Advertise with Googlier.com Daniel Rachel https://danielrachel.com Musician-turned-award winning author Thu, 24 Sep 2026 17:36:10 +0000 en-GB hourly 1 https://wordpress.org/?v=7.1.3 https://danielrachel.com/wp-content/uploads/2025/05/cropped-TARR-banner-1-32x32.png Daniel Rachel https://danielrachel.com 32 32 BBC Radio 4 Moral Maze https://danielrachel.com/bbc-radio-4-moral-maze/ https://danielrachel.com/bbc-radio-4-moral-maze/#respond Thu, 24 Sep 2026 17:36:10 +0000 https://danielrachel.com/?p=8299
Should musicians stay out of politics, or is silence a political statement in itself?

On this week’s Moral Maze, bestselling author and music historian Daniel Rachel argues that artists are increasingly expected to take public political positions, and that social media has made neutrality harder than ever to maintain.

Listen to The Moral Maze on BBC Sounds
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FESTIVAL BAN ANTI-FASCIST TALK https://danielrachel.com/festival-ban-anti-fascist-talk/ https://danielrachel.com/festival-ban-anti-fascist-talk/#respond Mon, 22 Jun 2026 15:00:58 +0000 https://danielrachel.com/?p=8259
FESTIVAL BAN ANTI-FASCIST TALK

I was invited to talk about my new book at GuilFest. The place was withdrawn when festival organiser, Tony Scott decided This Ain’t Rock ‘n’ Roll would be ‘too political’. When offered an alternative – to talk about my book on the history of 2 Tone – that suggestion was also declined.

Both books examine pop music’s enduring and problematic fascination with the swastika, racism and misogyny. Ironically, the Sunday booking would have coincided with a performance by Neville Staple who performs the songs of the Specials, a band exalted for their social and political message. Indeed, in the past, I have watched performances from the likes of UB40 and the Selecter at Guilfest who rally against similar issues.

I have spoken at events and festivals about both books across the UK, Europe and America; often sold out and always a source of great interest and debate. So I am surprised words cannot be spoken by authors, that musicians can sing.
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This Ain’t Rock ‘n’ Roll: Pop Music, the Swastika and the Third Reich https://danielrachel.com/this-aint-rock-n-roll-pop-music-the-swastika-and-the-third-reich/ https://danielrachel.com/this-aint-rock-n-roll-pop-music-the-swastika-and-the-third-reich/#respond Fri, 05 Dec 2025 10:29:47 +0000 https://danielrachel.com/?p=8036 This Ain’t Rock n Roll: Pop Music, the Swastika and the Third Reich
By Daniel Rachel

Published in hardback (£25), eBook and audio 

A shocking and absorbing account of pop music’s complicated history with fascism and the imagery surrounding it from award-winning author Daniel Rachel. Introduction by Billy Bragg.

In this meticulously researched and sensitively told history, with an Introduction by Billy Bragg, Daniel Rachel examines pop music’s enduring and problematic fascination with the swastika – and Nazism itself.

Over the last seven decades, some of rock ’n’ roll’s most celebrated figureheads have flirted with the imagery and theatre of the Third Reich. From Keith Moon and Vivian Stanshall kitting themselves out in Nazi uniforms and terrorising Jewish neighbourhoods to Siouxsie Sioux and Sid Vicious brandishing swastikas in the pomp of punk, generations of performers have associated themselves in troubling ways with the aesthetics, mass hysteria and even ideology of Nazism. Whether shock factor, stupidity, or crass attempt at subversion, rock ‘n’ roll has indulged these associations – whimsically, carelessly, occasionally malevolently – in a way not accepted by any other artform. But how accountable should fans, the media, and the music industry be for what has often seemed a sleazy fascination with the eroticised perversions of a fascist regime?

In This Ain’t Rock ‘n’ Roll, award-winning music historian Daniel Rachel navigates these turbulent waters with extraordinary delicacy and care, asking us to look anew at the artists that have defined us, inspired us and given us joy – and consider why so many have been drawn to the imagery of a movement responsible for the twentieth century’s worst atrocities. Alongside a sensitive history of the Holocaust and an examination of the place it holds in our cultural consciousness, Rachel asks essential questions of actions often overlooked or underplayed, whilst neither casting sweeping judgement nor offering easy answers. In doing so, he asks us to reassess the history of rock ’n’ roll and sheds new light on the grim echoes of the Third Reich in popular culture and the legacy of twentieth (and twenty-first)-century history as it defines us today.


ABOUT THE AUTHOR
DANIEL RACHEL
is a former musician turned award-winning and bestselling author. His previous books include Too Much Too Young: Rude Boys, Racism and the Soundtrack of a Generation (a Sunday Times, Uncut, Rough Trade US and Resident Music book of the year) and Isle of Noises: Conversations with Great British Songwriters (a Guardian and NME book of the year). He lives in London.


