Giordano Dance Chicago (GDC), America's original jazz dance company, returns to the North Shore Center for the Performing Arts in Skokie, 9501 Skokie Blvd. at 7:30 p.m. Friday, Nov. 6 and Saturday Nov. 7. The engagement, part of GDC's 64th season, features the world premiere of "Caravan" by GDC Resident Choreographer Al Blackstone, a rework of his swing style full company work "Dumb Luck!" plus a mix of popular repertoire radiating GDC's signature energy and boundless spirit that has been showcased at North Shore Center since the Center's opening in 1996.
GDC is excited to present a world premiere, "Caravan" a solo work featuring GDC dancer Sasha Lazarus. This is Blackstone's fourth new work created for the company. "I'm so grateful for the push that Nan and Cesar give me to keep on asking how to continue elevating our beautiful art form that is jazz dance," says Blackstone.
The additional works program for the Nov. 6 & 7 engagement are scheduled to be as follows:
• "EXit 4" choreographed by Ronen Koresh (2013). Israeli Koresh's critically acclaimed, edgy, intense and dramatic full company work described by Stage and Cinema as "a fierce-to-ferocious, pile-driving set of four dances."
• "Gravity" choreographed by former GDC company member Lindsey Leduc (2009).This pas de deux provides a fresh look at young love and is described by Dance Magazine as "the portrait of a relationship based on release and submission."
• "Sabroso" (excerpts) choreographed by Del Dominguez & Laura Flores (2011). This sizzling full company ballroom work embraces elements of Cha-cha, Latin Swing and Mambo, and has been hailed as "A fiesta of swirling samba and equally hot social struts, flawlessly performed by the impeccable ensemble" (Stage and Cinema).
• "namuH" choreographed by Jon Rua (2026). This full-company piece fuses jazz and street styles for an urban funk sensibility. The Chicago Tribune says, "there's a rawness and refreshing degree of abstraction I wasn't expecting and, frankly, can't get enough of."
• "commonthread" choreographed by former GDC resident choreographer Autumn Eckman (2009). This work will be performed to an eclectic original music composition and live accompaniment by musician Dan Myers. Dance Magazine calls it "an undulating, lateral world of space and sound."
• "Dumb Luck!" a rework by Al Blackstone. Blackstone's jubilant full company work "Dumb Luck!" which originally debuted in GDC's April 2026 Harris Theater engagement, is in swing style and is infused with a contemporary flair.
Tickets
Tickets for the North Shore Center engagement are $35-$70. Fees apply over the phone and online. No additional fees in person at the box office. For tickets and more information visit northshorecenter.org or call 847.673.6300.
About Giordano Dance Chicago
America's original jazz dance company electrifies into their 64th season with radiance and infinite horizons. Giordano Dance Chicago (GDC) is an iconic cultural institution with deep roots in Chicago and around the globe (28 countries, 47 states, and more than 1,300 cities). From founder Gus Giordano's vision, the company continues to honor the past while pushing the art form forward. Nan Giordano celebrates 42 years as an artistic leader responsible for commissioning innovative choreographic works and mentoring thousands of dancers. Alongside Nan, Associate Artistic Director, Cesar G. Salinas and the magnificent dancers are an integral part of the GDC legacy. Al Blackstone serves as Resident Choreographer, truly a testament that the art form of jazz dance is thriving. The company is one of the few in the world that has a foundational technique, Nan Giordano Certification Program®, with certified teachers in 9 countries and 36 states. GDC is committed to Youth Arts Education at home and on tour through mentorships, scholarships, and our free Chicago Public Schools and park programs. GDC is proud to be one of the longest running dance companies in the world, continuing to enrich lives through dance. For more information visit giordanodance.org.
The Auditorium (Chicago's landmark stage at 50 E. Ida B. Wells Drive) begins its 2026-27 Dance Season titled North American Dance with a highly anticipated performance by the acclaimed American ballet company Dance Theatre of Harlem (DTH). The evening marks the company's first return to Chicago since 2016. Dance Theatre of Harlem will present a trio of works from the company's extensive repertoire, including the recently revived Firebird - a legendary reimagining of the traditional ballet based on a Russian folktale set in a lush Caribbean world. The one-night-only presentation takes place Saturday, October 17 at 7:30 PM at The Auditorium, 50 E. Ida B. Wells Dr. Tickets are $44-$154 and are available at auditoriumtheatre.org or by calling The Auditorium's Box Office at 312.341.2300.
Debuted in 1982, Firebird tells a timeless tale of love over evil set to the iconic classical score by Igor Stravinsky with a twist. Featuring choreography by John Taras, this Firebird takes place in a vibrant Caribbean setting brought to life through the rich sets and revolutionary costumes designed by Geoffrey Holder. DTH captivated the world touring with Firebird, which helped solidify the company's reputation as a global leader of the art form. After a twenty-year hiatus, DTH revived Firebird with a bold new production featuring recreated sets and costumes by Holder's son artist Leo Holder - preserving the integrity of the original design while updating the work for a new era.
In addition to Firebird, the evening will also include a performance of Donizetti Variations – a lively and technically demanding series of dances choreographed by George Balanchine set to music from composer Gaetano Donizetti's opera Don Sebastian. Rounding out the evening is Return choreographed by DTH Artistic Director Robert Garland. Created for DTH's 30th anniversary, Return is a soulful, high-octane fusion of post-modern urbanism and neoclassicism set to the timeless music of James Brown and Aretha Franklin.
"The Auditorium is absolutely thrilled to welcome Dance Theatre of Harlem back to Chicago for the first time in a decade," said Rich Regan, CEO of The Auditorium. "This is a truly special moment for our city and for everyone who loves the transformative power of dance. Founded by Arthur Mitchell—the first Black principal dancer of a major American ballet company—Dance Theatre of Harlem has spent more than five decades expanding our understanding of what ballet can be, who it can represent, and who gets to experience its beauty. This extraordinary program celebrates the remarkable depth, artistry, and stylistic range of the company, culminating in DTH's iconic reimagining of Firebird. It is a breathtaking work and an experience that simply must not be missed—not only for devoted dance lovers, but for anyone who wants to witness the power, beauty, and joy of live performance at its very best."
About The Auditorium
The Auditorium, a National Historic Landmark in the heart of downtown Chicago, is a nonprofit cultural institution dedicated to bringing people together through extraordinary performances, education, and community engagement. Since opening in 1889, The Auditorium has been a defining part of Chicago's cultural and architectural legacy, presenting world-class music, dance, theater, and a broad range of artistic and civic programming within its iconic building designed by legendary architects Louis Sullivan and Dankmar Adler. Located at 50 E. Ida B. Wells Drive - the center of Chicago, The Auditorium is committed to preserving and protecting its extraordinary historic home through ongoing preservation, restoration, stewardship, and care. Honoring its remarkable past while creating new experiences for audiences today, The Auditorium continues to inspire and connect people from Chicago and around the world. For more information and a complete calendar of events, visit AuditoriumTheatre.org.
About Dance Theatre of Harlem
A singular force in the ballet world, New York-based company Dance Theatre of Harlem is internationally acclaimed for redefining what ballet looks like in the 21st century. With breathtaking athleticism and undeniable artistry, DTH bridges tradition and innovation—featuring beloved classics, neoclassical works by George Balanchine and Artistic Director Robert Garland, as well as innovative contemporary works that use the language of ballet to celebrate DTH founder Arthur Mitchell's belief that ballet belongs to everyone. Through performances, community engagement and arts education, the Company carries forward Dance Theatre of Harlem's message of empowerment through the arts for all. More information available at dancetheatreofharlem.org
The first thing you notice about the meticulously curated Black dance performance held at the Harris Theater over the weekend is language. The eloquence and weight of the words used to explain why the Chicago Black Dance Legacy Project (CBDLP) exists and what it hopes to achieve.
