The Brief

Kitty & Gus is a lovely example of a shop that sells a genuinely wide mix. Clothing sits alongside gifts, homewares and a bespoke made-to-measure curtain service, all in one space. That variety is a real strength for the business, but it brings a design challenge with it. Without clear zoning, a shop like this can start to feel cluttered and confusing rather than rich and interesting.

Owner Rachel came to me ahead of a February opening with a clear set of goals. She wanted a layout that made the shop easy to navigate, that made the most of both wall and floor space without overcrowding it, and that gave the new curtain consultation area a place of its own within the shop rather than feeling bolted on. She also wanted the look and feel to evolve. The existing customer base skewed 50-plus, and she was keen to bring in a younger 30-plus audience too, without losing the warmth that existing customers already loved.

The shop was also moving premises, from a much smaller, cramped space into a larger one. That’s a welcome change, but it brings its own challenge: there was still a substantial amount of stock to accommodate, and a bigger footprint needed a proper plan behind it so it didn’t simply feel emptier or less considered than the old shop.

Working to a February deadline meant the schedule was tight from the start, so getting the direction right early on mattered.

The Approach

The process began with space planning, measuring and drawing up the space, then working through different layout options to find what would suit this type of business best. I stayed in close contact with Rachel throughout, discussing what would work best for her and her team, and used colour and lighting to improve the customer journey as well as to make things easier for staff to move around and restock. The first stage of the work was about the fundamentals: the layout and the colour scheme, so that the larger footprint was used well and didn’t swallow up the existing stock or leave the shop feeling under-furnished. From there, the project came together in a few connected layers: a colour and materials palette, a zoning and hierarchy plan, a detailed layout, and specific treatments for the areas that needed the most thought.

Colour and materials

The palette leant into soft, calming tones with warmth underneath. I put forward the initial colour suggestions, and after some deliberation with Rachel, we settled on Duck Egg across all the woodwork and shelving throughout the shop. It’s a soft, versatile tone that ties the different zones together and gives the timber a fresh, cohesive finish without needing to touch every surface differently. Brass and gold accents, natural wood flooring and touches of mirror and glass rounded out a materials palette designed to feel considered rather than trend-led.

Externally, we decided on a lighter shade, Farrow & Ball’s De Nimes, paired with an ochre and white awning and a white logo for contrast and visibility on the street.

Zoning and layout

With so many product categories in play, the layout plan mapped out clear zones for clothing, shoes, homeware, gifts, cards, paper and stationery, and the curtain-making area, each given its own identity while still feeling part of one shop. I ranked areas by sales priority, with the primary selling space closest to the entrance and staff areas, with secondary and supporting zones working outward from there, so the most important stock gets seen first.

For the curtain consultation area specifically, the aim was for it to feel integrated with the rest of the shop rather than separated off, while still being distinct enough that customers understood what it was for.

The blocked window

One area needed a more creative solution. Part of the shopfront window was structurally blocked off, which could easily have become a dead frontage. Instead, I proposed a “through the window” illusion, a scene suggesting a behind-the-scenes workshop with tools, fabrics and a QR code linking to appointment booking. It turns a limitation into a story about what the business does, and keeps the frontage feeling alive even where the window itself can’t be.

Practical detailing

Alongside the bigger moves, the proposal covered the smaller decisions that make a shop function well day to day: opening up the cupboard doors behind the counter for extra display and last-minute purchases, adding a front-facing wall rail to make stock more visible and easier to browse, and specifying a mix of ready-made and bespoke furniture, including free-standing units for cards, paper and clothing rails, a small bench for trying on shoes, and a fold-in table for the curtain area.

The Finished Space

The result is a shop that feels considered without feeling overworked. The painted shelving, brass rail and warm lighting give the fashion and homeware sections a boutique, editorial feel, while colourful knitwear and accessories are given room to stand out against the calmer backdrop. At the counter, pendant lighting and the Duck Egg cabinetry tie the space together and give the till area a sense of occasion rather than treating it as an afterthought.

Crucially, the zoning does what it was designed to do. Clothing, gifts, homewares and the curtain service each have their own space to breathe, while the palette and materials carry through consistently enough that the whole shop reads as one considered scheme rather than several different shops stitched together.

Practical Takeaways for Multi-Category Retailers

A few principles from this project apply well beyond one shop in Kelso.

Give each category its own zone, but one shared language. Different product types can sit close together without competing, as long as they share a consistent palette and materials approach.

Rank your selling space by priority. Not every wall or table deserves equal weight. Deciding what customers see first, second and last makes a layout feel intentional rather than accidental.

Don’t let a structural limitation go to waste. A blocked window, an awkward alcove or an odd-shaped corner can become a feature with the right idea, rather than something to work around.

Small changes to existing fixtures can do a lot. Repainting the back of a unit or removing cupboard doors for open display is often more cost-effective than replacing furniture outright, and can transform how a space feels.

Design for the customer you have and the one you want. Evolving a look to attract a new audience doesn’t mean abandoning what current customers already respond to. It’s usually about layering warmth and freshness onto a strong existing foundation.

