The end of March means a lot of important things, but most of all, it reminds us that COM students have to pick out courses for the Fall. With just a month to go with our current Spring 2015 courses, it’s quite daunting to realize that we have to start planning out our final semester at COM. In the midst of advising appointments, checking off that list of whether we fulfilled our required courses for our disciplines, and beginning to sketch a broad outline of what our possible graduate theses will be in the fall, we often forget that there are certain courses that may not be required for most students, but will still be important to take nonetheless.
Professor Mark Kramer’s JO 527 Art of Non-Fiction Narrative Writing course is just one of many great writing classes that is welcome to all COM students, whether you’re Print, Broadcast, or even an undergrad student. It’s for anyone wishing to hone in on their already superb writing skills or to learn a completely different craft. It fulfills a student’s desire to understand the intricate mechanics of writing in such a way that cannot be taught by reading published examples alone. It’s something to constantly practice, sharpen, and eventually add on to your mile long list of skill-sets to boast about when you’re thrust into the industry.
Michelle Marino, a final semester Print Journalism graduate student at COM is currently enrolled in JO 527, where she’s been learning how to write for an audience, getting readers involved and practicing how to build upon a single great idea.
“Going into it, I knew it’d be a rigorous class that demanded lots of attention and sleepless nights of re-drafts and rewrites. I’d already taken Feature Writing last fall with Professor Ruppel-Shell, and it changed my life. I decided to take Non-Fiction Narrative as well, because I wanted to tell a more compelling story but in a different way. Narrative is about informing and educating people while still presenting them with hard facts,” she said.
There’s a lot to take away from a course like non-fiction narrative. COM already has a superb list of phenomenal, skill-building courses for students to take, and with a superstar lineup of faculty in all long-form writing courses, Professor Mark Kramer rounds out that list with JO 527.
“First of all, there’s no syllabus,” Michelle said. “Students are to come up with seven ideas that you’d plan to write about for the semester. You then narrow your idea down to the point where you have a viable one to focus on. Kramer than chips away at something until you find the core focus. After being approved, you report a first draft. You get to take a whack at it for the next class if there are things to fix. There’s a long process of going through several drafts but it’s so helpful because it forces you to take your time to produce the absolute best you can.”
Hunting for an informative course where you can have fun and tap into your full writing potential? Look no further. Check out JO 527 and make room for it either this Fall or Spring 2016 semester!
]]>The Fall 2014 semester seems like another time and place, a lifetime ago. I had just transferred over from PR and was starting an entirely new course load and journey into journalism. I was pretty overwhelmed by the transition and trying to take on everything at a quicker pace than other first semester journalism students, since I knew I would only have a year to accomplish everything they would be doing in a year and a half. Last semester I wrote for this blog, the features department at The Daily Free Press, a Boston-based online food magazine called Simmer, and freelanced for BU's online magazine The Quad.
Besides that, I was searching for an internship for the spring; I knew that would be critical to me entering the workforce come graduation in May '15. I fortuitously ended up with an internship with Boston magazine this semester, and am already enjoying it. Since my preferred topic and medium is lifestyle magazine writing, I couldn't be happier. I am doing a lot of fact-checking, which allows me to dig deep into how sources were gathered and the information given. Although it can be painstaking, I'm learning a lot about the newsgathering process and topics I knew nothing about.
On Feb. 24, my first article will be published in Boston HOME. It is a piece on an artist and her gouache paintings. If you know what that means, I salute you. I didn't before I wrote the article. I'm hoping I will get to write many more over the course of the semester. I'm also an editor of the Spotlight section of The Daily Free Press. Editing has really given me the opportunity to keep on top of AP style as well as keep up with the news cycle. Having to pitch several stories every week keeps me constantly on the lookout for what's coming up on the horizon and what is newsworthy.
This semester is going to be a whirlwind, especially once the thesis gets off the ground. I think the hardest part about starting it will be deciding on a topic. I'm hoping some of my professors will be able to help, and I'll aim to do a print series (with some multimedia) on some aspect of agriculture or the fishing industry. The one thing I've learned from all the craziness is the more involved you are with everything around you, the more you are able to connect the dots. Whether you're interviewing a professor, chef, biologist, business owner, or Miss USA, you can learn from each one something that will surprisingly apply to something else you are doing.
Michelle Marino at her desk at the Boston magazine office
This is especially true when it comes to networking. I went to a COM networking event last semester and met the Food Editor of Boston magazine. At my internship, I am sitting right behind her and get insight into what she's working on every day. Here's to a great Spring 2015 semester!