Organized in 2019, Black dance companies rooted in Chicago joined forces to learn from one another artistically and operationally while working in collaboration with the Reva and David Logan Center for the Arts in Hyde Park and “other University of Chicago entities”. Sustaining viability and preserving legacy were placed at the heart of the project’s end objectives.
Its formation would have several residual benefits. An annual festival of dance performed by the companies who make up CBDLP remains chief among them. Events like the one held Friday night to a sold-out house also raise the profile of Black dance in Chicago and underscore its contributions to the city’s cultural topography and its continuing vitality.
Dancing the Archive: Embodied Histories, Collective Power / Photos by Kyle Flubacker.
Honoring and showcasing the history and the arc of Black dance sat at the core of Dancing the Archive: Embodied Histories, Collective Power, the title of the evening’s multi-textured production. Not only was it dense with dance featured by ten of the project’s cohort companies, video clips that provided essential context on the trailblazers who spearheaded creative renewal within the Black creative community was also woven through this remarkable gala. The clips also helped to convey the importance and significance of the works being performed. Framed as chapters in a book, the dances flowed together to tell a comprehensive story.
Made up of 175 companies, dance culture in Chicago is extraordinarily deep, wide and rich. For Black companies who often face greater exposure challenges, Dancing the Archive serves to train the spotlight on their presence and gifts. The high degree of that talent and its proliferation marked the entire program that opened with a focus on youth.
Each individual work or dance suite performed honored a key individual who is making or has made significant contributions to Black dance or some other aspect of the city’s cultural art forms that reflect the Black experience. Through The Stillness celebrated Homer Bryant, founder of the Chicago Multi-Cultural Dance Center. A work that Mr. Bryant choreographed and performed here by members of his company, it used Albinoni’s Adagio for Organ and Strings to pay homage to concentrated sensuousness. A dance for two performed by Sasha Levy and Davion Bellinger, it was an accomplished composition of strength, control and technical mastery executed with extreme beauty by two young dancers.
Dancing the Archive: Embodied Histories, Collective Power
The first chapter’s companion piece, Touch U, was a world premiere and an adaptation of Gerald Arpino’s Touch Me. In it, choreographers Bradlee Lathon and Pierre Lockett collaborated with a phalanx of their very youthful and talent-laden dancers at Forward Momentum Chicago to present a dance sparkling with infectious positivity. Bursting with innovative and highly sophisticated contemporary dance design, Touch U felt as if you were watching the next generation of dance on a maiden voyage. One that couldn’t have been more stimulating or aesthetically refreshing.
That sense of captivating vibrancy defined Dancing the Archives. In addition to the absorbing heritage-centered components of the program, dance was used to provide visual markers to history and highlight the place Black dance held during its march. Najwa Dance Corps’ Ancestral Steps looked back to dance crazes 100 years ago in the mid 1920s when the Charleston electrified a generation and the music of Count Basie ruled the airwaves. Later, in another world premiere, M.A.D.D. Rhythms with their Oscar Plays Gershwin Suite (They All Laughed, Summertime, Nice Work If You Can Get It), deftly exalted the “fire, finesse and swing” of tap with cool bravado.
The span of time and of dance expressions that paralleled it was vast. Muntu Dance Theatre of Chicago in Woven jubilantly recalled another time and place when “living archives” were embodied in a central griot-like figure.
Lines in Motion danced by The Era Footwork Collective was all about the kind of suavity that happens when you fuse mellow chill to dazzling footwork; creating repeated flashes of dance lightning in the process.
With Chance the Rapper as honoree, Chicago Multicultural Dance Center and Hiplet Ballerinas placed an impish toe in the future with its playfully eerie Speed of Light; attaching culturally specific overtones to our tech laden times.
Dancing the Archive: Embodied Histories, Collective Power
Superlatives in either concept, execution or; most commonly, both ran thick in many of the other dances performed. Most of which have never been seen by audiences until now. Dorianne Thomas’s solo in Who Will Comfort Me, a world premier for the record books by the Joel Hall Dancers, was flawless in her display of dance fluency and emotional projection through movement. Attributes found in other performances were just as noteworthy. Praize Productions Inc.’s Leader of the Pack and Deeply Rooted Dance Theater’s excerpt from Crowns instantly come to mind. As does that churning and jubilant tribute to Curtis Mayfield and Lupe Fiasco by Move Me Soul. Curtis Suite and Sour, masterminded by Diana Muhammed, brought back to life the musical catalog of a genius and created a dance piece that complemented it gorgeously.
Because remembrance played such a significant role in the program, the In Memoriam segment commemorating leaders and standard bearers who died in 2025 was particularly notable and memorable. Before presenting the names and images of the fallen, a solo rendition of Precious Lord was sung by Cholé Johnson. Distinguished by its spare simplicity and for Ms. Johnson’s captivating interpretation, the artistic merits of the performance were astonishingly high. The song’s inclusion fittingly reveals the thread of the divine that lies within so much Black creative enterprise. An indispensable component often found in the bedrock of creative inspiration.
Dancing the Archive: Embodied Histories, Collective Power
Chicago Black Dance Legacy Project
August 28, 2026
The Harris Theater for Music and Dance
205 E. Randolph Street
Chicago, IL 60601
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Giordano Dance Chicago (GDC) hosts its highly anticipated 19th Anniversary "Dancing With The Giordano Stars" ballroom dance competition 7-11 p.m. Thursday, Oct. 8 at Park West, 322 W. Armitage Ave. This popular annual event, patterned after the hit ABC series "Dancing With The Stars," benefits GDC's transformative initiatives through the GDC Youth Arts Education Fund. Event Co-Chairs are Dina Gallay and Sandy Golub. Emcee for the evening is former FOX News and sports anchor Corey McPherrin.
On Oct. 8, a group of Chicago A-listers, each with their Giordano professional dancer partner, will compete for a shot at winning the coveted Disco Ball and the title of Best Male Dancer or Best Female Dancer. The stakes are high with each couple performing only one dance for one chance to impress the guest judges including Emmy Award-winning director, choreographer and GDC Resident Choreographer Al Blackstone, Associate Publisher Chicago Star Media and author of the Candid Candace Blog, Candace Jordan and Emmy Award-winning Anchor/Reporter and Host at Fox 32 Chicago, Tia Ewing. Contestants also vie for special awards for Top Fundraiser and Audience Favorite.
The slate of male contestants (and their GDC dance partners) includes. Andy Anisfeld, Vice President Medical Affairs and Health Impact, Immunology, AbbVie (Erina Ueda), Adam Cummis, Restaurateur, Blaze Pizza (Analysse Vance), Ted Grady, Partner, J&L Catering ,(Sasha Lazarus), Erik Kessler, Managing Director, Alvarez & Marsal (Amanda Hickey-Newcom) and Peter Q. Thompson, Managing Director, Blue Marlin Partners (Talia Luzzo).
The slate of female contestants (and their GDC dance partners) includes Jordan C. Carqueville, MD, Founder of Derm Institute of Chicago (Joshua Brumm), Allana Emery, Finance Director , Publicis Groupe (Eduardo Zambrana), Annie Laughton, Stay at Home Mom (Simon Schuh), Bonnie Micheli, CO-CEO, Shred415 (Aidan Aloma) and Elena Moore, Physician, Gynecologic Oncology, Endeavor Health (Adam Houston).
Individual tickets begin at $150. Tickets include a 4-hour open bar and light fare provided by J&L Catering. For tickets or more information, visit giordanodance.org/dwtgs or call 312.922.1332.
