Advertise with Googlier.com ano okera Archives - Blackboard Plays https://blackboardplays.com/tag/ano-okera/ Black Playwrights, Black Artists, Black Plays Mon, 06 Feb 2017 07:16:58 +0000 en-US hourly 1 https://wordpress.org/?v=7.1.3 https://i0.wp.com/blackboardplays.com/wp-content/uploads/2016/08/cropped-blackboardplayslogo1.jpg?fit=32%2C32&ssl=1 ano okera Archives - Blackboard Plays https://blackboardplays.com/tag/ano-okera/ 32 32 116014299 2012 Featured Readings July – December Playwrights Bios https://blackboardplays.com/2012featuredreadings/ https://blackboardplays.com/2012featuredreadings/#comments Wed, 18 Jul 2012 02:01:37 +0000 http://blackboardplays.wordpress.com/?p=597 In case you didn't know - we're booked! It's a good thing!

From July through December, we will be featuring exciting new plays from new voices and we can't wait to hear the feedback!

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In case you didn’t know – we’re booked!  It’s a good thing!

From July through December, we will be featuring exciting new plays from new voices and we can’t wait to hear the feedback!

Monday, July 9, 2012 
Andre Richardson hogan II – you happy now? You satisfied? (1978)
André Richardson Hogan II is a playwright, screenwriter, poet, essayist, visual artist, and theater critic. His plays have received stage readings and productions in numerous theaters which include the American Theater Company, Black Ensemble Theater, Chicago Dramatists, Dramatists Personae, the Field Museum of Natural History, Magnified Gift Theater and Dance Company, Negro Ensemble Company, Prop Thtr, and Red Harlem Readers. The Chicago Chronicles, Volume 1, a docudrama of Logan Square residents, was produced as a commissioned work for American Theater Company. An Ode to the Washermen, a short work in one act, was produced by Negro Ensemble Company in association with the Midwest International Theater Festival (NYC) in the summer of 2010. It was also nominated for Outstanding Production of a Short Subject. Several poems have been published such as in Many Mountains Moving and Segue. Strangers, a collection of poetry, was published by Xlibris in 2009. Sugar for Coffee, a full length drama, will be presented and produced by Blue Collar Theater Company and Gorilla Tango Theatre in June of 2012. Hogan is currently a writer for an upcoming documentary, produced by Driven Entertainment and Four Features. Son’s House, a screen adaptation based on the life of the Delta blues legend Son House, will also be produced by Driven Entertainment and Four Features. In 2001, Hogan received a B.F.A. in Liberal Arts from Columbia College, Chicago. He was a resident playwright at Magnified Gift Theater and Dance Company and Timber Lake Playhouse Playwrights Colony in Mt. Carroll, IL., and is currently a member of Da’Right Productions, Driven Entertainment, Four Features, Hyde Park Community Players (HPCP), and of HPCP’s Writers Initiative. He resides at Hyde Park in Chicago.

Monday, August 13, 2012
James Anthony Tyler – After receiving his B.A. in Mass Communications and a minor in business from Central State University, James Anthony Tyler moved to Los Angeles, where he worked in television/film production, before entering and completing the MFA Film Program at Howard University. After many short films and feature scripts, James wrote and directed The Numb an allegory on contemporary mass media that targets the African American audience and the destruction it causes. He just completed the MFA Dramatic Writing Program at New York University where he was a playwright concentrate. Theater Masters produced his 10-minute play Some Old Black Man in Aspen, CO and New York City (Arthur French starred in the play). He has adapted the 10-minute play Some Old Black Man into a full length. Other plays are; Slum Beautiful, To Make Your Dream, and Ain’t Ain’t a Word.

Monday, September 10, 2012

Nathan Yungerberg is a Brooklyn based playwright, originally from Minneapolis. Nathan is currently making a transition into theater after twenty years of working as a professional photographer. His play, The Son of Dawn, had a members reading at the Playwrights’ Center. Nathan has also participated in the Classical Theater of Harlem’s Playwright’s Playground reading series.

 

 


Monday, October 8, 2012

Pia Wilson is a 2011 Heideman Award finalist for her short play, TURNING THE GLASS AROUND and a semi-finalist in the 2011 Bay Area Playwrights Festival. She is a member of the 2008 Emerging Writers Group at The Public Theater and a 2009 playwriting fellow with the New Jersey State Council on the Arts. She is also a member of The Passage Theatre Play Lab and a member of the 2009 Project Footlight team of composers and librettists.

