British and Irish Sound Archives - Scotland

• Convention Edinburgh’s travel overview

BISA 2017 Travel and accommodation

webmanager — Fri, 01 Sep 2017 16:08:13 +0000

We look forward to welcoming you to Edinburgh. We’ve included a few links below to help you plan your travel and accommodation.

Getting to Edinburgh

Edinburgh Waverley train station (the closest to the two venues) is circled on the map featured on page 2 of this document.

Getting to the conference venues

• National Library of Scotland, George IV Bridge, Edinburgh EH1 1EW
• School of Scottish Studies Archives, University of Edinburgh, 29 George Square, Edinburgh EH8 9LH

They are both in central Edinburgh within walking distance of Edinburgh Waverley train station and Edinburgh bus station. Please note that Edinburgh is a very hilly city; it is an uphill walk from these transport hubs to the venues.

Walking between the School of Scottish Studies Archives and the National Library of Scotland on the Saturday morning should take around 10 minutes – 8 minutes’ walk apart according to this Google map (also shown below).

Places to stay

•   Hotels
•   Guest Houses
•   Budget hotels and hostels
•   Additional hotels: (Premier Inns, Travelodges, University hotel)

Local advice

If you have any specific questions you’d like to ask a local, feel free to contact Amy McDonald (Connecting Scotland’s Sounds) on a.mcdonald@nls.uk or Cathlin Macaulay (School of Scottish Studies) on cathlin.macaulay@ed.ac.uk.

Walking from the School of Scottish Studies (29 George Square) at the University of Edinburgh to the National Library of Scotland (George IV Bridge):

Tags:

British & Irish Sound Archives conference 2017 - abstracts

webmanager — Fri, 01 Sep 2017 15:48:21 +0000

2017 British & Irish Sound Archives (BISA) annual conference, 17-18 November, Edinburgh, Scotland

ABSTRACTS:

Almut Boehme & Alistair Bell (National Library of Scotland): The Dean-Myatt Collection: from acquisition to online
This presentation will introduce a major collection of historical sound recordings acquired through the generous donation of discographer William Dean-Myatt who has developed the collection over more than four decades. It was his research into Scottish label Beltona that led him to contact the Music Collections of the National Library of Scotland initially. Dean-Myatt then extended his research into other record labels as he worked on his Scottish vernacular discography, 1888-1960 which was published in 2013.
This joint presentation will explore the lifecycle processing of this collection from acquisition to cataloguing, preservation, digitisation and access. In so-doing it will provide a real-life case-study for collection managers of the challenges and opportunities of managing musical sound recording collections. Almut Boehme will introduce the collection with an overview of the content, the acquisition and physical transfer of the collection and discuss preservation and cataloguing issues. Alistair Bell will then talk about the recent digitisation completed on a sample of the collection, overcoming copyright barriers by using licences to provide online access to the recordings.

Lynnsey Weissenberger (Irish Traditional Music Archive): The Linked Irish Traditional Music (LITMUS) Project at the Irish Traditional Music Archive

Linked open data (LOD) has shown great promise in cultural heritage and digital humanities applications, making cultural heritage materials accessible to wider audiences via the Semantic Web. According to Pattuelli, "Ontologies represent agreed domain semantics,¹" also noting the particular challenges of representing digital cultural heritage materials. Among the few music ontologies developed, none adequately express orally-based traditions like Irish traditional music and dance (ITM).
This paper will describe several key issues related to a current project of constructing a linked data ontology for ITM. Specifically, the paper will describe challenges and opportunities surrounding the selection of appropriate materials as well as challenges of accurately representing complex musical relationships: musician-musician; musician-music; variants of tunes; where the variation ends and the act of composition begins; and, Irish language and English language equivalents in musician, tune, and geographic place names. Several current projects within Ireland such as Linked Logainm.ie for Irish-English geographic place names are working to create linked data sets that could be re-used within a future ontology constructed specifically for ITM. This linked data ontology project is the first to represent a music tradition propagated primarily through oral transmission. Once completed, it will enable future opportunities for digital discovery and further research in ethnomusicology and digital humanities.
------
1. Pattuelli, M. C., Provo, A., & Thorsen, H. (2015). Ontology building for linked open data: A pragmatic perspective. Journal of Library Metadata, 15(3-4), 265-294.