"Dancing With The Giordano Stars" fundraising supports GDC's transformative initiatives. Through the Youth Arts Education Fund, the company illuminates the path for the next generation with innovative programs such as the CPS Jazz Dance/Science & Health, GDC's Free Ticket Program, dynamic dance workshops, enriching mentorship partnerships, immersive school residencies and the esteemed NGCP® certification.
"Dancing With The Giordano Stars 2026" precedes GDC's "untamed passion" fall engagement
at the North Shore Center for the Performing Arts in Skokie, located at 9501 Skokie Blvd.,
at 7:30 p.m. Friday, Nov. 6 and Saturday, Nov. 7. For tickets, visit northshorecenter.org.
America's original jazz dance company electrifies into their 64th season with radiance and infinite horizons. Giordano Dance Chicago (GDC) is an iconic cultural institution with deep roots in Chicago and around the globe (28 countries, 47 states, and more than 1,300 cities). From founder Gus Giordano's vision, the company continues to honor the past while pushing the art form forward. Nan Giordano celebrates 42 years as an artistic leader responsible for commissioning innovative choreographic works and mentoring thousands of dancers. Alongside Nan, Associate Artistic Director, Cesar G. Salinas and the magnificent dancers are an integral part of the GDC legacy. Al Blackstone serves as Resident Choreographer, truly a testament that the art form of jazz dance is thriving. The company is one of the few in the world that has a foundational technique, Nan Giordano Certification Program®, with certified teachers in 9 countries and 36 states. GDC is committed to Youth Arts Education at home and on tour through mentorships, scholarships, and our free Chicago Public Schools and park programs. GDC is proud to be one of the longest running dance companies in the world, continuing to enrich lives through dance. For more information visit giordanodance.org.
From its beginning in 1992 on the tiny stage of a modest theater, Dance for Life (DFL) has grown and grown over the decades into something glorious. Its purpose over the last 35 years, as conceived by DFL’s creator, Keith Elliott, then with the Joseph Holmes Chicago Dance Theatre, has never altered or faltered. Mobilize a community devastated by a deadly scourge. Raise money to help the stricken. Build solidarity within Chicago’s professional dance culture. Initially and always a festival of dance chiefly focused on that second point, a few things have changed with time. Although AIDS has virtually been vanquished, at least in the first world, health and other needs within the dance community have not diminished. In 2025, DFL affiliated Chicago Dance Health Fund awarded $75,000 to dancers and other dance professionals facing critical need.
The annual celebration of dance very much remains a way for dancers to help other dancers by practicing their art. These days its being done on a much grander scale and showcasing a far wider range of what world class dance looks like and even feels like in the present day.
There were hints the 35th annual Dance for Life performance at the Auditorium Saturday night would be particularly memorable and they all centered on dress. Although venue is always a factor, dance audiences are not especially circumspect when it comes to presentation. Much of the attire on display in the concert hall’s spacious lobby that evening was not only stylish, dashing and glamorous, some pieces touched on the spectacular. Collectively, the energy they generated heightened the sense of expectation that already hung heavy in the air. The display proved just the right harbinger to forecast a sensational night of dance.
Bulging at the seams with the exceptional, the latest iteration of DFL showcased ten dance companies along with two additional finale works - and even a third, a raffle performance. In addition to the traditional large-scale finale that always closes the show, the program would also include a sizzling bonus dance performance that was also featured in the inaugural DFL concert.
This year’s show opened with elegance. Danced to the music of Wolfgang Amadeus Mozart, Deeply Rooted Dance Theater’s Beyond Mortal used sweep and grace to beautifully capture the secular spirituality of Mozart’s score. Choreographed by the company’s Artistic Director Nicole Clarke-Springer, it reveals how one Black-led dance company lives up to its mission to “diversify the aesthetics of contemporary dance”. Fireworks scripted in the language of the ethereal, Beyond Mortal ushered in the night with a nod to serenity and poise.
Giordano Dance Chicago. Photo by Cheryl Mann.
Giordano Dance Chicago decided to leave a different stamp on the gala by amping up a version of its signature heat. There would be several excerpts featured throughout the evening and Giordano chose the best of its 2011 Sabroso to spellbind the thousands seated in the ornate theater. Not only were the dancers speed and precision blinding, their joy blasted from the stage. Triggering genuine awe and lighting up the room with cheers.
The temperature would ebb and flow throughout the night and after such a prodigious display of white-hot energy, a cool down came in the form of romantically sublime ballet. This year a pair of fresh Joffrey faces, Hyuma Kiyosawa and Yumi Kanazawa, superlatively danced Postcards, founder Robert Joffrey’s ode to love, innocence and Paris of the 1920s. With Jorge Ivars’ ravishing accompaniment on piano, the dance ushered in an extended moment of enchantment.
A slight pause and rocket engines soon screeched again with Loud, created by KC Bevis and performed by the Ensemble of Chicago Dance Crash. Street dance and concert dance converged to make scorching hot magic in this mesmerizing performance. Here dance takes on a decidedly charismatic persona. One defined by strength, vigor, dexterity and boundless native imagination. Jazzed up with the burning beats of DJ B-Gram P, the heady mix of club and dance culture lit the theater on fire. One of many highlights that evening, Loud proved once again boundaries in dance simply don’t exist.
Both Ensemble Español Spanish Dance Theater and later Trinity Irish Dance Company stole the show with drama and the ability to turn the sound of synchronized feet striking a stage floor into transfixing music. In this case eliciting two completely different emotional responses that were both riveting.
Trinity Irish Dance Company. Photo by Todd Rosenberg.
Ballet 5:8 luxuriated in the freedom and unique beauty of contemporary ballet. On their heels was another band of boundary pushers. Chicago Dance Artists Piece performed Harrison McEldowney and Jeremy Plummer’s Red, White & Black; employing aerial concepts devised by Plummer. Aerial acrobatics, dance and music by F.U.N. came together to blend brawn-flecked whimsy with a healthy dash of wholesome excitement.
After intermission, and dressed up in colorfully glam togs, Visceral Dance Chicago tapped into mischief. Dancing R E V E L, set to Maurice Ravel’s Bolero, they vamped, seduced and cavorted to the timeless music of an international classic. Devilishly choreographed by Nick Pupillo, it was not only brilliant and unexpected, it was massive delight to watch.
Visceral Dance Chicago. Photo by Cheryl Mann.
Two other works were even more impactful. One was a dance featured in the very first Dance for Life performance called The Man That Got Away. Sultry, sexy and a solid story told in dance, it featured only two dancers. One acted simply as a prop. The other, Johnathon Dole, was the soloist who danced the part of a shattered heart. One that begged and pleaded not to be ignored and cast aside. Dole’s was the kind of dancing that kept rising and rising until it struck magnificent. Buoyed by the right dancer, the right music and the power of bold expressive choreography, The Man That Got Away induced amazement and roars of approval.
The other masterwork was more restrained but no less beautiful or potent. Robyn Mineko Williams and Artists danced a portion of Cloudline, a dream-state piece that used a 30-foot-silk cloth to help accentuate the dance’s atmosphere. Two lovers find one another and embody the mystery and overwhelming satisfaction true love manifests through dance. As portrayed in movement by Morgan Clune and Amari Frazier, a more convincing display of that ideal is impossible to imagine. A benchmark piece, its sudden and surprising ending provoked a collective gasp and then robust ovations.
This year’s concert honors choreographer, mentor and teacher Randy Duncan. Mr. Duncan has created most DFL closing works since its inception, including Renewed; this year’s finale. Made up of dancers from the night’s performing companies, freelancers and students, they comprise a large contingent. And in the muteness of Richard Dayhoff’s quiet gray costumes, there was a somber cast that shadowed their numbers.