PRAISE FOR THIS AIN’T ROCK ‘N’ ROLL

‘Daniel Rachel has dug deep into rock and pop’s enduring obsession with Nazism. Why is this still going on?’
WILL HODDGKINSON, THE TIMES

‘A timely, wide ranging and eye-opening overview of music’s fascination with the Third Reich, from moronic edgelord stupidity to studied, cold hearted hate. Thorough, calm and at times heartbreaking, This Ain’t Rock ‘n’ Roll is surely the most necessary music book of the year.’
JOHN HIGGS, author and cultural historian

‘A deeply thought-provoking work, and long overdue’
JOHN HARRIS, MOJO

‘[An] absolute banger…it’s hard to imagine there will be a more original book of non-fiction this year‘
EMMA FORREST

‘As the powers-that-be lurch towards a far-right future in 2025, there is no longer any hiding place for those pretending to be ignorant about the true meaning of Nazism or using its emblems for their supposed subversive ‘cool’ factor. They have a choice, own their perverse fascination when exposed or apologise.’
PAULINE BLACK

‘A brilliant book’
ROBIN INCE

‘Compelling…From wearing Nazi uniforms to flaunting swastikas, the book astutely traces the global rise of fascism and its reverberations in pop culture’
IRSIH TIMES

‘The cognitive dissonance between rock’s rebellious use of Nazi imagery and the actual horror of the Nazi regime. There are surprising details everywhere in this book’
JEWSIH TELEGRAPH

‘A catalogue of Rock’s flirtation with fascist symbolism that builds into a relentless polemic. Important and timely’
JON SAVAGE

‘From Bowie and punk to contemporary provocation. Daniel Rachel examines the uneasy intersection between pop culture and fascist imagery. Deeply researched and provocative, it asks why artists flirt with dangerous symbols and what that says about society’s memory. This is history, ethics, and pop theory colliding in one compelling study. A must-read for anyone who believes music can challenge as well as charm.’
ROUGH TRADE

‘Rachel’s book is compelling – not an easy read, but as essential now as at any point in our history’
LOUDER THAN WAR

‘A sadly rather timely book…deeply researched and provocative. A must-read for anyone who believes music can challenge as well as charm.’
WALLPAPER

‘Educational…’This Ain’t Rock ‘N’ Roll’ points up extraordinary examples – “from Tommy Steele to Kanye West” – and how our reaction intensified over the years’
MARK ELLEN, WORD IN YOUR EAR

‘Rachel is a gifted writer of evocative prose and a diligent historian and here he assembles a responsible, questioning and thought-provoking examination of wider social and cultural consciousness – that ought to be taught in colleges.’
RECORD COLLECTOR

‘An incredibly sobering, fascinating, serious, but uplifting book.’
MIRANDA SAWYER, WE HAVE NOTES

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A Rough Trade Book of the Year https://danielrachel.com/a-rough-trade-book-of-the-year-2/ https://danielrachel.com/a-rough-trade-book-of-the-year-2/#respond Tue, 04 Nov 2025 15:09:14 +0000 https://danielrachel.com/?p=7994

Daniel Rachel – This Ain’t Rock ’n’ Roll: Pop Music, the Swastika and the Third Reich

White Rabbit

Signed copies.

From Bowie and punk to contemporary provocation. Daniel Rachel examines the uneasy intersection between pop culture and fascist imagery. Deeply researched and provocative, it asks why artists flirt with dangerous symbols and what that says about society’s memory. This is history, ethics, and pop theory colliding in one compelling study. A must-read for anyone who believes music can challenge as well as charm.

THIS AIN’T ROCK ‘N’ ROLL  is named A Rough Trade Book of the Year

Daniel Rachel and Billy Bragg will be in conversation with Miranda Sawyer at Rough Trade East on Monday 24 November.

https://www.roughtrade.com/collection/books-of-the-year-2025

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The Times Saturday Review Cover Story: David Bowie https://danielrachel.com/the-times-saturday-review-cover-story-david-bowie/ https://danielrachel.com/the-times-saturday-review-cover-story-david-bowie/#comments Sat, 11 Oct 2025 07:55:54 +0000 https://danielrachel.com/?p=7962

‘The dark side of David Bowie – Pop’s enduring obsession with the Nazis”

An explosive double-page cover story is the Times Saturday Review by Will Hodgkinson
It features an edited extract from THIS AINT ROCK ‘N’ ROLL  and an interview with Daniel Rachel

Pre-order THIS AIN’T ROCK ‘N’ ROLL https://geni.us/ThisAintRockNRoll

 

 
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THIS AIN’T ROCK ROLL Announcement https://danielrachel.com/this-aint-rock-roll-announcement/ https://danielrachel.com/this-aint-rock-roll-announcement/#respond Fri, 30 May 2025 12:30:24 +0000 https://danielrachel.com/?p=7897

A shocking and absorbing chronological account of pop music’s complicated history with fascism and the imagery surrounding it

PRE-ORDER NOW – COMING 30 OCTOBER 2025

THIS AIN’T ROCK ‘N’ ROLL, is a meticulously researched and sensitively told history of pop music’s enduring and problematic fascination with fascism.