Amy McDonald (Connecting Scotland’s Sounds) & Morag Cockburn (Scottish Borders Archives): Working together to hear Scotland’s heritage

The two-year Connecting Scotland’s Sounds initiative comes to a close in late 2017. Amy McDonald will give an overview of the project’s knowledge exchange programme and public engagement activities, which have looked to champion the preservation and sharing of Scotland’s sound heritage. Based at the National Library of Scotland and supported by the Esmee Fairbairn Foundation, the project has been instrumental in building the Scotland’s Sounds network of people with an interest in Scotland’s archive audio. This presentation will feature examples of engagement projects with a view to inspiring other BISA conference attenders to connect new listeners with their recordings. The theme of partnership will be threaded throughout, as this has been the foundation stone of Connecting Scotland’s Sounds.
Engagement activities have included a partnership project based in the Scottish Borders – ‘Sounding Borders’. Programmed and delivered by Scottish Borders Archives, Scran and Connecting Scotland’s Sounds, Sounding Borders provided opportunities for people to generate creative responses to archive oral history recordings. Morag Cockburn will take attenders on a virtual tour of the animations, poetry, film, and short stories inspired by spoken memories which came out of this project.

Will Prentice (The British Library): Unlocking Our Sound Heritage

The HLF-funded, five year Unlocking Our Sound Heritage project, has several ambitious goals. As well as digitally preserving half a million sound recordings from the British Library and collections around the UK, it aims to transform the public understanding of the value and vulnerability of sound heritage.

This paper will summarise the work done so far. As well as discussing planning, workflow methodologies, access and training strategies, it will look at some of the collections preserved during its first four months.

Shanice Martin (The Arkive): Access All Eras of Beggars Group’s Living Legacy: How The Arkive Creatively Engages with Their Fans, Music Lovers, Public and How They Preserve Their Past

The Arkive is the catalogue and archive department of Beggars Group, preserving the past and present of Beggars Group labels, artists and its cultural history. Beggars Group is the home to record labels including: Beggars Banquet, 4AD, Matador, XL Recordings, Rough Trade Records, with Adele, Gary Numan, The Breeders and many more super talented and groundbreaking artists on their new and old rosters. The Arkive can be seen within Beggars Group as a living library, holding one of the most colourful and important collections of independent music and record label
history. Beggars Group have and continued to, heavily influence and contribute to the music industry, subcultures and popular culture.

This paper would examine how The Arkive creatively provides access to their rich music heritage inclusively for everyone who may belong to a music community or may feel nostalgic and want a trip down memory lane. Where were you when you first heard Firestarter by Prodigy? This paper would show the steps and processes of how The Arkive achieve this, from remastering, digitising, to cataloguing particularly analogue formats and my involvement in the archive as an archive coordinator.
I would plan and would look forward to cover the following areas:
- Historical background of The Arkive and Beggars Group
- Examples of creative interactivity and engagement between The Arkive and the public. This would include
*Reissues
*Film screenings
*Social Media
*Documentaries
*Broadcasts - Television, Radio, Youtube
- Preservation and digitisation of analogue formats both audio and audiovisual
- My role as an archive co-ordinator at The Arkive
By discussing the areas above on how The Arkive's creative engagement between the archive and the public, I hope to interest and inspire attendees on how to be creative with own their archives and collections in reaching out to their targeted audiences. Additionally I hope to intend with my paper to open up discussions between attendees of the conference on sharing past and current experiences on this matter.

Charlie McCann (BBC Scotland): Digital to Digital - Mass Digitisation of BBC Scotland’s CD collection

As part of the BBC’s ongoing preservation our archive digitally BBC Scotland has been given the opportunity to digitise the entirety of our CD collection over the summer of 2017.

The collection consists of around 14000 discs covering BBC Radio Scotland programme masters, Scottish Symphony Orchestra performances, Gaelic Language programming, News and Sport, some of which is labelled and accessioned across a number of our archive systems while a significant minority has not been accessioned and lacks all but the absolute minimum of metadata.