If you’re planning a retail fit-out or refresh and want a layout that works as hard as your stock does, get in touch to talk through your space.

The post From Cramped to Considered: A Boutique Transformation in the Scottish Borders appeared first on Interior Design & Commercial Interiors in Edinburgh | Retail Design.

When designing a retail space, the goal is never just to make it look better. A successful shop interior needs to support the way people move, browse, try things on, ask questions, make decisions and connect emotionally with the brand.

This was especially important for MacGregor & MacDuff, a well-established Scottish kiltmaker and Highlandwear retailer. Their customers are often choosing outfits for weddings, family celebrations and important occasions, so the space needed to feel welcoming, polished, practical and memorable.

Skela Studio has worked with MacGregor & MacDuff over a number of years, across different retail and pop-up spaces. This long-standing relationship meant the Newbridge project could build on an existing understanding of the brand, its customers and the way the business operates.

For this project, the focus was on Unit 12 and Unit 13 in Newbridge, Edinburgh. The brief was to create a more effective retail and fitting experience by connecting the two units, improving customer flow and creating dedicated areas for fittings, sales and shoppable displays.

The Brief

MacGregor & MacDuff needed the two Newbridge units to work together more effectively.

The project was not simply a decorative refresh. The design needed to improve how the spaces functioned, how customers experienced the shop, and how staff could manage appointments, fittings and sales.

Unit 12 was planned as a more dedicated fitting and appointment-led space, with four changing rooms to create four groom’s rooms. Each room needed seating for three people, mirrors inside and outside the changing area, and a traditional look that felt consistent with the wider MacGregor & MacDuff brand.

The space also needed a welcome desk at the entrance, with room for two laptops and a till point, so staff could greet customers, manage appointments and support the sales journey more efficiently.

A small kitchenette area was also included, with space for a small fridge and storage for cups, supporting tea and coffee making for longer appointments and group fittings. This was a practical detail, but one that matters in a customer-facing environment where people may spend time choosing outfits for important occasions.

Alongside the fitting rooms and practical staff requirements, the brief also included a shoppable display area, similar in spirit to the Bath Street shop, so that retail sales could be supported alongside the hire and fitting side of the business.

The Challenge

The existing layout was not making the most of the available space.

Unit 12 and Unit 13 needed to feel connected and flexible, rather than operating as separate or disconnected areas. The customer journey needed to be clearer, the fitting experience needed to feel more considered, and the retail displays needed to work harder commercially.

There was also a balance to achieve. MacGregor & MacDuff is a heritage-led Scottish brand, so the space needed to feel rooted in tradition, but not old-fashioned. It needed to feel practical and commercial, but still warm and characterful.

The design had to support several different uses at once: individual customers browsing, wedding parties attending fittings, staff managing appointments, customers trying on Highlandwear, and the business encouraging retail sales through better product presentation.

In other words, the interior needed to work beautifully for customers, staff and the business.

Connecting Unit 12 and Unit 13

One of the most important parts of the project was the relationship between the two units.

By connecting Unit 12 and Unit 13, the shop could offer a more flexible and joined-up customer experience. Rather than treating the spaces as separate, the design allowed customers to move more naturally between fitting, browsing and sales areas.

This gave the business more flexibility in how the space could be used. Wedding parties could be looked after in dedicated groom’s rooms, while other customers could still browse and shop. Staff had a clearer point of welcome and better control over the customer journey.

For a retail business, this type of spatial planning is crucial. It is not just about where things fit on a plan. It is about how the space supports real customer behaviour and day-to-day operations.

Creating Dedicated Groom’s Rooms

The four changing rooms in Unit 12 were designed to create dedicated groom’s rooms.

This was a key part of improving the fitting experience. Choosing Highlandwear for a wedding or special occasion is not usually a quick transaction. Customers may arrive with family members, friends or members of the wedding party. They need space to sit, look, compare, discuss and feel comfortable.

Each groom’s room was planned with seating for three people, mirrors inside and outside the changing room, and a traditional look in keeping with the brand.

This created a more personal and considered experience for customers. It also helped the business manage appointments more professionally, giving each group a defined area while still allowing the wider shop to function.

Designing for Retail, Hire and Customer Flow

A strong retail interior needs to support more than one type of customer behaviour.

For MacGregor & MacDuff, the space needed to work for fittings and appointments, but also for browsing and retail sales. That meant considering how customers arrived, where they were welcomed, how they moved through the units, where they paused, what they noticed, and how the product was displayed.

The welcome desk at the entrance created a clearer first point of contact. This helped staff greet customers, manage bookings and support the customer journey from the moment someone entered the shop.

The shoppable display area was also an important part of the design. Rather than the space being used only for appointments, the displays helped encourage browsing, product engagement and additional sales.

This is where commercial interior design and visual merchandising work together. The layout, product placement, focal points and styling all help shape how customers experience the brand and interact with the products.

Visual Merchandising and Brand Storytelling

Skela Studio’s approach to this project was strongly informed by retail and visual merchandising experience.