]]>
As the journalism community grieved the loss of David Carr last evening, students at COM had to put emotions aside and do what they are being trained to do in the face of such a happening; report.
The recent couple weeks have been unfortunate for the world of journalism; the killing of two Japanese journalists by ISIS, Jon Stewart stepping down from the daily show, Bob Simon of CBS's 60 Minutes passing away and last evening, David Carr.To us at COM, he was not just another journalist. He was one of our professors, one of us.
Within minutes of hearing the news about his death though, students at the Boston University News Service (BUNS) and The Daily Free Press sprung in to action.
"Bulletin: There's chatter on Twitter that David Carr has died. We need to confirm or debunk this. If it's true, we need to report. If it's not true we need to report how this happened." posted Prof. Michelle Johnson on the Facebook page for BUNS contributors.
Within an hour of her posting, there were over a 100 responses in the comments section. Students had reached out to current professors, the Dean, students taking his class this semester and others who had taken it previously. The obituary that came out from this teamwork can be found on the BUNS website.
Jamie Bologna, a recent COM grad, who had taken Carr's class last semester,tweeted about the loss.
Jamie Bologna's tweets from the night of 12th Feb, '15
Prim Chuwiruch who took his course, Press Play, in the fall of 2014 said, "David Carr went beyond being just a professor. He was a mentor and a friend in times when he didn't need to be, but he did anyways."This is what the syllabus for his course Press Play looked like. I'm a second semester grad student at BU and I've not seen a syllabus from any other course look anything like this.
The Daily Free Press put together a page overnight dedicated to the late professor. COM alumni Megan Turchi and Justine Hofherr who both took his class wrote this piece for Boston.com. More coverage on the life of Carr and his demise will be up on BU News Service over the next couple days.
Despite being sad for the loss COM has suffered, I’m honestly grateful for the experience of working in a newsroom with such great teams. These are essential lessons that we learn for our lives as journalists. And I’m glad I’m learning it here at COM.
(Featured image courtesy: BUNS)
]]>“The rate at which women are amassing wealth and exerting influence is unprecedented. Yet the work that is supposed to motivate them springs almost entirely from a male perspective. The advertising business is a $33 billion industry. Misunderstanding female consumers, from a business perspective, is sheer lunacy.” - Kat Gordon
As an advertising copywriter and creative director, Kat Gordon was tired of being a part of an industry lead by males. She discovered that only 3% of creative directors within the advertising industry are women. So, she set out to create the 3% Conference in order to teach men and women in agencies and on the client side how to address these issues in new ways and offer something that has been sorely lacking for female creatives: a sense of community. Today, two years after its first conference in 2012, the 3% Conference has expanded into a “2-day, 400 person event in San Francisco, multi-city road shows throughout the year, a vibrant online community on multiple social platforms, a student scholarship fund, a creative award, and a business blog to support the crusade,” according to its website.

This year, two of BU’s College of Communication advertising graduate students earned a trip to this year’s conference in San Francisco after winning the 3% student competition. This year's creative challenge was to imagine that the ratio of female-to-male Creative Directors has increased 300%. Working in teams of two, students had to create a poster to announce this news to the industry to motivate folks to attend the conference and keep the movement going. Iona Holloway (COM ’16) and Annie Papadellis (COM ’16) were one of the top 10 winners (20 students total since they worked in pairs) to win the competition.

“I think it’s great,” explains Holloway and Papadellis’ professor at COM, Pegeen Ryan. “It’s very real life. You’re going to be entering award shows and competitions when you’re in agencies. It gives you real and fairly tight deadlines; it gives you stipulations on what you’re working on. Kudos to them for taking on the extra work.”
Ryan worked with both of her students throughout the entire process, helping them to edit and perfect their ideas for submission. The two were ultimately declared one of 10 pairs of winners from distinguished schools around the country, Brown University, Miami Ad School NY, University of Texas, Miami Ad School SF, Missouri School of Journalism and City College of New York. Besides tickets to The 3% Conference in San Francisco, winners also received a travel stipend, a gift bag from their sponsor Adobe and attendance at a portfolio review lunch during the conference.

“The conference was great,” says Holloway. “It reinforced how I'm really going to have to kick my own ass if I want to really succeed as a woman in the industry, which I don't see as a bad thing.”
Prof. Ryan was particularly excited about the networking opportunities for the young women. The students were able to network with people from across the country, giving them contacts to potentially use in their job search after graduation.
Though the numbers have risen, there is still inequality in the advertising industry. "It's amazing to me that the majority of consumer are women, and more men are creating the advertising that these women see," explains Papadellis. "It baffles me they still haven't changed their approach," she says.
