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          The Wright Pen      Cache   Translate Page      

Video shot for Wright Design Co..

They wanted to feature their new magnetic pen as a great utility as well as lifestyle product with captivating visuals. Check out their kickstarter here: http://kck.st/2OeQBl6

Shot on the Ursa Mini Pro

Cast: Marcus Liew

Tags: dance, ursa mini, ursa mini pro, ursa mini pro 4.6k and blackmagic


          At home | A Journey Back to Greece      Cache   Translate Page      

I am Nick, a freelance photographer.
In the past 10 years I‘ve been travelling and photographing around the world.
What I realized, though, was that I had gradually stopped seeking new destinations. I found a place that offered me a sense of stability and warmth where my inspiration and creativity amplified. Nature in all its’ forms was still surrounding me: Snowy landscapes, deep canyons, lakes and rivers, vast forests and of course the sea.

In the end, I think I found my destination, a place that has nurtured me, and has always been so close to me. That makes me feel home!
Greece.

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Produced and directed - Nick Kontostavlakis
Editing - FKY vimeo.com/fky
Cinematography - Nick Kontostavlakis & Antonis Kitsikis
Voice - Dimitris Kaplanis
Camera - Antonis Kitsikis
Time-lapse - Nick Kontostavlakis & Nikos Pomonis
Drone - Nick Kontostavlakis

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Music - Tony Anderson

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Camera Equipment :

anima-vision.com & whitebalance.gr

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You can follow me at:
Facebook - facebook.com/nickkontostavlakispage
Instagram - instagram.com/nickkontostavlakis
Website - nickkontostavlakis.com
Google + - plus.google.com/u/0/102206608476266130067

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Some technical info:
Shot mostly with Canon C200 + Angenieux 30-90 EZ 1
DJI Inspire + X5s
Nikon Dslrs for timelapse.

Cast: Nick Kontostavlakis, Antonis Kitsikis, FKY, John Sapnas, DJI Pro, Canon Pro and Anima - Vision

Tags: greece, naxos, santorini, travel, Zakynthos, landscape, photographer, nature, photography, summer, sea, greek archipelago, winter, spring, summer in Greece, freedom and home


          ETHOS // An Aerial Cinematography Short Film      Cache   Translate Page      

We easily forget about the incredible beauty that is within arms reach of us. Ethos is a short aerial cinematography film that leaves you feeling in awe that we exist alongside this beauty. The feeling like you were lost and then you discover yourself by being a part of this creation. Filling your heart with a desire to wander to places unseen. To seek out and find these places so you can be filled with that feeling again, that feeling of being captivating by God's creation.

** All shots licensing available in 4k ProRes or CinemaDNG. Email jay@jayworsley for inquiries **

- Filmed on the DJI X5R with a 15mm lens, 25mm lens, and 45mm lens
- Edited in Premier Pro CC
- Filmed in Arizona, California, Oregon

*Song: "Killing the Rock" - By Ryan Taubert Licensed through musicbed.com

instagram.com/jmworsley
facebook.com/jaymworsley
jayworsley.com
vimeo.com/jayworsley
twitter.com/jaymworsley

Cast: Jay Worsley and DJI Pro


          Anti Agency | Style      Cache   Translate Page      

Shot in London, UK

Producer: Archie Hollway
Production Assist: Elliot Ruby
DOP: Adam Scarth
Editor: Stephen Dunne
Sound Design: Nathan Kiff
Post: MPC London

Cast: William Armstrong


          A Report Of Connected Events      Cache   Translate Page      

A Report Of Connected Events is a branded content film directed by Mischa Rozema and produced by PostPanic. Celebrating the power of storytelling, it was commissioned by Nuna9 on behalf of their client, Liberty Global. Filmed in Paris, the piece explores iconic moments in film and television history, blurring the lines between our reality and some of our favourite stories.

Directed by Mischa Rozema
Director of Photography: Menno Mans NSC
Music by: Justin Lockey & Ben Lukas Boysen (courtesy of Erased Tapes Music Publishing Ltd)
Commissioned by: Liberty Global
Commissioning Producer (on behalf of Liberty Global): Nuna9
Production Company: PostPanic Pictures
Music Supervision by Mischa Rozema and AMP. Amsterdam
All Foley, Sounddesign, Recording and Mixing by AMP. Amsterdam
Edit by Mischa Rozema
Grading by Laurens Orij (Crabsalad)
Line Production (Paris) by Be Light Films
Post Production by PostPanic

Cast: PostPanic

Tags: post, panic, pictures, liberty, global, storytelling, postpanic, mischa and rozema


          (CalCampers) A trip to Pyrenees      Cache   Translate Page      

Cast: Paulius Neverbickas


          What Is a Mountain      Cache   Translate Page      

Cast: Paulius Neverbickas


          (Lundhags) A Nordic Skater      Cache   Translate Page      

A Nordic Skater is a very first film about this little known sport. It features Per Sollerman, a photographer who has been skating on frozen lakes and fjords for the past 10 years. During 6 captivating minutes, the viewer is transported to the region of Oslo to have a peek at a story of a man who uses every sense he has to travel on thin ice. Per tells the story of how the little known sport of nordic skating came to play a big part in his life. “It is rooted deep in our bones that we need to be out in the nature,” he says.

Directed, shot and edited by Paulius Neverbickas.
Music and sound design by Luca Nioi.

Big thanks to Lundhags for believing in this project!
lundhags.se/en/

Find Per's Nordic Skating Instagram profile and his personal website:
instagram.com/nordicskate/
persollerman.com/

Find more works of me in my website:
soultidesfilms.com/

Cast: Paulius Neverbickas


          S T A L A C T I T E S      Cache   Translate Page      

This snapshot of the Pacific Northwest is an ode to our beautiful planet, challenging our logic of how we perceive the world.

-------------------------

Shot on DJI Phantom 4.

Music: Michael Marantz

Grade: Jasmine Vazquez

SFX Design & Mix: One Thousand Birds

Cast: Quentin van den Bossche

Tags: environment, earth, northwest, pacific, oregon, drone, washington, aerials and perspective


          WILD SWIM      Cache   Translate Page      

In a world where increasing pressures are born behind screens, it's easy to let problems manifest. German Triathlete, Liz Kellerer, takes us to the wilderness of the Scottish Highlands to show us how wild swimming can help lead to both a healthy body and mind.

Director & DOP: Chris Parton
Producer: Tom Precey @ TEEPEE Films
1st AC / Camera Op: Jacob Crees-Cockayne
Styling: Sophie Priester
Editor: Owen O’Sullivan @ Marshall Street Editors
Colourist: Myles Bevan @ Time Based Arts
Original composition & sound design: Lewis Gregory

Special thanks to Progressive Broadcast (Glasgow).

Cast: TEEPEE FILMS, Chris Parton, Jacob Crees-Cockayne, Owen O'Sullivan and Lewis Gregory

Tags: outdoor swimming, wild swim, wild swimming, film, documentary, fitness, mental health, cold water, outdoors, scotland, short film, loch, loch awe, highlands, swimming and orca


          Audi Q2L Chengdu Launch Event      Cache   Translate Page      

Audi Q2L Chengdu Launch Event from Digital FUN on Vimeo.

How to be a distinguished guy? The answer comes from Audi Q2L launch event. Digital FUN team cooperated with Super Bonfire, brought the eclectic personality from Audi Q2L to the everyone who loves cars. We changed the traditional way of car launch event, by combining with a concert and opening ceremony’s concept design. Digital FUN created real-time visual effects for DJ Alan Walker, and singers like Julie Bergan, Ronghao Li, Yuchun Li, Qian Song etc. Moreover, we also combined the creative lighting controlling panel into our system. By operating the highly-functional integration feature of TouchDesigner, we brought four massive service stacks work together for the 8K real-time visual effects rendering, in order to create the best visual experience for our audience.

For more information, please visit www.digitalfun.ca


          GETCHA by elimaginario      Cache   Translate Page      

GETCHA by elimaginario from Jesus De Las Heras on Vimeo.

VISUAL-LIVE DEMO
VJ PRODUCER
elimaginario

MUSIC BY
Around
Solomun Vox Edit


          Play Beyond Play at Tekniska Museet      Cache   Translate Page      

Play Beyond Play at Tekniska Museet from Jonas Banker on Vimeo.

Projection mapping experience for the exhibition ’Play Beyond Play’ at Tekniska Museet in Stockholm, Sweden, including spatial design and animation. Design and animation by BankerWessel.com with great collaboration by @joeldittrich.se


          Play Beyond Play at Tekniska Museet Long video      Cache   Translate Page      

Play Beyond Play at Tekniska Museet Long video from Jonas Banker on Vimeo.

Projection mapping experience for the exhibition ’Play Beyond Play’ at Tekniska Museet in Stockholm, Sweden, including spatial design and animation. Design and animation by BankerWessel.com with great collaboration by @joeldittrich.se


          Real Time VJing @ Leveldva Heaven      Cache   Translate Page      

Real Time VJing @ Leveldva Heaven from Anton Nenashev on Vimeo.

Touch Designer real-time 3D VJing scene with spheric camera and DMX controlled lights;

Idea, Executive Producer: Denis Burdeiniy
Creative Producer: Anton Beznosuk
Touch Designer artist: Mikhail Panfilov
Producer: Alexandra Alexandrova

Video by Alexander Vakulyuk
Music by Geju / Leveldva


          Play Beyond Play project mapping at Tekniska Museet 3      Cache   Translate Page      

Play Beyond Play project mapping at Tekniska Museet from Jonas Banker on Vimeo.

Projection mapping experience for the exhibition ’Play Beyond Play’ at Tekniska Museet in Stockholm, Sweden, including spatial design and animation. Design and animation by BankerWessel.com with great collaboration by @joeldittrich.se


          Play Beyond Play project mapping at Tekniska Museet 2      Cache   Translate Page      

Play Beyond Play project mapping at Tekniska Museet from Jonas Banker on Vimeo.

Projection mapping experience for the exhibition ’Play Beyond Play’ at Tekniska Museet in Stockholm, Sweden, including spatial design and animation. Design and animation by BankerWessel.com with great collaboration by @joeldittrich.se


          Play Beyond Play project mapping at Tekniska Museet      Cache   Translate Page      

Play Beyond Play project mapping at Tekniska Museet from Jonas Banker on Vimeo.

Projection mapping experience for the exhibition ’Play Beyond Play’ at Tekniska Museet in Stockholm, Sweden, including spatial design and animation. Design and animation by BankerWessel.com with great collaboration by @joeldittrich.se


          TouchDesigner Interactive VJ footage ver5.      Cache   Translate Page      

TouchDesigner Interactive VJ footage ver5. from VJ RYO on Vimeo.

Happy HELLOWEEN!
ハロウィン風Leap motionテスト。


          Noise_sphere-pbr Touch Designer      Cache   Translate Page      

Noise_sphere-pbr Touch Designer from hipnosia on Vimeo.


          Textures VJ Loops Visual Effects Clips [26]      Cache   Translate Page      

Textures VJ Loops Visual Effects Clips [26] from Ken Urbina on Vimeo.