The space was considered not only as an interior, but as a commercial environment. The design needed to make the products more visible, easier to browse and more desirable. It also needed to tell a story about the brand.

For MacGregor & MacDuff, that story is rooted in Scottish heritage, Highland tailoring, craftsmanship, tartan, texture and occasionwear. The interior and styling needed to reflect that without feeling too themed or heavy-handed.

Visual merchandising decisions helped create stronger focal points, better product presentation and a more engaging customer journey. Displays were considered as part of the overall experience, helping the shop feel more intentional, polished and commercially effective.

Lighting and Atmosphere

Lighting was another important part of the project.

In retail design, lighting has a direct impact on how customers experience the space. It affects how colours and textures are seen, how products photograph, how mirrors perform, and how comfortable customers feel during fittings.

The lighting approach focused on bright, practical retail lighting, supported by directional lighting to highlight products, displays and key areas. Mirror lighting was also important because fittings are such a central part of the customer experience.

The aim was to create a space that felt polished, well-lit and professional, while still retaining warmth and character.

Styling the Finished Space

After the main design work, Skela Studio also supported the final styling of the shop for photography and marketing.

This final layer helped bring the brand story to life. Carefully chosen props and details were used to add warmth, depth and heritage character, including vintage suitcases, traditional weaving tools, tactile textiles, antique pieces and heritage-inspired accessories.

These details were not just decorative. They helped create a richer emotional connection with the brand and gave the finished space more personality.

The styling also meant the shop worked better for photography, social media and promotional content. A commercial interior should look good in person, but it should also give a business strong visual assets that can be used across its website, social media and marketing.

The Result

The completed project created a more practical, flexible and brand-led retail environment for MacGregor & MacDuff.

By connecting Unit 12 and Unit 13, the shop gained a stronger sense of flow and flexibility. The new groom’s rooms created a more comfortable and considered fitting experience. The welcome desk improved the arrival experience and supported staff operations. The shoppable display area helped connect appointments with retail sales.

The result was a space that better supported the business while also creating a warmer and more polished customer experience.

Staff and customers responded positively to the refreshed space, and the project became another chapter in the long-standing working relationship between MacGregor & MacDuff and Skela Studio.

Why This Project Matters

This project is a strong example of how commercial interior design can support both customer experience and business goals.

For independent and growing retail brands, the interior is not just a backdrop. It affects how customers feel, how long they stay, how confidently they browse, how well staff can support them, and how the brand is remembered.

For MacGregor & MacDuff, the design needed to respect Scottish heritage while creating a more modern and effective retail experience. It needed to support fittings, sales, staff operations, photography, marketing and customer comfort.

That is what good retail design does. It brings together function, atmosphere, brand identity and commercial thinking.

Skela Studio’s Role

Skela Studio supported the project through retail interior design, space planning, visual merchandising thinking, lighting considerations and final styling.

The project drew on Skela Studio’s experience in commercial interiors, retail design and visual merchandising, with a focus on creating a space that looked good, worked well and supported the business behind it.

From the layout of the units to the fitting rooms, displays, lighting and final styling, every decision was considered around how the space would be used in real life.

Looking to Improve Your Retail Space?

If you run a shop, showroom, boutique, hospitality space or customer-facing business, your interior has a direct impact on how people experience your brand.

Skela Studio helps businesses create commercial interiors that are practical, beautiful and designed around real customer behaviour.

Whether you need to improve your layout, create a better customer journey, refresh your displays, plan a fitting area, improve lighting or make your space more visually engaging, thoughtful design can help your business work better.

If you are planning a retail refurbishment or want your commercial space to feel more polished, practical and brand-led, Skela Studio can help you create an interior that supports both your customers and your business.

The post Retail Interior Design for MacGregor & MacDuff, Newbridge, Edinburgh appeared first on Interior Design & Commercial Interiors in Edinburgh | Retail Design.

The festive glow has faded, evenings are long, and we instinctively look for softer, more flexible ways to light our homes and hospitality spaces. This is where portable rechargeable lamps come into their own.

As an interior designer, I use them constantly. They work across residential and commercial interiors, require no wiring, and instantly add atmosphere. I also love how sculptural many of today’s designs are. They function as objects as much as light sources.

Here are the designer portable lamps I keep returning to, all available through Holloways of Ludlow and Heal’s, a couple of my trusted suppliers.

Martinelli Luce Mini Pipistrello

Portable Rechargeable Lamp in Agave

This has been my number one portable lamp for a long time.

Originally designed in 1965 by Gae Aulenti, the Pipistrello is an icon of Italian lighting design. The Mini portable version retains all the drama of the original, with the added bonus of being rechargeable and easy to move.

The agave green finish is beautifully calming and works particularly well with timber, stone and muted wall colours. It’s sculptural when switched off and softly glamorous when lit.

Still firmly at the top of my wish list.

Kattell Mini Planet

Kartell Mini Planet Rechargeable Portable Lamp – Crystal

This is a genuinely charming lamp.