Her full-length play, THE FLOWER THIEF, was an August 2012 co-production between Horse Trade Theater Group and The Fire This Time play festival. Her play, GENERATION T, was featured in The Classical Theatre of Harlem’s Future Classics reading series in June 2012. Her full-length drama, RED ROOSTER, was likewise a part of the Future Classics reading series as well as the Emerging Writers Spotlight Series at The Public Theater in 2009. ALL THE PRETTY GIRLS was featured in The Looking Glass Theatre’s Spring 2009 Writer/Director Forum. THE RIVER PURE FOR HEALING was part of the 2008 Resilience of the Spirit play festival. Her play, TREE OF LIFE, received a 2007 workshop production at The Red Room Theater.


Monday, November 12, 2012

Adrienne Dawes’ plays include Am I White, You Are Pretty, Jesus Loves Good Christians, edgewater stoner and Heritage, Her-i-tage and Hair-i-tage.
Her work has been produced by American Repertory Theatre of London, Live Girls Theatre!, Little Fish Theatre Company, New Jersey Repertory Company, Hyde Park Theater, St Idiot Collective, and American Theater Company (Chicago, IL). Her plays have been published by Playscripts, Smith & Kraus, Heuer Publishing and Vintage Books.Adrienne is the recipient of the 2004 Stanley and Evelyn Lipkin Prize for Playwriting, a Marchbanks Family Foundation Grant, a Fringe Festival Commission Award, Seed Support Grant, and Finer Point Funding Grant from Scriptworks. She was named a semifinalist for the 2003 Mildred and Albert Panowski Playwriting Award and 2012 Risk is THIS Festival (Cutting Ball Theatre). Most recently, her play Am I White was recognized as a finalist for the 2012 O’Neill National Playwrights Conference and 2012 Bay Area Playwrights Festival.

Monday, December 10, 2012

Louis Johnson – “Coward”
Louis Johnson’s one act play, VALDOSTA, was featured in “Dramatic Shout-outs ‘02”, a production of Our Place Theater Company and ACT/Roxbury Consortium held at Boston’s Roxbury Community College’s Media Arts Center in June 2002. It was also presented as a staged reading at the African-American Meeting House in Boston, Massachusetts in February 2002 as part of its’ Black History Month festivities.“THE RETURN OF CICERO WALKER”-a love story involving two ex-convicts-is a full-length play written under the mentorship of the renowned African-American playwright Ed Bullins. The play was presented at a staged reading at the John D. O’Bryant Center at Northeastern University by Jacqui Parker’s Our Place Theater Company in March 2003. In October 2003, an excerpt from “CICERO”-directed by Akiba Abaka-tied for first place at Another Country Productions’ Boston PlaySlam held at the Boston Playwright’s Theater.His full-length play, “PLAIN BROWN (W)RAPPER” received a staged reading at Our Place Theater Company in May 2004. The play has been picked up by Crystal Field’s “Theater for the New City” in Manhattan for a future production. In July 2009, Mr. Johnson’s play, “Oh, the LIES we’ve told”-the story of a President-elect who decides that due to the LIES that he’s told to get elected, no longer wants the job-premiered at Thespian Production Company’s One-Act Showcase held at the Alliance for the Arts in Fort Myers, Florida to rave reviews.In March 2010, his one-act play, “Oh, the LIES we’ve told”, was featured in the “10x10x2 Festival of Short Plays” a production of staged play readings by the People Branch Theater Company at Belmont College’s Troutt BlackBox Theater in Nashville, Tn. In April ’11, “Oh, the LIES we’ve told” was featured in the Shop-Workshop for Artist’s Play Festival at The Tank in Hell’s Kitchen, NYC. In April 2012, his play, “Old Man Clean His Gun” was featured in the Red Harlem Reader’s Series Program at the Indian Cafe in New York City. In May 2012, his play “Old Man Cleans His Gun” will be featured in Identity Theatre Company’s Self-Esteem Reading Festival in NYC. Louis is a Resident Playwright at New African Company Theater, the oldest Black theater company, in Boston.

Monday, January 14, 2013

Danielle recently completed her MFA in Dramatic Writing at New York University’s Tisch School of the Arts. She is the founder of an online magazine, AffluentMag.com, a publication that features literature, film, theatre, dance, music and visual arts as well as thought-provoking articles.Danielle has an intense passion for the arts and is well-rounded in all aspects. She loves the theatre and has written several stageplays that have had successful readings. In addition to her passion for the stage, she has written several feature films, short films and a TV pilot. She has worked as developer, director/assistant director and cinematographer on various collaborative projects.Contact Danielle Eliska Lyle for collaborative, freelance and commission opportunities as well as information on upcoming projects.

