Able Muse Press

Rachel Hadas

Administrator — Thu, 27 Aug 2026 03:05:02 +0000

Genre: Poetry

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Rachel Hadas is the author of over twenty books of poetry, essays, and translations from Greek; she has also edited or coedited several poetry anthologies. Her honors include a Guggenheim Fellowship in Poetry, the O. B. Hardison Poetry Prize, a fellowship at the Cullman Center for Scholars and Writers at the New York Public Library, and an award in literature from the American Academy-Institute of Arts and Letters. In addition to Rutgers University-Newark, where she was for many years Board of Governors Professor of English, Rachel Hadas has taught writing at the West Chester Poetry Conference, the Sewanee Writers’ Conference, the Hudson Valley Writers’ Center, and 92NY. She is a member of the American Academy of Arts and Sciences.

Books by This Author:

TITLE	AUTHOR	COVER
My Cloak Is Poetry - Poems	By Rachel Hadas

My Cloak Is Poetry

Administrator — Thu, 27 Aug 2026 02:32:46 +0000

A Prosimetrum on Myth

By Rachel Hadas

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ISBN: 978-1-77349-196-7

Hardcover: My Cloak Is Poetry: Hardcover / ISBN 978-1-77349-198-1 / $34.95

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Publication Date: 1/22/2027

Page Count: 162 Pages

By Rachel Hadas

We often hear that stories acquire new meanings through retelling. In the prosimetrum My Cloak Is Poetry—part collection, part textbook, part memoir—Rachel Hadas proves it as never before. The poems let you in on a lifetime of sage contemplation of what and how myths mean, and as you’re wondering where all this wisdom comes from, the prose essays come along like a friend and say, “Here, let me show you.”
— C. Luke Soucy

Like the classics which transmit it, mythology comes to us as an unsettled issue: its enduring freshness derives from its being revisited and renewed by each generation. In this compelling new collection of verse and prose, Rachel Hadas creates a kind of classroom without walls, in which we take part in, or play our parts in, the process of transmission. Here you will find a rich selection of poems and an equally rich array of essays, both of which illuminate myth, poetry, and the life of a poet dedicated to passing them on.
— Charles Martin

In My Cloak Is Poetry, the poet and classicist Rachel Hadas has created a stunningly original hybrid form comprising verse and prose directed toward an exploration of ancient myth. The verse is her own, written over the course of three decades, abetted by Hadas’s outstanding translation of Victor Hugo’s 1888 poem “Boaz Asleep,” about the characters in the Hebrew Bible’s Book of Ruth. My Cloak Is Poetry makes a persuasive case for the particular value to us today of the foundation texts of Western civilization.
— David Lehman

The wise and humane Rachel Hadas has done something extraordinary: she has combined in one volume exquisite poetry engaging with classical myths, profound interpretive reflections, and a zeal for using both creativity and interpretation in inspirational pedagogy. She has no equal in the practice of what in the poem “Demeters” she calls “rediscovering the humanity in the old stories.” Highly recommended.
— Edith Hall

Related Subjects:

Poetry - American - General

Poetry - Ancient, Classical & Medieval

Literary Criticism - Poetry

Rachel Hadas taught Greek mythology for four decades at Rutgers-Newark, and in My Cloak Is Poetry she finally admits what she'd known all along: her cloak was never the bard's costume of the lecture hall—it was the poem itself.
This prosimetrum pairs nearly thirty poems, drawn from collections spanning Pass It On (1989) to Ghost Guest (2023) along with newer work, each followed by a brief essay on what occasioned it. Achilles tells a doomed suppliant that death comes at dawn or sunset or high noon, and the poem lands in a windowless basement where Hadas ran a poetry workshop for men dying of AIDS. Thetis grips her baby's ankle. Helen waits out the war in Egypt while a phantom takes the blame. Charon turns up in an Upper West Side lobby, hunched over a laptop, keeping count. A Vermont woodpile dwindles through the first pandemic autumn while Althaea's fatal brand waits in its box.
Translator of Euripides, Hugo, and Nonnus, Hadas reads myth the way she taught it—not for the lesson but for the vision—and shows how these stories keep arriving, uninvited and exactly on time.