The Mini Planet has a playful, rounded form that makes it easy to place on bedside tables, shelves or window ledges. It’s available in three finishes, which makes it adaptable across different interior styles.

I often use lamps like this as accent lighting rather than task lighting. They add warmth, character and softness to a space without overpowering it.

DCW Éditions Knokke

Sculptural Portable Rechargeable Lamp

This one feels very aligned with my design style.

The Knokke lamp is architectural, sculptural and intentional. It works beautifully in refined residential interiors but would be equally striking in cafés, hotels or retail spaces where lighting is part of the visual language.

It’s a piece that doesn’t disappear into the background and I’m very keen to specify it in an upcoming project.

Masiero Ginger

Marset Ginger Portable Rechargeable Table Lamp – Oak and white

The Ginger lamp is elegant and versatile.

Available in four finishes, it works wonderfully on dining tables, both at home and in restaurant settings. The light sits comfortably at eye level, creating atmosphere without glare, which is crucial in hospitality interiors.

This is a lamp that quietly does its job while looking beautiful.

Masiero Sips LED

Marset Sips LED Portable Rechargeable Table Lamp – Chocolate and gold

Love it or hate it?

This is the one I can’t quite decide on.

Its inverted form feels unusual and slightly challenging. In the right interior, it could feel contemporary and clever. In the wrong one, possibly confusing.

I’d love to know your thoughts. Is it inspired or awkward?

Addison Ross Bobbin Portable Lamp

Addison Ross Bobbin Portable Rechargeable Lamp – Orange

I’m completely drawn to the shape and colours of this lamp.

The orange finish feels joyful and confident, proving that portable lighting doesn’t have to be neutral. It’s a great option for lifting darker winter interiors or adding contrast to calm, muted spaces.

&Tradition JH27 Setago

&Tradition JH27 Setago Portable Rechargeable Lamp – Maroon & grape

This is the lamp I own and use daily.

Simple, beautifully proportioned and incredibly liveable, the Santiago works almost anywhere. Once you start using portable lamps like this, it’s very tempting to add another. I’m already considering it.

New Works Kizu

New Works Kizu Portable Rechargeable Table Lamp – Rosso Levanto Marble

The Kizu lamp is quietly luxurious.

With its rounded form and six marble finish options, it feels refined and tactile. It works particularly well in boutique hotels, bedrooms and intimate hospitality settings where materials matter.

It’s a lamp that feels considered rather than decorative.

Why portable rechargeable lamps work so well

Portable lighting gives you freedom.

No wiring. No fixed decisions. Just light where you want it, when you want it.

I use portable rechargeable table lamps constantly in my interior design projects, from homes to cafés and hotels. They are ideal for January, but they earn their place all year round.

If you’d like to go deeper into how lighting shapes mood, atmosphere and functionality, I explore this in detail in my Lighting Design ebook, where I share practical guidance on layering light, choosing the right fittings and creating warm, balanced interiors.

All of the lamps featured here are available via Holloways of Ludlow, a brand I regularly specify and genuinely recommend.

If you’re considering adding one to your interior, start with how you want the space to feel, then choose the lamp that supports that mood.

And if you have a strong opinion on the Masiero Sips, I’d love to hear it.

The post Portable Rechargeable Lamps I Love for Calm, Considered Interiors appeared first on Interior Design & Commercial Interiors in Edinburgh | Retail Design.

When I run my interior design workshops, there’s a moment that always makes me smile. Someone looks at a bold wallpaper or a richly patterned fabric and says, “I love it… But I could never pull that off at home.”

That hesitation is something I hear all the time – the quiet fear of getting it wrong, of mixing too many patterns, or of a space feeling “too much.” Yet pattern, when chosen with care, can completely transform a room. It brings warmth, depth, and character – something every home, boutique hotel, or short-stay rental property can benefit from.

Why pattern matters

For me, pattern is about personality. It’s how we express who we are – playful, calm, nostalgic, or daring. Just like colour, the patterns we choose say something about us. In my workshops, we explore how to find that connection, how a print can evoke a memory, reflect a place we love, or simply make us smile every time we walk into the room.

For property owners and hoteliers, this is particularly powerful. Guests remember spaces that feel unique. A well-chosen wallpaper or fabric can create instant atmosphere, whether that’s the calm of a restful guest room or the vibrancy of a social lounge. Pattern gives an even, compact accommodation personality, and personality is what keeps guests coming back.

A love affair with pattern — and House of Hackney

One brand that embodies this philosophy beautifully is House of Hackney. Their work celebrates pattern in its most evocative form: deeply layered, meaningful, and unapologetically decorative. Every design feels like a modern heirloom. What I love most is how they blend British heritage with contemporary artistry, creating interiors that feel both luxurious and full of life.

Some of my current favourites include the Blackthorn Rug in Petrol, which instantly adds depth and warmth to an entrance or lounge area; the Bloomsbury Velvet Saber Love Seat, a sculptural statement piece perfect for boutique hotel reception spaces; and the Persephone Jacquard Curtains in Tourmaline, ideal for creating rich layers and soft acoustics in guest rooms. I also adore the Artist’s Stripe Wallpaper in Euphorbia Alabaster, a fresh take on a timeless stripe that complements both traditional and contemporary interiors.