          Comix Alesso Visuals - Glitch      Cache   Translate Page      

Comix Alesso Visuals - Glitch from thisiscomix on Vimeo.

Visuals by Comix
VJ by Comix
Design by Nick Demoura


          Fourtet-VU-2018      Cache   Translate Page      

Fourtet-VU-2018 from squidsoup on Vimeo.

Quick glimpse into the Four Tet gigs at Village Underground, Shoreditch, London, February 2018.


          test No2:Switch      Cache   Translate Page      

test No2:Switch from Kenta Hyuga on Vimeo.

switchの使い方を学んだので実践してみる。
Ligar Music Library / Audiostock
TouchDesigner


          test No1:LIFE      Cache   Translate Page      

test No1:LIFE from Kenta Hyuga on Vimeo.

健康診断で引っかかった時と、再検査の結果が大丈夫だった時の気持ちの変化を表現
cameraの位置や角度をぐるぐる変えたいのに分からなかった。
music:Buenos Aires /Yuji Iwamoto
TouchDesigner


          visual piano mit Arne Dreske      Cache   Translate Page      

visual piano mit Arne Dreske from kurt laurenz theinert on Vimeo.

Kulturcampus Domäne Hildesheim

Kurt Laurenz Theinert, visual piano
Arne Dreske, Klang

Vom 11. bis 13. Oktober 2018 veranstaltete die Universität Hildesheim die 4. Jahrestagung der Kulturwissenschaftlichen Gesellschaft zum Thema „Ästhetische Praxis und kulturwissenschaftliche Forschung“. Der Begriff der ästhetischen Praxis ist ein im produktiven Sinne offenes Konzept der Kulturwissenschaften und bezeichnet hierbei eine Weise des Handelns, in der gestalterische Spielräume, performative Ausdrucksbewegungen und leiblich-sinnliches Situiertsein eine zentrale Rolle spielen. In diesem Sinne gibt es am Abend die audiovisuelle Live-Performance von Kurt Laurenz Theinert und Arne Dreske im Innenhof der Domäne.


          FREE VJ LOOP FOOTAGE No009 - 30fps      Cache   Translate Page      

FREE VJ LOOP FOOTAGE No009 - 30fps from YutaNakano on Vimeo.

FREE VJ LOOP FOOTAGE No009 - 30fps
AfterEffects


          Vibes of the tribes      Cache   Translate Page      

Vibes of the tribes from Lauri Miller on Vimeo.

A quick and dirty video of a VJ set I did for a tribal party at club 911.


          FREE VJ LOOP FOOTAGE No008 - 30fps      Cache   Translate Page      

FREE VJ LOOP FOOTAGE No008 - 30fps from YutaNakano on Vimeo.

FREE VJ LOOP FOOTAGE No008 - 30fps
AfterEffects


          FREE VJ LOOP FOOTAGE No007 - 30fps      Cache   Translate Page      

FREE VJ LOOP FOOTAGE No007 - 30fps from YutaNakano on Vimeo.

FREE VJ LOOP FOOTAGE No007 - 30fps
AfterEffects


          FREE VJ LOOP FOOTAGE No006 - 30fps      Cache   Translate Page      

FREE VJ LOOP FOOTAGE No006 - 30fps from YutaNakano on Vimeo.

FREE VJ LOOP FOOTAGE No006 - 30fps
AfterEffects


          دانلود نرم افزار 4K YouTube to MP3 3.3.10.1914 – win      Cache   Translate Page      
4K YouTube to MP3، به طور خاص برای استخراج صدا از یوتیوب، Vimeo یا فیس بوک و ذخیره آن در فرمت های MP3، M4A، OGG طراحی شده است. هیچ تنظیمات مزاحم و پیچیده برای تبدیل ویدیوها از سایت های قابل پشتیبانی به فرمت های صوتی در این نرم افزار وجود ندارد. دانلود ویدیوها و تبدیل آنها به فرمت های صوتی آسان و ساده است. فقط کافی است لینک مورد نظر را از مرورگر خود کپی کنید و بر روی ‘Paste Url’ پیست کرده و بر روی دانلود کلیک کنید. تمامی مراحل دیگر بصورت اتوماتیک انجام می شود. استخراج صدا از فیلم های یوتیوب و ذخیره...
          US drinks brands' ad performance: time to avoid the cliches in alcohol advertising      Cache   Translate Page      

People’s favorite drinks and alcohol brands take a long time to shift. Generating brand awareness and long-term growth is essential. So why does advertising let so many brands down with poor execution and tired cliches?

When it comes to their ads, drinks brands come off like a bunch of old bores propping up the bar and reliving past glories. ‘Is this the same beer you drank with your dad?’ ‘Enjoy with friends’ ‘On the (insert location)’ and ‘Whiskey done right’ are all just a few of the classic cliches currently on screen in the USA promoting alcohol brands.

So it is no surprise that the brands actually driving potential long term growth are brands that avoid the common cliches and are trying to position their advertising differently to most of their competitors.

Guinness, the industry standard for alcohol advertising, still stands at the top scoring on average three stars (good potential long-term brand growth) in the System1 Ad Ratings scale, with Corona, Josh Cellars and Heineken all producing ads with a two-star or higher average score (generating modest potential long-term growth for the brand).

Ad Ratings measures the emotions an ad generates in the consumer and the intensity of that emotional resonance. This score is then weighted for business effect and a rating of one to five stars is produced. Potential long-term brand growth is then predicted based on the star rating: one star equals 0% brand growth; two stars is 0.5%; three stars is 1%; four stars is 2%; and five stars is 3%-plus.  

Show me entity :: 23735

So, what can brands do better to start driving up further engagement and generate long-term growth for their brands?

Better creative

Well, simply it starts with better creative – what Guinness, Heineken and Corona do so well in their advertising is not simply focusing on the drink and but delivering a greater brand story. Guinness works as a brand because it explores the wider relationship its consumers have with the brand rather than just the product. Guinness explores its 200-plus history with consumers and how it has evolved over time, and the reasons for continued success.

Whether Bud Light’s new catchphrase ‘Dilly Dilly’ entertains or irritates you, the ads outperform 70% of their rivals, with an average score of 1.9. This approach demonstrates a brand trying to be different and carve out an unique tone of voice, in a hugely competitive market.

Interestingly, Corona, Heineken and Guinness are all non-American brands, where alcohol advertising is not specifically about the product but has a history of being slightly more abstract. Think Boddington’s with Mel Sykes, Guinness’ Snail Race or Heineken’s The Entrance or Corona Paradise. European alcohol advertising is less brash, in your face and demanding. It lets the viewers make up their own mind and build brand affinity through storytelling rather than a voiceover artist telling us when and where the best place to 'drink this brand' is.

It’s telling that the highest-scoring single alcohol ad among US consumers in 2017 was an online April Fool's Day spoof made for Jameson’s Irish Whisky. “The Long Lost Barrel” directly mocked the solemn pretensions of the heritage-soaked booze ad. American viewers gave it five stars – which would have put it in the top one percent of ads on TV. If a brand is daring enough to drop the corny category tropes, it can stand out dramatically.

So ultimately, if you are an American brand trying to generate greater cut through with consumers, ditch the cliches and take a page out of the European book – start building greater brand affinity through less fact based “this beer uses the best 16 hops in the world” claims. Concentrate on generating affinity, through wider storytelling, better creative and ads that make people smile.

We are all adults, we can make up our own mind on when we want another beer and who we want to drink it with. Until this change is reflected in the creative, most American alcohol advertising will continue struggling to generate long term brand growth.

John Kearon, founder and chief executive, at System1 Group


          Stems in concerto      Cache   Translate Page      
10/11/2018 - STEMS Art Rock impreziosito da archi - composizioni cinematografiche dall’eleganza radiale Oscurità ed ipnotica, delicata intensità. Gli Stems si sono nati nel Regno Unito nel 2011 dal membro, fondatore e compositore John Dorr, con l’idea di mescolare ritmi e strumenti classici con il rock. La loro musica è spesso definita cinematica o a volte etichettata come Post Rock o Rock Neoclassico. Dal 2013, gli Stems hanno fatto diverse tournée in Europa, sviluppando un proprio seguito grazie alla reputazione per i loro concerti, belli ed intensi, dove spesso il gruppo si esibisce insieme a suonatori di corde locali per espandere il suono. La band si è esibita con Michael Rother (Neu!), Russian Circle, Tides from Nebula, Pelican, My Baby, Lovely Eggs, ed è stata ingaggiata dal British Film Institute per creare nuove colonne sonore dal vivo per i film muti di Georges Méliés, esibendosi in numerosi Cinema ed eventi. Tra questi, un breve tour con DJ Yoda, e un’esibizione per un pubblico di 8000 persone nella propria città d’origine nel Novembre del 2014. Gli Stems hanno poi pubblicato con le etichette Fluttery Records (Istanbul) e Come PlayWith Me (Leeds) e tutti i 4 CD autoprodotti sono stati ristampati più volte. Nel 2016, il gruppo ha raccolto in soli 4 giorni i fondi per finanziare la produzione di un vinile. Gli album spesso presentano opere multistrato. Nel 2018 la band si trasferisce a Norimberga, completando il proprio progetto più ambizioso, che include visuals from NASA e si intitola Soundtrack to the stars. Un’esperienza coinvolgente con video del nostro sistema solare e dello spazio profondo, impostato su un genere che sfida la colonna sonora dal vivo. Qui il video: https://vimeo.com/251788419 (password: Nuremberg) http://www.youtube.com/stemsmusic http://www.twitter.com/Stems_music www.facebook.com/stems.ensemble - Apertura ore 21. Ingresso con tessera arci + contributo di 5€
          Video: School of Secondary Journalism Student Walkout - Student Leader Gets in Touch      Cache   Translate Page      


Here is a follow-up on the walkout of students yesterday at the Secondary School of Journalism on the John Jay HS Campus in Park Slope: STUDENTS ORGANIZE WALKOUT at Secondary School of Journalism - Complain About AI Principal Livingstone Hilaire

Leonie has been in touch as I posted on my original link. And here is an email from the senior student who organized the walkout -- I'm not using the name, nor am I reporting on the parent who is my contact. Why give the enemy info?
Good morning Mr. Scott,

I’m a 15K463 SSJ senior student who organized the walk out to protest against the principal and other wrongdoings within the school. I was networked with you and I want to thank you for picking up on our story. I will be sending you photographs and video clips from the walk out that occurred on November 5, 2018. If any questions or concerns feel free to email me. Thank you, and have a good day.
 

