefore chose to write about the ethics surrounding user generated content in the news and was pleased to receive two positive comments on the post, that made me question the issues of photo crediting and sensitive content. Claire’s comment even gave me an example of when crediting UGC had led to negative implications for the eyewitness, acting as a counterargument to one of my points and making me consider the overall issue on a deeper level. One of the posts I commented on, by Hei Lam, began by introducing her topic of a ‘prison in mind’ with a brief historic overview. I found this an interesting approach to the task and is something I will certainly bear in mind for my final posts. Although I did not comment on it, Zach’s post focusing upon the ethics in football discrimination led to a string of conversations – which made me realise incorporating a topic readers are familiar with can increase interaction significantly. Therefore, if the opportunity to implement a familiar theme this in Topic 5 arises, it will be something I will utilise. After being inspired by Davina’s slideshow in Topic 2 regarding multiple online identities, I was pleased to be able to use a slideshow in this post to represent the arguments ‘for’ UGC and give a more balanced view overall. I did not see an appropriate opportunity to include a video as I mentioned in my previous reflection post, so will be sure to incorporate that within one (or both) of my final pieces of work. Links to my comments can be found here: Hei Lam’s here Claire’s here The post Topic 4 – Reflection appeared first on UOSM 2033. ]]> feed/ 0 1731 A New(s) Era #respond Sun, 27 Nov 2016 17:34:57 +0000 Social media: a platform once considered ‘just a bit of fun’ has unforeseeably developed to impact the world in ways we could not have imagined. Even the news, one of the most longstanding industries, has embraced the opportunity to harness the power of this medium, using readily available user generated content (UGC) such as photos […] The post A New(s) Era appeared first on UOSM 2033. ]]> Social media: a platform once considered ‘just a bit of fun’ has unforeseeably developed to impact the world in ways we could not have imagined. Even the news, one of the most longstanding industries, has embraced the opportunity to harness the power of this medium, using readily available user generated content (UGC) such as photos and videos to provide hard hitting scenes to the masses. Professor Vin Crosbie describes it as ‘the future of news reporting’ in this video. From police brutality in the USA, to the tragic terror attacks in Paris, eyewitnesses were able to use sites such as Snapchat, Facebook and Twitter to post first hand footage of the scenes, long before news crews arrived. Understandably, this footage is gold dust for the reporters and the result is that they engage in some ethically questionable activities when obtaining and distributing it. But before exploring this issue further, the slideshow below displays some of the positive implications of using UGC, as I feel it would be unjust to not present these as part of the argument. Click to view slideshow. I cannot deny that I am intrigued by the raw footage provided by users, but my issue is that the organisations are not considering the treatment of the providers nearly enough. This video examines the topic of copyright within UGC, something frequently ignored by reporters. The statistics certainly stack up, with only 16% of eyewitness media being credited (Posseti, Sparks & Matthews, 2014). The question must therefore be raised, why should the organisation be allowed to profit from the footage and the creator receive no compensation or accreditation? Past this, I would argue that the presence of basic compassion and decency appears to be lacking within some firms. Emily Carroll, a lady that witnessed a