The name came from their first child’s birthday, June 16 (6/16), as an homage and a reminder of how and why the firm started.

With Whitney being able to offer both architectural and interior design services, the studio focuses on combining creativity with clarity—to design not just spaces, but to have a process that feels approachable, collaborative, and customized for each client.

“We help clients with projects as small as interior finish refreshes to as large as new buildings/developments and additions,” said Whitney.

RESIDENTIAL DESIGN

3D Visualization
Additions
Custom cabinetry + Built-Ins Design
Custom Home Design
Furnishings +Décor
Interior Space Planning
Interior Remodels
Kitchen + Bath Design

“I want to offer an experience that gives them hands-on support and expertise from someone who is not only an architect and interior designer, but also someone who is a business owner.”
WHITNEY DONOHUE

Studio 616’s specialty is commercial office space, where the team tailors designs that are efficient and make sense for that particular business’s immediate needs, along with keeping future scalability in mind.

“Truthfully, we design to each customer’s unique tastes, style, etc.,” explained Whitney.

One project the team is proud of is Climate Systems, which was a roughly 10,000 square foot office remodel. The renovation focused on creating an open, collaborative space with meeting rooms, a phone room, and enhanced natural lighting throughout the business.

COMMERCIAL SERVICES

Additions + Expansions
Interior Remodels
New Builds
Planning + Feasibility
Tenant Improvements

“The client was wonderful to work with, and the outcome was a beautiful, updated work environment to grow with the company,” said Whitney.

Other notable partners have been Klein’s (pictured), Couture Studio, Butler Machinery, and Plaza Azteca.

When it comes to workplace designs, the studio owner says she loves a good welcome area/coffee bar in any business space.

“It’s such a subtle way to say, ‘Thanks for being here. Help yourself to some refreshments,’” explained Whitney. “Stock it with coffee, beverages, and snacks, and you are instantly an expert host to your clients and customers.”

Another important space to keep in mind for both business owners and employees is the break room.

“A well-designed break room should give people the sense of retreat and refresh, even if stopping in for a moment to fill up a water bottle,” said Whitney.

FUN FACTS

30+

CLIENTS SERVED

Over $8.5 million

BUILT AND COUNTING

66,613

SQUARE FEET BUILT

24,100

SQUARE FEET CURRENTLY UNDER CONSTRUCTION

Studio 616 also works with high-end homeowners or those looking to create a custom space. The small team works to envision and implement designs that balance function, aesthetics, and long-term livability.

Regardless of the project, clients work oneon-one with Whitney and her team from the beginning to the end as she guides the process from initial concepts through the final product, creating a place that truly reflects the people inside of it.

“When you work with Studio 616 you work directly with me, the owner,” said Whitney. “We pride ourselves on our hands-on experience and communication.”

FOR MORE INFORMATION, VISIT STUDIO616.DESIGN+

The post A Tailored Experience // Studio 616 first appeared on 605 Magazine.

DID YOU KNOW?

Showplace Cabinetry is employee owned and South Dakota made, all while supplying cabinets for people across the nation.

The prized kitchen belongs to Sioux Falls homeowners Bob Trzynka and John Marshall, who purchased The Carpenter House—an 1891 Queen Anne home in the Cathedral District. Trygstad says she was approached by contractor Ryan Knutson with Boulevard Companies to be part of the historic restoration that needed creativity.

Boulevard Companies is known for historic preservation and urban infill projects, revitalizing older residential and commercial buildings, so the designer knew it would be a solid collaboration.

“The most important thing is to work with professionals the homeowner trusts will serve both the home and the homeowners’ goals,” said Trygstad.

Trzynka and Marshall’s project took a little over a year from the initial layout design options to the final piece of hardware being installed. The Boulevard and Showplace Cabinetry team worked together to make something more modern, while honoring its history.

“ANYONE WITH A HISTORICAL HOME ALREADY KNOWS THEY SHOULD EXPECT THE UNEXPECTED WHEN DIVING INTO A REMODEL PROJECT.”
CARISSA TRYGSTAD

Trygstad worked with Trzynka on a few iterations of what he envisioned for the space, as well as using creative liberties.

“The beauty of a remodel is that I can also see how the homeowner uses the space, what they are lacking, and what they need to make the space more functional,” she said.

The existing home helped guide every design decision, from cabinet construction, door style, layout, and even panel details. Right away, there was concern about the ceiling.

“A major hurdle was defining where the structural beam had to go in correlation with the coffered ceiling plan,” described Trygstad. “The unknown of what was above the soffit/existing ceiling was something we had to define early on as well.”

Trzynka and Marshall’s existing kitchen had low ceilings with soffits, three windows, and four doors. The space was large and had many points of entry, creating obstacles during the design process.

The couple mentioned the renovation could include removing a window, which Trygstad typically avoids, but found the benefits outweighed the loss. A butler’s pantry was also suggested by the client, but the new kitchen was more functional as one large open space with separate, defined areas.

“This made the kitchen function like separate spaces, while still giving room for a nice, big island, work zones, and walkways,” said Trygstad.

The original kitchen space was 10 feet by 17 feet with soffits down to eight feet. After carving out the dropped ceiling, the design team was able to bring the cabinets to 9’6” tall, with a 15-inch-deep coffer.

Showplace Cabinetry also combined the 14-by-13-foot breakfast nook area with the existing kitchen space to make the room much more practical.

A favorite detail in the renovation for Trygstad was the use of color—Sherwin William’s Sleepy Blue, to be exact.

