Mark Morton joins Jason to discuss his decades-long project creating practical Urtext editions of Giovanni Bottesini’s music.
Drawing on 3,656 photographs of manuscripts from the Biblioteca Palatina in Parma, Mark has completed editions of 11 works so far, with the goal of eventually covering all 84 of Bottesini’s compositions. He explains how he compares multiple surviving versions, preserves the composer’s choices, and avoids imposing editorial preferences—including in familiar pieces such as Elegy No. 1.
The conversation explores the advantages of writing the bass part in the sounding octave, or suono reale, as well as Bottesini’s minor-third solo tuning and its effects on projection, orchestral balance, and tone. Mark also shares the story behind his research in Parma, the practical decisions involved in preparing piano accompaniments, his recording Bottesini’s Greatest Hits, and the possibility of future editions with suggested fingerings and bowings.
Enjoy, and learn more about Mark Morton on his website and YouTube channel!
Thank you to our sponsor, Wiedoeft Double Bass Rosin
We want grip and longevity from rosin. Most fail at one of them. We get a lot of rosin sent our way to evaluate on the job. Wiedoeft is the one we keep using, from symphony stages to theatre pits.
All Season — Balanced grip across normal swings in temperature and humidity.
Ultra-Grip — A softer blend built for cold halls and dry climates. Use code DBHQ for free shipping, direct from Wiedoeft.
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Gear used to record this podcast
- Zoom H6 studio 8-Track 32-Bit Float Handy Recorder
- Rode Podmic
- Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera
- Sony FE 16-35mm F2.8 GM Lens
- Sony FE 24-70mm F2.8 GM Lens
When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ.
Theme music by Eric Hochberg
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Cole Davis is an bassist, composer, educator, and the creator behind Better Bass Lessons, where he brings a playful, practical approach to jazz bass education. In this episode, Cole and Jason Heath trade lessons across the classical/jazz divide, building on their previous New Simandl collaboration and digging into Cole’s ideas around walking lines, open strings, and groove.
Jason then turns the tables with a bow lesson for Cole, covering fresh rosin, French bow hold, using the whole bow, vibrato as its own hand position, “uni-finger” concepts, and finding a thicker arco sound through bow weight, contact point, gravity, and relaxation.
Enjoy, and follow Cole at Cole Davis, Better Bass Lessons, Instagram, and check out his Simandl quiz and his Double Bass HQ collection.
Thank you to our sponsor!
We want grip and longevity from rosin. Most fail at one of them. We get a lot of rosin sent our way to evaluate on the job. Wiedoeft is the one we keep using, from symphony stages to theatre pits.
All Season – Balanced grip across normal swings in temperature and humidity.
Ultra-Grip – A softer blend built for cold halls and dry climates. Use code DBHQ for free shipping, direct from Wiedoeft.
Connect with DBHQ
Gear used to record this podcast
- Zoom H6 studio 8-Track 32-Bit Float Handy Recorder
- Rode Podmic
- Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera
- Sony FE 16-35mm F2.8 GM Lens
- Sony FE 24-70mm F2.8 GM Lens
When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ.
Theme music by Eric Hochberg
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New York City jazz bassist Neal Miner joins the podcast to talk about his new book of original bass-feature compositions, an 11-song collection designed for students and professionals to use in ensemble settings.
Neal shares how longtime collaborator Chris Byars encouraged the project, how the book grew into play-alongs and a My Music Masterclass, and how his work as a bassist, teacher, composer, and documentary filmmaker all connect through a patient “chip away” creative process.
We dig into Neal’s love of bass melodies, contrafacts, gut strings, his longtime Juzek bass, Golden Spiral strings, DPA mic setup, recording acoustic bass, and the realities of playing unfamiliar instruments on the road. Neal also talks about his YouTube documentaries, his trio album Invisibility on Cellar Music, and life as an active New York jazz musician.
Enjoy, and learn more at Neal’s website, follow him on Instagram, and check out his work on YouTube! Be sure also to check out Neal’s excellent appearance on Discover Double Bass.
