This series is the story of Darius, and although there is a lot of war and military themes within it, these are always related to the growth and journey of Darius, and the military aspect isn’t very prominent until book 2 anyway.
So I hope it’s not too confusing for people part-way through reading the series. Nothing else has changed, including the story and the covers, so you can simply pick up the series from whichever book you are on as if the name hasn’t changed.
]]>But from the partial feedback I had from one reader in particular, I have a good idea of some changes that do need to be made that also affect the rest of the book, so I haven’t adjusted my time frames and am simply getting on with editing ready for the beta read (where people hopefully will finish the book. At least I know my parents will!)
While editing, I’ve also had the fun of planning a wedding (because I just hate having free time), but I’m still eager to get this draft finished in the next month. Ideally, the book goes to the copy editor the week before the wedding and when I’m on honeymoon so I have productive time off, but we’ll see how it pans out.
I’m sometimes asked how I find the time to write, but to be honest, I often feel I spend far more of my day wasting time rather than being productive. For me, downtime is important or I burn out, so I end up spending maybe a couple of hours a day writing on top of my full-time job, then I’ll get down anything around the house or in the garden. The rest of the time I try to relax either by going to the gym, hanging out with friends, watching a bit of TV, or spending time with my fiancée. I don’t schedule writing time at weekends, but I often do have to spend some time then to catch up on missed goals during the week. I feel this schedule works best for me, but there are times when I just need to get my head down and do more.
The next few weeks are probably one of those times.
]]>Finishing a series will allow me to move onto something new as well as give new readers a complete package to sink their teeth into. I’m not the kind of author to jump between different series as I’m writing because I don’t get bored and I enjoy the feeling of progress as much as the creative aspect itself. Also, as a reader, I know I prefer it when authors put their heads down and write one series at a time so I don’t have to wait a long time for the next instalments in my favourites. So I intend to carry on writing one series at a time but am eager to move on.
But this blog post is about more than just progress in writing; it’s about an emerging genre of fantasy that I’ve increasingly been taking an interest in—progression fantasy.
I’ve had plenty of other things to do during my two-week writing break, like planning a wedding, sorting out my state of a garden or finally clearing out some of the junk that seems to breed in my garage, but I did end up squeezing in some time for another writing project I’ve had at the back of my mind.
If you haven’t guessed, it will be a progression fantasy, combining all my favourite themes such as Roman gladiatorial combat, characters with secrets and dark pasts, as well as a few magic systems very unlike what I’ve done thus far (and also possibly dragons).
I’m hoping to make the series more fun than Rakkan Conquest, with less trauma and darkness and more likeable and fun characters. It’s the first time I’m trying to write something like this, so who knows how long it will take to fashion a great story, but I have a good idea of what I like in this genre so I intend to write that. Hopefully other people share my tastes!
Progression is something important in all fiction in my opinion, and something I don’t think I did as well as I could have in Oblivion but that I feel I did much better at in the rest of the Rakkan Conquest series. I know all readers don’t necessarily need (or like) such a feeling of a story progressing, but I would guess they are in the minority, and whether people realise it or not, there is usually some form of progress in a book, otherwise it feels boring and slow.
That could be progress in terms of magical power like in progression fantasy, or it could be progression of a relationship in genres such as romance; going from the first meeting, to the first touch, to the first kiss and so on gives a progression that keeps the reader engaged.
I see progression fantasy as a “hard”/unsubtle implementation of it but don’t consider that a bad thing. I’ve played enough RPGs in my long years to know how highly addictive it can be, and the things I’ve been reading recently such as Will Wight’s Cradle series and Iron Prince have been some of the most engaging books I’ve read in the last few years.
So that’s what’s next for me, right after I’m done editing Rakkan Conquest 4. You’ll be hearing again from me soon
Reviews are vital for any author; they help prospective buyers get a better idea of whether a book is any good, as well as more of a feel for the kind of story it tells beyond the blurb. A blurb is a marketing spiel (yup, even mine) whereas a review is from the perspective of a buyer with no vested interest.