However Holloway is excited for the future, as she believes “Women are brilliant, as are men. There's no reason why the advertising industry can't reflect the society it serves. It might take a while, but it will happen.”
]]>
The halls of BU’s College of Communication (COM) are much quieter now that everyone has settled into what many consider the most stressful week of all—finals week. Lucky for me, and for most other COM grad students, my semester ended last Wednesday with the last day of classes. No, I did not have final exams, but yes, I did have four (that’s right, four!) final presentations within a three-day stretch. As I sat back in my desk last Wednesday night after my Writing for Media Professionals final presentation, I breathed a sigh of relief. I was finally done with all my work. I had successfully completed my first semester of graduate school.
Now, don’t let me confuse you… this semester wasn’t just all stress and no fun. Sure, the adjustment from being an undegrad to a studious “adult” in graduate school was difficult, especially when it happened all in one year, but my first semester as a Public Relations grad student at BU has overall been an incredible experience.
Some of the hi
ghlights of my semester include:
My first weekend: What better way to start the semester than with Boston Calling (a three-day music festival on City Hall Plaza in the heart of Boston). I went with a couple of my friends and it was an awesome experience! Despite us having to evacuate for a couple hours due to a severe thunderstorm, we still got to see Lorde and Childish Gambino.
My Professors: This has been the first semester of my life that I have genuinely liked all of my professors. All four have been so helpful and knowledgeable. I am so grateful to have such great mentors as I embark upon my grad school journey.
Group projects: Yes, group projects! A task I absolutely despised in undergrad has become a lot more bearable, even fun at times. Group projects are now an experience where I can look forward to input and collaboration from my peers, and not worry about having to do all of the work myself.
Cooking: Having always had a meal plan at my undergrad, I never really learned to cook. At all. The beginning of this semester was filled with frozen pizzas and chicken nuggets, but now I have learned that cooking can be really fun and yummy. Adult life, here I come!
BuzzFeed: For my aforementioned writing class, our final project was to interview someone interesting. I took a long shot by emailing one of my favorite writers from BuzzFeed asking to interview him. He said yes, and I got to go to the BuzzFeed office over Thanksgiving break and interview him. That was probably my favorite thing I did this semester.

Overall, this fall has been great. I am looking forward to next semester (especially my Nonprofit Public Relations class with Professor Downes and my internship with Peace First). But before that, my winter break will consist of much need sleep, my mom’s home cooking, some reading for leisure, and lots and lots of Netflix.
Have any questions for our PR graduate student, Becca? Ask her in the comment section below!
If you’re interested in finding out more about all graduate programs offered through BU’s College of Communication, make sure to visit our website here.
]]>
We live in a digital world. No matter what you do or what profession you're in, this reality permeates everything around us. In the communications field especially, it has never been more critical to embrace digitization to effectively gather, analyze and disseminate information. Aside from a compelling narrative, finding ways to insert data and help people visualize information is vital.

It's no coincidence the Fall 2014 issue of COMtalk (BU’s College of Communication publication for alumni, parents and friends) listed data storytelling as one of three major trends affecting journalism today. Within the issue, many of COM’s professors are featured for their keen efforts in providing students with the tools needed to succeed in a changing field; one of those professors is Maggie Mulvihill. This COM Journalism professor is dedicated to getting students on board with using data not only to enhance their story’s credibility, but also arm them with valuable skills eagerly sought out by employers.
Professor Mulvihill, whose background is in watchdog and investigative reporting, has been using data to inform her stories for over 20 years. She ran a Storytelling with Data workshop at BU this summer, and is currently teaching a class this semester—Data Storytelling. The course focuses on learning how to identify and obtain appropriate data, how to download and extract, clean, analyze and finally bring it to life through data visualization. "No matter what occupation, we need to know how to work with digital information," says Mulvihill. "All records are being digitized. In three to five years, government information will be streaming instead of static. Journalists have to be able to harness and capture information as it's streamed and tell stories," she says.
Data is important, but when coupled with good journalistic skill, it can be powerful. Especially when analyzing, if you're asking the right questions, your data can serve to elevate your story in a meaningful way. Although most of us aren't statisticians or research scientists, as social scientists we're able to ask the right people to fairly and accurately assist us with data interpretation.
Currently, Mulvihill has a student in her class working on a story with the use of government data. After analyzing this data and obtaining a statistical finding, the question of statistical significance comes into play. Mulvihill asks the question, "Is it statistically significant to be news?" In other words, to be newsworthy, data has to provide information that isn't already out there and doesn't serve as an outlier. The student looking at government data consulted with a statistics professor who advised them to get more data so they could look at a broader spectrum of information. In the end, these types of consultations will ensure a statistically sound story.