collision between two planes at Dublin Airport tweeted some photographs of the incident and after receiving over 20 usage requests, only two asked if she was OK. Another shocking example is that of Jordi Mir, who recorded one of the murders in the Paris attacks. Despite his request not to show the moment of death in any coverage, many news organisations did (Dubberly, 2015). With this in mind, how would you react if approached by the press? Clearly the individuals below take a strong stance on the topic (granted, it the Sun and Daily Mail). I do not believe this ever growing relationship between social media and the news is inherently negative, however I do feel that the government and the newsrooms need to implement rules around how the eyewitnesses are being treated, or else we will  all risk losing this invaluable tool in the future. References Dubberley, S. (2015). Eyewitness media (not UGC): Newsrooms must handle it better or risk losing out. Available: . Last accessed 25/11/2016. Posetti, J, Sparks, J & Matthews, A. (2014). Juggling Ethical Dilemmas of User-generated Content in the Newsroom. Available: . Last accessed 25/11/2016. Karg, T. (2014). The Pros and Cons of User Generated Content.Available: . Last accessed 25/11/2016. Links: Videos: The post A New(s) Era appeared first on UOSM 2033. ]]> feed/ 0 1675 Topic 3 – Reflection #respond Sun, 20 Nov 2016 20:15:38 +0000 In my reflective summary for Topic 1, I commented that after being inspired by Will’s unorthodox approach, I wanted to make sure my future posts were noticed, by being more unique. After the recent media frenzy regarding the US election, I saw an opportunity to make this post stand out by attempting to incorporate this […] The post Topic 3 – Reflection appeared first on UOSM 2033. ]]> In my reflective summary for Topic 1, I commented that after being inspired by Will’s unorthodox approach, I wanted to make sure my future posts were noticed, by being more unique. After the recent media frenzy regarding the US election, I saw an opportunity to make this post stand out by attempting to incorporate this current affair into my work. It was certainly effective in increasing the amount of readers, as I received 8 comments on the post, all of which mentioned that the title and image of Donald Trump drew them towards reading it. This creative approach to writing is therefore something I will aim to utilise and develop moving forward. In hindsight, I have realised that using a large introduction and second paragraph to communicate the importance of having an authentic professional profile, did not allow me to cover as many points that directly related to developing one’s profile. Davina’s comment highlighted the fact that I had not used any specific examples to back up my points. In her own, she used an annotated screen shot of her Linkedin profile, which I thought was highly effective and gave a more personal touch – something I have perhaps been lacking in the past 2 topics. The video that Will used in his post provided a clear, step-by-step guide to improving one’s LinkedIn profile – supporting the topic well, without denting the word count. After creating my own infographics the past 2 topics, creating my own video to be included in future topics would both support my arguments and further develop my digital skillset. I still believe interaction with my peers is the most powerful tool for improvement and I am therefore delighted to have been able to enter discussions with so many in this post. However, I must ensure that whilst drawing readers to my post, I do not sacrifice how directly I address the topic in the coming weeks.   