While vital, reviews are also tough to get. Most people that buy a book will not review it, regardless of whether they liked it or not, which is why you’ll often see authors and publishers put short notes at the end to encourage people to leave them.
Amazon reviews are probably the most important source for any independent author, as the majority of our sales come via Amazon (and many, like me, are exclusive to Amazon so that readers can access our books through Kindle Unlimited). So I check my reviews there fairly regularly.
But I understand that a lot of authors don’t. There are many reasons for this, like wasting time etc, but the main one seems to be the potential impact of reviews on us as authors.
I think I’m relatively thick-skinned and don’t take criticism badly, but even I suffer from reading a dreaded 1-star review where someone tears apart something that took me hundreds of hours to create. You might think that the much more numerous 5-star reviews balance that out, but in truth, it takes many to outweigh just one criticism, and they can be demotivating.
The reason I still read them is I do think there can be valid points that I may need to learn from, and I have definitely learnt things from them in the past. But sadly, most are just rants or diatribes about something not being to their liking. I haven’t suffered this too much on my series, but I’ve seen it on other authors’ books.
As an author, knowing yourself is most important, and if I ever felt weighed down by these, I would stop reading them, or at least do it infrequently while having a large glass of whisky with me.
If you’re a prospective author reading this, just know that we all get them, and you’ll find plenty of 1-star reviews on your favourite books which you’ll look at and conclude “This guy’s a moron. The book is great!”
If you’re a reader reading this, then just remember good reviews do help, and leaving them for books you like can really help an author’s career as well as give them a little boost if they happen to read it.
]]>I’d like to say the hard part is over, but writing and editing are two different skill sets that each have their own challenges. Over the years, I have tried to smooth out my writing process by shifting work from “writing” to “editing”, for example, if I suddenly think of something I need to be added earlier in the story, I used to go back and change things immediately. But this tends to slow down the entire writing process, and you can end up redoing things twice. So now, I just make notes that I review once the draft is finished.
I should clarify what I mean by “editing” because there are many forms of it. Editing can be done at various levels, looking at either big picture things like characters, plot, structure etc (developmental editing) or at the minutiae of writing such as sentence structure, word choice and clarity (line or copy editing). I’m currently focusing on the big picture stuff, so new/deleting scenes, possibly removing/adding characters, or changing the pacing so that it flows better.
I have a few pages of notes I’ve gone through that I made as I wrote, and I’ve written a plan for what changes need to be made throughout the story. Some of them are easy; some of them are going to be a headache. And the hardest thing I’ve found in this developmental editing process is managing time and planning. Writing is quite easy to track—set a goal of X words per day and you know when you’ve done it. Likewise, line edits are also easy—you have Y pages and you do Z pages a day. Progress is easy to track. But for big edits, a one-sentence comment can involve changing a few words, or writing a few thousand new ones. So I’m left not really knowing how far I’ve come or how far there is to go. I’m on chapter 14 at the moment, but that could mean I have another two days or two weeks left to do before it’s ready for alpha readers.
The best thing to do at this stage is just put my head down and power through. So I’ll end this blog update here and do just that
To start, I thought I’d talk about something relevant to the position I’m in at the moment, which is almost having a complete first draft of my next book (Rakkan Conquest 4). I’ve spoken with other authors before about their approach to the writing process, and many like to have someone read over their first drafts to give initial feedback before they spend more time on scenes and chapters that may end up being discarded for various reasons.
I used to share first drafts with my writing group every week to get regular feedback when I was starting out as a writer, but now that I have more novels under my belt, I know many of the issues that will be raised in my writing because I’ve purposely left things unaddressed as I’ve been writing.
When I write, I will often have a thought or an idea about something that happened previously in the book. I might suddenly spot a plot hole or realise I needed to lay more groundwork for whatever I’m writing at that time. But I don’t interrupt my writing and do that; I just make a note of it and plough on.
This is how I’ve found I’m most productive, otherwise I will be constantly editing the book as I go, which leads to more time taken in the long run.
So now that I’m sitting here with a first draft almost “complete,” I don’t really see it as such. I have a list of several pages worth of bullets I’ve made over the last few months that I need to go back and change/add to the story. Some of these might be minor, but it could involve adding several chapters to explain something that happens later.