“I love that the homeowners allowed me creative freedom to bring color into the kitchen,” she recalled. “Some may say this is trendy, but a painted kitchen is the most timeless selection one can make.”

Sleepy Blue was selected from one of the birds illustrated in the botanical wallcovering in the grand dining room as the cabinet and millwork color. Color drenching the space with that hue of blue allows the eye no visual stopping point, Trygstad explains, making the space feel larger and grand, while also not pulling focus on any one piece.

“YOU NEVER KNOW 100% WHAT YOU’RE GETTING INTO WITH A HISTORIC HOME UNTIL IT’S RIPPED APART, SO IT’S USUALLY A LONGER MORE TEDIOUS PROJECT.”
CARISSA TRYGSTAD

The designer is not a huge fan of trends since kitchens aren’t updated often. It’s more about what makes sense long term for the client.

“I think a kitchen that brings the homeowner daily joy brings me the most excitement,” said Trygstad.

Now the old soul with a new chapter is complete—at least kitchen-wise. Trygstad says not only is it a perfect fit for the couple, but she hopes the original architect of the house, Wallace L. Dowell, would be proud.

Trygstad said, “Historic renovations really require creativity, but the result is usually quite special.”

FOR MORE INFORMATION, VISIT SHOWPLACECABINETRY.COM+

The post Old Soul, New Chapter // A Kitchen Remodel in the Cathedral District first appeared on 605 Magazine.

Save the Date

ZOO BOO
October 24 @ 2-5 p.m.

Bramble Park Zoo’s most recent pack of wolves, Titan, Ty, Trigger and Tee, sadly passed away from age-related complications, as well as a sibling pair of coyotes, Wiley and Delilah.

“That was the time we chose to start the demolition process of the old habitat since we decided as an entire team that it wouldn’t have been a good transition for the aged canines to move homes for the construction process,” said Wulff. “It would have been extremely stressful for them due to their geriatric age and potential health risks.”

With over 500 animals at the zoo, including around 100 species, the team is focused on providing their animal collection with quality habitats and giving guests the most wholesome experience they can without crowding.

“That’s why our improvement projects are so important to us and to the animals,” said Wulff.

Construction took around a year, beginning last spring and wrapping up at the beginning of this summer. One of Wulff ’s favorite parts about the new habitat is the close and personal viewing windows.

“My favorite part about being a zookeeper is working so closely with the animals and forming bonds with them.”
OLIVIA WULFF

“There’s a big viewing area into their inside holding that allows guests to see their ‘bedrooms’—or night stalls—so they can almost always be viewable,” she said. “Really the only time they’re not able to be seen right now is if they’re hiding in one of the tunnels—or culverts—on exhibit or under their stock tanks.”

Having the ability to hide is important to wolves, the zookeeper says, but the team also wants them to engage with guests because the cubs are so interactive at the young, impressionable age.

“The pups love having such a large and expansive holding area because they seem comfortable shifting inside or moving about the stalls, whereas the old building was small and dark and the old pack did not choose to be indoors much at all unless it was to eat quickly and/or cool off in the shade,” said Wulff.

The new building has a massive air exchanger pushing cool breeze throughout the stalls as well as in-floor heat. Come wintertime, Wulff says it will be more comfortable to work in that area and continue to wash and disinfect it year round, which the team was unable to do in the last building without heat or water.

Also, the warmed floor will provide the wolves with added comfort when they grow old and need that support for their joints and potential arthritis, which is a common ailment in all canines.

That feature won’t be needed for some time, as the reimagined habitat welcomed a new pack of wolf pups named Aurora, Ash, Summit, and Everest.

Become a Member

Guests can become members of the Lake Area Zoological Society for as little as $70 a year.

“The new pack seems to really enjoy their space and playing on the exhibit,” said Wulff. “We have been running sprinklers outside for them to keep the grass watered as well as to keep them cool and provide them with enrichment. They spend a lot of time chomping at the water or chasing each other.”

The foursome are most active when the zoo opens at 10 a.m. and at dusk when it’s cooler outside. In the hot mid afternoon hours, guests can typically find them napping in the shade.

“Obviously the wolf pups have taken over my work and some of my personal life,” said Wulff. “They find their way into every conversation, and I am thankful the zoo and the public are so excited about them since they are such a fun addition for us and the community.”

Wulff is also excited to see where the new Lake Area Zoological Society event coordinator, Laren Blauer, will take the attraction in the next year. Blauer filled an important position on the LAZS board by organizing events and fundraisers for the non-profit aspect of the zoo.

“She already has done an amazing job with our adults only Sippin’ Safari event that was at the end of June, and our LAZS members’ picnic for families, as well as other upcoming events,” said Wulff.

Bramble Park Zoo is an important piece of Watertown’s visitor economy with more than 55,000 guests visiting the attraction annually.

“And those visitors don’t necessarily spend money only at the zoo,” said Visit Watertown’s director of marketing and business development Lindsay Stangl. “They also eat at local restaurants, shop, buy fuel, stay in hotels, and visit other attractions.”

That’s one of many reasons why it’s crucial to continue to improve its facilities, says Wulff.

“It’s important for zoos to provide their animals with the best possible environment within our means and control in their habitats,” she continued. “We do this by implementing not only physical exhibit updates, but giving them enrichment to stimulate their bodies and minds, a lot of times multiple times a day, as well as training programs to both enhance their cognitive abilities and increase the quality of their husbandry and vet care.”

Be a VIP

Sign up for multiple VIP experience opportunities, like meeting Linus the sloth and other behind-the-scenes at the zoo. Visit the website for these exclusive programs, and schedule yours today.