In the video we are chanting “SSJ will pay for our GPA!”
https://vimeo.com/299277119



Here are some comments on the original post:

Leonie Haimson
Monday, November 5, 2018 at 4:13:00 PM EST

Parents and students throughout the country have rebelled vs the Summit system b/c the students start to hate school, fall behind and become disengaged from their learning having to stare at computer screens for many hours per day. Moreover, all their personal data is being scooped up by Mark Zuckerberg via his CZI LLC. See the recent NY Mag article or the many blog posts I've written about Summit -including https://www.washingtonpost.com/news/answer-sheet/wp/2017/08/30/parents-cite-student-privacy-concerns-with-popular-online-education-platform/?utm_term=.991a38a334ee and https://www.studentprivacymatters.org/parents-rebel-against-summitfacebookchan-zuckerberg-online-learning-platform/ and https://www.studentprivacymatters.org/update-on-summit-schools-including-my-visit-to-a-summit-charter-school/ and https://www.studentprivacymatters.org/zuckerberg-and-the-parent-pushback-vs-summit-schools-inbloom-reprised/ and https://www.studentprivacymatters.org/serious-privacy-concerns-with-new-summitfacebook-platform-used-in-100-schools-across-the-nation/

Leonie HaimsonMonday, November 5, 2018 at 4:14:00 PM EST
Students or teachers at this school - pl get in touch w/ me at leoniehaimson at gmail dot com; thanks!


Tom Forbes
Tuesday, November 6, 2018 at 7:55:00 AM EST

Very interesting. I first met Livingstone when he was the principal at what is now Harvest Collegiate on 14th street. I can not remember the old name of the school but he ran it into the ground and they closed it and changed the name. The parent coordinator there would enter classrooms during class time and yell at teachers. Kids basically did whatever they wanted. He is a very nice and funny person but a horrible principal. He asked me to stay and help fix the school, I declined. I later was assigned to Bread and Roses and they had a principal who put his hands on a student and Hilaire was brought in until a permanent replaced could be recruited by a non-profit involved in the school. He was horrible and spent his time in the office while the school was completely out of control. AP Ali would go around yelling, screaming and cursing at the students and apologize to the student body for his behavior. It was on the chopping block and since has be closed, renamed and the like. Dwyane Clark came in for a staff meeting one time around Christmas and listened to Hilaire stand up routine and everyone laughed their asses off and then we went on break. Came back to a completely dysfunctional learning and teaching environment. That is when I saw how complicit the UFT is/was in dealing with abusive and incompetent school leadership that directly affected their members. While on my ATR tour, I ran across Hilarie consulting principals at Unity HS in the old Norman Thomas, said hi, a little small talk and then he disappeared. I wanted to ask him his secret on staying in the DOE even after all his missteps. Still up to no good.


          24 DE OUTUBRO DÍA DAS BIBLIOTECAS ESCOLARES      Cache   Translate Page      
O 24 de outubro celebramos o Día das Bibliotecas Escolares con poesías. Todo o alumnado do centro creou uns poemas e puxémolos en común, acompañándonos con música.




          PADRIÑOS LECTORES      Cache   Translate Page      
Por fin chegaron de novo as madriñas e os padriños lectores e viñeron cargados de contos de bruxas, monstruos, cabazas.... unha morea de libros de samaín para pasar un bo anaco cos máis pequenos do cole.
Aquí vos deixamos un resumo destas xornadas adicadas aos
PADRIÑOS LECTORES DO SAMAÍN.


Untitled from Audición y lenguaje on Vimeo.
          Demo: Little Red Riding Hood (Embedded Video)      Cache   Translate Page      
Looking to embed videos from YouTube, Vimeo, or any of the other popular video sites? No problem at all. Simply take the embed video code, add it to the video settings, and you’re done.
          Blue World Voyages Releases Video Tour of Ship Concept       Cache   Translate Page      

Published in: Cruise News

Blue World Voyages

Blue World Voyages has released “Ship to Shore," video fly-through highlighting the key features that differentiate the company and ship.

The “Ship to Shore” video covers interior and exterior spaces designed by Tillberg USA, the company said.

The brief tour, less than three minutes, gives a preview of the Blue World experience; an experience centered on fitness and wellness throughout every voyage, according to a press release.

“Blue World Voyages was created for health-conscious individuals, sports and fitness enthusiasts, and those in search of personal discoveries,” said Gene Meehan, chairman and co-founder, Blue World Voyages. “Our focus on Active Lifestyle Cruising is not an option or an add-on, it is embedded into every aspect of the company, and I think this video captures our commitment.”

Meehan noted that three 350-passenger ships are planned for his fleet. 

Video:


          Here's a good argument for not skipping closing credits sequences      Cache   Translate Page      

All things must come to an end, even TV shows and movies. No matter how much we happen to be enjoying a work of cinema or a serialized drama, there will inevitably come a time when things fade to black and we’re left reading the names of actors in the dark. But, as video essayist Kirby Ferguson notes in his new ode to…

Read more...


          Dropbox Extensions let you edit your cloud-based files online      Cache   Translate Page      
Dropbox has just announced a new feature that makes it possible to edit your files online without the need to download them first. Dropbox Extensions give you the ability to edit a number of file types without the need to ever navigate away from Dropbox. The company has formed partnerships with a number of third parties including Adobe, Pixlr and Vimeo to give Dropbox users the option of editing images online, signing PDFs, annotating videos, and much more. Dropbox says the aim of the new integrations is to improve users' workflows. While the announcement has been made today, Dropbox Extensions… [Continue Reading]
          Täglich einen Kurzen: Bon Voyage      Cache   Translate Page      
Dozens of migrants climb onto an overcrowded truck. Their goal: to escape to Europe. When they arrive after an exhausting journey, another brutal reality awaits them: the European treatment of refugees. „Bon Voyage“ is this week’s Staff Pick Premiere! Read more about it here: vimeo.com/blog/post/staff-pick-premiere-bon-voyage Script & Director: Fabio Friedli Animation: Nils Hedinger, Martin Waespe, […]
          Kommentar zu FS225 Frontend von Judäa von Jörg Weinhardt      Cache   Translate Page      
Zu Agile: Ein paar Kritikpunkte, sehr unterhaltsam vermittelt von einem "Guru" ;-) (nicht ganz neu und ich weiss nicht, wie bekannt das schon ist): https://vimeo.com/110554082 Zum Strom: bin auch sehr zufrieden bei Naturstrom, ich hatte mir allerdings auch "Greenpeace energy" angeschaut. Sehr in Ordnung (Telefonsupport ähnlich fit wie die bei Naturstrom und haben sich viel Zeit genommen, das Konzept zu erklären), war nur ein Stück teurer
          Chocolate Gâteau      Cache   Translate Page      

Cast: Graham Precey


          Chocolate Gâteau      Cache   Translate Page      

Pure chocolatey goodness from our newly signed Director, Graham Ainsley.

Director: Graham Ainsley
DOP: Andrew Berekdar
Producer & Editor: Tom Precey
Production Company: TEEPEE Films
Food Stylist: Tanya Sadourian
Colourist: Myles Bevan @ Time Based Arts

Cast: TEEPEE FILMS

Tags: food, chocolate, Gâteau, cake, gateau, bakery, cooking, baking, eggs, flour, cherries, chocolate cake, cream and mixing


          Download Video and Audio from YouTube Dailymotion Facebook Instagram twitter      Cache   Translate Page      
Download Video and Audio from YouTube Dailymotion Facebook Instagram Flickr Imgur Vimeo tv.com soundcloud imdb liveleak break ted bandcamp twitter tumblr mashable
          Vimeo lanza canal específico para hologramas      Cache   Translate Page      
Vimeo, una de las plataformas rivales de YouTube, cuenta desde hace escasos días con un canal específico para los vídeos holográficos. En la búsqueda de tecnologías inmersivas con la que experimentar nuevas experiencias, desde Vimeo Creator Labs se han interesado por la tecnología de Looking Glass Factory, compañía que recientemente finalizó con éxito la campaña
          VİDEO I CNN Türk, Kılıçdaroğlu'nun konuşmasını böyle kesti      Cache   Translate Page      

CNN Türk, CHP Genel Başkanı Kemal Kılıçdaroğlu'nun partisinin grup toplantısında yaptığı konuşmanın yayınını keserek Cumhurbaşkanı Erdoğan'ın Ankara'daki 'fidan dikme töreni'ni ekranlara getirdi.

CHP'nin Meclis grup toplantısını canlı yayınla aktaran CNN Türk, Cumhurbaşkanı Erdoğan'ın Ankara'daki fidan dikme programındaki konuşması başlayınca Kemal Kılıçdaroğlu'nun konuşmasını yarıda kesti.

CNN Türk daha önce de benzer uygulamalar nedeniyle tepki çekmişti.

O anlar ekranlara şöyle yansıdı:


 


          LinkedIn y Vimeo ayudarán a potenciar tu marca y la de tu empresa      Cache   Translate Page      
Los beneficios de publicar tus vídeos de Vimeo en LinkedIn son amplios y, en poco tiempo, será sin duda una de las opciones de contenido que empezará a tener gran protagonismo en esta red social de profesionales.
          Comment on Ripe Sourdough Starter: What does "ready to use" look like? by The Baker's Hotline      Cache   Translate Page      
Hi Ginger, it sounds like you might not be covering your starter sufficiently so it's drying out and forming a skin. Try placing a lid slightly ajar even if the starter is kept in a proof box. Otherwise, it sounds like you're right on track to building a beautiful and healthy starter. Check out our full <a href="https://www.kingarthurflour.com/guides/sourdough/create.html" rel="nofollow">Sourdough Baking Guide</a> for visual examples (<a href="https://vimeo.com/kingarthurflour" rel="nofollow">amazing videos</a>!) of what your starter should look like when it's ready to bake. Good luck! Kye@KAF
          Comment on Ripe Sourdough Starter: What does "ready to use" look like? by The Baker's Hotline      Cache   Translate Page      
Hi Lou, we recently put together a full <a href="https://www.kingarthurflour.com/guides/sourdough/bake.html" rel="nofollow">Sourdough Baking Guide</a> that includes a <a href="https://vimeo.com/282920275" rel="nofollow">helpful video</a> demonstrating what your starter will look like when it's ready to bake. (The amount of time it takes before it's ready to bake will vary from starter to starter.) Here's what we say in the guide: "Your new starter is ready to bake with when it's reliably becoming very bubbly and doubling in size within 6 to 8 hours of feeding. (This is why it's useful to feed your starter in a clear, straight-sided container, so it's easy to track its upward progress.) Ripe starter will be viscous, not thin; and if you taste a tiny bit, it will be nicely balanced between rich flavor and acidity." <br /><br />As for your question about doubling your starter, you can build the volume of your starter slowly once you're close to getting ready to bake; increase the volume of flour and water that's added in the last two or three feedings before you bake. Aim to use a ratio of equal parts starter-flour-water by weight for best results. Good luck! Kye@KAF
          PICK: Orquesta de Reciclados Cateura at Steward School      Cache   Translate Page      

Orquesta de Reciclados Cateura (roughly “the recycled orchestra”) is an idealistic, real-world post-apocalyptic musical ensemble. A youth orchestra playing instruments hand-crafted mostly from garbage picked from the vast Cateura, Paraguay trash heap, the group has played Beethoven in concert halls in addition to collaborations with jazz musicians like Paquito D’Rivera and heavy metal legends Megadeath and Motorhead.

With drum heads constructed of tape and x-ray film, steel drum cellos, and tin violins with hand-carved necks. It’s not the New York Philharmonic- and if it were there would be a rush to replace million-dollar Stradivariuses- but that is not really the point. Their performances are a triumph of spirit and dedication over material limitations.