As the dance developed and took shape to music and lyrics by Ira Antelis, you could see the themes of resilience and positive conviction shining through. A rejoicing in emerging from darkness to thrive once again. The essence of Dance for Life.
Dance for Life
August 22, 2026
The Auditorium Theatre
50 Ida B. Wells Drive
Chicago, IL 60605
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The Joffrey Ballet opens its 2026-27 season with the Chicago Premiere of John Neumeier's landmark narrative ballet Liliom. Inspired by Ferenc Molnár's 1909 play and later the basis for the musical adaptation of Rodgers and Hammerstein's Carousel, Liliom traces a haunting story of love and redemption set against the faded glamour of a Depression-era amusement park. One of the choreographer's most profound artistic endeavors, Neumeier's theatrical tour de force comes to life with an evocative score by multi-Academy Award®-winning composer Michel Legrand. For its Chicago premiere, Liliom features live music performed on stage by the 16-piece Rob Parton's Jazztech Big Band in concert with the Lyric Opera Orchestra, conducted by Nathan Brock. Liliom takes place for ten performances only at the historic Lyric Opera House, 20 North Upper Wacker Drive in downtown Chicago, from September 17–27, 2026.
"The Joffrey was founded on the belief that ballet should evolve, challenge expectations, and reach beyond traditional boundaries. This landmark Chicago premiere demands extraordinary versatility from our artists, blurring the lines between dance, drama, and storytelling in ways few works can. I have long believed that Liliom is John Neumeier's greatest achievement, showcasing the full breadth of his genius as a storyteller and transforming what inspired Rodgers and Hammerstein's beloved Carousel into a cinematic, emotionally stirring, and deeply human theatrical experience," says The Mary B. Galvin Artistic Director Ashley Wheater MBE.
"After celebrating 70 years of artistic excellence last season, The Joffrey Ballet now turns its attention to the future. We are proud to launch the first season of our next 70 years with Liliom, a sweeping theatrical work that showcases the incredible range of our artists. Whether you're a lifelong dance lover or a devoted theatergoer, we invite you to experience the artistry, emotion, and imagination that make Chicago one of the world's great cultural destinations," said Greg Cameron, President and CEO.
Neumeier's adaptation follows Liliom, the charismatic but self-destructive carnival barker whose fierce love for Julie, a young working woman, is unraveled by pride, poverty, and rage. Set amid the dreamlike, faded glamour of an American amusement park during the Great Depression, passion turns toward crime—and ultimately, tragedy.
Granted a chance to return to Earth after death, Liliom confronts the consequences of his choices and attempts one final act of grace. What remains is a stark reckoning with guilt and the fragile possibility of redemption. Rarely presented in the United States, the Joffrey is the first American ballet company to bring Liliom to life. Distinguished by Neumeier's signature emotional depth and theatrical nuance, Liliom takes shape through multi-Academy Award®-winning composer Michel Legrand's evocative score, blending classical and jazz influences that echo a restless America.
One of the most influential artists of our time, Neumeier returns to the Joffrey and the Lyric Opera House following the critically acclaimed run of The Little Mermaid in 2023 and the Lyric Opera's first collaboration with the Joffrey, Orphée et Eurydice, in 2017. Learn more about John Neumeier here.
With gratitude to Liliom Presenting Sponsors Lynda Sue Lane, M.D. and Mr. and Mrs. Joel V. Williamson, Major Sponsors Pamela Crutchfield and Lisbeth Stiffel, and Production Sponsors Holly Palmer Foundation and Max Mara.
Tickets and Schedule
The Joffrey Ballet presents Liliom from Thursday, September 17–Sunday, September 27, 2026.
The full schedule is as follows:
Thursday, September 17 at 7:30PM;
Friday, September 18 at 7:30PM;
Saturday, September 19 at 2:00PM and 7:30PM;
Sunday, September 20 at 2:00PM;
Thursday, September 24 at 7:30PM;
Friday, September 25 at 7:30PM;
Saturday, September 26 at 2:00PM and 7:30PM;
Sunday, September 27 at 2:00PM.
The Joffrey Ballet is the only official seller with the best prices. Be aware of ticket re-sellers offering overpriced or invalid tickets. Tickets are available for purchase at the Lyric Opera Box Office, located at 20 N. Upper Wacker Dr., by telephone at 312.386.8905, or online at joffrey.org.
About The Joffrey Ballet
The Joffrey Ballet is one of the premier dance companies in the world today, with a reputation for boundary-breaking performances for 71 years. The Joffrey repertoire is an extensive collection of all-time classics, modern masterpieces, and original works. Founded in 1956 by pioneers Robert Joffrey and Gerald Arpino, the Joffrey remains dedicated to artistic expression, innovation, and first-rate education and engagement programming. The Joffrey Ballet continues to thrive under The Mary B. Galvin Artistic Director Ashley Wheater MBE and President and CEO Greg Cameron.
The Joffrey Ballet is grateful for the support of its 2026–2027 Season Sponsors: The Abbott Fund, Alphawood Foundation Chicago, Daniel and Pamella DeVos Foundation, The Florian Fund, Gallagher, Anne L. Kaplan, and Lynda Sue Lane, M.D. Season-long sponsorship of the Company Artists is generously made possible by Margot and Josef Lakonishok.
Live Music Sponsors: Sandy and Roger Deromedi, Sage Foundation, and The Marina and Arnold Tatar Fund for Live Music. The Joffrey also acknowledges our Season Partners: ATHLETICO and Chicago Athletic Clubs.
For more information on The Joffrey Ballet and its programs, visit joffrey.org. Connect with the Joffrey on Facebook, Instagram, and LinkedIn.
M.A.D.D. (Making A Difference Dancing) Rhythms, Chicago’s premier tap collective, is proud to celebrate its 25th Anniversary at the Chicago Tap Summit, October 2 - 4, at the Harold Washington Cultural Center, 4701 S. King Dr. (47th Street entrance). The premier Illinois tap dancing event of the year follows M.A.D.D. Rhythms Day in Chicago, Sunday, Oct. 1. This Anniversary Summit includes three days of dance, discussion and classes while celebrating the tap dance community with tours and panels as well as the premiere of works from company Co-Founder Bril Barrett, who has been named to Newcity’s Players 50 Hall of Fame (2026) and received “The Hoofer Award” from Tap City in 2025, as well as a premiere from Co-Founder Martin “Tré” Dumas III. Additionally, a screening of “Beyond a Shuffle,” a new documentary about M.A.D.D. Rhythms will be shown. For information on the Chicago Tap Summit and the other events go to MADDRhythms.com.
Chicago Tap Summit
October 2 - 4
Harold Washington Cultural Center, 4701 S. King Dr. (47th Street entrance)
The 2026 Chicago Tap Summit welcomes participants from Chicago and around the world for three days of dance, discussion and classes celebrating the tap dance community with instructors Maud Arnold, Bril Barrett, Ian Berg, Tristan Bruns, Andrew Carr, Ja’bowen Dixon, Star Dixon, Martin “Tré” Dumas III, Izaiah Harris, Caleb Jackson, Donnetta Jackson, Lisa LaTouche, KJ Sheldon and Mr. Taps.
Friday, Oct. 2
Classes on Friday, Oct. 2, the first day of the Summit includes a three-hour residency with Andrew Carr. Carr will teach participants dances from his show “To Love You Always.” Also, available is Caleb Jackson’s three-hour residency sharing with attendees dances from his show “Wonder.” Both performers from these residencies will participate in Sunday night’s closing ceremony and film screening at the Harold Washington Cultural Center.
In addition, the Cultural Center will include a “Room Full of History,” Reggio’s traveling museum. The day will conclude with a welcome party for all.
