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          Judge Anderson – The PSI Files Vol. 1 – 5 (2012-2016)      Cache   Translate Page      

GetComics.info ~

Year : 2012-2016 | Size : 2.94 GB

Collects Judge Anderson stories from 2000 AD comic and specials plus the Judge Dredd Megazine.

The post Judge Anderson – The PSI Files Vol. 1 – 5 (2012-2016) appeared first on GetComics


          The Science of Obscure Superheroes Part One: The Whizzer      Cache   Translate Page      
Recently I gave a talk for the Reading branch of the British Science Association on the subject of the science of superheroes. It's a subject that's been covered a great deal elsewhere and so I wanted to approach it from a different angle. I decided to focus on the science behind some lesser known superheroes. I chose to discuss The Whizzer, Chunk, Matter Eater Lad, and the Red Bee. I looked at their powers and origin stories and tried to find parallels in real world science. I've adapted my talk into a four part article. This part is about The Whizzer. 

In the 1940s, The Whizzer was Timely Comics' super-fast answer to The Flash. He first appeared in USA Comics #1 (1941). Robert Frank was bitten by a cobra while on a trip to Africa with his father, Dr. Emil Frank. To save Robert’s life, Emil did what any caring responsible, scientist dad would do. He transfused the blood of a mongoose into his son’s body. Luckily this granted Robert the gift of super speed! He found he could run at speeds of up to 100mph, create cyclones by running in circles, and could run up walls and across water.  He of course, used these gifts to fight crime.

If the Whizzer sounds familiar to you it may be because a version of the character appeared in the second season of Jessica Jones. This Robert Frank was radically different from his comic book counterpart, although Netflix provided a little nod to his roots, by giving him a pet mongoose.


Robert Frank was the subject of xenotransfusion - the transfer of blood from one species into the veins of another.  But how plausible is the idea that humans can take on the characteristics of animals through the transfusion of their blood? Well, very plausible, if you happen to be a scientist from the 17th Century. 

On June 15th 1667 a French physician named Jean-Baptiste Denys performed the first documented blood transfusion on a human. Denys bled a feverish 15 year old boy with leeches before treating him with a transfusion of lamb’s blood. The idea was that the calm, gentle nature of the lamb would be transferred to the boy. The boy survived, although this was probably only because Denys had transfused so little of the lamb’s blood into him. Denys had further success performing the same experiment again on a butcher. It wasn’t until he performed it on a third subject that he got into trouble.


Antoine Mauroy was a mentally ill man, well known in Paris for terrifying the locals with his antics. Denys and his colleagues thought they might be able to cure Mauroy by replacing his “bad” blood with the “pure” blood of a calf. Mauroy was picked up off the street and forced to take part in the experiment against his will. Denys performed the experiment in the presence of a group of rich aristocrats whose hobbies included witnessing new and risky scientific procedures.  The experiment was performed a second time and appeared to actually have a positive effect on Mauroy.  According to science writer Pete Moore, there was a reason for Mauroy’s positive reaction to the transfusion that was peculiar to him. He had syphilis.

Mauroy’s white blood cells attacked the unfamiliar blood in much the same way as they would attack a disease. This caused a raging fever. Fever is a known treatment of tertiary syphilis. Two and a half centuries later, Julius Wagner-Jauregg would receive the Nobel Prize for treating syphilis by deliberately infecting patients with malaria. Denys had accidentally treated Mauroy’s syphilis!

After the second transfusion Mauroy went back to his debauched ways. His wife begged Denys to perform the procedure again, which he did. This time Mauroy died and Denys found himself on trial for murder.

You might be thinking “Serves the silly bugger right! This is what happens when you go injecting people full of cow’s blood”. But it wasn’t as cut and dried as it might have first seemed. It was later found that Mauroy had actually died of arsenic poisoning. Denys was let off the hook, and Mauroy’s wife was found guilty of poisoning his soup. It would seem that, in a plot worthy of Columbo, Mrs Mauroy had grown tired of her husband’s debauched antics and saw Denys’s experiments as a convenient scapegoat for his murder! Other historians have argued that Mrs Mauroy herself was a scapegoat and that enemies of the experiment murdered Mauroy in a successful effort to get the icky and ungodly practice of blood transfusion banned in Europe. Either way, it just goes to show that if you are going to practice risky, untested medical procedures then make sure you’re not performing them on a complete prat who everybody's trying to kill.

These days we know a lot more about the risks of blood transfusion. We know that even humans are not universally transfusion-compatible. Humans are divided into blood groups that determine who can receive blood from whom without suffering a severe immune reaction that can be fatal. That’s because our immune system senses molecules on the surface of red blood cells and reacts aggressively to red blood cells that don’t have the right kind of surface molecules. This is why when we receive blood transfusions our blood group has to match the donor blood. Our blood must have the same kind of surface molecules on its red blood cells as the cells in the donor blood. 

These blood groups are not just limited to humans. They are also found in our close relatives in the animal kingdom, especially other primates. Theoretically you could receive a blood transfusion from a gorilla or a chimpanzee, if you shared the same blood group. You might wonder why we aren’t all getting monkey blood on the NHS. Well, there are still minor differences between the blood of humans, and apes, and we don’t know what effects these differences would have. Also, great apes are endangered and they’re not exactly easy to come by. 


So, is there an animal alternative? And is it a mongoose!?

Xenotransfusion research is currently focusing on pigs rather than apes, and it’s not just because there’s bloody loads of pigs around the place. Pig’s blood is quite similar to human blood. Our red blood cells are about the same size and have the same life span as a pig’s red blood cells. There are other similarities too, such as the structure of the haemoglobin – the protein in red blood cells that carries oxygen throughout the body.  

Pigs could also be genetically modified to produce red blood cells that are equivalent to human type O negative. O Negative blood cells are called “universal” meaning they can be transfused to almost any patient in need. O Negative blood is what patients are given when they need an emergency transfusion and there’s no time to figure out the patient’s blood type.

You might be asking yourself “Yeah, but what about the poor pigs?” Rest assured that if we were to use pigs for blood transfusions there would be no need for them to come to any harm. Only 10% of the pig’s blood volume would be used each time, leaving the pig in need of nothing more than a biscuit and lie down. 

Due to the fact that kind humans are still willing to donate blood, and also due to advances in both the storing of blood and in getting what we need from it, it’s unlikely that any of us will be receiving pig’s blood transfusions any time soon. Even if we did however, the process unfortunately would not grant us the strength, speed, and agility of a pig.


Come back tomorrow for part two!

Sources:



          Twitch Tuesday: KayPikeFashion Is A True Work Of Art      Cache   Translate Page      

There are plenty of amazing cosplayers on social media, but KayPikeFashion takes things to a level that no one else does. Using only body paint, she brings comic characters to life as you’ve never seen before. Standing perfectly still, you …

The post Twitch Tuesday: KayPikeFashion Is A True Work Of Art appeared first on Mandatory.


          Not Forgotten!      Cache   Translate Page      
Just a quick post to note that I have not forgotten this comic or any of them, I’ve just had a lot of complications and hope to get back to updating SOON!  – Tiff
          An Abbynormal Vacation 27      Cache   Translate Page      


          An Abbynormal Vacation 26      Cache   Translate Page      

Minor note: No update next week. I’ll be on vacation, but the next one is already loaded! – Tiff
          An Abbynormal Vacation 25      Cache   Translate Page      


          Re: Why diversification is not a viable strategy?      Cache   Translate Page      
Diversification is simply common sense and too many brilliant minds make it way more complicated then it needs to be.It is actually almost comical and I believe quite ego driven.
          Tomorrow morning debutta a Fabriano dopo una residenza      Cache   Translate Page      

Un musical da camera con la tipica comicità e ironia italiana, oltre a un tocco di profonda riflessione e, perché no, malinconia. Stiamo parlando di Tomorrow morning. Domani ti sposo… domani ti lascio! che debutta in prima assoluta sabato 14 aprile al Teatro Gentile di Fabriano, al termine di una residenza artistica di allestimento proprio nella […]

L'articolo Tomorrow morning debutta a Fabriano dopo una residenza proviene da Abracadamat.org.


          Batman Battles the Teenage Mutant Ninja Turtles in the First Trailer For Their Movie      Cache   Translate Page      
Watch the trailer for the biggest comic book movie crossover in years. Continue reading…
          Disney might be working on a streaming show based on Marvel's What If comics       Cache   Translate Page      

Disney suddenly has a lot of big plans for its Disney+ streaming service, with the initial idea of taking things slow recently replaced by a new approach that involves dumping the “entire” Disney vault online—in addition to big-name projects that have already been announced, like The Mandalorian and the Marvel…

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          Отсутвие | уход      Cache   Translate Page      

Не будет с 1 августа по 15! За ранее предупреждаю!


          VM002 Captain Marvel (2019)      Cache   Translate Page      


In unserer zweiten Sendung geht es direkt um den neuesten Streich aus dem MCU, denn zusammen mit Eric von den Kulturpessimist*innen reden wir über Captain Marvel. Dabei gehen wir einerseits auf die Bedeutung des Films für das Superheld*innen-Filmgenre und suchen nach Gründen für die doch sehr gemischte Rezeption des Films.

Weiterführende Links:
- NerdNerdNerd: NNN069 Diskussion: Superheld*innenkino Quo Vadis?
- Kulturpessimist*innen: KS020 Refreshing Multiverses
- Femgeeks: Höher, weiter, feministischer – Captain Marvel
- Comic Tropes: The Kree-Skrull War & Its Effect on Marvel's Event Comics

[ Download | RSS video.mitschnitt | RSS-Masterfeed | iTunes-Masterfeed ]

Feedback geht so:
Twitter Podcast: @NNN_Podcast
Twitter Steffen: @NerdNerdNerd_de
Twitter Kati: @CatchKati
E-Mail: nerdnerdnerd.podcast@gmail.com
          Chapter 1      Cache   Translate Page      

Last updated: 18:44, Tue 12 Mar 2019 by Saskia Bakker

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          The Comic      Cache   Translate Page      

Last updated: 16:14, Wed 6 Mar 2019 by Its Secondee

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          Comic for 2019.03.12      Cache   Translate Page      
New Cyanide and Happiness Comic
          Black Lightning S:2 The Book of the Apocalypse: Chapter One: The Alpha E:15 Review      Cache   Translate Page      

 We finally get to see Jen in her suit, Tobias releases the remainder of the criminals in the pods, and Odell is getting increasingly creepy. Check out @lanisha914, @okayDrew, and @ZuriChellece for this week’s Black Lightning episode! CW and Greg Berlanti expand the footprint of their DC Comics universe with this exploration of the intersection […]

The post Black Lightning S:2 The Book of the Apocalypse: Chapter One: The Alpha E:15 Review appeared first on AfterBuzz TV Network.


           Comment on ABC Warriors Comic Free Download by Russ Minotaur       Cache   Translate Page      
It does work even if it seems not to.
           Comment on Batman – Whatever Happened To the Caped Crusader (The Deluxe Edition) (2010) by The Comic Guy       Cache   Translate Page      
Hi @hugo_paiva:disqus All the post that you've reported has been fixed. Sorry about the broken links. Cheers
           Comment on The Punisher (Ultimate Collection) (1974-2009) by The Comic Guy       Cache   Translate Page      
Hi @jhsif:disqus Thank you so much for helping the site :)
          Auditions for Old Log Theatre's production of A Gentleman's Guide to Love and Murder.       Cache   Translate Page      
Old Log TheatreSue TheimerPDF icon GENTS PRODUCTION CALENDAR.pdf (177.36 KB)Email/contact

OLD LOG THEATRE is casting Equity & Non-Equity actors for various roles in "A Gentleman's Guide to Love and Murder." Seeking a multicultural cast for this show. Any role can be played by an actor of any racial background or ethnicity.

Director: Eric Morris

Music Director: Bradley Beahen

Choreographer: Joey Miller

AUDITION INFO:

Tuesday, April 2nd, 2019 from 10a-6p @ Old Log Theatre.   

CALLBACKS will be held on Tuesday, April 9th, 2019. Time TBA @ Old Log Theatre.

Please bring a headshot and resume and be ready to share information about conflicts.   

 

SCHEDULE:

Rehearsals begin September 24, 2019.

Performances run October 18, 2019-February 15, 2020. 

Production calendar is attached.  Rehearsal times are subject to change.   

 

PERFORMANCE SCHEDULE: 

Wednesday @ 1:30

Thurs-Sat @ 7:30pm

Sun @ 2pm

 

SALARY: $500 per week.  SPT 5 AEA. 

Click here for online signups

 

SYNOPSIS: Gentleman’s Guide is the uproarious story of Monty Navarro, an heir to a family fortune who sets out to jump the line of succession by--you guessed it--eliminating the eight pesky relatives who stand in his way. This is a high-style, British romantic farce set in the Edwardian era. It requires highly trained actors who sing beautifully and have great comic skills. British accents are required for all roles. There is also an ensemble of six, all of whom play important roles throughout the play; solo singing required by all.

 

PREPARATION: Please prepare TWO 32 bar cuts of LEGIT MUSIC-THEATER that contrast in tempo and character.  Please make sure your selections demonstrate the vocal ranges required in the character breakdown.  You may sing from the show.   

 

CHARACTER BREAKDOWN

PRINCIPALS:
[THE D’YSQUITH FAMILY] 30s – 60s. Must be an experienced, skilled, and transformational comedic actor who has a superb grasp on British farce. Physical comedy and stamina is a necessity. Does not necessarily need to be a phenomenal singer, but must be able to carry a musical comedy without an ounce of hesitation. Plays a full range of characters from the same family, ranging from an off-kilter priest to a closeted bee enthusiast to a lowly custodian (each of them intrinsic “English types”). Asquith D’Ysquith, Jr.: a dandy. Lord Adlabert D’Ysquith: Eighth Earl of Highhurst. Reverend Lord Ezekiel D’Ysquith: a clergyman. Lord Adlabert D’Ysquith, Sr.: an elderly banker. Henry D’Ysquith: a country squire. Major Lord Bartholomew D’Ysquith: a bodybuilder. Lady Hyacinth D’Ysquith: a benefactress. Lady Salome D’Ysquith Pumphrey: an actress. Chauncey D’Ysquith: a janitor.  Open to all vocal ranges. 
 
[MONTY NAVARRO] Mid 20s – 30s. Handsome and effortlessly charming, clever and charismatic, vulnerable and endearing, with a highly developed appreciation for life’s ironies. Monty is the engine of the plot; must be able to command attention and draw the audience in. While he is intent on killing off the entire family tree, he must have a winning charm that would garner anybody’s trust. High baritone with a strong top; solid low A to high A.
 
[SIBELLA] 20s – mid 30s. Sexy, flirtatious, narcissistic, willful, calculating, and irresistible. A social climber, yes, but also truly loves Monty, and in the end would do anything to protect him. Tremendous wit and high style.  Strong mover. Character mezzo, low F# to high A.
 
[PHOEBE] Early 20s – early 30s. Beautiful, virtuous, forthright, romantic, comically earnest, with a backbone of steel. She is not your typical ingénue, though. Actress must have a sense of irony and humor, in addition to a youthful innocence behind her sophistication. Coloratura soprano up to a high sustained C# with an optional high Eb. Very flexible and agile, B below middle C on the bottom.

ENSEMBLE:
[WOMAN #1] mid 20s – 50s. Plays MISS SHINGLE, a Cockney housekeeper/governess who has served a wealthy, titled family for 30 years. She informs Monty that he is indeed a D’Ysquith.  Storytelling is paramount for her role.  Also plays TOUR GUIDE, as well as PUB OWNER’S WIFE, MRS. PEBWORTH, 3RD NEWSBOY. Seeking a character woman. Mezzo soprano, G to high A.
 
[WOMAN #2] mid 20s – late 40s. Plays LADY EUGENIA, an unhappily married countess. Overbearing and mean spirited at times, but comically so. Must be highly adept at the biting quip and the withering glare. Also plays MISS HETHERINGTON, and 4TH NEWSBOY. Low F# to high A.
 
[WOMAN #3] Mid 20s – mid 30s. Plays MISS BARLEY, an alluring artist model. Also plays SIBELLA’S MAID, HYACINTH COLLEAGUE, PHOEBE’S MAID, HILDA. G to high C.

 

[MAN #1] 20s – mid 30s. Appealing and attractive. Plays TOM COPLEY (aka FARMER), as well as 2ND CLERK, HYACINTH COLLEAGUE, 2ND NEWSBOY, ACTOR, ANCESTRAL BUST, DR. PETTIBONE, and GUARD. High baritone with a strong top; solid low A to high A.

 
[MAN #2] Early 30s – 40s. A versatile and appealing character man. Plays DETECTIVE PINCKEY, who has a featured number. Also plays 1ST CLERK, PUB OWNER, MR. CROSS, 1ST NEWSBOY, 1ST ACTOR, PHYSICIAN, and 2ND ANCESTRAL BUST. Bass/baritone, low C to high G#.

 
[MAN #3] Mid 20s – 40s. A character man. Plays THE MAGISTRATE, as well as MR. GOODSALL, ACTOR, and MR. GORBY. THE MAGISTRATE has a featured number with DETECTIVE PINCKEY. True tenor. B flat to high B flat.
 
 

 

Monday, April 1MenWomenPaidUnionNon-UnionColor inclusiveAuditions
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Wednesday, April 3, 2019
          The Music Behind the Harryhausen Movies      Cache   Translate Page      
Selenite-blogging, essay 4 of 5 blog entries
on First Men in the Moon (1964)

Part One: A Salute to Laurie Johnson

The great movie composers inevitably seem to get associated with one particular score—the one that would play behind them when they accept a Lifetime Achievement Award or receive an MBE from the Queen.

For Max Steiner, it would be Gone With the Wind (1939).  For Victor Young, The Quiet Man(1952).  For Bernard Herrmann, Psycho (1960).

Composer of the wonderful score of First Men in the Moon (1964), Laurie Johnson is forever tagged as the composer of The Avengers TV theme, the music that must have played behind him when he was awarded the MBE (Member of the Order of the British Empire) for his services to music in 2014.  It’s one of the great TV themes.


But there’s much more to Laurie Johnson than just The Avengers, case in point being his very fine score for First Men in the Moon.  As the film moves from Victoriana to the weirdness of life insider the moon’s caverns, the music grows increasingly strange.  In this first clip, the Selenites are introduced with a blast of dissonance which drops into a syncopation at the 26 second mark, effectively suggesting the movement of the Selenites along the cave passageways.  Then a piercing high-pitched Selenite theme abruptly appears, eerily meshing keyboard with strings.  Staccato brass echo the melody.  From this point, whenever the Selenites approach, the theme returns.


Surprisingly, First Men in the Moon only contains one traditional Harryhausen monster scene.  The giant mooncalf provides this one opportunity for a chase and attack.  Naturally, the mooncalf gets his own theme, both ponderous and relentless, echoing the beast’s size and threat.


In one of the film’s most visually opulent scenes, designed by Harryhausen to suggest the magnificent sets of She (1935) and A Matter of Life and Death (1945), the scientist Joseph Cavor mounts a seemingly endless staircase that leads upward toward the throne of the Selenite ruler, the Grand Lunar.  In this clip, Johnson’s staircase theme begins at 1:26, striking an almost religious note that appropriately reflects the look of awe on Cavor’s face.


Now 88 years old, Laurie Johnson is one of the few members of the First Men in the Moon crew still with us.  Over the years, he has scored more than 400 films and television episodes.  Classically trained, he enjoyed adding experimental new sounds (like the synthesized Selenite theme) to traditional orchestral arrangements.  You can hear his adventurousness in First Men in the Moon as he moves from Gustav Holst-style themes for Victorian England to a discreet background of electronica ever-murmuring behind the Selenites.  It’s a magnificent piece of work.


Part Two:  My Three Favorite Scores to Harryhausen Movies

Captain Nemo (Herbert Lom) at the organ in Mysterious Island (1961).

Considering how the Charles Schneer/Ray Harryhausen movies tend to coast on second-tier directors and actors, I’m always amazed that they so often invested in the very finest music composers.  In return, Schneer and Harryhausen received scores that amplified the production values and technical effects, making the evocation of their fantasy worlds both more believable and dramatic.  A great score helps a lot!

For my three favorites scores to Harryhausen movies, it may appear that I’m picking one score apiece from three composers in order to avoid simply picking three Bernard Herrmann scores.  After all, Herrmann’s musical reputation is stellar and ever-growing, and I have four excellent Herrmann scores to choose from (The Seventh Voyage of Sinbad, The Three Worlds of Gulliver, Mysterious Island, and Jason and the Argonauts).  Also, I could be criticized for leaving out a fourth major composer—Miklos Rosza—who worked on the Harryhausen movie The Golden Voyage of Sinbad.  But my selections really are my personal three favorites—the other Herrmann-scored movies would be in fourth through sixth place and, as for the Rosza score, I think it’s far from his best.

My favorite of the Bernard Herrmann scores is his wonderfully varied work on Mysterious Island.  It’s got swirling hurricane-evoking action music to launch the adventure, a set of moody quiet themes for the mysterious island, and quirky set pieces for each of the monsters.  This selection—Elena/The Shadow/The Bird—begins with a delicate character piece for the young heroine, followed by some very Vertigo-esque forebodings, then (best of all) simultaneously comic and threatening music to accompany the attack of a giant flightless bird.


The film composer Jerome Moross is justifiably most famous for his classic western score to The Big Country (1958).  But—perhaps because I heard it first—my heart belongs to his music for The Valley of Gwangi, Harryhausen’s grand dino-western.  This clip begins with introductory themes and then hits its stride at the 1:20 mark with one of the finest of all expansive western melodies.  It’s everything I want a western score to be.


And third favorite?  Why that’s First Men in the Moon, of course!  Composer Laurie Johnson, a friend and occasional assistant to Bernard Herrmann, seized the opportunity to do his own variation on a Herrmann-type score and he did the master proud.




Reference Sources
Into the Unknown: The Fantastic Life of Nigel Kneale by Andy Murray
Film Fantasy Scrapbook by Ray Harryhausen
Ray Harryhausen: An Animated Life by Ray Harryhausen and Tony Dalton

... and a special thank you to the hosts of For the Love of Film: The Film Preservation Blogathon: Ferdy on FilmsThis Island Rod, and Wonders in the Dark.

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© 2015 Lee Price



          Notes for an Essay Series on Winsor McCay's Gertie the Dinosaur      Cache   Translate Page      



Winsor McCay's
Gertie the Dinosaur (1914)
Turns 100!





Gertie peeks out.
The world’s oldest animated dinosaur, Gertie, turned 100 this year.  Gertie made her world debut in February 1914, with the animated dinosaur appearing to interact with her live creator, the brilliant artist Winsor McCay (1869-1934), on a vaudeville stage in Chicago.  Last month, I celebrated this important early cinema anniversary at a Museum of Modern Art film event hosted by John Canemaker (who led the audience in a “Happy Birthday” sing-along!) but I didn’t celebrate here on my blog, where I had really hoped to find the time to compose a multi-part blog series.

Someday I may still get to it, but in the meantime, here are my notes on subjects and questions that might reward future development:

        Pay tribute to a hundred years’ worth of changes to the exterior of the American Museum of Natural History (contrast today’s museum with a screen capture from 1914?).
        Illuminate those dark interiors of the American Museum of Natural History to better expose the museum!  (Poor McCay was hampered by a refusal from the museum staff to allow appropriate film lighting.)
        Compare/contrast:  From McCay’s personality animation of a mosquito in How a Mosquito Operates (1912) to the full-blown personality animation of Gertie.
On command, Gertie lifts her foot,
complete with animated shadow.
        What it would have been like to first-hand witness McCay’s vaudeville act with its lightning sketches?  And what would it have been like to have been in one of the first audiences for Gertie the Dinosaur, with McCay snapping his whip???
        Speculate on the vaudeville musical accompaniment that would have added a third component to the multimedia production (film, live performance, and live music).
        Explore Gertie’s use of the screen as an extension of the vaudeville stage, with great depth of field (a lake extending into the distance).
        What kind of a dinosaur is Gertie? This question would naturally lead to an exploration of turn-of-the-century dinosaur representation.
        What kind of a sea serpent is in the water? This question would naturally lead to an exploration of turn-of-the-century sea serpent representation.
        Gertie as a toddler.  Gertie with a diagnosis of ADHD.
        Gertie as a puppy.
        Gertie’s size, and the question of whether Gertie is treated to a pumpkin or an apple.
        The bizarre anatomy of the four-winged pterosaur.
        And Gertie’s eloquent tail—a charming example of McCay’s masterful ability to capture personality in subtle comic details.


Gertie's very eloquent tail.




Grâce au partenariat avec Netflix, les auteurs de Serial Box devront pour la première fois créer des histoires à partir de personnages préexistants. Dans un communiqué, la PDG de la start-up, Molly Barton, s'est dite « ravie que Marvel [leur] confie le droit d'étendre les histoires de ses personnages bien-aimés ».

Selon le magazine The Verge, la première histoire devrait se consacrer à Thor et être disponible sur la plateforme cet été. Aaron Stewart-Ahn, Brian Keene, Jay Edidin et Yoon Ha Lee ont été les écrivains choisis pour cette première série.
 

Marvel, ou la conquête éternelle de nouveaux supports


C'est sûrement le partenariat le plus expérimental de ces dix dernières années pour Marvel. Au-delà du milieu de la bande dessinée, la société a su conquérir le coeur de ses fans au cinéma et à la télévision avec ses séries (avant leur récente annulation sur Netflix, bien sûr).

C'est la série audio, lancée l'an dernier autour du personnage de Wolverine, The Long Night, qui a motivé Marvel a conclure cet accord. L'auteur du projet, Benjamin Percy, a déclaré à The Verge que Marvel avait été « intrigué » par les possibilités que l’audio pouvait leur offrir, et voulaient voir si une histoire de super-héros fonctionnerait.
 


Et visiblement, c'est le cas, puisque Wolverine sortira les griffes pour une deuxième saison audio intitulée The Long Trail
 


« Nous ne cherchions pas à réinventer le genre, nous voulions simplement faire ce qui fonctionnait », a ajouté Benjamin Percy.
 
Les comics Marvel arrivent en prêt
numérique sur OverDrive

Outre le héros d'Asgard, d'autres super-héros devraient voir apparaître de nouvelles aventures à leur effigie, tels que Black Panther, Black Widow ou encore Jessica Jones. Cependant, aucune date de sortie n'a encore été communiquée concernant leurs romans sérialisés.

via The Verge.
          Partido gubernamental de Nigeria se pone en cabeza en los comicios a gobernador, si bien se repetirán en varios estados      Cache   Translate Page      
El gubernamental Congreso de Todos los Progresistas se ha impuesto en la mayoría de los estados de Nigeria en los que se celebraron elecciones a gobernador durante la jornada del sábado, si bien en seis de ellos los resultados no han sido concluyentes y la votación tendrá que repetirse.
          La UE pide elecciones presidenciales en Argelia lo antes posible      Cache   Translate Page      
La Unión Europea ha reclamado este martes la celebración de elecciones presidenciales en Argelia lo antes posible tras la decisión del presidente, Abdelaziz Buteflika, de aplazar los comicios previstos para el 18 de abril.
          Hollow Knight Physical Release Announced for NS, PS4, PC      Cache   Translate Page      

Team Cherry and Fangamer have announced a physical released of Hollow Knight for the Nintendo Switch, PlayStation 4 and Windows PC.

The standard edition is priced at $29 for the PlayStation 4 and Windows PC, and at $34 for the Nintendo Switch. It includes a copy of the game, instruction manual, and a Hallownest fold-out map.

The collector's is priced at $64 for the PlayStation 4 and Windows PC, and at $69 for the Nintendo Switch. It includes everything in the standard edition, as well as a gold foil collector’s box, gold foil art print set, knight brooch and stand, Qurirrel comic book, and a pre-order bonus papercraft set. The Switch version also includes a cleaning cloth. 


Hollow Knight is available now digitally for the Switch, PlayStation 4, Xbox One, and Windows PC.

A life-long and avid gamer, William D'Angelo was first introduced to VGChartz in 2007. After years of supporting the site, he was brought on in 2010 as a junior analyst, working his way up to lead analyst in 2012. He has expanded his involvement in the gaming community by producing content on his own YouTube channel and Twitch channel dedicated to gaming Let's Plays and tutorials. You can contact the author at wdangelo@vgchartz.com or on Twitter @TrunksWD.

Full Article - http://www.vgchartz.com/article/436378/hollow-knight-physical-release-announced-for-ns-ps4-pc/


          Yo-kai Watch 4 Release Date Revealed for Japan      Cache   Translate Page      

The latest issue of Monthly CoroCoro Comic revealed Yo-kai Watch 4 will launch for the Nintendo Switch on June 6 in Japan.

There is still no word yet on a release in North America and Europe. 


Thanks Gematsu.

A life-long and avid gamer, William D'Angelo was first introduced to VGChartz in 2007. After years of supporting the site, he was brought on in 2010 as a junior analyst, working his way up to lead analyst in 2012. He has expanded his involvement in the gaming community by producing content on his own YouTube channel and Twitch channel dedicated to gaming Let's Plays and tutorials. You can contact the author at wdangelo@vgchartz.com or on Twitter @TrunksWD.

Full Article - http://www.vgchartz.com/article/436377/yo-kai-watch-4-release-date-revealed-for-japan/


          comics: “Well, one day the cloud burst.” The Private Eye is an...      Cache   Translate Page      






comics:

“Well, one day the cloud burst.”

The Private Eye is an interesting story (so far) that’s set in the year 2076, after the release of everyone’s private information has led to some radical social changes.

(from The Private Eye, issue #1)


           Comment on Maker Comics: Bake Like a Pro! and Fix a Car! by Science Comics: Cars: Engines That Move You – Comics Worth Reading       Cache   Translate Page      
[…] Science Comics: Cars: Engines That Move You is an excellent companion to First Second’s Maker Comics: Fix a Car! While that book concentrates on taking care of a vehicle, this graphic novel by Dan Zettwoch […]
          Der neue Asterix-Film: Wenn Druiden müde werden      Cache   Translate Page      

Miraculix war schon ein alter Mann, als es 1959 losging mit den Comicgeschichten aus dem kleinen gallischen Dorf. In dem Film „Asterix und das Geheimnis des Zaubertranks“ (Kinostart 14. März) will der weise Druide in Rente gehen. Ein Nachfolger ist nicht leicht zu finden.


          Chirpin’ Tuesday Reviews 03/06/19      Cache   Translate Page      
Adventures of the Supersons #8 (DC) Infinite Speech: This reminds me of one of those weird stories I read as a kid that made me love comics! Avengers #16 (Marvel) Infinite Speech: I’m ready for the Ghost Rider arc to begin after Blade and the team finishes off these vampires! This team has made me […]
          Claudia Winkleman declares 'I'm not doing Strictly!' as she and Tess Daly COMPLETE Dance-a-thon      Cache   Translate Page      
Claudia Winkleman and Tess Daly collapsed as they completed their 24 hour 5 minute Dance-a-thon for Comic Relief on Tuesday.
          3/12/2019: YOU: Captain Marvel has strong start at box office      Cache   Translate Page      

Oscar winner Brie Larson delivered a superhero-sized jolt to theatres with her portrayal of the comic-book character Captain Marvel, waking up fans of blockbuster movies from their long winter slumber. The film from Walt Disney Co.’s Marvel division...
          La mujer que logró en el Siglo de Oro la primera sentencia contra la violencia de género en España      Cache   Translate Page      

Esta es una historia real, que permaneció en los archivos judiciales y que, gracias a actas, sentencias y textos administrativos, permite reconstruir la trayectoria de Francisca de Pedraza. Pedraza, mujer del llamado Siglo de Oro, logró en 1624, en Alcalá de Henares, una sentencia favorable de divorcio. La historia de Francisca de Pedraza la ha […]

The post La mujer que logró en el Siglo de Oro la primera sentencia contra la violencia de género en España appeared first on Librópatas.


          A Jew Wish      Cache   Translate Page      
I don't normally do this but Rachel asked me to post this in case I have any readers living in New York. It sounds like a very funny show and I wish I was in New York so that I could see it! If you end up there, let me know how it was! It sounds like it would be a perfect show for me, lol!

JEW WISH
The Comical Adventures of a single Jewish female on the worldwide web of dating
A one-woman show written and performed by Rachel Evans
Directed by Rachel Eckerling
Part of the NY International Fringe Festival

THE PLAYERS THEATRE
115 Macdougal Street (Between West 3rd and Bleecker)

Showtimes:
SAT 8/14 - 10:00 PM
SUN 8/15- 6:15 PM
MON 8/16- 10:00 PM
TUE 8/17 - 4:15 PM
FRI 8/20 - 4:45 PM


Tickets: $15/Advance, $18/Door
or 866-468-7619


          Gentlemen Vs. Demons      Cache   Translate Page      
Gentlemen Vs. DemonsPublisher: Nerd Glows On

Gentlemen Vs. Demons is a fast-paced, simple horror game inspired by old school percentiles systems. Taking direction from Hammer films, EC horror comics, and weird pulp fiction, it plays like an amped-up, dumbed-down Call of Cthulhu. The game is best suited for one shots and short campaigns. Compact at 66 pages, it relies heavily on the ingenuity of the GM who enjoys tinkering with rules. This game is compatible with Song of the Sixgun and is broadly adaptable for use with any game that uses percentiles. and nbsp; and nbsp;


          ラジコン漫画「40歳からラジコンできるかな?~断言しようラジコンはとてつもなく面白い!~」第9話公開      Cache   Translate Page      

40歳からラジコンできるかな?~断言しようラジコンはとてつもなく面白い!~」の第9話が公開されました。

ノンフィクション??(笑)

次の展開が気になりますね。

40歳からラジコンできるかな?~断言しようラジコンはとてつもなく面白い!~第9話ラジコン友達できるかな?
https://mangacross.jp/comics/rc/9
          An Opiate for the Mongoloid Masses.      Cache   Translate Page      
Ghost Rider
2007, USA
Mark Steven Johnson
35mm


I don't know why I'm surprised that Ghost Rider is a bad movie. It's a bad comic, so an adaptation is like trying to spin straw into gold, or more accurately, trying to spin a puerile pre-adolescent fantasy into something the whole hillbilly family can enjoy. And that's exactly what has happened here. It's as if the wet dream of every glue-sniffing tween too brain damaged to ever have an erection again has taken form on celluloid, all motorcycles and skulls and fire and chains. This whole movie is the paint job on a hot-rod, a decal on a monster truck, a drawing made during free time at a mental hospital for the severely retarded. In fact, that last comparison is the most accurate, for the following reasons:


1) Ghost Rider contains no sex. This is because the retarded have no sex drive. Firstly, they're too medicated to move most of the time, and secondly, they've deliberately not been taught anything about sex. It's mainly a preventative measure, since no one wants them to breed, and also because everyone knows that retards have the
strength of 10 men, so any copulation with anything but a chimpanzee or an elephant would result in the ejaculation breaking the spine of the poor victim. I mean partner.



When they breed, they make wrestling fans.



2) Ghost Rider contains no plot, or at least no plot that makes sense. That's because retards don't want to see things happen. They want to see things explode. Also, they like bright and shiny things, like chrome, and red. That's why Michael Bay keeps making movies, and the American Idol sets are all in primary colors.


3) Ghost Rider contains no dialogue, only explanation. This is because the retarded don't need to know why things are happening; they need to know what is happening. So, anything anybody ever says in this entire film is dedicated to a) explaining who they are, and b) explaining what is happening on screen. Lots of "I am Blackheart, a demon", and "We are fighting".

So, I can't really fault Ghost Rider, which stars Nicholas Cage as a daredevil who sells his soul to Peter Fonda, because it’s helping to keep the retards pacified. In case you’re wondering, the film is Faust for Dummies. In exchange for his father's life, Cage, as Johnny Blaze, is cursed to walk the Earth as the Ghost Rider, a vengeful spirit who punishes the wicked. I don't really understand why this is something the devil would want to do, but hey, I'm not retarded.

Underage? Read a PG-13 review at The Comic Book Bin. Then come over to my house and let me watch you touch yourself. Girls and effeminate boys only need apply.


          Sympathy For The Retarded Coat Hangers Of The Fashion Industry      Cache   Translate Page      
The Devil Wears Prada
2006, USA
David Frankel
DVD

I think I'm done with the fashion industry. I know that may not come as a surprise to anyone who has ever seen me in person, with my stylish look mixing James Dean, homeless couture, and Evil Ernie, but what I'm trying to say is that I’m more than just rejecting baroque and meaningless excess of the fashion industry. No, I've been done with that for years. What I meant is that I'm done making fun of it, because that just brings every useless coke-sniffing twat involved in the industry more attention. Fashion isn't important. We all know it isn't important. It's a bunch of flamboyant poofs with no marketable skills crudely stitching garish fabrics together to drape over skeletal drug addicts with the same level of self-importance a scientist would have cloning Jesus. Then, fashion writers seeking to justify their paychecks arbitrarily pick which laughable vinyl atrocity is the trendsetter of the season, and which is a wearable version of an inflatable pool. The models, of course, are paid to walk a straight line and try not to get too pregnant. They are all, obviously, various incarnations of The Great Satan Paris Hilton, talentless and unbearably rich, hellish spawn that number legion, and in The Devil Wears Prada , Meryl Streep fulfills this role to a T, or more accurately, to an inverted cross.

Meryl Streep .

Anne Hathaway plays every girl in every teen movie where a studious young lady in frumpy clothes falls in with the hip crowd and takes off her glasses. Except in this movie she's a college graduate working at Vogue, or a reasonable facsimile thereof. Meryl Streep is Lucifer, offering fame, fortune, and purses in exchange for learning how to stare down your coke nose at the girl working the counter at Starbucks. But I'm getting ahead of myself, already abandoning my vow to ignore the fashion industry. Instead, let's just focus on Streep's Oscar nominated performance as the Devil. Her muted, soft-spoken but ludicrously unreasonable demands toe the line between pure evil and paste-eating psychosis. And her smooth, seemingly paralyzed features present an agelessness that speaks less to botox than it does to a portrait hanging in her mansion which ages instead of her. Her black wings are leathery yet supple, and her enormous curled horns have been delicately arranged to be elegant with just the slightest touch of spontaneity. Her performance dwarfs those of her co-stars, partially because of its subtlety and reserve, but mainly because at 12 feet of winged glory, she literally towers over the other actors. Her forked tongue slithers and darts about like an eyeless black snake, and her eyes brim with sulfurous fire, pits of glowing darkness that reflect the majesty of infernal power. The heat from her internalized flame sublimates the cracked and blackened hide that covers her ebony bones, reducing it to clouds of black smoke that almost instantly coalesce back into thick skin covered in razor sharp bristles. While this description of Streep's character may have lost its grip on verisimilitude a while back, it's as distracting as her performance was, standing out from the mediocrity of the film like Mozart at the keyboards of a Yes concert. But most importantly, it keeps me from making jokes about the fashion industry.

Underage? Read a PG-13 review at The Comic Book Bin. Then come over to my house and let me watch you touch yourself. Girls and effeminate boys only need apply.