The post Topic 3 – Reflection appeared first on UOSM 2033. ]]> feed/ 0 1635 Trump the Competition: Make your Professional Profile Great Again #respond Sun, 13 Nov 2016 23:29:58 +0000 If we’ve learnt anything from the election of Trump this week, it’s that no matter how unqualified you are, with an unauthentic yet strategic approach, you can be whoever you want to be. In the professional online world the same could be said, it’s easy to fabricate your experiences and tweak your views, but in […] The post Trump the Competition: Make your Professional Profile Great Again appeared first on UOSM 2033. ]]> If we’ve learnt anything from the election of Trump this week, it’s that no matter how unqualified you are, with an unauthentic yet strategic approach, you can be whoever you want to be. In the professional online world the same could be said, it’s easy to fabricate your experiences and tweak your views, but in both instances the outcome will be a mismatched relationship that will ultimately yield negative consequences – so let’s stick to authenticity, for the good of politics as well as the digital world. In creating and developing an authentic professional online profile, you will not only increase your employment opportunities, but you will stand a higher chance of finding the right employer. This is something that brings with it increased levels of innovation, performance and job satisfaction, benefiting you and the business world synonymously (Tapscott, 2014). But what exactly does a professional online profile comprise of? This infographic can give us some insight.     Although Linkedin is the front-runner in terms of overall use for hiring managers (as expected), Facebook and Twitter also have a relatively large influence on social recruitment. It is therefore key that despite their ‘unprofessional origins’, we now acknowledge these mediums as elements of our professional profile and manage them accordingly. The Justine Sacco case demonstrates an example of how ignoring this aspect of Twitter can have devastating consequences upon your professional life. So perhaps we should consider what our employers would think the next time we write a tweet or post on Facebook. I was disappointed to see blogs have played a small role for those recruiting, as they are a fantastic way to showcase creativity, passion and dedication (Theemployable, 2014). Personally, I would clearly guide hiring managers towards my blog, as I believe it provides a transparent view of my own authentic professional online identity. In this video with the BBC, Michael Weiss offers his advice upon having a ‘brand’ across all platforms, to enrich one’s professional profile. The key points to be taken are choosing the story you want to tell, make it consistent across all mediums through your images and text and not over supplying information; chose key points and stand by them. Njeri Watkins, a social media expert, speaks in depth about her advice for developing your professional online identity in this video. Unsurprisingly, her views echo those of Weiss. So keep blogging, tweeting and posting on Facebook and be sure not to miss out on the huge potential Linkedin offers. But across all these platforms, ensure you remain authentic, individual, consistent and sensible and as a result you can expect to reap the rewards a professional profile offers. References: Jobvite. (2014). Social Recruiting. Available: . Last accessed 12/11/2016. Ronson, J. (2015). How One Stupid Tweet Blew Up Justine Sacco’s Life.Available: . Last accessed 12/11/2016. Tapscott, D. (2014). Five Ways Talent Management Must Change.Available: . Last accessed 12/11/2016. The Employable. (2014). How Blogging Can Help You Get A Job.Available: . Last accessed 12/11/2016. Videos:


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සුදාරකගේ අන්තර්ජාල සටහන Wed, 24 Sep 2025 04:32:38 +0000 en-US hourly 1 40799215 කැනඩා /2025/09/24/%e0%b6%9a%e0%b7%90%e0%b6%b1%e0%b6%a9%e0%b7%8f/ /2025/09/24/%e0%b6%9a%e0%b7%90%e0%b6%b1%e0%b6%a9%e0%b7%8f/#comments Wed, 24 Sep 2025 04:32:38 +0000 /?p=5884 මේ දවස්වල ඉන්නෙ කැනඩාවෙ. NPP එකට ඡන්දෙ දාලා රට දාලා ගියා කියල නේද හිතුවෙ? නෑ නෑ ආයෙ ලංකාවට එනව. පොත් ප්‍රදර්ශනේට යන්නත් එපැයි. ඉස්සර මට ඇත්තටම උවමනාවක් තිබුනෙ නෑ වෙන රටකට ජීවත් වෙන්න යන්න. ලංකාවෙ ෂේප් එකේ ඉන්න පුලුවන්නෙ කියලයි හිතුවෙ. ඒත් ඇත්තටම රටින් පිටට ගියාට පස්සෙ තේරෙනව ඇයි ලංකාවෙන් වෙනත් රටවලට ගියාට පස්සෙ මිනිස්සු ආයෙමත් ලංකාවෙ පදිංචියට එන්නෙ නැත්තෙ කියල. එහෙම ලංකාව​ට එන අය නැතුව නෙවෙයි. තමන්ගෙ නෑදැයො – දන්න කියන අය එක්ක ලංකාවෙ ඉන්න එක දරුවගෙ හොඳ වෙයි කියල ඕස්ට්‍රේලියාවෙ ඉඳල ලංකාවට ආපු පවුලකට 2019 පාස්කු ප්‍රහාරයේදි වුනේ මොකක්ද කියල මේක කියවන සමහර දෙනෙකුට මතක ඇති. කැනඩාව ඇත්තටම හොඳ රටක්. එහාපැත්තෙ තියෙන ඇමරිකාව තරම් අප්සට් නෑ. එලියට බැහැල ඇවිද්දොත් විවිධාකාර ජාතීන්වලට අයිති මිනිස්සු ඉන්නවා. ඒක මරු. කැනඩාව තාමත් සංක්‍රමණිකයන්ට හිතවත් රටක්. ඒ වුනාට ඇමරිකාව, එක්සත් රාජධානිය, ඕස්ට්‍රේලියාව වටේ රටවල්වලනං සංක්‍රමණිකයන්ට හඬක් නැගෙමින් තියෙන තත්වයක් තමයි තියෙන්නෙ. දැං මේ ලියන්නෙ වික්ටෝරියා වල ඉඳගෙන. මට බැන්ෆ්, ටොරොන්ටෝ පැතිවලත් ඇවිදින්න ලැබුනා. බැන්ෆ් පැත්තෙ ඇවිදිද්දි තේරුන දෙයක් තමයි ​මෙහේ රජය – මිනිස්සු සෑහෙන්න උත්සාහ කරනව පරිසරය – පරිසරයටම ආවේණික – ලස්සනෙන්ම තියාගන්න. ඒ වගේම මේ බිම් වල මුල් අයිතිකාරයන්ටත් ලොකු ගෞරවයක් දෙන්න උත්සාහ කරනවා. මේ රට තාම බ්‍රිතාන්‍ය කිරීටයට යටත්. ඒ වුනාට ඒක මෙහේ ඉන්න අයට ලොකු ප්‍රශ්නයක් නෙවෙයි. කැනඩාවෙ පාන් කෑවට පස්සෙ තමයි මට තේරුනේ ප්‍රංශෙ මාරි ඇන්ටොනට් බිසව “පාං නැත්තං ​කේක් කාපිය” කියල කිව්වෙ ඇයි කියල. ලංකාවෙ සාමාන්‍යයෙන් ගන්න තියෙන පාං වලට වඩා මෙහේ පාං කේක් වගේම මෘදු සහ අලුත්. පැනි රසක් නං නෑ. ලංකාවට කැනඩාව වගේ වෙන්න ඕනෙ නෑ. ලංකාව කියන්නෙ ලංකාව. ඒ වුනාට මං හිතනවා ලංකාව කැනඩාව වගේ මිනිස්සුන්ගෙ විවිධත්වයට ගරු කරන ආහාර වල ගුණාත්මකභාවය රැකගන්න නීති තියෙන, ඒ නීති ක්‍රියාත්මක කරන පාරෙ පිළිවෙලකට යන්න පුලුවන් රටක් වෙනවන​ං ඒක හිට්ලර්​ල වගේ නායකයොන්ට බලෙන් මිනිස්සුන්ව හික්මවල කරවන්න පුලුවන් දෙයක් නෙවෙයි. ඒක කරන්න පුලුවන් ලංකාවෙ මිනිස්සුන්ටම තමයි. ගිහින් එන්නං! ]]> /2025/09/24/%e0%b6%9a%e0%b7%90%e0%b6%b1%e0%b6%a9%e0%b7%8f/feed/ 1 5884 2023 මොකද වුනේ? /2024/01/07/2023-%e0%b6%b8%e0%b7%9c%e0%b6%9a%e0%b6%af-%e0%b7%80%e0%b7%94%e0%b6%b1%e0%b7%9a/ /2024/01/07/2023-%e0%b6%b8%e0%b7%9c%e0%b6%9a%e0%b6%af-%e0%b7%80%e0%b7%94%e0%b6%b1%e0%b7%9a/#comments Sun, 07 Jan 2024 06:11:21 +0000 /?p=3611 2024ත් වුනා. දැන්නං වයසට ගිහින් කියලමයි හිතෙන්නේ. වයසට යනකොට, වෙනත් වයසට ගියපු අයගෙ ට්‍රැක දැකල බලවෙලා ඉන්නෙ මටත් එහෙම වෙයි කියලා. අන්තිමට ලියපු දවස බැලුව​ම 2023ට මුකුත් ලියලත් නෑ. ඒක ගැන දුකයි. 2023 අවුරුද්දෙ මුල ඉඳලම කර කර හිටපු රස්සාවෙන් අයින් වෙන එක ගැන තමයි හිත හිත හිටියෙ. රස්සාවෙ ප්‍රශ්නයක් නිසා නෙවෙයි, ඇති වගේ කියල හිතුන නිසා සහ ඉක්මනට විශ්‍රාම යන්න පුලුවන්ද කියල අත්හදා බලන්න ඕනෙ වුන නිසා. ඒත් රුපියල එන්න එන්නම බාල්දු වෙන නිසා, විශ්‍රාම යන්න දැම්ම අමාරුයි. ඊට පස්සෙ වැඩක් ​නොකර ඉන්න කම්මැලිත් හිතුනා. ඉතින් මාස 4කට විතර පස්සෙ Supabase (සුපබේස්) සෙට් වුනා. මේක තමයි මං හිතන්නෙ මම අඳුරන අයගෙ Reference එකක් නැතුව සෙට් වුන පළවෙනි job එක. හැබැයි ඒකට Auth0 (ඕත් සීරෝ) එකේ Experience එක උදව් වුනා. මං හිතාගෙන හිටියෙ 2023 වසර අම්මටසිරිවෙන්න කෙලවෙයි කියල. පැය 24ම කරන්ට් නැතිවෙයි කියල හිතාගෙන Power backup දෙකක්ම අරගත්තා. විදුලියෙන් දුවන කාර් එකකුත් අමාරුවෙන් අරගෙන හිටියෙ තෙල් නැතිවෙයි කියල. පුලුවන් උපරිමයෙන්ම 2022 දි ලෑස්ති වුනේ 2023දි එයි කියල හිතාගෙන හිටපු crisis එකට. හැබැයි රනිලුත් නන්දලාලුයි වැඩේ ගොඩදාගත්ත වගේ හිමීට. ඒකෙන් කියන්නෙ නෑ දැං අපි ඉන්නෙ crisis එකක නෙවෙයි කියල. නන්දලාල්ම කිව්ව වගේ ආගාධෙට යන ගමන් තිබුන වාහනේ බ්‍රේක් එක ගහල අනිත් පැත්තට හරවගෙන ආයෙ උඩට යන ගමන් ​ඉන්නෙ. ඒ වුනාට බැලුවම පේනවා මිනිස්සුන්ගෙ ක්‍රය ශක්තිය එන්න එන්න අඩුවෙනවා, නොමිලේ ලැබෙ​න සෞඛ්‍ය පහසුකම් දුර්වල වේගෙන යනවා, නොමි​​ලේ අධ්‍යාපනය දුර්වල වේගෙන එනවා වගේ දශක ගණනාවක් ඉස්සරහට බලපාන ගැටලු වලට මුහුන දෙමිනුයි අපි ඉන්නෙ. මේ අවුරුද්දෙ ලොකු ලොකු දේවල් කරන්න බලාපොරොත්තුවක් නෑ. මේව තමයි Goals. ෆෝන් එකටයි, සමාජ මාධ්‍ය වලටයි තියෙන addiction එක අයින් කරගන්න එක පොත් කියවන්නයි, ලියන්නයි පටන්ගන්න එක PostgreSQL ඉගෙනගන්න එක මං 2024 අවුරුද්දෙ කරපු පළවෙනි වැඩේ තමයි රහස් කියන කඳු චිත්‍රපටිය බලපු එක. හැබැයි මං ඒක 2023 අවුරුද්දට දාන්න තමයි ආස. ඒ චිත්‍රපටිය