Saturday, Oct. 3
Saturday’s classes include a panel on the history of M.A.D.D. Rhythms from its P.O.V. and an evening of performances beginning at 7:30 p.m.
The performances include two world premieres from the two founders of M.A.D.D. Rhythms. Bril Barrett’s “Oscar Plays Gershwin,” a vibrant tap production using dancers' feet as percussion to reimagine Oscar Peterson's George Gershwin album and Martin “Tré” Dumas III’’s “My Personal Stash,” a work that honors his father, Martin Dumas Jr., by transforming Rasputin Stash's soul/funk grooves into a vibrant tap percussive experience.
Tickets and registration available at MADDRhythms.com.
Sunday, Oct. 4
The Summit concludes with classes and the premiere of the documentary, “Beyond A Shuffle,” by Nora Clark, sharing the history of M.A.D.D. Rhythms and includes live performances from the Friday’s intensive classes. “Alienworx’ VP,” Nora Clark’s first original work, this documentary is a collaboration with her 501(c)3 non-profit, Tap That Brass and is currently fundraising to complete production of this new piece on the M.A.D.D. Rhythms company.
“Beyond A Shuffle” is about Bril Barrett, who started M.A.D.D. (Making A Difference Dancing) Rhythms as a way to lead a life of example for his younger siblings, as well as give back to the youth of Chicago. Barrett wanted to create a company whose model was one of respect for the art and history of tap dance and whose permanence would create stability for its members.
More than two decades later, M.A.D.D. Rhythms has since touched the lives of thousands of dancers and young people, whether they were pursuing the incredible training of being a company member, needed a positive alternative to the streets of Chicago or just as an outlet to express themselves or improve their quality of life. For more information, please visit TapThatBrass.org.
MORE FROM M.A.D.D RHYTHMS
New Logo
Marking the Company’s 25th Anniversary, a new logo, designed by Steven Bertrand has been created. The new logo celebrates the history and growth of the company by including the variety of performers that make up M.A.D.D. Rhythms’ key mission goals.
Chicago Black Dance Legacy Project
Friday, Aug. 28 at 7 p.m.
Harris Theater, 205 E. Randolph
More information: HarrisTheaterChicago.org
Building on last year’s sold-out engagement, Chicago Black Dance Legacy Project (CBDLP) returns to the Harris stage for their annual cohort performance, featuring ten of Chicago’s most exciting companies including M.A.D.D. Rhythms. With diverse artistic genres including African, contemporary, jazz, tap and many more, this performance honors Chicago’s Black cultural, social, political and artistic architects through movement, imagination and lineage.
The program, Dancing the Archive: Embodied Histories, Collective Power, realizes a living, embodied archive — honoring Chicago’s Black cultural, social, political and artistic architects through movement, imagination and lineage rather than literal representation.
DC Tap Fest
September 4 - 7
The Westin DC City Center, 1400 M St. NW, Washington, DC
More information: DCTapFest.com
M.A.D.D. Rhythms will travel to DC to participate in the largest tap festival in the world, attending master classes, dance battles and uniting with tap dancers from all over the world.
36th Annual Africa Festival of the Arts
Saturday, Sept. 5 at 6 p.m.
Washington Park Sunken Garden, 55th Street and Cottage Grove Ave.
More information: AIHusa.org
M.A.D.D. Rhythms performs Saturday night of the Africa Festival of the Arts, one of the nation's premier celebrations of African and African Diaspora culture taking place Labor Day weekend.
Chicago Jazz Fest
Sunday, Sept. 6 at 11:30 a.m. - 12:30 p.m.
Von Freeman Pavilion Stage at Millennium Park, 201 N. Randolph St.
More information: Chicago.gov
M.A.D.D. Rhythms makes its Chicago Jazz Fest debut at this year’s Annual Jazz Fest in Millennium Park on the final day of the festival, Sunday, Sept. 6 from 11:30 a.m. to 12:30 p.m.
20th Annual Hyde Park Jazz Fest
September 26 - 27
Pickens Stage, Midway Plaisance at S. Ellis Ave.
More information: HydeParkJazzFestival.org
On the final day of the festival, Sunday, Sept. 27 from 5 to 6 p.m., the Hyde Park Jazz Fest will present “M.A.D.D. Vibes: Thaddeus Tukes Quintet” in collaboration with M.A.D.D Rhythms, performing excerpts of “WONDER.”
Inaugural Gala
Sunday, Sept. 27 at 7 p.m.
Harold Washington Cultural Center, Harold Washington Cultural Center, 4701 S. King Dr. (47th Street entrance)
More information: MADDRhythms.com
M.A.D.D. Rhythms hosts its first gala in the organization's history. The evening event will include dinner, presentations and an auction.
Chicago Tap Allstar’s Winter Wonderland
Saturday, Dec. 12 at 12 p.m.
Harold Washington Cultural Center, 4701 S. Martin Luther King Dr.
More information: ChicagoTapAllstars.com
M.A.D.D Rhythms and Chicago Tap Theatre collaborate as the Chicago Tap Allstars in the annual “Winter Wonderland,” showcasing festive holiday jazz music and performance. This year, in addition to the holiday performances and special guests, M.A.D.D. Rhythms will perform excerpts from Bril Barrett’s “Oscar Plays Gershwin.”
Winter Wonderfest
Saturday, Dec. 19 at 1 p.m.
Harold Washington Cultural Center, 4701 S. Martin Luther King
More information TBA
M.A.D.D. Rhythms joins Art Partners-in-Residence of the Harold Washington Cultural Center for a holiday celebration including vendors, events and performances.
ABOUT M.A.D.D. RHYTHMS
M.A.D.D. (Making A Difference Dancing) Rhythms, now in its 25th year, is a phenomenal tap dance collective whose “SOLE” purpose is to spread the love and joy of tap worldwide. What started as Bril Barrett and Martin Dumas III’s formula for giving back, is a full-fledged 501 (c) 3 performing arts company, quickly gaining a reputation for representing the true essence of tap: RHYTHM! The company is composed of young, versatile tap dancers from all over Chicago. Their ages range from 17 to 48 years old, and their backgrounds are equally diverse. The one thing they all have in common is a love for “the dance.”
M.A.D.D. Rhythms’ mission is to preserve, promote and contribute to this art form called tap. They teach its history, represent its culture and advocate for its future. M.A.D.D. Rhythms use this beautiful dance/music form to make a difference in the under-served communities of this world by connecting and caring for the youth of this world. Believing that having access and options gives a child a greater chance at a positive life, M.A.D.D. Rhythms spread the joy, love, discipline and expression of tap to as many children as they humanly can!
M.A.D.D. Rhythms’ performance opportunities, in short, have included: Dance Africa Chicago, Dance Chicago, The Stars of “Dance Chicago” in Istanbul, Turkey, M.A.D.D. Rhythms Canada’s “Release Yourself” and “Great Feets of Rhythm,” Downbeats Canada’s “Embrace the Rhythm,” Miami’s Art-Deco Festival, An Expo for Today’s Black Woman, Kwanzaa Festival, The African Festival of the Arts, St. Louis Tap Festival, Boys and Girls Clubs National Conference, the Chicago Historical Society’s Summer Performance Series, performances at Auditorium Theatre with Trinity Dance and DuSable Museum’s educational theater series. They have also produced 11 full-length productions, created the annual Chicago Tap Summit and educated more than 200 students via The M.A.D.D. Rhythms Tap Academy.
In an effort to continuously give back to their communities, they have also worked with many public and private schools and volunteered performances for various community affiliated organizations including A.C.E.S. (Athletes Committed to Educating Students), Children Affected by AIDS Foundation, Nikola Tesla Alternative High School for Girls, TCA Health and Nutrition Fair, Sigma Gamma Rho Sorority, Inc. and Rainbow House.