The Steward School has two events celebrating the band. On Monday, Nov. 5, there is a free showing at 7 p.m. of “Landfill Harmonic”, an award-winning 2015 documentary about the ensemble. Nine days later, on Nov. 14, the orchestra’s founder/director Favio Chávez and filmmaker Juliana Penaranda-Loftus take part in the school’s Bryan Innovation Lab Visiting Innovator Program. In the morning they will give a talk and performance, featuring some of the children in the ensemble. In the afternoon they will take part in a Music Maker fair, where both adults and students will have the opportunity to craft their own instruments.

Stay tuned for more on the event in Style Weekly.

Landfill Harmonic from Landfill Harmonic on Vimeo.


          British Columbia Whispers      Cache   Translate Page      
Sage is back with yet another solid story that is set on the two hander waters of British Columbia. 

Click PLAY...



Visit the Sage website to check out the tools used in this video.  I'm crushing on that new Spey Full Frame fly reel big time...

          Dropbox内で画像編集やデジタル署名が可能な「Dropbox Extensions」      Cache   Translate Page      
Dropboxが、保存した動画の編集や契約書へのデジタル署名などをDropboxを離れずに可能にする各種拡張機能の提供を月末に開始する。AdobeやVimeo、Pixlrなどの機能が使える。
          Dropbox Extensions arrive to enhance third-party integrations with Adobe, Autodesk, Vimeo, DocuSign, more      Cache   Translate Page      
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          Get to Know iOS 12 with an iPhone Life Insider Membership      Cache   Translate Page      

Here at iPhone Life, we're big fans of Apple, but that doesn't mean learning how to use the new mobile operating system (iOS) they release each year comes easily. That's why we've taken everything we've learned about iOS 12 and created The Complete iOS 12 Guide for members of our premium monthly service, iPhone Life Insider. This guide is packed with all of the how-tos, tips, and tricks you need to become an expert in iOS 12. We’ll cover all of the features big and small, and we'll make it easy to follow with guided videos that’ll show you exactly what your iPhone or iPad screen will look like every step of the way. You’ll be teaching your friends iOS 12 tricks in no time. Check out a preview of the guide and learn more about the iPhone Life Insider membership below.

Apple introduced a lot of new features with iOS 12. There are exciting updates for Face ID and Notes,  plus cool new features like Do Not Disturb While Sleeping. You can now turn on your flashlight by talking to Siri, create mini-widgets with Siri Shortcuts, use Animojis to make FaceTime calls, and more. But that’s only the tip of the iceberg!

There’s no reason to stumble around with iOS 12 when you can have our full guide at your fingertips anywhere you go. Become proficient in iOS 12 and start using the incredible new features today. We understand not everyone has the time to fiddle around on their phones to discover new features and how to use them. But you don’t need to! Our complete guide to iOS 12 will guide you through everything, and you’ll get immediate access when you sign up. We’ll review what all is included in an iPhone Life Insider membership below, but first let’s check out a preview of the video you’ll find in The Complete Guide to iOS 12:

Intro to iOS 12 Guide with Donna Cleveland, Editor in Chief at iPhone Life

How to Use Grouped Notifications

That’s just a taste of what you’ll get in the iOS 12 Guide. There are so many new fantastic features, and we’ve made sure to break them all down so you can easily learn how to use them.

What’s Included in an iPhone Life Insider Membership?

The Complete Guide to iOS 12 isn’t all you’ll get when you sign up for iPhone Life Insider. Our Insider membership is something we’re constantly working to improve to bring you the utmost value we can provide. Check out all the benefits below:

  • Daily 1-minute video tips delivered to your inbox
  • Video guides and collections on everything from the Apple TV to using Facebook.
  • Access to all issues of iPhone Life magazine from anywhere in the world.
  • Access to our archive of over 900 video tips.
  • Got a problem we haven’t solved? Use Ask an Editor and receive a direct solution from our team of experts.

Your membership comes with a 30-day money-back guarantee. Don’t like it? Don’t keep it. But we’re confident in the value our Insider membership will provide you. You’re going to be an iOS 12 expert in no time! Become an iPhone Life Insider today.

 

Master your iPhone in one minute a day: Sign up here to get our FREE Tip of the Day delivered right to your inbox.
          157 livres vintage dont les couvertures s'animent : magique      Cache   Translate Page      

Tout débute avec une question simple : si l’on prenait des livres anciens, le fonds de catalogue de plusieurs éditeurs, et que l’on décidait d’animer leur couverture, à quoi cela ressemblerait-il ? Henning M. Lederer s’est mis en quête d’une réponse, par ses propres moyens. 



 

 

Fan d’animation, le bonhomme s’est donc lancé dans un travail de longue haleine et compte à ce jour 157 couvertures revues et corrigées par l’animation. 

 

Des ouvrages vintage ont servi de cobaye, mais personne n’a été blessé durant les séances de Photoshop et autres logiciels. Pour la musique, il a collaboré avec Jörg Stierle pour ses deux premières expérimentations et Tilman Grundig pour la dernière en date. 

 

Les sources d’inspirations proviennent de profils Instagram, où Henning est allé piocher les couvertures auxquelles il allait donner vie. 

 

La série commence avec Covers, et 55 couvertures de livres animées, débutée voilà trois ans.

 

 

 

Elle s’est poursuivie en 2017 avec More Covers, réunissant cette fois 36 couvertures : 

 

 


 

Et la semaine passée, c’est une nouvelle rafale de 66 couvertures, Even More Covers, qui est venu s’ajouter à l’ensemble de cette création.

 


 

 

via Open Culture


          Dropbox内で画像編集やデジタル署名が可能な「Dropbox Extensions」      Cache   Translate Page      
Dropboxが、保存した動画の編集や契約書へのデジタル署名などをDropboxを離れずに可能にする各種拡張機能の提供を月末に開始する。AdobeやVimeo、Pixlrなどの機能が使える。
          Downie       Cache   Translate Page      
Downie for Mac是一个超级易于使用的视频下载,支持YouTube,Vimeo 超过100个其他网站。它不会因为大量的选项而让用户困扰 - 它只是简单的做它的下载工作! 目前支持的网站包括: YouTube,Vimeo, trailers.apple.com, CNBC, NHL, LiveLeak, Insanee, Daily Haha, BlipTV, DotSub, Daily Motion, Over Stream, eHow, Devil Ducky, PlayFM, PBS, Vine.Co, MetaCafe, iView, Bofunk, MadiaSilo, MTV, V-Vids, 15min.lt, Break.com, CollegeHumor, eBaum's World, ESPN.go.com, NicoVideo.jp, NoiseTrade, On.AOL, Billboard, Cook's Illustrated, FunnyOrDie, MLB, Bloomberg, Craftsy, Facebook, Kickstarter, Lynda, NBC News, Rotten Tomatoes, Slashdot, South Park Studios, Video Detective和许多其他!
          ALL GOOD (A Short Film Directed by Jessica Petelle)      Cache   Translate Page      

Leila (Diana Gitelman) is white-knuckling it tonight. After spending the evening at a wedding reception fulfilling her duties as the Maid of Honor, she has returned to her hotel suite to hide away from temptation and maintain her near 6 months of sobriety. Fun-loving Josh (Avi Rothman) arrives at her door and provides a welcome distraction. A one-night-stand ensues and takes an unexpected turn bringing Leila’s reality into sharp focus.

OFFICIAL SELECTION:
PALM SPRINGS INTERNATIONAL SHORTFEST 2017 (PREMIERE)
CARMEL INTERNATIONAL FILM FESTIVAL 2017
PITTSBURGH SHORTS FILM FESTIVAL 2017
CORONADO ISLAND FILM FESTIVAL 2017
WOMEN IN FILM LA SHORTS NIGHT 2018
CALIFORNIA WOMEN'S FILM FESTIVAL 2018
PHILADELPHIA THE WOMEN'S FILM FESTIVAL 2018
IDYLLWILD FESTIVAL OF CINEMA 2018
IRON MULE COMEDY SHORT FILM FESTIVAL 2018

Director: Jessica Petelle
Writer/Producer: Victory Palmisano
Director of Photography: Dillon Schneider
Production Designer: Michael Mauriello
Editor: Paul Foyder
Composer: Jamie Forsyth

Cast: Urban Farm Media


          EICMA 2018: новый стритфайтер MV Agusta Brutale 1000 Serie Oro 2019      Cache   Translate Page      
EICMA 2018: новый стритфайтер MV Agusta Brutale 1000 Serie Oro 2019

Компания MV Agusta представляет новое поколение четырехцилиндровым мотоциклов на мотошоу EICMA 2018 в Милане. Первой новинкой является нейкед MV Agusta Brutale 1000 Serie Oro 2019, который выпустят лимитированной серией в 300 единиц.

MV Agusta Brutale 1000 Serie Oro 2019 является эволюцией оригинального дизайна Brutale, разработанного Массимо Тамбурини. Мотоцикл комплектуется 205-сильным (152 кВт) двигателем, что является феноменальным показателем для байка категории стритфайтер. Со специальным гоночным комплектом MV Agusta Brutale 1000 Serie Oro производит 209 л.с. (156 кВт) благодаря титановой выхлопной системе SC Project 4-1-4. Чтобы добиться столь высоких рабочих характеристик, итальянские инженеры разрабатывали новый двигатель на базе гоночного супербайка MV Agusta F4 RC из WSBK, используя наработки в области сгорания топлива, смазки и трения элементов.

Двигатель имеет рабочий объем 998 см3 (79х50.9 мм); степень сжатия 13.65:1; титановые клапана; перепроектированную камеру сгорания. Кроме того, полностью изменили тайминги распредвала, а также впускные и выпускные отверстия. Новые кольца Asso с очень низким коэффициентом трения позволили повысить эффективность и производительность. Коленвал полностью перепроектировали.



Другие особенности:

— 5-дюймовая ЖК-приборка
— 8-уровневый трэкшн-контроль с системой IMU
— вилли-контроль
— ланч-контроль
— квикшифтер на повышение/понижение
— классическая решетчатая рама с алюминиевыми вставками
— сухая масса 186 кг (с гоночным комплектом — 184 кг)
— карбоновые колеса
— аэродинамические крылья (начинают эффективно работать на скорости 200 км/ч)
— карбоновая крышка сцепления
— клипоны
— подвеска Öhlins (вилка NIX и амортизатор TTX36)
— тормоза Brembo (суппорты Stylema, 320-мм передние диски)
— карбоновый обвес
— светодиодная оптика с дневными фарами DRL

EICMA 2018: новый стритфайтер MV Agusta Brutale 1000 Serie Oro 2019 EICMA 2018: новый стритфайтер MV Agusta Brutale 1000 Serie Oro 2019 EICMA 2018: новый стритфайтер MV Agusta Brutale 1000 Serie Oro 2019 EICMA 2018: новый стритфайтер MV Agusta Brutale 1000 Serie Oro 2019 EICMA 2018: новый стритфайтер MV Agusta Brutale 1000 Serie Oro 2019 EICMA 2018: новый стритфайтер MV Agusta Brutale 1000 Serie Oro 2019 EICMA 2018: новый стритфайтер MV Agusta Brutale 1000 Serie Oro 2019 EICMA 2018: новый стритфайтер MV Agusta Brutale 1000 Serie Oro 2019 EICMA 2018: новый стритфайтер MV Agusta Brutale 1000 Serie Oro 2019 EICMA 2018: новый стритфайтер MV Agusta Brutale 1000 Serie Oro 2019 EICMA 2018: новый стритфайтер MV Agusta Brutale 1000 Serie Oro 2019 EICMA 2018: новый стритфайтер MV Agusta Brutale 1000 Serie Oro 2019 EICMA 2018: новый стритфайтер MV Agusta Brutale 1000 Serie Oro 2019

*фото кликабельеые в большом разрешении

Постоянный адрес публикации: bikepost.ru
          GL of Scotland: A Different Kind of Grand Lodge Video      Cache   Translate Page      

Have a look at the video on the website of the Grand Lodge of Scotland's website about the origin of Scottish Freemasonry. Beautifully done, and a great example of thinking outside the box when creating these types of programs. 