ගැන ඊළඟට ලියන්න හිතාගෙන ඉන්නවා. ඔයාලට 2023දි මොනවද වුනේ? මගෙන් මොනවගේ දේවල්ද දැනගන්න කැමති කියල කියන්නත් අමතක කරන්න එපා! ]]> /2024/01/07/2023-%e0%b6%b8%e0%b7%9c%e0%b6%9a%e0%b6%af-%e0%b7%80%e0%b7%94%e0%b6%b1%e0%b7%9a/feed/ 2 3611 ඉදිරියට වෙන්න නියමිත දේවල්, ආර්ථික ප්‍රතිපත්ති ස​හ ​දේශපාලනය. /2022/03/17/%e0%b6%89%e0%b6%af%e0%b7%92%e0%b6%bb%e0%b7%92%e0%b6%ba%e0%b6%a7-%e0%b7%80%e0%b7%99%e0%b6%b1%e0%b7%8a%e0%b6%b1-%e0%b6%b1%e0%b7%92%e0%b6%ba%e0%b6%b8%e0%b7%92%e0%b6%ad-%e0%b6%af%e0%b7%9a%e0%b7%80/ /2022/03/17/%e0%b6%89%e0%b6%af%e0%b7%92%e0%b6%bb%e0%b7%92%e0%b6%ba%e0%b6%a7-%e0%b7%80%e0%b7%99%e0%b6%b1%e0%b7%8a%e0%b6%b1-%e0%b6%b1%e0%b7%92%e0%b6%ba%e0%b6%b8%e0%b7%92%e0%b6%ad-%e0%b6%af%e0%b7%9a%e0%b7%80/#respond Thu, 17 Mar 2022 03:59:38 +0000 /?p=2714 මේක ටිකක් දිගයි. ඒ වුනාට තෙල් පෝලිමක හරි ගෑස් පෝලිමකහරි ඉන්න ගමන් කම්මැලිකමට කියවන්න පුලුවන්වෙයි කියල හිතෙනවා. රජය Debt restructuring සහ IMF වෙත යන්න එකඟ වුනත්, මූලික ප්‍රතිපත්ති සඳහා එක​ඟ වෙන්න අඩුම තව මාස හයක්වත් යනව. ඉන්දියාවෙන් ටික ටික ඩොලර් (මැරෙන්න ඉන්න ලෙඩෙක්ට වතුර දිදී තියාගන්න වගේ) පොම්ප කරත්, මේ තෙල්, ගෑස් සහ අත්‍යවශ්‍ය ද්‍රව්‍ය වල හිඟකම තවත් වැඩිවෙන එක නතරකරගන්න බැරිවෙනව. කබ්රාල් හිටු කියල රුපියල් මුද්‍රණය කරා සහ කරමින් ඉන්න​ව. ඒකට හේතුව තමයි රජයේ පඩි ගෙවන්න දැන් භාණ්ඩාගාරයේ මුදල් නැහැ. මේ නිසා තව දුරටත් රුපියල අවප්‍රමාණය වෙන්න ගන්නව. අපි තේරුම්ගන්න ඕනෙ සමස්ත ආර්ථිකය කියන්නෙ පද්ධතියක්. ඒකෙ එක සාධකයක් විතරක් නිදහස් කරල නිකන් බලාගෙන ඉන්න බෑ. ඩොලරයේ අගය වෙළඳපොළ මත තීරණය වෙන්න දෙනව වගේම, රජය තමන්ගෙ ආදායම ඉහළ දමාගන්න වැඩ කරන්න ඕනෙ සහ උද්ධමනය පාලනය කරන්න පියවර ගන්න ඕනෙ. රජය බදු ඉහළ නොදැම්මොත්, ප්‍රතිපත්ති පොලී අනුපාත ඉහළ නොදැම්මොත් අතිඋද්ධමන තත්වයකට රට යන එක නවත්තන්න සක්කරයටත් බැරිවෙනව.රජයේ බදු ඉහළ දැමීම හරි ප්‍රතිපත්තියකට කරන්න ඕනෙ. අපි දැක්ක කෝවිඩ් කාලෙ රටේ ධනවත් අය සහ ව්‍යාපාර තවත් ධනවත් වෙනව වුනාට, දුප්පත් අය අන්තම දුප්පත් වෙනව. ඒ කියන්නෙ, මේ මුද්‍රණය කරන සල්ලි ආයෙමත් ගිහින් නතරවෙන්නෙ රටේ මොනොපොලි ඇති කරල තියෙන ව්‍යාපාරිකයො ගාව. එහෙනං වහාම මේ ධනවතුන්ගෙන් සෘජු බදු අයකරන්න ඕනෙ වගේම, පොදු ජනතාවගෙන් බදු අයකිරීම ඔවුන්ගෙ ආදායම් මට්ටම අනුව හරියට කරන්න ඕනෙ. IMF එනව කියල හරි, ඉන්දියාවෙන් බිලියන එක දෙක එනව කියල හරි මේ ප්‍රශ්නය පටගාල විසඳෙන්නෙ නෑ. IMF එක විසින් ඉල්ලන ප්‍රතිපත්ති වෙනස්කම් කරනවා වගේම, පැත්තකින් ර​ටේ සම්පත් ඉන්දියාවත් එක්ක හුවමාරු කරගන්න වෙන්න. දැන් ​මේ ඉන්දියාවට උදාවෙලා තියෙන්නෙ කල්ල මරේ, කවදාවත් ලැබුනෙ නැති අවස්ථාවක්. ලංකාවෙ තියෙන සම්පත් වලට බොහොම අඩු මුදලකට හිමිකම් කියන්නට ලැබෙන එක චීනෙටවත් නොලැබුනු අවස්ථාවක්.ඉන්දියාවට මේක හොඳ අවස්ථාවක් වගේම අපිටත් මේක පෙරලුනු පිට හොඳයි කියල ඉන්න වෙන අවස්ථාවක්. දැන් අපි තේරුම්ගන්න ඕනෙ දේවල් කිහිපයක් තියෙනව. ඒ ටික තේරුම් නොගත්තොත් අපි ආයෙ පස්සටම යන එක නවත්තන්න බෑ. පවතින අර්බුදය විසින් උද්ධච්ඡ ආණ්ඩුව දණගස්සවල නොකර ඉන්නම බැරි ප්‍රතිසංස්කරණවලට යොමු කරමින් ඉන්නව. මේක දීර්ඝ කාලීනව රටට හොඳයි කියලයි මට හිතෙන්නෙ.අපේ රට තමයි ලෝකෙන්ම උතුම්, අපේ රට ස්වයංපෝෂිතයි කියල මායාවෙන් දැන්වත් ගැලවෙන්න ඕනෙ කියන එකත් තේරුම්ගන්න ඕනෙ.මේ අර්බුදය නිර්මාණය වුනේ කිසිම කළමණාකරනයක් නැතුව ණය ගත්ත එකෙන්. ණය ගත්ත විතරක් නෙවෙයි, ඒ ගත්තු ණය වලින් කරපු ව්‍යාපෘති වලින් කොමිස් ගැහුවා, ​හොරකම් කරා, මුදල් නාස්ති කරා, රොකට් යැව්වා, දුවන මංතීරු කැලෑවල්වල හැදුවා වගේ වැඩ කරපු නිසා. ඒක ක​රේ මේ රට රකිනව, මේක අපේ මව්බිම කියල පපුපට ගහගත්තු නායකයො කියන එකත් අමතක කරන්න එපා.තවදුරටත් රජයේ රැකියා ගැන සිහින අමතක කරන්න. රජයේ රැකියාවකනං ඉන්නෙ හොඳට හිතල බලල තමන්ගෙ හැකියාවන් දියුණු කරගන්න උත්සාහ කරල රජයේ රැකියාවකින් අයින් වෙලා වෙනත් දේකට යන්න උත්සාහ කරන්න (ලේසි නෑ). දැන් දේශපාලනේ… පහුගිය දවසක සජ​බෙ රැළියෙන් පෙනුනෙ, අඩුගානෙ විපක්ෂ නායකයටවත් මේ අර්බුදය ගැන කිසිම ​තේරුමක් නෑ කියන එක. ඒ වෙලාවෙ කරපු කතාවෙන් මටනං පෙනුනෙ එයා තාම ඉන්නෙ අර හඳෙන් හාල් ගෙනත් දෙන්නං, තුනයි පනහට පාන් දෙන්නං වගේ ළඳරු මානසිකත්වයක. ඒ රැළිය, මිනිස්සුන්ගෙ හැඟීම් අවුස්සල, මේ අර්බුදය ඒ මිනිස්සුන්ට කියල දෙන්න පාවිච්චි කරන්න තිබුන හොඳ අවස්ථාවක්. ඒ අවස්ථාව විපක්ෂ නායකයා විසින් “මං පොර” වෙන්න පාවිච්චි කරපු එක හරිම කණගාටුදායක අවස්ථාවක්. දැන් මේ IMF විසින් ඉල්ලා සිටින ආර්ථික ප්‍රතිසංස්කරණ රටට අත්‍යාවශ්‍යයි. හැබැයි