Red Clay Dance Company, Chicago's premier Afro-contemporary dance company, proudly announces its exciting Season 18: Spectrum programming, including Founding Artistic Director and CEO Vershawn Sanders-Ward's powerful evening-length work Freedom Square: The Black Girlhood Altar at Northwestern University's Wirtz Center in Evanston in October 2026, and a spring concert featuring work by Sanders-Ward alongside Rena Butler, Beatrice Capote and Bebe Miller at The Dance Center of Columbia College Chicago in April 2027.
For more information, concert updates and tickets, visit redclaydance.com/season18. Tickets for performances of Freedom Square: The Black Girlhood Altar, October 1-3, 2026, are now available starting at $42, with discounts for students and seniors.
In its 18th season, Red Clay Dance Company celebrates the theme Spectrum, a reflection of how one bold vision has grown into a vibrant movement. Like light passing through a prism, the Company's founding mission has expanded into a diverse community of artists, students, educators, audiences, partners and supporters—each bringing their own unique brilliance to a shared purpose. Season 18: Spectrum honors the collective power of Artivism and the many voices that shape Red Clay Dance Company's story, celebrating the full spectrum of Artivists whose creativity, resilience and collective action are shaping a more just, vibrant and connected future.
"I am thrilled to welcome audiences to our 18th season, Spectrum. Every season is a milestone worth celebrating, and this one feels especially meaningful because it reflects the extraordinary village that has grown from one vision into a movement fueled by so many voices and spirits," says Red Clay Dance Company's Founding Artistic Director and CEO Vershawn Sanders-Ward. "As we celebrate where we've been and look toward the future through our 1 Million Artivists Strong initiative, I hope this season reminds us all that our unique gifts shine brightest when they come together to create something greater than ourselves."
Season 18: Spectrum kicks off with a performance from Red Clay Dance Company during the free Chicago Live Festival at Navy Pier on Saturday, September 19 at 6:30 p.m.
Fall 2026 concert Freedom Square: The Black Girlhood Altar
In October, the Company stages a reprisal of Vershawn Sanders-Ward's powerful evening-length work Freedom Square: The Black Girlhood Altar at Northwestern University's Wirtz Center (1949 Campus Drive, Evanston, IL) from October 1–October 3, 2026, at 7:30 p.m. daily. A post-show discussion will be held in partnership with the Black Arts Consortium on opening night, October 1, moderated by Northwestern University Professor Thomas F. DeFrantz.
Freedom Square: The Black Girlhood Altar honors the lives, stories and enduring legacy of missing and murdered Black women and girls. Performed by the award-winning Red Clay Dance Company ensemble, with original music by acclaimed Chicago musician Jamila Woods and costume design by Shaqui Reed and Alyna Michelle, the production blends Afro-contemporary dance, storytelling, digital media and immersive design to create a powerful and deeply resonant experience.
Inspired by The Black Girlhood Altar—the mixed-media installation created by A Long Walk Home artists Scheherazade Tillet and Robert Narcisco—this dance performance incorporates elements of the altar into its scenic and visual design, transforming the stage into a living sanctuary for remembrance, healing and collective action.
Spring 2027 concert at The Dance Center of Columbia College Chicago
Season 18: Spectrum continues with concerts from the Red Clay Dance Company ensemble at The Dance Center of Columbia College Chicago (1306 S. Michigan Avenue, Chicago) on April 8 and April 9, 2027, at 7:30 p.m. daily. The Company will perform Her Table by Rena Butler, Field: New Ground by Bebe Miller, Written on the Flesh by Vershawn Sanders-Ward, and a new work by Beatrice Capote.
Paint the Town Red fundraiser
Red Clay Dance Company's season concludes with its annual Paint the Town Red Fundraiser on Saturday, April 10 at 7 p.m. at Red Clay Dance Center (808 E. 63rd Street, Chicago). Themed A Spectrum Celebration, this evening of entertainment, community engagement and philanthropy supports Red Clay Dance Company's mission to awaken Glocal Artivism and empowerment through dance, and build the Company's 1 Million Artivists Strong initiative to connect and activate supporters who believe the arts can strengthen communities and move justice forward.
About the Season 18 choreographers
Vershawn Sanders-Ward is a visionary director, choreographer, educator, and Artivist who is transforming the landscape of contemporary dance through her art and activism. As the Founding Artistic Director and CEO of Red Clay Dance Company, she blends African diasporic dance forms with contemporary techniques, creating performances that inspire social change and provoke thought. A lifelong advocate for community empowerment, Vershawn uses dance as a platform to explore themes of identity, race, and justice.
She has earned numerous accolades, including the inaugural Walder Platform Award, a Dance/USA Artist Fellowship, a Chicago Dancemakers Forum Award, and a 3Arts Award. Most recently, she was selected as a 2026 Creation Fund Artist in support of her new interdisciplinary work, WE THE PEOPLE, and as a 2026 BTLI Artist-in-Residence, contributing to the creative development of the Bronzeville Trail through community-engaged artistic practice. She is also commissioned to create a new work for the University of Texas at Austin Department of Theatre and Dance during the 2026–27 season.
Vershawn's choreography has been presented at prestigious institutions including Northwestern University and Loyola University Chicago, with commissions extending across the United States and internationally. An accomplished educator, she holds an MFA in Dance from NYU. Her influence extends beyond the stage through her service as a Board Trustee for Dance/USA. A Community Impact Fellow for the Harvard Business School Club and a featured guest on PBS's The Expressway with Dulé Hill, Vershawn's commitment to equity and inclusion in the arts continues to shape the future of dance, culture, and civic engagement globally.
Rena Butler hails from Chicago and began her studies at The Chicago Academy for the Arts. She studied overseas at Taipei National University of the Arts in Taiwan, and received her BFA from SUNY Purchase Conservatory of Dance. Rena performed with companies including Hubbard Street Dance Chicago, AIM by Kyle Abraham, Bill T. Jones/Arnie Zane Company, David Dorfman Dance, The Kevin Wynn Collection, Pasos Con Sabor Salsa Dance Company, and Gibney Company. Rena is a recipient of the prestigious 2019 Princess Grace Foundation Award for Choreography and San Francisco's 2024 Isadora Duncan Dance Award for Outstanding Achievement in Choreography. She has created works for Het Nationale Ballet in The Netherlands, National Ballet of Canada, San Francisco Opera's Orpheus and Euridice, Hubbard Street Dance Chicago, Pacific Northwest Ballet, Norrdans in Sweden, AIM By Kyle Abraham, Gauthier Dance in Stuttgart, Germany, The Lyric Opera of Chicago's Proximity, Cincinnati Ballet, Le Ballet de L'Opéra Grand Avignon and Arles Youth Ballet Company in France, The New Orleans Museum of Modern Art, SALT Dance, a film for Third Coast Percussion x Devonté Hynes/Blood Orange, Oregon Ballet Theater, The Juilliard School, Oklahoma City Ballet, Parsons Dance, TEDxChicago Virtual Salon 3.0: Design Your Life, Charlotte Ballet, BalletX, and more. She was the featured cover story for Dance Magazine's November 2021 issue.
Beatrice Capote is a Cuban American dancer, choreographer, and educator, and the creator of Capotechnique™, a fusion of Afro-Cuban traditions and Contemporary dance. She is an Associate Professor of Contemporary Dance at Indiana University Bloomington and has received critical acclaim for her work, including her role as Yoruba Consultant and Choreographer for The Half God of Rainfall, which earned a 2023 AUDELCO Award nomination. Capote's choreography centers Afro-Cuban narratives and has been presented at major festivals and venues nationwide. She has collaborated with artists such as Angeìlique Kidjo, Paquito D'Rivera, and Wynton Marsalis, and performed with renowned dance companies including Camille A. Brown & Dancers, A.I.M by Kyle Abraham, INSPIRT by Christal Brown, and others. Her honors include the 2024–2025 Mellon Foundation Hemisphere Guest Artist in Residence award.