          Sunday School On The Short Bus.      Cache   Translate Page      
An American Haunting
2005, USA
Courtney Solomon
DVD

As if I didn't worry enough about molesting children, now I have to worry about poltergeists? Man, the Christian right in American is doing pretty much everything it can to bury every pleasure beneath a mound of guilt. And ever since The Exorcism Of Emily Rose, they've discovered that horror may well be the way to reach the youth of today with their messages of repression and self-denial. First, we're not allowed to kill, then we're not allowed to eat unleavened bread, and now we can't diddle our daughters or the spirit of their lost innocence will haunt us to death? Jeez, Christianity sure is a drag.






Yeah! Take that! Try to protect my kids, will you?

An American Haunting is based on a true story, allegedly, about a cursed family, headed by Donald Sutherland and Sissy Spacek. Those two have already been cursed, apparently, by either bank debts or a bad agent, because they both should be above toothless ghost stories directed by the guy who did Dungeons and Dragons. There are some unsettling scenes, to be sure, but the pioneer setting definitely engenders more mirth than fear, since it's difficult to find anyone in a bonnet terrifying. But the moral lesson of An American Haunting, that you probably shouldn't molest your kids, is just the latest in a long string of fun spoiled by moralist filmmakers.


1) The Exorcist taught us not to use a Ouija Board by ourselves, and not to piss on the rug. This ruins everything drunk 17 year old girls like to do at house parties, aside from throw up tequila in a punch bowl.





2) Halloween showed us the perils of drinking beer after comically brief sex, showing your left nipple, and speaking in a high, annoyingly squeaky voice. So really, don't be P.J. Soles. Well, there go my plans for Saturday night.



3) The Saw films taught us not to do anything, ever, lest we get judged by a sanctimonious prude with voice like a paper-shredder chewing a thesaurus with a infantile sense of ironic punishment. If you want to live without being tortured to death via an elaborate device, do absolutely nothing, ever. Still, even as you sit in your apartment, fearing to leave should you accidentally violate a commandment, Biblical rule, or by-law, you should try to get some exercise, lest you get fed to a mechanical sloth or something.



There are lessons to be learned, to be sure, but frankly I'd rather learn them with, say, Jason Voorhees than with some septuagenarian in a frock at Sunday school. If I'm going to have my fun spoiled, I'd at least like it to be done with a machete, not a bonnet.
          I Smell Sex And Candy. Also Rotting Vagina Stuffed With Dirt And Twigs And Left By The Side Of The Highway.      Cache   Translate Page      
Perfume: The Story of Murderer
2006, USA
Tom Tykwer
35mm



You know, I would have never thought to use 12 dead women to distill the scent of love. To top off my shoebox full of genitals? Sure. To make a dead skin mask? Of course. To help build a larger, stronger women out of the parts of smaller, weaker ones? Maybe. But a perfume? Never. I guess I just don't have the imagination to really succeed in the serial killing industry, since the most inventive pecadillo I can come up with is snorting the bone dust of a pulverized Native American prostitute. But in Perfume, murderer Jean-Baptiste Grenouille has done me one better, by reducing beauty, adoration, and the stink of sex to an essence. The closest I've come is making glue from a hooker's hair, a poor substitute for a perfume that, as the movie's climax suggests, will cause crowds to be so overcome with affection they will tear their clothes off and ravage each other. The only smell I know that will get women to take their clothes off is the stench of ether, and usually it's me doing the actually stripping while they loll around and try not to choke on their own vomit. The film is about Grenouille, who is born with a perfect sense of smell and no conscience in 18th century Paris, where his obsession with preserving the scent of perfection leads him to a career first as a perfumer, and then as a serial killer.

And they make fine sweater-vests, as well.


Perfume is directed by Tom Tykwer, a great filmmaker who has been applying poetic interpretations to literal themes for quite some time. The frenetic pacing he established in his breakthrough film Run, Lola, Run is absent here, replaced by a brooding, hypnotic speed that seeks to entrance the viewer with languid poetry. Unfortunately, the thrall of Perfume is often interrupted by bad performances, heavy-handed direction, and over-the-top theatrics. Towards the end of the film, this settles into its grove, and everything fits into a sort of magic realist interpretation, but in the first half, it's quite jarring. Dustin Hoffman, in particular, is violently terrible as faded master perfumer Baldini, with an accent that would shame even the people who do bad Christopher Walken impressions. He bursts every bubble of engrossing enchantment, so out of place it feels like your father is standing in the room while you masturbate over the body of a dead prostitute. Which, incidentally, is the best way to get them ready to be glue.

Underage? Read a PG-13 review at The Comic Book Bin. Then come over to my house and let me watch you touch yourself. Girls and effeminate boys only need apply.


          The Pursuit of A Ferrari Enzo.      Cache   Translate Page      
The Pursuit of Happyness
2006, USA
Gabriele Muccino
35mm

What kind of monster lets his son sleep on a bathroom floor in a bus station just so he can afford a red Ferrari? Will Smith plays Chris Gardner, a true-life self made man who struggled with homelessness while training to be a stockbroker. Unfortunately, he was unable to support his family on the no-wages the internship pays, which is supposed to be inspirational, but is really just infuriating. Get a night job, you fucking deadbeat. This isn't a feel good movie. It's a feel angry at irresponsible parenting movie. Yeah, I'd like to follow my dreams, too. I want to be an astronaut, but I'm not going to strap my kid in a storage locker while I go through NASA flight school. If I did, she'd never trust me enough to take her clothes off for the webcam ever again! Gardner is an awful father, a fact that is glossed over with a saccharine glaze, like icing on a stale donut, or semen on a porn star with bad skin.


Add a few more blackheads, and you have a general idea of this film. Only it looks less like Jenny Garth.

So, Gardner sells medical supplies, poorly, after investing his life savings in bone density scanners that appear more difficult to peddle door to door than he anticipated. His wife, played by the talented and often unrecognized Thandie Newton, pulls double shifts at her job, which as far as I can tell is maintaining a delicate balance between exotically indeterminate ethnicity and freakish deformation. They're behind on their rent, and buried beneath debt and parking tickets, and Gardner’s solution to this is to take 6 months off work in order to take an unpaid internship at a brokerage. Of course, things work out for the best, because they likely wouldn't make a movie about a guy who starved his kid to death trying to afford a sports car. But Gardner is an bad father, in a sappy movie that tugs at heartstrings like violent siblings pull at pigtails, and I don't have time for this. You know what? I want to be somebody too, instead of spending my life toiling in obscurity and complaining about Will Smith movies. But my amphetamines don’t buy themselves, and pimping my children out to Internet pedophiles is a time-consuming gig. I try to live my life responsibly, putting food on the table for me and my family. Or more accurately, on the table for me, and in dog bowls in the crawlspace for my family. I would never sacrifice my child's happiness for personal gain or for entertainment, as both Garnder and this movie does. I sacrificed my wife for that, and Mammon was well pleased with the burnt flesh, boiled blood, and melted fat I offered up Walpurgis Night last. The Pursuit of Happyness is the pursuit of selfish financial gain at the expense of a child, and quite frankly, I find that inappropriate, unamusing, and cruel. And if my kids had enough teeth left to answer, I'm sure they'd agree.

Underage? Read a PG-13 review at The Comic Book Bin. Then come over to my house and let me watch you touch yourself. Girls and effeminate boys only need apply.


          The Worst Nautical Disaster Since Titanic Won The Oscar.      Cache   Translate Page      
Poseidon
2006, USA
Wolfgang Peterson
DVD

In this remake of 1972’s The Poseidon Adventure, a luxury cruise liner is capsized by a rogue wave, drowning most of the passengers, crew, and apparently the screenwriter right in the middle of his first draft. If I were to guess, I would say that he died with an outline, four scenes, and some sketches of at least three characters complete. After his untimely demise, probably as a result of either a flash fire from the ship's galleys or a computer generated fall down an elevator shaft, the script was probably taken over by one of the animators in charge of the CGI wave effects, clearly under the impression that since he works on computers, he can probably type fairly quickly and finish up the script before shooting ends.

How to save a drowning screenwriter. Provided you want to see Poseidon 2.

And finish up quickly the film does, like a bad one-night stand, racing from idiotic situation to improbable resolution so fast I barely had time to throw anything at the screen before the end credits ran. It was like dropping cinderblocks off the overpass into traffic; you have to time it just right if want to brain the shithead in the Cadillac Escalade right through the windshield. Sadly, I didn't hit the TV in time, and I had to watch this film go from a dumb action movie to a cataclysmic failure right before my eyes. Poseidon stars a host of talented actors, from Richard Dreyfuss to Josh Lucas, and even throws in Kurt Russell in case you want to bring your father along, but nothing, nothing, can save it from a fully retarded script. What makes it worse, is that some interesting plot points and ideas are brought up, only to be dropped in favor of another explosion, one that destroys not only part of the ship, but most of the laws of physics and all of my patience. No one in this movie is even trying to make a good film. It looks good, to be sure, but no effort whatsoever has been put into making this anything more than a frustrating exercise in rote action. Poseidon is like watching an obstacle course being completed by the retarded, with our only pleasure coming from them bumping their heads on the covered slide, or slipping on the tire field. Granted, these retards are prettier than most, their eyes properly spaced and their foreheads only mildly sloped, but they still muck around and bumble, saved by a combination of divine providence, deux ex machina, and lazy screenwriting.


Kurt Russell is an ex-firefighter on the cruise with his daughter and her boyfriend, Richard Dreyfuss is a aged gay man suffering from a broken heart and a cheap stereotype, and Josh Lucas is a professional gambler with a knowledge of the ship so precise I wouldn’t be surprised if he were the poor sap hired to finish off the script. Together with some expendable bodies and a cute kid to tug at heartstrings when the violin score isn't cutting it, they navigate through fire, water, and air to make it off the ship alive. And not only do they live through that, they dodged my cinderblock, as well.

Underage? Read a PG-13 review at The Comic Book Bin. Then come over to my house and let me watch you touch yourself. Girls and effeminate boys only need apply.


          God Save The Cock Ring.      Cache   Translate Page      
Children of Men
2006, USA/UK
Alfonso Cuaron
35mm

Clive Owen needs to shave. Every film I've seen him in, he seems intent on redefining "rugged good looks" as "hobo on a three day drunk", and Children of Men is no exception. Here, Owen and his stubble play a disillusioned ex-radical working an office job in an apocalyptic Britain. The human race has lost the ability to conceive children, and in the dying throes of civilization, England is the only country left standing. However, it's standing on shaky legs, degenerating into chaos and anarchy under a fascist, racist government, sort of like Mad Max meets Mein Kampf meets my wet, immigrant-free dreams.


Apparently, Mad Max has already met Mein Kampf.


In the Britain of the future, things have gotten so bad there is apparently only one camera and no tripods left in the whole country, so Children of Men looks like cell phone footage shot while running through an industrial district. That certainly helps to heighten the tension, since we never know when the characters, or even the camera, might have to stop and send a text message through AIM. Gritty and realistic, Children of Men excels because it's relevant, realistic, and exciting. Touching on issues such as terrorism, xenophobia, and the Patriot Act, the film's futuristic setting doesn't make it any less timely, and the documentary feel, tense script, and engrossing performances help to make the film among the most gripping you'll see all year.



But that's not what concerns me. What concerns me is the insistence the Britain will somehow forever be the last bastion of humanity come the end of the world, the lighthouse in an apocalyptic storm. Judging from films like this and V For Vendetta, England is apparently capable of surviving any number of destructive cataclysms, based entirely upon the sheer strength of their haughty elitism. I guess since they don't breathe the same air us commoners do, they get spared whatever destruction is rained upon the rest of the world. Listen, England, I know you guys were pretty good sailors 2 hundred years ago, but aside from Patrick O'Brien, nobody gives a fuck anymore. Once, the sun never set on the British Empire. Now, the sun never sets on a computer programmer doing a Monty Python routine, or an international version of one of their shitty reality TV shows and that’s ALL YOU HAVE LEFT! You barely even have food over there, and what there is smells like it emigrated from India in the 1960s. For all your airs, you'd think every woman over there was the Queen of England, not some gap-toothed provincial with an accent like a fishmonger in Whitechapel, and all the men are all a lace handkerchief and a frilly collar away from getting sodomized by Lord Byron. I think the problem with infertility in this movie may not be barren wombs, but rather infectious homosexuality, because I've never heard a British accent that didn't sound like regular English navigating its way around a mouthful of cock. Plus, the Brits seem intent on exporting as much gay as possible through their incessantly queer indie bands. Babyshambles? That's supposed to be punk? Then why does it sound like the Smiths with late-stage HIV? Actually, they don't sound like anything, because I refuse to listen to anything where the guitars chimes his guitar instead of strumming it because his wrists are too limp. So, I think that when the end of the world comes, I'll avoid running off to Merry Old England to pop E and listen to ripped-off Stone Roses riffs. I'll just stay in North America and die. At least the soundtrack will be better.

Underage? Read a PG-13 review at The Comic Book Bin. Then come over to my house and let me watch you touch yourself. Girls and effeminate boys only need apply.


          Everything I Need To Know In Life, I Learned Trapped In A Maze With A Satyr.      Cache   Translate Page      
Pan's Labyrinth
2006, MexicoGuillermo Del Toro
35mm

It may not seem true, but at one point in time it was possible to tell a fairy tale without having a lobster or a warthog sing a stupid song about the circle of life every ten minutes. In order to distract the kids from the lack of Nathan Lane belting out show tunes , story-tellers resorted to other tactics to keep children interested, namely killing people in horrific ways. And Pan's Labyrinth is a throwback to those halcyon days of witches in the oven, frozen matchstick girls, and Goldilocks gang raped by bears. Okay, so that last bit may only be part of the fairy tale when I tell it to my kids, but you do get the idea.

Pan's Labyrinth, on the other hand, harkens back to the good old days, when children learned their lessons by having the shit scared out of them and their lives threatened. Guillermo Del Toro understands that if you spare the rod, you spoil the child, or more accurately, if you don't show the child a man getting his cheek slit open from the inside by a paring knife, they grow up as panty-waisted homosexuals. And that's what this movie is about: telling a story about princesses and underworld kingdoms while showing an anti-government guerilla getting tortured with an awl and a blacksmith's hammer. That will teach the little fucks the meaning of obedience. Make a scene in a McDonald's parking lot because you didn't get the right Happy Meal? I'll have your fucking fingers for that, and then I'll feed them to the god-awful Pale Man in Pan's Labyrinth, who has eyeballs in his hands and eats babies.

Ronald McDonald without his makeup.

In the aftermath of the Spanish Civil War, Pan's Labyrinth isn't the decadent exercise in special effect wankery I had expected. Instead, it's actually a tragic tale of a young girl with a sick mother, a wicked army captain stepfather, and her overactive imagination. There's a faun, fairies, an enormous toad, and plenty of graphic violence, which helps separate the fantasy scenes from the reality ones. Or rather, the different types of violence distinguish the two worlds, with the graphic, realistic knife wounds and gunshots contrasting with the phantasmagorically baroque bloodshed of the fantasy sequences. It's enough to shock and interest adults and children alike, which is great, because it will help kids learn an important lesson, which is that if you speak Spanish, something will try to eat you. It's a great lesson that helps keep Mexicans out of my neighborhood, but frankly, since this film is so well constructed and appealing, it's a shame it doesn't teach children some other important life lessons.

1) Don't touch my action figures. I know they look like fun, especially the shelf dedicated to the various incarnations of Bruce Campbell, but there are small pieces that you might choke on. And believe me, if you fuck up my diorama of Jason giving it to Elvira up the pooper with the shaft of an axe, you will choke on them.

2) Yes, children like comic books. And yes, I like comic books. But no, I do not like children, and if the children I don't like like my comic books, they will find out what happens to people who do not respect strict alpha-numeric classification systems. And is that Nutella on my mint-condition copy of Swamp Thing #18 It is? Charming. Don't mix it with the blood you're about to lose, and I'll try not to get my semen on it when I'm done with you.

3) I know children are curious. But curiosity killed the cat, and throttled the little boy who snuck into my basement and discovered what I do to little girls.

The moral of the last story is that nosiness leads to nothing but trouble, both for the child, and for the adult who's trying to figure out how to get arm bones through the garbage disposa chutel. And that's the kind of fairy tale that, like Pan's Labyrinth, has something for both kids and adults.

Underage? Read a PG-13 review at The Comic Book Bin. Then come over to my house and let me watch you touch yourself. Girls and effeminate boys only need apply.


          Please, Please, Please Don't Read This At Work. Or Anywhere The FBI Can See.      Cache   Translate Page      
Volver
2006, Spain
Pedro Almodovar
35mm

There aren't a lot of sexual taboos left in the age of information. With the vast resources of the virtual world at our fingertips, we can explore every possible permutation of human sexuality, all without actually having to shit in someone's mouth or touch a black girl. So what's left for filmmakers like Almodovar, to whom sexuality forms such an important element of his work? When the most taboo elements he can come up with already have a half-dozen websites and are at least 4 volumes into the Evil Angel DVD series, it must be a bit difficult for sexual progressives to push the envelope. So, Almodovar adapts, and presents elements of deviant sexuality as the backdrop to stories concerning something else. In this case, incest, pedophilia, and adultery are merely backgound elements in a light-hearted story of family and forgiveness. And it seems a perfect fit, because as this website would suggest, there's nothing I find funnier than diddling a toddler in front of a camera.

Volver is a great example of how prejudices and intolerances can be changed. Taboos are shattered not by marches and bullhorns, slogans, and public demonstration, but rather by presenting what's considered unnatural as normal. The images, once shocking, become commonplace, and are accepted. And that's a noble and progressive goal, and it's one that Volver has convinced me that I should adopt as my own.

This is a woman covered in shit fucking. Normally, I would comment on that, but in my quest to make taboos accepted, instead I'll just pretend that that's okay, and write a personal ad instead.

Single White Female Seeking Single White Male For Long Walks On The Beach and Romantic Meals High In Fiber.


This is a woman getting tongued by a dog. Again, it's okay, it's normal, and you won't notice it.

Beautiful German Shepherd seeks a home. Cute, friendly, and hung like a Labrador. No fat chicks.

There. I feel progressive already. And I'm sure I'll feel even more so when I make a romantic comedy starring my neighbor's kid and a 12 inch plastic dick.

Underage? Read a PG-13 review at The Comic Book Bin. Then come over to my house and let me watch you touch yourself. Girls and effeminate boys only need apply.


          Fear of the Black.      Cache   Translate Page      
Dreamgirls
2006, USA
Bill Condon
35mm

If there were enough sun to tan where I lived, I would be a redneck. As it stands, the frigid northern climes have left me more of an intolerant, bug-eyed cavefish. I've got the same amount of guns and prejudices as rednecks, but I just don't look the part. But despite the particular shade of white trash my skin happens to me, I still approached Dreamgirls, the story of the birth of the Supremes, sort of, with as much trepidation as a trucker at a 50 Cent show. Every other guy gets to complain that they don’t like musicals because they’re gay, so I’m going to bitch about Dreamgirls because it’s got black people in it. But it turns out, the fact that the film is comprised off an all-negro cast wasn't as off-putting as I'd imagined. Rather, what's distancing about the film is that they break out in song as abruptly and suddenly as a drunk girl throws up at a party.

My film school was a drive-in.

It's not that I'm inherently against musicals. Sure, they're gayer than lesions and swollen lymph nodes, but I'm tolerant enough for that. But there needs to be some sort of motivation to the musical numbers, other than an attempt to win a Golden Globe in a category that's easier to dominate than Best Drama. In a film like Chicago, all of the numbers were clearly established as fantasy sequences; in Rent, hallucinogenic reactions to anti-virals. However, in Dreamgirls, while many of the musical bits are diegetic, in that they take place within the context of the film, as performances or whatnot, there are about 3 or 4 scenes that are just characters bursting into song seemingly at random. As this occurs only a limited number of times, as opposed to consistently throughout the film, it always seems jarring, confusing, and uncalled for, like someone spitting in your face during sex after whispering sweet nothings in your ear.

So, Dreamgirls is weirdly incoherent and full of black people, so I probably should hate it. But I don't. Firstly, I'm not convinced that Beyonce is black. I think she's a Barbie-based robot covered in chocolate, the ultimate product for pre-teen girls and middle-aged men with early stage jungle fever. Plus, while the story is clichéd and as predictable as the last minute of a porn film, there are some great performances and some well-written roles. Every character is flawed, realistically, believably, and in some cases dramatically. Except, of course, for the chocolate robot, because the multi-national cybernetics conglomerate won't allow her to sully her image, and therefore impede Skynet's plan to become self-aware. Eddie Murphy's rising and falling soul singer is both well written and well played, and the numerous accolades Jennifer Hudson is receiving as the brassy, self-destructively arrogant yet supremely talented Effie are fully deserved. The music, if you're into that sort of that thing, is loud and ebullient, full of wildly ululating tones and jaws flapping like a marionette with a cut string. The costumes are glittery, the hair is big, and the set design and theatrical staging is enough to straighten even the limpest wrist in to a clapping position. Except for mine, because I'm busy grabbing my gun.

Underage? Read a PG-13 review at The Comic Book Bin. Then come over to my house and let me watch you touch yourself. Girls and effeminate boys only need apply.


          Light, Human, and Sexual. Just The Way I Like My Children.      Cache   Translate Page      
Little Children
2006, USA
Todd Fields
35mm


It's not every day you come across a child molestation comedy. Well, not a legal one, at least. The Internet is full of surprises, but a lot of them will get your IP address tracked by the FBI, so it's best to leave well enough alone. Sometimes, no matter how much you'd like to see a naked woman and a pack of wild dogs driven by equal parts lust and hunger, you should just stick to surfing for pictures of Britney Spears' shaved vagina like everybody else. I hear TMZ or whatever crap website Perez Hilton complains about not being famous on has some charming pictures of Lindsay Lohan looking like her coke buzz is wearing off. Maybe check that out instead of googling "funny pederast".





Surpringly, it took me about 20 minutes to find this photo. A 20 seconds to get off to it.



Or, alternately, watch Little Children, a strangely comic look at the dark underbelly of suburbia. A subject explored in only 2 to 3 hundred films in the past few years, Little Children is a refreshingly light take on adultery, pedophilia, and pornography. It's been noted that couples who laugh during sex have sex more often, so judging by the way I responded to this film, I should be quite busy with the next Girl Scout troop I meet. Starring Kate Winslet, Jennifer Connelly, and several people with disturbingly pock- marked faces, the film is certainly not farce or satire, but the tone isn't weighed down by the usual grimness and sobriety that burden films of this type. Instead, there's a humanity and a natural sense of humor. And coupled with narration that sounds like William Burroughs reading fairy tales through a heroin nod, there's a dreamy, upbeat feel to the film.

Speaking of heroin, Winslet is ours, with an added 'e'. She's a bad mother, as inattentive to her daughter as she is to her bushy eyebrows, who starts up a torrid affair with the guy from Angels In America after catching her husband sniffing mail order panties and masturbating to internet porn. Meanwhile, a convicted sex offender moves into the neighborhood, which stirs up a whole hornet's nest worth of trouble. Director Todd Field clearly has learned a great deal about evoking humanity and emotion without grinding things to a heavy- handed halt while voicing Ol' Drippy on Aqua Teen Hunger Force, and those lessons come into play here. By maintaining a non-judgmental moral stance, and letting the characters and situations speak for themselves, Little Children manages to balance the tightrope between humor and exploitation, humanity and drama, and creates a warm, realistic film. For more information, try googling 'realistic pedophile movie'. Just don't tell the FBI I told you to.

Underage? Read a PG-13 review at The Comic Book Bin. Then come over to my house and let me watch you touch yourself. Girls and effeminate boys only need apply.


          Like Where's Waldo, But You're Looking For The Actual Movie Review.      Cache   Translate Page      
The Queen
2006, UK
Stephen Frears
35mm



Honestly, I don't know what the big deal with Princess Diana was. People keep claiming her transformation from school teacher to princess was some sort of fairy tale, but all the fairy tales I've ever read at least had a cool monster or two to menace the heroine, not some inbred blue-blood with skin hanging off his face like a coat on a hook. Diana was like the Paris Hilton of Britain, completely devoid of any skill or talent, but famous nonetheless. Of course, her notoriety came from disliking land mines and waving like golf fans clap, instead of from taking an awkward cum shot and throwing up Grey Goose vodka, but she's useless nonetheless. Still, her death inexplicably shook the world, in one of those really gay outpourings of useless grief. It's like the whole planet had a really cute dog that got hit by a train. Even useless layabouts like Britney Spears are at least famous for a reason, which is they have big tits and can stitch together a vocal track with Pro tools, but celebrities who are famous for no reason are infuriating. And Diana and Paris Hilton are by no means the only ones who have captured the public eye seemingly accidentally.



There. That should be worth a few more hits. But not the kind I'm looking for, which would break her nose.


1) Nicole Ritchie. Famous for being friends with someone who's famous. Also for looking kind of like a shaved shitzu.



2) Anna Nicole Smith. Was she a Playboy model? Was that it? Posing with your top off in a magazine so tame it wouldn't get a 13 year-old boy off is enough to lead to a TV show? I can't wait for the new sitcom starring that girl from the VO5 Hot Oil ads. Plus, Smith’s got tits like milk bags, which should be enough to disqualify you from wearing tight clothing, let alone prancing around in the buff.



3) Ashlee Simpson. This is the only recording artist I know who is famous for not singing. Or she was. Then, she got famous for getting a nose job, a career move that turned out great for Jennifer Grey, and will no doubt work wonders for the bony sister of a famous dimwit. Before, with her enormous nose, there was at least something on her face to distract from her vapid stare, which drifted unfocused around the room like a co-ed at her first keg party. Except, unlike the co-ed, Simpson’s evening ends with her spending $10 000 on surgery instead of throwing up in a bathtub while being sodomized by a football player. Life is not fair.



What a disgusting bunch. Like Diana, who incidentally is not in The Queen, a subtle and enthralling story of the Royal Family's public relations crisis after the princess’ death that featuring a Golden Globe-winning performance by Helen Mirren, these people are universally loved for no valid reason. They're famous because they're celebrities, and celebrities because they're famous. It's like we're caught in a time look, a self-fulfilling prophecy, a snake eating its own tail, which by default, is shitting in it's own mouth. And in ours.

Underage? Read a PG-13 review at The Comic Book Bin. Then come over to my house and let me watch you touch yourself. Girls and effeminate boys only need apply.


          Guilt Trips and Gold Teeth.      Cache   Translate Page      
Blood Diamond
2006, USA
Edward Zwick
35mm


Remind me never to go to Africa. Not that my going was ever a particular danger, since I enjoy visiting areas where the culinary specialties run a bit more exotic than dirt and grubs, but now I'm especially sure. When I go on vacation, I like to keep all my limbs attached to the trunk of my body, as opposed to twitching in the iron rich dust like maggots in bone meal. The whole point of this movie, which stars Leonardo DiCaprio as a Rhodesian diamond smuggler/mercenary, Djimon Honsou as a fisherman with a hidden gem, and Jennifer Connelly as Lois Lane, seems to be to make me feel guilty for buying conflict diamonds. Well, it's not going to fly. Sure, the trade results in the deaths of thousands in slave camps, civil war, and general strife, but it does also results in cheap diamonds. And ultimately, when I'm spelling my own name on my platinum fronts, I try to be cost effective, in order to still have money for spinning hubcaps, fur coats, and various other gaudy accoutrements better suited for a Valley Girl Barbie than a grown man. It's all about value, and since I would normally pay extra for merchandise someone has died over, like my Bonnie and Clyde death car and Anne Frank oven knob, those blood diamonds are a real steal. Plus, I wouldn't want the Chinese pre-teen ghosts who haunt my Nike Air Force Ones to feel lonely. I also have a belt buckle that speaks in tongues, and a dress that's possessed by the spirits of three plus-sized prostitutes and a senator's daughter.




That's how I roll. Like an idiot.



But that's beside the point. I don't know why I should feel guilty about this mass genocide supporting my swap meet jewelry. After all, it's just Africa. Sure, the continent is the cradle of civilization. But, it's also the cradle of HIV and those annoying Christian buy-a-black-baby commercials. In fact, that's what these movie is, one of those stupid infomercials with the kids with swollen stomachs and crusted eyelids covered in insects while a white guy in a beard and a C level soap opera star try to extort money out of teary-eyed viewers. In Blood Diamond, the bearded white guy is played by Jennifer Connelly, as the moral center of the film. She does this completely oblivious to the fact that portraying a white American as the moral center in Africa is like, well, portraying a white American as the moral center of anything. Americans like to think of themselves as John Wayne's, tough-but-fair, violent-but-just vigilantes who do the right thing no matter what, when in reality they're just that Jared guy from the Subway ads pre-diet: fat, retarded children who consume all they encounter in a cocoon of oblivious entitlement. They couldn't form the moral center of a Twinkie, let alone a continent.

And this reference to deliciously sickly sweetness is no accident. While most of Blood Diamond is a realistic, gripping, and violent exploration of a country tearing itself and its people to pieces, it's peppered with saccharine, cheaply melodramatic scenes that stick out and distract from all the machete hacking and gunshot wounds. It's a shame really, that the pockets of histrionic emotion spoil the film, like cooking clam chowder with icing sugar instead of flour, because Leonardo DiCaprio is great in it. One of the few instances in which he seems like a character instead of a Tiger Beat cover, DiCaprio's Danny Archer is amoral but intensely likeable, evil but entertaining, Dennis the Menace with a Mauser instead of a slingshot. As awful as he his, he’s the real draw of the film. They should have made his character the American.

Underage? Read a PG-13 review at The Comic Book Bin. Then come over to my house and let me watch you touch yourself. Girls and effeminate boys only need apply.


          Why society's current perception of normal is dangerous       Cache   Translate Page      
In our society we like to split things into normal and abnormal. While this is usually harmless or needed, for example murder is abnormal for a reason, it can at times be harmful. This is when the thing that is “ abnormal” is harmless and does not affect anyone and yet it is scrutinized, ridiculed, and sometimes gets people killed. Some examples of dangerous society norms would be sexuality, gender, and body modifications.


Although society is beginning to change people still often scrutinize someone with tattoos or other body modifications. People will still stop and stare in disgust or judgementally when they see someone with tattoos and such. This is an example of something “abnormal” that honestly affects no one but the person who has done it to their own body yet people still feel it necessary to “help” these people by going on about how they shouldn't of done this. Popular beliefs are that they do this for attention and that no one will ever hire them.


rick_genest2_by_oneeightytwo-d3fvzhd.jpg
http://oneeightytwo.deviantart.com/art/Rick-Genest2-208085089


This is a picture of Rick Genest also known as “zombie boy”. He is a Canadian model and actor though he is mostly know for tattooing 80% of his body like a living skeleton. In the picture above the focus is on Genest and his tattoos as well as the words themselves. Genest is show from two different angles, obviously to show off the tattoos on his body. As for Genest himself he is comfortable and confident. His body is neither stiff nor folding in on itself. He is displaying himself and his tattoos proudly and he is obviously not ashamed of them. You can tell that he is content with his choice to tattoo his body. As for the words themselves they read “I didn’t do this to be different. I did this, because i wanted to be me”. This is a direct quote from Genest. Many people get tattoos and body modifications because it makes them feel comfortable; they often use this as a way of self expression. I believe the body is a blank canvas and that you can choose what to do with. However people often ostracise and isolate these people because that is not something they themselves would do to their own body. People often deem someone with tattoos as unprofessional and unable to do a job because people think that they are impulsive and unable to think ahead. This can be true but it’s incorrect to think it always is. Again use Rick Genest as an example: he is a professional model. Modeling is a serious career and you can’t be unprofessional or rash and be able to make it in such a career. Yet people still judge someone based on their looks before seeing if they are competent and it stops people from being able to make a living. This is why this perception can be dangerous and harmful to many people.


Just as people feel it necessary to give negative remarks on another persons tattoos people also feel it necessary to comment on another person's gender. Now i don’t mean sexism though that is a problem: in this instance i am referring to someone disregarding another person's gender identity. Now you may be familiar with transexual people but if not i will clarify a transexual person is a person who feels they were born in the wrong body. Essentially their physical sex doesn't match up with who they feel in their heart they are. Now I’m sure some of you are thinking “no your genitals tell you what gender you are” and that is where the problem lies.
f03648ac-2da5-4430-ab22-a0a4f938daf1.jpg_resized_.jpg
http://lgbtfeed.com/post/dont_be_your_child_first_bully


In the above picture we see a child whose wings are being clipped off by their father as their mother watches. The child is obviously upset and it seems as if the child will begin to cry as for the father he is focused and angry. You can tell by his furrowed brows and the slight downward curve of his mouth. While the mother she is standing back. She is sad and likely feels bad for her child but she will not step in. The words say “refuse to be your child's first bully”. Wings often symbolise freedom and the child in the photo is having their wings removed. The parents are removing the child's wings and taking a part of themself from the child. Likely you feel an impact from this picture however the true impact is shown with the colours in the wings. The wings are coloured to represent the transexual pride flag. The child in this photo is transexual and is having this part of themself taken because of their parents. That in itself is a form of abuse and bullying as they are denying an important part of the child. This is where that not respecting someone's gender identity part comes in. The child's parents do not respect their child's gender identity and instead feel it necessary to destroy a part of their child than to accept them. Many people feel that transexuals are just being rebellious or want to stand out. People believe there is no such thing as transexuality and feel it is a new “fad”. However evidince of transexual people can date back as far as ancient Greece.

tumblr_n9m3qvUar11suixjio1_1280.png
http://sleepyllama.tumblr.com/post/93597177582/mis-gendering-usually-feels-like-a-punch-to-the


The picture above was illustrated by a young transexual boy showing his experience. The character in the comic is being assaulted by female pronouns. They are suffocating him and crushing him under their weight and despite how much he runs or hides they are still there. In the fifth panel he attempts to correct them. He is tentative and frightened however in the final panel the words return full force and are surrounding him. They are taking up the entire panel and suffocating him until there is no space left for him. These words take up the entire panel to the point where he is no longer the focus and no longer important. Not only that but the large “she” has two exclamation points as the person saying this is forcibly attempting to tell the character he is a girl. The progression of the previous panel with him correcting them to the last shows that he feels no matter how hard he fights back he will always be surrounded by people who say he is a girl. This perception that society has of your genitalia determining your gender is not only incorrect but dangerous. It is dangerous for these individuals as they suffer the onslaught of people saying they are wrong, disrespecting them, calling them disgusting, vile. Many trans youths do not see a way out and 41% of transgender youth in the US alone have attempted suicide. Not only that but due to many peoples violent reactions transgender people have even been assaulted in the doctor's office. Many trans men are raped and many trans women are violently killed. 1 in 12 transgender people in the US are murdered due to the societal belief that they are less than human. Worthless. Many transexual people lose friends and family and 18% are homeless. An example: recently this year the salvation army refused to let a transexual teen stay at one of their shelters simply because they were transexual and because of that the teen froze to death. That is why this belief is so dangerous. Just like with tattoos even if you do not agree; a person's decision is their own and you have no right to impose on them; much less to end their life.    


The perception regarding transsexual people is that everyone is born cisgendered. Cisgendered is a term created to refer to a person to whom identifies as the sex they were born with. This perception is also often coupled with the perception that everyone is born straight. These perceptions are the entire reason people even need to “come out of the closet” as the saying goes. Much like with transexual people people will say that being any sexuality other than straight is disgusting and unnatural.

MV5BNzUzMTgyMzM1M15BMl5BanBnXkFtZTcwMjY0MDI0NA@@._V1_SX214_AL_.jpg
http://www.imdb.com/title/tt1683932/

The above image shows a pink piece of fabric cut into the shape of a triangle with the words “some memories never fade”. If you look closely at the triangle you will see the outline of a swastika. The swastika as we all know is a symbol from the holocaust. Something i’m sure quite a few of you know is that the pink triangle was placed onto gay people hitler rounded up and placed into concentration camps. A bit of information conveniently left out is that in many cases when the camps were freed the gay people in them were forced to go to jail as at the time being gay was illegal. So not only did they endure years of the torture we have all heard about but once they were “freed” they were placed in jail to suffer more. The triangle appears to be attached to something or someone but it is unclear as to who. Rather it floats in black space continuously attached to something as if it is always attached to those in the gay community; those prejudices and that hatred always with them. People will ask me and others why we care so much; why we fight so hard. The answer is the above triangle that represents so many peoples past and present suffering. The gay community has reclaimed the pink triangle since then; made it a symbol of pride but the prejudice is still there. This triangle is proof of how dangerous these perceptions are because this triangle represents the torture and death of hundreds from then and now.

To conclude while I’ll agree that sometimes we need to dictate what is normal and what is not I don’t believe people who are not harming anyone deserve to be harmed themselves. I do not believe in isolating these people and I do not believe they deserve the mental, physical, verbal, sexual, and emotional abuse they face.
          Failure of the American Dream      Cache   Translate Page      
The failure of the American Dream. For many years this has been at the back of many peoples minds and was reflected in various media. Since the recent events in america this has once again been brought to my attention. Here is some proof that many people believe that the American dream has failed.





At first glance the first thing that you will realize that this cartoon is describing the American dream and you can see how many people are trying to work towards it. The next thing that I noticed was that the staircase the people are using is starting to fall apart. This is representing the continued deterioration of the American dream. Furthermore, if you look at the characters depicted there are only a few that actually notice that the staircase is starting to fall apart. This is showing that few people choose to acknowledge that the American dream is falling apart. The main idea of this picture is that the american dream is crumbling and the artist uses a staircase to give a representation of how unaware the majority of the populace is.



This next photo is a shift to reality. This was taken during the great depression but, still has context since the events in Ferguson and New York. In this photo you can see that the only people in this line are black and they are likely in line for so sort of assistance because, many of them are holding bags or pales. Furthermore, in the background you can see the advertisement showing a white family in a car happily driving with the slogans "Worlds Highest Standard Of Living" and "There's no way like that American way". This shows the difference between the perceived american dream and what the majority of citizens are going through are almost on two different worlds. Also, in the advertisement the family depicted is white compared to the black people waiting in line, this shows that the american dream had already started to fail because, the populations idea of the American dream only involves white people. The main idea of this photo is that the american dream does not apply to everyone so it is starting to crumble.





This next cartoon is one that i feel reflects with many people that are around our age. In this comic it shows two friends, the first one got stuck in a part time job after high school and never went to college or university. The other girl went to college and got a degree, this has lead her now where so she is going to apply for a part time job just like the other girl. this is showing that the traditional American dream of getting a degree and then getting a well paying job is no longer the reality. Furthermore, the girl that did not go to college is probably better off because, she won't have to pay student loans and she already has a job. Also, in the attitude of the girl that went to college changes and by the end of the conversation she is slouching and has stopped smiling. This shows that she had no idea that she would be looking for a part time job after. Which demonstrates the ignorance that people have and think that the American dream is still strong but in reality it is crumbling. The main idea of this comic is that the traditional symbols of success no long lead to the American dream.




