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This map is based, obviously, on the current BART map. The typeface is Frutiger.
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I’m not a big fan of strictly diagrammatic bus maps; it’s helpful to show some relationship between bus routes and the streets they run on. But that doesn’t mean complex systems can’t be untangled. CHK America and designers including Oran Viriyincy and Kirill Negoda have made an art form of this — as has Fern K. Hahn, who designed this map of the RTD network, including Boulder. The typeface here is Assistant, the City’s official free font; the color palette is also based on the City brand.
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This map replaces a previous map that included planned expansions of Northern California rail. Short version: Those expansions were both continuing to expand and looking more and more delayed, or unlikely. Some Amtrak maps also show Amtrak Connection (formerly Amtrak Thruway) bus routes, although more important connections, such as BART, are rarely shown. My favorite of the existing agency maps has to be ACE‘s, if for no other reason than the wacky pictograms. The typeface is Public Sans.
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The reason I’ve never done a Caltrain map is that despite its simplicity, I kept overcomplicating things — I wanted to make a map based on a string diagram, or one that showed every service pattern as a separate line (like this one) or connections as lines (like this one, but less green). In the end, I realized it was enough to simply fix the agency’s current map*, a throwback to the days before the Bay Area’s other major rail operators, BART, Muni, and VTA, got modern maps. The approach I settled on, of course, is a hybrid one combining some semblance of geographical accuracy with the look and feel of a diagram. The typeface is Roboto, which Caltrain uses on its website. (* Caltrain ticket machines and on-board screens feature nice, if basic strip maps.)
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While Edmonton transit overachieves, and while the City’s branding is modern and attractive, transit operator ETS’s graphic standards are a bit basic. This strip map is the agency’s only LRT map. This map uses the City’s typeface, Prelo.
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This map is obviously highly stylized, and arguably a bit hard to make out. The choice is intentional: In our world of customizable map apps, the primary purpose of a static, standalone transit map is no longer to give directions. It is to raise awareness of transit options by demystifying complex systems. For details, one can always turn to one’s phone. The typeface is Kievit.
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The typeface is BART’s official font, Frutiger (specifically 65 Bold). This poster is ready to print at 11×14″.
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This strip map is based on the Colorado Connector brand (or “CoCo,” as the Front Range Passenger Rail District likes to call it). It also, however, adds some Colorado-specific elements, including a stylized diagram of the actual Front Range of the Rocky Mountains (the official CoCo map sorta, kinda does this) and diamond-shaped stations. It also leaves potential future expansions to the official map. A couple of notes on the CoCo brand: The fox is cute, and you can’t go wrong with western sunset colors (which also happen to be Broncos and Rockies colors). But both the logo, with its rounded font, and the map, with its cartoonish vibe, feel very much of the moment, which is not necessarily a good thing. The best transit brands are timeless — both BART and Muni have had the same logos for 50 years. The typeface is Quicksand, per the CoCo brand (the logo is Frankfurter).
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Historically, most ferry maps have looked like airline maps, with realistic geography and arcing lines. Maybe it was something about soaring across open skies, or sailing across open water. Lately, though, more have taken a diagrammatic approach, like urban rail maps — see New York, Sydney and Oslo, as well as MTC-designed maps at the Ferry Building and SF Bay Ferry’s future map. The typeface here is Erik Spiekermann‘s Fira Sans.
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This map is based on the Skyss suite of maps (including this awesome system map), with a few tweaks. The typeface is Galaxie Polaris.
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With the notable exception of Cameron Booth’s Amtrak map, stylized diagrams of Amtrak lines are strangely hard to find. Metrolink, meanwhile, is the rare commuter rail system with a stylish diagrammatic map. This map is the color of sand; the typeface is Adrian Frutiger’s Avenir Next, an update of the font used by the French national rail operator, SNCF (as well as Apple Maps and Dwell magazine).
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Shinkansen can be difficult to decipher for non-Japanese speakers. This is partly because foreign-language information is limited, but also because ever since the breakup of Japanese National Railways in the ‘80s, Shinkansen has been operated by several different private companies. Shinkansen lines are also not the same thing as Shinkansen “trains,” or services: There are several trains on each line (e.g., local, limited and express), and some run on two lines. Nor do the same trains always make the same stops. This “map,” obviously, is two maps: one a typical geographical intercity rail map showing where trains go, and the other a diagram providing more specific information on how to get there. The typeface is Myriad Condensed.
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