This paper hopes to outline upon the process and reflect on the challenges of mass digitisation of a somewhat neglected digital carrier. It will document the auditing of the physical stock, the ripping process, transfer to our digital library for preservation and the processing and creating access to the material for our colleagues in production.

Fiona Mackenzie (National Trust for Scotland): Cleachd i no Caill i- Use it or Lose it

“The ‘living’ archive’s aim is not to bury the past in boxes or databases for posterity, but to unearth fresh forms of thinking from what has gone before” – Hogan, M. (2012) Concordia University.
The National Trust for Scotland has been tasked with the development, conservation and ‘promotion’ of the unique Canna Collections of Folklore & Folksong and the extensive Sound Archive of Hebridean Song & Story recorded in the 1930’s and 40’s, all housed on the tiny Hebridean Island of Canna. The unique vision of folklorists John Lorne Campbell and his wife Margaret Fay Shaw, the Collections comprise substantial collections of Gaelic literature, folksongs, stories, photographs, research papers and Lepidoptera, all enhanced by the spectacular collection of over 1400 recordings of voices long since gone, depicting a disappeared way of Hebridean Life and Heritage.
Irreplaceable, the Sound Archives are unique and breath-taking. How can we ensure that these archives retain the collector’s vision of a working, living, breathing, useful repository of information, inspiration and idea? Can we make it earn its keep? How to maintain its integrity and respect the Tradition- crucially, draw in new audiences, academic and cultural. Educate, instigate and propagate.
Using evidence from creative work with partners such as the National Library of Scotland and the National Theatre of Scotland, sound archive material, visual provenance (film & photography) of the Canna Archives and her own voice, Canna Archivist and Gaelic singer Fiona J Mackenzie, presents the compelling evidence for the future, from the evidence of the past

Ewan McVicar (freelance writer, researcher and publisher): Mining the Archives

Processes, pleasures and problems when creating publications from archive recordings. The work of selecting, editing, transcribing, glossing, sequencing, researching, describing, getting permissions, publishing and writing about material from Scottish song archives.

POSTER ABSTRACT:

Peter Laurence (Eda Kuhn / Loeb Music Library, Harvard University, USA) & Filip Šír (National Museum, Czech Republic) Connect, Collect, Collaborate: Join Us As We Create the International Bibliography of Discographies

The IASA Discography Committee is continuing its work on the online International Bibliography of Discographies - connecting members of institutions with private collectors, and collecting information about worldwide discographic work in all languages. Collaboration is key in building the Bibliography, and we already benefit from a network of partners who share our goals for such a resource - peer associations, memory institutions, individual collectors, and discographers. The first version of the Bibliography will be available on the IASA website by mid-2017. With entries submitted by our team and by members of our international network, it covers current and out-of-print discographies published in book, article, CD-ROM, database and website formats. We have focused on bibliography due to the need for a full multi-lingual, international survey of discographies. But we are also creating a stored archive of digital (pdf) versions of complete works which will be linked to their corresponding entries in the Bibliography.

POSTER ABSTRACT: Stuart Eydmann Scottish Traditional Music and the Personal Archive in the Age of the Compact Cassette

The arrival of the popular recording technology of the compact cassette coincided precisely with a dynamic and transforming phase of revival, regeneration and innovation in traditional music in Scotland. Adoption of the new tape format led to the creation of vast numbers of privately-made and used recordings of the music, many of which survive unseen and unheard in archives and in personal collections. This presentation argues that the time is right for a research initiative to survey, conserve and interpret them and to make their content accessible, and discusses steps being taken towards this.

POSTER ABSTRACT: Christian Poske Revisiting the Sources: Fieldwork in the Bengal Region with the Bake Collection of the British Library Sound Archive

POSTER ABSTRACT: Julia Bishop The Carpenter Folk Online Project: Upping the Volume at the VWML

This poster discusses Carpenter Folk Online, a one-year collaboration between the Elphinstone Institute at the University of Aberdeen and the English Folk Dance and Song Society to integrate the J. M. Carpenter collection into the Vaughan Williams Memorial Library’s website. Funded by the UK’s Arts and Humanities Research Council, and with the permission of the Library of Congress, the project will significantly enhance the content and functionality of the site.