This image is showing the typical american family checking out of a hotel or as they say "the American dream". The person at the desk says that they have given everything the own back but they still own more money. This is representing how no matter how much debt you try to pay off their will always be more and the more debt that you have the further the American dream seems. Furthermore, the family is in cheap clothes and look saddened by having to "sign out". You can clearly see this by the look on the little girls face and the fact that she has a tear streaking down her face. The main idea of this picture is that it is almost impossible to reach the American dream because, of the massive amounts of debt that the majority of families have.

In conclusion, all of these photos share the same idea of the American dream. This would be that the American dream has failed and people are to ignorant to realize this or they are to poor to ever hope of achieving it. 


Bibliography



Suich, Alexandra The American Dream, RIP? Hand Drawn

Bourke-White, Margaret Highest Standard of living Photograph

Sullivan, Nate The American Dream? Hand Drawn

i.imgur.com The "New Normal" American Dream Hand Drawn



          【速報】『かぐや様は告らせたい〜天才たちの恋愛頭脳戦〜』第5話の先行カット。白銀の運動センスは...!?      Cache   Translate Page      

かぐや様は告らせたい〜天才たちの恋愛頭脳戦〜』(かぐやさまはこくらせたい てんさいたちのれんあいずのうせん)は、赤坂アカによる日本の漫画作品。『ミラクルジャンプ』(集英社)にて、2015年6月号から2016年2月号まで連載された。その後掲載誌を『週刊ヤングジャンプ』(集英社)に移し、同年17号より
50キロバイト (7,237 語) - 2019年2月8日 (金) 06:56



(出典 news.walkerplus.com)



1 名無しんぼ@お腹いっぱい :2019/02/09(土) 09:10:31.03 ID:5X6mYkKq0.net

!extend:on:vvvvvv:1000:512
本文頭に【!extend:on:vvvvvv:1000:512】を2行にしてスレ立てをしてください。
☆アニメ化決定! ミラクルジャンプ(集英社)2015年6月号から2016年2月号まで連載。
週刊ヤングジャンプ(同)へ2016年17号より移籍し連載開始。
赤坂アカ先生の『かぐや様は告らせたい~天才たちの恋愛頭脳戦~』について語りましょう。
※注意※
・次スレは>>900を踏んだ人が立てて下さい。立てられない場合は速やかに次のアンカーを指定しましょう。
・重複防止のため、必ず宣言してからスレ立てして下さい。荒らしは完全スルーが鉄則、面白がって相手にしないこと。
・ネタバレは公式発売日の午前0時まで厳禁。
◆関連サイト
・漫画公式HP https://youngjump.jp/kaguyasama/
・YJ公式HP http://youngjump.jp/manga/kaguyasama/
・アニメ公式HP https://kaguya.love/
・第1~5話試し読み http://www.tonarinoyj.jp/manga/yj_mj/
・100回記念特別サイト https://kaguya100.com
・赤坂アカ先生インタビュー2018.04.20 https://natalie.mu/comic/pp/kaguyasama
・赤坂アカ先生インタビュー2018.06.01 https://media.comicspace.jp/archives/3753
・赤坂アカ先生インタビュー2019.01.05 https://www.animatetimes.com/news/details.php?id=1546670233
・赤坂アカ先生インタビュー2019.01.11 https://ddnavi.com/interview/510294/a/
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・赤坂アカ先生Twitter https://twitter.com/akasaka_aka
・漫画公式Twitter https://twitter.com/kaguya_comic
・アニメ公式Twitter https://twitter.com/anime_kaguya
◆関連スレ
【かぐや様は告らせたい】伊井野ミコは真面目ちゃんかわいい
http://medaka.2ch.net/test/read.cgi/cchara/1499900605/
※前スレ
【赤坂アカ】かぐや様は告らせたい~天才たちの恋愛頭脳戦~ ☆150
https://fate.5ch.net/test/read.cgi/comic/1549596858/ VIPQ2_EXTDAT: default:vvvvvv:1000:512:----: EXT was configured
(deleted an unsolicited ad)


続きを読む
          【】『かぐや様は告らせたい〜天才たちの恋愛頭脳戦〜』原作者・赤坂アカ先生が語るTVアニメ化するにあたってスタッフにお願いしたこととは...!?      Cache   Translate Page      

【連載】『かぐや様は告らせたい』原作者・赤坂アカ先生が語るTVアニメ化するにあたってスタッフにお願いしたこと - アニメイトタイムズ
【アニメイトタイムズ】コミックス発行部数累計400万部突破の赤坂アカ先生によるラブコメ作品『かぐや様は告らせたい~天才たちの恋愛頭脳戦~』(集英社「週刊ヤング ...
(出典:アニメイトタイムズ)


かぐや様は告らせたい〜天才たちの恋愛頭脳戦〜』(かぐやさまはこくらせたい てんさいたちのれんあいずのうせん)は、赤坂アカによる日本の漫画作品。『ミラクルジャンプ』(集英社)にて、2015年6月号から2016年2月号まで連載された。その後掲載誌を『週刊ヤングジャンプ』(集英社)に移し、同年17号より
49キロバイト (7,090 語) - 2019年2月2日 (土) 17:43



(出典 cdn-ak.f.st-hatena.com)


無事にアニメを放送してほしいですね。

1 名無しんぼ@お腹いっぱい :2019/02/03(日) 12:27:30.98 ID:6HKe1ZB30.net

!extend:on:vvvvvv:1000:512
本文頭に【!extend:on:vvvvvv:1000:512】を2行にしてスレ立てをしてください。
☆アニメ化決定! ミラクルジャンプ(集英社)2015年6月号から2016年2月号まで連載。
週刊ヤングジャンプ(同)へ2016年17号より移籍し連載開始。
赤坂アカ先生の『かぐや様は告らせたい~天才たちの恋愛頭脳戦~』について語りましょう。
※注意※
・次スレは>>950を踏んだ人が立てて下さい。立てられない場合は速やかに次のアンカーを指定しましょう。
・重複防止のため、必ず宣言してからスレ立てして下さい。荒らしは完全スルーが鉄則、面白がって相手にしないこと。
・ネタバレは公式発売日の午前0時まで厳禁。
◆関連サイト
・漫画公式HP https://youngjump.jp/kaguyasama/
・YJ公式HP http://youngjump.jp/manga/kaguyasama/
・アニメ公式HP https://kaguya.love/
・第1~5話試し読み http://www.tonarinoyj.jp/manga/yj_mj/
・100回記念特別サイト https://kaguya100.com
・赤坂アカ先生インタビュー2018.04.20 https://natalie.mu/comic/pp/kaguyasama
・赤坂アカ先生インタビュー2018.06.01 https://media.comicspace.jp/archives/3753
・赤坂アカ先生インタビュー2019.01.05 https://www.animatetimes.com/news/details.php?id=1546670233
◆関連Twitter
・赤坂アカ先生Twitter https://twitter.com/akasaka_aka
・漫画公式Twitter https://twitter.com/kaguya_comic
・アニメ公式Twitter https://twitter.com/anime_kaguya
◆関連スレ
【かぐや様は告らせたい】伊井野ミコは真面目ちゃんかわいい
http://medaka.2ch.net/test/read.cgi/cchara/1499900605/
【赤坂アカ】かぐや様は告らせたい~天才たちの恋愛頭脳戦~ ☆143
https://fate.5ch.net/test/read.cgi/comic/1549095445/
-
VIPQ2_EXTDAT: default:vvvvvv:1000:512:----: EXT was configured VIPQ2_EXTDAT: default:vvvvvv:1000:512:----: EXT was configured
(deleted an unsolicited ad)


続きを読む
          【速報】GYAOにて『かぐや様は告らせたい〜天才たちの恋愛頭脳戦〜』SP番組がスタート、声優・古賀葵の恋愛エピソードトークも!?      Cache   Translate Page      

声優・古賀葵の恋愛エピソードトークも!? GYAO!で「かぐや様は告らせたい」SP番組がスタート#source%3Dgooglier%2Ecom#https%3A%2F%2Fgooglier%2Ecom%2Fpage%2F%2F10000 声優・古賀葵の恋愛エピソードトークも!? GYAO!で「かぐや様は告らせたい」SP番組がスタート
…動画配信サービス「GYAO!」では、アニメ「かぐや様は告らせたい~天才たちの恋愛頭脳戦~」(毎週土曜夜11:30ほか、TOKYO MXほか)のスペシャル番組「声優だって告らせたい~天才たちの恋愛頭脳戦…
(出典:エンタメ総合(ザテレビジョン))


かぐや様は告らせたい〜天才たちの恋愛頭脳戦〜』(かぐやさまはこくらせたい てんさいたちのれんあいずのうせん)は、赤坂アカによる日本の漫画作品。『ミラクルジャンプ』(集英社)にて、2015年6月号から2016年2月号まで連載された。その後掲載誌を『週刊ヤングジャンプ』(集英社)に移し、同年17号より
47キロバイト (6,922 語) - 2019年1月14日 (月) 05:56



(出典 s.animeanime.jp)



1 名無しんぼ@お腹いっぱい :2019/01/11(金) 17:37:41.90 ID:4sTpARpXa.net

!extend:on:vvvvvv:1000:512
本文頭に【!extend:on:vvvvvv:1000:512】を2行にしてスレ立てをしてください。
☆アニメ化決定! ミラクルジャンプ(集英社)2015年6月号から2016年2月号まで連載。
週刊ヤングジャンプ(同)へ2016年17号より移籍し連載開始。
赤坂アカ先生の『かぐや様は告らせたい~天才たちの恋愛頭脳戦~』について語りましょう。

※注意※
・次スレは>>950を踏んだ人が立てて下さい。立てられない場合は速やかに次のアンカーを指定しましょう。
・重複防止のため、必ず宣言してからスレ立てして下さい。荒らしは完全スルーが鉄則、面白がって相手にしないこと。
・ネタバレは公式発売日の午前0時まで厳禁。
◆関連サイト
・漫画公式HP https://youngjump.jp/kaguyasama/
・YJ公式HP http://youngjump.jp/manga/kaguyasama/
・アニメ公式HP https://kaguya.love/
・第1~5話試し読み http://www.tonarinoyj.jp/manga/yj_mj/
・100回記念特別サイト https://kaguya100.com
・赤坂アカ先生インタビュー2018.04.20 https://natalie.mu/comic/pp/kaguyasama
・赤坂アカ先生インタビュー2018.06.01 https://media.comicspace.jp/archives/3753
・赤坂アカ先生インタビュー2019.01.05 https://www.animatetimes.com/news/details.php?id=1546670233
◆関連Twitter
・赤坂アカ先生Twitter https://twitter.com/akasaka_aka
・漫画公式Twitter https://twitter.com/kaguya_comic
・アニメ公式Twitter https://twitter.com/anime_kaguya
◆関連スレ
【かぐや様は告らせたい】伊井野ミコは真面目ちゃんかわいい
http://medaka.2ch.net/test/read.cgi/cchara/1499900605/
かぐや様は告らせたい~天才たちの恋愛頭脳戦~☆3
https://rosie.5ch.net/test/read.cgi/anime/1546621800/
◆前スレ
【赤坂アカ】かぐや様は告らせたい~天才たちの恋愛頭脳戦~ ☆130
https://fate.5ch.net/test/read.cgi/comic/1546235599/ VIPQ2_EXTDAT: default:vvvvvv:1000:512:----: EXT was configured
(deleted an unsolicited ad)


続きを読む
          【速報】『かぐや様は告らせたい〜天才たちの恋愛頭脳戦〜』Blu-ray/DVDが全6巻が発売決定!      Cache   Translate Page      

アニメ「かぐや様は告らせたい」BD/DVDは全6巻、店舗別特典のラフイラスト公開 - ナタリー
赤坂アカ原作によるTVアニメ「かぐや様は告らせたい~天才たちの恋愛頭脳戦~」のBlu-ray / DVDが、全6巻で発売決定。あわせて店舗共通購入特典と店舗別オリジナル ...
(出典:ナタリー)


かぐや様は告らせたい天才たちの恋愛頭脳戦〜』(かぐやさまはこくらせたい てんさいたちのれんあいずのうせん)は、赤坂アカによる日本の漫画作品。『ミラクルジャンプ』(集英社)にて、2015年6月号から2016年2月号まで連載された。その後掲載誌を『週刊ヤングジャンプ』(集英社)に移し、同年17号よ
47キロバイト (6,922 語) - 2019年1月13日 (日) 03:50



(出典 public.ynjn.jp)



1 名無しんぼ@お腹いっぱい :2019/01/11(金) 17:37:41.90 ID:4sTpARpXa.net

!extend:on:vvvvvv:1000:512
本文頭に【!extend:on:vvvvvv:1000:512】を2行にしてスレ立てをしてください。
☆アニメ化決定! ミラクルジャンプ(集英社)2015年6月号から2016年2月号まで連載。
週刊ヤングジャンプ(同)へ2016年17号より移籍し連載開始。
赤坂アカ先生の『かぐや様は告らせたい~天才たちの恋愛頭脳戦~』について語りましょう。

※注意※
・次スレは>>950を踏んだ人が立てて下さい。立てられない場合は速やかに次のアンカーを指定しましょう。
・重複防止のため、必ず宣言してからスレ立てして下さい。荒らしは完全スルーが鉄則、面白がって相手にしないこと。
・ネタバレは公式発売日の午前0時まで厳禁。
◆関連サイト
・漫画公式HP https://youngjump.jp/kaguyasama/
・YJ公式HP http://youngjump.jp/manga/kaguyasama/
・アニメ公式HP https://kaguya.love/
・第1~5話試し読み http://www.tonarinoyj.jp/manga/yj_mj/
・100回記念特別サイト https://kaguya100.com
・赤坂アカ先生インタビュー2018.04.20 https://natalie.mu/comic/pp/kaguyasama
・赤坂アカ先生インタビュー2018.06.01 https://media.comicspace.jp/archives/3753
・赤坂アカ先生インタビュー2019.01.05 https://www.animatetimes.com/news/details.php?id=1546670233
◆関連Twitter
・赤坂アカ先生Twitter https://twitter.com/akasaka_aka
・漫画公式Twitter https://twitter.com/kaguya_comic
・アニメ公式Twitter https://twitter.com/anime_kaguya
◆関連スレ
【かぐや様は告らせたい】伊井野ミコは真面目ちゃんかわいい
http://medaka.2ch.net/test/read.cgi/cchara/1499900605/
かぐや様は告らせたい~天才たちの恋愛頭脳戦~☆3
https://rosie.5ch.net/test/read.cgi/anime/1546621800/
◆前スレ
【赤坂アカ】かぐや様は告らせたい~天才たちの恋愛頭脳戦~ ☆130
https://fate.5ch.net/test/read.cgi/comic/1546235599/ VIPQ2_EXTDAT: default:vvvvvv:1000:512:----: EXT was configured
(deleted an unsolicited ad)


続きを読む
          【速報】『かぐや様は告らせたい〜天才たちの恋愛頭脳戦〜』Blu-ray/DVDが全6巻が発売決定!      Cache   Translate Page      

アニメ「かぐや様は告らせたい」BD/DVDは全6巻、店舗別特典のラフイラスト公開 - ナタリー
赤坂アカ原作によるTVアニメ「かぐや様は告らせたい~天才たちの恋愛頭脳戦~」のBlu-ray / DVDが、全6巻で発売決定。あわせて店舗共通購入特典と店舗別オリジナル ...
(出典:ナタリー)


かぐや様は告らせたい天才たちの恋愛頭脳戦〜』(かぐやさまはこくらせたい てんさいたちのれんあいずのうせん)は、赤坂アカによる日本の漫画作品。『ミラクルジャンプ』(集英社)にて、2015年6月号から2016年2月号まで連載された。その後掲載誌を『週刊ヤングジャンプ』(集英社)に移し、同年17号よ
47キロバイト (6,922 語) - 2019年1月13日 (日) 03:50



(出典 public.ynjn.jp)



1 名無しんぼ@お腹いっぱい :2019/01/11(金) 17:37:41.90 ID:4sTpARpXa.net

!extend:on:vvvvvv:1000:512
本文頭に【!extend:on:vvvvvv:1000:512】を2行にしてスレ立てをしてください。
☆アニメ化決定! ミラクルジャンプ(集英社)2015年6月号から2016年2月号まで連載。
週刊ヤングジャンプ(同)へ2016年17号より移籍し連載開始。
赤坂アカ先生の『かぐや様は告らせたい~天才たちの恋愛頭脳戦~』について語りましょう。

※注意※
・次スレは>>950を踏んだ人が立てて下さい。立てられない場合は速やかに次のアンカーを指定しましょう。
・重複防止のため、必ず宣言してからスレ立てして下さい。荒らしは完全スルーが鉄則、面白がって相手にしないこと。
・ネタバレは公式発売日の午前0時まで厳禁。
◆関連サイト
・漫画公式HP https://youngjump.jp/kaguyasama/
・YJ公式HP http://youngjump.jp/manga/kaguyasama/
・アニメ公式HP https://kaguya.love/
・第1~5話試し読み http://www.tonarinoyj.jp/manga/yj_mj/
・100回記念特別サイト https://kaguya100.com
・赤坂アカ先生インタビュー2018.04.20 https://natalie.mu/comic/pp/kaguyasama
・赤坂アカ先生インタビュー2018.06.01 https://media.comicspace.jp/archives/3753
・赤坂アカ先生インタビュー2019.01.05 https://www.animatetimes.com/news/details.php?id=1546670233
◆関連Twitter
・赤坂アカ先生Twitter https://twitter.com/akasaka_aka
・漫画公式Twitter https://twitter.com/kaguya_comic
・アニメ公式Twitter https://twitter.com/anime_kaguya
◆関連スレ
【かぐや様は告らせたい】伊井野ミコは真面目ちゃんかわいい
http://medaka.2ch.net/test/read.cgi/cchara/1499900605/
かぐや様は告らせたい~天才たちの恋愛頭脳戦~☆3
https://rosie.5ch.net/test/read.cgi/anime/1546621800/
◆前スレ
【赤坂アカ】かぐや様は告らせたい~天才たちの恋愛頭脳戦~ ☆130
https://fate.5ch.net/test/read.cgi/comic/1546235599/ VIPQ2_EXTDAT: default:vvvvvv:1000:512:----: EXT was configured
(deleted an unsolicited ad)


続きを読む
          ワンピースのウルージさんpart164      Cache   Translate Page      

元スレ

1 :名無しかわいいよ名無し:2018/11/08(木) 01:31:53.92 ID:HDe+fmDw0.net
“怪僧”ウルージ(UROUGE)
懸賞金1億800万ベリー

ウルージさんwiki
http://www39.atwiki.jp/urouge/

【ウルージさんスレ十箇条】
壱、いかなる時もウルージさんを愛しなされ
弐、起床後・就寝前の挨拶を忘れなさんな
参、僧正タイムの書き込みを忘れなさんな
四、荒らしはヒザをつきやり過ごしなされ
五、広い心でアンチにすら慈悲を与えなされ
六、他スレで迷惑をかけなさんな
七、ウルジスト同士尊敬しあいなされ
八、AA作成やウィキの充実を図りなされ
九、次スレは>>950踏んだ人が立てなされ(勢いがある時は早めに立てる以外になかろう)
拾、UG海賊団にウルジストとして投稿しなされ

※前スレ
ワンピースのウルージさんpart163
https://medaka.5ch.net/test/read.cgi/cchara/1509639668/

2 :名無しかわいいよ名無し:2018/11/08(木) 01:33:52.40 ID:HDe+fmDw0

ワンピースのウルージさんpart162
http://medaka.2ch.net/test/read.cgi/cchara/1490846688/
【人生161ろ】ワンピースのウルージさんは優しい怪僧【僧侶も色々】
http://tamae.2ch.net/test/read.cgi/cchara/1480357301/
【新世界一の】ワンピースのウルージさん【160とこ】
http://tamae.2ch.net/test/read.cgi/cchara/1472654944/
【159一城】ワンピースのウルージさん【五穀豊城】
http://tamae.2ch.net/test/read.cgi/cchara/1460914384/
【158る?】ワンピースのウルージさん【将棋やろ!】
http://tamae.2ch.net/test/read.cgi/cchara/1454891189/
【157る日も】ワンピースのウルージさんは笑顔【絶やさない】
http://tamae.2ch.net/test/read.cgi/cchara/1446246253/
【四皇も】ワンピースのウルージさんの「南無」で【156さ】
http://kanae.2ch.net/test/read.cgi/cchara/1442287096/
【空島は】ワンピースのウルージさん「南無」【155ちが良い】
http://kanae.2ch.net/test/read.cgi/cchara/1439706812/
【まだ】ワンピースのウルージさんは生きてるんで【154ろしく】
http://kanae.2ch.net/test/read.cgi/cchara/1438248877/
【全治】ワンピースのウルージさんは天空の孤島で療養中【153年】
http://kanae.2ch.net/test/read.cgi/cchara/1437065873/
【戦友の】ワンピースのウルージさんは平和を願う【152抱いて】
http://kanae.2ch.net/test/read.cgi/cchara/1434280554/
【人気投票151位】ワンピースのウルージさん【本当は48位】
http://kanae.2ch.net/test/read.cgi/cchara/1419052781/

3 :名無しかわいいよ名無し:2018/11/08(木) 01:35:01.45 ID:HDe+fmDw0

●ウルージさんwiki 過去ログ倉庫
http://www39.atwiki.jp/urouge/pages/14.html

4 :名無しかわいいよ名無し:2018/11/08(木) 01:36:01.22 ID:HDe+fmDw0

●台詞トレース用ウルージさん語録

堕ちた海軍将校ドレークか……ふふ 命を拾いなさったな…マスクの人
……”天竜人”か…無法地帯も構わず闊歩とは…厄介の種だ
ヒザをついてやり過ごす以外になかろう
おーおー 好き勝手やりなさる…!!
メチャクチャだ…噂以上……
2番手にして「1億2千万」 人に従う様な男には見えないが……
船長の度量が伺えるな……
ハタ迷惑な一味だ……!!
ゼェ…ゼェ……!!
…「大将」ばかり警戒していた…!!「海軍本部」のそばを……すんなり通れはしないか…!!!
うわァァっ!!!
どうっ…!!!
ハァ…ハァ……!!まいった…何て強さ…!!
まさか…あれは…”黄猿”!!!
…何という悲運…!!前方に「海軍大将」…後方に「七武海」 ゼェ……ここまでか…!?
“北の海”のホーキンスか…ふふふ
敵ながら冗談でもありがたい………!!
あァ〜〜……(モコ…モコ…)
ずいぶんやられたが……
さて本当に…希望はあるのかどうか… ボチボチ反撃してみよう…!!!
ずいぶん痛めつけてくれなさったな… さっきまでの私とは思いなさんな!!
“因果晒し”!!!
ぐわァっ!!!熱つ
これは珍しい物を見た…
ふん!
なるほど…
へへへ
新世界を前にしてよりによって海軍本部と騒動を起こすとは…まったくハタ迷惑な一味だ
……だが!!(ぬぅっ!!)こちらにも意地がある…!!
ん?そうか…
またお主か……!
確かめさせてもらおうか……!!
……行こう
鍵は“黒ひげ” 間違いなくしばらくは奴らが台風の目になる……!!!
無茶を言うな!!!どう上陸するんだ!!
誰だ…!!?
バカを言え、我々は今 雲の孤島にて傷を癒して……!!
何をしてなさる
ここは上空一万mだぞ!?
…本気なら止めまい… 南無

【ライジン島】
傘婆「傘はいらんかえや?」
ウルージ「傘ァ!!?」

【将星クラッカーとのバトル編】
「やはり四皇の顔は拝めんか」
「ずいぶん痛めつけてくれなさったな」
「なんと・・」
「ぐおあああああああっ」
「はぁ・・・はぁ・・・」

5 :名無しかわいいよ名無し:2018/11/08(木) 01:37:41.03 ID:HDe+fmDw0

【ウルージさんスレ専用年間スケジュール】
●各月24日(ウルージさん人気投票24位記念日)
●1月1日(お僧月)
●1月8日(僧正第壱誕生日)
●2月3日(節ブン)
●2月29日(僧正第参誕生日)
●3月8日(僧正映像降誕記念日)
●4月19日(ウルージさん再々登場記念日)
●4月28日(僧正降誕記念日)
●4月29日(昭うわァァっの日)
●5月4日(みどうっ・・・りの日)
●5月5日(こどうっ・・・もの日)
●8月1日(ウルージさんの公式誕生日)
●8月3日(『因果晒し』初公開記念日)
●10月8日(僧正第弐誕生日)
●11月3日(ブン化の日)
●11月13日(いい膝の日)
●11月30日(ウルージさん再登場の日)
●12月25日(X(ディエス)マス)
●12月31日(おーおー晦日)

6 :名無しかわいいよ名無し:2018/11/08(木) 01:38:58.51 ID:HDe+fmDw0

「やはり四皇の顔は拝めんか」
ウル―ジさんからしてみれば四皇の顔を拝むなど、道端にいるありを見るのに等しい。ならばなぜこのようなセリフを
はなったというのか。ウル―ジさんが将星スナックを倒した後、このようなセリフをいっておくことで、自らが所詮ルーキーの
一人だという小物感を演出し、敵の警戒心を解くためである。大幹部の将星を瞬殺した事実は四皇を呼び寄せることになり
かねない。ウル―ジさんが本気を出せば四皇海賊団など壊滅できるが、世界の均衡を保つためのウル―ジさんの人類を思った
発言である。

7 :名無しかわいいよ名無し:2018/11/08(木) 01:41:05.14 ID:HDe+fmDw0

「ずいぶん痛めつけてくれなさったな」
将星クラッカーに対しての発言。敵の大群に囲まれているピンチな状況だというのに笑顔で戦闘を楽しんでいるようにも見える。
ウル―ジさんからすればクラッカーの相手など、子供相手に遊んであげてる大人のようなもの。スナックを瞬殺した事実を和らげる
ために、クラッカーには苦戦している演出をしたためのセリフである。将星を倒したルーキーすらいないなかでスナックに続き、クラッカーまでを
も倒してしまっては他のルーキー達の自信を完全に失わせてしまうだろう。ウル―ジさんがいかに周りに配慮して日々を過ごしている
かがわかる台詞である。

8 :名無しかわいいよ名無し:2018/11/08(木) 01:43:48.01 ID:HDe+fmDw0

「なんと・・」
強化したウル―ジさんの攻撃がクラッカーに通用しなかった際の発言。
ウル―ジさんが驚いたのは自分の攻撃が通用しなかった事実などではない。
クラッカーのビスケットがあまりにもおいしそうな匂いを放っていたためである。
おいしそうなビスケットに感心し、戦闘中にも関わらず思わず本音が出てしまったのだ。
まさに食レポーター並みの表現力である。このウル―ジさんの食レポは星5つに値するといえよう。

9 :名無しかわいいよ名無し:2018/11/08(木) 01:48:15.34 ID:HDe+fmDw0

「ぐおあああああああっ」
クラッカーのロールプレッツェルを受けた際のウル―ジさんの叫び。
この時のウル―ジさんは笑顔である。それもそのはず、
ウル―ジさんからしてみればこの戦闘は自分の小物感を演出するためだけの芝居で、
さっさと終わらせたかったのである。
敵の大技を食らえばやられたふりをして芝居を終わらせることができる
という喜びを解放した心の中の叫びである。

10 :名無しかわいいよ名無し:2018/11/08(木) 01:52:28.45 ID:HDe+fmDw0

「はぁ・・・はぁ・・・」
スナックを倒した直後のウル―ジさんの荒息。
スナックの相手など簡単だったはずのウル―ジさんがなぜ荒息をあげているのか。
無駄な弱いものいじめなどしないウル―ジさんを見れば、
スナックが不意打ちを仕掛けてきたのは当然であろう。
不意打ちという人の道を踏み外した愚行に対してウル―ジさんは怒りを抱き、
感情をあらわにしたのだ。この荒息は人の道を踏み外しては
なりませんぞという僧正の教えがこもっているのである。

11 :名無しかわいいよ名無し:2018/11/08(木) 01:55:00.56 ID:HDe+fmDw0

●アニメオリジナルウルージさん語録
?「フフ…」(ウルージさんがキラーに攻撃をした時、キラーがジャンプした時に)
?「フンッ!!!」(キラーが上から攻撃して来る時にウルージさんも攻撃しようとした時に)
?「なるほど」(ドレークが現れた時に)
?「へへへ」(シャッキーがウルージさんの説明をする時に)
?「んん…?」(部下がチャルロスがいるのを教えたとき)
?「おーおー」(チャルロスに気づいたとき)
?「新世界を前にしてよりによって海軍本部と騒動を起こすとは…まったくハタ迷惑な一味だ」(建物の上から逃げ惑う人々を見守っていた時)
?……だが!!(ぬぅっ!!)こちらにも意地がある…!!(パシフィスタに攻撃した時)
?ん?そうか…(ホーキンスに死相が見えないと言われた時)
?またお主か……!フン!(嫁に馬鹿にされた時)
?確かめさせてもらおうか……!!( モコモコしなさった時)
?えいっ!トゥゥゥ〜!うんうおおお〜!(パシフィスタを殴ってる時)
?ぬう…。少しは効いたか(攻撃が終わった時)
?やはり四皇の顔は拝めんか

12 :名無しかわいいよ名無し:2018/11/08(木) 01:58:06.63 ID:HDe+fmDw0

●ウルージさんに使われた効果音
・ブン!! ブン!! (vsキラー、黒棒を振り回される音)
・ガキン!! (嫁と運命の出会いをしなさった衝撃)
・ドン!! (キャラクター紹介の時に)
・ドン (くまに遭遇してゼェ…ゼェ……!!言いなさっている所)
・ボカァン (くまに一矢報われ、うわァっ!!!な所)
・ドサァ…!!! (くまにふっ飛ばされ、どうっ…!!!と天使が舞い降りる所)
・モコ…モコ… (あァ〜〜……)
・ゴゴゴゴ (でっかくなっちゃった!時に)
・ムキッ… (そうだねプロテインだね)
・ドゴォン (“因果晒し”炸裂音)
・ガン!! (親父にも殴られた事ないのにbyくま)
・ズドォン!! (くまの鳩尾(みぞおち)に拳がめり込みなさった音)
・ボカァン!!! (くまを壁に叩き付けなさった音)・ズバゥ!!(その時…光が天使の胸を貫いた)
・ドサッ…!! (倒れなさった音)
・メキメキ… (オジキの足が脇腹に好き勝手入りなさった音)
・ドゴン!!ボコンボココォ…ン!! (建物を貫通して飛んでいく天使)

13 :名無しかわいいよ名無し:2018/11/08(木) 02:00:10.92 ID:HDe+fmDw0

    / ⌒ ヽ
   /ゝ ̄ ̄三 キヽ
  /  ミ´`ヾ  / 〉
 /( ヽ《= Θミ ヾΘ 〉
/  ○〈´´ ヘ_》 /
   ヽミ\+++イヽ
   ミ\ ヽ二二/」 ヾ
   \ ∧∧∧∧  )
    ヾ        丿
     \∧∧∧∧/

14 :名無しかわいいよ名無し:2018/11/08(木) 02:02:42.25 ID:HDe+fmDw0

      ⌒ ヽ
   /ゝ ̄ ̄三 キヽ
  /  ミ´`ヾ  / 〉
 /( ヽ《= Θミ ヾΘ 〉
/  ○〈´´ ヘ_》 /
   ヽミ\+++イヽ
   ミ\ ヽ二二/」 ヾ  ∩∩
   \ ∧∧∧∧  ) l U l
    ヾ        丿 (つ E)
     \∧∧∧∧/

15 :名無しかわいいよ名無し:2018/11/08(木) 02:08:05.89 ID:HDe+fmDw0

おーおー好き勝手 並びなさる
               (<   ____  _>)
      ⌒ ヽ      | ` ̄ ̄^    ̄ ̄_/    ,l\∧/ヽ、      ___
   /ゝ ̄ ̄三 キヽ    “ヽ、 >` ̄`^ ̄<γ^    <、     ,>   /〜〜〜\      ▲▼▲
  /  ミ´`ヾ  / 〉     | | /ヽ γヽ ||     /レ’Vヽlノヽ   / ∫√   ヽ|     ■■■■
 /( ヽ《= Θミ ヾΘ 〉     | |  Θ)|(Θ  ||     |  ∩ ∩|   | ∫-■⌒■ |     / =Θ Θ=|
/  ○〈´´ ヘ_》 /      「]<  /、   >]     |  Θ Θ|   C∫   ↓  |  |\|_____↓____|_/|
   ヽミ\+++イヽ     ||  ∠ゝ   |/   С    ‖ |   |∫ /…\|   \____________ノ
   ミ\ ヽ二二/」 ヾ    /|γ━━━ヽ||     |   ∈∋ /    |\| ⊆ /    \  レへJ|
   \ ∧∧∧∧  )   / |γ━━━━|`|    | \,,,,/     |  \__/     / ヾ    /
    ヾ        丿 `/  |▲▲▲▲▲| `|  /ヽ     ヽ    /ヽ     ヽ    /,   \__/ヽ

    「おーおー」        「鉄塊・・・。」     「効くよい」   「ウソをつけ〜」   「グララララ」

16 :名無しかわいいよ名無し:2018/11/08(木) 02:11:08.98 ID:HDe+fmDw0

  / ̄ ̄\/ ̄ ̄\
   / ̄ ̄ ̄ ̄ ゙̄i  
..  |   |MARINE|  
  |___─√─へ ン、
 /≡≡\-○⌒○=|\
|≡≡≡|  . U   |≡|
|≡≡≡| ━━━━|≡|
|≡≡≡| ‖∠二》/≡|
. \≡≡/ \_▲.. /≡/
         ●
         ●
         ●
         ●
         ▲
         ■
         ▼

17 :名無しかわいいよ名無し:2018/11/08(木) 02:15:23.03 ID:HDe+fmDw0

          ●))))●,,  
        〃Wヾヽ ”彡  
       //ヾ 〃ヾ   ● 
       〔|l二H二l|〕  毛}
       _}  ↓ {_   ●
       ヽ`全全´/   毛}
        i    i    
        `ー‐一’

18 :名無しかわいいよ名無し:2018/11/08(木) 02:20:25.88 ID:HDe+fmDw0

;;;;;;;;;;;;;;;;{ !;;;;;;;;.‐ ‐、;;ヽ ヽ;;!  !! !! !;;;;;;;;┌─‐┐;;;;;;;;;;|  |  |
;;;;;;;;;;;;_ ! !;;( (`fi´) );;;;;l };;;!  !!__!!__! ;;;;;;;!   | ,へ ;;|  |  |
;;;;;;;;;;;;ヽン;;;;;;;;;;;ii;;;;;;´//;;;;!    ̄ ̄!;;;;;;;;└―┘   `  |  |
_´` ⌒ヽ;;;;;;;;;;;;.ii;;;;;;;;弋__;;;;;;;;!  ┌‐一 ;;;;;;;;;; /   /└ ┘‐┘
ヾ{ l_ヽ |ヽ ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;!_..-‐;;;;;;;;;;;;;;;;;;;;;; ヽ、 /;;; |___| _|
 ミ!「 L| ヽ ;;;;;;;; 、ー __ ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;`;;;;;;;;;;;;;;;;;;;;;|
 ヾ ゝ 1  ヽ;;;;;;;;;;!入 ` t_、 ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;|
   ミ ゝi   l ヽ;;;;;;;;ヽ `ー一` 、;;;;、´tj`,’ヽ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;| 暴れたきゃあ
  弋 |   l  ` ヽ 、;;;; ̄;;;;;;;、`   !`_/  ヽ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;| ウルージスレへ!!!
    ミ!   l        ̄     !./、|   ヽ;;;;;;;;;;;;;;;;;;;;;;;;;;;;|
   ヽヽ!  ヾヽ        -、   !、l     iヽ;;;;;;;;;;;;;;;;;;;;;;}
   ヾ \ヾ     ,.-┬┬┬–、ヽ 丿、|      ;; ヽ;;;;;;;;;;;;;;;;/
    ヾ;:;:ヽ   /二二二,.゛r'” ̄`ヽ’ ゛ ヾ     :; ヽ;;;;;;;;;;/
      ヾ;:;:\  { / l ,/,. – ‘´”` ‘, ;:;:”,    `、゛、 ヽ;;;;/
 ;;  ;; ミ ;:;:;:;ヽ  `”´_, ”´ ` 、/ ’, ;:;:;:”,,     i   V
 ;;  ;; ,”  ;:;:;:;:ヽ      /`ヽ 丿 ;:;:”    ヾ
,,”; ;;”,,”   ;:;:;:;:;:;ゝ  _,..-‐ ” “´   ;:,”    ヾ
         ;:;:;:;:;: `          ;:;:;:

19 :名無しかわいいよ名無し:2018/11/08(木) 02:23:55.04 ID:HDe+fmDw0

          _  —―――— __
        /                  ヽ
      /     / ̄ ̄ヽノ ̄ ̄\      ヽ
     /      |           |       ヽ
    /       \         /         ヽ
   /          ̄ }   { ̄            ヽ
  /            /     ヽ             ヽ
 |            /       ヽ             |
 |          /  ∧   ∧ ヽ          |
 |          .|  ,´  \/  ヽ |          |
 |          |  |  \  /  | |            |
 |            |  | (T) | |(T) | |          |
  |        {F| |   (_ _)   | |f}             |
  ヽ      彡彡/|l|  / ij | lr、r、r、ミミ        /
   ヽ       彡 /   Е三{      }ミ       /
    \   /``ヽ__  : : : ヽ/ ̄ヽ|      /
      \   \  \`ー―  ヽ 三三ヽ    /
      /二二ヽ\  \ / ̄_ }    ヽ二二ヽ
      /  ヽ``\ / /  !     ヽ \
      二二二二二二二二二二!     ヽ二二
    ノ (( ))  (( ))  (( ))  !      ヽ ))
   { ――――――――――― !       ヽ―

20 :名無しかわいいよ名無し:2018/11/08(木) 02:27:06.34 ID:HDe+fmDw0

            , -‐、,-r― 、v‐、
           イ //    ̄ヽヽ  !ヽ
          / ,’´| |´ 1 人ヽ1 }ヽ ! !
          !ク∠//ノノ´` ))/  ヽ} }    ちょっとお待ち下さい!!!
          } !/ ({/‐- _,   、_ -‐| } !    彼女は私の婚約者で……!!!
          ン! ! 1ノ ´ ・` |´・ ` l/|
          |!ノ_ヽ! u  ̄ ‐’  ̄  | {    r‐、   rヽ
          彳ヽノ !  ,‐-一,   /((    | |   / /
           リ ヽ!   { ̄ ̄}   / `  r‐、 | | / /  / )
      _,,.-イノ ヽ \  ヽニフ // |‐- 、 | | | し’ / / /
, イ”  ̄      |  ヽ  `――一’/  |   | |ノ、_ `´ ∠ -‐、
    |   |    |ィ⌒ヽヽ     //⌒   |  ヽヽ \ ´,.. ””´.
    ヽ |      |  | }λ   / |  |  | |   ノノ  /
  _ _― |     |  |   ヽ /   |  | | / ``  、 /
/´     |    / ● ̄ ̄ ̄ ̄ ̄ ●| |/.  | ヽ   `、_
        |   /             Yヽ、 |  `、    `,ヽ
       } /     ヽ ┬┬    /  `ヽ|” `、 ___ / }
         `}     ヽ lナ七l   /      ヽ” _   /.
          |       / |ニニニ|   /       ` ー ´

21 :名無しかわいいよ名無し:2018/11/08(木) 02:30:06.64 ID:HDe+fmDw0

  ●
  |
/ ̄ ̄\
| ● ● |
|  U   |
\:○:/
 |   |
 |   トr=- ズドン
 |   |
   ̄ ̄ ̄ ̄\/ ̄\
             |
 U ̄ ̄U ̄ ̄\_/

22 :名無しかわいいよ名無し:2018/11/08(木) 12:22:31.18 ID:F6n3eD/m0

…何というテンプレ…!!
ヒザをついて祝福する以外になかろう

24 :名無しかわいいよ名無し:2018/11/09(金) 01:08:12.54 ID:R0PbBnCE0

昨日までの私とは思いなさんな…!