ABLE MUSE BOOK AWARD, 2026 Results

Administrator — Sat, 15 Aug 2026 16:32:40 +0000

Able Muse Review Subscription | Forward

Able Muse Book Award · Poetry Manuscript

2026 Contest Winner

Announced by Able Muse & Able Muse Press

✦ ✦ ✦

Able Muse is pleased to announce the winner of the Book Award for a poetry manuscript — judged anonymously by the final judge, Annie Finch. The winning poet receives a $1,000 prize and publication by Able Muse Press.

Able Muse Book Award for Poetry

Final Judge: Annie Finch

Jared Carter

Winner

Jared Carter

for his poetry manuscript Heart’s Forest

He wins the $1,000 prize and publication by Able Muse Press, Spring/Summer 2027.

Runners-Up (first to last)

Amy Spade — Uncertain Serenade
M. I. Devine — Dadaisms
Daniel Cross Turner — Signal Fires

Honorable Mentions

Will Toedtman — In the Light
Kelsea Habecker — North Wife
John Talbot — A Charm at Solstice
Jennifer Davis Michael — Bodies at Rest
Malcolm Greenlee Farley — Of Wolf and Woad

✦ ✦ ✦

Congratulations to our winner, runners-up, and honorable mentions — well done to all! And thank you to everyone who entered.

Note: Some of our runners-up will also be offered a standard Able Muse Press book contract.

Stay tuned for the announcements coming soon for the 2027 Able Muse contests.

Past Able Muse Book Award Winners

Published by Able Muse Press

Previous Winner Announcements

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Stuck on the Yarrrrrr

Administrator — Tue, 07 Jul 2026 20:49:51 +0000

Poems

By David Alpaugh

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ISBN: 978-1-77349-202-5

Hardcover: Stuck on the Yarrrrrr: Hardcover / ISBN 978-1-77349-217-9 / $37.95

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Publication Date: 12/18/2026

Page Count: 92 Pages

By David Alpaugh

Alpaugh’s take on the world is at once profound, ironic, and deeply humorous. His poems take us on journeys where every path leads to a surprising destination. Childhood reminiscences about bikes and cowboys somehow arrive at modern scams and active shooters. Another poem exposes the absurdity of religious ritual through the disarmingly innocent perspective of a child. Weighty subjects like immortality are examined with wit in poems such as “Reading Frenzy” and “Walking the Plank.” Accompanying images are brilliantly chosen, deepening and echoing poetic meaning. And when Alpaugh employs classic forms, they remain entirely in service to the poem, never calling attention to themselves; a literary tightrope walk few poets can manage.
— Edward Pandolfino, author of Birds of the Sierra Nevada

David Alpaugh is not a “professional poet.” If you told him you wanted to be a poet, he’d probably advise you to get a job, a real job—plumber, forklift driver, assassin. In fact, this new book has all the guile and nonchalance of an experienced assassin, with none of the gravitas and liturgical languor one finds in the usual poetry reading—John Wick, not Tom Clancy. Consider this send-up of Wallace Stevens from “Thirteen Ways of Looking at a Rocket Scientist”: “I was of three minds, / Like a rocket / In which there are three stages.” Few literary saints escape his skewering: Dickinson, Williams, and Frost (along with dozens of others) come in for his cadaverous attentions. Invoking Gertrude Stein, he laments “there’s no here here.” Aging, death, and our calamitous political moment, he takes it all in, but with humor and sarcasm. Augmented by a host of whimsical AI-generated illustrations, his poems offer us escape and that sturdiest of pleasures, respect for our own intelligence.
— Lee Rossi, author of Say Anything