Along with journalistic skill, data is always more effective when presented with a human face. "It can't just be statistics and government records," says Mulvihill. "It has to have a strong character driving the story so people who read, watch and care about it can identify." This is why Mulvihill asks her students to choose a character at the beginning of the story development process to focus on throughout.
Mulvihill is also in the process of developing a computational journalism initiative at BU. She says there is a sense of urgency for journalists to move in the direction of telling stories with data, and more and more people studying journalism are learning and integrating computer science into their careers. "There are so many jobs for journalists now with data storytelling skills," says Mulvihill. "It's prominent and it's not just limited to journalism, it's every profession," she says. "I love the ability to do stories other people can't."
What are your thoughts on incorporating data with journalism? Let us know in the comment section below.
Interested in BU’s College of Communication graduate programs? Visit our website here and you can find out what it takes to earn your MS in Journalism at BU.
]]>
All Journalism graduate students at BU’s College of Communication are required to take JO721- Journalism Principles/Techniques. Every fall, Professor Christopher Daly teaches a section of JO721 designed for all new international grad students in the Journalism program.
Alongside classes, Prof. Daly does his bit to help these same students acclimate to American culture and the education system. “In a program like journalism, a lot of our assignments depend on cultural awareness. If the students need to tackle topics like the Red Sox, Halloween and Black Friday they need to have a general knowledge of American folkways and society, as they cannot be expected to have that exposure coming from another country” he says.
The American exposure begins early in the semester, when Daly invites students to his home so they can get a first-hand impression of an American household. Daly is also known to bring alumni and other experienced journalists into his classroom to speak to the international students.
The positive influence Daly’s class and efforts have on international students is apparent through the grad students who have been in the program for a few semesters. “My more experienced students come into class and happily and spontaneously testify that they got a lot better over the course of their first year. ” says a proud Daly.
Those grad students who visited Daly’s current students had a lot of advice to offer. Third-semester Journalism student Claire Giangrave told them about how she would ask American students who were better than her to let her read their work. She would look at what they did and imitate it. “The truth is, you have to work harder and better than the others. I made it my goal to compare myself with the best, not just among my peers, but also with great journalists and professors.” she said. She also advised the students to not hesitate to ask for help from fellow students and BU’s amazing faculty. Claire herself moved to Boston from Rome.
Prim Chuwiruch, another third-semester Journalism student from Bangkok, advises new grad students to relax. “ I know that it sounds like the most easiest piece of advice but it's true. Once you take a breather and get yourself accustomed to everything in this new city, things will fall into place on their own and you'll look back and wonder why you ever stressed out so much in the first place.”
A couple weeks ago, Melanie Lidman, an alumnus from the University of Maryland, visited Daly’s international class. Lidman now writes for The Times of Israel and the Global Sisters Report. The entire section pepped up when Lidman told stories about her reporting experiences in troubled parts of the world including Egypt and Israel. She also offered some sound advice for those pursuing a career in the journalism industry: “You will make mistakes along the way. It’s a long journey to grow as a writer and move your career forward,” she told the class.
Are you an international student looking to apply to BU? Find out more about the application process here.
]]>Production I is an introductory class that every Television graduate student takes in their first semester at BU’s College of Communication (COM). Professor Geoffrey Poister, who has 15 years of experience in the film and TV industry, teaches the course.
In Production I, students start off by learning how to use a basic DSLR camera and what different lenses are used for different effects. Next, they move on to the more advanced Panasonic camcorder, which is used by professional TV crews and is good for shooting interviews. Students learn to record sound using various microphones such as the wireless, lavaliere and shotgun. They also touch upon lighting techniques and learn how to use Avid, Hollywood’s editing software of choice.
For their first assignment, students produce a silent film. The script for this project must be highly action-based. After the script is complete, students learn how to add sound to their film. Students choose to either record new music or select from the available media libraries on COM’s computers located in all the labs on each floor.

Their second assignment is a group assignment in which students have to work on a documentary—one with real people and characters. This semester, one group chose to work on a story about Professor Poister himself, as he is part of a band. “This is the course I have most fun in. Professor Poister is very funny! I was really surprised to know that he was part of a band,” said Maggie Shuting Cao, a first semester television graduate student.
Professor Poister gives his students creative leeway while giving them hands-on instruction for learning the techniques of film production. Students learn to differentiate between producing say, a more dramatic, fictional movie and one that is more ground in reality, a documentary kind of production. This way they learn two different ways to narrate stories, all in one semester.