Bramble Park Zoo has a lot of projects in the works to update habitats, with the next being their outdated bear exhibit. They will not only be increasing the footprint of the space, but will be making the area more complex for the bears, adding some various substrates like dirt and grass so they can dig and demonstrate natural behaviors if they choose.

These carefully-curated exhibits help ensure the future of one of the state’s longest standing attractions.

“The zoo has been part of Watertown since 1912, so it’s both a visitor attraction and a piece of the community’s identity,” said Stangl.

FOR MORE INFORMATION, VISIT VISITWATERTOWNSD.COM OR BRAMBLEPARKZOO.COM+

The post A Howling New Habitat at the Bramble Park Zoo first appeared on 605 Magazine.

WHY IS THE CAUSE ESPECIALLY MEANINGFUL TO YOU?
Six years ago, I attempted to take my life several times. But my life didn’t end at 21 years old, and I am forever grateful for that. For many years, I was scared to tell anyone I was struggling, and I felt ashamed of my mental health struggles. However, this past year, I have learned to embrace my story and remind others they are not alone and it does get better.

HOW HAS THE COMMUNITY EMBRACED AND EMPOWERED YOU AND THE FUNDRAISER?
I have had several people reach out to thank me for sharing my story, and in return, they have opened up and shared pieces of their own stories with me. Those moments have reminded me how powerful it can be when we start talking about mental health and create a space where people feel safe, seen, valued, and understood.

HAVE YOU HAD ANY NEW REALIZATIONS SINCE BEING INVOLVED WITH THE PROJECT?
One of the biggest insights I’ve gained through being involved with The 437 Project is the importance of vulnerability. I used to believe I had to keep my struggles to myself, but sharing my story has shown me that being honest about my struggles can help others feel heard, supported, and not as isolated. I’ve also realized that small acts of kindness and simple conversations can have a much bigger impact than we often realize.

WHY IS PHYSICAL ACTIVITY SO IMPORTANT FOR MENTAL WELLNESS, AND HOW DOES THAT TIE INTO THE MISSION OF THE 437 PROJECT?
Physical activity is important because it supports both our physical and mental health. Physical activity does not cure or eliminate mental health struggles, but it can help lower stress, decrease anxiety and depression, boost confidence and resilience, and create opportunities for connection. For The 437 Project, physical activity is much more than running. Covering 437 miles across South Dakota isn’t about proving how strong the runners are; it’s about showing up for communities, creating space for conversations, spreading hope, and reminding others they are never alone. Every step, every mile, and every story is part of a bigger mission, and running creates a platform to share that mission.

WHAT ARE SOME WORDS OF WISDOM YOU WOULD LIKE TO SHARE?
If you’re walking through a dark season, please remember this: you will get through it. Healing is messy, it’s slow, and it’s rarely linear—but it’s possible. Check in on one another. You never know whose life you could impact, or even save. I’m glad you exist.

FOR MORE INFORMATION, VISIT THE437PROJECT.ORG+

The post 605 Profile // Megan Etrheim first appeared on 605 Magazine.

CHILDREN’S HOME SOCIETY ↑

“Their old facility had lots of bedsheets covering the windows,” described McMahan. “The residential wings are two stories and surround a large playground on three sides, providing lots of ‘eyes on the children’ like a village. The building sort of hugs the playground as an element of safety.”

The entry element is one of the architect’s personal design favorites. Children’s Home’s old facility had multiple entries, which created confusion for visitors, and especially those in panic situations seeking shelter. Koch Hazard Architects created a clear point of entry in their new facility marked by a 70 foot curving wall made of fieldstone with a river of white rocks flowing through it.

“Our hope was that it would provide some comfort being a natural and familiar material everyone has seen piled in field corners in the countryside, perhaps providing a distraction for traumatized kids entering the facility,” said McMahan. “It leads from the outside landscape to the entry walk and into the lobby, depositing people at the reception desk.”

The firm made several trips out to Walt Bones’s farm to pick through a big pile of fieldstone. McMahan helped organize them on the construction site, drew the river with a sharpie where the white stones should go, and collected donated rocks from friends as well.

“It was so fun to design and help execute,” she recalled.

SIOUX FALLS AREA DEVELOPMENT FOUNDATION ↑

GETTING TOGETHER

Early on at Koch Hazard Architects, McMahan was involved in creating design-related non-profits with Jeff Hazard. Among these were the South Dakota Architecture Foundation, Chartreuse: Bright Green Research, Sioux Falls Green Project, and the Sioux Falls Design Center.

Another was a series of conferences called Plain Green where the firm brought in speakers from the region, from California and other states, and even Zimbabwe to speak about environmental issues and design-related efforts going on in the world. Koch Hazard Architects hosted eight conferences, partnering closely with South Dakota State University.

Currently, Koch Hazard Architects is in the construction phase for the LifeScape Campus, which started in earnest with the non-profit in 2021. The late Jeff Hazard worked with them for more than 10 years prior doing facility assessments and helping them imagine a new campus facility.

With his death in 2019, McMahan inherited the project as they began concept work and has been working closely with the LifeScape team, who she calls “a dream.”

“This project has been challenging, but so rewarding,” she said. “LifeScape will provide medical, therapy, education, and residential services at this one specialty facility, and they have been essentially involved at every step.”

The building, McMahan says, is Koch Hazard Architect’s interpretation of the non-profit’s own design work, creating solutions for kids with disabilities.