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“Finding Harlem Dawn” Team Bios https://blackboardplays.com/finding-harlem-dawn-team-bios/ https://blackboardplays.com/finding-harlem-dawn-team-bios/#comments Sun, 13 Feb 2011 21:03:31 +0000 http://blackboardplays.wordpress.com/?p=418 Book, Concept, Lyrics by Ano Okera Music by Billy White Billy White is a composer, pianist, educator, producer and Ethnomusicologist.  Born in San Francisco, he concentrated in jazz studies as UCLA with Kenny Burrell.  While winning several awards and scholarships, such as the David A. Abell Piano Award and the Duke Ellington Award, he took advantage …

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Book, Concept, Lyrics by Ano Okera
Music by Billy White

Billy White is a composer, pianist, educator, producer and Ethnomusicologist.  Born in San Francisco, he concentrated in jazz studies as UCLA with Kenny Burrell.  While winning several awards and scholarships, such as the David A. Abell Piano Award and the Duke Ellington Award, he took advantage of UCLA’s incredible Ethnomusicology program, which  allowed him to study many global genres of music., such as Indian Classical, Chinese Silk-and-Bamboo, Brazilian and Latin Jazz.  While in school, he also co-founded the hip hop/world group BOKU with actor/rapper Jo D Jonz, which performed extensively in LA, headlining at the House of Blues in 2004 and 2005.  He also played with the Parisian jazz/hip hop group Heezbus, fronted by Universal France artists Hugh Coltman and Spleen.  Last year, Billy released his debut as a leader, “First Things First“, on Porto Franco Records, a modern jazz record featuring saxophonist Dayna Stephens and Blue Note trumpet star Ambrose Akinmusire, which was called “impressive” in the March issue of Downbeat magazine among many other strong reviews.  He has also worked extensively as a soul and R&B keyboardist,  backing up Grammy-nominated performers like Bilal and Maiysha, and touring Morocco with jazz/soul singer Wallace Gary.   His music can be heard in films such as Marc Cantone’s award-winning “Bowling Blind“, and Jo D. Jonz’ “Fifteen Minutes of Fame“, as well as on  television shows like Keeping up With the Kardashians, and the Brooks Brothers website.   White has performed Ethnomusicology fieldwork in Ghana, Morocco, Nicaragua and New Orleans.  He is also currently the musical director at New Journey Baptist church in Bedford-Stuyvesant, Brooklyn.

Directed by Elyzabeth Gorman

Elyzabeth Gorman is currently directing Taming of the Shrew for Manhattan Shakespeare Project and is looking forward to Fairy Tale of America with EBE Ensemble.  Her world premieres include Caitlin Condy’s See Jane Run (Prospect Theatre Co.); Jennifer Lane’s Does Anyone Know Sarah Paisner? (Intravenous Theatre Co.); and Michael Niederman’s To Barcelona! (Ignited States Production Co.), Every Man (’07 Samuel French Festival Winner), and Don’t Drink and F*ck (Crosstown Playwrights). Other favorite productions include Caitlin Condy’s Little Wing (NY Int’l Fringe Festival); Anthony Clarvoe’s The Living (Stone Soup Theater); and an outdoor production of Shakespeare’s Henry IV in Prospect Park, produced by Rebellious Subjects.  She is a proud member of the Lincoln Center Director’s Lab and the Artistic Cabinet of Rebel Theater Co.


CAST

LANGSTON BEAUFORT- K’Yino Cunningham
Kyino Cunningham is a multi-talented singer/songwriter, dancer and dancer who holds a joint first class undergraduate degree in Theatre and Cultural Studies from the University of the West Indies (UWI), Mona Campus and the Edna Manley College. His stage skills have been transferred to the big screen where he was cast for the independent film “Candy Shop,” which had its premiere at the Flashpoint Film Festival in Port Royal, Jamaica. He also played a lead role in the documentary “Norman Manley Video for Change”. Stage credits include: “Taming of the Shrew”,  “Dreams of Home”, “Woyzeck” and Trevor Rhone’s “Positive”.