These pieces are wonderful examples of how pattern can anchor a design scheme while still leaving room for personality. They tell a story, one that evolves as art, furniture, and everyday life are layered in. In both commercial and residential projects, using patterns in interior design allows a space to tell a story.

My own wallpaper journey

I’ve also had the pleasure of designing three bespoke wallpapers for Chest Heart & Stroke Scotland (CHSS) as part of their shop refurbishments. Each design was inspired by the charity’s values and the local character of their stores. I’ll include one of them here so you can see how storytelling through pattern can transform a space, and if you’d like to see the others, you’ll just have to visit their shops across Scotland.

Practical tips for using patterns with confidence

The trick to mixing patterns successfully is balance. You can combine large-scale florals with smaller geometrics, or pair bold wallpaper with more subtle fabrics. Repetition of colour tones keeps it harmonious, for example, linking a background hue from the wallpaper with a cushion, curtain, or rug. Layer textures too: velvet, linen, and wood help the space feel grounded and comfortable, never overwhelming.

If you’re nervous about using patterns, start in transitional spaces like hallways, cloakrooms, or stairwells. These are rooms you don’t spend much time in, so they’re ideal for experimenting. A patterned wallpaper in a hallway can make even the simplest space feel memorable and welcoming. Once you experience how uplifting that feels, you’ll gain the confidence to use pattern in living rooms, bedrooms, or hospitality spaces.

I often advise my clients, whether designing a townhouse in Edinburgh, a coastal short-stay, or a Highland guest lodge, to start small. A patterned lampshade, an upholstered chair, or a single feature wall can completely shift the mood of a room. Confidence grows with each layer, and before long, you’ll find yourself surrounded by a space that truly reflects you.

A final thought

If you’re planning a renovation, hotel update, or short-stay property refresh, and want to add character through colour and pattern, I’d love to help. My Interior Design Masterclasses in Edinburgh and online also explore how to mix prints and textures with confidence, no prior design experience needed.

And if you’re ready to dive straight in, take a look at House of Hackney’s collection is a true celebration of storytelling through design.

Using pattern in interior design is one of the most effective ways to create character and atmosphere.

The post Pattern and Personality: Designing Rooms That Tell a Story appeared first on Interior Design & Commercial Interiors in Edinburgh | Retail Design.

As both a designer and a mum, I know how important it is to create children’s spaces that are safe, practical and full of character — but also kind to the planet. We want furniture that grows with our children, made from natural materials, and with a style that feels timeless rather than throwaway.

That’s why I’m delighted to be partnering with Søren’s House, a UK-based retailer specialising in modern, sustainable children’s furniture and décor. They bring together carefully curated brands (many of them exclusive to the UK), offering pieces you can trust for your little ones. Plus, with free UK shipping and a WELCOME5 discount code for 5% off, it’s the perfect time to explore their collection.

Designing children’s rooms is always about balance. We want to create spaces that feel playful and inspiring, yet calm and timeless. Furniture should support independence, adapt as children grow, and be built to last, not just in quality, but in style too.

I’ve curated a selection of my favourites from Søren’s House. This edit leans into a Scandi-Japandi aesthetic: natural woods, clean lines, thoughtful details, pieces that feel at home in a modern family space.

This post contains affiliate links. If you purchase through them, I may earn a small commission at no extra cost to you.

1. Oliver Furniture Wood Mini+ Cot Bed incl. Junior Kit – Oak

Shop here
A cot bed that grows with your child. This piece is a perfect example of adaptable design: starting life as a cot, transforming into a junior bed as your child grows. Crafted in sustainable oak, it reflects Scandinavian simplicity and Montessori values of independence.

2. Quax Hai No Ki Storage Chest – Natural Ash

Shop here
Minimalist storage that blends beautifully into both children’s and grown-up spaces. With its natural ash finish and generous capacity, this chest keeps clutter at bay while encouraging children to take ownership of their belongings.

3. Oeuf NYC Brooklyn Height Adjustable Desk – White & Birch

Shop here
Supporting children through creativity and learning, this desk grows with your child. The height-adjustable design makes it practical for years to come, and the white & birch combination captures that soft Japandi aesthetic.

4. Kas Kopenhagen Kai Wardrobe – Natural Oak

Shop here
A wardrobe that feels crafted for longevity. Made in natural oak, its understated design means it won’t date, an investment piece that can see your child through from toddler to teenager.

5. Kas Kopenhagen Kai Dresser & Changing Unit – Natural Oak

Shop here
Practical yet elegant, this dresser doubles as a changing unit, then transitions into a beautiful piece of storage. It’s adaptability at its finest, sustainable design that fits into family life seamlessly.

6. Oeuf NYC Perch Bunk Bed – White & Birch

Shop here
The Perch bunk bed is playful yet refined. Its compact footprint works beautifully for shared rooms, while the clean lines and birch details create a timeless look. A great example of furniture designed for independence and adaptability.