To date the VWML’s digital archive provides access to over 20 collections of traditional music, song, dance and custom, dating from the late 19th and early 20th centuries and in manuscript form. These can be discovered via a single interface which allows cross searching, geographic browsing, and more.

The Carpenter collection is an extensive folk arts collection, much of which was gathered in England and Scotland in 1929-35, and to a lesser extent in Wales, Ireland and the USA in 1927-43. An academically trained collector from America, Carpenter documented over 2000 folk songs and 300 folk (‘mummers’) plays, as well as a lesser number of fiddle tunes, customs, games and tales. His collection is important for a number of reasons, not least because it is the first in England and Scotland to make systematic use of sound recording in the documentation of traditional music and song. Never published, the collection was bought by the Library of Congress in 1972 where it has been preserved and digitised but only accessible on site.

The poster will introduce the Carpenter collection and discuss the scope and challenges of the project, as well as the new directions it is opening up. It is hoped to complement the poster with multimedia examples accessed through the use of the augmented reality app, LayAR.

Tags:

BISA conference 2017: Call for papers

webmanager — Sun, 21 May 2017 19:49:55 +0000

British & Irish Sound Archives conference 2017
National Library of Scotland, Edinburgh
17-18 November

Call for papers

The annual British & Irish Sound Archives (BISA) conference will take place this year at the National Library of Scotland, and we warmly invite proposals for papers on any aspect of caring for sound collections.

We particularly welcome proposals addressing issues of common interest across the spectrum of archival experience, from private collections to institutional archives. Please send abstracts of no more than 250 words to will.prentice@bl.uk

Deadline: 14 July 2017

BISA formed in 2006 as a forum to celebrate and share knowledge on the care and promotion of sound collections throughout the British Isles. Our annual conference is a great opportunity for anyone passionate about sound heritage to share knowledge, enthusiasm, special interests and experience. Hope to see you in Edinburgh!

Will Prentice

Tags:

BISA annual conference 2017: save the dates!

webmanager — Thu, 04 May 2017 21:39:07 +0000

Dear all

You are warmly invited to the 2017 British & Irish Sound Archives (BISA) annual conference, on 17 & 18 November in Edinburgh. For over 10 years BISA has been meeting to discuss the challenges and wonders of archiving sound recordings, and we’d love to see you join us. Archivists, collectors and anyone interested in the long-term care of sound will be welcomed by our co-hosts the National Library of Scotland and the School of Scottish Studies Archives. A call for papers will be issued in the coming weeks.

Regards

Will Prentice

Tags:

AGM 2011

webmanager — Sun, 01 Apr 2012 23:05:59 +0000

Minutes of British & Irish Sound Archives (BISA) Annual General Meeting held on 20 May 2011, at BBC Scotland, Pacific Quay, Glasgow

Present: Peter Adamson; Almut Boehme (National Library of Scotland); Jamie Cross (Ayrshire Archives); Jonathan Draper (Norfolk Sound Archive); Mike Hirst (DAS-360° Digital Archive Services); David Lee (Wessex Film and Sound Archive); Hannah Little (Glasgow Women's Library); Cathlin Macaulay (School of Scottish Studies Archives); Shona MacDonald (Tobar an Dualchais); Nóra Noonan (Royal Commission on the Ancient and Historical Monuments of Scotland); Alasdair Pettinger (Scottish Music Centre); Will Prentice (British Library Sound Archive); Dafydd Pritchard (National Screen and Sound Archive of Wales); Brian Rice (RTÉ); Simon Rooks (BBC Information and Archives)

1. To Receive the Minutes of the Previous Annual General Meeting held on 14 May 2010 at the Borthwick Institute for Archives, University of York
The minutes of the meeting held on 14 May 2010 were accepted with one amendment noted by Almut Boehme (AB), namely under item number 5, first sentence Brian Rice’s initials should be BR not BC. Simon Rooks (SR) duly signed the minutes.