දැන් විරුද්ධවෙලා බලය ගන්​න කෙල හලාගෙන ඉන්න පාර්ශව දෙකක් ඉන්නව. එකක් තමයි විමල්ලගෙ පක්ෂ 11. අනිත් පාර්ෂවය තමයි ජවිපෙ. IMF ප්‍රතිසංස්කරණ සහ ඉන්දියාවට රටේ සම්පත් විකුණනකොට මෙයාල කිසිම තේරුමක් නැතිව යටිගිරියෙන් කෑ ගහල මිනිස්සුන්ව අවුස්සල බලයට ඇවිත්, මේ ප්‍රතිසංස්කරණ reverse කරල, ඊනියා දේශීය ආර්ථික “මොකක්හරි” කරන්න ගියොත් අපිට ආයෙමත් මේ විෂම දාමයේ හිරවෙන්න සිද්ධ වෙනව. ඒක නිසා මං විශ්වාස කරන විමල්ලට සහ ජාතික චින්තනකාරයෝ ටිකට නැවත බලයට එන්න නොදී තියාගන්න ඕනෙ කියල. ජවිපෙ නායකත්වය දුන්නත්, NPP එකේ ඇත්තටම හොඳ කණ්ඩායමක් ඉන්නවා කියල මං විශ්වාස කරනව. හැබැයි දැන් NPP එක බලයට එන්න ඕනෙනං, IMF එක සහ ඉන්දියාව එක්ක ඔයිට වඩා සාධනීය විදිහට ගනුදෙනු කරන්න ලෑස්ති වෙන්න ඕනෙ. එහෙම නැතුව එයාලත් ජවිපෙට පුරුදු ප්‍රතිපත්තිවල හිටගෙන IMF එපා, ඉන්දියාව එපා කියල ඡන්දෙට කලින් පිස්සු කෙලියොත් එයාලට බලය ලැබෙනවා වෙනුවට එයාලට වඩා ​​හොඳට ජාතික චින්තනේ වවාගෙන කන විමල්ලගෙ පැත්තට මිනිස්සු හැරෙන්න තියෙනවා. ඒ වෙනුවට, IMF සහ ඉන්දියාව පිලිබඳ මධ්‍යස්ථ ප්‍රතිපත්තියක් අනුගමනය කරමින් රටේ ජනතාවට මේ අර්බුධය ඇත්තටම පැහැදිලි කරන්න හැදුවොත්, NPP එකටත් හොඳ අවස්ථාවක් තියෙනව කියලයි මටනං හිතෙන්නෙ.මේ අතරෙ තව අලුත් ව්‍යාපාරයකටත් අවස්ථාවක් ලැබෙමිනුයි තියෙන්නෙ. ඒ…. මේ සමාජවාදී, ජතික චින්තනවාදී, මැදමුලනවාදී දේශපාලනයෙන් එහාට… වෙනම ලිබරල් ව්‍යාපාරයකටත් ඉඩක් නිර්මාණයවෙමින් තියෙනව. ඒ අවස්ථාව කවුද ගන්නෙ කියන එක තමයි ප්‍රශ්නෙ. අපිට මේකෙන් ගැලවෙන්න ඕනෙනං අපි කරන්න ඕනෙ මේව… හැබැයි මතක තියාගන්න ඕනෙ, මේව අද කරා කියල අපිට හෙට සෞභාග්‍ය ලැබෙන්නෙන​ං නෑ. මේ තත්වයෙන් ගොඩ එන්න අවම අවුරුදු පහකුත්, මේකෙන් ගොඩ ගිහින් හොඳ මාවතකට ආවොත්, අපිට ඇත්තටම යහපත් රටක් වෙන්න නොහැකි නෑ. අපි ආර්ථික ප්‍රතිපත්ති වෙනස් කරන්න ඕනෙ. ඒකට IMF ප්‍රතිපත්ති කියන්නෙ හොඳ ආරම්භයක්. හැබැයි අපි ඒ මතම යැපෙනවා වෙනුවට ඇත්තම facts සහ දත්ත මත පදනම්වුන ආර්ථික ප්‍රතිපත්තියක් හදන්න දැනුම් තේරුම් තියෙන මිනිස්සුන්ට භාරදෙන්න ඕනෙ.රටේ තියෙන මොනොපොලි ​ටික නැති කරන්න අවශ්‍ය නීති සම්පාදනය කරන්න ඕනෙ. රටේ පාලකයින්ගේ හිතවතුන්ට වරප්‍රසාද ලැබෙන ක්‍රමය වෙනස් කරන්න ඕනෙ.කලින් කිව්ව වගේ රජයේ රැකියා පිළිබඳ මානසිකත්වයෙන් මිදෙන්න ඕනෙ. හැම මනුස්සයෙක්ටම දැන් අන්තර්ජාලය නිසා වෙනද නොතිබුන අධ්‍යාපනික අවස්ථා උදාවෙලා තියෙනව. ඒව ප්‍රයෝජනයට අරගෙන දියුණු වෙන්න මිනිස්සුන්ව පොළඹවන්න ඕනෙ.රාජ්‍ය විශ්ව විද්‍යාල සතුව තියෙන දැනුම වහ වහාම Open Domain කරන්න ඕනෙ. ඒවයෙ තියෙන දැනුම හැමෝටම accessible වෙන්න ඕනෙ.මේ රදලයො ටික ඇත්තටම පන්නල දාන්න ඕනෙ, පුලුවනං හරි විමර්ශනයක් කරල කරපු හොරකං එලිදරව් කරල ඒ ධනය නැවත භාණ්ඩාගරයට ගන්න ඕනෙ. උන්ට දඬුවම් දීල රටේ ඊළඟ පරම්පරාවට පූර්වාදර්ශයක් දෙන්න ඕනෙ.රටේ බලය බෙදන්න ඕනෙ. දෙමළ ඩයස්පෝරාවට මේකට ඇවිත් ආයෝජනය කරන්න නිදහස දෙන්න ඕනෙ. සහජීවනයෙන් වැඩකරන්න ඕනෙ. ජාතිවාදීන්ව පිටුදකින ක්‍රමයක් හදන්න ඕනෙ. ඔන්න ඕකයි මේ මොහොතෙ තත්වය. ]]> /2022/03/17/%e0%b6%89%e0%b6%af%e0%b7%92%e0%b6%bb%e0%b7%92%e0%b6%ba%e0%b6%a7-%e0%b7%80%e0%b7%99%e0%b6%b1%e0%b7%8a%e0%b6%b1-%e0%b6%b1%e0%b7%92%e0%b6%ba%e0%b6%b8%e0%b7%92%e0%b6%ad-%e0%b6%af%e0%b7%9a%e0%b7%80/feed/ 0 2714 ඩිමොක්‍රසි විසංවා​ද /2020/11/15/%e0%b6%a9%e0%b7%92%e0%b6%b8%e0%b7%9c%e0%b6%9a%e0%b7%8a%e2%80%8d%e0%b6%bb%e0%b7%83%e0%b7%92-%e0%b7%80%e0%b7%92%e0%b7%83%e0%b6%82%e0%b7%80%e0%b7%8f%e2%80%8b%e0%b6%af/ /2020/11/15/%e0%b6%a9%e0%b7%92%e0%b6%b8%e0%b7%9c%e0%b6%9a%e0%b7%8a%e2%80%8d%e0%b6%bb%e0%b7%83%e0%b7%92-%e0%b7%80%e0%b7%92%e0%b7%83%e0%b6%82%e0%b7%80%e0%b7%8f%e2%80%8b%e0%b6%af/#comments Sun, 15 Nov 2020 13:22:58 +0000 /?p=2627 මදකට හිතින් මවාගන්න. ඔන්න එකමත් එක රටක, වන ගහනය බහුල වූ පෙදෙසක අලුතෙන් කර්මාන්ත ශාලාවක් ඉදිකරන්න යෝජනා වෙනවා. මේ කර්මාන්ත ශාලාව ඉදිකරන්නට ඒ ප්‍රදේශයේ වනාන්තර භූමි අක්කර 200ක් කපා එළි කිරීමට අවශ්‍ය වෙන අතර ඒ සඳහා පරිසර ඇගයීම් වාර්තා කැඳවීමක් සිදු කරනු ලබනවා. මේ වනාන්තර එලි කිරීම නිසා, ඒ ප්‍රදේශයට ආවේණික සත්වයින්ගේ නිජ භූමි විනාශ වන බවත්, ඔවුන්ගේ ආහාර දාමයට සිදුවන බලපෑම නිසා එම සතුන් සදහටම වඳ වී​මේ තර්ජනයකට ලක්වන බවත් පරිසර වේදීන් තම වාර්තාවේ සටහන් කළා. ඊට අමතරව එම ප්‍රදේශයේ ජල මූලාශ්‍ර විනාශ වී නල ළිං සිඳීයාම නිසා ජනතාවට ජල ගැටලු ඇතිවිය හැකි බවත් ඔවුන් වාර්තා කරා. කොහොම වුනත් මේ කර්මාන්ත ශාලාව ඉදිරිකරොත් එය එම රටට විදෙස් ආයෝජන ලබාගැනීමේ ඉතා මහඟු අවස්ථාවක් බවත්, ඒ හරහා එම ප්‍ර​දේශයේ දස