A few of the stories to help illustrate their needs included a young boy who could climb brick walls with his fingers and toes, regularly getting holes in the walls from strong children with complex behaviors, staying away from long hallways so kids don’t run off, and avoiding fences around the playgrounds. Through many meetings and workshops, the firm was able to respond creatively to these constraints while working together with LifeScape.

A solution to the playgrounds was to use the building as fences, having several courtyards serving as playgrounds.

Koch Hazard Architects worked closely with HDR out of Omaha for planning and health design support, and for the design of the building shell as well.

“There is a section of the facility called the Therapy District where therapists teach kids to live in everyday physical environments,” said McMahan. “It has fun elements in it, like the front portion of a bus where kids practice getting on and off, and also the back end of a car where they practice opening the rear door and getting in the back seat.”

LIFESCAPE CAMPUS ↑

It also includes a porch structure with front door and doorbell, café seating, kitchen setup, and a market with a POS system and reach-in cooler, all to practice and improve life skills.

A few other non-profit honorable mentions are the Sioux Falls Area Development Foundation, the St. Francis House, The Banquet, and Feeding South Dakota.

Koch Hazard Architects designed the original Feeding South Dakota building, which McMahan says is in dire need of expansion to meet the growing need for food as the city grows. The team is starting the design for an expanded parking area, and next on the docket is a warehouse addition and an office rearrangement to better accommodate volunteers.

“The organization in Sioux Falls is the base for statewide food provision through mobile distribution centers for thousands of people,” said McMahan. “Our work will help them do their jobs better, benefitting so many in South Dakota. It’s rewarding work because we know their impact will be greater.”

The firm itself is in an exciting phase, filled with a talented and dedicated team. McMahan says she also is invigorated by their location in the Falls Center building at 431 North Phillips Avenue.

The area has completely evolved in the 30 years since the building was renovated in 1993 at the north end of Phillips Avenue where it ended at 5th Avenue.

“We’ve watched downtown slowly develop creeping (and leap-frogging) north right in front of our second story windows, and it’s continuing in a big way with the Smithfield site,” said McMahan. “I feel we are in the catbird seat now after a lot of years when we were the only building with activity on North Phillips.”

FOR MORE INFORMATION, VISIT KOCHHAZARD.COM+

The post A Passion for Non-Profits // Giving Back with Design first appeared on 605 Magazine.

After working all night, Cosand says White brought his wife out to show her life-size plans in real time. It didn’t take long for word to spread, and people from all over Lexington, KY gathered to check out the display.

“This reaction is what sparked Aaron to build the first Walk Thru Plans facility,” said Cosand. “I saw it on social media and also had that ‘ahha’ moment, instantly thinking of problems that would have been prevented on past jobs utilizing this business model.”

He put down a deposit to join over 35 Walk Thru Plans locations nationwide, and within a few days Cosand says he jumped in feet first to find land, design a building, and figure out next steps to launch a highly elevated new business “on the fly.”

The new license owner moved fast, discovering the franchise in July of 2025 and hosting his own Walk Thru Plans soft opening at 4006 North Hainje Avenue in February of 2026.

“The entire building is 11,000 square feet, with 3,250 square feet of floor projection and 1,260 square feet of wall projection,” described client experience coordinator April Kooiman. ”We can project any size project.”

Cosand says the Sioux Falls Walk Thru Plans is the only one that constructed a building around the business.

“Most standard lots in Sioux Falls allow for a home 70 feet wide after setbacks, so we designed our space around that width to accommodate a majority of home plans without panning,” said Cosand.

“Our main focus in this business is all about relationships. It’s the most fun when we get to partner with teams to problem solve and get creative.”
Kyle Cosand

WHO IS WALK THRU PLANS FOR?

Architects/Drafters
Helps communicate a design with all parties: contractors, designers, and/or owners.

Contractors
Used as a high quality sales tool. Provides clarity on the plans, architectural, structural, plumbing, electrical, etc. Can be used for pre-bid/same page meetings with bidders subs/suppliers. Can also be huge on the finishes side of construction.

Designers
Bring the vision to life. Identify constraints, layouts, patterns, and functionality.

Owners
Gain confidence in the decision making process. Also helps all other parties move forward with confidence knowing the owner is getting exactly what they are expecting.

Kooiman was brought on as a team member because of her background in design and construction and her love for human experiences. She also was equally excited to see the business in action, and to get clients into the building to witness all of the thought-out details.

“We talked a lot about the space before it was even built,” said Kooiman. “The high-tech boardroom, the high-end kitchen and the appliances that we partnered with Thermador … you will even notice the scent that we pump into the space. Nothing was an accident; it was all purposeful.”

The space also has a fully engineered audio system with a full mic set up, including both handheld and body packs.

The company specializes in walkthrough services, allowing clients like homeowners, builders, architects, developers, and commercial teams to review floorplans at a true 1:1 scale before construction, renovation, or final design approval.

“Blueprints on paper can’t capture real-life human movement or scale,” described Kooiman. “Being able to walk through the space allows people to focus on how they really live in it.”

“We both have been in construction and design for many years and believe that building a space should be a positive experience. We want to create that for our clients.”
April Kooiman

With just blueprints, Cosand and Kooiman say major errors can occur, from something as simple as incorrect door swings or something major like the flow of the home not being conducive to the client’s lifestyle.

“Room sizes also have a huge impact on the design of your new home,” said Cosand. “We have had numerous clients that have been able to scale back on the size of their new home, allowing them to save money and move forward with confidence.

On the other hand, Walk Thru Plans also has had numerous people realize they didn’t have enough space, and found it’s always cheaper and easier to change these items on the front end.

