But what might be the most unsettling, is that coal export railways across the Pacific Northwest cut through some of the most beautiful landscape this country has to offer. Uncovered coal cars pass through sensitive ecological areas such as The Columbia River Gorge and Glacier National Park. These coal railways pollute the air and water and disturb vulnerable wildlife habitat.
NWF recently released this interactive map where you can clearly see what wildlife ranges and protected areas are in the path of coal railways.
Dozens of wildlife refuges, national parks, and pristine spaces are caught in the cross-hairs of the coal railway. In Livingston, Montana, located just outside the iconic Yellowstone National Park, coal railways run right through the center of town. Fifteen trains a day pass through Livingston and are a constant disruption to anglers, hunters, and small town community members.
The National Park Service is very concerned by the impact of coal exports on parks, wildlife and air quality. Earlier this year, the Service submitted scoping comments on potential coal export projects:
A review of existing rail and shipping routes indicates coal export could affect up to a dozen NPA (National Park Service) units in Montana, Idaho, Oregon and Washington.
Coal export through the Pacific Northwest terminals could potentially affect air quality in four Class I areas- Glacier, Mount Rainier, North Cascades and Olympic National Parks (NP).
The National Park Service recognizes the threat that coal exports has to our national parks, tourism industry and air quality in the Pacific Northwest.
The three million tons of coal that are currently transported on railways annually are already altering the wildlife habitats and communities of the Pacific Northwest. These railways come dangerously close to national parks, wildlife refuges and iconic American landscapes.
With just 72 hours until the deadline, there’s not a lot of time to trust in serendipity. Your best bet is to select a category or two from the contest and focus your efforts. Armed with that focus, you can figure out where (and what) you’re going to photograph.
If you need a little inspiration, we’ve got you covered! See past images from some of our categories here:
You can also use our Nature Find tool to search for events, parks and trails near you. That will help locate a good spot for your photo shoot without requiring you to travel too far out of your way.
As the saying goes, “Timing is everything.” This is especially true for nature photographers. Whether you’re trying to capture the first (or last) rays of the sun over your favorite lake or shoreline, or want to photograph an animal in its natural habitat, how you time your photography outing will directly impact the quality of your images. Here are some ideas to prepare you.

Sunrise and sunset are special events in their own right, but they also heavily influence the available light for other photography. The first and last hour of sunlight are referred to as the Golden Hour. Light from the sun is diffused through the atmosphere, making shadows longer (or eliminating them entirely) while giving everything a more reddish glow. Many landscape photographers take advantage of this effect, though it also works well for wildlife photography and with many plants and flowers.
Blue hour, on the other hand, refers to the period between daylight and darkness. It presents a good opportunity for long exposures or images with dramatic skies or bodies of water.
For truly inspirational wildlife photos, try to learn about your subject before you set out. You can often find information about the flora and fauna found in state and federal parks and wildlife refuges online. Knowing when wildlife are active and awake can be key to capturing them with your camera. Other information, like eating habits and mating season, can give you even more opportunities to get a unique perspective or photograph a once-in-a-lifetime image.
You don’t want to get out “in the field” and realize you forgot your tripod or the right lens for the job. We have some great tips on landscape photography lens selection from expert photographer Jim Goldstein. There are even some cool apps you can check out, like The Photographer’s Ephemeris, which helps plot the location of the sun and moon over the course of the day. Charge up your camera battery (and bring a spare) and ensure you have plenty of memory cards or film. Also, be sure to pack some water and snacks and, (since it’s July), some protection from the sun.
So, here’s the fun part, where all your preparation comes together. You’ve got a location, you know what you’re going to photograph, you know what time to get there, and you’ve got all your gear.
Whether you’re shooting digital or keeping it old school with film, all entries to the National Wildlife Photo Contest must be submitted electronically. So, you’ll eventually have those images on a computer. Remember that you’re limited to 10 individual images when you enter (though you can enter additional sets of 10 images for $20 per set). If you’re like me, after a typical day with the camera, you have way more than 10 photos. Also, each photo is limited to one category.
Now, go through the photos and keep an eye out for those that have a special appeal.
I should note that a certain level of manipulation is allowed (adjustments to color, contrast, brightness and sharpness; removal of dust and scratches; cropping; black and white conversions), while more substantial changes are not (for example, photo collages and the addition, duplication, deletion or moving of objects in the photos; or the use of artistic digital filters and effects). The images you enter should above all “accurately reflect the subject matter and the scene as it appeared.”
Entering is pretty easy: just head over to the site, sign up for an account (you can even log in with your Facebook info), and submit your photos. Here are a few of things to keep in mind.
Now that you’ve entered, do you have a tip for other photographers? Share your insight in the comments below! One of my favorite things about being a photographer is learning from the amazing people out there who are trying new things and discussing their techniques.

Today’s spotlight is on the “Landscapes and Plant Life” category, which focuses on scenic views and native plants in wild settings.
Last year’s first place winning photograph in this category comes from Spain, where photographer Francisco Mingorance used a long exposure to capture the unusual “star” of sea foam on the shore at night.
Honorable mentions included a creative shot of Common Salsify silhouetted against the sun, and the Milky Way wheeling over Devil’s Tower National Monument at night.
Check out this year’s entrants in the Photo Contest here. You can vote for and share your favorites or even enter your own photos. We’d love to see them!