My first draft, therefore, is like a story full of holes that need plugging. And that’s not even to mention the pacing and prose issues that my first drafts suffer.
My first drafts tend to move at breakneck speed, with little in the way of mood or descriptions apart from some scenes which I have clear in my mind. It’s only in the fourth or fifth drafts that they contain everything necessary to set the tone I’m intending, as I find that the most difficult and time-consuming part, so I’m only prepared to do that once I’m more sure I will be keeping a scene in the final book.
So, you may wonder when I do let people read the book. My alpha readers tend to get it around draft 3, when I’m fairly happy that it contains at least the skeleton of what I’d envisaged.
Around draft 6 is when the beta readers get it, after I have addressed any issues brought up in the alpha read (which for my last two books at least led to an extra 40k words being added!)
After that, the editing is more at the sentence level, and early access readers will get it as it’s sent to the proofreader.
By the time it’s published, I’ve read it start to finish at least 6-10 times (and am thoroughly sick of it) but am far happier with the product than how it looked at that first draft stage.
So that’s why I never let people read my first drafts and have no intentions of doing so in the future.
]]>For a select few readers, I’m offering the chance to read the book early so that I can hopefully have some reviews shortly after release. You’ll get the book free as it’s sent to the proof-reader (so there may be a few typos) and you’ll also get a free copy of the final book, once it’s released, at your retailer of choice.
If you’d like to apply, then just leave a comment below or email me and let me know. If I get a lot of interest, then I will be prioritising people that have already left a review of my other books.
Thanks for all your continued support. I’m excited for this release and then for getting onto writing Book 4!
Stay safe
Andy
]]>This is a quick update from me. I’ve decided to start sending these newsletters quarterly as it seems a good balance between keeping you all up to date while not overloading your inboxes.
Quite a few things have happened in the last couple of months. In writing news, I finished Rakkan Conquest 3 and had a successful beta reading process. Thank you to those of you that read through it (and mostly loved it!) I’m now doing a final edit myself incorporating all your feedback before it goes to the copy-editor on 17th July. As things stand, the book is still on track for an Autumn/Fall release.
For anyone that hasn’t seen it yet, the book is cover below.
I’ve also been considering renaming the series to something more descriptive of the story, particularly the first book, but haven’t decided anything yet. If you have any thoughts on that, I’d be interested in hearing them.
In non-writing news, I got a new Boston Terrier puppy last month which has been a bit of a shock to the system. I’ve kind of a adjusted to being responsible now though and thankfully have learnt enough about training that my living room carpet no-longer smells worse than a men’s toilet. The little rascal is currently sitting on my lap (and has broke wind more than once – thanks Mia) but I’m making good progress with my writing regardless!
That’s all for now. The next you’ll hear from me is when Rakkan Conquest 3 is available for pre-order!
Stay safe
Andy
I hope you’re still well in these troubled times. In this newsletter I have some updates on my latest book and a rant about why I’m mad at fantasy author Jim Butcher.
I’ve managed to still evade the rona and received the first dose of my vaccine a couple of weeks ago. So the only things keeping me from writing 24/7 are my pesky day job and Netflix. I need to stop watching Korean TV shows because I get hooked on them so easily.
Despite those things, I’ve made great progress over the last couple of months with my latest book.
I had planned to send Rakkan Conquest 3 out to beta readers in March, but in the end I have made much larger revisions to the manuscript than I’d anticipated.
To give an illustration of just how extensive this process has been, the draft has gone from 126k words to 168k in only a couple of months, and I must have scrapped at least 3 whole chapters. I still want to go through a lot of the manuscript again and now expect it to be ready for beta readers in May.
This slight delay means I’m now aiming for an autumn/fall release as opposed to late summer, but the book will be a lot better for it (at least in my opinion).
Even though the release of the book is months away, I like to prepare as much as I can in advance. I have already decided on the name, Fate of the Slayer, and the cover is done (artwork by the amazing Manthos Lappas).
Here is the exclusive reveal of the cover and the artwork behind it (for those of you that are observant, you’ll see it’s now also the banner of my newsletter).