“After construction begins, any physical changes you make are going to cost you,” said Kooiman. “The average change-order on a residential build is $4,000- $5,000.”

Saving money aside, Cosand sees the value in the client making informed decisions, which will ultimately result in a happier client and better client/ designer/contractor/subcontractor experience for all during the build.

HOW WALK THRU PLANS WORKS

1. Schedule the appointment.
2. Send plans via PDF.
3. Do your walkthrough.
4. Make adjustments.
5. Verify (book another session to confirm changes).

Whether you’re building a custom home, planning a remodel, reviewing a commercial space, or presenting a design to a client, a walkthrough helps see the layout, feel the flow, and make better decisions before changes become expensive.

Residential customers have come in with house plans of all types. Walk Thru Plans has worked with an 11,000 square foot new-home build down to a bathroom remodel in a 1920’s McKennan Park home.

Cosand has found it helpful in his own construction business, utilizing it along other high caliber contractors who have started integrating Walk Thru Plans into their process.

“This space has paid dividends for use with Cosand Construction,” said Cosand. “Specifically, it has been helpful in everything from sales to constructability. During design phases we’re correcting problems before they happen, such as identifying drain locations, flooring pattern/layout changes, lighting locations, window locations, exterior appearances, and many more.”

Because of the venue’s capabilities and layout (including a bar), Walk Thru Plans also hosts events. The space can hold up to 315 people and has hosted everything from a Kentucky Derby watch party to a birthday party for 5-year-old twins.

Kooiman says it’s also been very successful for fundraisers, like a recent event for Sioux Falls Zoo & Aquarium where they showcased aquarium plans on the floor and projected a shark tank on the wall.

“For a project of that size, donors are very interested when they can see trueto-life designs,” she said.

A handful of national accounts are working with Walk Thru Plans to utilize the space for local new builds and remodels.

“When nonprofits are trying to raise money for a cause, it’s always important to tell a story.”
April Kooiman of hosting fundraisers at the venue

“With all the redevelopment happening in downtown Sioux Falls, we’re having those stakeholders doing Walk Thru sessions on where downtown has been and where it is going,” said Cosand. “It’s been great to be involved in that collaboration.”

One of the best parts of collaborating with clients? Seeing the emotions behind each project.

“Many people ask if they can video their session because they’re so excited,” said Cosand. “It’s my favorite part.”

FOR MORE INFORMATION, VISIT WALKTHRUPLANS.COM/SIOUX-FALLS+

The post 605 Stops By // Walk Thru Plans first appeared on 605 Magazine.

“We meet with potential clients that have a dream/vision in mind and see it through to the end,” explained Tom. “Raeco has taken many projects from a napkin drawing to reality. We listen to their needs and wants, ask questions to determine what they’re going to use the building for, future growth plans, etc.”

A project highlight was Ideal Tent & Event Rentals located in Tea. The company specializes in large tent rentals along with other party details, and also provides custom event planning and design services.

Ideal’s owner, Blake Dede, felt they outgrew their space in 2019 and chose Raeco Builders to partner on the project for a new “home.” Dede knew he wanted a metal building to support the interior structure, but didn’t want a conventional look that could come with a metal building.

STREAM IT

Get to know the team as they have fun while educating listeners on the industry with the Structural Snackdown podcast.

“Our goal was to create a coastal/Cape Cod aesthetic, and marry that with custom exterior lighting that would make us stand out to the passing interstate and in-town traffic,” said Dede. “We also knew we would need to meet the neighborhood covenants, and achieve all of this with the skeleton of a metal building.”

Raeco did just that and also got creative with the interior, featuring a custom warehouse, showroom, and design room.

“WE GET TO KNOW THE PROJECT INSIDE AND OUT.”
TOM JURGENS

Another project that stands out is Trussbilt in Huron.

“It was a unique build involving the placement of overhead cranes, as well as navigating land constraints to meet their expansion needs,” recalled Tom.

Raeco Builders just finished a build in Beresford for Sioux Corporation. This was a unique project because the company was able to tie into their existing building, aiming to not disrupt their day-to-day operations.

“I’m truly a fan of everything we have built,” said Tom. “No two projects have ever been the same; there is always a component of the project that makes it special. This is what drives my passion for delivering on our commitment to our customers.”

“OUR BIGGEST GOAL IS TO CONTINUE TO BUILD ON OUR REPUTATION AND DELIVER FOR OUR CLIENTS.”
TOM JURGENS

Currently, they’re working on a project in Brandon, making steady progress on a preengineered commercial build (pictured). As it’s an investment property, Raeco Builders has the ability to work closely on colors, layouts, and the overall design.

“The Brandon project is a fun one for us,” said Tom. “The customer is both a friend and a company in the industry we have worked with for years.”

While the team enjoys being creative with their designs, they also make sure to be realistic with the needs of customers and their budgets.

“For most customers/businesses, this building is a major part of their livelihood,” said Tom. “We are transparent and upfront with them on the costs and budgets to give them a realistic overview of the project. It’s not in our philosophy to price it low to get the job, only to charge them more once we are under contract.”

On top of their projects, what excites the president and founder of Raeco Builders is the team itself.

“We have a team that lives our values and is committed to delivering for our customers and our company,” he said. “It’s just so fun to witness and be a part of.”

FOR MORE INFORMATION, VISIT RAECOBUILDERS.COM+

The post From Concept to Completion // Raeco Builders first appeared on 605 Magazine.