2. Committee Members' Reports
Convenor
SR stated that the half-yearly telephone meeting of the BISA Committee which took place in November 2010 worked well. He proposed that there should be something similar for this year, but it should take place slightly earlier so that arrangements for the BISA event were confirmed at an earlier date and that the event could be publicised earlier. AB agreed that as much notice as possible was needed in order to persuade managers of the merits of the BISA event.

SR suggested 'BISA Training Day' was not the correct name for BISA's annual event and canvassed opinion from those present for an alternative. It was noted that the name should allow potential attendees get support to attend from their employers. Dafydd Pritchard (DP) suggested the event be called a conference. Peter Adamson (PA) suggested that the event included a workshop / training element. Jonathan Draper (JD) confirmed that during the last two events, Will Prentice (WP) had delivered training on the digitization of compact cassettes and open reel audio tape. The consensus from those present was that BISA's annual event should be referred to as a conference in future.

SR suggested that a survey was carried out on the BISA e-mail discussion list to see what members wanted from BISA's annual event and to find out why people decided to attend or not attend.

SR thanked RTÉ for hosting the BISA website for the last 12 months. He noted that, though the minutes of BISA AGM in 2010 indicated that RTÉ would not be able to carry on hosting the site beyond May 2011, the fact was that RTÉ could continue to host the website. Brian Rice (BR) believed that this was the case.

Secretary
JD noted that there were 71 members of BISA. The other news of note was that the International Association of Sound and Audiovisual Archives accepted BISA as a regional branch member. SR explained what IASA is.

Treasurer
DP stated that there was £2,958.32 in BISA's bank account prior to this year's annual event.

Webmaster
See agenda item number 3 below.

Listowner
WP reported that there were 129 members of BISA's JISC e-mail discussion list, commenting that this was favourable when compared to the IASA e-mail discussion list which has 486 members. He stated that the quality of traffic is good, but that there needs to be more messages posted and urged BISA members to use the BISA list more.

3. BISA Directory
BR on behalf of Malachy Moran, showed what the BISA directory looks like at present and described how it would work. He explained that there remained some minor problems with the directory, particularly related to browser compatibility and that it was hoped that these would be resolved soon. BR stated that there will be a user guide and that it will rely on members to edit their own entries. David Lee (DL) pointed out that there will be some cross over with the work of the British Universities Film and Video Council (BUVFC). BR acknowledged this but stated that the BISA directory had been created in compliance with the International Council on Archives' International Standard for Describing Institutions with Archival Holdings so that it can easily be adapted. JD acknowledged that BISA has been in contact with the Oral History Society for some time over the directory and that is one of the reasons why the directory has adopted the ISDIAH standard. It was noted that once the directory was working as the developer's intended, the BISA committee would contact the Oral History Society to see how the directory might be developed. SR thanked RTÉ for their work developing the directory.

4. Expenses Policy
SR explained that he had written an expenses policy for BISA. He had circulated it amongst the Committee members and following some minor changes should be deemed adopted.

5. Promotion of BISA
SR noted that at least one BISA member had featured in a couple of broadcasts on BBC Radio and that we should highlight such events on the BISA e-mail discussion list. SR appealed to BISA members to think of new ways of promoting BISA. PA suggested that the BISA application form be amended to include a question on how the applicant became aware of BISA. DP encouraged members to write articles in various organizations' journals, such as the Archives and Records Association newsletter, the ARSC (Association for Recorded Sound Collections) journal and Oral History Society's journal.

6. Sound Archive Toolkit
JD brought members’ attention to BISA’s Saturday morning workshop, entitled ‘What every Sound Archivist needs to know’. JD explained that the event would encourage discussion about what information someone needed in order to preserve sound archives and that it was hoped that this would encourage comment on the BISA e-mail discussion list. SR reiterated these comments and stressed that this would address some of the points raised at BISA's inaugural meeting in Edinburgh in 2006.

7. Any Other Items of Business
The BISA committee formally thanked all contributors to BISA's 2011 event and its host, BBC Scotland&'s Information and Archives Department.

8. Date and Time of Next BISA Conference
The next BISA meeting will be hosted by the Norfolk Record Office and Norfolk Sound Archive in Norwich on 18 and 19 May 2012.

The meeting ended at 13:25.

Tags:

training

2011