凄く久しぶりの好き勝手僧正タイム!!

25 :名無しかわいいよ名無し:2018/11/10(土) 17:01:19.38 ID:jzV5xxfI0

ウルージって一週間に何回ウンコするの?

26 :名無しかわいいよ名無し:2018/11/10(土) 23:35:05.21 ID:3tGA79fB0

ウルージさんはそんなことはしませぬ

27 :名無しかわいいよ名無し:2018/11/11(日) 01:08:00.68 ID:24TNxIZE0

僧正タイム!

28 :名無しかわいいよ名無し:2018/11/12(月) 01:08:00.52 ID:LH7ahTrB0

僧正タイム!

30 :& :2018/11/12(月) 02:32:13.82 ID:/3dILyUt0

31 :名無しかわいいよ名無し:2018/11/12(月) 11:03:57.63 ID:XgGh/Lrp0

ウルージさんはハガー市長に似てるような気がしますゾ

32 :名無しかわいいよ名無し:2018/11/13(火) 01:08:00.47 ID:TI3/LA1G0

11月13日 いい膝の日 僧正タイム!

33 :名無しかわいいよ名無し:2018/11/14(水) 01:07:00.60 ID:uh+RERmA0

僧正タイム!

34 :名無しかわいいよ名無し:2018/11/14(水) 01:08:00.71 ID:f8C5BOvC0

僧正タイム!

35 :名無しかわいいよ名無し:2018/11/14(水) 20:37:16.95 ID:J1HWFYGb0


女子高生といえば太もも♪

36 :名無しかわいいよ名無し:2018/11/15(木) 01:08:00.06 ID:nA1tyVbU0

僧正タイム!

38 :名無しかわいいよ名無し:2018/11/17(土) 01:08:00.67 ID:w0GVO1rt0

僧正タイム!

40 :名無しかわいいよ名無し:2018/11/18(日) 01:08:00.45 ID:UUJZK6oZ0

僧正タイム!

41 :名無しかわいいよ名無し:2018/11/19(月) 01:08:00.88 ID:YI7gDMnA0

僧正タイム!

43 :名無しかわいいよ名無し:2018/11/19(月) 04:23:25.99 ID:+ajkK6ZE0

アニオリシーンのスナック倒した時のウルージさんの作画めちゃめちゃキモくない?

44 :名無しかわいいよ名無し:2018/11/19(月) 08:33:26.01 ID:P/b61FEf0

>>39
にくまさ
憎正じゃなくて
そうじょう
僧正タイム!!ですよ!

45 :名無しかわいいよ名無し:2018/11/20(火) 01:08:00.40 ID:A+aIn2830

僧正タイム!

47 :名無しかわいいよ名無し:2018/11/22(木) 01:08:00.69 ID:i/maSP6T0

僧正タイム!

48 :名無しかわいいよ名無し:2018/11/22(木) 17:16:09.40 ID:ysWJdFt10

49 :名無しかわいいよ名無し:2018/11/23(金) 01:07:59.92 ID:J9xC9m410

僧正タイム!

51 :名無しかわいいよ名無し:2018/11/23(金) 14:16:07.42 ID:Ev1H/krG0

ウルージ強くて草

ワンピース強さ議論総合スレpart1559
https://matsuri.5ch.net/test/read.cgi/wcomic/1541136709/

SS+:カイドウ 全盛期白ひげ [ロジャー 全盛期ガープ]
SS :[シャンクス ビッグマム 黒ひげ]
SS-:戦争編白ひげ [赤犬 全盛期センゴク] ガープ [青雉 黄猿 藤虎]

S+:マルコ レイリー センゴク
S :ルフィ カタクリ[マゼラン シリュウ]
S-:酒天丸 サボ

A+:ジョズ [ジャック クラッカー ] [イヌアラシ ネコマムシ] ドフラミンゴ ウルージ
A : ジンベエ エース エネル テゾーロ ゼファー シキ
A-:ロー ゾロ クロコダイル [ くま イワンコフ] キャロット(スーロン)

B+:ホーキンス ペロスペロー モリア
B : バージェス オーブン ダイフク ハクバ イチジ ベッジ
B-:ペドロ ヴェルゴ スモーカー ニジ サンジ アラディン

C+:たまご男爵 ピーカ キュロス [キャベンディッシュ サイ バルトロメオ] チンジャオ シーザー ジャッジ
C :オーズ ペコムズ ヨンジ レイジュ ダイス [ビンズ アイン] [モンドール アマンド] フランキー将軍 リトルオーズJr
C-:タナカ ワダツミ [ディアマンテ トレーボル] [ガレット オペラ]

52 :名無しかわいいよ名無し:2018/11/23(金) 20:12:50.85 ID:fXGixpIE0

ドフラミンゴとウルージさんが同レベルって冷静に考えるとやばいよね
切断操り空中飛行となんでも出来る糸の能力とモコモコ巨大化する能力が同じってやっぱ神だわ

53 :名無しかわいいよ名無し:2018/11/23(金) 23:31:13.98 ID:fOxqYkht0

ドフラミンゴをモコモコにするウルージさん


57 :名無しかわいいよ名無し:2018/11/27(火) 01:08:01.06 ID:IsYS1DwJ0

僧正タイム!

56 :名無しかわいいよ名無し:2018/11/26(月) 01:08:00.54 ID:oSmDUCbw0

僧正タイム!

55 :名無しかわいいよ名無し:2018/11/25(日) 01:08:00.73 ID:eKqpbeTD0

僧正タイム!

58 :名無しかわいいよ名無し:2018/11/28(水) 01:08:00.74 ID:eSAl5u+70

僧正タイム!

60 :名無しかわいいよ名無し:2018/11/30(金) 01:08:00.54 ID:zRkHZfiH0

11月30日ウルージさん再登場記念日 僧正タイム!

62 :名無しかわいいよ名無し:2018/12/01(土) 01:08:00.46 ID:kQmqFvtV0

僧正タイム!

63 :名無しかわいいよ名無し:2018/12/02(日) 01:08:00.65 ID:JsMhvTTX0

僧正タイム!

64 :名無しかわいいよ名無し:2018/12/03(月) 01:08:02.05 ID:3wVEWz6e0

僧正タイム!

65 :名無しかわいいよ名無し:2018/12/03(月) 19:21:48.48 ID:wkV00p4U0

ウルージさん最強伝説

66 :名無しかわいいよ名無し:2018/12/04(火) 01:08:03.50 ID:EfQojhsO0

僧正タイム!

67 :名無しかわいいよ名無し:2018/12/05(水) 01:08:00.49 ID:QvZAFNop0

僧正タイム!

68 :名無しかわいいよ名無し:2018/12/05(水) 21:07:53.30 ID:IQPmDfw+0

ウルージさんってハッチポッチステーションのキャラだっけ?

69 :名無しかわいいよ名無し:2018/12/06(木) 01:08:02.22 ID:VBxH5kvt0

僧正タイム!

70 :名無しかわいいよ名無し:2018/12/06(木) 17:17:09.89 ID:ge8sQlIP0

ウルージさん

71 :名無しかわいいよ名無し:2018/12/06(木) 20:32:46.51 ID:iWv5ytGV0

>>70
似てる!

100件をまとめました。
最新情報はこちら


          【赤坂アカ】かぐや様は告らせたい~天才たちの恋愛頭脳戦~ ☆128      Cache   Translate Page      
5104w7zOu2L._SX260_
1: 名無しんぼ@お腹いっぱい (デーンチッT Sae2-Z5OM [119.104.153.115]) 2018/12/12(水) 13:46:08.06 ID:LCwcKPTia1212
!extend:on:vvvvvv:1000:512
本文頭に【!extend:on:vvvvvv:1000:512】を2行にしてスレ立てをしてください。
☆アニメ化決定! ミラクルジャンプ(集英社)2015年6月号から2016年2月号まで連載。
週刊ヤングジャンプ(同)へ2016年17号より移籍し連載開始。
赤坂アカ先生の『かぐや様は告らせたい~天才たちの恋愛頭脳戦~』について語りましょう。

※注意※
・次スレは>>950を踏んだ人が立てて下さい。立てられない場合は速やかに次のアンカーを指定しましょう。
・重複防止のため、必ず宣言してからスレ立てして下さい。
・荒らしは完全スルーが鉄則。面白がって相手にしないこと。
・ネタバレは公式発売日の午前0時まで厳禁。
◆関連サイト
・漫画公式HP https://youngjump.jp/kaguyasama/
・YJ公式HP http://youngjump.jp/manga/kaguyasama/
・アニメ公式HP https://kaguya.love/
・第1~5話試し読み http://www.tonarinoyj.jp/manga/yj_mj/
・100回記念特別サイト https://kaguya100.com
・赤坂アカ先生インタビュー https://media.comicspace.jp/archives/3753 https://natalie.mu/comic/pp/kaguyasama
◆関連Twitter
・赤坂アカ先生Twitter https://twitter.com/akasaka_aka
・漫画公式Twitter https://twitter.com/kaguya_comic
・アニメ公式Twitter https://twitter.com/anime_kaguya
◆関連スレ
【かぐや様は告らせたい】伊井野ミコは真面目ちゃんかわいい
http://medaka.2ch.net/test/read.cgi/cchara/1499900605/
アニメスレ かぐや様は告らせたい~天才たちの恋愛頭脳戦~☆2
https://mao.5ch.net/test/read.cgi/anime3/1540332969/
◆前スレ
【赤坂アカ】かぐや様は告らせたい~天才たちの恋愛頭脳戦~ ☆127
https://fate.5ch.net/test/read.cgi/comic/1543880741/
VIPQ2_EXTDAT: default:vvvvvv:1000:512:----: EXT was configured
https://twitter.com/5chan_nel (5ch newer account)

続きを読む
          ワンピースのウルージさんpart164      Cache   Translate Page      

元スレ

1 :名無しかわいいよ名無し:2018/11/08(木) 01:31:53.92 ID:HDe+fmDw0.net
“怪僧”ウルージ(UROUGE)
懸賞金1億800万ベリー

ウルージさんwiki
http://www39.atwiki.jp/urouge/

【ウルージさんスレ十箇条】
壱、いかなる時もウルージさんを愛しなされ
弐、起床後・就寝前の挨拶を忘れなさんな
参、僧正タイムの書き込みを忘れなさんな
四、荒らしはヒザをつきやり過ごしなされ
五、広い心でアンチにすら慈悲を与えなされ
六、他スレで迷惑をかけなさんな
七、ウルジスト同士尊敬しあいなされ
八、AA作成やウィキの充実を図りなされ
九、次スレは>>950踏んだ人が立てなされ(勢いがある時は早めに立てる以外になかろう)
拾、UG海賊団にウルジストとして投稿しなされ

※前スレ
ワンピースのウルージさんpart163
https://medaka.5ch.net/test/read.cgi/cchara/1509639668/

2 :名無しかわいいよ名無し:2018/11/08(木) 01:33:52.40 ID:HDe+fmDw0

ワンピースのウルージさんpart162
http://medaka.2ch.net/test/read.cgi/cchara/1490846688/
【人生161ろ】ワンピースのウルージさんは優しい怪僧【僧侶も色々】
http://tamae.2ch.net/test/read.cgi/cchara/1480357301/
【新世界一の】ワンピースのウルージさん【160とこ】
http://tamae.2ch.net/test/read.cgi/cchara/1472654944/
【159一城】ワンピースのウルージさん【五穀豊城】
http://tamae.2ch.net/test/read.cgi/cchara/1460914384/
【158る?】ワンピースのウルージさん【将棋やろ!】
http://tamae.2ch.net/test/read.cgi/cchara/1454891189/
【157る日も】ワンピースのウルージさんは笑顔【絶やさない】
http://tamae.2ch.net/test/read.cgi/cchara/1446246253/
【四皇も】ワンピースのウルージさんの「南無」で【156さ】
http://kanae.2ch.net/test/read.cgi/cchara/1442287096/
【空島は】ワンピースのウルージさん「南無」【155ちが良い】
http://kanae.2ch.net/test/read.cgi/cchara/1439706812/
【まだ】ワンピースのウルージさんは生きてるんで【154ろしく】
http://kanae.2ch.net/test/read.cgi/cchara/1438248877/
【全治】ワンピースのウルージさんは天空の孤島で療養中【153年】
http://kanae.2ch.net/test/read.cgi/cchara/1437065873/
【戦友の】ワンピースのウルージさんは平和を願う【152抱いて】
http://kanae.2ch.net/test/read.cgi/cchara/1434280554/
【人気投票151位】ワンピースのウルージさん【本当は48位】
http://kanae.2ch.net/test/read.cgi/cchara/1419052781/

3 :名無しかわいいよ名無し:2018/11/08(木) 01:35:01.45 ID:HDe+fmDw0

●ウルージさんwiki 過去ログ倉庫
http://www39.atwiki.jp/urouge/pages/14.html

4 :名無しかわいいよ名無し:2018/11/08(木) 01:36:01.22 ID:HDe+fmDw0

●台詞トレース用ウルージさん語録

堕ちた海軍将校ドレークか……ふふ 命を拾いなさったな…マスクの人
……”天竜人”か…無法地帯も構わず闊歩とは…厄介の種だ
ヒザをついてやり過ごす以外になかろう
おーおー 好き勝手やりなさる…!!
メチャクチャだ…噂以上……
2番手にして「1億2千万」 人に従う様な男には見えないが……
船長の度量が伺えるな……
ハタ迷惑な一味だ……!!
ゼェ…ゼェ……!!
…「大将」ばかり警戒していた…!!「海軍本部」のそばを……すんなり通れはしないか…!!!
うわァァっ!!!
どうっ…!!!
ハァ…ハァ……!!まいった…何て強さ…!!
まさか…あれは…”黄猿”!!!
…何という悲運…!!前方に「海軍大将」…後方に「七武海」 ゼェ……ここまでか…!?
“北の海”のホーキンスか…ふふふ
敵ながら冗談でもありがたい………!!
あァ〜〜……(モコ…モコ…)
ずいぶんやられたが……
さて本当に…希望はあるのかどうか… ボチボチ反撃してみよう…!!!
ずいぶん痛めつけてくれなさったな… さっきまでの私とは思いなさんな!!
“因果晒し”!!!
ぐわァっ!!!熱つ
これは珍しい物を見た…
ふん!
なるほど…
へへへ
新世界を前にしてよりによって海軍本部と騒動を起こすとは…まったくハタ迷惑な一味だ
……だが!!(ぬぅっ!!)こちらにも意地がある…!!
ん?そうか…
またお主か……!
確かめさせてもらおうか……!!
……行こう
鍵は“黒ひげ” 間違いなくしばらくは奴らが台風の目になる……!!!
無茶を言うな!!!どう上陸するんだ!!
誰だ…!!?
バカを言え、我々は今 雲の孤島にて傷を癒して……!!
何をしてなさる
ここは上空一万mだぞ!?
…本気なら止めまい… 南無

【ライジン島】
傘婆「傘はいらんかえや?」
ウルージ「傘ァ!!?」

【将星クラッカーとのバトル編】
「やはり四皇の顔は拝めんか」
「ずいぶん痛めつけてくれなさったな」
「なんと・・」
「ぐおあああああああっ」
「はぁ・・・はぁ・・・」

5 :名無しかわいいよ名無し:2018/11/08(木) 01:37:41.03 ID:HDe+fmDw0

【ウルージさんスレ専用年間スケジュール】
●各月24日(ウルージさん人気投票24位記念日)
●1月1日(お僧月)
●1月8日(僧正第壱誕生日)
●2月3日(節ブン)
●2月29日(僧正第参誕生日)
●3月8日(僧正映像降誕記念日)
●4月19日(ウルージさん再々登場記念日)
●4月28日(僧正降誕記念日)
●4月29日(昭うわァァっの日)
●5月4日(みどうっ・・・りの日)
●5月5日(こどうっ・・・もの日)
●8月1日(ウルージさんの公式誕生日)
●8月3日(『因果晒し』初公開記念日)
●10月8日(僧正第弐誕生日)
●11月3日(ブン化の日)
●11月13日(いい膝の日)
●11月30日(ウルージさん再登場の日)
●12月25日(X(ディエス)マス)
●12月31日(おーおー晦日)

6 :名無しかわいいよ名無し:2018/11/08(木) 01:38:58.51 ID:HDe+fmDw0

「やはり四皇の顔は拝めんか」
ウル―ジさんからしてみれば四皇の顔を拝むなど、道端にいるありを見るのに等しい。ならばなぜこのようなセリフを
はなったというのか。ウル―ジさんが将星スナックを倒した後、このようなセリフをいっておくことで、自らが所詮ルーキーの
一人だという小物感を演出し、敵の警戒心を解くためである。大幹部の将星を瞬殺した事実は四皇を呼び寄せることになり
かねない。ウル―ジさんが本気を出せば四皇海賊団など壊滅できるが、世界の均衡を保つためのウル―ジさんの人類を思った
発言である。

7 :名無しかわいいよ名無し:2018/11/08(木) 01:41:05.14 ID:HDe+fmDw0

「ずいぶん痛めつけてくれなさったな」
将星クラッカーに対しての発言。敵の大群に囲まれているピンチな状況だというのに笑顔で戦闘を楽しんでいるようにも見える。
ウル―ジさんからすればクラッカーの相手など、子供相手に遊んであげてる大人のようなもの。スナックを瞬殺した事実を和らげる
ために、クラッカーには苦戦している演出をしたためのセリフである。将星を倒したルーキーすらいないなかでスナックに続き、クラッカーまでを
も倒してしまっては他のルーキー達の自信を完全に失わせてしまうだろう。ウル―ジさんがいかに周りに配慮して日々を過ごしている
かがわかる台詞である。

8 :名無しかわいいよ名無し:2018/11/08(木) 01:43:48.01 ID:HDe+fmDw0

「なんと・・」
強化したウル―ジさんの攻撃がクラッカーに通用しなかった際の発言。
ウル―ジさんが驚いたのは自分の攻撃が通用しなかった事実などではない。
クラッカーのビスケットがあまりにもおいしそうな匂いを放っていたためである。
おいしそうなビスケットに感心し、戦闘中にも関わらず思わず本音が出てしまったのだ。
まさに食レポーター並みの表現力である。このウル―ジさんの食レポは星5つに値するといえよう。

9 :名無しかわいいよ名無し:2018/11/08(木) 01:48:15.34 ID:HDe+fmDw0

「ぐおあああああああっ」
クラッカーのロールプレッツェルを受けた際のウル―ジさんの叫び。
この時のウル―ジさんは笑顔である。それもそのはず、
ウル―ジさんからしてみればこの戦闘は自分の小物感を演出するためだけの芝居で、
さっさと終わらせたかったのである。
敵の大技を食らえばやられたふりをして芝居を終わらせることができる
という喜びを解放した心の中の叫びである。

10 :名無しかわいいよ名無し:2018/11/08(木) 01:52:28.45 ID:HDe+fmDw0

「はぁ・・・はぁ・・・」
スナックを倒した直後のウル―ジさんの荒息。
スナックの相手など簡単だったはずのウル―ジさんがなぜ荒息をあげているのか。
無駄な弱いものいじめなどしないウル―ジさんを見れば、
スナックが不意打ちを仕掛けてきたのは当然であろう。
不意打ちという人の道を踏み外した愚行に対してウル―ジさんは怒りを抱き、
感情をあらわにしたのだ。この荒息は人の道を踏み外しては
なりませんぞという僧正の教えがこもっているのである。

11 :名無しかわいいよ名無し:2018/11/08(木) 01:55:00.56 ID:HDe+fmDw0

●アニメオリジナルウルージさん語録
?「フフ…」(ウルージさんがキラーに攻撃をした時、キラーがジャンプした時に)
?「フンッ!!!」(キラーが上から攻撃して来る時にウルージさんも攻撃しようとした時に)
?「なるほど」(ドレークが現れた時に)
?「へへへ」(シャッキーがウルージさんの説明をする時に)
?「んん…?」(部下がチャルロスがいるのを教えたとき)
?「おーおー」(チャルロスに気づいたとき)
?「新世界を前にしてよりによって海軍本部と騒動を起こすとは…まったくハタ迷惑な一味だ」(建物の上から逃げ惑う人々を見守っていた時)
?……だが!!(ぬぅっ!!)こちらにも意地がある…!!(パシフィスタに攻撃した時)
?ん?そうか…(ホーキンスに死相が見えないと言われた時)
?またお主か……!フン!(嫁に馬鹿にされた時)
?確かめさせてもらおうか……!!( モコモコしなさった時)
?えいっ!トゥゥゥ〜!うんうおおお〜!(パシフィスタを殴ってる時)
?ぬう…。少しは効いたか(攻撃が終わった時)
?やはり四皇の顔は拝めんか

12 :名無しかわいいよ名無し:2018/11/08(木) 01:58:06.63 ID:HDe+fmDw0

●ウルージさんに使われた効果音
・ブン!! ブン!! (vsキラー、黒棒を振り回される音)
・ガキン!! (嫁と運命の出会いをしなさった衝撃)
・ドン!! (キャラクター紹介の時に)
・ドン (くまに遭遇してゼェ…ゼェ……!!言いなさっている所)
・ボカァン (くまに一矢報われ、うわァっ!!!な所)
・ドサァ…!!! (くまにふっ飛ばされ、どうっ…!!!と天使が舞い降りる所)
・モコ…モコ… (あァ〜〜……)
・ゴゴゴゴ (でっかくなっちゃった!時に)
・ムキッ… (そうだねプロテインだね)
・ドゴォン (“因果晒し”炸裂音)
・ガン!! (親父にも殴られた事ないのにbyくま)
・ズドォン!! (くまの鳩尾(みぞおち)に拳がめり込みなさった音)
・ボカァン!!! (くまを壁に叩き付けなさった音)・ズバゥ!!(その時…光が天使の胸を貫いた)
・ドサッ…!! (倒れなさった音)
・メキメキ… (オジキの足が脇腹に好き勝手入りなさった音)
・ドゴン!!ボコンボココォ…ン!! (建物を貫通して飛んでいく天使)

13 :名無しかわいいよ名無し:2018/11/08(木) 02:00:10.92 ID:HDe+fmDw0

    / ⌒ ヽ
   /ゝ ̄ ̄三 キヽ
  /  ミ´`ヾ  / 〉
 /( ヽ《= Θミ ヾΘ 〉
/  ○〈´´ ヘ_》 /
   ヽミ\+++イヽ
   ミ\ ヽ二二/」 ヾ
   \ ∧∧∧∧  )
    ヾ        丿
     \∧∧∧∧/

14 :名無しかわいいよ名無し:2018/11/08(木) 02:02:42.25 ID:HDe+fmDw0

      ⌒ ヽ
   /ゝ ̄ ̄三 キヽ
  /  ミ´`ヾ  / 〉
 /( ヽ《= Θミ ヾΘ 〉
/  ○〈´´ ヘ_》 /
   ヽミ\+++イヽ
   ミ\ ヽ二二/」 ヾ  ∩∩
   \ ∧∧∧∧  ) l U l
    ヾ        丿 (つ E)
     \∧∧∧∧/

15 :名無しかわいいよ名無し:2018/11/08(木) 02:08:05.89 ID:HDe+fmDw0

おーおー好き勝手 並びなさる
               (<   ____  _>)
      ⌒ ヽ      | ` ̄ ̄^    ̄ ̄_/    ,l\∧/ヽ、      ___
   /ゝ ̄ ̄三 キヽ    “ヽ、 >` ̄`^ ̄<γ^    <、     ,>   /〜〜〜\      ▲▼▲
  /  ミ´`ヾ  / 〉     | | /ヽ γヽ ||     /レ’Vヽlノヽ   / ∫√   ヽ|     ■■■■
 /( ヽ《= Θミ ヾΘ 〉     | |  Θ)|(Θ  ||     |  ∩ ∩|   | ∫-■⌒■ |     / =Θ Θ=|
/  ○〈´´ ヘ_》 /      「]<  /、   >]     |  Θ Θ|   C∫   ↓  |  |\|_____↓____|_/|
   ヽミ\+++イヽ     ||  ∠ゝ   |/   С    ‖ |   |∫ /…\|   \____________ノ
   ミ\ ヽ二二/」 ヾ    /|γ━━━ヽ||     |   ∈∋ /    |\| ⊆ /    \  レへJ|
   \ ∧∧∧∧  )   / |γ━━━━|`|    | \,,,,/     |  \__/     / ヾ    /
    ヾ        丿 `/  |▲▲▲▲▲| `|  /ヽ     ヽ    /ヽ     ヽ    /,   \__/ヽ

    「おーおー」        「鉄塊・・・。」     「効くよい」   「ウソをつけ〜」   「グララララ」

16 :名無しかわいいよ名無し:2018/11/08(木) 02:11:08.98 ID:HDe+fmDw0

  / ̄ ̄\/ ̄ ̄\
   / ̄ ̄ ̄ ̄ ゙̄i  
..  |   |MARINE|  
  |___─√─へ ン、
 /≡≡\-○⌒○=|\
|≡≡≡|  . U   |≡|
|≡≡≡| ━━━━|≡|
|≡≡≡| ‖∠二》/≡|
. \≡≡/ \_▲.. /≡/
         ●
         ●
         ●
         ●
         ▲
         ■
         ▼

17 :名無しかわいいよ名無し:2018/11/08(木) 02:15:23.03 ID:HDe+fmDw0

          ●))))●,,  
        〃Wヾヽ ”彡  
       //ヾ 〃ヾ   ● 
       〔|l二H二l|〕  毛}
       _}  ↓ {_   ●
       ヽ`全全´/   毛}
        i    i    
        `ー‐一’

18 :名無しかわいいよ名無し:2018/11/08(木) 02:20:25.88 ID:HDe+fmDw0

;;;;;;;;;;;;;;;;{ !;;;;;;;;.‐ ‐、;;ヽ ヽ;;!  !! !! !;;;;;;;;┌─‐┐;;;;;;;;;;|  |  |
;;;;;;;;;;;;_ ! !;;( (`fi´) );;;;;l };;;!  !!__!!__! ;;;;;;;!   | ,へ ;;|  |  |
;;;;;;;;;;;;ヽン;;;;;;;;;;;ii;;;;;;´//;;;;!    ̄ ̄!;;;;;;;;└―┘   `  |  |
_´` ⌒ヽ;;;;;;;;;;;;.ii;;;;;;;;弋__;;;;;;;;!  ┌‐一 ;;;;;;;;;; /   /└ ┘‐┘
ヾ{ l_ヽ |ヽ ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;!_..-‐;;;;;;;;;;;;;;;;;;;;;; ヽ、 /;;; |___| _|
 ミ!「 L| ヽ ;;;;;;;; 、ー __ ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;`;;;;;;;;;;;;;;;;;;;;;|
 ヾ ゝ 1  ヽ;;;;;;;;;;!入 ` t_、 ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;|
   ミ ゝi   l ヽ;;;;;;;;ヽ `ー一` 、;;;;、´tj`,’ヽ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;| 暴れたきゃあ
  弋 |   l  ` ヽ 、;;;; ̄;;;;;;;、`   !`_/  ヽ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;| ウルージスレへ!!!
    ミ!   l        ̄     !./、|   ヽ;;;;;;;;;;;;;;;;;;;;;;;;;;;;|
   ヽヽ!  ヾヽ        -、   !、l     iヽ;;;;;;;;;;;;;;;;;;;;;;}
   ヾ \ヾ     ,.-┬┬┬–、ヽ 丿、|      ;; ヽ;;;;;;;;;;;;;;;;/
    ヾ;:;:ヽ   /二二二,.゛r'” ̄`ヽ’ ゛ ヾ     :; ヽ;;;;;;;;;;/
      ヾ;:;:\  { / l ,/,. – ‘´”` ‘, ;:;:”,    `、゛、 ヽ;;;;/
 ;;  ;; ミ ;:;:;:;ヽ  `”´_, ”´ ` 、/ ’, ;:;:;:”,,     i   V
 ;;  ;; ,”  ;:;:;:;:ヽ      /`ヽ 丿 ;:;:”    ヾ
,,”; ;;”,,”   ;:;:;:;:;:;ゝ  _,..-‐ ” “´   ;:,”    ヾ
         ;:;:;:;:;: `          ;:;:;:

19 :名無しかわいいよ名無し:2018/11/08(木) 02:23:55.04 ID:HDe+fmDw0

          _  —―――— __
        /                  ヽ
      /     / ̄ ̄ヽノ ̄ ̄\      ヽ
     /      |           |       ヽ
    /       \         /         ヽ
   /          ̄ }   { ̄            ヽ
  /            /     ヽ             ヽ
 |            /       ヽ             |
 |          /  ∧   ∧ ヽ          |
 |          .|  ,´  \/  ヽ |          |
 |          |  |  \  /  | |            |
 |            |  | (T) | |(T) | |          |
  |        {F| |   (_ _)   | |f}             |
  ヽ      彡彡/|l|  / ij | lr、r、r、ミミ        /
   ヽ       彡 /   Е三{      }ミ       /
    \   /``ヽ__  : : : ヽ/ ̄ヽ|      /
      \   \  \`ー―  ヽ 三三ヽ    /
      /二二ヽ\  \ / ̄_ }    ヽ二二ヽ
      /  ヽ``\ / /  !     ヽ \
      二二二二二二二二二二!     ヽ二二
    ノ (( ))  (( ))  (( ))  !      ヽ ))
   { ――――――――――― !       ヽ―

20 :名無しかわいいよ名無し:2018/11/08(木) 02:27:06.34 ID:HDe+fmDw0

            , -‐、,-r― 、v‐、
           イ //    ̄ヽヽ  !ヽ
          / ,’´| |´ 1 人ヽ1 }ヽ ! !
          !ク∠//ノノ´` ))/  ヽ} }    ちょっとお待ち下さい!!!
          } !/ ({/‐- _,   、_ -‐| } !    彼女は私の婚約者で……!!!
          ン! ! 1ノ ´ ・` |´・ ` l/|
          |!ノ_ヽ! u  ̄ ‐’  ̄  | {    r‐、   rヽ
          彳ヽノ !  ,‐-一,   /((    | |   / /
           リ ヽ!   { ̄ ̄}   / `  r‐、 | | / /  / )
      _,,.-イノ ヽ \  ヽニフ // |‐- 、 | | | し’ / / /
, イ”  ̄      |  ヽ  `――一’/  |   | |ノ、_ `´ ∠ -‐、
    |   |    |ィ⌒ヽヽ     //⌒   |  ヽヽ \ ´,.. ””´.
    ヽ |      |  | }λ   / |  |  | |   ノノ  /
  _ _― |     |  |   ヽ /   |  | | / ``  、 /
/´     |    / ● ̄ ̄ ̄ ̄ ̄ ●| |/.  | ヽ   `、_
        |   /             Yヽ、 |  `、    `,ヽ
       } /     ヽ ┬┬    /  `ヽ|” `、 ___ / }
         `}     ヽ lナ七l   /      ヽ” _   /.
          |       / |ニニニ|   /       ` ー ´

21 :名無しかわいいよ名無し:2018/11/08(木) 02:30:06.64 ID:HDe+fmDw0

  ●
  |
/ ̄ ̄\
| ● ● |
|  U   |
\:○:/
 |   |
 |   トr=- ズドン
 |   |
   ̄ ̄ ̄ ̄\/ ̄\
             |
 U ̄ ̄U ̄ ̄\_/

22 :名無しかわいいよ名無し:2018/11/08(木) 12:22:31.18 ID:F6n3eD/m0

…何というテンプレ…!!
ヒザをついて祝福する以外になかろう

23 :名無しかわいいよ名無し:2018/11/09(金) 01:08:00.78 ID:Lsf6Wdd30

新スレ僧正タイム!

24 :名無しかわいいよ名無し:2018/11/09(金) 01:08:12.54 ID:R0PbBnCE0

昨日までの私とは思いなさんな…!

凄く久しぶりの好き勝手僧正タイム!!

25 :名無しかわいいよ名無し:2018/11/10(土) 17:01:19.38 ID:jzV5xxfI0

ウルージって一週間に何回ウンコするの?

26 :名無しかわいいよ名無し:2018/11/10(土) 23:35:05.21 ID:3tGA79fB0

ウルージさんはそんなことはしませぬ

27 :名無しかわいいよ名無し:2018/11/11(日) 01:08:00.68 ID:24TNxIZE0

僧正タイム!

28 :名無しかわいいよ名無し:2018/11/12(月) 01:08:00.52 ID:LH7ahTrB0

僧正タイム!

29 :名無しかわいいよ名無し:2018/11/12(月) 02:31:38.43 ID:/3dILyUt0

30 :& :2018/11/12(月) 02:32:13.82 ID:/3dILyUt0

31 :名無しかわいいよ名無し:2018/11/12(月) 11:03:57.63 ID:XgGh/Lrp0

ウルージさんはハガー市長に似てるような気がしますゾ

32 :名無しかわいいよ名無し:2018/11/13(火) 01:08:00.47 ID:TI3/LA1G0

11月13日 いい膝の日 僧正タイム!

33 :名無しかわいいよ名無し:2018/11/14(水) 01:07:00.60 ID:uh+RERmA0

僧正タイム!

34 :名無しかわいいよ名無し:2018/11/14(水) 01:08:00.71 ID:f8C5BOvC0

僧正タイム!

35 :名無しかわいいよ名無し:2018/11/14(水) 20:37:16.95 ID:J1HWFYGb0


女子高生といえば太もも♪

36 :名無しかわいいよ名無し:2018/11/15(木) 01:08:00.06 ID:nA1tyVbU0

僧正タイム!

37 :名無しかわいいよ名無し:2018/11/16(金) 01:08:00.28 ID:vNt7VVDv0

僧正タイム!

40 :名無しかわいいよ名無し:2018/11/18(日) 01:08:00.45 ID:UUJZK6oZ0

僧正タイム!

39 :名無しかわいいよ名無し:2018/11/17(土) 15:22:06.70 ID:LUlWSsCH0

にくまさタイム!

38 :名無しかわいいよ名無し:2018/11/17(土) 01:08:00.67 ID:w0GVO1rt0

僧正タイム!

41 :名無しかわいいよ名無し:2018/11/19(月) 01:08:00.88 ID:YI7gDMnA0

僧正タイム!

42 :名無しかわいいよ名無し:2018/11/19(月) 01:08:49.44 ID:n1YuooTd0

僧正タイム!

43 :名無しかわいいよ名無し:2018/11/19(月) 04:23:25.99 ID:+ajkK6ZE0

アニオリシーンのスナック倒した時のウルージさんの作画めちゃめちゃキモくない?

44 :名無しかわいいよ名無し:2018/11/19(月) 08:33:26.01 ID:P/b61FEf0

>>39
にくまさ
憎正じゃなくて
そうじょう
僧正タイム!!ですよ!

45 :名無しかわいいよ名無し:2018/11/20(火) 01:08:00.40 ID:A+aIn2830

僧正タイム!

46 :名無しかわいいよ名無し:2018/11/21(水) 01:08:00.81 ID:0yjHusma0

僧正タイム!

47 :名無しかわいいよ名無し:2018/11/22(木) 01:08:00.69 ID:i/maSP6T0

僧正タイム!

48 :名無しかわいいよ名無し:2018/11/22(木) 17:16:09.40 ID:ysWJdFt10

49 :名無しかわいいよ名無し:2018/11/23(金) 01:07:59.92 ID:J9xC9m410

僧正タイム!

50 :名無しかわいいよ名無し:2018/11/23(金) 01:08:29.88 ID:J9xC9m410

ぎゃあああああ早漏タイムだった!やりなおし僧正タイム!

51 :名無しかわいいよ名無し:2018/11/23(金) 14:16:07.42 ID:Ev1H/krG0

ウルージ強くて草

ワンピース強さ議論総合スレpart1559
https://matsuri.5ch.net/test/read.cgi/wcomic/1541136709/

SS+:カイドウ 全盛期白ひげ [ロジャー 全盛期ガープ]
SS :[シャンクス ビッグマム 黒ひげ]
SS-:戦争編白ひげ [赤犬 全盛期センゴク] ガープ [青雉 黄猿 藤虎]

S+:マルコ レイリー センゴク
S :ルフィ カタクリ[マゼラン シリュウ]
S-:酒天丸 サボ

A+:ジョズ [ジャック クラッカー ] [イヌアラシ ネコマムシ] ドフラミンゴ ウルージ
A : ジンベエ エース エネル テゾーロ ゼファー シキ
A-:ロー ゾロ クロコダイル [ くま イワンコフ] キャロット(スーロン)

B+:ホーキンス ペロスペロー モリア
B : バージェス オーブン ダイフク ハクバ イチジ ベッジ
B-:ペドロ ヴェルゴ スモーカー ニジ サンジ アラディン

C+:たまご男爵 ピーカ キュロス [キャベンディッシュ サイ バルトロメオ] チンジャオ シーザー ジャッジ
C :オーズ ペコムズ ヨンジ レイジュ ダイス [ビンズ アイン] [モンドール アマンド] フランキー将軍 リトルオーズJr
C-:タナカ ワダツミ [ディアマンテ トレーボル] [ガレット オペラ]

68件をまとめました。
最新情報はこちら


          Snarky Geeks Episode 336      Cache   Translate Page      
Snarky Geeks Episode 336 - Dysfunctional Families!...!