Carrels has a long relationship with rivers and environmental issues. His earliest environmental writing and reporting dates to the 1980s, and was published by High Country News, a magazine focused on the environment. He covered contentious, expansive topics such as oil drilling, mining, endangered species, water development, river management, hazardous wastes, and farming practices.

Before becoming a journalist, Carrels devoted his time to direct-action conservation, with much of his work centered on the James and Missouri rivers. He has worked closely with and for the nation’s leading environmental organizations.

“Rivers are seldom harmed by accident and never healed by magic. Citizens are learning that the condition of a river can be determined by choices, and those choices are based on social priorities and ideals.”
PETER CARRELS IN CASCADES OF THE BIG SIOUX RIVER

“I began writing articles because I was dissatisfied with news coverage regarding environmental issues,” explained the Aberdeen native. “I balanced work as both a writer and an activist through much of my career.”

Cascades of the Big Sioux River traces the natural and cultural history of The Falls, and spotlights key local activists, including Hazel O’Connor, an early environmentalist who was distressed about the degradation of the river and Falls. She advocated for a cleaner river and a park at The Falls, and built a coalition of river supporters to make that happen.

“Hazel and a handful of others were part of the rising environmental movement,” explained Carrels. “What that important movement accomplished in Sioux Falls and elsewhere deserves a revered place in the histories of our city, our state, and our nation.”

Carrels describes himself as a beneficiary of the back-to-nature movement of the early 1970s. He and his college friends discovered the joy and value of connecting with nature, undertaking long backpacking treks in remote wilderness areas across the West. He later found other outlets for his desire to experience the natural world.

“We can commune with nature wherever we can find it—state parks, city parks, an arboretum, a neighborhood, a backyard, a river like the Big Sioux,” said Carrels.

DID YOU KNOW?

There used to be a large, wooded island in the Big Sioux River near The Falls, described as “paradise,” before change to industrialization removed the island.

After moving to Sioux Falls with his wife in 2015, Carrels contributed to local conservation efforts as a board member of the group, Friends of the Big Sioux River (FBSR). One aspect of that volunteer work involved launching, producing, and writing the organization’s newsletter called The Otter. Exposure to issues, experts, and information while writing the newsletter led Carrels to write Cascades of the Big Sioux River, his third solo book.

According to FBSR executive director Travis Entenman, “[Carrels] brought experience and consciousness to the organization that helped sharpen our focus.”

Entenman, who has been affiliated with FBSR for over nine years, says sustainability of natural resources must be a communal effort, and nothing happens in a vacuum.

“Despite the important and positive work Friends of the Big Sioux River contributes, I think our community undervalues the organization,” declared Carrels. “No nongovernmental group of individuals in Sioux Falls or the watershed region is as poised and equipped to advise development and management strategies about what is the most important natural feature of our city and region—The Falls and the Big Sioux—as is Friends of the Big Sioux River.”

Through water quality testing, providing education, river restoration, and advocacy, FBSR is able to leave a long-lasting impact on the broader watershed area. Under Entenman’s steady hand, the organization has added important staff, increased community service, and monitored river health.

“While each organization might focus on different concerns, if one wins, we all win because our natural resources are all interconnected.”
TRAVIS ENTENMAN

The executive director and his team work with the State of South Dakota’s Department of Agriculture and Natural Resources by collecting water samples looking at pollutant levels of E.coli, nitrates, and total suspended solids. By following the state’s guidelines, the data is used for trend analysis, letting the public know what is in the water.

The organization also works with the Sioux Falls school district and college students to educate them about the health of the ecosystem, bringing more awareness and resources to the classroom and beyond with field trips to local bodies of water.

“We believe the only way we can help improve our river is by working to establish sound policies and initiatives that directly impact water quality,” added Entenman. “We work with local, state, and federal lawmakers and agencies to promote sound, on-the-ground practices, and to bring more awareness and resources to our area.”

Entenman’s hope is to have a river everyone can be proud of, where families and friends can keep on recreating along the water safely.

“It’s our backyard, and I hope folks start to appreciate it as such,” said Entenman.

“The Big Sioux River is a great catalyst for us to meet.”
BRANDON HANSON

As a grassroots organization, Entenman says FBSR wouldn’t exist without the community’s support, endlessly inspiring them to continue their mission to “protect and restore the Big Sioux River and its watershed, improve the water quality, and educate our community to build a conservation ethic.”

Riverfest, the annual Downtown Sioux Falls (DTSF) event, is a chance for not only FBSR, but the public to actively engage and celebrate the Big Sioux River.

Downtown Riverfest has been around for nearly a decade, and through collaboration with organizations like FBSR and the expansion of the Cherapa Place campus, the event has added a fresh focus on sustainability and river stewardship, along with live music, plenty of food, local retail vendors, and fun activities for the whole family.

“We have many events throughout the year, but Riverfest is the one that brings people together around one of downtown’s greatest features—the Big Sioux River,” said DTSF CEO Brandon Hanson. “We’re lucky to live in such a vibrant and beautiful downtown with the river as a centerpiece.”

Hanson says the event creates an opportunity for folks to gather downtown and enjoy both the vibrant community and the beauty of the natural resources, a beloved feature of the city. This also includes the River Greenway, the natural landscaping, and in-full-bloom flowers cared for by both the Sioux Falls Parks Department and the DTSF Ambassadors.

This year, the Amphitheater will be strategically designed and with a new shaded structure.

SAVE THE DATE
Downtown Sioux Falls Riverfest
September 19 // 3-8pm

Enjoy kayaking, craft beer, arts, crafts, games, education, and a dog fashion show at Cherapa Place in downtown Sioux Falls.