දහසක් රැකියා අවස්ථා ඇති කළ හැකි බවත් එම ප්‍රාන්තයේ ආණ්ඩුකාරවරයා ප්‍රකාශයට පත් කළා. ජනමාධ්‍ය තුළත් වාර්තා වුනේ රැකියා රහිත පෙදෙස් වැසියන් බොහෝ දෙනෙක් මෙම කර්මාන්ත ශාලාවෙන් රැකියා ලබාගැනීමට බලාපොරොත්තුවෙන් සිටින බවයි. කර්මාන්තශාලාව ගැන ගැටලුව නිසා ආණ්ඩුකාරවරයා ඒ ප්‍රදේශයේ බහුතර මතය දැනගැනීමට ඡන්දයක් ප්‍රකාශයට පත් කළා. කර්මාන්තශාලාවට ආයෝජනය කරන ව්‍යාපාරිකයින් කර්මාන්තශාලා​ව හරහා උත්පාදනය වන රැකියා පිළිබඳ පුවත්පත් දැන්වීම් පළකර, රැකියා සඳහා ඉල්ලුම්කරන ලෙස ප්‍රදේශ වැසියන්ගෙන් ඉල්ලා සිටියා. මේ අතර පරිසර සංවිධාන වන සංහාරයට විරුද්ධව හඬ නගමින් ජල මූලාශ්‍ර විනාස නොකරන ලෙසත්, සත්වයින්ගේ නිජ භූමි ආරක්ෂා කරන ලෙසත් ඉල්ලා සිටියා. ඡන්දය අවසාන ප්‍රතිඵලය ලෙස 51%ක් කර්මාන්ත ශාලාව අවශ්‍ය බව ප්‍රකාශ කිරීම නිසා කර්මාන්ත ශාලාව ඉදිකිරීමට ආරම්භ කළා. දැන් අපිට ප්‍රශ්න කිහිපයක් තියෙනවා. බහුතර මතයට ඉඩ දීම නිසා ඡන්දය ලබාදුන් 49%ක ප්‍රජාවගේ මතය නිශේධනය වීම කොතරම් සාධාරණද?එම වනාන්තරයේ ජීවත්වන සතුන්​ගේ අයිතිවාසිකම් හා ඔවුන් පිළිබඳ තීරණ ගැනීමට සාමාන්‍ය මිනිසුන්ට දැනුමක් තියෙනවාද? කර්මාන්තශාලාව ඉදිකිරීමටත් පෙර රැකියා ලබාදෙන බවට කර්මාන්ත/ශාලාවේ හිමිකරුවන් ප්‍රචාරය කිරීම ඡන්දයේ ප්‍රතිඵලට අනිසි බලපෑමක් කරා ද?වනාන්තරය කපා දැමීම නිසා ඇතිවෙන පාරිසරික බලපෑම් ඇතිවීමට තවත් කල්ගත වන නිසා, ජනතාව වැරදි තීන්දුවක් ගත්තා විය හැකිද? (පරිසර බලපෑම පිළිබඳ අවබෝධයක් නොමැති නිසා) බොහෝ රටවල් සහ ආයතන මෙසේ බහුතර මතය මත පදනම්ව තීරණ ගන්නවා. ලෝකයම දැන් දශක ගණනාවක් මෙසේ ඩිමොක්‍රසිය මත රාජ්‍ය පාලනය කරමින් සිටිනවා. ඒ හරහා ලබාගත් ජයග්‍රහණත් බොහොමයි. පරාජයනුත් බොහොමයි. පරාජයටනම් බොහෝ උදාහරණ අපේ රටෙන්ම අරගන්න පුළුවන්. අවුරුදු 30කට ආසන්න යුද්ධයත් ඒ හා සමගාමීව ඇදී යන ජාතීන් අතර ඇති යම් යම් විරසකද මේවාට උදාහරණ. බොහෝවිට බහුතරය බලය ලබා දී ඇත්තේ යම් යහපතක් බලාපොරොත්තුවෙන් වූවත්, බලයට පැමිණි අයට රිසිසේ “ආ දැන් ඔයාලා කරගෙන යන්නැයි” කියා ජනතාව පසෙකට වී තමන්ගේ වැඩක් කරගෙන ඉන්නත් පුරුදු වෙලා. ග්‍රීක දාර්ශනකයෙක් වූ සොක්‍රටීස්නම් ඩිමොක්‍රසිය දකින්නෙ අති අසාර්ථක රාජ්‍ය පාලන ක්‍රමවේදයක් විදිහටයි. ඔහු වරෙක ඇඩිමැන්ටස් නම් තම අනුගාමිකයෙක්ගෙන් මෙසේ විමසනවා ඔබ නෞකාවක නැගී මුහුදු චාරිකාවක යනවානම්, ඔබ එම නෞකාව හසුරුවන්නට භාර දෙන්නේ කාටද?ඔබ කැමති ඕනෑම අයෙකුටද? එහෙමත් නැත්තං නෞකා හැසිරවීම ගැන හොඳින් දැනුවත් ඒ පිළිබඳ පළපුරුදු අයෙකුටද? ඇඩිමැන්ටස් පිළිතුරු දෙන්නේ අනිවාර්යයෙන්ම නෞකා හැසිරවීම පිළිබඳ පලපුරුදු අයෙකුට බවයි. එවිට සොක්‍රටීස් ඇඩිමැන්ටස්ගෙන් පෙරළා විමසන්නේ එසේනම් රටක පාලකයා තීන්දු කිරීමට රටේ ඕනෑම කෙනෙකුට අයිතිය ලබාදීම කොතරම් සුදුසුදැයි කියායි. (ප්ලේටෝගේ The Republic පෝතේ හයවැනි කොට​ස) මෙවන් තත්වයක් තුළ විවිධ වූ රටවල් ඩිමොක්‍රසියට සමගාමීව සුළුතර මතයද ආරක්ෂාවන ලෙස විවිධ උපක්‍රම යොදා තිබෙනවා. එය විමසන්නනම් මේ සටහනේ ඉඩ මදි. ඒත් මට කියන්නට ඕනෑ වුනේ, බහුතර – සුළුතර නොව නිවැරදි දෙය තෝරාගැනීමට අපි උත්සාහ කළ යුතු බවයි. ලබන සතියේ හමුවෙමු. ආයුබෝවන්! ]]> /2020/11/15/%e0%b6%a9%e0%b7%92%e0%b6%b8%e0%b7%9c%e0%b6%9a%e0%b7%8a%e2%80%8d%e0%b6%bb%e0%b7%83%e0%b7%92-%e0%b7%80%e0%b7%92%e0%b7%83%e0%b6%82%e0%b7%80%e0%b7%8f%e2%80%8b%e0%b6%af/feed/ 2 2627 නැරඹිය යුතු වේදිකා නාට්‍ය කිහිපයක් /2020/11/08/must-watch-stage-dramas/ /2020/11/08/must-watch-stage-dramas/#comments Sun, 08 Nov 2020 04:30:44 +0000 /?p=2619 ඔබ “කොලොම්​බො කොලොම්​බො” වේදිකා නාට්‍යය නරඹා තියෙනවද? අවාසනාවකට දැන් ඒ නාට්‍ය වේදිකා ගත නොවුනත්, මීට අවුරුදු අට නවයකට පෙර ඒ වේදිකා නාට්‍යය ලංකාවේ වේදිකා නාට්‍යවලට එකතු කරේ අමුතුම ජවයක්. මේ වේදිකා නාට්‍යයේ වීඩියෝවක්වත් දැන් සොයාගන්න​ට නැහැ. වේදිකා නාට්‍ය ගැන ඉගෙනගන්න අය වෙනුවෙන් සිංහබාහු, මනමේ නැවත නැවතත් නිෂ්පාදනය වෙද්දි, සාපේක්ෂව මෑත කාලයේ නිෂ්පාදනය වූ වේදිකා නාට්‍යයක් වේදිකාවෙන් ඉවත්ව යාම ශෝකය​ට කරුණක්. මේ වේදිකා නාට්‍යයෙන් පසුව, එතරම් ජවසම්පන්න නාට්‍යයක් නොදැක්ක තරම්. වේදිකා නාට්‍යයක්ම ​නොවුනත් මෑතකදී ප්‍රදර්ශනය වූ “ගෝඨයිම්බර කෝලම”ත් සෑහෙන්න හොඳ නිර්මාණයක්. එයත් දැන් ප්‍රදර්ශනය වන්නේ නැහැ. හැබැයි YouTube වීඩියෝවක්නම් හොයාගන්න පුළුවන්. ගෝඨයිම්බර කෝලම නිෂ්පාදනය කරන්නේ ඩෙනිස් පෙරේරා. ශ්‍රී ලංකාවෙ ශාන්තිකර්ම පිළිබඳ මැනෙවින් කරන ලද පරීක්ෂණයක ප්‍රතිඵල වෙන්නට පුළුවන් මේ නාට්‍යය. සාමාන්‍ය පෙළ කාලෙ “නාට්‍ය හා රංග කලාව” ඉගෙනගත්තාට පස්සෙ මේ වෙනකොටනම් කෝලම්, ශාන්තිකර්ම, නාඩගම් ගැන මගේ දැනුම දුර්වලයි. ගෝඨයිම්බර කෝලම