Thank you to our sponsor!
Carnegie Mellon University Double Bass Studio – CMU is dedicated to helping each student achieve their goals as a musician. Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city’s ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah’s website and to sign up for a free online trial lesson.
Connect with DBHQ
Gear used to record this podcast
- Zoom H6 studio 8-Track 32-Bit Float Handy Recorder
- Rode Podmic
- Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera
- Sony FE 16-35mm F2.8 GM Lens
- Sony FE 24-70mm F2.8 GM Lens
When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ.
Theme music by Eric Hochberg
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Kathryn Schulmeister joins the podcast to talk about Imagining Hands, her debut solo album on Protomaterial Records. A bassist, improviser, composer, and University of Wisconsin faculty member, Kathryn brings together contemporary music, storytelling, extended technique, and deeply personal experience in a project shaped by her time at UC San Diego, her work with Mark Dresser, and the narrative world of Clarissa Pinkola Estés’ Women Who Run With the Wolves.
We dig into the album’s connection to The Handless Maiden, the thread-and-tabletop bass techniques behind “Underground Forest,” the prepared-bass sounds of “Harrowing,” the role of injury and recovery in “Silver Hands,” and how contemporary music can expand what bassists imagine is possible on the instrument. Kathryn also reflects on growing up in Hawaii, discovering contemporary improvisation at New England Conservatory, studying at McGill and UCSD, working with ELISION Ensemble in Australia, and why classical, experimental, and improvisational practices can strengthen each other.
Enjoy, and follow Kathryn on her website and Instagram, and listen to Imagining Hands on Bandcamp, Spotify, and Apple Music!
Thank you to our sponsor!
Carnegie Mellon University Double Bass Studio – CMU is dedicated to helping each student achieve their goals as a musician. Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city’s ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah’s website and to sign up for a free online trial lesson.
Connect with DBHQ
Gear used to record this podcast
- Zoom H6 studio 8-Track 32-Bit Float Handy Recorder
- Rode Podmic
- Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera
- Sony FE 16-35mm F2.8 GM Lens
- Sony FE 24-70mm F2.8 GM Lens
When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ.
Theme music by Eric Hochberg
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SoJung Kim joins the podcast to share her journey from discovering the double bass in Korea to joining the San Francisco Ballet Orchestra. A graduate student at the Colburn Conservatory studying with Peter Lloyd, SoJung has performed with the One Korea Youth Orchestra and Orchestra Ensemble Seoul, spent summers at the Pacific Music Festival and Music Academy of the West, and first came to the instrument after hearing the deep resonance of a bass ensemble at her cousin’s concert.
We talk about SoJung’s move from solo repertoire into the world of orchestral excerpts, the wake-up call of studying alongside highly prepared Colburn colleagues, and the practice routines that helped her prepare for a massive San Francisco Opera and Ballet audition list. She shares why long tones and glissando work became central to her warm-up, how recording lessons and asking for feedback shaped her preparation, and what she has learned from playing Nutcracker and other ballet repertoire night after night. Enjoy, and check out the video version of this podcast here.
Thank you to our sponsor!
Carnegie Mellon University Double Bass Studio – CMU is dedicated to helping each student achieve their goals as a musician. Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city’s ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah’s website and to sign up for a free online trial lesson.
Connect with DBHQ
Gear used to record this podcast
- Zoom H6 studio 8-Track 32-Bit Float Handy Recorder
- Rode Podmic
- Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera
- Sony FE 16-35mm F2.8 GM Lens
- Sony FE 24-70mm F2.8 GM Lens
When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ.
Theme music by Eric Hochberg
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?Orion Miller? joins the podcast to talk about his path from growing up in New York City to joining the ?San Francisco Symphony? bass section. Orion studied at the ?Shepherd School of Music at Rice University? with Tim Pitts and spent formative summers at places like ?Tanglewood?, ?Music Academy of the West?, and ?Aspen Music Festival?.