Hosts Franky DeJesus 

This episode this snark shares his experience at the Big Apple Con, King Kong Bundy, Pet Sematary, then ramble on about the Doom Patrol show on DC Universe and the Umbrella Academy on Netflix,   ...   



www.thesnarkygeeks.com
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Special thanks to Derek Coward
Proud members of the Comics Podcast Network

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          ワンピースのウルージさんpart164      Cache   Translate Page      

元スレ

1 :名無しかわいいよ名無し:2018/11/08(木) 01:31:53.92 ID:HDe+fmDw0.net
“怪僧”ウルージ(UROUGE)
懸賞金1億800万ベリー

ウルージさんwiki
http://www39.atwiki.jp/urouge/

【ウルージさんスレ十箇条】
壱、いかなる時もウルージさんを愛しなされ
弐、起床後・就寝前の挨拶を忘れなさんな
参、僧正タイムの書き込みを忘れなさんな
四、荒らしはヒザをつきやり過ごしなされ
五、広い心でアンチにすら慈悲を与えなされ
六、他スレで迷惑をかけなさんな
七、ウルジスト同士尊敬しあいなされ
八、AA作成やウィキの充実を図りなされ
九、次スレは>>950踏んだ人が立てなされ(勢いがある時は早めに立てる以外になかろう)
拾、UG海賊団にウルジストとして投稿しなされ

※前スレ
ワンピースのウルージさんpart163
https://medaka.5ch.net/test/read.cgi/cchara/1509639668/

2 :名無しかわいいよ名無し:2018/11/08(木) 01:33:52.40 ID:HDe+fmDw0

ワンピースのウルージさんpart162
http://medaka.2ch.net/test/read.cgi/cchara/1490846688/
【人生161ろ】ワンピースのウルージさんは優しい怪僧【僧侶も色々】
http://tamae.2ch.net/test/read.cgi/cchara/1480357301/
【新世界一の】ワンピースのウルージさん【160とこ】
http://tamae.2ch.net/test/read.cgi/cchara/1472654944/
【159一城】ワンピースのウルージさん【五穀豊城】
http://tamae.2ch.net/test/read.cgi/cchara/1460914384/
【158る?】ワンピースのウルージさん【将棋やろ!】
http://tamae.2ch.net/test/read.cgi/cchara/1454891189/
【157る日も】ワンピースのウルージさんは笑顔【絶やさない】
http://tamae.2ch.net/test/read.cgi/cchara/1446246253/
【四皇も】ワンピースのウルージさんの「南無」で【156さ】
http://kanae.2ch.net/test/read.cgi/cchara/1442287096/
【空島は】ワンピースのウルージさん「南無」【155ちが良い】
http://kanae.2ch.net/test/read.cgi/cchara/1439706812/
【まだ】ワンピースのウルージさんは生きてるんで【154ろしく】
http://kanae.2ch.net/test/read.cgi/cchara/1438248877/
【全治】ワンピースのウルージさんは天空の孤島で療養中【153年】
http://kanae.2ch.net/test/read.cgi/cchara/1437065873/
【戦友の】ワンピースのウルージさんは平和を願う【152抱いて】
http://kanae.2ch.net/test/read.cgi/cchara/1434280554/
【人気投票151位】ワンピースのウルージさん【本当は48位】
http://kanae.2ch.net/test/read.cgi/cchara/1419052781/

3 :名無しかわいいよ名無し:2018/11/08(木) 01:35:01.45 ID:HDe+fmDw0

●ウルージさんwiki 過去ログ倉庫
http://www39.atwiki.jp/urouge/pages/14.html

4 :名無しかわいいよ名無し:2018/11/08(木) 01:36:01.22 ID:HDe+fmDw0

●台詞トレース用ウルージさん語録

堕ちた海軍将校ドレークか……ふふ 命を拾いなさったな…マスクの人
……”天竜人”か…無法地帯も構わず闊歩とは…厄介の種だ
ヒザをついてやり過ごす以外になかろう
おーおー 好き勝手やりなさる…!!
メチャクチャだ…噂以上……
2番手にして「1億2千万」 人に従う様な男には見えないが……
船長の度量が伺えるな……
ハタ迷惑な一味だ……!!
ゼェ…ゼェ……!!
…「大将」ばかり警戒していた…!!「海軍本部」のそばを……すんなり通れはしないか…!!!
うわァァっ!!!
どうっ…!!!
ハァ…ハァ……!!まいった…何て強さ…!!
まさか…あれは…”黄猿”!!!
…何という悲運…!!前方に「海軍大将」…後方に「七武海」 ゼェ……ここまでか…!?
“北の海”のホーキンスか…ふふふ
敵ながら冗談でもありがたい………!!
あァ〜〜……(モコ…モコ…)
ずいぶんやられたが……
さて本当に…希望はあるのかどうか… ボチボチ反撃してみよう…!!!
ずいぶん痛めつけてくれなさったな… さっきまでの私とは思いなさんな!!
“因果晒し”!!!
ぐわァっ!!!熱つ
これは珍しい物を見た…
ふん!
なるほど…
へへへ
新世界を前にしてよりによって海軍本部と騒動を起こすとは…まったくハタ迷惑な一味だ
……だが!!(ぬぅっ!!)こちらにも意地がある…!!
ん?そうか…
またお主か……!
確かめさせてもらおうか……!!
……行こう
鍵は“黒ひげ” 間違いなくしばらくは奴らが台風の目になる……!!!
無茶を言うな!!!どう上陸するんだ!!
誰だ…!!?
バカを言え、我々は今 雲の孤島にて傷を癒して……!!
何をしてなさる
ここは上空一万mだぞ!?
…本気なら止めまい… 南無

【ライジン島】
傘婆「傘はいらんかえや?」
ウルージ「傘ァ!!?」

【将星クラッカーとのバトル編】
「やはり四皇の顔は拝めんか」
「ずいぶん痛めつけてくれなさったな」
「なんと・・」
「ぐおあああああああっ」
「はぁ・・・はぁ・・・」

5 :名無しかわいいよ名無し:2018/11/08(木) 01:37:41.03 ID:HDe+fmDw0

【ウルージさんスレ専用年間スケジュール】
●各月24日(ウルージさん人気投票24位記念日)
●1月1日(お僧月)
●1月8日(僧正第壱誕生日)
●2月3日(節ブン)
●2月29日(僧正第参誕生日)
●3月8日(僧正映像降誕記念日)
●4月19日(ウルージさん再々登場記念日)
●4月28日(僧正降誕記念日)
●4月29日(昭うわァァっの日)
●5月4日(みどうっ・・・りの日)
●5月5日(こどうっ・・・もの日)
●8月1日(ウルージさんの公式誕生日)
●8月3日(『因果晒し』初公開記念日)
●10月8日(僧正第弐誕生日)
●11月3日(ブン化の日)
●11月13日(いい膝の日)
●11月30日(ウルージさん再登場の日)
●12月25日(X(ディエス)マス)
●12月31日(おーおー晦日)

6 :名無しかわいいよ名無し:2018/11/08(木) 01:38:58.51 ID:HDe+fmDw0

「やはり四皇の顔は拝めんか」
ウル―ジさんからしてみれば四皇の顔を拝むなど、道端にいるありを見るのに等しい。ならばなぜこのようなセリフを
はなったというのか。ウル―ジさんが将星スナックを倒した後、このようなセリフをいっておくことで、自らが所詮ルーキーの
一人だという小物感を演出し、敵の警戒心を解くためである。大幹部の将星を瞬殺した事実は四皇を呼び寄せることになり
かねない。ウル―ジさんが本気を出せば四皇海賊団など壊滅できるが、世界の均衡を保つためのウル―ジさんの人類を思った
発言である。

7 :名無しかわいいよ名無し:2018/11/08(木) 01:41:05.14 ID:HDe+fmDw0

「ずいぶん痛めつけてくれなさったな」
将星クラッカーに対しての発言。敵の大群に囲まれているピンチな状況だというのに笑顔で戦闘を楽しんでいるようにも見える。
ウル―ジさんからすればクラッカーの相手など、子供相手に遊んであげてる大人のようなもの。スナックを瞬殺した事実を和らげる
ために、クラッカーには苦戦している演出をしたためのセリフである。将星を倒したルーキーすらいないなかでスナックに続き、クラッカーまでを
も倒してしまっては他のルーキー達の自信を完全に失わせてしまうだろう。ウル―ジさんがいかに周りに配慮して日々を過ごしている
かがわかる台詞である。

8 :名無しかわいいよ名無し:2018/11/08(木) 01:43:48.01 ID:HDe+fmDw0

「なんと・・」
強化したウル―ジさんの攻撃がクラッカーに通用しなかった際の発言。
ウル―ジさんが驚いたのは自分の攻撃が通用しなかった事実などではない。
クラッカーのビスケットがあまりにもおいしそうな匂いを放っていたためである。
おいしそうなビスケットに感心し、戦闘中にも関わらず思わず本音が出てしまったのだ。
まさに食レポーター並みの表現力である。このウル―ジさんの食レポは星5つに値するといえよう。

9 :名無しかわいいよ名無し:2018/11/08(木) 01:48:15.34 ID:HDe+fmDw0

「ぐおあああああああっ」
クラッカーのロールプレッツェルを受けた際のウル―ジさんの叫び。
この時のウル―ジさんは笑顔である。それもそのはず、
ウル―ジさんからしてみればこの戦闘は自分の小物感を演出するためだけの芝居で、
さっさと終わらせたかったのである。
敵の大技を食らえばやられたふりをして芝居を終わらせることができる
という喜びを解放した心の中の叫びである。

10 :名無しかわいいよ名無し:2018/11/08(木) 01:52:28.45 ID:HDe+fmDw0

「はぁ・・・はぁ・・・」
スナックを倒した直後のウル―ジさんの荒息。
スナックの相手など簡単だったはずのウル―ジさんがなぜ荒息をあげているのか。
無駄な弱いものいじめなどしないウル―ジさんを見れば、
スナックが不意打ちを仕掛けてきたのは当然であろう。
不意打ちという人の道を踏み外した愚行に対してウル―ジさんは怒りを抱き、
感情をあらわにしたのだ。この荒息は人の道を踏み外しては
なりませんぞという僧正の教えがこもっているのである。

11 :名無しかわいいよ名無し:2018/11/08(木) 01:55:00.56 ID:HDe+fmDw0

●アニメオリジナルウルージさん語録
?「フフ…」(ウルージさんがキラーに攻撃をした時、キラーがジャンプした時に)
?「フンッ!!!」(キラーが上から攻撃して来る時にウルージさんも攻撃しようとした時に)
?「なるほど」(ドレークが現れた時に)
?「へへへ」(シャッキーがウルージさんの説明をする時に)
?「んん…?」(部下がチャルロスがいるのを教えたとき)
?「おーおー」(チャルロスに気づいたとき)
?「新世界を前にしてよりによって海軍本部と騒動を起こすとは…まったくハタ迷惑な一味だ」(建物の上から逃げ惑う人々を見守っていた時)
?……だが!!(ぬぅっ!!)こちらにも意地がある…!!(パシフィスタに攻撃した時)
?ん?そうか…(ホーキンスに死相が見えないと言われた時)
?またお主か……!フン!(嫁に馬鹿にされた時)
?確かめさせてもらおうか……!!( モコモコしなさった時)
?えいっ!トゥゥゥ〜!うんうおおお〜!(パシフィスタを殴ってる時)
?ぬう…。少しは効いたか(攻撃が終わった時)
?やはり四皇の顔は拝めんか

12 :名無しかわいいよ名無し:2018/11/08(木) 01:58:06.63 ID:HDe+fmDw0

●ウルージさんに使われた効果音
・ブン!! ブン!! (vsキラー、黒棒を振り回される音)
・ガキン!! (嫁と運命の出会いをしなさった衝撃)
・ドン!! (キャラクター紹介の時に)
・ドン (くまに遭遇してゼェ…ゼェ……!!言いなさっている所)
・ボカァン (くまに一矢報われ、うわァっ!!!な所)
・ドサァ…!!! (くまにふっ飛ばされ、どうっ…!!!と天使が舞い降りる所)
・モコ…モコ… (あァ〜〜……)
・ゴゴゴゴ (でっかくなっちゃった!時に)
・ムキッ… (そうだねプロテインだね)
・ドゴォン (“因果晒し”炸裂音)
・ガン!! (親父にも殴られた事ないのにbyくま)
・ズドォン!! (くまの鳩尾(みぞおち)に拳がめり込みなさった音)
・ボカァン!!! (くまを壁に叩き付けなさった音)・ズバゥ!!(その時…光が天使の胸を貫いた)
・ドサッ…!! (倒れなさった音)
・メキメキ… (オジキの足が脇腹に好き勝手入りなさった音)
・ドゴン!!ボコンボココォ…ン!! (建物を貫通して飛んでいく天使)

13 :名無しかわいいよ名無し:2018/11/08(木) 02:00:10.92 ID:HDe+fmDw0

    / ⌒ ヽ
   /ゝ ̄ ̄三 キヽ
  /  ミ´`ヾ  / 〉
 /( ヽ《= Θミ ヾΘ 〉
/  ○〈´´ ヘ_》 /
   ヽミ\+++イヽ
   ミ\ ヽ二二/」 ヾ
   \ ∧∧∧∧  )
    ヾ        丿
     \∧∧∧∧/

14 :名無しかわいいよ名無し:2018/11/08(木) 02:02:42.25 ID:HDe+fmDw0

      ⌒ ヽ
   /ゝ ̄ ̄三 キヽ
  /  ミ´`ヾ  / 〉
 /( ヽ《= Θミ ヾΘ 〉
/  ○〈´´ ヘ_》 /
   ヽミ\+++イヽ
   ミ\ ヽ二二/」 ヾ  ∩∩
   \ ∧∧∧∧  ) l U l
    ヾ        丿 (つ E)
     \∧∧∧∧/

15 :名無しかわいいよ名無し:2018/11/08(木) 02:08:05.89 ID:HDe+fmDw0

おーおー好き勝手 並びなさる
               (<   ____  _>)
      ⌒ ヽ      | ` ̄ ̄^    ̄ ̄_/    ,l\∧/ヽ、      ___
   /ゝ ̄ ̄三 キヽ    “ヽ、 >` ̄`^ ̄<γ^    <、     ,>   /〜〜〜\      ▲▼▲
  /  ミ´`ヾ  / 〉     | | /ヽ γヽ ||     /レ’Vヽlノヽ   / ∫√   ヽ|     ■■■■
 /( ヽ《= Θミ ヾΘ 〉     | |  Θ)|(Θ  ||     |  ∩ ∩|   | ∫-■⌒■ |     / =Θ Θ=|
/  ○〈´´ ヘ_》 /      「]<  /、   >]     |  Θ Θ|   C∫   ↓  |  |\|_____↓____|_/|
   ヽミ\+++イヽ     ||  ∠ゝ   |/   С    ‖ |   |∫ /…\|   \____________ノ
   ミ\ ヽ二二/」 ヾ    /|γ━━━ヽ||     |   ∈∋ /    |\| ⊆ /    \  レへJ|
   \ ∧∧∧∧  )   / |γ━━━━|`|    | \,,,,/     |  \__/     / ヾ    /
    ヾ        丿 `/  |▲▲▲▲▲| `|  /ヽ     ヽ    /ヽ     ヽ    /,   \__/ヽ

    「おーおー」        「鉄塊・・・。」     「効くよい」   「ウソをつけ〜」   「グララララ」

16 :名無しかわいいよ名無し:2018/11/08(木) 02:11:08.98 ID:HDe+fmDw0

  / ̄ ̄\/ ̄ ̄\
   / ̄ ̄ ̄ ̄ ゙̄i  
..  |   |MARINE|  
  |___─√─へ ン、
 /≡≡\-○⌒○=|\
|≡≡≡|  . U   |≡|
|≡≡≡| ━━━━|≡|
|≡≡≡| ‖∠二》/≡|
. \≡≡/ \_▲.. /≡/
         ●
         ●
         ●
         ●
         ▲
         ■
         ▼

17 :名無しかわいいよ名無し:2018/11/08(木) 02:15:23.03 ID:HDe+fmDw0

          ●))))●,,  
        〃Wヾヽ ”彡  
       //ヾ 〃ヾ   ● 
       〔|l二H二l|〕  毛}
       _}  ↓ {_   ●
       ヽ`全全´/   毛}
        i    i    
        `ー‐一’

18 :名無しかわいいよ名無し:2018/11/08(木) 02:20:25.88 ID:HDe+fmDw0

;;;;;;;;;;;;;;;;{ !;;;;;;;;.‐ ‐、;;ヽ ヽ;;!  !! !! !;;;;;;;;┌─‐┐;;;;;;;;;;|  |  |
;;;;;;;;;;;;_ ! !;;( (`fi´) );;;;;l };;;!  !!__!!__! ;;;;;;;!   | ,へ ;;|  |  |
;;;;;;;;;;;;ヽン;;;;;;;;;;;ii;;;;;;´//;;;;!    ̄ ̄!;;;;;;;;└―┘   `  |  |
_´` ⌒ヽ;;;;;;;;;;;;.ii;;;;;;;;弋__;;;;;;;;!  ┌‐一 ;;;;;;;;;; /   /└ ┘‐┘
ヾ{ l_ヽ |ヽ ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;!_..-‐;;;;;;;;;;;;;;;;;;;;;; ヽ、 /;;; |___| _|
 ミ!「 L| ヽ ;;;;;;;; 、ー __ ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;`;;;;;;;;;;;;;;;;;;;;;|
 ヾ ゝ 1  ヽ;;;;;;;;;;!入 ` t_、 ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;|
   ミ ゝi   l ヽ;;;;;;;;ヽ `ー一` 、;;;;、´tj`,’ヽ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;| 暴れたきゃあ
  弋 |   l  ` ヽ 、;;;; ̄;;;;;;;、`   !`_/  ヽ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;| ウルージスレへ!!!
    ミ!   l        ̄     !./、|   ヽ;;;;;;;;;;;;;;;;;;;;;;;;;;;;|
   ヽヽ!  ヾヽ        -、   !、l     iヽ;;;;;;;;;;;;;;;;;;;;;;}
   ヾ \ヾ     ,.-┬┬┬–、ヽ 丿、|      ;; ヽ;;;;;;;;;;;;;;;;/
    ヾ;:;:ヽ   /二二二,.゛r'” ̄`ヽ’ ゛ ヾ     :; ヽ;;;;;;;;;;/
      ヾ;:;:\  { / l ,/,. – ‘´”` ‘, ;:;:”,    `、゛、 ヽ;;;;/
 ;;  ;; ミ ;:;:;:;ヽ  `”´_, ”´ ` 、/ ’, ;:;:;:”,,     i   V
 ;;  ;; ,”  ;:;:;:;:ヽ      /`ヽ 丿 ;:;:”    ヾ
,,”; ;;”,,”   ;:;:;:;:;:;ゝ  _,..-‐ ” “´   ;:,”    ヾ
         ;:;:;:;:;: `          ;:;:;:

19 :名無しかわいいよ名無し:2018/11/08(木) 02:23:55.04 ID:HDe+fmDw0

          _  —―――— __
        /                  ヽ
      /     / ̄ ̄ヽノ ̄ ̄\      ヽ
     /      |           |       ヽ
    /       \         /         ヽ
   /          ̄ }   { ̄            ヽ
  /            /     ヽ             ヽ
 |            /       ヽ             |
 |          /  ∧   ∧ ヽ          |
 |          .|  ,´  \/  ヽ |          |
 |          |  |  \  /  | |            |
 |            |  | (T) | |(T) | |          |
  |        {F| |   (_ _)   | |f}             |
  ヽ      彡彡/|l|  / ij | lr、r、r、ミミ        /
   ヽ       彡 /   Е三{      }ミ       /
    \   /``ヽ__  : : : ヽ/ ̄ヽ|      /
      \   \  \`ー―  ヽ 三三ヽ    /
      /二二ヽ\  \ / ̄_ }    ヽ二二ヽ
      /  ヽ``\ / /  !     ヽ \
      二二二二二二二二二二!     ヽ二二
    ノ (( ))  (( ))  (( ))  !      ヽ ))
   { ――――――――――― !       ヽ―

20 :名無しかわいいよ名無し:2018/11/08(木) 02:27:06.34 ID:HDe+fmDw0

            , -‐、,-r― 、v‐、
           イ //    ̄ヽヽ  !ヽ
          / ,’´| |´ 1 人ヽ1 }ヽ ! !
          !ク∠//ノノ´` ))/  ヽ} }    ちょっとお待ち下さい!!!
          } !/ ({/‐- _,   、_ -‐| } !    彼女は私の婚約者で……!!!
          ン! ! 1ノ ´ ・` |´・ ` l/|
          |!ノ_ヽ! u  ̄ ‐’  ̄  | {    r‐、   rヽ
          彳ヽノ !  ,‐-一,   /((    | |   / /
           リ ヽ!   { ̄ ̄}   / `  r‐、 | | / /  / )
      _,,.-イノ ヽ \  ヽニフ // |‐- 、 | | | し’ / / /
, イ”  ̄      |  ヽ  `――一’/  |   | |ノ、_ `´ ∠ -‐、
    |   |    |ィ⌒ヽヽ     //⌒   |  ヽヽ \ ´,.. ””´.
    ヽ |      |  | }λ   / |  |  | |   ノノ  /
  _ _― |     |  |   ヽ /   |  | | / ``  、 /
/´     |    / ● ̄ ̄ ̄ ̄ ̄ ●| |/.  | ヽ   `、_
        |   /             Yヽ、 |  `、    `,ヽ
       } /     ヽ ┬┬    /  `ヽ|” `、 ___ / }
         `}     ヽ lナ七l   /      ヽ” _   /.
          |       / |ニニニ|   /       ` ー ´

21 :名無しかわいいよ名無し:2018/11/08(木) 02:30:06.64 ID:HDe+fmDw0

  ●
  |
/ ̄ ̄\
| ● ● |
|  U   |
\:○:/
 |   |
 |   トr=- ズドン
 |   |
   ̄ ̄ ̄ ̄\/ ̄\
             |
 U ̄ ̄U ̄ ̄\_/

22 :名無しかわいいよ名無し:2018/11/08(木) 12:22:31.18 ID:F6n3eD/m0

…何というテンプレ…!!
ヒザをついて祝福する以外になかろう

23 :名無しかわいいよ名無し:2018/11/09(金) 01:08:00.78 ID:Lsf6Wdd30

新スレ僧正タイム!

24 :名無しかわいいよ名無し:2018/11/09(金) 01:08:12.54 ID:R0PbBnCE0

昨日までの私とは思いなさんな…!

凄く久しぶりの好き勝手僧正タイム!!

25 :名無しかわいいよ名無し:2018/11/10(土) 17:01:19.38 ID:jzV5xxfI0

ウルージって一週間に何回ウンコするの?

26 :名無しかわいいよ名無し:2018/11/10(土) 23:35:05.21 ID:3tGA79fB0

ウルージさんはそんなことはしませぬ

27 :名無しかわいいよ名無し:2018/11/11(日) 01:08:00.68 ID:24TNxIZE0

僧正タイム!

28 :名無しかわいいよ名無し:2018/11/12(月) 01:08:00.52 ID:LH7ahTrB0

僧正タイム!

29 :名無しかわいいよ名無し:2018/11/12(月) 02:31:38.43 ID:/3dILyUt0

30 :& :2018/11/12(月) 02:32:13.82 ID:/3dILyUt0

31 :名無しかわいいよ名無し:2018/11/12(月) 11:03:57.63 ID:XgGh/Lrp0

ウルージさんはハガー市長に似てるような気がしますゾ

32 :名無しかわいいよ名無し:2018/11/13(火) 01:08:00.47 ID:TI3/LA1G0

11月13日 いい膝の日 僧正タイム!

33 :名無しかわいいよ名無し:2018/11/14(水) 01:07:00.60 ID:uh+RERmA0

僧正タイム!

34 :名無しかわいいよ名無し:2018/11/14(水) 01:08:00.71 ID:f8C5BOvC0

僧正タイム!

35 :名無しかわいいよ名無し:2018/11/14(水) 20:37:16.95 ID:J1HWFYGb0


女子高生といえば太もも♪

36 :名無しかわいいよ名無し:2018/11/15(木) 01:08:00.06 ID:nA1tyVbU0

僧正タイム!

37 :名無しかわいいよ名無し:2018/11/16(金) 01:08:00.28 ID:vNt7VVDv0

僧正タイム!

40 :名無しかわいいよ名無し:2018/11/18(日) 01:08:00.45 ID:UUJZK6oZ0

僧正タイム!

39 :名無しかわいいよ名無し:2018/11/17(土) 15:22:06.70 ID:LUlWSsCH0

にくまさタイム!

38 :名無しかわいいよ名無し:2018/11/17(土) 01:08:00.67 ID:w0GVO1rt0

僧正タイム!

41 :名無しかわいいよ名無し:2018/11/19(月) 01:08:00.88 ID:YI7gDMnA0

僧正タイム!

42 :名無しかわいいよ名無し:2018/11/19(月) 01:08:49.44 ID:n1YuooTd0

僧正タイム!

43 :名無しかわいいよ名無し:2018/11/19(月) 04:23:25.99 ID:+ajkK6ZE0

アニオリシーンのスナック倒した時のウルージさんの作画めちゃめちゃキモくない?

44 :名無しかわいいよ名無し:2018/11/19(月) 08:33:26.01 ID:P/b61FEf0

>>39
にくまさ
憎正じゃなくて
そうじょう
僧正タイム!!ですよ!

45 :名無しかわいいよ名無し:2018/11/20(火) 01:08:00.40 ID:A+aIn2830

僧正タイム!

46 :名無しかわいいよ名無し:2018/11/21(水) 01:08:00.81 ID:0yjHusma0

僧正タイム!

47 :名無しかわいいよ名無し:2018/11/22(木) 01:08:00.69 ID:i/maSP6T0

僧正タイム!

48 :名無しかわいいよ名無し:2018/11/22(木) 17:16:09.40 ID:ysWJdFt10

49 :名無しかわいいよ名無し:2018/11/23(金) 01:07:59.92 ID:J9xC9m410

僧正タイム!

50 :名無しかわいいよ名無し:2018/11/23(金) 01:08:29.88 ID:J9xC9m410

ぎゃあああああ早漏タイムだった!やりなおし僧正タイム!

51 :名無しかわいいよ名無し:2018/11/23(金) 14:16:07.42 ID:Ev1H/krG0

ウルージ強くて草

ワンピース強さ議論総合スレpart1559
https://matsuri.5ch.net/test/read.cgi/wcomic/1541136709/

SS+:カイドウ 全盛期白ひげ [ロジャー 全盛期ガープ]
SS :[シャンクス ビッグマム 黒ひげ]
SS-:戦争編白ひげ [赤犬 全盛期センゴク] ガープ [青雉 黄猿 藤虎]

S+:マルコ レイリー センゴク
S :ルフィ カタクリ[マゼラン シリュウ]
S-:酒天丸 サボ

A+:ジョズ [ジャック クラッカー ] [イヌアラシ ネコマムシ] ドフラミンゴ ウルージ
A : ジンベエ エース エネル テゾーロ ゼファー シキ
A-:ロー ゾロ クロコダイル [ くま イワンコフ] キャロット(スーロン)

B+:ホーキンス ペロスペロー モリア
B : バージェス オーブン ダイフク ハクバ イチジ ベッジ
B-:ペドロ ヴェルゴ スモーカー ニジ サンジ アラディン

C+:たまご男爵 ピーカ キュロス [キャベンディッシュ サイ バルトロメオ] チンジャオ シーザー ジャッジ
C :オーズ ペコムズ ヨンジ レイジュ ダイス [ビンズ アイン] [モンドール アマンド] フランキー将軍 リトルオーズJr
C-:タナカ ワダツミ [ディアマンテ トレーボル] [ガレット オペラ]

56件をまとめました。
最新情報はこちら


          【アニメ】『かぐや様は告らせたい』新情報公開!気になるキャストは!?      Cache   Translate Page      

TVアニメ『かぐや様は告らせたい~天才たちの恋愛頭脳戦~』第1弾PV公開!アニメ映像&追加キャスト情報解禁!藤原千花 ...
TVアニメ『かぐや様は告らせたい~天才たちの恋愛頭脳戦~』第1弾PV公開!アニメ映像&追加キャスト情報解禁!藤原千花 ...  PR TIMES (プレスリリース)
(出典:PR TIMES (プレスリリース))


かぐや様は告らせたい〜天才たちの恋愛頭脳戦〜』(かぐやさまはこくらせたい てんさいたちのれんあいずのうせん)は、赤坂アカによる日本の漫画作品。『ミラクルジャンプ』(集英社)にて、2015年6月号から2016年2月号まで連載された。その後掲載誌を『週刊ヤングジャンプ』(集英社)に移し、同年17号より
41キロバイト (6,557 語) - 2018年11月23日 (金) 04:38



(出典 youngjump.jp)



1 名無しんぼ@お腹いっぱい :2018/11/15(木) 16:57:43.23 ID:/haWoT100.net

!extend:on:vvvvvv:1000:512
本文頭に【!extend:on:vvvvvv:1000:512】を2行にしてスレ立てをしてください。
☆アニメ化決定! ミラクルジャンプ(集英社)2015年6月号から2016年2月号まで連載。
週刊ヤングジャンプ(同)へ2016年17号より移籍し連載開始
赤坂アカ先生の『かぐや様は告らせたい~天才たちの恋愛頭脳戦~』について語りましょう。

※注意※
・次スレは>>950を踏んだ人が立てて下さい。立てられない場合は速やかに次のアンカーを指定しましょう。
・重複防止のため、必ず宣言してからスレ立てして下さい。
・荒らしは完全スルーが鉄則。面白がって相手にしないこと。
・ネタバレは公式発売日の午前0時まで厳禁。
◆関連サイト
・漫画公式HP https://youngjump.jp/kaguyasama/
・YJ公式HP http://youngjump.jp/manga/kaguyasama/
・アニメ公式HP https://kaguya.love/
・第1~5話試し読み http://www.tonarinoyj.jp/manga/yj_mj/
・100回記念特別サイト https://kaguya100.com
・赤坂アカ先生インタビュー https://media.comicspace.jp/archives/3753 https://natalie.mu/comic/pp/kaguyasama
◆関連Twitter
・赤坂アカ先生Twitter https://twitter.com/akasaka_aka
・漫画公式Twitter https://twitter.com/kaguya_comic
・アニメ公式Twitter https://twitter.com/anime_kaguya
◆関連スレ
【かぐや様は告らせたい】伊井野ミコは真面目ちゃんかわいい
http://medaka.2ch.net/test/read.cgi/cchara/1499900605/
アニメスレ かぐや様は告らせたい~天才たちの恋愛頭脳戦~☆2
https://mao.5ch.net/test/read.cgi/anime3/1540332969/
◆前スレ
【赤坂アカ】かぐや様は告らせたい~天才たちの恋愛頭脳戦~ ☆124
https://fate.5ch.net/test/read.cgi/comic/1541599766/ VIPQ2_EXTDAT: default:vvvvvv:1000:512:----: EXT was configured
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続きを読む
          かぐや様は告らせたい      Cache   Translate Page      

TVアニメ『かぐや様は告らせたい~天才たちの恋愛頭脳戦~』のダブル主人公に古賀葵さん、古川慎さんが決定! キャラクター ...
TVアニメ『かぐや様は告らせたい~天才たちの恋愛頭脳戦~』のダブル主人公に古賀葵さん、古川慎さんが決定! キャラクター ...  アニメイトタイムズ
(出典:アニメイトタイムズ)


かぐや様は告らせたい〜天才たちの恋愛頭脳戦〜』(かぐやさまはこくらせたい てんさいたちのれんあいずのうせん)は、赤坂アカによる日本の漫画作品。『ミラクルジャンプ』(集英社)にて、2015年6月号から2016年2月号まで連載された。その後掲載誌を『週刊ヤングジャンプ』(集英社)に移し、同年17号より
40キロバイト (6,481 語) - 2018年10月26日 (金) 02:46



(出典 akiba-souken.k-img.com)



1 名無しんぼ@お腹いっぱい :2018/10/26(金) 22:54:01.42 ID:JyJlNyh50.net

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☆アニメ化決定! ミラクルジャンプ(集英社)2015年6月号から2016年2月号まで連載。
週刊ヤングジャンプ(同)へ2016年17号より移籍し連載開始
赤坂アカ先生の『かぐや様は告らせたい~天才たちの恋愛頭脳戦~』について語りましょう。

※注意※
・次スレは>>950を踏んだ人が立てて下さい。立てられない場合は速やかに次のアンカーを指定しましょう。
・重複防止のため、必ず宣言してからスレ立てして下さい。
・荒らしは完全スルーが鉄則。面白がって相手にしないこと。
・ネタバレは公式発売日の午前0時まで厳禁。
◆関連サイト
・漫画公式HP https://youngjump.jp/kaguyasama/
・YJ公式HP http://youngjump.jp/manga/kaguyasama/
・アニメ公式HP https://kaguya.love/
・第1~5話試し読み http://www.tonarinoyj.jp/manga/yj_mj/
・100回記念特別サイト https://kaguya100.com
・赤坂アカ先生インタビュー https://media.comicspace.jp/archives/3753 https://natalie.mu/comic/pp/kaguyasama
◆関連Twitter
・赤坂アカ先生Twitter https://twitter.com/akasaka_aka
・漫画公式Twitter https://twitter.com/kaguya_comic
・アニメ公式Twitter https://twitter.com/anime_kaguya

◆関連スレ
【かぐや様は告らせたい】伊井野ミコは真面目ちゃんかわいい
http://medaka.2ch.net/test/read.cgi/cchara/1499900605/
アニメスレ かぐや様は告らせたい~天才たちの恋愛頭脳戦~☆2
https://mao.5ch.net/test/read.cgi/anime3/1540332969/
◆前スレ
【赤坂アカ】かぐや様は告らせたい~天才たちの恋愛頭脳戦~ ☆122
http://fate.5ch.net/test/read.cgi/comic/1539964115/
-
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          【赤坂アカ】かぐや様は告らせたい~天才たちの恋愛頭脳戦~ ☆106      Cache   Translate Page      

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1: カステラ美味しい名無し 2018/06/21(木) 20:45:04.39 ID:1u4xMG900
本文頭に【!extend:on:vvvvvv:1000:512】を2行にしてスレ立てをしてください。

☆アニメ化決定 ミラクルジャンプ(集英社)2015年6月号から2016年2月号まで連載。
週刊ヤングジャンプ(同)へ2016年17号より移籍し連載開始!
赤坂アカ先生の『かぐや様は告らせたい~天才たちの恋愛頭脳戦~』について語りましょう。

※注意※
・次スレはを踏んだ人が立てて下さい。立てられない場合は速やかに次のアンカーを指定しましょう。
・重複防止のため、必ず宣言してからスレ立てして下さい。
・荒らしは完全スルーが鉄則。面白がって相手にしないこと。
・ネタバレは公式発売日の午前0時まで厳禁。

◆関連サイト
・公式HP http://youngjump.jp/manga/kaguyasama/
・赤坂アカ先生Twitter https://twitter.com/akasaka_aka
・第1~5話試し読み http://www.tonarinoyj.jp/manga/yj_mj/
・かぐや様公式Twitter https://twitter.com/kaguya_comic
・100回記念特別サイト https://kaguya100.com
・アニメ公式HP https://kaguya.love/
・赤坂アカ先生インタビュー https://natalie.mu/comic/pp/kaguyasama

◆関連スレ
【かぐや様は告らせたい】伊井野ミコは真面目ちゃんかわいい
http://medaka.2ch.net/test/read.cgi/cchara/1499900605/
アニメスレ かぐや様は告らせたい~天才たちの恋愛頭脳戦~
https://mao.5ch.net/test/read.cgi/anime3/1527827652/

◆前スレ
【赤坂アカ】かぐや様は告らせたい~天才たちの恋愛頭脳戦~ ☆105
https://fate.5ch.net/test/read.cgi/comic/1528709604/
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          【赤坂アカ】かぐや様は告らせたい~天才たちの恋愛頭脳戦~ ☆106      Cache   Translate Page      

top

1: ななし&じぇー 2018/06/16(土) 19:49:40.96 ID:/dOuRCnM0
!extend:on:vvvvvv:1000:512
本文頭に【!extend:on:vvvvvv:1000:512】を2行にしてスレ立てをしてください。

☆アニメ化決定 ミラクルジャンプ(集英社)2015年6月号から2016年2月号まで連載。
週刊ヤングジャンプ(同)へ2016年17号より移籍し連載開始!
赤坂アカ先生の『かぐや様は告らせたい~天才たちの恋愛頭脳戦~』について語りましょう。

※注意※
・次スレはを踏んだ人が立てて下さい。立てられない場合は速やかに次のアンカーを指定しましょう。
・重複防止のため、必ず宣言してからスレ立てして下さい。
・荒らしは完全スルーが鉄則。面白がって相手にしないこと。
・ネタバレは公式発売日の午前0時まで厳禁。

◆関連サイト
・公式HP http://youngjump.jp/manga/kaguyasama/
・赤坂アカ先生Twitter https://twitter.com/akasaka_aka
・第1~5話試し読み http://www.tonarinoyj.jp/manga/yj_mj/
・かぐや様公式Twitter https://twitter.com/kaguya_comic
・100回記念特別サイト https://kaguya100.com
・アニメ公式HP https://kaguya.love/
・赤坂アカ先生インタビュー https://natalie.mu/comic/pp/kaguyasama

◆関連スレ
【かぐや様は告らせたい】伊井野ミコは真面目ちゃんかわいい
http://medaka.2ch.net/test/read.cgi/cchara/1499900605/
アニメスレ かぐや様は告らせたい~天才たちの恋愛頭脳戦~
https://mao.5ch.net/test/read.cgi/anime3/1527827652/

◆前スレ
【赤坂アカ】かぐや様は告らせたい~天才たちの恋愛頭脳戦~ ☆105
https://fate.5ch.net/test/read.cgi/comic/1528709604/


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          Blade turns 20: How Wesley Snipes’ film about a vampire hunter ushered in a new era of superhero movies      Cache   Translate Page      

Films based on comic books or the superheroes could be easily divided into two broad categories – before and after Christopher Nolan’s The Dark Knight trilogy. It’s true that had it not been for the trilogy, especially the second installment, The Dark Knight (2008) — that featured a bravura performance by Heath Ledger as the […]

The post Blade turns 20: How Wesley Snipes’ film about a vampire hunter ushered in a new era of superhero movies appeared first on Aatm Blog.


          Venezia Comics 2019 – Il 13 e 14 aprile tutti al Forte Marghera!      Cache   Translate Page      
Venezia Comics 2019

Segnate la data sul calendario: sabato 13 e domenica 14 aprile potrete venire a trovarci a Venezia Comics, la manifestazione di cui siamo media partner ufficiali! Oggi si è tenuta la conferenza stampa e finalmente possiamo annunciare tutte le iniziative all’interno della fiera! VeneziaComix è l’organizzazione che cura la manifestazione e non stupitevi se già […]

L'articolo Venezia Comics 2019 – Il 13 e 14 aprile tutti al Forte Marghera! proviene da Nerdando.com.


