There Is Hope is a Malawian NGO provides refugees of Dzaleka refugee camp, as well as their Dowa host community, with access to education, income generating activities and spiritual well-being. The Vocational Training Center across the road from the refugee camp was a filmmakers’ dream; various classrooms and workshops with brick hallways, lush gardens, and students in blue coveralls with orange and yellow helmets!. Although I do not speak Chichewa (the country-wide language), the students and staff were very patient with me as I learned about the realities and limitations of refugees in Malawi. 

Since 2022, I have been contracted to direct a documentary film on the Kus-kus-sum habitat restoration project coordinated by Project Watershed. This is a multi-year project of transforming an industrial site back to a vibrant natural part of the K’omoks Estuary. This winter part of the massvie metal wall is due to be removed, allowing water to move through a newly contoured environment. Partners include K’omoks First Nation, City of Courtenay, and Comox Valley Regional District.

The vision is to create a vibrant and productive habitat and connect it to Hollyhock Flats, which is adjacent to the site and one of the most productive areas in the K’ómoks Estuary. Project Watershed will need raise $6.5 million, remove 8.3 acres of concrete, recontour and replant with native species.

The site was purchased from Interfor in November 2020 and is being held by Project Watershed in trust for the K’ómoks First Nation and the City of Courtenay. The City of Courtenay and the K’ómoks First Nation will be on title as joint owners in the near future.

What a pleasure to create the film Coming Home to Grandmother’s Garden.  Huy tseep q’u siem to Ken Elliot, Maiya Modeste, Dr. Shannon Waters and family for their willingness to share! And gratitude to Shawn Johnny Seymour for the Tzingquaw Dancer’s song!

The film highlights the significance of p’hwulhp (Garry Oak) ecosystems to Coastal First Nations, and intricately integrates the Indigenous and Western perspectives through the concept of two-eyed seeing towards conservation and stewardship efforts in the province.

While filmmaking for the Comox Valley Land Trust, I went for an evening bat survey with Tim Ennis. Tim is a conservation biologist with over 20-years of experience, and the Coordinator of the North Island Chapter of the BC Community Bat Program.  Almost 40% of BC bat species are in trouble, with some already listed as endangered or threatened. FMI – check out the Cumberland Community Forest Society.

24 Hour Drum. Back Again  – Another adventure for the Indigenous Leadership group in the Sea to Sky region of British Columbia (Squamish Nation and Lil’wat Nation). Students from Squamish, Brackendale, Whistler, and Pemberton gather to hike, drum, sing, dance, and celebrate their culture. These youth are the future of reconciliation. carswellfilm.ca Produced by School District 48

A “weird” school year with Covid didn’t stop the Indigenous Leadership students from finding their voices and celebrating their culture. 

Six schools dance, sing, drum and speak to issues of oppression, white privilege, white fragility, and micro-aggressions. This film celebrates a full year of cultural revitalization in Mount Currie, Pemberton, Squamish, Brakendale, and Whistler, BC. 

Pique Newsmagazine. May 22 2021

The beat of the 24 Hour Drum sounds across B.C. with a new 32-minute documentary: 24 Hour Drum, Going Strong.

Grade 11 Pemberton Secondary Student (PSS) Chenielle Qamu’ea7 Wallace had never seen a 24 Hour Drum, School District 48’s annual, student-led celebration of Indigenous culture and language, before last week. 

It’s an event that, until the pandemic, would pack school gymnasiums with students, educators and Indigenous leaders from across the Sea to Sky eager to share the traditional songs, dances, and, of course, drumming of the Lil’wat and Squamish Nations. 

Along with students from every public school in the district, the event was beamed into classrooms across the province, making it the farthest reaching 24 Hour Drum yet. “That is one of the gains of doing it on Zoom,” said Karen LaRochelle, district principal of Indigenous education. “People from outside the district can always access the link on the website in the future, but this was interactive with each other, and we would love to grow that.” 

The more than 110 streamers heard traditional songs like the Lil’wat’s “Groundhog Song” and “Women’s Warrior Song,” the Squamish Nation’s “Water Song” and drumming from Don Ross Middle School students. But the event also served as an important forum for difficult discussions on matters of systemic racism, white fragility and the ongoing impacts of colonialism, culminating in the screening of th 32-minute documentary 24 Hour Drum, Going Strong. The conversations were at turns raw and uncomfortable, honest and heartfelt, reflecting a year that has seen reports of racial violence and discrimination surge across B.C. 

“There is some appreciation of Lil’wat culture but there are also some people that don’t understand and think of us as a big joke in the hallways, in the classrooms and even some of the teachers,” said a PSS student in the film. “We are people and we have feelings and we just want a little more respect of our culture just like everyone else.” 

Wallace was inspired to see so many of her peers charging headlong into discussions that can be difficult for anyone, let alone a 17-year-old. “It was very empowering for me to see all these other high-school students who are just as passionate as I am about this,” she said. “It’s very important to shine a light on this issue, because people have swept it under the rug because it makes them uncomfortable. I think it should make you uncomfortable because it’s not right at all.” 

The Sea to Sky School District has gone to great lengths in recent years to incorporate elements of local First Nations culture and language into school life. But, as always, there are opportunities to improve, believes Wallace, who would like to see Indigenous history offered not just as an elective for upper-year students, but as a regular course offering that begins in Grade 8. “I feel like there’s so much that we’ve missed over the years,” she said. “In Grade 8 and 9, I felt very underwhelmed and kind of disappointed there wasn’t a class where I could learn every day about Indigenous culture and language.” 

LaRochelle agreed there is a need to incorporate more Indigenous learning into the curriculum, and said the district is working with the Lil’wat Nation on an agreement to increase the visibility of Lil’wat language and culture and move away from a “Eurocentric way of scheduling” to a more inquiry-, project-based model. 

“We have a lot of good work that has been done, but there’s so much more to go,” she said.