We dig into Orion’s audition journey, including getting cut from the San Francisco Symphony preliminaries, rethinking how he prepared, and eventually winning the job after a trial week.
Orion shares the practice system that changed everything for him, from 25% tempo work and Galamian-style rhythms to mock auditions, detailed listening, score study, and learning to trust the process. We also talk about focus, phone distraction, sustainable preparation, life in the SFS bass section, and his advice to young bassists.
Listen, watch, and read this conversation in ?full audio and HD video on Double Bass HQ?.
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Dominik Wagner returns to the podcast for a wide-ranging conversation recorded during his visit to San Francisco for the 2026 Golden Gate Bass Camp. A prizewinner for many major solo competitions, Dominik has built an extraordinary career as a soloist, chamber musician, recording artist, and pedagogue, with albums including Giovanni Bottesini – Revolution of Bass, Chapters – A Double Bass Story, and Double Bass Rhapsody. He currently teaches at the University of Music and Performing Arts Vienna, and his work continues to expand what is possible on the double bass.
We dig into Dominik’s daily “musical hygiene,” his thoughts on posture, motion, sound, vibrato, setup, great instruments and bows, and how teaching keeps pushing his own playing forward. Dominik also shares what he looks for in students, how he thinks about auditions and the German-speaking orchestral world, why competitions should reward compelling soloists and creative programming, and how the bass community can keep evolving while honoring tradition. Follow Dominik on Instagram, YouTube, and his website, and experience this conversation in full audio and HD video on Double Bass HQ.
Thank you to our sponsor!
Carnegie Mellon University Double Bass Studio – CMU is dedicated to helping each student achieve their goals as a musician. Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city’s ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah’s website and to sign up for a free online trial lesson.
Connect with DBHQ
Gear used to record this podcast
- Zoom H6 studio 8-Track 32-Bit Float Handy Recorder
- Rode Podmic
- Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera
- Sony FE 16-35mm F2.8 GM Lens
- Sony FE 24-70mm F2.8 GM Lens
When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ.
Theme music by Eric Hochberg
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Don Prell passed away in 2026 at age 97. Born in 1929, Don went on the road with the Frank Ortega Band, played with people like Buddy Rich and Chet Baker, and was in the original Bud Shank Quartet.
He played for the San Francisco Symphony for 30 years and, after retirement, formed his own group called the Sea Bop Ensemble, which played at various San Francisco spots, including the legendary Bay View Boat Club.
Thank you to our sponsor!
Carnegie Mellon University Double Bass Studio – CMU is dedicated to helping each student achieve their goals as a musician. Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city’s ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah’s website and to sign up for a free online trial lesson.
Connect with DBHQ
Gear used to record this podcast
- Zoom H6 studio 8-Track 32-Bit Float Handy Recorder
- Rode Podmic
- Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera
- Sony FE 16-35mm F2.8 GM Lens
- Sony FE 24-70mm F2.8 GM Lens
When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ.
Theme music by Eric Hochberg
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Noa Eve (NoaBass) joins the podcast to celebrate the long-awaited release of Late Bloomer, a debut album that blends virtuosic arco playing with the rhythmic grit of bluegrass, old-time, and acoustic music-making. We talk about the “10 years in the making” arc from Jason first hearing Noa play in the Bay Area to recording the album over three intense days in Portland, plus what it takes to bring a bass-forward project to life with a full band.
Along the way, Noa shares how touring and real-world gig reps shaped their groove, arranging instincts, and confidence, plus why Edgar tuning and a lighter, more agile sound concept can unlock an entirely different palette on the instrument.
We also dig into influences ranging from Edgar Meyer to video game music, how to chase what you’re obsessed with (even when it’s not the “linear” path), and why making music that reaches beyond “sweaty bass nerds” can be both the hardest and most rewarding goal. Follow Noa on Instagram, find everything at Linktree, and stream Late Bloomer on your platform of choice. Noa would also like to give a big shout out to Lauren Pierce for her support over the years!