          Camisetas Batman vs Superman      Cache   Translate Page      
Mientras Internet se divide entre los fans acérrimos de DC Comics que han sucumbido ante los dudosos atractivos de esta nueva peli de superhéroes y el resto del planeta, aquí hemos sido más prácticos y nos centrado en el merchandising oficial, concretamente en las camisetas de Batman vs Superman. Dejando aparte la cuestionable elección de ...
          A Little Poly Story by Danielle Corsetto      Cache   Translate Page      

A Little Poly Story by Danielle Corsetto

It’s a DREAM to get a Danielle comic to help cover us while we do the Emerald City Comic Con! (More info below) She’s one of my oldest comics friends and colleagues, in addition to being one of my favorite artists (SORRY, IT’S TRUE). Check out ANY of her work below, she’s a gifted storyteller […]
          10 Things You Didn’t Know about Camille Hyde      Cache   Translate Page      

Camille Hyde is an American actress who has appeared in a wide range of productions. Recently, her name has popped up in entertainment news because she has been cast in a Riverdale spinoff called Katy Keene. Something that should come as welcome news for those who are interested in the shows based on Archie Comics. Here are 10 things that you may or may not have known about Camille Hyde: 1. Born and Raised in Washington, D.C. Hyde was both born and raised in Washington, D.C. Suffice to say that said location should need no introduction, seeing as how it

10 Things You Didn’t Know about Camille Hyde


          Writer/Host, Original Programming*      Cache   Translate Page      
CA-San Francisco, Host/Writer, Original Programming 704116* The ideal candidate must have proven written and on-camera experience. They must also have strong communication skills, and be able to collaborate with others, both locally and across time zones. They will also have a strong interest and knowledge of gaming, movies, TV, and comic books, and be able to keep up to date with the biggest news. Responsibilities
          Geek Radio Daily March 11, 2019      Cache   Translate Page      
Back To It TV Pages The Chad Update What Soap Opera’s Billy Flynn Is Up To #TeamChabby GRD Mail The Caffeinated One Got It Break Psuedopod B.O. Results Geek News Jan Michael Vincent RIP Port Of Earth Goes From Comic … Continue reading
          Der neue Asterix-Film: Wenn Druiden müde werden      Cache   Translate Page      

Miraculix war schon ein alter Mann, als es 1959 losging mit den Comicgeschichten aus dem kleinen gallischen Dorf. In dem Film „Asterix und das Geheimnis des Zaubertranks“ (Kinostart 14. März) will der weise Druide in Rente gehen. Ein Nachfolger ist nicht leicht zu finden.

 


          Tess Daly and Claudia Winkleman say they will never dance again after danceathon - AOL UK      Cache   Translate Page      
  1. Tess Daly and Claudia Winkleman say they will never dance again after danceathon  AOL UK
  2. Tess and Claudia complete their 'agonising' 24-hour danceathon  BBC News
  3. Claudia Winkleman declares 'I'm not doing Strictly!' as she and Tess Daly COMPLETE Dance-a-thon  Daily Mail
  4. Janette Manrara and Aljaz Skorjanec gives these Strictly stars the BEST surprise  HELLO!
  5. Comic Relief: Michelle Dockery leads the stars for Dance-a-thon  Daily Mail
  6. View full coverage on Google News

          Lucy Hale protagonizará el primer spin-off de Riverdale, Katy Keene      Cache   Translate Page      
La actriz, conocida por su papel en Pretty Little Liars, dará vida al personaje del Archie Comics que debutó en 1945.
          #LivingArrows – Creative Kids 10/52 (2019)      Cache   Translate Page      

I’d like to think that our kids get their creativity from Paul and I, whether that’s true who knows. Either way both J & E are incredibly creative kids, who seem at their happiest when sat at the table with their colouring pens and crayons.

Little Miss Mindful

E has become rather taken with what we refer to as ‘mindful colouring’ whereas J has transferred his skills to his laptop, which he is now using to create a range of comic strips and animations upon.

Little Graphics Guy

Whilst I’m forever trying to find homes for the kids endless piles of pictures, portraits and such-like, I couldn’t be a prouder parent. …

The post #LivingArrows – Creative Kids 10/52 (2019) appeared first on RachelSwirl.


          L’Italia e la Repubblica salvate dalle donne      Cache   Translate Page      

Quando si parla delle donne, non solo in Italia, si parla in realtà degli uomini. Per questo, passata la data cruciale dell'8 marzo, è possibile ragionare con maggiore distacco sulla condizione femminile oggi, anche in Italia.

Lo status delle donne è stato per secoli, infatti, definito dalle decisioni assunte dagli uomini, e ancora oggi viviamo quel retaggio, quell'eredità pesante, vischiosa, lenta a cancellarsi perché incistata nelle menti degli uomini. Rimanda alle caverne, alle società primordiali, alle divisioni dei compiti in un mondo ostile che non ha più senso.

A diverse latitudini e in vari periodi storici, il "ruolo" delle donne è stato derubricato in base alle necessità, al disegno, agli schemi di potere dettato e imposto dagli uomini. Se non si capisce questa semplice ma cruciale distinzione inutile inoltrarsi nei meandri delle sfumature. La politica, l'economia, la religione hanno confermato, ribadito, inciso su pietra che così fosse e dovesse essere secula seculorum.

Con il tempo, in ogni luogo le donne hanno cambiato la loro condizione, con e senza l'aiuto e il sostegno degli uomini. Ancora molto resta da fare perché i diritti degli esseri umani di sesso femminile siano riconosciuti e pienamente attuati.

La Storia femminile italiana è tutto sommato recente. Il diritto di voto esercitato nel 1946, ma in realtà conquistato durante la Resistenzacon il sangue versato sui monti e il sudore a casa, e l'impegno politico e sul posto di lavoro.

L'articolo 3 della Costituzione richiama chiaramente il vuoto da colmare e i presidi da tutelare. In passato era "Dio – Patria – Famiglia", una triade indissolubile, che nulla toglie alla sfera individuale quando si approccia a ciascuno di essi singolarmente.

L'elemento dirompente, tipico delle dittature fasciste era chiaro: 1) Un solo Dio, quello cristiano; 2) Una sola Patria, per la quale i nazionalismi chiedono di immolarsi; 3) Una sola famiglia, quella che lo Stato etico decide sia "giusta".

A tal proposito ricordo un dibattito televisivo - credo sulla CCN quando ero all'Università di California per seguire le elezioni presidenziali del 2012 - allorché il candidato vicepresidente Paul Ryan, repubblicano, disse che la famiglia era e doveva rimanere quella "tradizionale". Il giornalista lo interruppe e gli segnalò quanto la "tradizione" dipenda dalla dimensione spazio-tempo e dalla cultura del tempo. Tradizionale è anche poligamia, incesto, adulterio, femminicidio, lo stupro (do you remember il "ratto delle Sabine?"), dipende dal momento storico.

Che facciamo, torniamo alla legge del taglione? Bene, assodato che "tradizione" è uno strumento abusato dagli uomini per tenere le donne sotto controllo, è ora che l'Italia si liberi dalle ottuse visioni di uomini caverna. Quella triade rimanda a uno schema valoriale in cui segnalare peccati e peccatori, giusto e sbagliato.

E il Fascismo aveva bene in mente cosa lo fosse e cosa no. Basta vedere Una giornata particolare, basta leggere la Storia, basta curiosare tra le rughe delle anziane chine nei campi per anni per i padri padroni che giocavano a carte nei bar.

Lo stupro, considerato reato contro la morale fino a pochi lustri fa, il delitto d'onore abolito nel 1981 (millenovecentoottantuno), la fuitina, il matrimonio riparatore e le ribellioni a queste violenze (per tutte il caso di Franca Viola nella Sicilia machista). E ancora il femminicidio (centinaia all'anno), la prostituzione, ossia lo schiavismo sessuale sfruttato da uomini (184 uccise dal 2000), i manicomi per le "pazze", i conventi per le indegne, le zitelle. La Legge 40, le alchimie da ciarlatani sul referendum, le battaglie in tribunale per il riconoscimento all'eterologa, nel 2014 (duemilaquattordici).

E ancora, ma non per ultimo, l'aborto che sarà la prossima tappa degli attacchi al ruolo della donna, le mammane, il prezzemolo e i ferri da maglia, l'obiezione di coscienza (!). Lo scalpore per le donne in camice da ospedale o alla guida di un bus, le prime magistrate negli anni Sessanta (del Novecento) "che prima non era possibile ché avendo le mestruazioni le donne sono instabili e non in grado di giudicare".

Ovviamente c'è anche la politica. Il comportamento elettorale, e le donne che votavano prevalentemente DC perché glielo chiedeva il parroco di sostenere lo "scudo crociato", con tanti bei saluti al marito comunista o socialista (nella cabina elettorale ricorda "Dio ti vede, Stalin no").

La distinzione di genere nel voto è oggi meno forte, a parte per alcuni partiti più maschi (vedi Lega) o Forza Italia ancora forte tra le anziane. In genere le giovani leve sono più progressiste, quando votano, e addirittura si mobilitano di più come visto anche recentemente. Ma le donne in politica fecero scalpore, ritenute non adatte a "cose da uomini" (vedete, significa che gli uomini decidevano per tutti), addirittura sindaco, ministro. Presidente della Repubblica no, ancora non siamo maturi, pare. Mentre succede in Cile, Finlandia, Lituania, Croazia, Irlanda, Brasile...

Quanto restii siano gli uomini a cedere il loro potere, rimando all'introduzione del voto di preferenza (come ricercatore lo sconsiglio), ma se adottato meglio che preveda due opzioni almeno, una per genere. È quello che stanno meritoriamente provando a fare donne tenaci e capaci fuori dal Consiglio regionale della Calabria, un covo di maschilisti ostili a qualsiasi cambiamento ché non saprebbero che fare da cittadini ordinari.

Le donne vanno escluse, per mantenere il monopolio sulla società, altrimenti lo schema definito dall'uomo – che è uno schema economico, di rapporti di forza – viene meno. E addio dominio.

Ci sono eccezioni, Ocasio-Cortez, che batte un boss del partito democratico americano, e molti altri casi in giro per il mondo. Ma ci sono anche amare conferme, come nel caso di Hillary Clinton il cui elettorato più ostile è stato quello "bianco, poco istruito e ortodosso in religione".

Clinton è stata oggetto di razzismo sessuale, va bene un "negro" ma mai una donna, come tale mai potrebbe guidare il Paese. E in Italia il massacro a Laura Boldrini, non su punti politici (su cui si può ovviamente discutere), ma in quanto donna. Ricordiamo cosa dissero il comico-politico Beppe Grillo o Salvini. Se non lo si capisce, meglio cambiare canale.

Questo quadro poco rassicurante è però parte della Storia. Ci sono migliaia di donne nel mondo che lottano ogni giorno e la situazione lentamente, ma inesorabilmente cambia, cambierà. Dal 1946, le donne sono entrate in politica, nella ricerca, all'università, nell'alta dirigenza. Sono però escluse dalle posizioni apicali, non riescono cioè a rompere quel soffitto di cristallo, invisibile eppure coriaceo. E in questo la cultura dell'estrema destra di governo conferma anni di oscurantismo, con le reticenze bigotte e i ritardi di una parte della sinistra. Anche quella che pensa di essere progressista.

L'Italia è progredita grazie a persone come Lina Merlin, Emma Bonino, Elena Cattaneo, Samantha Cristoforetti, Rita Levi Montalcini, Grazia Deledda, Margherita Hack, Nilde Iotti, Alda Merini ... e ne scordiamo decine di altre. E al movimento femminista e femminile, nonché alla coriacea straordinaria azione di donne ordinarie all'interno delle proprie famiglie che vanno ascritte molte conquiste, molti diritti, molte tutele. Non siamo al punto zero, ricordiamocelo, ricordatelo. Per capire bene però quale sia lo stato di salute sociale e politica delle donne è necessario guardare in prospettiva.

Ora però sembra che molti vogliano farlo tornare indietro, che gli uomini, quelli bigotti e retrogradi siano tornati in auge. La cronaca offre spunti terribili e per nulla edificanti circa il trattamento riservato alla "metà del cielo" del Pianeta, alle donne.

Di primo acchito non si capisce bene cosa vorrebbe insegnare agli "immigrati", quasi fossero tutti trogloditi, Matteo Salvini con gli strali da società chiusa. In realtà lo capiamo benissimo. Un modello di società in cui viga la paura, che rimanda al caro vecchio mondo antico, che poi non era né pacifico, né ameno, ma basato sullo sfruttamento dell'uomo sulla donna.

Donne, la Lega è un partito maschilista, reazionario, vecchio, fatto di uomini e per soli uomini, per quelli che pensano che dobbiate rimanere a casa di sera.

E in questo panorama, il balbettio del mondo di Sinistra, i distinguo, la libertà sessuale (per lo sfruttamento? Are you serious?) o sull'utero in affitto. Coloro che circondano Salvini con proposte da Streghe di Salem fanno rabbrividire. È necessario reagire punto su punto, con la cultura, sempre.

Visto il poco coraggio, l'indecisione, la pusillanimità, la mediocrità, e la avidità di molti uomini di potere, è il momento che le donne scendano in campo, ciascuna nel suo. Con un chiaro obiettivo: emancipare il Paese, renderlo più libero, vivo, sereno, aperto, solidale, pacifico, progredito, colto, efficace e produttivo.

Come cantavano le mondine chine per ore come gli schiavi del cotone, care donne, ripetetecelo che "abbiamo delle belle buone lingue e ben ci difendiamo!"

Donne, uscite, unitevi e fatevi sentire. Fate politica. Salvate l'Italia, salvate la Repubblica. Salvateci.


          Giampiero Ingrassia, il nuovo dolore per la perdita della madre: "Buon viaggio, ti voglio bene"      Cache   Translate Page      

Giampiero Ingrassia, figlio del compianto comico palermitano Ciccio, dice addio a sua madre: Rosaria Calì si è spenta a 93 anni. A dare notizia della scomparsa è stato proprio il figlio attraverso un commovente post Instagram.

"Non cesseremo mai di esplorare, e il fine di tutte le nostre esplorazioni sarà di arrivare al punto da cui eravamo partiti e vedere quel posto per la prima volta. Fai buon viaggio Mamma... Ti voglio bene", ha scritto l'attore a corredo di una foto che ritrae la sua mano stretta in quella della madre.

Qualche ora dopo l'annuncio della scomparsa, Ingrassia ha pubblicato un secondo post sul suo profilo con cui ha voluto ricordare la madre e il padre, condividendo una foto di famiglia. "Amore puro. Mi viene da dire solo questo", ha commentato l'attore.

Gli ultimi anni non si sono rivelati facili per Ingrassia, che nel 2013 ha dovuto affrontare l'improvvisa e prematura morte della moglie Barbara Cosentino. La donna era venuta mancare a soli 48 anni per un infarto che l'aveva colta mentre sciava in compagnia della figlia Rebecca. Una perdita di cui l'attore aveva parlato di recente, confessando: "Al suo funerale ho detto: 'Non so se sono stato uno dei mariti migliori, ma sicuramente avrei dato la mia vita per te'".

Amore puro. Mi viene da dire solo questo.❤️🌻

Un post condiviso da Giampiero Ingrassia (@giampiero_ingrassia) in data:


          Netflix quiere ser hogar de los fans del anime y anuncia seis series, incluyendo un spin-off de ‘Altered Carbon’ y ‘Super Crooks’      Cache   Translate Page      

Netflix quiere ser hogar de los fans del anime y anuncia seis series, incluyendo un spin-off de ‘Altered Carbon’ y ‘Super Crooks’#source%3Dgooglier%2Ecom#https%3A%2F%2Fgooglier%2Ecom%2Fpage%2F%2F10000

Aunque en lo que respecta a largometrajes de acción real y producción propia, en Netflix aún continúen algo verdes —por suerte, cintas como 'Triple frontera' denotan una evolución positiva en este terreno—, no cabe duda que la plataforma de streaming está sabiendo mimar a sus suscriptores con un gusto particular por el anime, tanto con productos externos, como con "Originals" de la talla de 'Castlevania' o 'Devilman CryBaby'.

La compañía de Reed Hastings, lejos de conformarse con su nutrida selección de animación japonesa ya disponible, acaba de anunciar una nueva alianza con los estudios nipones Production I.G y Bones para dar a luz seis nuevas series entre las que se incluyen traslaciones a la pequeña pantalla de mangas y videojuegos, y la esperada adaptación de la novela gráfica de Mark Millar 'Super Crooks'.

El listado de nuevos animes arranca con 'Altered Carbon: Resleeved', producido por Anima Inc; un spin-off animado de la serie de ciencia ficción original de Netflix creada por Laeta Kalogridi, y que promete ampliar la mitología del universo que descubrimos el año pasado.

Los amantes del mundo del videojuego también tendrán un motivo de celebración, porque otro de los platos fuertes del anuncio ha sido la adaptación del RPG de Capcom 'Dragon's Dogma', en el que seguiremos la historia de un hombre en busca de venganza contra un dragón que le robó el corazón.

Dragon

Continuando con las adaptaciones, encontramos 'SPRIGGAN' y 'Ghost in the Shell: SAC _2045'. La primera de ellas será un show de acción en clave sci-fi basado en el manga de Hiroshi Takashige, mientras que la segunda servirá de continuación CGI 3D a 'Ghost in the Shell SAC', y estará dirigida a cuatro manos por Kenji Kamiyama, Shinji Aramaki.

Y para concluir, además de la serie original 'Vampire in the Garden', en la que la música se alzará como elemento clave para unir a vampiros y humanos, podemos catalogar la mencionada adaptación de 'Super Crooks', ligada desde hace tiempo al realizador Nacho Vigalondo, como el plato fuerte de un menú de lo más apetecible.

Superc

El director de contenido de Netflix Japón, John Derderian, ha acompañado las buenas nuevas con las siguientes declaraciones:

"Netflix apunta a ser el hogar más atractivo y cautivador para los fans del anime, los creadores, y los estudios de producción. Estamos creando un entorno donde las productoras puedan hacer su mejor trabajo y distribuir sus series en un servicio en el que conectamos a fans del anime de 190 países con el contenido que adoran."

Aún es pronto para saber si los fans adorarán o no estas nuevas apuestas animadas de Netflix, pero, desde luego, la variedad está servida.


           Comment on Unforced variations: Mar 2019 by dhogaza       Cache   Translate Page      
KIA: "You will love today’s Dilbert comic strip – comments are good too" (in which Scott Adams guffaws at the notion that we can estimate ocean temperatures by sampling it at various points) I'll remember Scott Adams's brilliance the next time I'm sick and stick a thermometer in my mouth ...
          Marvel está desarrollando una antología animada basada en la línea de cómics 'What If' para Disney+      Cache   Translate Page      

Marvel está desarrollando una antología animada basada en la línea de cómics 'What If' para Disney+#source%3Dgooglier%2Ecom#https%3A%2F%2Fgooglier%2Ecom%2Fpage%2F%2F10000

¿Estás decepcionado y de capa caída después de ver 'Capitana Marvel' y no tienes ganas de más capas, antifaces y superpoderes? ¿Te ha encantado la aventura de Carol Danvers y la infinidad de largometrajes y shows superheróicos que se atisban en el horizonte te paren pocos? No hay problema, en Disney tienen planes de seguir explotando su gallina de los huevos de oro. ¡Y de qué manera!

Gracias al medio SlashFilm hemos sabido que en Marvel Studios se encuentran desarrollando una nueva serie animada para la plataforma de streaming Disney+ bajo la supervisión del propio Kevin Feige, en la que se contarán historias que no serán canon en el Universo Cinematográfico de Marvel; algo que tiene especial sentido, porque la producción adaptará la línea 'What If' de los cómics marvelitas con un formato de antología.

Para los neófitos, cabe explicar que susodicha línea 'What If' nació en el año 1977 y se ha extendido hasta nuestros días en unos 200 números y nueve volúmenes. En ella se exploran conceptos "imposibles", retorciendo la realidad y el statu-quo del universo de las viñetas, dando lugar a arcos argumentales tan disparatados como "qué pasaría si Venom utilizase al Castigador como huésped", "qué pasaría si Iron Man se quedase atrapado en la época del Rey Arturo" o "qué pasaría sí Lobezno matase a Hulk". La cantidad de posibilidades es casi infinita. De hecho, uno de los episodios adaptará la historia "qué pasaría si Loki encontrase el martillo de Thor".

Por el momento no han trascendido si la nueva serie de Disney+ utilizará las premisas existentes en el papel para dar forma a sus episodios autoconclusivos o si los actores que han dado vida a los héroes en la gran pantalla para el MCU volverán a encarnarlos en la sala de doblaje —parece ser que esta es una de las ideas que se barajan con fuerza—, pero no hay duda de que el sistema de VOD de la compañía del ratón Mickey cada vez tiene un futuro catálogo más prometedor.

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the.news Marvel está desarrollando una antología animada basada en la línea de cómics 'What If' para Disney+ originally.published.in por Víctor López G. .


          Las 31 mejores películas de vampiros de la historia      Cache   Translate Page      

Las 31 mejores películas de vampiros de la historia#source%3Dgooglier%2Ecom#https%3A%2F%2Fgooglier%2Ecom%2Fpage%2F%2F10000

Sus raíces se pierden en el origen de los tiempos, con leyendas de necrófagos y espectros devoradores de fuerza vital asolando Europa, y cuyos orígenes pueden rastrearse hasta las sirenas y lamias de la mitología clásica. La leyenda de los seres que dormían en ataúdes y se alimentaban de la energía de los vivos, con más o menos variantes, adquirió visos de auténtica histeria colectiva en algunas zonas de la Europa del este durante el siglo XVIII.

Pero no fue hasta finales de ese siglo, con la publicación de una serie de obras literarias con grandes rasgos en común, que no se dio forma a la figura del vampiro tal y como la conocemos hoy. El relato de 1819 'El vampiro' de John Polidori, 'Carmilla' de Joseph Sheridan Le Fanu en 1872, y la suma de ambos, 'Dracula' de Bram Stoker en 1897, configuraron al vampiro como una criatura maquiavélica y seductora, con elementos tanto de donjuán sobrenatural como de depredador de la noche.

Desde el 'Drácula' apócrifo del cine mudo 'Nosferatu' a las constantes reinvenciones del mito que continúan dejando secas nuestras pantallas, el vampiro nunca ha dejado de estar presente en el cine de terror. 'Drácula' es solo la punta del iceberg: vampiresas, chupasangres y príncipes de la oscuridad de todo tipo han poblado el cine durante más de un siglo. Para recordarlas hemos seleccionado las 31 películas de vampiros más notorias, para que mañana despiertes con dos pequeños orificios en el cuello.

Nosferatu (1922)

Dirección: F.W. Murnau

Reparto: Max Schreck, Alexander Granach, Gustav von Wangenheim, Greta Schröeder, GH Schnell, Ruth Landshoff

La primera película de vampiros vino también acompañada de polémica: era una adaptación no oficial de 'Drácula' de Bram Stoker. De hecho, para evitar problemas legales, palabras como "vampiro" habían desaparecido (sustituida por el magnífico término genérico "nosferatu"), y los nombres de los personajes cambiaron, pasando Drácula a llamarse Conde Orlock. Por supuesto, a la viuda de Stoker no le gustó un pelo, y emprendió una cruzada personal para eliminar todos los negativos de la faz de la Tierra, algo que no consiguió por los pelos gracias a los coleccionistas privados de celuloide.

En cualquier caso, la película es una obra maestra total del primer cine de terror, y una cima del expresionismo alemán junto a clásicos como 'El gabinete del Doctor Caligari' o 'El Golem'. Rebosante de lecturas esotéricas (Murnau y su productor eran estudiosos del ocultismo) y de imágenes tétricamente inmortales, es recordada sobre todo por la encarnación de Max Schreck como Orlock, un actor semidesconocido del que durante un tiempo se dudó de su existencia real, lo que inspiró el argumento de la magnífica 'La sombra del vampiro'.

Crítica en Espinof: Nosferatu

Drácula (1931)

Dirección: Tod Browning

Reparto: Bela Lugosi, Helen Chandler, David Manners, Dwight Frye, Edward Van Sloan, Herbert Bunston, Frances Dade, Joan Standing

Basada más en la popularísima obra de teatro inspirada en la novela de Stoker que en el propio libro, es una de las películas de vampiros más populares de la historia, pese a no ser una de las mejores, ni siquiera dentro del cine de de Tod Browning. Lo que sí resulta indiscutible es el extraño carisma de Bela Lugosi como vampiro seductor e hipnótico, dejando atrás el monstruoso aspecto del conde Orlock. La película le convirtió en una estrella casi por casualidad (el Drácula previsto inicialmente era Lon Chaney, que murió antes de comenzar el rodaje) y marcó irremisiblemente su carrera.

Sin embargo, 'Drácula' está muy afectada por sus orígenes teatrales y paradójicamente, discurre de forma más agarrotada que 'Nosferatu', con pocos escenarios y personajes esquemáticos que suman en uno solo varios de la fuente original. La versión con actores españoles dirigida por George Melford con Carlos Villarías haciendo de Drácula es muy superior, aunque la de Browning posee momentos maravillosamente icónicos, como la presencia de las tres novias o frases ya históricas como "Yo nunca bebo... vino".

Crítica en Espinof: Drácula

Drácula (Horror of Dracula, 1958)

Dirección: Terence Fisher

Reparto: Christopher Lee, Peter Cushing, Michael Gough, Melissa Stribling, Valerie Gaunt, Carol Marsh, Olga Dickie

Pese a que en su día llegó a considerarse una afrenta a la fuente literaria original por sus elevadísimas dosis de violencia y erotismo, nunca antes vistas en pantalla, lo cierto es que el primer Drácula de la Hammer, a diferencia de la también extraordinaria 'La maldición de Frankenstein' de 1957, que se distancia notoriamente de la novela de Mary Shelley, es la encarnación del vampiro de Stoker más fidedigna hasta ese momento. Sobre todo, gracias a la imponente presencia de Chritopher Lee, a la vez un monstruo seductor y un magnético gentleman.

Espléndidamente dirigida por Terence Fisher, con una puesta en escena que hacía que cada rincón del escenario, cada objeto y cada gesto rezumara extrañeza y horror puro, 'Drácula' reconvirtió de nuevo a los vampiros en monstruos, dejando atrás la galantería entre ataúdes. La Hammer rubricaría ocho secuelas directas de Drácula, algunas tan recomendabilísimas como esta primera entrega. Entre ellas cabe destacar 'Las novias de Drácula', 'Drácula, Príncipe de las Tinieblas', 'Los ritos satánicos de Drácula' o la sorprendentemente jugosa 'Drácula 73'

Crítica en Espinof: Drácula

Las novias de Drácula (The Brides of Dracula, 1960)

Dirección: Terence Fisher

Reparto: Peter Cushing, Yvonne Monlaur, David Peel, Martita Hunt, Freda Jackson, Miles Malleson, Andree Melly

Aunque todos recordemos a Christopher Lee como, posiblemente, el mejor Drácula de todos los tiempos, conviene tener claro que la Hammer le hincó el diente al terror vampírico con muchas otras películas del subgénero. Algunas de ellas tan interesantes como las protagonizadas por Lee, como ésta, dirigida también por Terence Fisher, de nuevo con Peter Cushing como Van Helsing, pero con un nuevo catador de sangre (generado, eso sí, por el propio Drácula en persona): el barón Meinster.

La película rebosa momentos impagables, desde la merecidamente mítica secuencia del molino formando una cruz con las aspas a todos los diálogos de la madre del barón, pasando por la fetida resurrección -impresionante para una película de 1960- de una de las novias. Los interesados en la mitología vampírica de la Hammer más allá del Drácula de Lee harán bien en sumergirse en todas las inspiradas por la 'Carmilla' de Le Fanu (menos sofisticadas visualmente que esta, pero muy jugosas, como 'La condesa Drácula' o 'Drácula y las mellizas') o la chifladura total de la Hammer tardía, como 'Capitán Kronos, cazador de vampiros' o 'Kung Fu contra los Siete vampiros de oro'

El último hombre sobre la Tierra (The Last Man on Earth, 1964)

Dirección: Sidney Salkow, Ubaldo Ragona

Reparto: Vincent Price, Franca Bettoia, Emma Danieli, Giacomo Rossi-Stuart, Christi Courtland

Aunque la novela original de Richard Matheson (aquí coadaptándola en el guión) es una de las grandes inspiraciones de 'La noche de los muertos vivientes' de George A. Romero, es sencillo identificar a las criaturas post-apocalípticas que han dejado el planeta hecho un solar con vampiros: descansan durante el día, horas que nuestro protagonista aprovecha para masacrarlos -una idea que después saquearía 'Vampiros de John Carpenter'-. El resto del tiempo, un Vincent Price de perfecta pose melancólica, se lamenta sobre su solitaria situación.

La película sería reformulada en una producción más ambiciosa y taquillera protagonizada por Will Smith en 2007, y que acentuaría el componente vampírico y monstruoso de los seres que deambulan por el planeta. Pero carece de la atmósfera oscura y minimalista que han acabado convirtiendo a esta película coproducida con Italia (ese enrarecido aire europeo le da buena parte de su encanto) en una extraña rareza del cine de vampiros.

El baile de los vampiros (The Fearless Vampire Killers, 1967)

Dirección: Roman Polanski

Reparto: Jack MacGowran, Roman Polanski, Sharon Tate, Alfie Bass, Ferdy Mayne, Jessie Robins, Iain Quarrier

Una singularísima comedia slapstick de ambiente vampírico, tan tontorrona como tronchante, que funciona y es recordada porque se toma muy en serio su parte terrorífica. Ésta, claramente inspirada en las entonces boyantes producciones de la Hammer, aún en su fase más clásica. Prácticamente muda, es también recordada por presentar uno de los escasos papeles coprotagonistas de Sharon Tate antes de ser asesinada por el clan Manson.

La película deja claro en todo momento que Polanski es un auténtico devoto del cine de terror y sus tropos, con su versión tronada de la primera y magistral mitad de la novela de 'Drácula' y la visita de Jonathan Harker al castillo del vampiro. Lo que también deja claro, y es una pena que Polanski no lo cultivara más a menudo, es que el humor blanco y visual (a años luz de la retorcida paranoia bufa de 'El quimérico inquilino') también se le daba francamente bien.

Crítica en Espinof: El baile de los vampiros

Las vampiras (Vampyros Lesbos, 1971)

Dirección: Jess Franco

Reparto: Soledad Miranda, Dennis Price, Victor Feldman, Ewa Stroemberg, Paul Muller, Jesús Franco, Heidrun Kussin

El inclasificable Jesús Franco volvió al mito vampírico una y otra vez a lo largo de su carrera: de la rara rigidez de 'El conde Drácula' a la chifladura de tebeo de 'Drácula contra Frankenstein', pasando por este exploit erótico que toma por asalto la cinefilia galopante de su responsable para subvertir los códigos del vampirismo lésbico que habían puesto de moda las producciones tardías de la Hammer, aunque apretando las tuercas de la explicitud visual.

Franco se salta los tópicos del cine vampírico que no le interesan (la siempre memorable Soledad Miranda es una vampira que toma el sol), hace suyos otros (solo bebe sangre de mujeres) y dinamita el resto, como todo lo que concierne al cazador de vampiros. Aquí el castillo es un chalet y la banda sonora no tiene órganos de iglesia tenebrosos, sino que está construida con un cálido e hipnótico jazz. Como todo Franco, único y particular, y aún así, una de las películas de eurohorror vampírico más notorias.

El rojo en los labios (Les lèvres rouges, 1971)

Dirección: Harry Kümel

Reparto: John Karlen, Delphine Seyrig, Danielle Ouimet, Andrea Rau, Paul Esser, Georges Janin, Joris Collet, Fons Rademakers

Una de las películas más singulares de toda la era del eurohorror de los setenta, en el momento álgido de la exitosa fórmula de la Hammer de saquear 'Carmilla' para adaptar el mito vampírico a los nuevos tiempos, así como en su replanteamiento por parte de productores españoles, franceses y alemanes a golpe de morbo, delirio onírico y erotismo desbocado. En este caso se recurre a la condesa Bathory y su sirvienta, alojadas en un hotel de Brujas a donde llega la pareja protagonista: él quiere presentar a su prometida a su madre.

Con los potenciómetros psicosexuales al once (o más), esta coproducción francobelga y alemana mezcla elementos de giallo y del cine de explotación de la época. Kümel (que pronto dirigiría su estupenda adaptación de 'Malpertius') configuró a su vampiresa (Delphine Seyrig) con elementos de actrices de cine clásico como Marlene Dietrich (y a la sirvienta como Louise Brooks). También le inyectó ciertos aires estéticos propios de los uniformes del nazismo, ya que con ese toque autoritario es como Kümel veía a los míticos chupadores de sangre.

Réquiem por un vampiro (Vierges et vampires, 1973)

Dirección: Jean Rollin

Reparto: Marie-Pierre Castel, Mireille Dargent, Philippe Gasté, Dominique, Louise Dhour, Michel Delesalle

Rollin, capaz de desatar odios furibundos y devoción sin límite, conforma una pieza imprescindible del sinuoso e hipererótico euro-horror de los setenta. Sus historias, cortadas en su mayoría por el mismo patrón de ninfas bebedoras de sangre, más inspiradas en 'Carmilla' que en 'Drácula', son variaciones levísimas a una misma idea que flota en un mundo en el que todo es estética, tules, niebla y castillos en descampados.

Podría haber traído a esta lista las también fabulosas 'La muerta viviente', 'El castillo de las vampiras', 'La violación de la vampira', 'La vampiresa desnuda' o 'El amanecer de los vampiros', pero me quedo con esta pieza extrañísima, prácticamente muda, que se adelanta al mismísimo Tarantino con su historia de dos atracadoras accidentadas que acaban dando tumbos por un castillo misterioso. Influída más que otras de sus películas por la nouvelle vague y por el cómic erótico europeo, 'Requiem por un vampiro' es Rollin puro, y como tal, tan discutible como fascinante.

Sangre para Drácula (Dracula cerca sangue di vergine... e morì di sete!!!, 1974)

Dirección: Paul Morrissey

Reparto: Joe Dallesandro, Udo Kier, Arno Juerging, Maxime McKendry, Milena Vukotic, Dominique Darel, Stefania Casini

Un rarísimo experimento producido por Andy Warhol rebosante de comedia bufa, drama folletinesco, erotismo mediterráneo y terror ultrasangriento cuyo argumento parece salido de una película de Jaimito: Drácula (Udo Kier) necesita vírgenes para alimentarse, y viaja hasta Italia ya que, siendo éste un país tradicionalmente católico, allí habrá más doncellas puras. Por supuesto, aunque divisa a unas cuantas víctimas, ninguna es tan virtuosa como aparenta.

El resultado de esta locura es inusualmente amargo, mucho más que la otra producción Warhol con la que conformó un programa doble delirante, la salvaje y mucho más exploit 'Carne para Frankenstein'. Kier le otorga al conde una melancolía única, atormentado porque los nuevos tiempos y la existencia de galanes como el interpretado por Joe Dallessandro (decidido a acabar con el vampirismo saltando de cama en cama) van a acabar con su vida eterna. Un tema muy propio de los Dráculas modernos (la decadencia del galán depredador clásico, completamente fuera de su tiempo), aquí en una versión más carnal y excesiva que nunca.

Las hijas de Drácula (Vampyres, 1974)

Dirección: José Ramón Larraz

Reparto: Marianne Morris, Anulka Dziubinska, Murray Brown, Brian Deacon, Sally Faulkner, Michael Byrne, Karl Lanchbury

Aunque su erotismo tramontano la ha convertido en una pieza algo caduca (al contrario que la monumental 'Los ritos sexuales del diablo', también de Larraz, aún más marrana pero tremendamente perversa), 'Las hijas de Drácula' sigue siendo una pieza clave del cine vampírico europeo de los setenta. Producida en Inglaterra, el buen pulso de Larraz (que rubricaba estas cosas igual que slashers como 'Descanse en piezas' o 'Al filo del hacha', por no hablar de cosas tan de su momento como 'Violación... ¿y?' o 'Polvos mágicos') y su valentía la hora de enhebrar una atmósfera casi de película de casas encantadas le dan un valor único.

En este caso, el argumento es más tradicional que el de otras películas de la época como 'El rojo en los labios': dos vampiresas provocan accidentes cerca de la mansión en donde viven y mantienen grogui a una de sus víctimas para alimentarse de él. Pero los excesos sanguinolentos, brutales incluso para la época, la puesta en escena histérica y los amasijos de gente en pelotas que corretea por delante de la cámara la hacen destacar sobre otras de la época. Objeto de un reciente, mucho más pulcro y decididamente inferior remake en 2015. Con Fele Martínez.

Martin (1978)

Dirección: George A. Romero

Reparto: John Amplas, Lincoln Maazel, Christine Forrest, Elyane Nadeau, Sara Venable, Francine Middleton, Roger Caine

Una singularísima exploración de la naturaleza de lo monstruoso a manos de un George A. Romero aún ajeno al bombazo internacional que supondría su 'Zombi' ese mismo año. Aquí cuenta la historia de un joven que cree ser un vampiro y se comporta como tal, aunque ni tiene colmillos afilados ni se desintegra con la luz del sol. Pero aún así quiere alimentarse de sangre y está dispuesto a efectuar todos los cortes en cuellos ajenos que sea necesario para conseguirlo.

Este argumento podría pertenecer perfectamente a una comedia negra paródica (como lo sería en parte la posterior 'Besos de vampiro'), pero Romero lo usa para sumergirse en un ambiente opresivo, tan perturbador como la mente de su protagonista. El director consigue inyectar una atmósfera de genuino cine vampírico en una historia que repite constantemente al espectador que no lo es, conduciendo al desconcierto y a una sensación de paranoia constante. Una obra maestra del primer Romero que solo recientemente ha empezando a ganarse una justa consideración de culto.

Nosferatu, vampiro de la noche (Nosferatu: Phantom der Nacht, 1979)

Dirección: Werner Herzog

Reparto: Klaus Kinski, Isabelle Adjani, Bruno Ganz, Jacques Dufilho, Roland Topor, Walter Ladengast, Dan van Husen

El remake de la mítica película muda de Murnau consigue no solo mantener bien el tipo como réplica, sino reformular su logro más complicado: esa indescriptible atmósfera alucinada, como de pesadilla. Herzog llega a ella gracias a las hipnóticas interpretaciones de su trío protagonista: Kinski, por supuesto, con su físico alucinante y su comportamiento enajenado; pero también una Isabelle Adjani que parece con un constante pie en el otro barrio y Bruno Ganz como uno de los Jonathan Harker más frágiles y aterradores de la historia.

Herzog sabe extraer de la novela de Stoker y la película de Murnau los elementos que convierten esta película en una observación sobre las terribles implicaciones de la muerte: el dolor, el olvido y la soledad. Por eso recupera una de las ideas más sugestivas y menos tratadas de adaptaciones previas (ni Universal ni Hammer le prestaron atención, por ejemplo): el vampiro como una plaga infecciosa milenaria que va dejando un reguero de cadáveres apestados allá por donde pasa.

El misterio de Salem's Lot (1979)

Dirección: Tobe Hooper

Reparto: David Soul, James Mason, Lance Kerwin, Bonnie Bedelia, Lew Ayres, Reggie Nalder, Ed Flanders, Elisha Cook Jr.

De acuerdo, es una miniserie para televisión pero la insertamos aquí por haber recibido edición en formato largometraje (en España, bajo el ridículo titulo de 'Phantasma II') y por su extraordinaria calidad pese a las limitaciones catódicas. Adapta una de las mejores novelas de Stephen King y marcó a incontables niños de los ochenta en su pase por Televisión Española, hasta tal punto que para una generación, la imagen del niño vampiro arañando la ventana de su hermano es de las que traumatizan una infancia.