I hope you’re all excited to read it. The story follows on a year after Viridian Legion, and you’ll find out what Hadrian’s plan is and what the King is up to with Selene. As well as (obviously) the fate of the Slayer of Gods and whether he can thwart his enemies before it’s too late.
I’ll end my update on a random note.
I’m sure this has happened to many of you.
A few weeks ago I was making my way through Jim Butcher’s Codex Alera series (which is great by the way) and was deep into the second book when I realised who my favourite character in it was (I won’t name them, because I don’t want to spoil anything with what I’m about to say).
Usually, one interesting character (even a side character) is enough to keep me devouring a book, and this one was no exception. I wanted to know who this person was, what this interesting back story that Butcher was hinting at was, and perhaps one day get inside their head to figure out what really motivated them.
And then splat. Dead.
In my desperate denial, I kept reading hoping for some sort of twist where they hadn’t actually died, but it was soon confirmed that my beloved character really was dead. Usually, I don’t mind characters dying at the end of their story. It can leave me gutted but in a good way. But here, there was so much more hinted at for this character that I wanted to know and never will.
And Butcher did the same kind of thing to me after the first book. My favourite character in that didn’t actually die, but I haven’t heard anything of them since that book, and I’m now well into book 3. I can only hope they make a reappearance.
Why do you do this to me Jim Butcher? Have mercy!
Perhaps one day I will forgive him. I’m still buying his books so I can’t be that mad…
Have you had similar experiences with books you’re reading? I’m interested to know how common this is, because it’s usually with side characters rather than main characters.
Anyway, that’s enough ranting. Thank you all for reading. I hope you stay safe and well,
Andy
]]>I hope you’re all well in these troubled times. In this newsletter I have some historical gold to share, exciting updates on my latest book, and an example of just how baffling some of you fantasy readers are.
I’m still locked down here in the UK, which has given me plenty of time to write and read. When I’m not working on my next book, I’m making my way through Jim Butcher’s Codex Alera series, after a reader recommended it. I’m glad he did because it’s fantastic.
First, I want to share something fascinating I found.
I’m pretty sure everyone reading this knows what fantasy book/movie Helm’s Deep is from and are already picturing legions of Uruk-hai scaling ladders and storming ramparts. It’s definitely my favourite fantasy assault on screen, and I struggle to think of any done better (if you are tempted to say the Battle of Winterfell you must unsubscribe now).
What you may or may not have wondered is how this battle compares to real historical battles.
Luckily for both you and me, a real historian has gone into painstaking detail about just that, and I happened across his blog posts when doing some historical research for my own books.
Perhaps unsurprisingly, the historian concludes Tolkien did a fine job (and the movie adaptation is good as far as movie adaptations go) not just in depicting an epic battle, but in depicting the flaws of Saruman as a military commander that were ultimately his undoing in the war.
The posts are a long read, but are well worth it.
The writing of Rakkan Conquest 3 is going to plan and I’m still hoping to release it this summer. I’m happy to say that I have received feedback from alpha readers on the first draft and have already commenced revisions to make the story even stronger.
I’m excited for you to read this book as it really unleashes Darius is all his terrible glory, something which we only saw hints of in the first two books.
With the alpha reads done, I’ve begun thinking about the next stage of the process once my revisions are complete. I have a few spots open on my beta reading team, so if anyone is interested in joining this, please contact me using the menu.
Beta reading will involve reading a copy of the book in March and answering a few high level questions on it such as most/least favourite characters, satisfaction with resolution and events etc.
Readers must have read Books 1 & 2 in the series and you’re more likely to be accepted if you have also left a review for one or both of them (doesn’t have to be positive).
I’ll end with something light-hearted. Fellow fantasy author Mark Lawrence recently did a Twitter poll asking readers whether they read the last page of a book before reading the whole thing.
The result was 7.4% of you said you did. I have heard of you strange readers before, and tried to understand why you would want to see how a story ends before beginning it, but I’m afraid you’re unfathomable. I don’t know how you sleep at night.
Thank you all for reading. I hope you stay safe and well
Andy
]]>