Thank you to our sponsor!
Carnegie Mellon University Double Bass Studio – CMU is dedicated to helping each student achieve their goals as a musician. Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city’s ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah’s website and to sign up for a free online trial lesson.
Connect with DBHQ
Gear used to record this podcast
- Zoom H6 studio 8-Track 32-Bit Float Handy Recorder
- Rode Podmic
- Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera
- Sony FE 16-35mm F2.8 GM Lens
- Sony FE 24-70mm F2.8 GM Lens
When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ.
Theme music by Eric Hochberg
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Hal Robinson joins the podcast for a wide-ranging conversation on bass pedagogy, sound, and the practical fundamentals that actually move the needle. Hal reflects on his path from early studies with Paul Ellison to a career that spans major orchestras, and shares how working alongside influential musicians like François Rabbath and Edgar Meyer helped shape a flexible, student-first teaching philosophy.
We also dig deep into Hal’s latest book Hitch-hikin’, which is a new look at the concepts Hal explored in his book Boardwalkin’ We dig into pivot health, low thumb position (“thumbage”), shifting under slurs, and why “covering notes” can create more problems than it solves.
Enjoy, and check out my looks inside The Quad, Strokin’, and Boardwalkin’, plus our earlier episode on Wabass. You can learn more about Hal on his profile pages and Curtis, Juilliard, and the McDuffie Center for Strings.
Thank you to our sponsor!
Carnegie Mellon University Double Bass Studio – CMU is dedicated to helping each student achieve their goals as a musician. Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city’s ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah’s website and to sign up for a free online trial lesson.
Connect with DBHQ
Gear used to record this podcast
- Zoom H6 studio 8-Track 32-Bit Float Handy Recorder
- Rode Podmic
- Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera
- Sony FE 16-35mm F2.8 GM Lens
- Sony FE 24-70mm F2.8 GM Lens
When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ.
Theme music by Eric Hochberg
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Bassist, composer, and educator Mary Ann McSweeney joins Jason to talk about a career that spans Bay Area roots, L.A. training, and the demanding, ever-shifting world of Broadway and studio work. Mary Ann shares how piano and violin shaped her musicianship, what it took to become a stronger reader, and much more
Enjoy, give Mary Ann a follow on Instagram, and check out this feature of her on YouTube: WPL’s Jazz Series: Meet Mary Ann McSweeney.
Thank you to our sponsor!
Carnegie Mellon University Double Bass Studio – CMU is dedicated to helping each student achieve their goals as a musician. Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city’s ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah’s website and to sign up for a free online trial lesson.
Connect with DBHQ
Gear used to record this podcast
- Zoom H6 studio 8-Track 32-Bit Float Handy Recorder
- Rode Podmic
- Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera
- Sony FE 16-35mm F2.8 GM Lens
- Sony FE 24-70mm F2.8 GM Lens
When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ.
Theme music by Eric Hochberg
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Caleb Quillen returns to the podcast to talk about the path that took him from growing up in Sugar Land, Texas, to principal bass of the Boston Symphony Orchestra. Along the way, he reflects on formative teachers, including Dennis Whittaker and Paul Ellison, the influence of the Boston bass tradition, and much more.
Check out our text/media version of this conversation and our interview with Caleb from 2016 here, and learn more about Caleb on his Boston Symphony and New England Conservatory pages.
Thank you to our sponsor!
Carnegie Mellon University Double Bass Studio – CMU is dedicated to helping each student achieve their goals as a musician. Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city’s ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah’s website and to sign up for a free online trial lesson.
Connect with DBHQ
Gear used to record this podcast
- Zoom H6 studio 8-Track 32-Bit Float Handy Recorder
- Rode Podmic
- Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera
- Sony FE 16-35mm F2.8 GM Lens
- Sony FE 24-70mm F2.8 GM Lens
When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ.