BILLY PERRIER- Almerica Campbell

Almeria Campbell is currently doing a One Woman Show, Warriors Don’t Cry with the Bushnell Center for the Performing Arts, in Connecticut. In May of this year, she’ll be in the production of Baltimore in Black and White at the Cell Theatre. She’s appeared in Law and Order C.I., Baby Mama and several commercials and voice over’s. She’s excited to be reading the part of Billy in Finding Harlem Dawn.

VINCENT ‘JELLY’ MARTIN- Kaolin Bass

Kaolin Bass is happy to be working with the amazing team of  “Finding Harlem Dawn”. He received his BFA from Adelphi University and his MFA form the ART/XMAT Program at Harvard University. Theatre credits include “Much Ado About Nothing” with the Commonwealth Shakespeare Company, “Snow in June” at the American Repertory Theater, “Lonesome”, “The Picture of Dorian Gray”, “Three Sisters”, “Tom Cruise”, “Get Off the Couch” in Ireland and “Generic Hispanic”. TV Credits include “Ugly Betty”, “Primetime” and “As the World Turns”. Kaolin is a proud member of the Emerging Artist Theatre Company and  AEA.

MOYA WASHINGTON- McKenzie Frye

McKenzie Frye is a Detroit, MI native and Howard University graduate with a B.F.A. in Musical Theatre. Ms. Frye’s Off Broadway/Regional credits include: WIG OUT!, RIVER DEEP, ABK For Life, DAMN YANKEES, DREAMGIRLS, CROWNS, and The Kennedy Center’s production of HARRIET’S RETURN starring Debbie Allen, as well as, work at New York City’sacclaimed Public Theatre; and featured choreography in the New York Fringe Festival. Her Film and TV credits include “Dreaming inTears,” “In Retrospect (choreography credit),” “My Brother,” “Life Lines,” “Law and Order, ” Law and Order: SVU,” AND “Law and Order: Criminal Intent.” She currently serves as a collaborating artist in residence with Gabrielle Lansner and Company, and is co-creator of the multi-media performance piece BLACKGIRL UGLY; a spoken word, movement and mixed media performance piece that is dedicated to taking an honest look at media influences that encourage the development of unhealthy self esteem in young women. In doing so, BLACKGIRL UGLY resolves to explore the choice to nurture one’s self through artistic outlets. Ms. Frye is also in the process of completing her first book of poetry and prose that she hopes will encourage positive thinking, healthy self expression and the pursuit of spiritual success.” McKenzie looks forward to continued contributions to the arts as a performer, writer and source of positive motivation.

OLD CLAUDE McKAY- Chike Johnson

Chiké Johnson was last seen on stage in Court Theatre’s production of Sizwe Banzi is Dead in Chicago IL.  He was also seen in the Manhattan Theatre Club’s Off- Broadway production of Ruined.  Some of his other credits include Steppenwolf’s The Crucible, The Unmentionables and Huckfinn.  Some Regional credits include: a revival of The Unmentionables at Yale Repertory Theatre; Lincoln in Topdog/Underdog at Renaissance Theaterworks; Duke of Cornwall in King Lear at Milwaukee Repertory Theatre; Cephus Miles in Home at Intandem Theatre; Willie in Master Harold and the Boys at Chamber Theatre; and Martin Luther King Jr. in Smoldering Fires at First Stage Children’s Theatre.  His TV credits include: Law & Order, Law & Order SVU, the “Bucket Guy” for Verizon High Speed Internet commercials, Prison Break on Fox Network.  Films credits include: Ass Backwards, Friends with Benefits, The Machinist and El Traje. Chiké is originally from Milwaukee, Wisconsin and shares life with beautiful wife, Malkia, and their three wonderful children, Kwasi, Nafia and Zaria.

OLD JUANITA LOVE- Malkia Stampley-Johnson

Malkia is delighted and honored to a part of “Finding Harlem Dawn.” A  performing artist, from Milwaukee, Wisconsin, Malkia attended Marquette University for Theatre Arts and studied as intern and Resident Artist with Milwaukee Repertory Theatre and Skylight Opera Theatre. Favorite theatre credits include: Japan Disney Tour of Disney on Classic: Lion King (Nala); Raisin (Beneatha) Court Theatre; Dreamgirls (Lorrell) St. Louis Black Repertory Theatre (Winner of Woody King Jr. Award, Best Supporting Actress); Black Nativity (Darfur Mary) Congo Square Theatre; The Talented Tenth (Pam) Congo Square Theatre. Malkia currently has several tv commercial campaigns running with Allstate, Jeep and Office Depot. TV/Film credits: TV pilot, Illuminati Brothers (role: Agent Kline, Winner of Best Comedy in NYTF); and several short films. Malkia is currently playing Baptista/Grumio in Manhattan Shakespeare Project’s all female production of Taming of the Shrew, directed by Elyzabeth Gorman. Malkia shares her life with partner, Chike, and their three children.