It’s hard to write funny, harder still to write funny while saying something profound. But with his shrewd wit and iconoclastic mind, David Alpaugh has mastered the art. From farts to cadaver dogs, rocket scientists to Iron Chefs to Barbie’s playhouse, nothing escapes his scrutiny. He eyes life’s absurdities even as he invites compassion for our human failings. Alpaugh’s allusions to other works and writers deepen and enrich the poems while illustrations by ChatGPT’s “artist in residence,” AI, offer illuminating pauses for reflection. Everything herein belies the book’s title: There’s nothing stuck anywhere in this bracingly original work.
— Lynne Knight, author of The Language of Forgetting

Related Subjects:

Poetry - American

Humor - Form - Limericks & Verse

Humor - Form - Parodies

Stuck on the Yarrrrrr is a collection of visual and typographic poems by David Alpaugh, mixing shaped/concrete pieces with narrative, satirical, and ekphrastic texts. The volume ranges from childhood vignettes and workplace portraits to literary and philosophical send-ups (Aeschylus, Villon, Shakespeare), meditations on technology and media culture, and humorous treatments of religion, mortality, and everyday life. Several poems adopt hybrid or prose-poem forms; others deploy page design as part of meaning. The book includes author's notes, acknowledgments, and illustrations that complement the visual poetics, presenting a broad sampling of Alpaugh's wit, social servation, and formal play.

David Alpaugh’s first collection, Counterpoint, won the Nicholas Roerich Poetry Prize from Story Line Press in 1994 (reissued by Red Hen Press in 2021). Alpaugh has published more than four hundred poems in literary journals from Able Muse to Poetry to Zyzzyva and is one of the contemporary poets included in the Heyday Press anthology California Poetry from the Gold Rush to the Present, edited by Dana Gioia.His essays on “Po-Biz” in Poets & Writers, The Chronicle of Higher Education, and Rattle have been widely discussed by poets in print and online. Alpaugh has been a finalist for poet laureate of California and has taught creative writing and literature at the University of California, Berkeley, Extension and the Osher Lifelong Learning Institute. He currently writes a monthly “Favorite Poem” column for the international online arts journal Scene4. His previous books for Word Galaxy Press are Spooky Action at a Distance, a collection of double-title poems (a genre he invented), and Seeing the There There (a collection of his visual poems).

States of Grace

Administrator — Fri, 19 Jun 2026 01:26:40 +0000

Poems

By Anna M. Evans

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ISBN: 978-1-77349-190-5

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Publication Date: 12/4/2026

Page Count: 84 Pages

By Anna M. Evans

In her new book, States of Grace, Anna M. Evans shows how language—specifically the language of poetry—sews up the chasms between countries, between people, between lifetimes. This book’s speaker is a lover, a mother, a confidante, a teacher, a driver of both Jersey turnpikes and English country roads. Evans’s verse is deft yet colloquial. She is able to spin tales in a villanelle, give us full sagas in a sonnet sequence. This book is an enlightening journey, and I’m glad to go along wherever Anna M. Evans leads.
— Allison Joseph, author of Dwelling and Lexicon

From the soul-crushing claustrophobia of industrial English Midland towns to the uncanny beauty of open spaces “where old oaks gloried over clearings worthy of gods,” to present-day Garden State suburbia with its “poor relation of the fields and meadows,” Evans deliberates on the complex questions of belonging and identity. Though she speaks of “leaving and not looking back,” the homeland’s power remains magnetic. Elegiac, witty, and unsparing, States of Grace shines in its examination of romantic love, parenthood, and friendship’s healing power.
— Jane Satterfield, author of The Badass Brontës and Apocalypse Mix

States of Grace charts the boundaries that divide us, some of them as arbitrary as lines on a map, others as immense as oceans. Exploring her own journey from England to New Jersey, Anna M. Evans asks what it means to call a place home, and the impact the accidents of our births have on who we are and how we see the world. Many talk of the need to bridge our partisan political divides, but few have genuinely tried to do it, let alone with the formal grace of Anna’s flawless meter and rhyme. This is a book to share with distant friends and family, and one that just might bring us all closer together.
— Timothy Green, editor of Rattle