Of course, they have a major advantage because, you know... it's Scotland

Scottish hills. History. Tradition. Music. Robert Burns. Rosslyn Chapel. Edinburgh High Street.

And a brogue that everybody else thinks they can imitate.

Watch it HERE.
          An October walk after the recent snowfall      Cache   Translate Page      

An October walk after the recent snowfall.
iPhone 8+, iMovie.
October 30 2018

Cast: Tbfxtcxzo

Tags: snow, October, Østmarka, Norway, nature, Oslo and iPhone8+


          Camp Of Champions Quick Pic Show      Cache   Translate Page      

A quick look at Camp Anderson's Camp of Champions

Cast: William Bloodworth


           DC MURO AWATIA MBARONI WATUHUMIWA WATATU WALIOSHIRIKI KUMTOA MIMBA MWANAFUNZI      Cache   Translate Page      

Na Imma Msumba Arumeru

Mkuu wa Wilaya ya Arumeru kwa kushirikiana na Jeshi la polisi Wilaya ya Arumeru limewakamata watuhumiwa wa Tatu ambao wameshiriki kumtoa mimba mwanafunzi wa kidato cha nne kwa kutumia dawa za miti shamba suala ambalo linachochea mimba kwa wanafunzi na kuzorotesha elimu yao.

Dc Muro amesema kuwa wamebaini tukio hilo baada ya kuweka mtego na kuwabaini watuhumiwa hao pamoja na mtia mimba ambao wamefikishwa polisi kwa ajili ya kufikishwa mahakamani.

Akielezea jinsi alivyopewa ujauzito na kisha ujauzito kutolewa aikaeli Pallangyo amesema ni kweli alipata ujauzito Kwa kurubuniwa na kijana wanaeishi nae Jirani nyumbani ambae alikuwa akimrubuni kwa kumpatia fedha.

Kwa upande wao watuhumiwa wa sakata hilo kijana aliempa mimba Binti,pamoja na mama Mzazi wa Aikaeli na mwanamke ambae ni ndugu wa Kijana aliempa mimba ambae anatajwa kuhusika na kumtoa ujauzito Binti wametoa sababu mbalimbali ambazo hata hivyo zimeonekana kukinzana zenyewe Kwa zenyewe Kutokana na mama wa Binti kukiri Kuwafahamu watuhumiwa wenzake na kuelezea tukio la Mchezo mzima ulivyokuwa.


Akidhibitisha taarifa za Binti huyo kuwa mjamzito na kutoa ujauzito, Mganga mkuu wa halmashauri ya Meru Daktari Cosmas kilasara amesema vipimo vya awali vilionyesha Binti kuwa mjamzito na vipimo walivyofanya tena vimeonyesha Binti sio mjamzito tena ambapo amesema hata hivyo Binti huyo ameendelea kupata dalili zote za kuwa na ujauzito ikiwemo ya maziwa kutoka.

Kutokana na tukio hilo Mkuu wa Wilaya ya Arumeru amevigiza vyombo vya Usalama kuwafikisha mahakamani watuhumiwa wote ambao wamehusika katika tukio hilo , ambapo pia amelitaka jeshi la Polisi kuhakikisha wanawakamata na wanawafikisha mahakamani watu wote waliohusika katika kuwapa ujauzito wanafunzi 57 Kwa kipindi Cha miaka miwili iliyopita.

Imetolewa na Ofisi ya Mkuu wa Wilaya ya Arumeru

          Dropbox推出软件扩展 可在Web上轻松完成文件编辑工作      Cache   Translate Page      

为了方便用户更轻松地通过云存储产品来完成工作,Dropbox 推出了一些第三方软件的插件(称为“扩展程序”)。其允许执行通常所需的基本任务,而无需启动一个单独的 App 或浏览器窗口。首批合作伙伴包括 Adobe、DocuSign 和 Vimeo,允许获得一份 PDF 所需的数字签名、执行轻量级的照片编辑和视频注释。

阅读全文
          Napoleon’s War with the Bank of England and Nathan Rothschild      Cache   Translate Page      
Napoleon Bonaparte Monetary Reformer from Dick Eastman on Vimeo.
          DarkCyber for November 6, 2018, Is Now Available: Part Two, Amazon's Disruptive Thrust      Cache   Translate Page      

DarkCyber for November 6, 2018, is now available at www.arnoldit.com/wordpress and on Vimeo at https://vimeo.com/298831585. - - In this program, DarkCyber explains how Amazon is using open source software and proprietary solutions to reinvent IBM's concept of vendor lock in. Decades ago, IBM used mainframes and their proprietary hardware and software to create a barrier to change for government agencies using the systems. Amazon's approach is to provide a platform which makes use of open s...

Read the full story at https://www.webwire.com/ViewPressRel.asp?aId=230166


          Commenti su Royal wedding: si sposa Leka II e Tirana è in festa di Luka      Cache   Translate Page      
Il 2018 sta volgendo al termine e fin da gennaio abbiamo avuto modo di ricordare anniversari e compleanni “tondi” di molti Royal di quasi tutte le famiglie reali, compreso per i Zogu che oltre all’anniversario del matrimonio tra re Zog e Geraldine a settembre hanno ricordato gli novant’anni della fondazione della dinastia (1 settembre 1928) . Se vogliamo allargarci in Albania ricorrevano i 550 anni dalla morte dell’eroe Skanderberg , colui che uni tutte le tribù albanesi per ribellarsi all’occupante turco (nel 1444), https://vimeo.com/260682900 Ecco un cortometraggio per onorare questo padre della patria , Kastriota (poi sarebbe divenuto otto come Skanderberg)
          Cut it out: Knife fails      Cache   Translate Page      
If you have a great Youtube or Vimeo video to share send it to videos@whaleoil.co.nz The post Cut it out: Knife fails appeared first on Whale Oil Beef Hooked | Whaleoil Media.
          Ferrari Testarossa to the Sahara a 2000mile adventure      Cache   Translate Page      
If you have a great Youtube or Vimeo video to share send it to videos@whaleoil.co.nz More Harry’s garage but back to real cars as promised. An older video (3 years ago) where Harry Metcalfe takes his 30 year old Ferrari Testarossa to the Sahara desert. This emulates a journey made in 1995 by a UK […] The post Ferrari Testarossa to the Sahara a 2000mile adventure appeared first on Whale Oil Beef Hooked | Whaleoil Media.
          How it’s made: Space pens      Cache   Translate Page      
If you have a great Youtube or Vimeo video to share send it to videos@whaleoil.co.nz The post How it’s made: Space pens appeared first on Whale Oil Beef Hooked | Whaleoil Media.
          Carol Burnett show outtakes      Cache   Translate Page      
If you have a great Youtube or Vimeo video to share send it to videos@whaleoil.co.nz The post Carol Burnett show outtakes appeared first on Whale Oil Beef Hooked | Whaleoil Media.
          Jordan Peterson: ‘There was plenty of motivation to take me out. It just didn’t work’      Cache   Translate Page      
If you have a great Youtube or Vimeo video to share send it to videos@whaleoil.co.nz The post Jordan Peterson: ‘There was plenty of motivation to take me out. It just didn’t work’ appeared first on Whale Oil Beef Hooked | Whaleoil Media.
          Vimeo launches channel just for holographic video      Cache   Translate Page      

Vimeo has a reputation for pushing the boundaries of video technology in a bid to stand out, but it's taking things a step further. The service recently launched a channel dedicated solely to holographic video. You'll need one of Looking Glass Factory's holographic displays, but the result is what you'd hope for: it's streaming, glasses-free video with a genuine sense of depth. While the clips you'll see are currently demos, it beats having to launch apps one at a time just to see holographic clips.

Via: TechCrunch

Source: Vimeo


          Doc Deem - "Lowe Road"      Cache   Translate Page      

From the album, Froggy
https://itunes.apple.com/us/album/froggy/id1255279287
https://open.spotify.com/album/6ZhgmshErKDNGIlbAcir1u
https://listen.tidal.com/album/75877406
https://play.google.com/store/music/album/Doc_Deem_Froggy?id=Bvjafk4h3gaq5525fphyncycate

Cast: Bengalfuel & Friends

Tags: nudity and music video


          The Lost Voice - Clayton Arnall Poem      Cache   Translate Page      

The Lost Voice is a short film poem that discusses the struggles of doing what you really need to do in life. It's so easy as an artist to end up choosing a path that you're not passionate about in exchange for practicality. It has always been my goal to resist that urge and get back to making those things that I'm truly passionate about. Film By: Clayton Arnall Poem / Poetry by: Clayton Arnall

Cast: Clayton Arnall

Tags: poetry, voice over, poem and short film


          隙間の風景      Cache   Translate Page      

Cast: filmout

Tags: collage, animation, dada and surrealism


          Nya - Hollywood Hills (Music Video)      Cache   Translate Page      

no love in this town...