Su mezcla de transformación de los vampiros clásicos (tirando, curiosamente, de la iconografía del más clásico de todos, Nosferatu) con el respeto a la mitología del género (se siguen todas las reglas: la invitación a casa, la estaca, los cazadores, los ataúdes...) da como fruto una película inquietante y de atmósfera espesa, que entiende las grandes virtudes de la novela de King y sabe traducirlas a imágenes. Un clásico menor, pero revisable una y otra vez. Mucho ojo con 'Salem's Lot II', la extrañísima y también muy opresiva secuela, dirigida por Larry Cohen y con Sam Fuller como implacable cazador de vampiros.

Drácula (1979)

Dirección: John Badham

Reparto: Frank Langella, Kate Nelligan, Laurence Olivier, Donald Pleasence, Trevor Eve, Jan Francis

Junto a la estupenda TV-movie dirigida por Dan Curtis, escrita por Richard Matheson y protagonizada por Jack Palance de 1973, esta es la película que configuró al Drácula moderno inyectándole grandes dosis de romanticismo fatalista. En ambas producciones, Drácula se encapricha de una humana (algo nunca del todo bien explicado en la novela) porque es una reencarnación de su amada de tiempos remotos. La versión de Palance (que, por cierto, inspiró físicamente al mítico vampiro de los cómics de Marvel 'La tumba de Dracula), además, incluyó el elemento de Vlad el Empalador por primera vez.

La versión de John Badham de 1979, en cualquier caso, es mucho más ostentosa, con un enfrentamiento que es pura intensidad y miradas que detienen el tráfico entre Frank Langella y Laurence Olivier. Quizás la película, la más romántica de todas las adaptaciones de Drácula, renquea algo porque a Langella le falta visceralidad, pero lo cierto es que adapta por primera vez pasajes de la novela que hasta el momento permanecían inéditos. Lo peor: su existencia frustró una proyectada adaptación de Ken Russell que, desde luego, habría sido para verla.

Crítica en Espinof: Drácula

El ansia (1983)

Dirección: Tony Scott

Reparto: Catherine Deneuve, David Bowie, Susan Sarandon, Cliff De Young, Willem Dafoe, Beth Ehlers, Dan Hedaya

La primera gran película de vampiros de los ochenta es un giro radical y punk de la aún reciente Drácula de Badham: a ritmo de Bauhaus y su significativa declaración de intenciones 'Bela Lugosi's dead', describe un hiperestético, sensorial y videoclipero triángulo amoroso entre (poca broma) Catherine Deneuve, David Bowie y Susan Sarandon, en el que fue el debut de Tony Scott -para muchos insuperado-.

Recuperando las connotaciones lésbicas del vampirismo a lo Hammer (que se asienta de la misma esencia del género: la 'Carmilla' de Le Fanu que inspiró el 'Drácula' de Stoker) y planteando a los vampiros no como seres tragicos y atormentados sino como adictos a una droga que ni les mata del todo ni les deja morir, 'El ansia' se revela como una de las películas de chupasangres más influyentes de las últimas décadas. Son incontables las películas que han bebido de ella en lo temático o estético.

Crítica en Espinof: 'El ansia'

Noche de miedo (1985)

Dirección: Tom Holland

Reparto: Chris Sarandon, William Ragsdale, Amanda Bearse, Roddy McDowall, Stephen Geoffreys, Jonathan Stark

Una de esas mezclas mágicas de comedia y terror que conseguían funcionar perfectamente en los ochenta en ambos campos sin necesidad de caer en la parodia o en el desequilibrio de tono. En este caso lo consigue gracias a un catálogo de personajes entrañables que protagonizan la historia de un chaval que descubre que su vecino es un vampiro que además quiere seducir a su madre. Todo ello gracias a la excelente capacidad de Tom Holland ('Muñeco diabólico', 'Maleficio') para tomarse en serio los planteamientos más desnortados.

Lo consigue además apoyado en un excelente reparto, donde destacan un seductor y grimoso Chris Sarandon como vecino vampiro y un entrañable Roddy McDowall como falso cazavampiros, que usa toda la sabiduría de la cultura pop para acabar con la amenaza. Disfrutó de un estupendo remake en 2011 a la altura de su modelo, con estupendos efectos y ambientación, y Colin Farrell y David Tennant dando perfectamente la réplica a sus precedentes de los ochenta.

Jóvenes ocultos (The Lost Boys, 1987)

Dirección: Joel Schumacher

Reparto: Kiefer Sutherland, Jason Patric, Corey Haim, Corey Feldman, Jami Gertz, Dianne Wiest

Programa doble perfecto con 'Noche de miedo', ya que tiene una buena cantidad de elementos en común: mezcla de horror vampírico y comedia teen, ambiente contemporáneo y algún detalle de guión muy peculiar, como el empleo de la cultura pop como fuente de sabiduría cazavampiros (aquí personificada en un par de devotos de los tebeos de miedo, Corey Feldman y Corey Haim). Pero además, 'Jóvenes ocultos', como no podía ser de otro modo estando dirigida por Joel Schumacher, lleva al límite el homoerotismo y el delirio estético.

De ahí la idea de convertir a los vampiros en moteros (grandioso Kiefer Sutherland como chupasangres que, además, no teme cargar las tintas en lo monstruoso), con toda la estética de cuero y pandillas correspondiente y que, de algún modo, entabla un curioso diálogo posmoderno con la idea del galán a lo Bertín Osborne de 'Noche de miedo'. Fabulosos momentos de impacto y un malvado subtexto anti-establishment adulto por la vía de las citas a 'Peter Pan', para uno de los clásicos impepinables del género en los ochenta.

Los viajeros de la noche (Near Dark, 1987)

Dirección: Kathryn Bigelow

Reparto: Adrian Pasdar, Jenny Wright, Lance Henriksen, Bill Paxton, Jenette Goldstein, Joshua Miller

Una de las mejores películas de vampiros de los ochenta, coincidente en el tiempo y en algunas de sus propuestas con 'Jóvenes ocultos', pero llevándola un paso más allá. La estética de motero salvaje, al margen de la ley, que proponía la película de Schumacher, encuentra en este trallazo de la gran Kathryn Bigelow (y el no menos grande Eric Red coescribiendo el guión) su auténtica naturaleza: como road movie desértica. Cómo compagina Bigelow la fobia al sol de los vampiros con la luz abrasadora de los áridos parajes del sur de Estados Unidos es una de las muchas soluciones ingeniosas de una película que reformula sin miedo la mitología vampírica.

Con interpretaciones espectaculares de Bill Paxton y Lance Henriksen, la película también sirve para desactivar la idea del vampiro como galán que navega en un océano de tiempo y que casi una década antes había propuesto el 'Drácula' de Badham. Aqui hay romance, pero en clave juvenil y pandillera, y cuya gasolina no es una idea romántica y anticuada del amor, sino el sexo, las drogas y el rock. Un western con colmillos que encontaría su réplica una década después con 'Vampiros de John Carpenter'.

Crítica en Espinof: Los viajeros de la noche

Besos de vampiro (Vampire's Kiss, 1989)

Dirección: Robert Bierman

Reparto: Nicolas Cage, Maria Conchita Alonso, Jennifer Beals, Elizabeth Ashley, Kasi Lemmons, Bob Lujan, Jessica Lundy

Una película que se ha ganado su fama de culto por acoger en su seno una de las interpretaciones más enloquecidas de Nicolas Cage. Que ya es decir, pero es que lo de 'Besos de vampiro' es especial: Cage da vida a un agente literario que, tras un encuentro íntimo con una atractiva joven, cree haber sido convertido en un vampiro. Comienza a experimentar fobia a la luz solar y las cruces, se alimenta de cucarachas y se tiene que comprar unos colmillos de plástico porque no hay forma de que le crezcan los auténticos.

Aunque menos opresiva, 'Besos de vampiro' tiene elementos en común con la comentada 'Martin' de George A. Romero: un joven cree que se ha convertido en vampiro y las percepciones del espectador quedan mediatizadas por este estado ilusorio (o no). También con elementos en común con '¿Jo, qué noche!' con la que comparte guionista y que también presenta un descenso dantesco a los infiernos urbanitas, ''Besos de vampiro' tiene mas malicia e inteligencia de lo que parece. Histeria cageniana aparte, es una interesante reflexión sobre la locura y la percepción, usando el mito vampírico como perchero.

Drácula de Bram Stoker (1992)

Dirección: Francis Ford Coppola

Reparto: Gary Oldman, Winona Ryder, Anthony Hopkins, Keanu Reeves, Richard E. Grant, Cary Elwes, Sadie Frost

No tan innovadora en lo temático como se dijo en su momento (casi todas sus propuestas de fidelidad a la obra original de Bram Stoker están ya en la adaptación de Badham), pero absolutamente cautivadora en lo visual. Un aspecto en el que no ha hecho sino crecer con el paso del tiempo, debido a que llegó en el momento en el que el género fantástico empezaba a ser devorado por el abuso de los efectos digitales (solo un año después llegaría 'Parque Jurásico').

Dejando de lado su romanticismo por momentos algo casposo, la obra de Coppola destaca por su imaginativo empleo de los trucajes físicos y tangibles para crear pesadillas (de juegos con perspectivas a sombras chinescas, pasando por fabulosos maquillajes o trampantojos delirantes). Y también por su variopinto reparto, que va de lo estupendísimo (Gary Oldman, Winona Ryder, Tom Waits) a lo algo menos brillante (Anthony Hopkins), pero que en cualquier caso hacen interesantes aportaciones al canon vampírico.

Crítica en Espinof: Drácula de Bram Stoker

Entrevista con el vampiro (1994)

Dirección: Neil Jordan

Reparto: Tom Cruise, Brad Pitt, Kirsten Dunst, Antonio Banderas, Christian Slater, Stephen Rea, Indra Ove

En plena fiebre por el vampirismo decimonónico por culpa de Coppola, esta adaptación de una de las novelas más exitosas del género de todos los tiempos -aunque hoy haya quedado un poco desfasada- superó las negras expectativas que tenía en su contra. No solo eso, sino que en muchos sentidos superó al éxito de 'Drácula de Bram Stoker' gracias a la exquisitez de su puesta en escena y a hallazgos como la casi debutante Kirsten Dunst como Claudia, uno de los personajes vampíricos más sugestivos de los noventa.

Hoy resulta difícil entender hasta qué punto la película fue atrevida: Neil Jordan acababa de ganarse un merecido prestigio global con 'Juego de lágrimas' y ahora se volcaba en una de vampiros, Tom Cruise aún estaba considerado un ídolo teen, y Brad Pitt y Antonio Banderas no habían alcanzado su actual estrellato. Por suerte, la extraordinaria calidad de la película, apasionada, retorcida, violentísima y mórbida, se sobrepuso a los negros designios que la amenazaban.

Crítica en Espinof: Entrevista con el vampiro

Nadja (1995)

Dirección: Michael Almereyda

Reparto: Elina Löwensohn, Martin Donovan, Galaxy Craze, Peter Fonda, Jared Harris, Suzy Amis, Karl Geary

Mientras el cine mainstream reformulaba el mito vampírico con películas tan opuestas entre sí como 'Entrevista con el vampiro' o 'Abierto hasta el amanecer', el cine indie le inyectaba mensajes turbios y retranca posmoderna en películas de bajísimo presupuesto y textura blanquinegra como 'The addiction' de Abel Ferrara o esta 'Nadja'. La primera es casi un tratado filosófico sobre la fe y la culpa muy propio de Ferrara, pero camuflado de película de vampiros. La de Almereyda es un divertidísimo pastiche con colmillos y el beneplácito de David Lynch (cameo incluido).

El enfrentamiento en territorio urbano entre Van Helsing (un Peter Fonda delicioso) y Nadja, la hija del conde Voivoide Arminius Chousescu Dracula, con sus buenas raciones de erotismo lésbico y reformulación de los tópicos del género, tiene mucho de parodia. Pero cuando mejor funciona la película es al adoptar una rarísima solemnidad subrayada por su estética tenebrosa y la música de My Bloody Valentine o Portishead y que delata que Almereyda es tan devoto de Hal Hartley como de Udo Kier. Una rareza que el tiempo no ha hecho sino revalorizar.

Abierto hasta el amanecer (1996)

Dirección: Robert Rodríguez

Reparto: George Clooney, Harvey Keitel, Juliette Lewis, Quentin Tarantino, Salma Hayek, Fred Williamson, Cheech Marin

La revelación internacional de Robert Rodríguez llegó en un momento irrepetible: Tarantino aún estaba cimentando su popularidad, George Clooney solo era conocido por 'Urgencias' y en tiempos pre-Internet se obró el milagro de que muchos espectadores llegaron al cine pensando que iban a ver una de gángsters. Y en cierto sentido, es una de gánsters que se tuerce: con dos mitades perfectamente separadas, esta bronca fiesta vampírica funciona como thriller -Tarantino y Clooney secuestran a una familia con miembros como un Harvey Keitel tronchante y una Juliette Lewis desatada- y también como película de vampiros y acción, anticipándose levemente a 'Blade'.

Un reparto entonadísimo (a todos los anteriores se unen Salma Hayek y una deliciosa ralea de secundarios como Cheech Marin, el mago de los efectos Tom Savini y el dios de la blaxploitation Fred Williamson), sumado a una violencia de tebeo como nunca antes se había visto en pantalla, dan pie a una de las producciones vampíricas más frenéticas de todos los tiempos, una que convierte los excesos de los ochenta en antiguallas artríticas. Frenética y bienhumorada, consigue hasta resultar innovadora a golpe de detalles latinos inyectados en la mitología vampírica.

Crítica en Espinof: Abierto hasta el amanecer

Brácula: Condemor II (1997)

Dirección: Álvaro Sáenz de Heredia

Reparto: Chiquito de la Calzada, Bigote Arrocet, Nadiuska, Javivi, Carla Hidalgo, Héctor Cantolla, Rubén Gálvez, Aramis Ney

Desde luego, no es la más sofisticada de las películas vampíricas de esta lista (ni siquiera la más original: casi todos sus hallazgos están en 'El baile de los vampiros'), pero indiscutiblemente sí una de las más personales. La arrolladora personalidad de Chiquito de la Calzada se apropia del mito de Drácula hasta tal punto que solo cambiando una letra de su nombre, la B de Barbate, transforma una parodia del cine de terror de raíz hispánica en una farsa chiquitistaní que tiene el consabido efecto vírico-verbal en el espectador.

Es curioso cómo Drácula se convirtió en objeto paródico para el cine español de éxito, no solo -lógicamente- en los setenta, cuando el cine de terror "serio" triunfaba en España, sino años después con películas como ésta, 'Buenas noches, señor monstruo' o 'Aquí huele a muerto'. Lo que deja bien claro que junto al western mediterráneo (al que Chiquito ya le dio la suyo en la algo menos divertida 'Aquí llega Condemor, el pecador de la pradera'), el terror vampírico es un género tan español como las tonadillas pachangueras que aquí son parodiadas con letras chupasangres.

Crítica en Espinof: Brácula: Condemor II

Vampiros de John Carpenter (1998)

Dirección: John Carpenter

Reparto: James Woods, Daniel Baldwin, Sheryl Lee, Thomas Ian Griffith, Maximilian Schell, Tim Guinee

Pese a algún problema puntual (caída de ritmo en su tramo final, un Baldwin inapropiadísimo como coprotagonista...), la virulencia y descaro de esta apropiación de John Carpenter de los códigos vampíricos (una de las escasísimas veces que ha partido de monstruos clásicos para sostener una de sus películas) la convierten en una auténtica rareza. Bola extra por hacerlo, además, en una época tan relamida como fue la década de los noventa.

Aquí, James Woods y Daniel Baldwin comandan a un grupo de cazadores de vampiros a sueldo del Vaticano que no se andan con tonterías: lejos de la sutileza de Van Helsing, entran en las guaridas de vampiros y los sacan a estacazos y con la ayuda de cables de tracción a la luz del sol, como vemos en una impresionante escena inicial que ha pasado con todo derecho a lo mejor del subgénero vampírico moderno. Por desgracia, el resto de la película no mantiene ese soberbio nivel, pero aún así, este western con colmillos es una pieza digna de revisión.

Crítica en Espinof: Vampiros de John Carpenter

Blade (1998)

Dirección: Stephen Norrington

Reparto: Wesley Snipes, Stephen Dorff, Kris Kristofferson, Sanaa Lathan, Donal Logue, Traci Lords, Udo Kier

Una de las mejores adaptaciones de un cómic Marvel en una época en la que eso no quería decir absolutamente nada, y que mezcló acción y terror con una sencillez y contundencia que hizo que muchos se preguntaran cómo no se había hecho antes (sí se había hecho, y muy bien, en 'Kung Fu contra los siete vampiros de oro'). Reformulando el mito vampírico con más sutileza de lo que parece (el héroe es un vampiro renegado, las duchas de sangre, el vampirismo como plaga desde las clases dominantes), revitalizando la estética blaxploitation e incluso adelantándose un año a 'Matrix', el impacto de Blade -pese a no ser precisamente una película de prestigio- es indiscutible.

Unos años después llegaría la muy estimable 'Blade II', irregular pero, con todo, quizás la mejor de las películas "comerciales" de Guillermo del Toro, con criaturas y conceptos interesantísimos (como siempre en Del Toro, acerca de la monstruosidad y su esencia) pero horrendos efectos CGI, y abandonando los aires de artes marciales clásicas que hacían especial a la primera entrega. 'Blade III' rubricaría la decadencia de la saga con una entrega horrible, pero para qué lo vamos a negar, también bastante disfrutona.

Crítica en Espinof: Blade

Déjame entrar (Låt den rätte komma in, 2008)

Dirección: Tomas Alfredson

Reparto: Kåre Hedebrant, Lina Leandersson, Per Ragnar, Henrik Dahl, Karin Bergquist, Peter Carlberg

Una de las películas de vampiros más singulares de los últimos tiempos, pese a manejar bazas que ya conocemos: el ambiente gélido, presente en la estimable pero inferior '30 días de oscuridad', el foco en un par de niños y los estallidos de violencia casi insoportable. Tomas Alfredson consigue darle un brío especial a todos estos elementos ya sabidos gracias a su escalofriante, casi inerte sentido del ritmo, para contar la historia de un chaval acosado en la escuela que se hace amigo de una chica de tendencias nocturnas peculiares.

Lo que la hace especial es difícil de describir con palabras, y de hecho, el inevitable remake norteamericano un par de años después, aunque interesante, fue incapaz de retener su magia. Quizás la idea del idilio entre dos niños monstruosos, quizás cómo reformula la figura del vampiro como una sombra trágica y condenada sin caer en tópicos románticos. Quizás el insólito equilibrio entre ternura y retrato de la monstruosidad sin medias tintas. Sea como fuere, una película única.

Crítica en Espinof: Déjame entrar

Sólo los amantes sobreviven (Only Lovers Left Alive, 2013)

Dirección: Jim Jarmusch

Reparto: Tilda Swinton, Tom Hiddleston, Mia Wasikowska, John Hurt, Anton Yelchin, Slimane Dazi, Jeffrey Wright

Una especie de heredera espiritual de 'El ansia' y 'The Addiction', con vampiros enfermizos, sufrientes debido a una vida eterna que implica sobre todo soledad y aburrimiento, y que recupera la estética decadente y postpunk de las criaturas de la noche de los ochenta. Tras un inicio de siglo lleno de brutalidad y contundencia debido al eco del éxito de 'Abierto hasta el amanecer' o 'Blade', Jim Jarmusch parece recordar que los vampiros son perfecto símbolo de la languidez romántica, y nos devuelve esa imagen del vampirismo con una película que parece aislada del tiempo en una burbuja.

Su reparto (Swinton, Hiddleston, Wasikowska, Hurt, Yelchin), increíblemente apropiado, es posiblemente el gran punto fuerte de esta película que difícilmente puede calificarse para todos los gustos, pero que sin duda cautivará a los post-post-post-góticos deseosos de ver a unos cuantos vampiros filosofar sin descanso sobre lo especiales que son y lo estupendamente mal que se encuentran. Entre mordisco y mordisco, claro.

Crítica en Espinof: Sólo los amantes sobreviven

Lo que hacemos en las sombras (What We Do in the Shadows, 2014)

Dirección: Taika Waititi, Jemaine Clement

Reparto: Jemaine Clement, Taika Waititi, Jonathan Brugh, Cori Gonzales-Macuer, Stu Rutherford, Ben Fransham

Aunque es abiertamente una comedia paródica, esta película de un Taika Waititi antes de su salto al mainstream vía Marvel demuestra más conocimiento de las tradiciones vampíricas que muchas películas más solemnes. Su idea de un grupo de vampiros que comparten piso ya es grandiosa, pero se ve reforzada porque cada uno de ellos obedece a un tópico de los bebedores de sangre: el nosferatu hierático, el caballero victoriano, el donjuán nocturno...

La película se ceba en su conflictiva relación con los hombres-lobo, que ya de partida fue ridiculizada en éxitos del humor involuntario como 'Underworld' o 'Crepúsculo'. Todo ello bañado en un tempo cómico personalísimo e infalible, más que puesto a prueba en el anterior proyecto de Waititi y Clement, 'Flight of the Conchords'. Quizás la mejor parodia del fenómeno vampírico, a la altura del baile de Polanski.

Crítica en Espinof: Lo que hacemos en las sombras

Una chica vuelve a casa sola de noche (What We Do in the Shadows, 2014)

Dirección: Ana Lily Amirpour

Reparto: Sheila Vand, Arash Marandi, Dominic Rains, Marshall Manesh, Mozhan Marnò, Milad Eghbali

Con una estética particularísima, pero que a la vez bebe de decenas de fuentes (del spaguetti western a Nadja, pasando por el Lynch de 'Cabeza borradora' o el cine indie de los noventa), esta singular, inclasificable mezcla de película de pandilleros, reflexión sobre el vampirismo y pesadilla rodada con scope estilo western es el sorprendente debut de Ana Lily Amirpour. Cuenta la historia de una vampiresa juvenil que ronda las hiperestéticas calles, casi de tebeo, de una ciudad ficticia iraní.

El gran hallazgo de 'Una chica vuelve a casa sola de noche' es la estética de su vampírica protagonista: el chador como si fuera una capa y la tabla de skate que le permite desplazarse como si flotara son ingeniosas reformulaciones juveniles de los tópicos de los vampiros. Pero Ana Lily Amirpour esconde más sorpresas en la película, y desde la entrañable relación amorosa entre sus dos protagonistas a sus dejes tarantinescos, pasando por el curioso diálogo que establece con la reciente 'Déjame entrar', la convierten en una rarísima pieza del cine de género.

Crítica en Espinof: Una chica vuelve a casa sola de noche

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the.news Las 31 mejores películas de vampiros de la historia originally.published.in por John Tones .


          'Capitana Marvel': cómo encaja la trama del teseracto en la cronología del Universo Marvel      Cache   Translate Page      

'Capitana Marvel': cómo encaja la trama del teseracto en la cronología del Universo Marvel#source%3Dgooglier%2Ecom#https%3A%2F%2Fgooglier%2Ecom%2Fpage%2F%2F10000

Con 'Capitana Marvel', la penúltima cinta del MCU antes de la prometedora 'Vengadores: Endgame' ambientada a mediados de los 90, nos han mostrado episodios que rellenan algunos huecos de la extensa crónica superheroica de Marvel. Puede que como película no nos haya terminado de entusiasmar (a mí me ha gustado, pero es cierto que se queda a un paso de la grandeza), pero tiene cosas muy interesantes.

Ya hemos hablado por aquí de las escenas post-créditos pero hoy nos vamos a centrar en un protagonista de la última de ellas. Y no estoy hablando de Goose, sino del famoso Teseracto, uno de los artilugios cósmicos más importantes del Universo Marvel.

Huelga decir que, si no habéis visto 'Capitana Marvel', a partir de aquí esto pueden ser spoilers. El caso es que en esta película descubrimos que el Teseracto es la fuente de energía detrás del Proyecto Pegasus y la investigación de la Dra. Wendy Lawson/Mar-Vell (Annette Bening). Pero esto ¿cómo encaja en la cronología del Cubo?

De Odín a Thanos: Un milenio del teseracto en la Tierra

Avengers Infinity War Trailer Thanos Tesseract

El Teseracto es la encapsulación de la Piedra del Espacio, una de las seis singularidades conocidas como las piedras del infinito creadas eones atrás. En la Tierra fue poseído por Odín que la guardó en su cripta. De algún modo (durante la batalla contra los Gigantes de Hielo en los flashbacks de 'Thor') el cubo acabó custodiado en un templo de Tønsberg, Noruega.

Ahí sería encontrado por Johann Schmidt (Hugo Weaving) durante 'Capitán América: El primer vengador'. Schmidt trabajaría incansablemente para que el cubo diese la energía requerida a Valkiria, la madre de todas las bombas. En el combate final contra Steve Rogers (Chris Evans) el teseracto acabaría en el fondo del océano, donde sería encontrado por Howard Stark (Dominic Cooper).

En 'Iron Man 2' aparece un plano del artilugio entre los papeles de Stark, por lo que sabemos que estuvo interesado en él. En qué momento de la guerra Kree-Skrull Mar-Vell llegó a la Tierra y se hizo con él para sus investigaciones en Pegasus no se sabe. Podemos conjeturar que, al conseguir ser líder del proyecto tuvo acceso al cubo.

Aquí 'Capitana Marvel' nos indica que se usaba para crear la tecnología definitiva para acabar con la guerra y que en 1995 este pasa a manos de (esperamos) Nick Furia (Samuel L. Jackson). Y digo que suponemos, porque las películas no nos deja claro este aspecto.

Sin embargo hay que recurrir al preludio en cómic de 'Vengadores' ('Fury's big week') para ver que, efectivamente, el Teseracto lleva tiempo en manos de SHIELD, cuya prioridad es conseguir con él la defensa que necesita la Tierra. En los postcréditos de 'Thor', vemos por primera vez a Selvig (Stellan Skarsgård) trabajar con él.

A partir de ahí ya el teseracto adquiere un papel más protagonista, siendo fundamental en 'Los Vengadores'. Al final de la película, Thor (Chris Hemsworth) se lleva la reliquia a Asgard donde reconstruyen Bifrost gracias a su poder (léase el preludio en cómic de 'Thor: El mundo oscuro'). En 'Thor: Ragnarok' Loki (Tom Hiddleston) coge el artefacto para finalmente ser tomado y destruido por Thanos en 'Vengadores: Infinity War'.

Con mucha diferencia, el teseracto es el objeto de poder más codiciado del Universo Cinemático Marvel... y no me extrañaría nada que esta no sea la última vez que veamos este cubito azul.

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the.news 'Capitana Marvel': cómo encaja la trama del teseracto en la cronología del Universo Marvel originally.published.in por Albertini .


          Netflix quiere ser hogar de los fans del anime y anuncia seis series, incluyendo un spin-off de ‘Altered Carbon’ y ‘Super Crooks’      Cache   Translate Page      

Netflix quiere ser hogar de los fans del anime y anuncia seis series, incluyendo un spin-off de ‘Altered Carbon’ y ‘Super Crooks’#source%3Dgooglier%2Ecom#https%3A%2F%2Fgooglier%2Ecom%2Fpage%2F%2F10000

Aunque en lo que respecta a largometrajes de acción real y producción propia, en Netflix aún continúen algo verdes —por suerte, cintas como 'Triple frontera' denotan una evolución positiva en este terreno—, no cabe duda que la plataforma de streaming está sabiendo mimar a sus suscriptores con un gusto particular por el anime, tanto con productos externos, como con "Originals" de la talla de 'Castlevania' o 'Devilman CryBaby'.

La compañía de Reed Hastings, lejos de conformarse con su nutrida selección de animación japonesa ya disponible, acaba de anunciar una nueva alianza con los estudios nipones Production I.G y Bones para dar a luz seis nuevas series entre las que se incluyen traslaciones a la pequeña pantalla de mangas y videojuegos, y la esperada adaptación de la novela gráfica de Mark Millar 'Super Crooks'.

El listado de nuevos animes arranca con 'Altered Carbon: Resleeved', producido por Anima Inc; un spin-off animado de la serie de ciencia ficción original de Netflix creada por Laeta Kalogridi, y que promete ampliar la mitología del universo que descubrimos el año pasado.

Los amantes del mundo del videojuego también tendrán un motivo de celebración, porque otro de los platos fuertes del anuncio ha sido la adaptación del RPG de Capcom 'Dragon's Dogma', en el que seguiremos la historia de un hombre en busca de venganza contra un dragón que le robó el corazón.

Dragon

Continuando con las adaptaciones, encontramos 'SPRIGGAN' y 'Ghost in the Shell: SAC _2045'. La primera de ellas será un show de acción en clave sci-fi basado en el manga de Hiroshi Takashige, mientras que la segunda servirá de continuación CGI 3D a 'Ghost in the Shell SAC', y estará dirigida a cuatro manos por Kenji Kamiyama, Shinji Aramaki.

Y para concluir, además de la serie original 'Vampire in the Garden', en la que la música se alzará como elemento clave para unir a vampiros y humanos, podemos catalogar la mencionada adaptación de 'Super Crooks', ligada desde hace tiempo al realizador Nacho Vigalondo, como el plato fuerte de un menú de lo más apetecible.

Superc

El director de contenido de Netflix Japón, John Derderian, ha acompañado las buenas nuevas con las siguientes declaraciones:

"Netflix apunta a ser el hogar más atractivo y cautivador para los fans del anime, los creadores, y los estudios de producción. Estamos creando un entorno donde las productoras puedan hacer su mejor trabajo y distribuir sus series en un servicio en el que conectamos a fans del anime de 190 países con el contenido que adoran."

Aún es pronto para saber si los fans adorarán o no estas nuevas apuestas animadas de Netflix, pero, desde luego, la variedad está servida.

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the.news Netflix quiere ser hogar de los fans del anime y anuncia seis series, incluyendo un spin-off de ‘Altered Carbon’ y ‘Super Crooks’ originally.published.in por Víctor López G. .


          Tom Holland protagonizará la nueva película de los hermanos Russo tras 'Vengadores: Endgame'      Cache   Translate Page      

Tom Holland protagonizará la nueva película de los hermanos Russo tras 'Vengadores: Endgame'#source%3Dgooglier%2Ecom#https%3A%2F%2Fgooglier%2Ecom%2Fpage%2F%2F10000

Los Hermanos Russo están actualmente en la cima del mundo gracias a su colaboración con Marvel. Comenzaron con 'Capitán América: El soldado de invierno' y también se ocuparon de 'Civil War' y las dos últimas entregas de Los Vengadores. Ahora parece que van a tomarse un pequeño respiro del cine de superhéroes volviendo a trabajar con el actor Tom Holland en 'Cherry'.

Basada en el libro homónimo de Nico Walker -el primero que ha escrito-, 'Cherry' se inspira en la vida de su autor -aunque en el libro nunca se dice su nombre- y comienza con su vida en la universidad, su posterior servicio como médico en la guerra de Irak, de la cual regresa trastornado y adicto al opio. Pronto comienza a robar bancos para seguir adelante con su vida. Walker fue apresado en 2011 y su liberación está prevista para 2020.

Más detalles sobre el proyecto

Cherry

AGBO, la productora de los Russo, se hizo con los derechos de adaptación de la novela por un millón de dólares y confiaron el guion a Jessica Goldberg, creadora de la televisiva 'The Path' y que ya había colaborado previamente con AGBO en 'Exit West', el nuevo trabajo tras las cámaras de Morten Tyldum.

Está previsto que el rodaje de 'Cherry' arranque este próximo mes de agosto, por lo que se convertirá en la siguiente película de los Hermanos Russo tras 'Vengadores: Endgame', una culminación para el universo de Marvel y quizá también para la colaboración de los directores con el estudio.

Vía | Variety

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          3/12/2019: ISSUES & IDEAS: Comic books’ life lesson      Cache   Translate Page      
Re: Delightfully flawed standalone a Marvel, Chris Knight, March 8 Thanks to Chris Knight for the comic relief this review provided from the depressing SNC-Lavalin debacle. My early reading material in the 1940s centred on comic books and the...
          Strictly’s Tess Daly and Claudia Winkleman COLLAPSE to the floor after completing 24-hour Danceathon to raise £700,000 for Comic Relief      Cache   Translate Page      
CLAUDIA Winkleman and Tess Daly collapsed with relief after completing their 23-hour dance marathon for Comic Relief. The Strictly Come Dancing presenters raised an incredible £780,000 for the charity with the help of a string of celebrity guests. The presenters took on the charity’s longest-ever Danceathon for Red Nose Day live on BBC Radio Two. The […]
          Unparalleled Editor, Karen Berger – She Changed Comics      Cache   Translate Page      
Karen Berger profile by Caitlin McCabe From modern masterpieces like Y: The Last Man, Fables, and The Invisibles, to seminal classics like V for Vendetta, Preacher, and Sandman, in a time when superheroes glutted the newsstand and comic shops, the former Executive Editor of Vertigo and original power woman of comics, Karen Berger, saw an opportunity to expand the mainstream outside of the superhero realms of Gotham City and Metropolis and helped shape a space for creators to tell their own unique stories. Dubbed the mother of “the weird stuff” by the New York Times, in her 30 year tenure at DC Berger has left an indelible mark on the mainstream comics industry and has become a point of inspiration for anyone looking to work in comics. “As a young female writer in a very male-dominated industry,” writer G. Willow Wilson said, “Karen was a such a wonderful role model, because she’d done it all.” In 1979, fresh out of Brooklyn College with a degree in English Literature and Art History, Berger entered the offices of DC Comics looking for a job. An assistant to Paul Levitz, Berger recalls developing an interest not in the meat of DC’s publishing line, […]
          Brush Brite [Comic]      Cache   Translate Page      

[Source: Alarmingly Bad Comics | Like “Alarmingly Bad” on Facebook | Follow “Alarmingly Bad” on Twitter]

The post Brush Brite [Comic] appeared first on Geeks are Sexy Technology News.


          The Force [Comic]      Cache   Translate Page      

This one is for all you developers out there! [Source: CommitStrip | Like CommitStrip on Facebook]

The post The Force [Comic] appeared first on Geeks are Sexy Technology News.


          The Teenage Mutant Ninja Turtle Meet Batman in New Animated Movie [Trailer]      Cache   Translate Page      

A Warner/Nickelodeon animated film based on the comic book crossover from late 2015 featuring Batman and The Teenage Mutant Ninja Turtle? Now how awesome is that? Batman, Batgirl and Robin forge an alliance with The Teenage Mutant Ninja Turtles to fight against the Turtles’ sworn enemy, The Shredder, who has apparently teamed up with Ra’s […]

The post The Teenage Mutant Ninja Turtle Meet Batman in New Animated Movie [Trailer] appeared first on Geeks are Sexy Technology News.


          Smile [Comic]      Cache   Translate Page      

[Source: Boolbaga | Like Bookbaga on Facebook | Follow Boolbaga on Twitter | Follow Boolbaga on Instagram]

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          Automation [Comic]      Cache   Translate Page      

[Source: Skeleton Claw | Like “Skeleton Claw” on Facebook | Follow “Skeleton Claw” on Twitter]

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          See the "BATMAN VS. TEENAGE MUTANT NINJA TURTLES" Animated Crossover Movie Trailer      Cache   Translate Page      

Click now to See the "BATMAN VS. TEENAGE MUTANT NINJA TURTLES" Animated Crossover Movie Trailer

Read the full article on AICN

Hola Dannie aqui, 
 Today Warner Bros Animation, Nickelodeon, and DC Entertainment released a trailer for "BATMAN VS. TEENAGE MUTANT NINJA TURTLES" a new animated film. The film is based on the six-part crossover comic book series by Freddie Williams II and James Tynion IV.

Here is the trailer for "BATMAN VS. TEENAGE MUTANT NINJA TURTLES."  

 "BATMAN VS. TEENAGE MUTANT NINJA TURTLES" is the first time the turtles will appear in a PG-13 fully animated film. Also, it is the first Nickelodeon animated movie to be rated PG-13. "BATMAN VS. TEENAGE MUTANT NINJA TURTLES" is set to be released on Blu-Ray and Digital HD in the late Spring of this year. How many of you will be checking this radical crossover out when it becomes available? I learned how to read with turtle comics and was a TMNT fanatic well, to be honest, I still am. So I will be giving this a watch.


via GIPHY


Stay Strong, Live Good, Love Movies! 
Dannie H.K. Knowles aka Pekosa Peligrosa

Finish the article on AICN


          Newspaper Commentaries, Poems, Puffs, and Reviews of Nobody      Cache   Translate Page      
March 2013
TEI

Newspaper Commentaries, Poems, Puffs, and Reviews of Nobody (October-December 1794)

-----
*** Indicates an Editor’s Note
-----

The Morning Post and Fashionable World
(Saturday, October 4, 1794) 3.

The Fashionable World.

Mrs. Jordan’s œconomy, and benevolence towards the unfortunate, disarm even the malice of her enemies! Her very eminent theatrical talents are the least of her claims to admiration, when it is remembered that those talents are always cheerfully exerted to serve the distressed, or amuse the Public.

We are glad to find that the report of Mrs. Robinson’s retiring to Italy is doubtful; we have had too many instances of emigration already, and trust she will not quit a country so highly flattered by her distinguished talents.

The Morning Post and Fashionable World
(Monday, October 6, 1794) 3.

The Fashionable World.

A Turban, and single White Feather, is the simple head dress worn by our Belles. Equality seems the motto of the most dashing Fair, as they still appear as Nobody.

The Morning Post and Fashionable World
(Thursday, October 9, 1794) 3.

The Fashionable World.

Lord and Lady Malden are returned to town from Warley Camp. . . .

Whatever impropriety there might have been in introducing Miss Wallis into the Stage-Box after her performance of Imogen, certainly that young actress is to be excused, and it would be cruel should she suffer in the public estimation.

Our Cavalry Associators of the present day, are as much encumbered as the heroes of Antiquity who wore armour. It is not unusual to see them on duty in the Playhouse Lobbies, with helmet, broad-sword, long spurs, whips, umbrellas, cross-belts, and cartouch-box!!

Lady L. is quite astonished that the swinish multitude should dare object to any thing that she may please to countenance. Caligula made a Consul of his horse; and our upstart Nobility will soon have the presumption to take front rows in the boxes for their lap-dogs.—Their puppies are already sufficiently troublesome! . . .

The engagement of Mrs. Wallis is for three years, at eighteen pounds a week. Her father is alive; and she is not, as reported, a Ward in Chancery.

The Morning Post and Fashionable World
(Friday, October 10, 1794) 3.

The Fashionable World.

Miss Wallis was invited into Lady Loughborough’s box, the first night of her performance; if the audience were displeased, they should attribute the cause to her Ladyship, and not to this favourite actress, whose object it must be to please and conciliate, and not give offence to the audience. . . .

The Lady Gamblers exclaim loudly against the war, but are yet preparing decoys for the country, of whom they expect to have a tolerable plucking. Rouge et noir is to take the lead during the winter.

The Morning Post and Fashionable World
(Monday, October 13, 1794) 3.

The Fashionable World.