Related Subjects:

Poetry - American

Poetry - Subjects & Themes - Family

Poetry - Subjects & Themes - Places

States of Grace, Anna M. Evans's third full-length collection, is structured in three sections that move between a British childhood and an American present—New Jersey, Philadelphia, and Wisconsin lakes—while reflecting on belonging, migration, family, teaching, motherhood, grief, and public life. The central sequence, "States of Grace," is a heroic crown of sonnets set in Wisconsin that holds a friendship between two women across an unbridgeable political divide, refusing both rupture and easy reconciliation. Elsewhere, formal pieces—villanelle, pantoum, abecedarian, ekphrasis—appear alongside conversational lyrics of roads, city, and shore. Throughout, Evans balances narrative clarity and formal craft to consider memory, identity, the ordinary, and the sacred.

Anna M. Evans’s poems have appeared in the Harvard Review, Atlanta Review, Rattle, American Arts Quarterly, and 32 Poems. She gained her MFA from Bennington College. Recipient of Fellowships from the MacDowell Artists’ Colony and the Virginia Center for the Creative Arts, and winner of the 2012 Rattle Poetry Prize Readers’ Choice Award, she currently teaches at West Windsor Art Center and Rowan College at Burlington County. Her books include her latest chapbooks, The Quarantina Chronicles (Barefoot Muse Press, 2020) and The Unacknowledged Legislator (Empty Chair Press, 2019), along with Under Dark Waters: Surviving the Titanic (Able Muse Press, 2018), and her sonnet collection, Sisters & Courtesans (White Violet Press, 2014).

Daylight Losing Time

Administrator — Thu, 18 Jun 2026 21:44:35 +0000

Poems

By Susan McLean

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ISBN: 978-1-77349-148-6

Hardcover: Daylight Losing Time: Hardcover / ISBN 978-1-77349-212-4 / $33.95

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Publication Date: 11/27/2026

Page Count: 114 Pages

By Susan McLean

Sharply observant as Dickinson, worldly-wise as Millay, and darkly funny as Dorothy Parker, Susan McLean is a wholly original talent in American poetry. Hers is the voice of that hilarious best friend who always blurts out blunt truth while everyone else is dissembling. If she were living someplace where the general public still reads poetry, she would likely be a household word, filthy rich from poetry royalties, and the people’s choice for poet laureate. But instead, she is our unsung national treasure, and this is her best book yet.
—Julie Kane, author of Naked Ladies

[Susan McLean’s] poems brim with emotion, but it’s usually buried beneath a sharply glittering surface, so that the faultless precision of her meter covers a chaos of old and still raucously raw feeling. She is a poet to enjoy (her cleverness invites the reader in, it’s not exclusive) but also to take very seriously; her poems are wittily grim and can be simultaneously acerbic and hilarious (it’s no wonder that she has produced an acclaimed book of translations of Martial’s epigrams). To find incisive mordancy, technical brilliance, and emotional intensity together in one poem is rare enough; to find them in virtually every poem in a book seems almost impossible, but Daylight Losing Time is such a book. Highly recommended.
—Dick Davis, author of Love in Another Language

[These] poems showcase their formal skills just enough to establish the “background music” that language well used creates—the How that makes poetry Poetry—and then allows the reader to focus on the What that all writing needs to be worth reading. In this case, the What includes such considerations as aging, and the changes it works on what we think we know, have, and are; the meaning of words we count on, such as “self,” “family,” “home,” and “dying”; and the preparations we undergo—often unconsciously, earlier than we think—to learn “the art of leaving.” Read this book. It will both teach and delight you.
—Rhina P. Espaillat, author of For Instance

Related Subjects:

Poetry - American

Poetry - Subjects & Themes - Animals & Nature

Poetry - Subjects & Themes - Death, Grief, Loss

Daylight Losing Time, Susan McLean's third full-length collection, turns the poet's formal tools—sonnet, villanelle, triolet, ballade—on the art and aftermath of loss. The book moves through three movements: departures and endings in "The Art of Leaving," where Emily Dickinson writes to Andrew Marvell, Edna St. Vincent Millay gets a sonnenizio, Ursula K. Le Guin receives a moon-haunted elegy, and a mother reads mysteries by Kindle-light through her last illness; the public and planetary disorientations of "Bewildered," with its confused lilacs, locked-down Rome, and police-shooting villanelle; and the fires of memory and self in "Burning the Journals," where Twain, narcissism, and inherited landscapes come under the same unsparing eye. McLean's voice—elegiac, witty, unsparing—finds in traditional forms a shelter tough enough to hold grief and still turn back to the light.

Susan McLean grew up in Oxon Hill, Maryland, received a BA from Harvard University and a PhD from Rutgers University–New Brunswick, and taught English for thirty years at Southwest Minnesota State University in Marshall, Minnesota. She has published two poetry books: The Whetstone Misses the Knife (Story Line, 2014), which won the Donald Justice Poetry Prize, and The Best Disguise (University of Evansville Press, 2009), which won the Richard Wilbur Award. She has also published one poetry chapbook, Holding Patterns (Finishing Line, 2006), and a book of translations of over 500 poems by the Latin poet Martial, Selected Epigrams (University of Wisconsin Press, 2014), which was a finalist for the PEN Center USA Translation Award. Her poems and translations of poems from French, German, and Latin have appeared in Hunger Mountain, Arion, Subtropics, Literary Imagination, Transference, and elsewhere. She lives in Iowa City, Iowa, with John Finamore.

Among the Living

Administrator — Thu, 18 Jun 2026 07:04:36 +0000

Poems

By Sally Thomas

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ISBN: 978-1-77349-207-0

Hardcover: Among the Living: Hardcover / ISBN 978-1-77349-208-7 / $33.95

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Publication Date: 1/8/2027

Page Count: 102 Pages

By Sally Thomas

The poetry of Sally Thomas’s Among the Living displays remarkable grace—in both the literary and religious senses. Her poems beautifully observe the natural world, and then advance to memorable meditations about the world we can sense, but cannot observe.
—A. M. Juster, author of Wonder & Wrath

There is an inner stillness and solitude in Sally Thomas’s captivating new collection Among the Living, which makes every single poem an expression not only of exquisite physical detail but also of a vibrant spiritual life. In verses that are beautifully and satisfyingly crafted, Thomas penetrates the life of a hermit, and brings us into the simple yet profound truths of other relationships and scenes. This is poetry that illuminates the most authentic and essential aspects of experience in a lyrical style that reminds us how quotable and appealing poetry can be. Thomas’s forms bring us the music we often seem to have lost in poetry; her depths make the reader realize what we too often neglect in life.
—Sally Read, editor of 100 Great Catholic Poems

If soul can be found where the inner and outer worlds overlap, the hermit persona of the remarkable sonnet sequence that forms Part One of Sally Thomas’s new collection searches out the lessons of that space. The primal church or sanctuary is Nature as theophany, the “cool blue nave” of the hermit’s known world, because (as the last poem in the book says) “All the world’s a mirror.” The second half of the book brings this mirroring to the situations of the poet’s everyday life, and it does this with a marvelous variety of formal effects and music. Like the hermit himself, Thomas’s poetry persuades us to listen, again and again, for what cannot quite be named.
—Andrew Frisardi, author of The Moon on Elba

Related Subjects:

Poetry - American

Poetry - Subjects & Themes - Animals & Nature

Poetry - Subjects & Themes - Death, Grief, Loss

Among the Living is Sally Thomas’s second full-length collection, following Motherland (2020), and it measures a life by the rhythms of the church year and the nearness of death. The book falls into two movements. The first, “The Hermit’s Calendar,” follows a solitary hermit through the liturgical seasons, from Advent through All Souls’ Day, in a sequence of closely metered, rhymed poems, many of them sonnets, that turn prayer, weather, and the small labors of a hidden life into one sustained meditation. The second, “Among the Living,” widens outward to family and aging, the emptied nest, the North Carolina hills, and the ordinary hours where faith and mortality meet. Thomas writes in traditional forms with a plainspoken, exactly observed voice; owls, hawks, willow oaks, and candlelight recur as the furniture of attention. These are poems about being alive in full view of what does not last.