“With the refocus on the river and highlighting the good that comes from it, Riverfest offers us a chance to celebrate the river when it is often overlooked,” added Entenman. “It’s a day where everyone’s best friends with the Big Sioux.”

Entenman says nothing changes if you don’t show up, get outside, and actively participate in the positive impact individuals and organizations are making for the next generation, whether that’s writing a book to document history and educate readers, putting on an event to celebrate the river, or restoring and ensuring the health of the wider watershed.

“Nature usually has the final say,” said Carrels. “It is so much bigger and more lasting than human influences on our world. Our culture’s appreciation for environmental values is in its infancy.”

FOR MORE INFORMATION, VISIT FRIENDSOFTHEBIGSIOUXRIVER.ORG AND DTSF.COM+

The post Coming Together // Cascades of the Big Sioux River first appeared on 605 Magazine.

EVA slides are known for their casual, waterproof design, but the entrepreneur wanted to know more. Ulven says he became obsessed with how they were made and what the difference was between off-brand and name brands.

Cosmetically there was very little difference, and the material felt the same. Ulven says he didn’t understand why consumers were willing to shell out cash for certain brands, but others grabbed the cheap Joe Schmo version.

“I understand how a brand can influence price, however, my simple brain couldn’t understand a five-six times price increase for two products that looked and felt so similar,” he explained. “I thought there had to be some sort of internal component (other than brand) I wasn’t seeing.” Ulven cut open both pairs with a box cutter to see if there was some sort of unseen structural component to justify that kind of a price difference. There wasn’t.

“The price premium was simply related to the brand,” he recalled. “I was shocked.”

He wondered why all of the products were molded to look like they had a separate upper, midsole, and sole, and why they weren’t built where there was actual separation between them. Ulven started calling around to different manufacturers to ask if that idea and concept was possible.

The answer in the United States was “no.”

“There are only two EVA footwear manufacturers in the U.S.—one in Georgia and one in Idaho,” he said. “After they both told me it wasn’t possible, I started looking overseas.”

Overseas manufacturers also told him it wasn’t possible. Ulven says hearing “no” over and over again only made him feel more invigorated to find a solution. After more research, he reached out to engineer Ryan Schuette of Definitive 3D & Engineering to describe his thought process and to see how credible his concept was, if credible at all.

With Computer Aided Design (CAD) software, Schuette was able to provide Ulven with specific manufacturing specifications and CAD files for the three-part design.

“All of the companies I had spoken to thus far only used one way to manufacture EVA, and now all I needed to find was a footwear manufacturer who could execute this new version,” said Ulven. “After many more calls, I found one in China.”

When his current manufacturer told him his engineered design was manufacturable, Ulven says he knew it was only a matter of time before he would figure out how to make everything else happen.

Step one: protect his idea. The new business owner contacted Kaufhold & Dix Patent Law and filed a 20-year utility patent on the three-piece construction.

Step two: hone in on details of the design, which were comfort and color.

“The construction of the product is undoubtedly unique, however, it’s what the construction offers that makes our products stand out in the footwear space,” described Ulven. “Not only does it allow for color blocking (three separate colors between the upper, midsole, and sole in all EVA), but it also allows for us to use different densities between the parts.”

This includes having a softer midsole (which increases comfort) and a denser outsole (which handles the ground). On the underside of the midsole placed above the heel is an increased amount of softer EVA that Ulven says is extended down through the sandal and sits flush with the sole called the Comfort Dome, which is another part of the patent.

The three-piece process allowed for a variety of colors on each layer of the slides. Ulven says he spent endless hours choosing each custom color without existing pantones.

“I wasn’t aware of how much goes into color selection,” said Ulven. “Everything must be right— the temperature, the hue, the saturation, the gradient, the color relationships … not to mention what colors are the most marketable based upon seasonality.”

Step three: branding, branding, branding. The slogan—Built Different—stemmed from the literal unique design process and from the ideal consumer. Each sandal was created with the vision that they would be part of each customer’s individuality.

“To me, people who are built differently are those who acknowledge what makes them unique, work toward accepting their uniqueness, evolve into the person they are meant to be, and they embrace that journey,” said Ulven. “That’s built different.”

The name—Banks & Duck—was a little more personal. When looking at other successful brands, Ulven says it all kept coming back to authenticity. What was authentic to him were the slang terms “buck” and “dank,” which he used a lot growing up.

“My friends and I still use those words to this day, and my kids even use them. Dank is always good, and buck explains a level of intensity,” said Ulven. “Long story short, I switched the ‘d’ from dank and the ‘b’ from buck around, and that’s where Banks & Duck was born.”

“Banks & Duck products should be worn whenever/ wherever people want to be dank and get buck.”
CODY ULVEN

The founder acquired private investors and secured a distribution deal with Scheels, which will premiere his first collection the DayONE slides in late summer or early fall.

Products will also be available online at his website, which will launch soon.

“It’s difficult to put into words what launch day will feel like,” he said. “However, when I step back and look at the full picture, I took an idea for a product and designed it, engineered it, patented it, raised private equity for it, built a brand around it, established international manufacturing, and sold it to a national retail chain. That’s buck.”

FOR MORE INFORMATION, VISIT BANKSANDDUCK.COM+

The post Built Different. // Banks & Duck first appeared on 605 Magazine.

The non-partisan, nonprofit service organization has been here to ensure the people and organizations creating and supporting art across the state have the advocacy, connections, and resources they need to thrive.