7. Quax Rocking Banana – Sheep

Shop here
Not everything has to be serious; this playful rocker combines natural materials with a sense of fun. Its sculptural shape makes it as much a design piece as a toy, sitting beautifully within a minimalist space.

8. Quax Yume Storage Table – Natural Ash

Shop here
This clever table doubles as storage, teaching children independence by making tidying part of play. The natural ash finish and simple form fit seamlessly into Japandi-inspired homes.

All images courtesy of Soren’s House.

Final Thoughts

Each of these pieces reflects what I value most in children’s furniture: sustainability, adaptability, and timeless design. By investing in well-crafted, minimalist pieces, you create a space that supports your child’s growth, encourages independence, and feels harmonious with the rest of your home.

Don’t forget: use code WELCOME5 at checkout for 5% off Søren’s House orders.

The post Minimalist & Sustainable Children’s Furniture appeared first on Interior Design & Commercial Interiors in Edinburgh | Retail Design.

Background

Ben Wyvis Kilts is a long-established kiltmaker in the heart of Inverness, known for its quality craftsmanship and Highland heritage. The client approached Skela Studio to reimagine their retail space, retaining the spirit of tradition while giving the shop a fresh, modern update to meet today’s customer expectations.

Project Objectives

• The brief was to create a more welcoming, functional space that enhances the customer experience while elevating the brand’s street presence. Key goals included:
• Reconfiguring the internal layout to optimise flow and improve functionality
• Installing a new suspended ceiling and updated lighting system
• Redesigning the changing rooms for a more comfortable and private experience
• Removing the partitioned kitchen to open up the space
• Updating the exterior façade with new colours and signage
• Enhancing product display and shop floor styling
• Creating a cohesive, branded uniform for staff

The vision was to blend function with style, showcasing premium kilts while creating a smooth flow for fittings, browsing, and consultations.

Before: A Space in Need of Clarity and Light

Before the refurbishment, the shop felt:

• Dark and compartmentalised due to low lighting and a broken layout
• Visually dated, with limited display opportunities
• Constrained by unnecessary partitions and poor storage use

While the craftsmanship of the kilts was second to none, the interiors didn’t reflect the quality or narrative of the brand.

After: A Light-Filled, Tailored Retail Experience

Skela Studio redesigned the space with a clean, contemporary Highland aesthetic—one that respects the brand’s legacy while positioning it confidently for the future.

Key Changes:

Visual Merchandising & Styling

We provided complete styling and merchandising support to create a polished and cohesive look throughout. Stock was curated and grouped to highlight seasonal pieces and hero products.

To further enhance the brand story, we sourced vintage props from local antique shops, a nod to the shop’s heritage and craft. Displays were styled to encourage browsing while maintaining a clean, uncluttered feel.

Window displays were carefully arranged to showcase standout garments and accessories, capturing the attention of passers-by and inviting them in. These are now regularly refreshed and adaptable for seasonal campaigns.

Layout & Spatial Planning

• Removed the partitioned kitchen area to create a more generous customer flow
• Reconfigured the layout to support zoned retail areas: display, fitting, consultation, and workshop

Lighting & Ceiling

• Introduced a suspended ceiling system with integrated LED lighting to enhance visibility
• Warm, directional lighting now highlights key displays and kilts

Display & Storage

• Designed bespoke racking and shelving, taking inspiration from industrial tailor shops with Highland lodge touches
• Created efficient, attractive storage for garments, accessories, and stock

Changing Rooms

• Added new, spacious changing rooms with quality finishes and subtle branding
• Considered customer comfort and staff practicality in their layout

Uniform Concept

• Designed a staff uniform concept for women
• The look reflects the brand’s identity—functional yet stylish, with hints of traditional tailoring

Materials & Style Notes

The design strikes a balance between industrial and Highland lodge aesthetics:

• Natural woods, tweed-inspired textiles, and cast iron accents
• A colour palette rooted in deep greens, charcoal, and muted earth tones
• Focus on craft and texture, echoing the detail in the kilts themselves

Client Feedback

Aleksandra has achieved something remarkable with our kilt shop refurbishment in Inverness, preparing all the interior and exterior design drawings, product selection, purchasing props, and furniture designs for the builders. With the refurb now nearing completion, Aleksandra has also staged the shop, and the result is stunning. Massive thanks again!

– David A.

The Result

The refurbishment has given Ben Wyvis Kilts a professional, welcoming environment that reflects their high standards. It’s now a space where customers can browse, be measured, and fitted in comfort, and one that proudly communicates both tradition and progress.

Looking to Transform Your Retail Space?

Skela Studio specialises in commercial interior design for independent shops, boutiques, and heritage brands across Scotland. Whether you’re in need of a light refresh or a full refit, we bring over 20 years of experience in retail, display, and spatial planning.

Based in Edinburgh – working across the Highlands, Islands and Central Belt.
Let’s chat about your shop.

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The post REVIVING A SCOTTISH ICON: RETAIL DESIGN THAT BLENDS TRADITION AND MODERN APPEAL appeared first on Interior Design & Commercial Interiors in Edinburgh | Retail Design.