GRANDMA/WHITE CHOCOLATE MUNROE and OTHERS- Emily Stockdale

Emily Stockdale is a senior BFA Musical Theater major at Pace University.  Recent roles include: Sally Bowles in Pace University’s production of Cabaret, Medium/Aunt in See What I Wanna See, Evelyn Nesbit in Ragtime, and Mayzie laBird in Seussical at the Weathervane Repertory Theater.  Emily will graduate in May from Pace and is so excited to be a part of this process!

DIAMOND/OTHERS- Harold Lewter

Broadway: Irish Rep’s Brigadoon (Shubert Theatre) New York: Kiss of the Spider Woman (Vortex Theatre), George M! (Flushing Townhall Stage), Freedom Train (TheatreWorks USA) Regional: A Chorus Line, Guy’s and Dolls, Godspell, The Wiz, Woyzeck, Hot L Baltimore, West Side Story, Columbus, A Winter’s Tale, Good Woman of Setzuan. TV: Cashmere Mafia (ABC) and Last of the Ninth. Film: Sweet Lorraine.

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Ano Okera Interview https://blackboardplays.com/ano-okera-interview/ https://blackboardplays.com/ano-okera-interview/#comments Wed, 26 Jan 2011 06:01:09 +0000 http://blackboardplays.wordpress.com/?p=397 Name, Theatre Background… My name is Ano Okera. I am a Playwright and Performance Artist who grew up as child performer in Jamaica recording music, acting, dancing and doing theater since I was 8 years old. After moving to New York I landed the role of ‘Angel’ in the hit Broadway Show RENT, as well as roles in Dreamgirls, …

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Name, Theatre Background…

My name is Ano Okera. I am a Playwright and Performance Artist who grew up as child performer in Jamaica recording music, acting, dancing and doing theater since I was 8 years old. After moving to New York I landed the role of ‘Angel’ in the hit Broadway Show RENT, as well as roles in Dreamgirls, Hello Dolly, West Side Story, All Shook Up and a revival of Mama, I Want To Sing starring Melba Moore andChuck Cooper. More recently, I was featured in the world premiere of Roses by the Water and Liddy’s Baths, Potions and Sammiches at the only Black and Latino Playwriting Festival in the country, Voices at the River, produced by the Clinton and Rockefeller Foundations.


Why is it important for you to be part of series devoted to Black Playwrights?

It is important to be part of reading series devoted to Black Playwrights. Who doesn’t want to share with a community they identify with culturally? I am honored that I get to share how I create art with the lyricism of music and words with my peeps and that this platform exists. I am proud to be a part of this.

What is important to you about a Black Community of Artists?

A black community of artists is important mainly because as artists our black is definitely different than the collective ‘black consciousness’. There are so many blacks voices and talents that aren’t seen or heard. I feel strongly that a coming together of minds committed to telling ‘our stories’ will allow us to paint a more accurate depiction our black experiences and how that has helped us find our voice today.

What does your play say about the Black Community to you?

The black community inspired my musical and thus expresses a range of my sentiment. First of all, I grew up in the Caribbean and matriculated to the United States before I became an adult. Given my induction within the artistic and theatrical arena, I have become reinvigorated in my attempt to comprehend and assess how Black Theater has developed and the varying streams of influence, particularly from the Caribbean. The result of this introspection is to further enhance the cross-cultural contribution to the burgeoning influence that challenges the way we visualize theater.

How did you begin writing this play?

I was doing a presentation for Voza Rivers at his home office in Harlem when he asked me what I was willing to do to increase an awareness of Harlem’s Vibrant Culture and has no idea he planted the seed. The truth is the hairs on skin rise when I walk in Harlem. While strolling one night, I was compelled to write a short story. I showed it to one of my mentors, Rajendra Ramoon Maharaj, and I laughed when he challenged me to write a musical. A year later I have completed the first draft of this new experimental, jazz musical called ‘Finding Harlem Dawn’. It has allowed me really explore how the Jamaican Voice influenced the beginning of the early Harlem Renaissance Movement. I have been stretched and pulled in every direction through this process, but am blessed to be in the midst great mentors. The best part is though, that I get to bring everything that I am as an artist to the writing process. It is like I have finally come home.

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