Mohammad Behroozian, a student from Afghanistan, who took the class this semester said he really appreciated the “opportunity to test the edges of [his] creativity.” For his first project he produced a stop-motion animation. Beginning right from scratch, he built a set on his study-table. He created mannequins and gave them costumes and lit it artificially. Check out his work here!
Mohammad Behroozian says he would like to work on producing educational television material for children back in Kabul once he graduates from BU’s College of Communication.
Want to learn more about the programs offered by COM’s Film/TV department? Visit our website here and find out how you can apply to one of the graduate programs here at COM.
]]>
Check out my interview with BU College of Communication alum Paul Kresge, who is now an Account Manager for Centro, an advertising tech company in Chicago. Kresge talks about how he’s been able to use what he learned at COM to help him become successful in the communication industry.
Kresge received his Bachelor’s degree in Communication at Boston University. He went on to earn a MS degree in Public Relations at BU’s College of Communication.
Recently, Centro was ranked No. 1 on Ad Age's 2014 list of best places to work in advertising, media and ad tech. Centro makes software that helps companies better engage with their audience.
Have any questions for Paul that we didn’t cover in this interview? Feel free to ask in the comment section below.
Interested in attending one of BU College of Communication’s graduate programs? Check out our website to get more information on all the programs here at COM.
]]>
Tucked away in the College of Communication’s Film & Television department sits a relatively new Master’s program that you may not know much about—Media Ventures (visit our site to find out program details). The program, which has only been around for five years, already has its graduates making quite a splash in the world of new media.
Media Ventures (MV) is a 12-month MS program that focuses on media innovation and entrepreneurship—a creative degree for creative students. This bi-coastal program combines practical experience with theory and mentorship to help students prepare for a career in technology, business and media (if the business component appeals to you more, a dual MBA/MS degree in MV is available- more information can be found here).
"I look at it as the new producing," says Media Ventures Director Cathy Perron. "I was a TV producer and I liken this to that process [producing]. You have the idea phase to air date, and all the constituents you work with until the show airs. Here, instead you are coming up with a new media process and working with similar constituencies," she says.

During their first semester in Boston, MV students develop a new media business product or service, complete with prototype, business and marketing plans (this project serves as the degree’s thesis component). Students work with each other to brainstorm and pitch different ideas. The following two semesters are spent in Los Angeles, where students complete two internships while simultaneously finalizing their thesis. "Los Angeles has a very vibrant startup community and most are focused on media startups," says Perron.
Students in MV talk about their experiences as interns in start-ups in Boston and LA.
As the two semesters unfold in LA, students are constantly working to improve their new media project. Each summer, COM hosts their annual summer PitchFest, which gives MV students the opportunity to present their projects to a guest panel of media start-up and venture capital experts. This 15-minute presentation with 15 minutes of Q&A allows students to receive valuable feedback on their ideas and create networking connections with those in the media industry. Check out pictures from this year’s PitchFest by liking BUMediaVentures on Facebook.
Even if creating the next big app is not your goal, there are other things you can do you’re your MV degree. "Students who have graduated are getting really good jobs," says Perron. "They are in well-compensated strategic positions. The program was timely in its launch because the kinds of jobs out there are jobs that Media Ventures will prepare students for," she says. The program has alums in positions like Senior Manager at Hulu and Editor of Bloomberg.com.
Beth Haber, Consumer Insights Manager at Hulu and graduate of the program, says her role at Hulu is directly related to what she learned in Media Ventures. "Media Ventures is focused on the execution of media and the introduction of new media platforms," she says. "Hulu has really been a part of that. It's interesting to see what I was learning in the program and how it relates to what I do every day now," Haber says.

COM’s current MV class is comprised of students from all walks of life—a largely international crew with backgrounds in technology and engineering, design and even law. "What I want to stress is it's a cross-disciplinary program," says Perron. "Anybody who's interested in any different form of media could come into this program as a one-year grad program and learn the strategies of innovation," she says. "You get real roll-up-your-sleeves practical experience, where at the end you have a calling card [thesis project] to show a possible employer or investor and you can show them what you've done from concept to marketplace," says Perron. "It's a tremendous opportunity."
Make sure to follow @BUmediaventures, so you can keep up with what’s going on in their program.
Do you have a great idea for media innovation? The Media Ventures graduate program could be for you! Learn how BU’s College of Communication can help you take that next step in your career by visiting our site here. Have questions? Ask us in the comment section below.
Check out the video below to hear what HBO Senior Vice President, Jay Roewe (COM '79) has to say about PitchFest and the forward-looking aspect of a Media Ventures degree.
]]>