Theme music by Eric Hochberg
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Bassist, improviser, and genre-crosser Georgia Wartel Collins joins us today to talk about the winding path that led her to New York, via Gothenburg, Trondheim, and Amsterdam, and how a deeply musical family shaped everything from early street performances to a life that’s always moved freely between styles. Georgia also shares how rock and grunge became real creative fuel alongside a love of melody, and why the upright bass, alive and changing every day, keeps offering new colors to chase.
Enjoy, and follow along with Georgia and her very cool work on her website and Instagram!
Thank you to our sponsor!
Carnegie Mellon University Double Bass Studio – CMU is dedicated to helping each student achieve their goals as a musician. Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city’s ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah’s website and to sign up for a free online trial lesson.
Connect with DBHQ
Gear used to record this podcast
- Zoom H6 studio 8-Track 32-Bit Float Handy Recorder
- Rode Podmic
- Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera
- Sony FE 16-35mm F2.8 GM Lens
- Sony FE 24-70mm F2.8 GM Lens
When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ.
Theme music by Eric Hochberg
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Glasgow-based bassist David Bowden joins the show on release day for Unsung Songs, a solo double bass record shaped by years of gigging and arranging. David talks about coming up in London before moving to Glasgow for the Royal Conservatoire of Scotland, finding a creative home in Scotland’s close-knit jazz scene, and how folk music and “sounding like yourself” became central to the way he thinks about writing and playing.
We also talk solo bass, favorite recordings, right-hand technique, gear, touring, teaching, and new-parent life. Enjoy, and be sure to follow David on Instagram and YouTube!
Connect with DBHQ
Gear used to record this podcast
- Zoom H6 studio 8-Track 32-Bit Float Handy Recorder
- Rode Podmic
- Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera
- Sony FE 16-35mm F2.8 GM Lens
- Sony FE 24-70mm F2.8 GM Lens
When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ.
Theme music by Eric Hochberg
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Rosie Moon joins us today to share the story behind *Twelve Bees In A Jar, her* multi-year Dragonetti project exploring his music on gut strings, a three-string bass, and a convex “Dragonetti” bow. Rosie talks about how a chance encounter with a bow at a UK bass shop kicked off a deep dive into historical equipment, technique, and the surprisingly big that happens when you take a string off the instrument.
Enjoy, and be sure to follow Rosie on her website, Instagram, and Facebook!
Connect with DBHQ
Gear used to record this podcast
- Zoom H6 studio 8-Track 32-Bit Float Handy Recorder
- Rode Podmic
- Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera
- Sony FE 16-35mm F2.8 GM Lens
- Sony FE 24-70mm F2.8 GM Lens
When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ.
Theme music by Eric Hochberg
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Bowen Ha joined the San Francisco Symphony at the start of the 2024–25 season after training at Juilliard with Timothy Cobb and Harold Robinson, and appearing as a substitute with major orchestras.
Born in Shanghai, Bowen’s path ran from piano to cello and finally to bass, through Interlochen, the Shanghai Conservatory’s affiliated program, and Juilliard.
We dig into the nuts-and-bolts of what changed between Bowen’s early pro auditions and his San Francisco win: obsessing over details and doing daily metronome work.
Enjoy, and connect with Bowen on Instagram and YouTube!
Connect with DBHQ
Gear used to record this podcast
- Zoom H6 studio 8-Track 32-Bit Float Handy Recorder
- Rode Podmic
- Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera
- Sony FE 16-35mm F2.8 GM Lens
- Sony FE 24-70mm F2.8 GM Lens
When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ.
Theme music by Eric Hochberg
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John Goldsby returns to the podcast to celebrate Big Band Bass, a project that spotlights the double bass at the front of the band alongside the legendary WDR Big Band and arranger/conductor Bob Mintzer. We talk about what it felt like to close a 30-year run in one of the world’s rare full-time jazz ensemble jobs, and how stepping away has opened up space for hand-picked gigs, home projects, and new recordings.