A native New Yorker, Bebe Miller first performed her choreography at NYC's Dance Theater Workshop in 1978. She formed Bebe Miller Company in 1985 to pursue her interest in finding a physical language for the human condition. Committed to keeping dance available to a wide spectrum of people and to further the conversation about the role of arts and creativity in our culture, Miller is dedicated to providing access to the creative process and expression to diverse communities. She has created more than 50 dance works for the company and has been commissioned and presented by 651 ARTS, BAM Next Wave, DTW, Jacob's Pillow, Joyce Theater, PICA, REDCAT, Walker Art Center, and Wexner Center for the Arts among others. Her choreography has been performed by Kyle Abraham's A.I.M. (Abraham In Motion), Dayton Contemporary Dance Company, Oregon Ballet Theater, Boston Ballet, Philadanco, Salt Lake City's Repertory Dance Theater, the UK's Phoenix Dance Company, PACT Dance Company of Johannesburg, South Africa, and at a host of colleges and universities including the Dance Center of Columbia College Chicago. Named a Master of African AmericanChoreography by the Kennedy Center in 2005, Bebe has been a Movement Research honoree, has received four New York Dance and Performance "Bessie" awards, the David R. White Award from New York Live Arts, United States Artists and Guggenheim Fellowships, honorary doctorates from Ursinus College and Franklin & Marshall College, and is one of the inaugural class of Doris Duke Artist Award recipients. Bebe is a Distinguished Professor Emerita in The Ohio State University's Department of Dance and lives in Columbus, OH.
About Red Clay Dance Company
Led by Founding Artistic Director and CEO Vershawn Sanders-Ward, Red Clay Dance Company is a Black women-led, Black-benefiting professional dance organization that moves the world through Artivism—the integration of art and activism to inspire social transformation. Rooted in the dances, histories, and movement technologies of the African Diaspora, Red Clay Dance creates, performs, and teaches work that uplifts Black voices, dismantles systemic inequities, and cultivates collective joy and liberation.
At the heart of the organization is our professional touring company, Red Clay Dance, Chicago's premier Afro-Contemporary dance ensemble. Now in its 17th season, this award-winning company serves as the artistic engine of Red Clay Dance Company, touring locally, nationally and internationally to share stories of the African Diaspora that challenge oppression, celebrate identity, and ignite agency. Red Clay Dance has graced renowned stages such as Jacob's Pillow, The Yard, the Museum of Contemporary Art Chicago, Harris Theater for Music & Dance, the Dance Center of Columbia College Chicago, the DuSable Museum of African American History, ODC Theater, Dance Mission Theater, The Painted Bride Art Center, and the National Theatre of Uganda. Through technically rigorous and culturally grounded performance, the company affirms African-rooted forms as powerful and enduring modes of innovation, expression, and resistance.
The touring company's artistic excellence informs our education and community engagement programs, including Making the Artivist Apprenticeship and School/Community Education Partnerships, reaching more than 2,500 students and 4,000 families annually. From our home—the Red Clay Dance Center in Chicago's historic Woodlawn neighborhood—we provide access to high-quality dance training, mentorship, and professional development for artists and community members through our classes and In the Making Membership. Together, our ecosystem of touring, teaching, and training sustains a vibrant hub for Glocal Artivism—proving that dance is not just performance, but a pathway to equity, empowerment, and lasting change.
Cerqua Rivera Dance Theatre (CRDT), the Chicago-based dance company, is proud to announce its 2026 - 2027 season. In the coming year, CRDT will join the historic Ruth Page Center for the Arts as an in-resident company. The season will also include welcoming back Chicago dance icon Sherry Zunker for the first of a three-year residency, as well as featuring award-winning choreographer Omár Román de Jesús and broadening opportunities for a diverse pipeline of emerging choreographers even further - not only with its 2nd Annual Chicago Latinx/e Contemporary Movement Festival but also with the Inaugural New Voices Festival.
With resident choreographers Sherry Zunker and Omar Román de Jesús, CRDT will again create new dance and music work to inspire audiences across Chicagoland and beyond. The 2026-27 season includes free performances of The Heart of the Story, Friday, July 24 at 10 a.m., Friday, July 31 at 5:30 p.m. and Friday, Oct. 9 at 6 p.m. as part of the City of Chicago's Night Out in the Parks; another free performance as part of Navy Pier's Chicago Live!, Saturday, Sept. 20 at 5 p.m.; the 2nd Annual Latinx/e Contemporary Movement Festival, Friday, Oct. 2 at 7:30 p.m. and Saturday, Oct. 3 10:15 a.m. - 1:30 p.m.; the launch of its New Voices Festival, Thursday, March 25 at 7:30 p.m.; and the season culminates with the 2027 Spring Concert Series, April 29 - May 1.
In addition to a full season of dance performance, there will be a Season Kickoff Celebration, Saturday, Aug. 29 at 7:30 p.m. to celebrate CRDT's new creative home and start the 2026-27 season with a celebration of dance and artistry.
The full 2026-2027 season details are listed below with more information on the latest company updates and the 28th season atCerquaRivera.org or@CerquaRivera on social media.
"This season, we are taking even bolder steps to serve our community, celebrate the many voices that define our city and create meaningful opportunities for artists whose stories deserve to be seen and heard," said Co-founder and Artistic Director of Cerqua Rivera Dance Theatre, Wilfredo Rivera. "We are thrilled to welcome back Chicago dance icon Sherry Zunker for the beginning of a three-year artistic residency and to welcome award-winning choreographer Omar Román de Jesús, to create a new work examining how our personal and collective histories continue to shape who we become."
Rivera continued, "And there's even more! We are incredibly proud to become a resident company at Chicago's historic Ruth Page Center for the Arts and to launch our New Voices Festival, which joins the 2nd Annual Chicago Latinx/e Contemporary Movement Festival as another much-needed new platform for emerging movement artists from diverse backgrounds."
The 2026-2027 Cerqua Rivera Dance Theatre season includes:
Night Out in the Parks: The Heart of the Story
Friday, July 24 at 10 a.m.
Galewood Park, 5729 W Bloomingdale Ave., Chicago
Friday, July 31 at 5:30 p.m.
Fuller (Melville) Park, 331 W 45th St., Chicago
Friday, Oct. 9 at 6 p.m.
Douglass Park, 1401 S. Sacramento Dr., Chicago
Ticket Price: FREE
The Heart of the Story is a semi-interactive concert dance program featuring dance and music artists from Cerqua Rivera Dance Theatre performing several pieces from the company's repertoire. Each performance will be customized based on the interests and identity of the community, tapping into Cerqua Rivera's rich repertoire to celebrate the complexity of the human experience. This company brings people together with choreography that highlights the dualities found within each of us–confidence and doubt, strength and vulnerability, grace and intensity. These energetic and interactive events will draw you in and fill your soul.
SEASON 28 OPENER
Season Kickoff Celebration
Saturday, Aug. 29 at 7:30 p.m.
Ruth Page Center for the Arts, 1016 N. Dearborn St., Chicago
Ticket Price: $25 - $55 (discounts available)
Chicago's own Cerqua Rivera Dance Theatre's debut as a resident company at the historic Ruth Page Center for the Arts features this year's dancers, including a new class of CRDT II, performance of excerpts from and behind the scenes info about this year's new works and an announcement of the full season schedule. A rare opportunity to celebrate at our new creative home with Chicago artists in an intimate atmosphere.