From Nya's 'Southland' EP
linktr.ee/thisisnya

Nya:
SoundCloud: soundcloud.com/thisisnya/sets/southland
Instagram: instagram.com/thisisnya/
Twitter: twitter.com/thisisnya

Edited by Downs:
YouTube: youtube.com/user/BrendanDownsFilms
Instagram: instagram.com/downs.mov
Vimeo: vimeo.com/brendandowns

Inquires: BrendanDownsFilms@gmail.com

Cast: Brendan Downs

Tags: Music Video, Hollywood Hills, Visual, Nostalgia, Southland EP, Nya, Soul music, Singer, R&B, melancholy, downs.mov, electronic, music, film, experimental and video art


           වර්ඩ්ප්‍රෙස් බ්ලොග් අඩවියක් හදමු ~ XI කොටස සඳහා කණ්ඩා ~ Kanda ගේ ප්‍රතිචාරය       Cache   Translate Page      
// බ්ලොග් එකට ලිපි දාන කොට නිකන් ලංකාවේ සති අග පත්තරේක කර්තෘ කෙනෙක් වගේ මට ලාවට දැනෙනෝ………😂😁😁 // ලියන දේ කියනවන පිරිස තරමටම තමන් සතුටු වීමත් වැදගත් :-D :-D :-D :-D :-D ඩේට ගැන හිත හිතා Youtube වැඩේ නම් කරන්න ලැබෙන්නෙ නැහැ ගොයියො, අනික ඒක වැදගත් වෙන්නෙ නිතර වීඩියෝ අප්ලෝඩ් කරනවා නම් විතරයි. ඒ හරහා බ්ලොග් ප්‍රවර්ධනයටත් මහන්සි වෙන්න ඕන නිසා ඔබගේම වීඩියෝ භාවිතයක් නැති නම් එය සාර්ථක නැහැ. නමුත් උදාහරණ විදිහට ඔබ නිතර සංචාරයේ යෙදෙන යන තැන් වීඩියෝ කරලා ඒව බෙදා ගන්න හ සූප ශාස්ත්‍ර ක්‍රම වීඩියෝ මගින් බෙදා ගන්න කෙනෙක් නම් Youtube /Vimeo වැනි අඩවි මගින් ප්‍රචාරය වැදගත් වෙයි.
          Jussi Pakkanen: Simple guide to designing pleasant web sites      Cache   Translate Page      

When is it ok to...

Use infinite scrolling pagesnever
Steal the "/" key for your search widgetnever
Have a "website app" instead of a good web sitenever
Break functionality on the site to drive app usagenever
Autoplay audionever
Use 500 megs of ram for a web IRC (or equivalent)never
Use 100% CPU for animations you can't disablenever
Use 100% CPU for animations you can disablenever
Provide important information only as PDFnever
Have layouts with more pixels for chrome than contentnever
Run a news aggregator site that opens all links in new windowsnever
Block main page from showing until all ad trackers are loadednever
Autoplay video clipsonly if you are Vimeo, Youtube or a similar site

          Summer Music Mix 2018 – Kygo, Ed Sheeran, Camila Cabello, Calvin Harris, Selena Gomez – Chill Out      Cache   Translate Page      

Summer Music Mix 2018 – Kygo, Ed Sheeran, Camila Cabello, Calvin Harris, Selena Gomez – Chill Out Video by https://www.instagram.com/woocash.rcsm https://www.youtube.com/user/LuccatronicPL https://www.youtube.com/channel/UCKEtG2WQhxvmEqkI6q2sLTg https://www.instagram.com/saltinourhair/ https://vimeo.com/yurysharov www.yurysharov.com https://www.youtube.com/user/bellobelloo91 https://www.facebook.com/WildWorld-347352169014038/ https://www.youtube.com/channel/UCWfX95yTIYlNDR69QgqCBuw https://www.youtube.com/channel/UCSmfklBFRzL5TlB9V8X1P-w http://instagram.com/merrwatson https://www.youtube.com/user/chokey13 https://www.youtube.com/user/gbeals100 https://www.instagram.com/th3venture/ https://www.youtube.com/channel/UCdIMxelQ1dYfo6ZjmVFfe3Q https://www.instagram.com/traveltheworld_withus/ https://www.youtube.com/c/LilianPang https://www.instagram.com/lilianxpang/ https://www.youtube.com/user/benmarsproductions https://www.instagram.com/bengmars/ https://www.youtube.com/channel/UCW_5C8CeLcctUFOboZXVWjw https://www.instagram.com/toma_paul/ https://www.youtube.com/channel/UCSHv5WUDl7tRn5t1H6zTpNQ https://www.instagram.com/thecaliforeigners/ https://www.youtube.com/user/MrDirtMaster https://www.instagram.com/tamberkley_brothers/ https://www.youtube.com/channel/UCpwCvBr-xxFEqjfml_qeBOQ Home Artists Featured on Mix Nation: David Guetta, Afrojack,

The post Summer Music Mix 2018 – Kygo, Ed Sheeran, Camila Cabello, Calvin Harris, Selena Gomez – Chill Out appeared first on Eat Sleep EDM.


          Vimeo launches channel just for holographic video      Cache   Translate Page      
Vimeo has a reputation for pushing the boundaries of video technology in a bid to stand out, but it's taking things a step further. The service recently launched a channel dedicated solely to holographic video. You'll need one of Looking Glass Fact...

          Performance and Community      Cache   Translate Page      
Here's a short talk on 'performance and community' that I gave three years ago. Putting it here for reference/safekeeping. Ignore the mis-spelling in the title...


Graham Jeffery on Comminity-Based Methods from UWS Performance Team on Vimeo.



          Piotr Gregorczyk Photography      Cache   Translate Page      
Piotr Gregorczyk Photography magazine feature Piotr Gregorczyk is a London-based artist, photographer and retoucher specialising in food, liquids, drinks and still life. He is best known for his conceptual, food and liquid photography exploring the concept of weightlessness of food and drink in zero gravity. His images are clean and exceptionally detailed with a sense of vision unique in the industry. PG Photography manages all post-production in-house, relying on 16 years of shooting and retouching experience in London. Piotr recently took on the mission of becoming a table top food director to translate the visual language of his stills into film. Working with a network of London's best model-makers, food and prop stylists and set builders, Piotr has built a reputation for creating dynamic and graphic images - the hallmark of his style. Clients include Smeg, Camelot, EDF Energy, Diageo, American Express, Ted Baker, Smirnoff, Knorr, Harrods, Pink Pigeon Rum, Wyborowa Vodka, National Car Rental, HMV, Men's Health, Cosmopolitan and Which Magazine. Piotr is represented by Terri Manduca. Visit his website for more information and follow him on Instagram, LinkedIn, Pinterest, Behance, Vimeo and Twitter.

          PICK: Orquesta de Reciclados Cateura at Steward School      Cache   Translate Page      

Orquesta de Reciclados Cateura (roughly “the recycled orchestra”) is an idealistic, real-world post-apocalyptic musical ensemble. A youth orchestra playing instruments hand-crafted mostly from garbage picked from the vast Cateura, Paraguay trash heap, the group has played Beethoven in concert halls in addition to collaborations with jazz musicians like Paquito D’Rivera and heavy metal legends Megadeath and Motorhead.

With drum heads constructed of tape and x-ray film, steel drum cellos, and tin violins with hand-carved necks. It’s not the New York Philharmonic- and if it were there would be a rush to replace million-dollar Stradivariuses- but that is not really the point. Their performances are a triumph of spirit and dedication over material limitations.

The Steward School has two events celebrating the band. On Monday, Nov. 5, there is a free showing at 7 p.m. of “Landfill Harmonic”, an award-winning 2015 documentary about the ensemble. Nine days later, on Nov. 14, the orchestra’s founder/director Favio Chávez and filmmaker Juliana Penaranda-Loftus take part in the school’s Bryan Innovation Lab Visiting Innovator Program. In the morning they will give a talk and performance, featuring some of the children in the ensemble. In the afternoon they will take part in a Music Maker fair, where both adults and students will have the opportunity to craft their own instruments.

Stay tuned for more on the event in Style Weekly.

Landfill Harmonic from Landfill Harmonic on Vimeo.


          An animated short depicting life above the clouds, where civilization can't touch you, until it does.      Cache   Translate Page      

An animated short depicting life above the clouds, where civilization can't touch you, until it does.

View Post →


          Vimeo adds a channel exclusively for holograms      Cache   Translate Page      
Vimeo has long regarded itself as the video-sharing site for those that want to get experimental. Well, the company has found a new medium to get creators pumped about, and I think it’s fair to say they’re near the forefront of this one: holograms. Vimeo has partnered with Brooklyn-based Looking Glass Factory to combine volumetric video […]
          SuperSimple Video Converter 2015      Cache   Translate Page      
SuperSimple Video Converter(former Best Video Converter) is a free transcoder for your movies, videos and music.Convert videos for iPhone, Android, BlackBerry, Windows Mobile, Symbian, etc, to make them play faster and take up less memory. Prepare videos for YouTube, Facebook, Netflix, DailyMotion, MetaCafe, Vimeo and hundreds of other web sites. Create files for DVD players and set-top boxes (DVD, MKV, DivX, XviD, etc.). Extract audio from music videos. Convert music for car and home stereos (MP3, WMA, OGG, WAV, etc.). Make videos playable on Windows, Mac, Linux and other computer systems. Resize videos, change bit rate, audio format and other parameters. Choose from various output presets (profiles) or create your own. All that at lightning speed, using multiple CPU cores, MMX / SSE instructions and GPU acceleration! Uses ffmpeg.
          Dropbox ganha novas extensões que permitem edição de arquivos via web      Cache   Translate Page      

O Dropbox está ganhando um novo recurso que visa facilitar a execução de trabalhos dentro do seu próprio serviço de armazenamento em nuvem. As ferramentas, chamadas de Extensões, tratam-se de plug-ins de empresas parceiras e permitirão que os usuários da versão web do Dropbox realizem tarefas básicas dentro de suas próprias contas, sem precisar abrir um outro aplicativo ou aba do navegador para tal.

O primeiro pacote de Extensões do Dropbox contará com parceiros como Adobe, DocuSign, Vimeo e outros. Ao adquirir esses plug-ins, usuários terão as assinaturas digitais necessárias para editar um PDF ou realizar alguma mudança em um vídeo ou imagem, tudo isso sem sair do Dropbox e já salvando tudo imediatamente na nuvem. O lançamento desse recurso será disponibilizado para todos os usuários, até mesmo os não comerciais, no dia 27 de novembro.

A ferramenta Extensões pode ser encontrada no menu suspenso ao clicar em “Abrir com”, tanto no Windows quanto no macOS. O objetivo é reduzir o número de aplicativos que o usuário abre ao começar a editar algum arquivo dentro de sua conta do Dropbox. Isso faz com que o serviço de armazenamento em nuvem se torne cada vez mais completo, oferecendo a seus clientes mais produtividade e praticidade.

(Imagem: Dropbox)
(Imagem: Dropbox)

Expandindo os negócios

Anteriormente, o Dropbox tentou usar softwares próprios para personalizar seus serviços, oferecendo-os aos usuários com o mesmo objetivo de aumentar a produtividade e a praticidade. Dentre os programas em questão estavam o (agora desativado) aplicativo de e-mail Mailbox e o app de fotografias Carousel. Atualmente, o Dropbox ainda conta com Google Docs e a ferramenta de edição Paper.

Porém, o Dropbox está agora expandindo esses produtos com empresas terceiras, fazendo parcerias com marcas de sucesso, assim como fez no passado com a Google a Microsoft para levar aos usuários aplicativos já conhecidos e confiáveis para o ecossistema do Dropbox e, claro, ampliando o gerenciamento de arquivos dentro de sua própria plataforma de armazenamento em nuvem.


          Planet Computers anuncia Cosmo Communicator, novo celular híbrido da empresa      Cache   Translate Page      

Depois de colocar no mercado o Gemini — um PDA que também pode ser usado para fazer ligações — a Planet Computers está com um novo projeto pronto para entrar no mercado: o Cosmo Communicator. Assim como seu antecessor, o Cosmo também é um equipamento com teclado QWERTY que pode ser utilizado como telefone, mas ele pretende ter muito mais funções do que o Gemini.

