View the exhibition and press release in full
PDF of the press release
View the exhibition and press release in full
PDF of the press release
Signed, titled, dated, and numbered on label, verso
Archival pigment print
14.5 x 22 inches
(Edition of 15)
$1,800
26.5 x 40 inches
(Edition of 8)
$3,000
35.5 x 54 inches
(Edition of 5)
$4,800
Signed and numbered on label, verso
Archival pigment print (Edition of 3 + 1 AP)
40 x 30 inches
$4,500
]]>Signed and numbered on label, verso
Archival pigment print (Edition of 3 + 1 AP)
40 x 30 inches
$4,500
]]>Signed and numbered on label, verso
Archival pigment print (Edition of 2)
60 x 45 inches
$9,000
]]>Signed and numbered on label, verso
Archival pigment print (Edition of 2 + 1 AP)
65 x 40 inches
$9,000
]]>Mehrfar has exhibited her work at KMAC Contemporary Art Museum, Louisville, Kentucky; International Center of Photography (ICP), New York; Les Champs Libres, Rennes, France; ANU Museum, Tel Aviv, Israel; and TEDxSydney, Australia. She is a recipient of the Joseph Robert Foundation Grant, a Puffin Foundation Artist Grant, and the Australian Postgraduate Award, and was named to the 2022 Silver List. Her residencies include Interlude Foundation, I-Park Foundation, and the Wassaic Project. She is a 2025 LABA Lab fellow and 2024-2026 Studio Arts resident at the Clemente Center.
Her work has received coverage in 1000 Words, New Art City, Collector Daily, Ruckus Journal, L’œil de la Photographie, British Journal of Photography, and The New Yorker. Portfolios of her photographs have appeared in Der Greif, Artist Profile, and Fraction magazines.
Her second monograph, The Moon Belongs to Everyone, was published by GOST Books in 2021. Mehrfar holds an MFA in Photomedia from the University of NSW School of Art and Design, Sydney, a Bachelor of Arts from the University of Wisconsin, Madison, and a Certificate in Creative Practices from ICP, New York. She teaches at the School of Visual Arts and ICP.
Stacy is a first-generation Iranian-American artist. Arezou, her middle name, means “wish” in Farsi.
]]>]]>Music to Drive To presents more than twenty-five years of sustained studio painting practice by longtime subscriber Willy Bo Richardson. The monograph brings together 70 paintings alongside a conversation with Max Protetch and essays by Stephanie Buhmann and Katy Crocker.
One of the guiding principles behind Music to Drive To was to make the book in a way that reflected the values behind the paintings themselves. Richardson’s collaboration with Gilbert and Palmer grew out of longstanding friendships and painting trades rather than conventional monetary arrangements. Produced independently, the book allowed each decision to be made through direct conversation, experimentation, and practical understanding.
Unsigned
Gelatin silver print
10 x 8 inches (25.4 x 20.3 cm)
$2,400
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