Introduction by Billy Bragg.

 

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Pauline Black: A 2 Tone Story https://danielrachel.com/pauline-black-a-2-tone-story/ https://danielrachel.com/pauline-black-a-2-tone-story/#respond Wed, 16 Apr 2025 10:00:50 +0000 https://danielrachel.com/?p=7746 PAULINE BLACK: A 2-TONE STORY

Pauline Black, lead singer of 2-Tone hit band The Selecter, tells her extraordinary life story in the same frank manner that helped shape her as an iconic, era-defining female musician. Pauline had a difficult upbringing and joining the 2-Tone music movement in 1979 was the perfect catalyst; enabling her to explore and express all sides of herself. Looking back at her own ground-breaking experience in this feature documentary, Pauline traces how her legacy came about and how it is relevant to the world today, especially where society pushes the boundaries of gender, politics, race and identity. Pauline, of mixed Nigerian and Jewish heritage, was adopted into a white family in Essex in the 50’s. Her upbringing was defined by casual racism from within her own family. Pauline went on to find her own identity in the Coventry 2-Tone music scene and The Selecter was a reflection of working-class life in Thatcher’s Britain, their music as social reportage and with an ethos of anti-racism and anti-sexism.

This is a cinematic and visceral documentary mixing intimate actuality, archive and interviews and a storming soundtrack. Contributors include Arthur ‘Gaps’ Hendrickson, Daniel Rachel, Don Letts, Skin, Damon Albarn, Rhoda Dakar, Lynval Golding, Mykaell Riley, Sonia Boyce and Jools Holland.

Dir. Jane Mingay| UK| 2024| 92 mins

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A Rough Trade Book of the Year https://danielrachel.com/a-rough-trade-book-of-the-year/ https://danielrachel.com/a-rough-trade-book-of-the-year/#respond Wed, 13 Nov 2024 10:07:36 +0000 https://danielrachel.com/?p=7702

Books of the Year 2024 | Rough Trade US

Daniel Rachel – Too Much Too Young, The 2 Tone Records Story

A Celebration of Bold Voices and Unforgettable Stories

At Rough Trade, books and music are intertwined, each telling stories that resonate with our emotions and shape our understanding of the world. Our Books of The Year list for 2024 shines a spotlight on the music-related books that captured our imaginations, from deep dives into iconic albums to the untold stories behind legendary artists. These titles explore the intersection of culture, creativity, and personal transformation through the lens of music, offering readers a mix of biography, history, criticism, and memoir.

This year’s list amplifies the voices and stories of artists like Radiohead, De La Soul, Kathleen Hanna, Blondie, MF DOOM, and more. We’re confident you’ll discover a must-read among our picks—each offering fresh, eye-opening perspectives that deepen our connection to the music we love.


Whether it’s the electrifying journey of a music icon or the exploration of a genre-defining moment, our Top 10 books are a celebration of the voices that made the music—and the stories that make it unforgettable.

Daniel Rachel – Too Much Too Young, The 2 Tone Records Story

Akashic

In 1979, 2 Tone Records exploded into the consciousness of music lovers in Britain, the US, and beyond, as albums by the Specials, the Selecter, Madness, the English Beat, and the Bodysnatchers burst onto the charts and a youth movement was born. 2 Tone was black and white: a multiracial force of British and Caribbean musicians singing about social issues, racism, class, and gender struggles. It spoke of injustices in society and fought against rightwing extremism. It was exuberant and eclectic: white youths learning to dance to the infectious rhythm of ska and reggae, crossed with a punk attitude, to create an original hybrid.

Told in three parts, Too Much Too Young is the definitive story of a label that for a brief, bright burning moment shaped British, American, and world culture.