Além da tela de 6 polegadas e câmera para videoconferências na parte interna do aparelho, a parte externa do Cosmo Communicator não será apenas uma capa protetora, mas também conta com uma câmera de 24 megapixels, uma tela de 2 polegadas, um microfone e um alto-falante.

Essas mudanças tornam possível que o aparelho seja usado não apenas como uma câmera fotográfica, mas também permite ao usuário atender ligações sem precisar abrir a tampa, tornando o Comos Communicator muito mais próximo de um fone híbrido (como era o Nokia E90 Communicator, por exemplo) do que de um PDA.

Claro, o novo modelo da Planet Computers também traz melhorias no hardware. O Cosmo usa o recém-anunciado processador MediaTek P70 de 8 núcleos, tem 6 GB de RAM e 128 GB de armazenamento (expansível com cartão de memória), tudo funcionando com a mesma bateria de 4.220 mAh do antecessor. O aparelho virá de fábrica com o Android 9.0, mas também rodará outros sistemas operacionais baseados em Linux, como Sailfish e Debian.

Aqueles que se interessarem pelo Cosmo Communicator podem já acessar a pré-venda do aparelho através do Indiegogo — e não há nenhum perigo de que o aparelho não saia do papel, já que faltando ainda um mês para o fim do período de arrecadação a empresa já superou em mais de 200% o objetivo financeiro para a criação do produto.

Os primeiros modelos serão enviados para os usuários em maio de 2019, e o Cosmo Communicator pode ser adquirido por preços a partir de U$ 549.


          Criticizing Those Behind Globalization Is Now Off Limits – Ryan Dawson      Cache   Translate Page      

Ryan Dawson from Anti-Neocon Report joins Henrik to discuss his account termination with Vimeo, the confiscation of his Pay-per-view revenue and his censorship issue with YouTube. The establishment are slowly making themselves immune to criticism by outlawing the words and descriptive words used by dissidents.

The post Criticizing Those Behind Globalization Is Now Off Limits – Ryan Dawson appeared first on Dprogram.net.


           Dropbox、PDFや動画などの作成・編集を行える「Extensions」発表。AdobeやVimeoらと提携       Cache   Translate Page      
クラウドストレージサービスのDropboxが米時間11月6日、Dropboxから移動することなく、PDFへの変換や編集、動画への注釈追加など、サードパーティアプリの機能を利用できる「Dropbox Extensions」を発表しました。契約プランにかかわらず、Dropboxの全ユーザーが11月27日から利用可能になるとのことです。 この機能は、Adobe、Autodesk、DocuSign、Vimeo、airSlate、HelloSign、Nitro、Smallpdf、Pixlrらとのパートナーシップで実現したもの。他のアプリで作成・編集したものを直接Dropboxに保存する機能はこれまでもありましたが、Dropbox Extensionsはその逆。Dropboxから離れることなく、各アプリの機能を利用できます。 ただ、Dropboxとしては、単に各機能がDropbox内で使えて便利ということを目指しているのではなく、ワークフローの効率化を考えているとのこと。 例えば、Dropbox Extensionsを使えば、ファイルをPDF化して、署名を依頼。署名されたPDFファイルをFAXで送付といったことが、Dropbox内のみで行えるようになります。また、動画編集の場合も、Viemoの機能を利用すれば、複数の人が動画内の任意の箇所にコメントを残せます。 今後より多くのパートナーを追加していくとしており、Dropboxは各種作業の起点として、ますます便利になっていきそうです。
          Dropbox Introduces Extensions [Video]      Cache   Translate Page      


Dropbox has announced the launch of Dropbox Extensions, a series of new integrations that let users start workflows from within the platform.

These no-fuss workflows are only possible because we’ve built deep product partnerships with leading productivity companies that include Adobe, Autodesk, DocuSign, Vimeo, airSlate, HelloSign, Nitro, Smallpdf, and Pixlr. We want users to have the ability to move fluidly from one task to the next without breaking their flow. It should be just as easy to use a combination of tools and apps as it is to use the same suite of tools from a legacy provider.






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          Crítica: Bohemian Rhapsody      Cache   Translate Page      

Pero entonces, ¿te ha gustado la película?

Crítica ✷✷✷✷ de Bohemian Rhapsody (Bryan Singer y Dexter Fletcher, 2018).

Estados Unidos. 2018. Directores: Bryan Singer y Dexter Fletcher. Guion: Anthony McCarten. Productor: Jim Beach. Director de fotografía: Newton Thomas Sigel. Montaje: John Ottman. Casting: Susie Figgis. Vestuario: Julian Day. Intérpretes: Rami Malek, Lucy Boynton, Gwilym Lee, Ben Hardy, Aidan Gillen, Mike Myers.

01. Introito (o los límites de la crítica mediante estrellas)

Es complejo puntuar las películas mediante estrellas. Se aplasta la superficie textual en una cifra y se espera del lector que comprenda con precisión a qué rasgo concreto de la experiencia fílmica corresponde esa valoración. En las películas cristalinamente buenas o malas la cosa puede sortearse con facilidad, y, sin embargo, en aquellas que se despliegan en diferentes niveles –o mejor dicho, que ofrecen al espectador cosas diferentes y contradictorias- la cosa resulta algo más compleja. Ciertamente, cualquier crítico con cierta formación audiovisual podrá afirmar sin temblarle el pulso que otorgarle cuatro estrellas a Bohemian Rhapsody (Bryan Singer y Dexter Fletcher, 2018) es una torpe boutade, una majadería malitencionada o, directamente, la ufana autoproclamación de no tener ni la menor idea de cine. De hecho, el lector o la lectora que sean tan amables de acompañarme hasta el final del texto descubrirán que voy a invertir muchas, muchas palabras, en poner de relieve los incontables —y muy torpes— errores en los que se desploma la película. Sin embargo, como de un crítico se espera —se debería esperar— también que diga algo más o menos sincero sobre su propia experiencia dentro de la sala y a partir del visionado, les emplazo al último epígrafe para intentar justificar lo injustificable: esto es, que una película manifiestamente mejorable —seamos benévolos— pueda, e incluso deba, ser puntuada con cuatro estrellas.

02. ¿Cómo leer Bohemian Rhapsody? Interferencias.

El primer problema que nos sale al paso es, precisamente, el propio ruido contextual alrededor de la película. Para muchos, la cinta ya aparece con una diana pintada en la frente, y con todo un argumentario listo para ser desplegado: estetización de lo hortera, falta de rigor histórico, biopic aprovechado y hagiografía de Mercury. Sea. Para otros, al contrario, la película viene dispuesta a convertirse en el inevitable hype de las próximas, digamos, cinco semanas. Ellos también tienen sus razones: la interpretación de Rami Malek, la pericia en la dirección del casting, el liviano y agradecido relato “más grande que la vida” y, por supuesto, la reivindicación de la música de Queen. Sea también.

Ahora bien, ¿qué ocurre con la propia película? El funcionamiento muestra desde la escena de apertura por dónde van a venir los problemas. La meta de la enunciación queda presentada mediante un manidísimo travelling de seguimiento a cámara lenta: el concierto de Live Aid de 1985. La figura de Mercury —centro único y principal sobre el que orbita la historia— se presenta mediante una colección de planos detalle que nos hurtan el “descubrimiento” de la figura pop ya perfectamente construida. La decisión narrativa —arrancar con la incorporación de Mercury a Smile y cerrar con el Live Aid— ya es un error catastrófico. De entrada, uno intuye —y más tarde confirmará— que se quedan fuera del metraje nada menos que los trabajos que van desde el A kind of magic hasta el Innuendo –de los discos póstumos mejor hablamos en otro momento-, dejando así al margen varios de los momentos creativamente más intensos y complejos de la banda. ¿Por qué acotar la cinta precisamente así, si no es para justificar desde el arranque el inevitable crescendo final que culmine en casi quince minutos de recreación del bolo humanitario? Volveremos a esta pregunta.

Cuando la cinta se niega a subrayar y se limita a contener la respiración, entonces, sin duda, emerge una experiencia valiosa.


De entrada, la estructura de la cinta se presenta razonablemente episódica, si bien los fragmentos no terminan de encajar. Por momentos parece que estamos ante una obra que plantea el descubrimiento de la complejidad sexual, por momentos parecería una ópera rock melodramática, por momentos deviene una hiperbólica reflexión sobre los excesos de la fama y el arrebatamiento creativo. Por supuesto, todo eso estaba en el interior de Mercury, pero, ¿puede estar también funcionar a pleno rendimiento en una humilde película? Del mismo modo, el tono dramático de las diferentes escenas, simple y llanamente, no funciona. Los números musicales iniciales en directo son exuberantes, rápidos, majestuosos, están rodados con inteligencia y montados con precisión. Encuentran los detalles escénicos, se ponen al servicio de la música, se permiten ciertos toques de humor y ligereza. Ahora bien, en los momentos afectivos, en las escenas emocionales, allí donde realmente se ponen en juego los sentimientos y las desolaciones de los personajes, la película se deshace y se ralentiza por completo. Las declaraciones de amor y odio, las descripciones de la soledad y los aguijonazos del deseo están tratados con tal torpeza que en la sala es inevitable escuchar a los parroquianos carraspear, revolverse en la butaca, mirar el móvil.

Pongamos un par de ejemplos. En una escena concreta, Freddie Mercury inventa un pequeño juego a partir de unas lámparas para comunicarse con su exnovia Mary (Lucy Boynton) a través de la ventana. En el momento mismo en el que se plantea esa idea todo el público sabe lo que no tardará mucho en llegar: una escena “en espejo” en la que Freddie enciende y apaga la luz sin encontrar respuesta alguna. No hay ninguna otra función más que buscar la imagen obvia para mostrar el sentimiento obvio. Lo mismo se puede decir de la torpísima secuencia de escenas en la que se combina la grabación de Another one bites the dust con la entrada del protagonista en un club homosexual. Lo que hubiera podido ser una exploración sobre la mirada, la fascinación, el cuerpo, la búsqueda del deseo o incluso el inevitable e inesperado encuentro con el SIDA queda aquí reducido a un aburridísimo montón de planos detalle montados mediante sobreimposiciones que sugieren un abigarrado conjunto de gorras, bigotes y hombres forrados de látex. La cosa es tan torpe y tan poco sensual —después de todo, ¿no apoya la película así una cierta criminalización implícita en ese tipo de placer?— que resulta imposible entender el peso narrativo del acontecimiento sobre el personaje. Acude a un club de alterne como hubiera podido acudir a una carnicería, a una exposición de arte contemporáneo o a una barbería hipster. Y si precisamente se desactiva la problemática del deseo, ¿es posible entender a un personaje como Freddie Mercury?