Scotland’s thriving holiday let market means that standing out is more important than ever. Whether your property is in the heart of Edinburgh, by the coast, or in the Highlands, thoughtful interior design can make the difference between a one-off stay and repeat bookings.

At Skela Studio, we’ve helped transform holiday lets across Scotland into high-performing, welcoming spaces guests can’t stop raving about. Here’s what we’ve learned.

Start with Functionality

Guests want charm and character, but comfort always comes first. Your interiors should be:

• Durable – Go for robust materials that withstand wear and tear.
• Easy to maintain – Choose wipeable paint, washable rugs, and practical flooring.
• Flexible – Think modular furniture, clever storage, and dual-purpose pieces.

A well-designed layout also ensures guests have room to relax, dine, and store luggage essentials in any short-term let.

Reflect Scotland’s Character (Subtly)

Lean into the location without resorting to clichés. Think:

• Soft tweeds, wool throws, or locally woven textiles
• Nature-inspired palettes—moss greens, stone greys, and sky blues
• Vintage finds or artwork from local makers

These small touches help tell a story, which is exactly what guests want to feel part of.

Lighting Makes or Breaks a Space

Lighting is often overlooked, but it’s essential in holiday lets. Layered lighting lets guests create their own mood. Include:

• A mix of ceiling, wall, and floor lights
• Dimmer switches, where possible
• Warm-toned bulbs for a cosy atmosphere
• Task lighting in kitchens and bathrooms

Great lighting is one of the simplest ways to elevate a space.

Make the Bedroom a Sanctuary

A comfortable bed with quality linen is non-negotiable. Add blackout curtains, plenty of pillows, and bedside tables with reading lamps. A nod to hospitality, like a carafe of water or fresh flowers, can make all the difference.

Design for Instagram Moments

Today’s guests are your best marketers. Give them something worth sharing:

• A bold accent wall or statement artwork
• A unique headboard, pendant light or wallpaper
• Thoughtful details like handmade ceramics or curated bookshelves

Encourage them to tag your property online with signage or QR codes linking to your socials.

Bathrooms and Kitchens: Clean, Stylish, and Functional

Even if you don’t want a full refit, small upgrades go a long way:

• Replace old taps and handles
• Add open shelving for baskets or local products
• Use tile paint or stick-on splashbacks for a cost-effective update

Invest in Professional Photography

Designing a beautiful space is only half the job. Professional photos will show off your interiors at their best and help your listing shine on platforms like Airbnb, Booking.com, or your own website.

Go Green Where You Can

Sustainability matters. Opt for energy-efficient lighting, recycle bins, eco-cleaning products, and reuse where possible. Let guests know—many appreciate it.

Need Help with Your Holiday Let?

Whether you’re refreshing an existing rental or launching a new property, Skela Studio can help. We specialise in creating beautiful, functional interiors that guests love and owners profit from.

We offer tailored design packages, remote support, and on-site consultations across Scotland.

Based in Edinburgh. Available for projects across the Central Belt, Highlands, and islands.

Final Tip:

Good interior design doesn’t just make a space look nice—it helps tell a story, create memories, and keep your calendar full.

The post INTERIOR DESIGN FOR HOLIDAY LETS IN SCOTLAND appeared first on Interior Design & Commercial Interiors in Edinburgh | Retail Design.

As a result, short-term rental interior design in Edinburgh needs to balance character, comfort, and practicality while standing out in a competitive market.

In this case study, Skela Studio explores how we transformed a rental property for an international client through thoughtful interior design, sourcing, and styling.

Bringing a Vision to Life from Afar

When our client, based abroad, purchased a period property in the heart of Edinburgh, they wanted to create a stylish and inviting space that would appeal to discerning travellers. Without being physically present, they entrusted Skela Studio to bring their vision to life. Through virtual consultations, detailed mood boards, and 3D renderings, we ensured that every design decision was aligned with their expectations.

Beyond design, I have project-managed the entire process, collaborating closely with property managers and coordinating with trusted trades to ensure a smooth and efficient transformation. From overseeing renovations to sourcing bespoke furnishings, antique books, and artwork from Scottish artists, every detail was handled meticulously. Everything was completed in a timely manner, ensuring the property was ready for the client’s first visit from abroad, allowing them to experience it firsthand.

Key Design Strategies for a Memorable Stay

1. Emphasising Local Character

One of the most effective ways to create a unique rental experience is by embracing the location’s character. We incorporated traditional Scottish elements, such as heritage-inspired textiles, locally crafted furnishings, and soft, warm lighting to enhance the sense of place.

2. Blending Style with Functionality

A great rental space should be both beautiful and practical. We selected durable yet elegant fabrics, multi-purpose furniture, and clever storage solutions to maximise space. Every detail, from the plush bedding to the curated artwork, was chosen to create a seamless and inviting atmosphere.

3. Thoughtful Lighting for Ambience

Lighting plays a crucial role in setting the mood. We layered different light sources—soft overhead lighting, wall sconces, and stylish table lamps—to create a warm and welcoming ambience. Adjustable lighting allowed guests to personalise their environment, whether for work or relaxation.