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12 date US Tour https://danielrachel.com/12-date-us-tour/ https://danielrachel.com/12-date-us-tour/#respond Thu, 08 Aug 2024 10:45:53 +0000 https://danielrachel.com/?p=7629
**2 TONE OVER AMERICA**

I’m super excited to announce a 12-date 2 Tone Tour of the US featuring Lynval Golding Sarah-Jane SunJay Owen & Pauline Black
Los Angeles

San Francisco
Las Vegas
Tempe AZ
Denver
Chicago
Cleveland
Saugerties
New York

Jersey City

Washington DC
Hampton, VA
TOO MUCH TOO YOUNG: THE 2 TONE RECORDS STORY
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US PUBLICATION https://danielrachel.com/us-publication/ https://danielrachel.com/us-publication/#respond Wed, 05 Jun 2024 17:26:43 +0000 https://danielrachel.com/?p=7557 Too Much Too Young: the 2 Tone Records Story is now published across north America

 

From the Publisher

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Review

“It started in the English Midlands city of Coventry. Madness, the Selecter, the Beat, UB40, the Specials―these were just some of the biggest names in the 1970s and 1980s movement of punk-influenced ska and reggae-based songs, antiracist and antisexist at heart, on the airwaves. British music writer Rachel presents a rich and vibrant history of that era and of the bands and record companies that made it happen, with a special focus on 2 Tone Records founder, Jerry Dammers . . . The records that 2 Tone released, says Rachel, were a hip form of protest music. It’s a big fat book about an important, if sometimes neglected, part of cultural music history . . . when music of the African diaspora was heard and embraced around the world.”
― Booklist, STARRED review

“We lived in Britain, a country that had benefited from immigration, but had an innate antipathy to ideas of multiculturalism. Daniel Rachel has managed to capture the essence of that contradiction in those Margaret Thatcher years, with this comprehensive, cautionary, and celebratory saga of 2 Tone.”
― Pauline Black, the Selecter

“Brilliant . . . nothing is left out of this definitive book.”
― Wire

“Music historian Rachel presents a meticulous profile of the British record label that helped popularize post-punk ska music in the late 1970s and early ’80s . . . Rachel effectively balances his enthusiasm about the label and what it stood for with a clear-eyed assessment of how a movement intended for good can go up in flames.”
― Publishers Weekly

“Disputatious, colorful, and rife with contradictions.”
― Uncut

“An exceptional portrait of Britain at a crucial time.”
― Irish Times

“Daniel Rachel has managed to talk to all the significant players and the story he tells is one that shines a light on the challenges of mixing pop with politics. This feels like the definitive story of 2 Tone. Masterful.”
― Billy Bragg

“”Daniel Rachel has bagged the whirlwind of 2 Tone with joy, honesty, and compassion to create the definitive account of one of Britain’s finest youth movements.””
― Suggs, singer of Madness

“A brilliant, insightful book, and nothing short of definitive.”
― Record Collector

“Superb . . . Rachel writes with the undimmed passion and enthusiasm of the teenage tonic-suited rude boy.”
― Vive le Rock

“The ideal match of author and subject.”
― Jon Savage, author of England’s Dreaming: The Sex Pistols and Punk Rock

“”A brilliantly vivid account of one of British pop culture’s most inspiring movements―surely the definitive telling of the 2 Tone story.””
― John Harris, author of The Last Party: Britpop, Blair and the Demise of English Rock

“”An incredible and detailed account of a massive watershed moment in British culture.””
― Gurinder Chadha, filmmaker

“”This is a book about a few exceptionally talented people who came together and created something extraordinary.””
― Charlie Higson, actor, comedian, author

“”In Daniel Rachel, the great untold story of the post-punk era finally gets the storyteller it deserves. Too Much Too Young is every bit as thrilling, and just as achingly evocative, as the music it was written to celebrate.””
― Pete Paphides, journalist and broadcaster

The definitive and remarkable story of 2 Tone Records, featuring an introduction by Pauline Black 

―A Times/Sunday Times Book of the Year
―An Uncut Book of the Year
―Long-Listed for the Penderyn Music Book Prize
―A Louder Than War Book of the Year
―A Blitzed Magazine Book of the Year

In 1979, 2 Tone Records exploded into the consciousness of music lovers in Britain, the US, and beyond, as albums by the Specials, the Selecter, Madness, the English Beat, and the Bodysnatchers burst onto the charts and a youth movement was born. 2 Tone was Black and white: a multiracial force of British and Caribbean musicians singing about social issues, racism, class, and gender struggles. It spoke of injustices in society and fought against rightwing extremism. It was exuberant and eclectic: white youths learning to dance to the infectious rhythm of ska and reggae, crossed with a punk attitude, to create an original hybrid.

The idea of 2 Tone was born in Coventry, England, and masterminded by a middle-class art student, Jerry Dammers, who envisioned an English Motown. Dammers signed a slew of successful artists, and a number of successive hits propelled 2 Tone onto Top of the Pops and into the hearts and minds of a generation. However, infighting among the bands and the pressures of running a label caused 2 Tone to bow to the inevitable weight of expectation and recrimination. Over the following years, Dammers built the label back up again, entering a new phase full of fresh signings and a beautiful end-piece finale in the activist hit song “(Free) Nelson Mandela.”

Told in three parts, Too Much Too Young is the definitive story of a label that for a brief, bright burning moment shaped British, American, and world culture.

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