Much idle nonsense has been uttered against Miss Wallis appearing in the front Boxes. But we are of opinion, that actors of respectability and eminence have a right to sit where they please in the Theatre. The only objection we have is, that to see them mingle with the Audience after they perform, removes the impression previously made by the delusion of the Scene.

The Morning Post and Fashionable World
(Saturday, October 18, 1794) 4.

POETS CORNER.
for the
MORNING POST and FASHIONABLE WORLD.

SO, Mr. Editor, in troth,
The titl’d dames are fill’d with wrath!
And why? forsooth, a gentle Maid,
Dar’d mingle in their vain parade!
Was it because her talents shone,
With brighter lustre than their own?
Or did the Dians proudly scorn
A Polish Girl, Plebian born?
Was it so new, to see some talents,
Assemble with the bold assailants?
Why do they not exert their fury,
To check the Comic Queen of Drury,
Who every night, sweet harmless Girl,
Sits, tête-a-tête, with D-----y’s Earl;
Or nods to M—ln—r’s gaudy spouse,
To Lady Charlotte, smiles and bows;
Or (who but savages can blame her?)
Blows a kind kiss to Mistress D-----r.
Sure, if a Veteran of the Stage
Has pow’r to quell their mighty rage—
A Novice may at least pretend
To hope the sanction of a friend!—
But Fashion is a jade capricious,
Her vot’ries giddy, vain, and vicious;
They love on humble worth to trample—
I’ll give you now a striking sample.

A few nights since, at Covent-Garden—
With heart unfeeling as Churchwarden—
A titled Lady twirl’d her fan,
Then bridled thrice, and thus began—
“Tis vastly odd, though I’m a Duchess,
(But now the vulgar manner such is)
That women, lowly born, pretend
With clay of finer mould to blend!
I swear ’tis arrogant and rude,
To shock our eyes with such a brood;
In every Theatre, the Boxes
Are fill’d with Cits, and low-bred Doxies!
They have no Titles! ’tis a shame;
The Managers are much to blame!
And I shall speak to Sheridan,
To alter this indecent plan.”

“Indeed, your Grace, you’re right, and I
Will second you,” says Lady Di
“No wonder here the Base presume—
They crowd us in the Drawing-room!!
All powder’d, jewel’d, patch’d and painted;
Last Birth-Day I had nearly fainted!
There’s Mrs. H-----gs! Lady -------!
With diamonds deck’d;—obtain’d most oddly!
At Ranelagh, last Spring, my eyes
Were shock’d at improprieties;—
When Lady T-----r, whom I knew,
A milliner, du premier gout!
Close by my side, presum’d to please,
With simple mien, and white chemise!
While bold Sir Greg, at home would sit,
Composing eulogies on P—t!
There’s Ladies M—ld—n, M—yn—d, L—de,
And many more;—’tis much too bad!
All, all presume to take a seat,
Where Duchesses, and Princes meet!
And think, since fortune is their lot.
Their origin, is quite forgot!
“Hold,” said Her Grace,—“Dear Lady Di,
I blush at such absurdity!
Would you believe, when I complain,
One night last week, at Drury-lane—
That M—gh,—and I,—and L—n,
And P—g—t, beings highly born!
Were forc’d to take the second rows,
Midst wretches, whom no Creature knows!
To have our ears, divinely chaste,
By vulgar ribaldry disgrac’d!
These common People, come to stare,
Like boobies at a Country Fair;
They gape, and wonder,—stupid things!
And cry encore when Johnstone sings;
Pour souls, unlike the dilletanti,
They never heard, the notes of Banti!
They cry, when Siddons calls their tears!
And laugh, ’till they have crack’d their ears,
(When Parsons plays, or Comic Suett;)
I wonder how the Brutes can do it!
But they, their own low manners spread,
Their feeling shews they’re under-bred!”
Now, if the Managers would claim
The patronage of higher fame,
We soon will banish pigmy elves,
Not born to Titles like ourselves;
No Lady-writers here should sit,
To draw attention from the Pit;
Shew but a scribbler of Romance,
We cannot get a single glance!
No Painter, Poet, or Musician,
Or Being of such low condition—
All, all should be Delight and Fashion,
Sans Sentiment, sans Taste, sans Passion!”

This suits not either Me or You,
So, Mr. Editor—Adieu!

BRIDGET.

Primrose-hill, oct. 1794.

The Morning Post and Fashionable World
(Tuesday, October 21, 1794) 3.

The Fashionable World.

The last New Gambling House set up in St. James’s-street, is now the great Vortex that swallows all the loose cash of the Ignorant and Unwary. The Proprietors threaten those with Prosecutions that dare insinuate anything against their honour!!

The Morning Post and Fashionable World
(Wednesday, October 22, 1794) 3.

The Fashionable World.

There is a novel species of Crimping at present practised in this Town. A number of fellows of insinuating address, are employed by the Keeper of the last new Gambling–house set up in St. James’s-street, to kidnap young Men of Fashion, and take them to the Pharo Table, where they are sure, if possessed of thousands, to lose every stiver.

The Morning Post and Fashionable World
(Thursday, October 23, 1794) 3.

The Fashionable World.

There is one fashionable vice particularly, which will receive no encouragement from the Princess of Wales, and that is Gambling. The Prince has already declared, that not one of the Lady gamblers shall, after his marriage, be suffered within the walls of Carlton House.

The Morning Post and Fashionable World
(Tuesday, October 28, 1794) 3.

The Fashionable World.

The new Gambling-house in St. James’s street, in defiance of order and morality, displayed all its lights on Sunday Evening, to attract the holiday apprentices. The Magistrates were for months apprized of the atrocious deeds practised in Crimping-houses; but they were deaf to the public solicitations. The result of that business should point out the necessity of removing instantly notorious nuisances.

The Morning Post and Fashionable World
(Wednesday, November 5, 1794) 3.

pg. 3:

TO THE EDITOR
of the
MORNING POST and FASHIONABLE WORLD.

Letter II.

Dear Mister Editor, again
To you I dedicate my pen,
To tell your constant Friends—the Town,
How certain Ladies pout and frown,
Since Reynolds, with his wicked wit,
Their manly ways so well has hit:
But not to keep you longer waiting,
Thus did I hear the Dames debating:

To Drury’s Box that joins the Stage,
Came Lady Tippy—in a rage;
Her cheeks was flush’d with fateful ire—
Her eyes emitting vengeful fire—
Her voice was loud as peals of thunder—
The gaping Pit was lost in wonder!
“Silence!” cried one, who came to hear;
My Lady answered with a sneer—
Too proud to mind the vulgar rabble—
She thus began her senseless gabble:

Iv’e been at Covent-Garden Play—
But could not, on my conscience, stay;
I wonder how the Mob’s amus’d,
To see their betters so abus’d,
To hear a saucy low Plebian—
For vulgar Virtue, raise the Pean!
And with his Gothic maxims teach
Such stuff as Grandmothers would preach!
Scarce had she spoke, when Lady Jane
Re-echoed back the polish’d strain:—
I’m glad, dear Lady Tip, to find
That you and I are of one mind.
It is a scandal to Bon-Ton—
That such a Knave his rig shou’d run!
But Education now-a-days
Is up to all his dirty ways.
Women, who know the world, defy
The dullness of Morality;
O! never say that I’m the thing,
If I dont see the Monster swing;
And may I never win a stake—
But if I find the wily snake,
I’ll of dear Vengeance take my fill—
I’ll horse-whip him—by Jove I will!

“That’s right,” says Tippy, “and I’ll be
Your second in the victory!
Oh! may I never win a bet,
Or beat Old Quizzy at Piquet;
Oh! may I never name the Horse
That wins the Plate on Beacon Course;
Oh! may I never hunt the Fox,
Or shake, with winning grace, the Box;
With Jockey ride a race again,
Or know the trick of Seven’s the Main;
May I ne’er cock a Card, or waste
The winter months with Souls of Taste;
Ne’er deal at Faro—or Vignt Un
From midnight hour till rise of Sun!
May I ne’er drive my four blood Nags,
O’er gaping Cits, or vulgar hags!
Till I have found this saucy Wight,
And dragg’d him—by the nose—to light!”

In the front row, a Duchess rose—
“What!” cried she, “pull the creature’s nose!
Not for the world,” exclaim’d her Grace,
“Would I descend to touch his face!
I’m told the fellow is no coward,
His blood’s more pure than blood of Howard!
His character as free from stain
(To own it fills my breast with pain,
Yet so I heard, or I mistook)
As any in the Herald’s Book.
Those men who write Lampoons and Plays,
Are but the Mentors of the days:—
They laugh at us, who live in stile,
And envy those they most revile.
There was a time, when Nobles bow’d,
To mingle with the scribbling croud!
When what the world calls Men of Letters,
Were seen in converse with their betters!
When Poets, monstrous to relate!
Were worship’d by the high-born Great!
And I’ve been told such stupid things
Were once the monitors of Kings!
There’s Rochester—whom I must own
Possess’d some traces of Bon Ton
On am’rous Charles his wit would try—
But he could boast Nobility!
And whose descent is prov’d—We find
A thousand charms of face and mind!
For, after all, there’s nothing good,
That is not sprung, from Noble Blood.”

“Now, Men of Genius hope to gain
A place, amongst the great; in vain!
No; thanks to fate, their day is o’er,
And fashion votes their works—a bore.
Nay not a single learned Quiz,
In well-bred circles, shews his phiz—
He would not understand our ways,
He neither shuffles, deals, or plays,
By Heavens! I swear, the curtain falls!
The Box-keeper,—my carriage calls!
What was the Farce? did Farren play?
You’ll come to St-----ts—I cannot stay.
What will the piece to-morrow be?
If not a stupid Tragedy—
I’ll come;—but not to make wry faces:
So Box-keeper, you’ll keep my places.”

Away, the noisy Trio flew!—
Again, Dear Editor-----Adieu.

BRIDGET.

Primrose-hill.

pg.3:

The Fashionable World.

Mrs. Jordan from her appearance we should imagine, should receive a double Salary from the Managers.

The Morning Post and Fashionable World
Saturday, November 8, 1794) 3.

The Fashionable World.

The Lady Gamblers proposed having Pharo, and Rouge et Noir, at the London Coffee House, during the State Trials; the proposal was properly rejected, as it would be dangerous to trust to the multitude of spies and informers that frequent the House during that busy season.

The Morning Post and Fashionable World
(Monday, November 10, 1794) 3.

The Fashionable World.

Play is so adored by our fashionable dames, that even their faces bear the stamp of their pursuits, and present a tablet of rouge and noir.

The scarcity of Ladies in the lower Side Boxes, may be attributed to the rage from Plays amongst our Dames of haut ton. Faro, and rouge et noir, have wholly banished a gout for rational amusements. This is indeed a serious, disgraceful evil; that “has encreased, is encreasing, and ought to be diminished.”

The Morning Post and Fashionable World
(Tuesday, November 11, 1794) 3.

The Fashionable World.

Mrs. Jordan, in the course of a few weeks, is likely to make another addition to the Royal Nursery. . . .

Mrs. Robinson has the merit of having made her lovely Daughter one of the most Accomplished young Women in this Country. . . .

Certain titled Ladies say, that the short waist, and flowing drapery is Grecian: we wish they had a taste for elegant literature, for which the Grecian women were also celebrated.

The Morning Post and Fashionable World
(Wednesday, November 12, 1794) 3.

The Fashionable World.

Mrs. Concannon’s routes commence immediately. Lady Buckinghamshire’s, after Christmas, and Lady Archer’s, at the meeting of Parliament.

A great number of New Carriages are to be sported next birth day, and the Courtiers have all received a hint, that it will be necessary to impress on the mind of the princess of Wales, a favourable opinion of our Courtly Splendour.

The proud excesses of the Gay World this Winter will occasion no inconsiderable number of Bankrupts the next. Since the War, the Tradesmen’s Books are over-loaded with Debts, and if one of them should press a Nobleman for his money, he is immediately denounced, “a Jaçobine!

The Morning Post and Fashionable World
(Thursday, November 13, 1794) 3.

The Fashionable World.

In Congreve’s days, the Stage was the mirror of the times, where folly and vice beheld their own deformity; and the preposterous manners of high life, were checked by the pen of fair and unoffending satire.

The Morning Post and Fashionable World
(Saturday, November 15, 1794) 3.

The Fashionable World.

A Farce should be laughable, and neatly written; not too intricate in Plot; its Satire should be keen, but not gross, and the moral tendency beneficial to Society. Such productions are much wanted in this Age of Fashionable Folly.

Mr. Sheridan is so well pleased with the account of Mrs. Robinson’s Comedy, (for he was requested by the author not to read it) that he has given directions for every possible expedition to be exerted in bringing it forward. It was only presented to Mr. Kemble last Friday, and advertised the day following.

The Morning Post and Fashionable World
(Tuesday, November 25, 1794) 3.

The Fashionable World.

The late John Hunter’s House in Leicester Fields, is now appositely enough devoted to the Fashionable Arts and Sciences. It is literally a Gaming House.

Two Ci-devant Noblesse Emigrants, for whom a Subscription was made a few days ago at Bath, amounting to near a hundred pounds, very generously lost the whole sum in the Rooms at the Card Table the night after.

Mrs. Robinson’s Comedy of Nobody has no allusion whatever to the Crest-fallen Premier.

The Morning Post and Fashionable World
(Friday, November 28, 1794) 3.

The Fashionable World.

The Countess of Buckinghamshire’s route on Wednesday night was thinly attended. The amusements did not begin till after the play. There were a few Coronets present, but the Cannaille were in the majority.

Gambling seems to have carried the system of leveling much further than Tom Paine. At the fashionable Gambling Tables, it is usual to see the Peer and the Pickpocket, the Peeress and the Prostitute, and all orders and distinctions trying which can with more dexterity defraud the other.

The Morning Post and Fashionable World
(Saturday, November 29, 1794) 1, 3.

THEATRE ROYAL, DRURY-LANE.
THIS PRESENT EVENING, His MA-
JESTY’s SERVANTS will act the Tragedy of
THE MOURNING BRIDE.
Manuel, Mr. Aickin; Gonzalez, Mr. Packer; Garcia, Mr. Barrymore; Perez, Mr. Bland; Alonzo, Mr. Phillimore; Osmyn, Mr. Kemble; Heli, Mr. Benson; Selim, Mr. Caulfield; Almeria, Mrs. Powell; Zara, Mrs. Siddons; Leonora, Miss Tidswell.
To which will be added, for the First Time, a New Comedy in Two Acts, called
NOBODY.
With New Dresses, &c.
The Characters by
Mr. Barrymore, Mr. Bensley, Mr. Bannister, jun. Mr. Evans, Mr. Trueman, Mr. Maddocks.—Mrs. Goodall, Miss Pope, Miss Collins, Miss Heard, Miss De Camp, Mrs. Booth, Mrs. Jordan.
The PROLOGUE to be spoken by Mr. BARRYMORE,
And the EPILOGUE by Mrs. JORDAN.
On Monday, the Siege of Belgrade.

pg.3:

The Fashionable World.

Some of the poverty-stricken Men of Fashion actually eke out a miserable existence, in distributing among proper objects, Cards of Invitation from the Lady Gamblers!

St. James’s Chronicle or British Evening-Post
(Saturday, November 29, to Tuesday, December 2, 1794) 4.

THEATRE. –Drury-Lane

Saturday evening, a Farce called Nobody, was performed for the first time.

On the first intimation of this production, we thought it referred to our old acquaintance at school; the authour [sic] of all unfathered mischiefs; and who, in our opinion, would have furnished laughable materials for a Frace.

Mrs. Robinson, the reputed Authour of the present Entertainment, has chosen another species of character, which goes under the denomination of Nobody in High Life.

Mrs. Robinson, in a peculiar style of poetry, has seised [sic] the sentimental palm; to the attainment of which, the efforts of Della Crusca have been directed. But non omnia possumus omnes [we cannot all do everything]; the long and patient attention necessary to the developement [sic] of tender sentiment, seems to have unfitted her for the arrangement of farcical incidents.

The effect of the Entertainment is a sort of weariness which the French call Ennui; and which was so much felt by the audience, that a great part of it strongly opposed its being given out for a second representation.

The Morning Post and Fashionable World
(Monday, December 1, 1794) 2.

DRURY LANE THEATRE.

A New Farce, entitled, Nobody, written by Mrs. Robinson, was performed at this Theatre on Saturday night. The scene is taken from high life, and is intended as a laudable exposure of those dames of Fashion, who in departing from the delicacy of their sex, commence Gamesters, involving by such conduct, not only their own characters in ruin, but that of others in this Vortex of fashionable depravity. The story of the piece is simple. Lady Languid, the heroine of the scene, is beset by a croud of flutterers, but her admirers diminish in proportion to her ill success at Play. Sir Harry Rightly, a respectable citizen, is rewarded by her hand, in consequence of his generosity and constancy: a reformation takes place in the lady, and the parties are happily united.

With such slender Materials, it cannot be expected that this Farce abounds in Incident or Interest. Bannister represents one of those nauseous and senseless Fops, that infest every place of public resort, and though the character is well conceived, it is not as well drawn as we could have wished.

There are certain objectionable things in the double entendre, that the good sense of the Lady will induce her to expunge, and we “cry her mercy,” if we should, in defiance of her superior judgment, disagree with her in observing, that it is possible to have too much of a good thing. The House was full of Fashion, and to this we attribute the sentiments of disapprobation manifested at the conclusion, as Gambling is become a vice so general that there were few in the Boxes that were not displeased at the exposure of their dissipation and depravities.

The Prologue was delivered by Mr. Barrymore, and the Epilogue by Mrs. Jordan. They were both well received, and do honour to Mrs. Robinson, from whose pen they come. The Farce was given out for a second representation for this evening.

The Morning Chronicle
(Monday, December 1, 1794) 3.

THEATRE,
DRURY-LANE.

A new Afterpiece, whimsically called “Nobody,” was brought out before a numerous assembly on Saturday.—It is the production of Mrs. Robinson, whose poetical talents have so justly raised her to literary distinction. The plan of this little Comedy (for its structure is correctly within the rules of regular Drama) is, to exhibit in gay satire the frivolous manners, and degrading dissipation of high life. Though there is no novelty in the idea, there is pleasurable ease in the dialogue, and severe truth in the pictures which she draws. If the characters, though all theatrically familiar to the Audience, had been actively engaged in business, and their conversations had been animated by incident, of which the subject was fruitful, it would have been a most agreeable Afterpiece; but unfortunately they have so little to do, that the heart is fatigued with scenes which lead to no purpose, and which do not connect and carry on an interest. A pair of jack-boots, left by an arch simpleton in the dressing-room of Lady Languid is neatly and dramatically improved into a tale of scandal by her friends; and the wisdom of such friendships is still further exemplified by their refusing to lend her a rouleau, when pigeoned at the Faro-table. If something more of this kind of incident had been sprinkled over the light surface of the fable, it would have been a favourite performance. The writing is easy, and in parts epigrammatic; but we cannot flatter Mrs. Robinson with saying that her muse is likely, in this instance, to shine with the graceful eclat that u[s]ed to accompany her personal appearance on the Boards.

Mrs. Jordan performed the part of the arch simpleton, which she did with that force and energy which characterise her humour.—She sang a little Scots madrigal with the most touching melody, and in which she was rapturously encored. Miss Pope, who never appears without giving pleasure to every heart, had, in her first scene, a good female caricature of masculine manners to exhibit, which she did with true comedy.—She had afterwards to undergo the trouble of dressing for nothing. Mr. Bannister had literally nothing to do worthy of himself. The wit of the part was exhausted in the dress. Mr. Barrymore wore, what no gentleman ever appears in, black silk breeches with a frock coat.—We mention it only because we see the gallants at this Theatre too often drest in this shabby style.

-------------------
For the MORNING CHRONICLE,
----------
THEATRE.

MR. EDITOR,

I was one of the many at Drury-lane House, on Saturday evening, to attend the performance of the new Comedy, entitled, Nobody, and saw the first act with pleasure, although mixt with expectation and hopes of something better. The second act unfortunately fell off, rather than rose, in degree of attraction, point, and merit, and ultimately provoked the displeasure of that important Somebody, the Audience, the generality of whom seemed disgusted with the manners, and disappointed by the use and disposal of the characters and their escape of justice. I have often witnessed a more unwarrantable sentence of judgment passed in the Theatre, from caprice, accidental ill-temper, or want of due attention to the grounds and aim of the satire exhibited. In Nobody’s case nobody was to blame; and I may be bold to say this, because the author of the petite Comedie of Saturday has taught me, that, as nobody was meant to be personified, Nobody can claim a right to complain: but, all play upon words apart, I should forget what is due to Mrs. Robinson’s merit as a poet and general writer, if, as one of her literary admirers, I did not step forward, and admit that her object was a fair one, her way of treating it entitled to credit, her colouring correct, and her picture strikingly just; but unfortunately her subject was ill-chosen, her characters were too faint for general intelligibility and relish, and her tout ensemble wanted interest, and consequently was deficient in impression and effect. The truth is, the topics have already been touched on by Mrs. Inchbald, in her Comedy of Next-door Neighbours, and the satire brought to a point by the author of a short piece, called, A Quarter of an Hour before Dinner, frequently performed at Mr. Colman’s Theatre. The dissipation of high life is itself a mere matter of censurable affectation; for I defy a human being possessed of a tolerable understanding, to say conscientiously, that he or she derives any rational gratification from it: hence it is too unsubstantial for satire, and too feeble for ridicule. It will not bear the light, but, upon exposure, appears to be a system of folly so flimsy, so false, and so unnatural, that Nobody will believe any such system every had existence, or that two individuals possessed of a grain of sense could possibly agree to persist in so absurd a system of life.

In the Comedy called Nobody, all the characters promise much in the first act, but, excepting Nelly Primrose, like true West-end-of-the-town folks, they promise much and perform nothing. Sharpley is the dullest nobody that ever belied his name with utterance. Lady Rouleau also comes on with a bustle, and ends with shewing that her dress, forward manners, and forward tongue only serve to prove that she is nobody. In short, the manners of the dissipated Great may be chosen for a tableau by the artist who lives on their favours, but they will never furnish a good subject for a tableau parlant: like the visionary presentment of future Kings to Macbeth, they may be said to “come like shadows, so depart.” W.

The Oracle, Public Advertiser
(Monday, December 1, 1794) 3.

Report ascribes this production to Mrs. Robinson, and indeed the second act bears evidence of its truth, in the delicacy and neatness of the sentiments from the character of a philanthropist.

Nobody, we conceive to be so named, inasmuch as the Author wishes to exhibit fashion without individuality. Whether any faux pas has arisen from the aukward introduction of jackboots, instead of those belonging to any of our female equestrians, we neither know, nor is it material to enquire. Such an incident constitutes the embarras of the present trifle.

Mrs. Robinson has always lived in fashionable life; and Nobody need take the trouble to tell her how evanescent are the essences of which it is composed.

This being premised, we must acknowledge that the copies are correctly drawn. The slandering coxcomb, at once a fool and a fortune-hunter, is every day to be seen sauntering up St. James’s-street. You cannot turn the corner of the promenade without receiving a whiff of his unintelligible jargon, addressed to a creature, who associates without hearing, and who is welcomed in his turn with the same polished inattention.

The Faro party might have more to say, and Lady Languid would be the better for some act of virtue, which might make her merit her good fortune. We can suppose her only complexionally vicious, and fashionable complexion will easily change; but in the drama every thing should be clearly made out.

Nelly Primrose and her innocent blunders are pleasing, though not quite broad enough for an after piece, where to laugh, and laugh heartily, is always expected.

The Prologue intimated that all assistance had been declined: and the audience were conjured to kindness, lest the contrary should bring the writer to her last night. Certainly the many had a struggle against the illnature which a few were forward in displaying.

The Epilogue, from the agitation of the Speaker, we could not judge of.

THESPIS.

The Times
(Monday, December 1, 1794) 3

After Congreve’s pantomimical Tragedy of the Mourning Bride, in which Mrs. Siddons appeared to greater advantage than we can recollect to have seen her, a new Comedy, under the whimsical appellation of Nobody, was presented on Saturday evening.

This piece is the avowed production of Mrs. Robinson, whom the Prologue stated to have formerly trod the boards of Old Drury, and who is better known to the world at large by the title of The Perdita.

It was rather unfortunate, notwithstanding the strong cast of Nobody, that hardly any body was disposed to give it a parting plaudit. The fact is, that in a very humble attempt to give a large portion of smart dialogue, the necessary requisites of an interesting plot, novelty of character, and probability of situation, have been totally placed on the dramatic shelf.

Mrs. Jordan is brought forward as an aukward country servant, merely to misunderstand the manners and expressions of a fine Lady; and, to use the language of Bayes, all the wit of the piece lies in the boots of the Butler, which she introduces by mistake into her Mistress’s dressing room. This, and a trifling attempt at the drawling non chalance of a Modern Beau, and the forward excentricity of a Female Martinet, completely anticipated by Reynolds’s Lady Sarah Savage, make up the sum total of Nobody’s merits.

The dialogue is replete with puns of the coarsest kind; some of them too forced and far fetched even for Farce. The tedious scene of cross purposes and cross readings in the first act, is wholly taken from Barnaby Brit[tle], and the Deaf Lover; but unfortunately the situations only have been borrowed.—The wit and humor are left untouched. Though the sense of the House was completely against a repetition of such nonsense, it was given out with much flippancy by Barrymore. It is to be hoped, therefore, that the interval between Saturday and Monday has been employed in a judicious compressment by the Manager. Mrs. Goodall should be instructed not to call for her carriage so often, and it would be as well not to let the Lady’s Maid so grossly disturb the propriety and etiquette of a drawing room, as to break in abruptly, in order to tell the company she was quitting her place because the Butler had called her an ORIGINAL.

We had almost forgot to add, that Mrs. Jordan sung a Scotch ballad, unaccompanied, in a very charming stile, which gained a deserved encore.

The Prologue and Epilogue turned on the title of the Comedy. In the latter, Mrs. Jordan proved much at fault; and of course the little effect intended, was entirely destroyed.

The Whitehall Evening Post (Saturday, November 29 to Tuesday, December 2, 1794) 3.

*** The following reproduces a substantial portion of the report found in the 1 December 1794 edition of The Times; however, at the conclusion, text is omitted in favor of its own report.

After Congreve’s pantomimical Tragedy of the Mourning Bride, a new Comedy, under the whimsical appellation of Nobody, was presented on Saturday evening.

This piece is the avowed production of Mrs. Robinson, whom the Prologue stated to have formerly trod the boards of Old Drury, and who is better known to the world at large by the title of The Perdita.

It was rather unfortunate, notwithstanding the strong cast of

          そんそんの放送局 その2      Cache   Translate Page      

元スレ

1 :就職戦線異状名無しさん:2016/07/22(金) 23:42:38.47 ID:IC3t5fvC.net
就職先

2 :就職戦線異状名無しさん:2016/07/22(金) 23:43:11.53 ID:IC3t5fvC.net

3 :就職戦線異状名無しさん:2016/07/22(金) 23:54:36.87 ID:IC3t5fvC.net

4 :就職戦線異状名無しさん:2016/07/23(土) 00:02:20.93 ID:wozLGzIE.net

5 :就職戦線異状名無しさん:2016/07/23(土) 00:07:03.64 ID:wozLGzIE.net

6 :就職戦線異状名無しさん:2016/07/23(土) 19:21:13.66 ID:bINyCgK1.net

ひえ

7 :就職戦線異状名無しさん:2016/07/23(土) 19:21:42.79 ID:bINyCgK1.net

8 :就職戦線異状名無しさん:2016/07/23(土) 19:22:03.04 ID:bINyCgK1.net

そんそんの放送局について語るスレ1 [無断転載禁止]©2ch.net

1 :就職戦線異状名無しさん:2015/12/31(木) 22:55:53.84
そんそんの放送局については、以下の通りである。

——————–ピクシブ百科事典より引用ここから——————–
そんそんの放送局
ニコニコ動画において、恒心教布教に助力してくれた数少ないコミュニティ。
恒心教徒には、非常に寛大。
実際に恒心教徒も動画内で布教している。
そんそんは、イケボで有能、なおかつ単独で妊娠可能な身体能力を有している30代の男性である。
——————–ピクシブ百科事典より引用ここまで——————–
(引用元)http://dic.pixiv.net/a/%E6%81%92%E5%BF%83%E6%95%99

そんなそんそんについて語り合いましょう。

そんそんの放送局
http://com.nic ovideo.jp/community/co1685743

9 :就職戦線異状名無しさん:2016/07/31(日) 01:33:37.03 ID:4A+5rtVX2

10 :就職戦線異状名無しさん:2016/07/31(日) 01:39:10.87 ID:4A+5rtVX2

http://g.e-hentai.org/g/608706/a704a807c5/
ウルコスはじめました

11 :就職戦線異状名無しさん:2016/07/31(日) 02:04:05.41 ID:4A+5rtVX2

12 :就職戦線異状名無しさん:2016/07/31(日) 02:09:51.55 ID:4A+5rtVX2

13 :就職戦線異状名無しさん:2016/07/31(日) 02:14:23.56 ID:4A+5rtVX2

14 :就職戦線異状名無しさん:2016/07/31(日) 02:18:32.96 ID:4A+5rtVX2

15 :就職戦線異状名無しさん:2016/07/31(日) 10:21:30.93 ID:4A+5rtVX2

16 :就職戦線異状名無しさん:2016/07/31(日) 10:37:22.38 ID:4A+5rtVX2

17 :就職戦線異状名無しさん:2016/07/31(日) 10:43:13.89 ID:4A+5rtVX2

18 :就職戦線異状名無しさん:2016/07/31(日) 10:47:27.57 ID:4A+5rtVX2

19 :就職戦線異状名無しさん:2016/07/31(日) 10:53:52.03 ID:4A+5rtVX2

20 :就職戦線異状名無しさん:2016/07/31(日) 11:04:50.30 ID:4A+5rtVX2

21 :就職戦線異状名無しさん:2016/07/31(日) 11:09:21.93 ID:4A+5rtVX2

22 :就職戦線異状名無しさん:2016/07/31(日) 11:10:48.77 ID:4A+5rtVX2

23 :就職戦線異状名無しさん:2016/08/06(土) 11:01:35.11 ID:hehREGGnd

24 :就職戦線異状名無しさん:2016/08/11(木) 12:34:42.03 ID:QH54XnVba

25 :就職戦線異状名無しさん:2016/08/11(木) 14:07:29.97 ID:jSwH2YaR5

日本マイクロソフト人事本部の松本淳が、SGT26Fの男子トイレで
覚醒剤をあぶって吸引している様子が、IoTカメラセンサーに捕らえられている!!
なぜこれを告発しない!!とんでもない事態だ!!

26 :就職戦線異状名無しさん:2016/08/14(日) 00:56:52.24 ID:BhsjgkZwK

J.SPARK

27 :就職戦線異状名無しさん:2016/08/14(日) 16:57:15.46 ID:90/cdA2I4

28 :就職戦線異状名無しさん:2016/08/15(月) 17:17:00.39 ID:8lZrbVXue

29 :就職戦線異状名無しさん:2016/08/27(土) 06:50:06.03 ID:tzp3Gsewv

30 :就職戦線異状名無しさん:2016/08/27(土) 06:56:27.73 ID:tzp3Gsewv

31 :就職戦線異状名無しさん:2016/08/27(土) 07:01:37.57 ID:tzp3Gsewv

32 :就職戦線異状名無しさん:2016/08/27(土) 07:05:27.66 ID:tzp3Gsewv

33 :就職戦線異状名無しさん:2016/08/27(土) 07:06:16.78 ID:tzp3Gsewv

34 :就職戦線異状名無しさん:2016/08/31(水) 05:59:32.13 ID:snohPsMu6

35 :就職戦線異状名無しさん:2016/09/04(日) 22:27:02.46 ID:zeC8aXqSw

36 :就職戦線異状名無しさん:2016/09/08(木) 23:43:29.09 ID:MAWdT3LMJ

37 :就職戦線異状名無しさん:2016/09/08(木) 23:48:20.21 ID:MAWdT3LMJ

38 :就職戦線異状名無しさん:2016/09/08(木) 23:51:58.22 ID:MAWdT3LMJ

39 :就職戦線異状名無しさん:2016/09/08(木) 23:58:16.41 ID:MAWdT3LMJ

40 :就職戦線異状名無しさん:2016/10/02(日) 13:44:10.97 ID:Sj/Mo0IZD

41 :就職戦線異状名無しさん:2016/10/12(水) 23:26:00.00 ID:2SzjgcChf

42 :就職戦線異状名無しさん:2016/10/19(水) 22:03:32.32 ID:YcIVtOVEF

43 :就職戦線異状名無しさん:2016/10/25(火) 20:11:16.04 ID:eOwAYcGRh

44 :就職戦線異状名無しさん:2016/11/06(日) 11:48:53.33 ID:+MzoT5SD5

あげ

45 :就職戦線異状名無しさん:2016/11/19(土) 13:56:54.98 ID:fVoXxZpf1

孕みの契約

46 :就職戦線異状名無しさん:2016/11/19(土) 20:51:53.92 ID:fVoXxZpf1

http://sp.comics.mecha.cc
めちゃコミック
めちゃコミ

47 :就職戦線異状名無しさん:2016/11/26(土) 12:21:10.01 ID:sCyOj5ZeZ

サムソン高橋
タイ
バビロン
ゲイサウナ

48 :就職戦線異状名無しさん:2016/12/04(日) 03:01:50.43 ID:R5uBtZkE2

49 :就職戦線異状名無しさん:2016/12/04(日) 03:12:45.68 ID:R5uBtZkE2

50 :就職戦線異状名無しさん:2016/12/04(日) 03:19:22.47 ID:R5uBtZkE2

51 :就職戦線異状名無しさん:2016/12/06(火) 01:04:58.71 ID:9+z3zKcC6


          MMO Attack Interviews Derek Smart at San Diego Comic Con      Cache   Translate Page      

Line of Defense is the latest free-to-play online game by Developer 3000AD. Line Of Defense, is a true MMOFPS with a massive and persistent open world gameplay and battles on a large scale. Derek Smart, the Lead Developer at 3000AD, took a moment to talk to Kirk fromhttp://mmoattack.com about their upcoming free to play first person […]

The post MMO Attack Interviews Derek Smart at San Diego Comic Con appeared first on 3000AD.


          Lovely Books and Things - 3.9.19      Cache   Translate Page      
Lovely Books and Things
My Weekly Books and Films Update

Linking up with:
Stacking the Shelves (details)
Sunday Post (details)
Mailbox Monday (details)

~*~

HAPPY THINGS:

1. Sun breaking through rainy days even for just 10 minutes

2. Bundaberg Ginger Beer when feeling fizzy

3. Illustrations from Seoul’s Jee-ook Choi (here)



~*~

Library:

The Gilded Wolves
by Roshani Chokshi
-Fantasy, YA | Goodreads

PARIS was the attraction for getting this one.


Author event:


The Bindery in the Haight hosted a conversation and Q&A with Shoba Rao and Ingrid Rojas Contreras (author of Fruit of the Drunken Tree ).

Girls Burn Brighter
by Shobha Rao
-Literary, Feminism, India | Goodreads

A searing, electrifying debut novel set in India and America, about a once-in-a-lifetime friendship between two girls who are driven apart but never stop trying to find one another again.

When Poornima first meets Savitha, she feels something she thought she lost for good when her mother died: hope. Poornima's father hires Savitha to work one of their sari looms, and the two girls are quickly drawn to one another. Savitha is even more impoverished than Poornima, but she is full of passion and energy. She shows Poornima how to find beauty in a bolt of indigo cloth, a bowl of yogurt rice and bananas, the warmth of friendship. Suddenly their Indian village doesn't feel quite so claustrophobic, and Poornima begins to imagine a life beyond the arranged marriage her father is desperate to lock down for her. But when a devastating act of cruelty drives Savitha away, Poornima leaves behind everything she has ever known to find her friend again. Her journey takes her into the darkest corners of India's underworld, on a harrowing cross-continental journey, and eventually to an apartment complex in Seattle. Alternating between the girls’ perspectives as they face relentless obstacles, Girls Burn Brighter introduces two heroines who never lose the hope that burns within them.

In breathtaking prose, Shobha Rao tackles the most urgent issues facing women today: domestic abuse, human trafficking, immigration, and feminism. At once a propulsive page-turner and a heart-wrenching meditation on friendship, Rao's debut novel is a literary tour de force.



AND watched: in theatre

To Dust (2018)
Director/Writer: Shawn Snyder
Writer: Jason Begue
Stars: Géza Röhrig, Matthew Broderick
-Drama, Jewish | imdb | my rating: 5

Shmuel, a Hasidic cantor in Upstate New York, distraught by the untimely death of his wife, struggles to find religious solace, while secretly obsessing over how her body will decay. As a clandestine partnership develops with Albert, a local community college biology professor, the two embark on a darkly comic and increasingly literal undertaking into the underworld.

AH grief and its ways.


AND watched: on DVD

The Lego Movie (2014)
Directors/Screenplay/Story by: Phil Lord, Christopher Miller
Story by: Dan Hageman, Kevin Hageman
Based on LEGO Construction Toys created by: Ole Kirk Christiansen, Godtfred Kirk Christiansen, Jens Nygaard Knudsen
Characters created by: Teenage Mutant Ninja Turtles: Peter Laird, Kevin Eastman
Stars: Chris Pratt, Will Ferrell, Elizabeth Banks
-Animation, Action, Adventure | imdb | my rating: 5

An ordinary LEGO construction worker, thought to be the prophesied as "special", is recruited to join a quest to stop an evil tyrant from gluing the LEGO universe into eternal stasis.

WATCHED this to prepare for watching the sequel. It is a clever and fun play on things lego.


AND watched: in theatre - nominated for the Oscar's 2019

Free Solo (2018)
Directors: Jimmy Chin, Elizabeth Chai Vasarhelyi
Stars: Tommy Caldwell, Jimmy Chin, Alex Honnold
-Documentary | imdb | my rating: 5

Follow Alex Honnold as he becomes the first person to ever free solo climb Yosemite's 3,000ft high El Capitan Wall. With no ropes or safety gear, he completed arguably the greatest feat in rock climbing history.

BREATHTAKING views with nail-biter scenes.


~*~

* comment and TELL me what you have acquired for your shelves recently

Thanks for stopping by :-)
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Dumbass [link] [4 comments]

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          铁人漫画及指南下载(616主线全,MA铁人全,终极铁人部分)      Cache   Translate Page      

无敌铁人:


请注意以下漫画都是英文版,出于对汉化工作者的尊重,不做二次上传。


需要队长漫的请进 @酿青椒 发布到《美国队长》的Lofter




http://captaina.lofter.com/


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以下是我收集到的Iron Man漫画,应该会随着新漫画的更新以及我自己收藏的增加而不断添加。




【Tales of Suspense #39-#99】


http://pan.baidu.com/share/link?shareid=1701101043&uk=1261803239


部分内容介绍:


1. Pepper与Happy登场,来自Tales of Suspense,总45期。


http://kan.weibo.com/con/3553299920589704?_from=title


2. 经典装