Chicago Live!
Saturday, Sept. 20 at 5 p.m.
Navy Pier, 600 E. Grand Ave., Chicago
Ticket Price: FREE
Cerqua Rivera Dance Theatre is proud to participate in the Midwest's largest free performing arts festival at Navy Pier again this year. The event welcomes more than 100 Chicago-grown performing groups in back-to-back performances across five stages on the Pier for thousands of enthusiastic fans.
2nd Annual Latinx/e Contemporary Movement Festival
Friday, Oct. 2 at 7:30 p.m. (festival concert) and Saturday, Oct. 3 at 10:15 a.m. (workshop) and 12 noon (panel discussion).
Dance Center of Columbia College, 1306 S Michigan Ave., Chicago
Concert Ticket Price: $10 - $30 (discounts available), Columbia students and staff are FREE
Cerqua Rivera Dance Theatre meets the need to platform and celebrate Latinx/e contemporary movement artists with the return of this groundbreaking festival. With returning and new artists as well as performance by its own company, CRDT will celebrate the vitality, talents and diversity of the Latinx/e community - inspiring pride, hope and joy. With this new once-a-year festival, CRDT brings Chicago into the national movement to lift up the fullness of the Latinx/e community and bring audiences an evening of timely and thrilling artistry.
This year the festival will also feature a dance workshop and panel discussion centering the Latinx/e dance community. All events open to the public. We are grateful to The Richard H. Driehaus Foundation, the presenting sponsor.
NEW PROGRAM
Inaugural New Voices Festival
Thursday, March 25 at 7:30 p.m.
Ruth Page Center for the Arts, 1016 N Dearborn St., Chicago
Ticket Price: $30 (discounts available)
Cerqua Rivera Dance Theatre launches a SECOND festival to meet the Chicago community's needs for more paid opportunities for emerging artists to develop their work and for audiences to be inspired by the depth and diversity of Chicago's artistic community. A diverse pool of three artists will be selected through an open call to share their work with audiences in a preview and discussion format.
Cerqua Rivera Dance Theatre 2027 Spring Concert Series
Thursday, April 29 and Friday, April 30 at 7:30 p.m., Saturday, May 1 at 2 p.m.
Ruth Page Center for the Arts, 1016 N Dearborn St., Chicago
Ticket Price: $30+ (discounts available)
The capstone of CRDT's season is the only opportunity all year to see the full company perform the year's new work in full production alongside repertoire favorites - a "powerful mix of dance and live music" (Columbia College Chicago). Don't miss this chance to join hometown "movers and shakers who dazzled audiences" (Chicago Tribune) for "hope and joy that resonates long after the curtain has closed." (Buzz Center Stage).
The Spring Concert program is scheduled to include:
- WORLD PREMIERE: "Torcer el Horizonte," by Omar Román de Jesús (Princess Grace Award winner, Jacob's Pillow alum, Boca Tuya founder) and original music by Joe Cerqua (CRDT Cofounder, American Players Theatre). The piece will explore how collective memory is formed, transformed and preserved.
- REVIVAL: "Between Us," choreographed by Sherry Zunker (River North Dance Chicago, Bemoved) with original music and arrangements by Joe Cerqua. Sherry is reviving and reinterpreting this sultry piece that explores intimacy and our closest personal relationships in the first of her three-year residency with CRDT.
ABOUT CERQUA RIVERA DANCE THEATRE
Cerqua Rivera Dance Theatre was born to explore and celebrate the American identity. These artists are fearless storytellers who inspire people to understand and engage with themselves and the world around them. Each piece the company makes centers on a specific experience and they use research and radical collaboration to convey that narrative through a diverse group of artists. Cerqua Rivera engages with its community through local and national touring, workshops, festivals and full concerts. See Chicago Dance says Cerqua Rivera Dance Theatre "possesses a blended magic that is difficult to come by" and "creates a deeper sense of commitment and intimacy." New City Stage raves that Cerqua Rivera "speaks straight to the heart, feeding a hunger [you] may not even realize."
Giordano Dance Chicago (GDC), America's original jazz dance company, has announced its 2026-2027 "untamed passion" season. Highlights of the season include a November engagement at the North Shore Center for the Performing Arts in Skokie, an April Harris Theater engagement featuring world premieres by GDC Resident Choreographer Al Blackstone and Cuban American Choreographer/Movement Artist Ricky Ubeda, guest
appearances in Chicago area dance community events, and the return of GDC's popular
"Dancing With The Giordano Stars" competition benefit and "Studio 64" Gala.
"At Giordano Dance Chicago, every season is a chance to break barriers—and for our 64th season, we're going bigger than ever," says GDC Artistic Director Nan Giordano. "From our electrifying fall performances at the North Shore Center to our dynamic spring engagement at the Harris Theater, and every stage we ignite in between, we're unleashing the power, passion and pure exhilaration of Giordano. I invite everyone to join us—experience it live, feel the energy, and be part of the movement."
Chicago Concert Performances
North Shore Center for the Performing Arts
9501 Skokie Blvd., Skokie, Ill.
7:30 p.m. Friday, Nov. 6 and Saturday, Nov. 7
Tickets are $35-$70. For tickets and more information visit northshorecenter.org
or call 847.673.6300
Featured in the North Shore Center's inaugural season, GDC joins the 30th anniversary programming for two performances featuring a mix of new works and popular repertoire radiating GDC's signature energy and boundless spirit.
Harris Theater for Music and Dance
205 E. Randolph, Chicago
7:30 p.m. Friday, April 2 and Saturday, April 3
Tickets go on Nov. 1. For tickets or more information visit harristheaterchicago.org
The program will include new works by GDC Resident Choreographer and Emmy Award-winning choreographer Al Blackstone, and Cuban American Choreographer/Movement Artist Ricky Ubeda, winner of Season 11 of "So You Think You Can Dance."
Chicago Area Dance Community Events
Dance for Life 35th Anniversary
The Auditorium Theatre
50 E. Ida B. Wells Dr. Chicago
7:30 p.m. Saturday, Aug. 22 (performance).
Performance tickets are on sale now. For more information visit secure.qgiv.com/event/q6gypa/
GDC is featured in this vibrant testament to the spirit of Chicago's dance community, now celebrating its 35th Anniversary. Since Dance for Life's inception in 1992, the incredible talents of local dance companies have united choreographers, artists, and designers in a night of celebration and spectacular performances to benefit the community.
Chicago Live! at Navy Pier
600 E. Grand Ave., Chicago
Saturday, Sept. 19
Free Admission. For full schedule and more information visit navypier.org
Giordano Dance Chicago is one of the popular Chicago dance companies featured in the Midwest's largest free performing arts festival, Chicago Live! For the first time ever at Navy Pier, GDC is showcased in two electrifying performances in one evening: Giordano II at 5:30 p.m., followed by Giordano Dance Chicago at 6 p.m. This is a special opportunity to see dance's next generation and the ensemble of GDC's internationally acclaimed company dancers in one program for a must-see celebration of jazz dance excellence.
Residency
DancerPalooza
Hyatt Regency Orange County, 11999 Harbor Blvd., Garden Grove, Anaheim, Calif.
Aug. 3-8
To register for DancerPalooza or for more information visit dancerpalooza dance360.com/
DancerPalooza is a summer dance festival featuring a variety of dance intensives, master classes, and performances for dancers of all ages and skill levels. This year's event features an extraordinary four-day concert intensive with GDC, internationally celebrated for its innovation, artistry and excellence in jazz dance on Aug. 3-6. A full company performance caps the GDC experience on Aug. 8. This kind unique blending of the concert dance world into the competitive/convention world is a one of a kind partnership.