4. Enhancing Comfort with Textures and Layers

To ensure a cosy and luxurious feel, we used a mix of rich textures—velvet cushions, wool throws, and high-thread-count linens. This layering of textures adds depth to the design and enhances the sensory experience of the space.

5. A Book Lover’s Dream

Our client is a passionate book lover, and we incorporated this into the design. I personally selected bookshelves, antique books to add character, cooking books for the kitchen, and bespoke artwork sourced from a variety of Scottish artists. These thoughtful touches make the space feel both curated and personal, offering guests an enriching experience during their stay.

6. Adding Colour to Bring the Space to Life

Many of the rooms initially felt neutral and lacked warmth, so we carefully introduced colour to create a more inviting atmosphere. Soft blues and greens were used in the bedrooms to promote relaxation, while rich, warm tones in the living areas added depth and character. This strategic use of colour helped to enhance the overall aesthetic and create a welcoming environment for guests.

7. Preserving the Georgian Heritage

As the property is a Georgian home, we ensured that all design elements respected its historical integrity. Every historical feature was carefully renovated to maintain the period charm, from intricate cornicing to original fireplaces. We selected furnishings and finishes that complemented the Georgian style while introducing contemporary comforts, achieving a seamless blend of old and new.

Final Outcome: A Unique and Inviting Space

The completed project reflects a seamless blend of sophistication and comfort, tailored for short-term guests seeking a memorable stay in Edinburgh. By focusing on detail, creativity, and an intuitive sense of space, we transformed the property into an inviting retreat that resonates with its surroundings.

A Satisfying Conclusion

The project was completed on schedule, allowing the client to experience their beautifully transformed property in person for the first time. Their positive feedback and the 5-star review they left on Google were incredibly rewarding, reinforcing our commitment to excellence in design and project management.

Designing for Experience, Not Just Aesthetics

At Skela Studio, we believe that interior design should enhance the guest experience, making their stay both comfortable and inspiring. If you’re looking to elevate your short-term rental with thoughtful, creative design, we’d love to collaborate on your next project. Feel free to book a time to have a quick chat or fill in the form below.

The post CASE STUDY: CREATIVE INTERIOR DESIGN FOR SHORT-TERM RENTALS IN EDINBURGH appeared first on Interior Design & Commercial Interiors in Edinburgh | Retail Design.

Burns Night is a lovely excuse to gather around the table in winter, but when it comes to styling, I prefer to keep things simple, modern and reusable rather than leaning into themed décor.

This edit focuses on warm materials, gentle patterns and atmosphere, pieces that feel right for Burns Night, but will work just as beautifully for winter dinner parties, Sunday lunches or relaxed evenings with friends.

Think soft linen, warm glass, candlelight and a few carefully chosen details.

Style lookbook

1. Amber Smoked Glass Decanter – Rockett St. George
A sculptural piece that catches candlelight beautifully. It adds warmth to the table and works just as well for water or wine as it does for whisky. If you don’t have a decanter, any glass jug or carafe will catch candlelight just as well.

2. Chaipat Candlesticks – Nkuku
Candlelight is essential for a winter supper. I like mixing heights to keep the table relaxed and atmospheric rather than overly formal. Even mismatched candle holders you already own would work beautifully; variation adds character.

3. Side Plate with Tartan Detail – Anta Scotland
Used as a side or starter plate, this introduces a pattern in a subtle way without overwhelming the table.

4. HAY MVS Cutlery in Dark Blue – Holloways of Ludlow
Modern cutlery instantly lifts the setting and stops it from feeling traditional. The deep blue works well with warm neutrals and textured linens.

5. Linen Tablecloth
Linen softens the overall look and keeps the table feeling effortless rather than over-styled.

6. Coloured Glass Tumblers – Nkuku
These add a gentle hit of colour and feel lovely in the hand — perfect for water, wine or a simple cocktail.

7. Ceramic Serving Bowl
Ideal for fruit, oatcakes or vegetables. One generous centrepiece keeps the table calm and uncluttered.

8. Patterned Napkins – Perch and Parrow
Pattern works best when used sparingly. A small detail like a napkin is enough to add interest without dominating the table.

A note on styling

You may already have most of this at home

This look doesn’t rely on buying everything new. A simple tablecloth, clear or coloured glasses, everyday cutlery and a few candles will do most of the work. You can layer in what you already own and add one or two details like a patterned napkin, a coloured plate or a sculptural piece, to gently lift the table for the evening.

Burns Night is about atmosphere rather than perfection, and a relaxed, considered table often feels more inviting than something overly styled.

You don’t need themed accessories to mark the occasion. A considered table, good food, candlelight and conversation do the rest.

I always look for pieces that earn their place beyond one evening, items that can be used again and again, whatever the occasion.

Burns Night is ultimately about the ritual and the people around the table. A calm, modern setting simply supports that, creating an atmosphere that feels considered, welcoming and easy to return to long after the evening has passed.

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