Born in Memphis, Tennessee, Sally Thomas lived in the American West and in England before making her home in North Carolina. She is the author of a previous poetry collection, Motherland (Able Muse Press, 2020), as well as two poetry chapbooks, a novel, and a book of short stories. She is also coeditor of Christian Poetry in America Since 1940: An Anthology, which received the 2023 Book Award in Culture and the Arts from Christianity Today. Her poetry, fiction, essays, and reviews have appeared in First Things, National Review, The New Yorker, Plough Quarterly, Public Discourse, Religion and Liberty, and other journals. Currently she serves as visiting professor in poetry at the University of St. Thomas in Houston and writes regularly for the Substack newsletter Poems Ancient and Modern.

Jane McKinley

Administrator — Mon, 13 Apr 2026 07:25:26 +0000

Genre: Poetry

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Jane McKinley is a Baroque oboist who founded the Dryden Ensemble and served as its artistic director for nearly thirty years. She holds a Bachelor of Music degree from Northwestern University and an MFA in historical musicology from Princeton University. In 2003 she began writing poetry after a lapse of thirty years and in 2008 was awarded the Patricia Dobler Prize for her sonnet, “Mud Season.” Her poetry collection Vanitas received the 2011 Walt McDonald First-Book Prize and was published by Texas Tech University Press. Her poems have appeared in the Georgia Review, the Southern Review, Five Points, Baltimore Review, Great River Review, Tar River Poetry, 2River View, ONE ART, Poetry Daily, and elsewhere. Her honors include a 2023 Poetry Fellowship from the New Jersey State Council on the Arts and a 2025 Fellowship at the Virginia Center of Creative Arts. She lives with her husband in Hopewell, New Jersey.

Books by This Author:

TITLE	AUTHOR	COVER
Mudman - Poems	By Jane McKinley

John Whitworth

Administrator — Mon, 13 Apr 2026 07:25:26 +0000

Genre: Poetry

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John Whitworth (1945–2019) John Whitworth (1945–2019) grew up in north London (just verging on Metroland) and, from 1955, in Scotland: a split heritage that is reflected in much of his work. He was educated in Edinburgh and Merton College, Oxford, and was married, with two daughters. After moving to Canterbury, he worked part-time teaching English as a foreign language and running creative writing courses, whilst launching his career as a poet and freelance reviewer. Besides awards for some of his eleven poetry collections (the Alice Hunt Bartlett, from the Poetry Society for the most promising first book, the 1986 National Poetry Competition, the Cholmondeley Award), he won countless prizes for individual poems, which appeared in a huge range of magazines including Poetry Review, the TLS, the Spectator, the Literary Review, the New Criterion, the Hudson Review, and Quadrant, as well as in many anthologies. His poems were broadcast on several different BBC radio programmes, and he contributed a televised piece for the BBC’s coverage of the English leg of the1992 Tour de France. In addition, his Writing Poetry handbook remains an outstanding guide for those who value metrical, rhyming and stanzaic skills.

Books by This Author:

TITLE	AUTHOR	COVER
The Selected Poems of John Whitworth - Poems	By John Whitworth

The Selected Poems of John Whitworth

Administrator — Mon, 13 Apr 2026 05:39:45 +0000

By John Whitworth

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    - Book Excerpts:

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Paperback / softback

ISBN: 978-1-77349-168-4

Hardcover: The Selected Poems of John Whitworth: Hardcover / ISBN 978-1-77349-210-0 / $31.95

Digital Formats: Amazon Kindle | Barnes & Noble NOOK | KOBO | Google Play / Android | Apple iBooks

Publication Date: 20-Nov-26

Page Count: 116 Pages

By John Whitworth