නැරඹුවාට පස්සෙනම් නැවත ඉගෙනගන්න හිතුනා. පළමු කොරෝනා වටයෙන් පස්​සෙ, ලංකාවෙ මිනිස්සු ආයෙමත් වේදිකා නාට්‍ය බලන්න පුරුදු කරවන්න ටවර් හෝල් පදනමෙන් සංවිධානය කරා “ප්‍රේක්ෂා” කියල නාට්‍ය උළෙලක්. මේකෙදි පරණ වගේම අලුත් වේදිකා නාට්‍ය රැසක් ප්‍රදර්ශනය වුනා. මිනිස්සුත් සෑහෙන්න ආවා. ඒක බොහොම සතුටට කරුණක්. මං “ප්‍රේක්ෂා” ගි​යේ නැරඹිය යුතුම නාට්‍ය තුනක් බලන්න. ඒ, චාමික හත්ලහවත්තගේ නාට්‍ය තුනක්. මුලින් කියපු නාට්‍ය වලට පස්සෙ මට බලන්නට ලැබුන හොඳම වේදිකා නාට්‍ය තුන තමයි “මකරට”, “රජා මං වහලා” සහ “බෝම්බයක් ඉතුරුයි” නාට්‍ය. වේදිකා නාට්‍ය සහ රංගනය පිළිබඳ මැනෙවින් කරන ලද පර්යේෂණවල යොදාගැනීම් මේ නාට්‍යවල ඇතැයි බැලු බැල්මටම කියන්නට පුළුවන්. ඒ නාට්‍ය වල ඇති ජවසම්පන්න බව නිසා, අලුතෙන් වේදිකා නාට්‍ය බලන්නට උනන්දුවක් දක්වන අයටත් බොහොම සුදුසුයි. වේදිකා නාට්‍ය තුනේ තේමාව සමාන වුනත්, මේ තුනම වෙන වෙනම රස විඳින්නට පුළුවන්. යුද්ධය අවසන් වෙලා වසර එකොළහකට ආසන්න කාලයක් ගතවුනත්, ඉතිහාසයට ​මේක බොහොම පොඩි කාලයක්. අපි තවම යුද ජයග්‍රහණය සමරමින් අපිට ඇති අනෙකුත් ප්‍රශ්න අමතක කරමින් හෝ මග හරිමින්, තවත් පොදු සතුරෙක් සොයාගනිමින් ඉන්න කාලයක් මේ. ඔ​බේ දේශපාලන පක්ෂපාතීත්වය මොකක් වුනත්, මේ වේදිකා නාට්‍ය නරඹා හැකි පමණින් කල්පනා කරන්නට මා ආරාධනය කරනවා. මේ නාට්‍ය ආයෙ ආයෙමත් පෙන්නුවොත් ​​​හොඳයි. ​මේ අතර විශේෂ සටහනක් කර යුතු වේදිකා නාට්‍යයක් තියෙනවා. “මෙය තුවක්කුවක් නොවේ” වේදිකා නාට්‍යයත් ආයෙ වේදිකාගත වෙනවනම් කැමතියි. ඒ අතර මට මඟහැරුන – ඔබට හමුවුන වේදිකා නාට්‍ය මොනවද? ඊළඟට සටහනක් ලියන දිනයක නැවත හමුවෙමු. ඡායාරූප ලබාගත් තැන් ගෝඨයිම්බර කෝලම ෆේස්බුක් පිටුවරජා මං වහලා ෆේස්බුක් පිටුවමකරට ෆේස්බුක් පිටු​ව ]]> /2020/11/08/must-watch-stage-dramas/feed/ 12 2619 සතියේ සටහන – ඔක්තෝබර් තිස් වෙනිදා /2020/10/30/30/ /2020/10/30/30/#comments Fri, 30 Oct 2020 15:49:40 +0000 /?p=2614 ඉතින්, ආයුබෝවන්. ​අඩපණ වෙලා තිබුන බ්ලොග් එක ආයෙමත් හදල ගන්න සෑහෙන කාලයක පටන් අවශ්‍ය වෙලා තිබුනත්, විවිධ වැඩ රාජකාරි නිසා හැමදාම පස්සට ගියා. මං හිතන් ඉන්නෙ ආයෙමත් ලිවිල්ල පටන්ගන්න. මොනවන් විශේෂ දෙයක් ගැන නෙවෙයි, ඔහේ ලියන්න. පරණ සටහන් දිහා බලාගෙන යද්දි, මං මේ අවුරුද්දටම මුකුත් ලියලා නෑ. එතකොට මේ මසේ විස්සයි විස්සෙදී ලියවෙන පළමු ලියවිල්ල. ඒ ලියවෙන්නෙත් අවුරුද්ද අවසානයේදී. බලමුකෝ ඒකෙත් හැටි. රස්සාව විදිහට පරිගණක සහ කේත අතර ඔට්ටු වෙනකොට ලියන්න දෙයක් හිතාගන්න අමාරුයි. ඉංග්‍රීසියෙන් වැඩ කරනකොට සිංහල අමතක වෙන ගතියක් තියෙනවා වගේම, සිංහලෙන් වැඩ කරනකොට ඉංග්‍රීසිත් අමතක වෙන ගතියක් තියෙනව. මේකට විසඳුමක් නැද්ද? මේ ළඟදි අලුත් වැඩක් කරා. ඒ මගේ පාසල් කාලයේ මිතුරෙක් වෙන රේවියන් අලුතෙන් පටන්ගත්තු “අදිකාරම් සිතුවිලි” පොඩ් කාස්ට් එකේ දෙවෙනි එපිසෝඩ් එකට මගේ සත දෙක එකතු කරපු එක. ඉස්සරහටත් ඒ පොඩ් කාස්ට් එකට ඉඩ ලැබෙන විදිහට සම්බන්ධ වෙන්නට හිතාගෙන ඉන්නවා. කැමතිනං අහල බලන්න. අපි ඒකෙත් කතාවෙන්නෙ නෙට්ෆ්ලික්ස් වාර්තා වැඩසටහනක් ගැන. ඒක තමයි The Social Dilemma. සමාජ මාධ්‍ය මිනිස්සුන්ගෙ ජීවිත ආක්‍රමණය කරමින් ඉන්නෙ කොහොමද කියල සරල හැදෑරීමක්. සමහරවිට මේ දේවල් අපි දැනටමත් දැනගෙන ඉන්නවා වෙන්න පුලුවන්. ඒත් තාක්ෂණය ක්‍රමක්‍රමයෙන් මිනිස් ජීවිත ආක්‍රමණය කරමින් සිටිනා බව දැනගෙන සිටීම වැදගත්. පළවෙනි උපාධිය SLIIT එකෙන් ගත්තාට පස්සෙ මං උත්සාහ කරා ආයෙ ඉගෙනගන්න. Msc එකක්, MBA එකක් කරන්නත් පටන්අරගෙන නවත්තල දැම්මා. විෂයන් රසවත් වුනා​ට ඒව ඉගෙනගන්න ලොකු කැපකිරීමක් කරන්න වෙන නිසා, විශේෂයෙන්ම 80% පැමිණීම වගේ දේවල් නිසා, ඒව තාවකාලිකව නවත්තල දැම්මා. ඉගෙනීම කරන්න ඕනෙ ආතල් එකකට මිසක් තවත් ආතතිය ඇති කරගන්න නෙවෙයිනෙ. ඒක නිසා මං හොයාගත්තා විකල්ප උපාධියක්. ඒ, සිංහල ශාස්ත්‍රපති උපාධියක්. විභාග වලින් සමත් වීම කෙසේවෙතත්, සති අන්තයේ එක දිනයක කලාව, සිංහල භාෂාව ගැන දේශන අසා සිටීම, සතියෙ අනිත් දවස් හයේ මහන්සිය මකන වෙනමම ආතල් එකක්. මට හිතෙන දෙයක් තමයි දැන් ලංකාවෙ ශාස්ත්‍රීය අධ්‍යාපනය බිඳ වැටෙමින් තියෙන බව. ඒක නිසා අන්තිමේ ලංකාවෙ ඉතුරු වෙන්නෙ සමාජය දේශපාලනය නොදත්, අනෙකා පිළිබඳ Empathy නැතිවුන, ව්‍යාපාරිකයන්ට සහ වැඩවසම්වාදී පවුල්වල අනසකට යටත් වුන, දීන ඉංජිනේරුවන් – වෛද්‍යවරුන් සහ කුලී සේවකයන්. ඒක නිසා මිනිසාගේ වටිනාකම නොදත්, තමන් වෙනුවෙන් නීති සම්පාදනය කරගැනීමට නොදත්, ජාතිවාදය වෙතම ඇදෙන මිනිසුන් පිරිසක් ඇතිවීම වැලැක්වීමට අපහසු කාරණයක් වී අවසානයි. දැනට මේ ඇති. ඊළඟ සතියෙදී ආයෙ මුනගැහෙමු. අලුතෙන් යමක් බලන්න කැමතිනම්

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