“We’ve grown from an idea into an organization with real reach,” said executive director Jim Speirs.

They’ve built professional development programs like the Arts Leadership Institute and the Augustana Music Academy, launched grant programs including the Artist Emergency Relief Fund, and have become a trusted partner to the South Dakota Arts Council, the tourism industry, and the education community.

ARTS SOUTH DAKOTA’S MISSION

Advocate:
Inform legislators, executive branch officials, and South Dakota congressional delegation on arts issues.

Educate:
Arts South Dakota believes all children in the state should have the opportunity to experience and participate in art.

Connect:
Initiate, coordinate, and sponsor programs statewide.

Along the way Speirs says they’ve deepened their advocacy work at the legislature, have grown their State Arts Conference, and have built a statewide network of thousands of artists, arts organizations, and supporters “who help carry this work forward” with the nonprofit.

The small, but dedicated staff of four is celebrating 10 years of success by continuing what they do best every month, including sending out their weekly newsletter, posting over 2,000 arts events on their online calendar, hosting webinars and community arts council cohort meetings, and more.

During this milestone year, they have honored where Arts South Dakota has been and where they’re headed.

The 2026 State Arts Conference in downtown Rapid City this past April was a big part of that celebration.

Held April 24-25 with around 150 attendees, Arts in Healing SD explored how the arts support wellness and health across the state. The keynote speaker was Christopher Bailey, who is the co-director of the Jameel Arts and Health Lab and formerly with the WHO Arts and Health program in Geneva, Switzerland. Ariadne Albright was also featured, who is the creative aging SD coordinator for the South Dakota Arts Council, and whose work spans healthcare, academic, community, and correctional settings.

Friday’s preconference through Arts South Dakota’s Arts Leadership Institute offered an intensive look at arts in healing, and Saturday’s full conference brought together artists, administrators, policymakers, and arts lovers for keynotes, workshops, and conversation.

“Before 2016, our state’s arts community didn’t have one organization pulling people together to advocate, connect, and educate at a statewide level—we set out to fill that gap and give the arts sector a unified voice with policymakers and the public alike.”
JIM SPEIRS

“It was a fantastic gathering—the kind of conference where new partnerships form and our statewide creative community walks away feeling more connected,” said Speirs. “Falling in our 10th anniversary year gave it extra meaning as we celebrated a decade of this work together.”

The State Arts Conference is biennial, with the next one taking place in 2028 on the east side of the state. This event and other Arts South Dakota offerings are decided on and planned by the staff and board of 15 members, which represent 11 communities.

They most recently hosted what they like to call “arts summer camps for grownups.” The Augustana Music Academy ran July 6-9 on the Augustana University campus in Sioux Falls and gave K-12 music educators hands-on professional development.

“This year included a brand-new session on electronic music production led by DJ Enferno, who’s performed for millions of people around the world and toured with Madonna,” said Speirs.

On July 13-16, they hosted the 27th Annual Arts Education Institute in Aberdeen, offering 18 different workshops for teachers and administrators (though being an educator to attend wasn’t required).

FUN FACTS

8,960 team and board miles traveled to and from Pierre each year for arts advocacy.

2,600 opportunities and jobs posted, including jobs, grant opportunities, and calls for more art.

110,000 website page views annually.

30 hours of Zoom webinars and community arts council cohort meetings per year.

35% native citizens and 65% rural citizens receiving the Artist Emergency Relief Fund.

Next up is the Governor’s Awards in the Arts February 17, 2027 in Fort Pierre, which is a lifetime achievement award for South Dakota creatives, artists, supporters, and organizations that truly make the arts happen in communities. Ninety-eight awards have been given out, with five being awarded in 2025.

Throughout the anniversary year they’re also sharing success stories from the first decade, thanking the artists and communities who have been part of the journey, and introducing new opportunities that set the stage for the next 10 years.

“I’m proud of the network we’ve built—the fact that a teacher in Aberdeen, an artist in Rapid City, and a nonprofit board member in Sioux Falls can all point to something Arts South Dakota gave them, whether that’s direct support, a workshop, or just the sense that someone statewide is advocating on their behalf,” said Speirs.

For those who have yet to get involved with and take advantage of Arts South Dakota, Speirs says the easiest first step is to visit the website and sign up for the weekly newsletter, which shares events, grant opportunities, job postings, and arts advocacy alerts happening around the state.

“Stay in tune with arts issues and when we need grassroots arts advocacy,” said Speirs. “From there, people can look into our programs directly—attend an Arts Happy Hour near them, register for the State Arts Conference, nominate someone for a Governor’s Awards in the Arts, and attend Arts Advocacy Day in Pierre.”

“Together, our team works to advance Arts
South Dakota’s commitment to fostering a
vibrant, accessible arts community statewide.”
JIM SPEIRS

Organizations can join as members and individuals can become donors, both of which help the nonprofit form a unified voice for the arts.

Looking into the organization’s future, Speirs says there’s more work to do.

“I’d like to keep growing sustainable, dedicated public funding for the arts in South Dakota, and to make sure every corner of the state—not just our bigger cities—has real access to arts programming and support,” said Speirs.

For now the nonprofit says they’re thankful for the artists, teachers, donors, board members, and communities who made their first decade possible.

Speirs said, “This work only happens because people across South Dakota believe the arts matter, and I’m grateful to get to do it alongside them.”

FOR MORE INFORMATION, VISIT ARTSSOUTHDAKOTA.ORG+

The post Celebrating 10 Years // Arts South Dakota first appeared on 605 Magazine.