We dig into the album’s origin story—why Vince Mendoza’s “Sonatinita” is the lone non-Goldsby composition, how Bob Mintzer turned John’s “little ditties” into full-blown big band architecture, and what it’s like hearing your writing amplified by master arrangers. We also get nerdy (in the best way) about gear and sound: Spirocore light gauge vs. Gerald Genssler’s silk-core strings, recording with a Schoeps MK 41, using a Fishman Full Circle onstage, and the realities of earplugs and in-ears in a loud big band environment. Connect with John at john.goldsby.de and explore his work with Discover Double Bass.
Connect with DBHQ
Gear used to record this podcast
- Zoom H6 studio 8-Track 32-Bit Float Handy Recorder
- Rode Podmic
- Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera
- Sony FE 16-35mm F2.8 GM Lens
- Sony FE 24-70mm F2.8 GM Lens
When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ.
Theme music by Eric Hochberg
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Valentina Scheldhofen Ciardelli , double bass professor at Trinity Laban Conservatoire of Music and Dance and an active performer/educator, returns to the podcast to talk about a project that goes way beyond the practice room: fixing the chaos of traveling with large instruments. Check out Valentina’s work and latest updates on her website .
We dig into Valentina’s advocacy work to create clearer, non-discretionary standards for transporting professional musical instruments, sparked by real-world experiences (including those “crying in the airport” moments many traveling musicians know all too well).
Jason shares a few horror stories from the bass-travel trenches, and Valentina describes the progress being made through dialogue with airlines, airports, and policymakers, including her recent speech in Brussels and why signatures matter even outside the EU.
You can sign the petition here , follow Valentina on Instagram and Facebook , and visit her YouTube channel!
Connect with DBHQ
Gear used to record this podcast
- Zoom H6 studio 8-Track 32-Bit Float Handy Recorder
- Rode Podmic
- Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera
- Sony FE 16-35mm F2.8 GM Lens
- Sony FE 24-70mm F2.8 GM Lens
When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ.
Theme music by Eric Hochberg
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Stephan Crump is a Brooklyn-based bassist, composer, and educator whose work moves fluidly between groove, spacious sound-worlds, and collective improvisation. We dig into the making of Slow Water, the magnetism of deep feel, and how growing up in Memphis—and spending a lot of life near the Mississippi—shaped the way Stephan hears music as ecology, storytelling, and energy in motion.
We talk about inspired listening walks, the ideas behind Erica Gies’ book Water Always Wins (and what it means to let water—and music—meander), and Stephan’s approach to leading ensembles. We also get into bass-life details, his time in Amherst and Paris, and much more.
Check out Stephan on Instagram, his website, and Bandcamp!
Connect with DBHQ
Gear used to record this podcast
- Zoom H6 studio 8-Track 32-Bit Float Handy Recorder
- Rode Podmic
- Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera
- Sony FE 16-35mm F2.8 GM Lens
- Sony FE 24-70mm F2.8 GM Lens
When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ.
Theme music by Eric Hochberg
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Michal Bylina is a Polish bassist and composer whose work bridges early music performance and new music for the instrument. In this conversation, Michal shares how a love of the past pulled them toward gut strings, Baroque style, and the Vienna bass tradition, plus the path from studying in Kraków to a year studying in Brussels with Korneel Le Compte.
We dig into Michal’s composing process, from writing cadenzas to building a huge library of bass sheet music and learning by analysis, along with current projects like a concerto inspired by the surviving bars of Dittersdorf’s concerto for violone and an aria for countertenor and obbligato bass. Michal also talks about balancing music with life as a parent and work as a software developer, and what might come next. Connect with Michal on Instagram and Facebook, and explore his catalog on his website and in our DBHQ Store!
Connect with DBHQ
Gear used to record this podcast
- Zoom H6 studio 8-Track 32-Bit Float Handy Recorder
- Rode Podmic
- Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera
- Sony FE 16-35mm F2.8 GM Lens
- Sony FE 24-70mm F2.8 GM Lens
When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ.
Theme music by Eric Hochberg
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