De aquello que duele —la soledad, el cuerpo— la película no parece decir gran cosa. Otro tanto ocurre con su mostración del gesto creativo. Los planos en los que un aparentemente iluminado Malek se desliza lánguido sobre el piano abriendo mucho los ojos para impostar el supuesto golpe de genio compositivo de Mercury —la “iluminación” del artista— están tan sobados que provocan una indecible vergüenza ajena. Más allá, la película se toma licencias dramáticas tan discutibles como afirmar en plancha que Mr. Bad Guy fue un trabajo mediocre o que Ray Foster era una suerte de figura risible parapetada tras un rictus pétereo —la complicidad de Myers, en fin, no deja de ser un cameo agradable que conecta, Wayne´s World mediante, con la penúltima generación del VHS. De nuevo, la generación del Innuendo. Por último, la decisión de comprimir la “salvación” del personaje principal en un último acto de narración empalagosa y densa —encuentra el amor verdadero, se reconcilia con sus padres, recupera la voz y salva a miles de africanos anónimos en menos de diez minutos de metraje— es tan profundamente descabellada que debería estudiarse en las clases de guion como una revisión camp y de una cutrez inenarrable de la salvación en el último minuto de Griffith.

Entonces, ¿por qué cuatro estrellas?



03. These are the days of our lives

Uno de los últimos videoclips rodados en vida por Freddie Mercury —cito de memorieta, pero creo recordar que fue, de hecho, el último trabajo audiovisual del grupo— es ese extraordinario These are the days of our lives, pequeña carta de amor y despedida en blanco y negro noventero en el que un Mercury fantasmal saturado en blanco y negro se despide humildemente y sin aspavientos de su propia imagen. Nada que ver con esos imposibles barridos digitales que generan tridimensionalmente el estadio de Wembley en la clausura de la película de Singer y Fletcher. En cierto modo, esas imágenes son mucho mejores que cualquier otro significante que se hubiera podido recrear para contar el ocaso y fallecimiento del cantante de Queen. También constituyen la barrera ética que la cinta decide —a mi juicio, afortunadamente— no traspasar. Y también, supongo, son una especie de postal dolorosísima para los que ya pintamos canas.

Si Queen no hubiera sido un icono generacional que atravesó por lo menos a tres generaciones de oyentes —y el lector o lectora paciente ya sospechará que yo mismo me incluyo en la tercera y última de ellas— la cosa hubiera sido más fácil de juzgar. Es una mala película –está mal construida y mal rodada, queda más o menos demostrado. El problema es que durante el visionado, algo que tenía que ver con mi propio aprendizaje musical y con mi propia relación con los temas de la película quedaba, extrañamente, situado más acá de sus problemas narrativos. Pese a todo, pese a la lectura racional, había algo en esas imágenes que manipulaba con fuerza y con precisión el tiempo, los recuerdos, las frustraciones. Algo que tenía que ver con la propia música, claro, pero también con la manera en la que las imágenes de Queen nos habían configurado generacionalmente. Supongo que para los nacidos más allá de 1998, año arriba o año abajo, la película resultará poco menos que insufrible. Sin embargo, para muchos otros, los plásticos de Queen significaron parte de nuestro aprendizaje emocional, la carta de presentación hacia el descubrimiento de la música adulta en una especie de canon nunca escrito en el que mis contemporáneos quizá descubran también el disco azul y el disco rojo de los Beatles, el IV de Led Zeppelin o el Nevermind de Nirvana. Nos puede gustar más o menos, pero como dice la canción, those were the days of our lives. Me perdonarán este arranque de sinceridad, pero me parecería mucho más hipócrita desgañitarme discutiendo las virtudes o defectos de, qué diría yo, Rosalía o cualquier músico urbano de moda ante el que no tengo nada que decir.

En esa especie de caída libre narrativa, la película sabe pulsar con pericia aquellas teclas exactas que activan los mecanismos básicos de la memoria. Sabe qué palabras, qué gestos, qué manera de alzar una guitarra o qué frase de diálogo nos va a devolver fulminantemente a nuestro desván memorístico. Es una lluvia fina de golpes bajos contra el espectador. 


Esto viene al caso de la certera sensación de saberse público objetivo de la película y, pese a todo, ser capaz de caer en (casi) todas sus trampas. En dejar escapar una carcajada, en marcar el compás de un tema con el zapato sobre la suela de una sala, en sentir un cierto estremecimiento. Paradojas de la crítica: si la película es capaz de destruir mis herramientas analíticas y emocionarme en un terreno tan sucio y básico como el de mi propia infancia y mi primera adolescencia, entonces es que algo probablemente esté bien manejado en su interior. Quizá tenga ver con un cierto respeto hacia la propia obra de Queen que se hubiera podido perder en los callejones del amarillismo o de la mostración dramática del SIDA. Hay una escena, por ejemplo, en la que un simple plano trasero de Mercury atravesando el pasillo de una clínica con un rayo de luz filtrándose por una de las ventanas ya es suficiente. Cuando la cinta se niega a subrayar y se limita a contener la respiración, entonces, sin duda, emerge una experiencia valiosa.

En el fondo, supongo que lo que planteo es una hipótesis tan patética que podría resumirse en el enunciado balbuciente: “Yo formé parte de esta historia, algo de ella me pertenece, y por ello voy a darle cuatro estrellas. No tanto a la película, claro, sino a la persona que yo era cuando me emocionaron estos acontecimientos”. Pero con un par de matices. El primero es que en esa especie de caída libre narrativa, la película sabe pulsar con pericia aquellas teclas exactas que activan los mecanismos básicos de la memoria. Sabe qué palabras, qué gestos, qué manera de alzar una guitarra o qué frase de diálogo nos va a devolver fulminantemente a nuestro desván memorístico. Es una lluvia fina de golpes bajos contra el espectador. Y sería lícito preguntarse, además, ¿no es ese el motivo básico por el que hemos pagado la entrada de la sala?

El segundo matiz es algo más delicado. En ese encuentro con lo que uno ha sido, la película ofrece una justificación ante nuestro propio ridículo, ante los errores que cometimos, ante lo mal que nos hemos contado algunas partes del relato. Después de todo, es una película exculpatoria –de Mercury, de los supervivientes de Queen, del propio espectador. La película se exculpa a sí misma y, al hacerlo, nos libera de una terrible carga. La de “haber estado allí”, la de haber perdido ese tiempo, la de haber pasado a otra cosa. El mundo que retrata, la música que retrata, no son sino un montón de ruinas incomprensibles e inútiles para el actual estado de la cuestión. Al menos, para lo que se supone que —aquí es imposible no resbalar un poco— parece que se premia en los mentideros, la prensa especializada y las canciones que comparte la gente que sabe de la cosa. Con lo que Bohemian Rhapsody realiza su finta, su golpe maestro, y finalmente resulta que aquello no iba tanto de Queen sino de nosotros mismo viendo una película nostálgica sobre Queen tantos años después, sintiéndonos un poquito avergonzados, un poquito tristes, un poquito emocionados. Nos ha robado la cartera. Mañana volveremos a ser inteligentes, agudos, buenos críticos, hablaremos únicamente de (choose your fighter) el último disco indie o el último disco de trap. Pero el metraje no miente: ha venido a por las lágrimas y el dinero de los que nos sabemos casi-ancianos, casi-muertos, casi-defraudados. Y en ese abrazo, emerge el pornográfico We are the champions final, ese coro obsceno de voces que nos dicen lo contrario: fue tan hermoso, muchacho. Fue todo tan hermoso.

Al caer la noche, discutiendo con mi señora esposa sobre la película, doy vueltas por el salón como un mendicante desquiciado moviendo las manos en el aire:

- Un puto desastre, lo que todos sabíamos. Un horror. Dos horas y cuarto de película, todo mal construido, un guion espantoso, rodada como el culo, con unos planos aéreos… ¡De juzgado de guardia! Y unos efectos especiales… ¡Intolerables!
Pero mi mujer, que por lo demás es mucho más inteligente y mucho más perspicaz que yo, tras aguantar estoicamente el sermón de profesor amargado, formula finalmente la única pregunta que vale, la que debería estar por encima de todo lo demás.
- Pero entonces, ¿te ha gustado la película?
Y tras tomar aire, carraspear y notar cómo se me empañan un poco, muy poco, los ojos, tengo que confesar:
- Si. Mucho. | ✷✷✷✷ |


Aarón Rodríguez Serrano
© Revista EAM / Madrid



          Crítica: El árbol de la sangre      Cache   Translate Page      

Los árboles no dejan ver el bosque

Crítica ✷✷ de El árbol de la sangre (Julio Medem, 2018).

España, 2018. Dirección: Julio Medem. Guion: Julio Medem. Productora: Arcadia Motion Pictures. Fotografía: Kiko de la Rica. Montaje: Elena Ruiz. Música: Lucas Vidal. Dirección artística: Montse Sanz. Vestuario: Carlos Díez. Reparto: Úrsula Corberó, Álvaro Cervantes, Najwa Nimri, Joaquín Furriel, Patricia López Arnaiz, Daniel Grao, María Molins, Josep María Pou, Ángela Molina, Emilio Gutiérrez Caba, Luisa Gavasa. Duración: 130 minutos.

Julio Medem es uno de los grandes autores de nuestro cine. Desde su primer largometraje Vacas en 1992 ha ido labrándose una carrera de mucha personalidad, desarrollando temas de amores imposibles, intrigas surrealistas, ficciones metalingüísticas, herencias del pasado… todo ello sin entrar en un género definido. Podría hablarse más bien de un género propio de este cineasta, pues enseguida se puede identificar una película suya, tanto por esos elementos narrativos como por su plasmación visual, con una estética siempre luminosa y de fuerte carga metafórica. Ahora bien, con ya diez películas a sus espaldas, sin contar sus cortos o segmentos, sus más recientes trabajos cobran un cierto aire de deja vu, sin que se perciba una clara voluntad de renovación, sino más bien una insistencia en esos aspectos que el público general suele asociar con su cine. En realidad con ello pierde parte de su esencia, ya que sus primeros filmes ante todo se caracterizaban por el misterio de lo inesperado, la espontaneidad de las reacciones, y al mismo tiempo la curiosa naturalidad de sus acontecimientos. Recuérdense en este sentido las tramas de La ardilla roja (1993), Tierra (1996) o Los amantes del círculo polar (1998), todas ellas partiendo de premisas extravagantes pero desarrolladas con una cercanía única, asegurada por la emoción que puede transmitir la reversión de lo cotidiano.

Esto es lo que falta en El árbol de la sangre, recién estrenada en nuestras salas sin pasar antes por ningún certamen, aunque esto no sería aquí necesariamente un mal augurio porque es una estrategia habitual del director. Una joven pareja, Rebeca (Úrsula Corberó) y Marc (Álvaro Cervantes), se trasladan a un caserío del País Vasco para escribir la historia de sus respectivas familias, entrelazadas como las raíces de un árbol o los dedos que puedan rodear su tronco, así en una escena temprana en la que Rebeca y Marc realizan esta operación con el árbol del jardín del caserío (que por cierto domina el plano inicial y el final de la cinta, simétricos). El problema es que, tal como está presentada la escena, no parece que lo hagan con naturalidad, como algo que se les ocurre de repente, sino como algo premeditado. Pero esto no concuerda con las motivaciones de los personajes, sino con el simbolismo con el que desde un principio se quiere introducir el drama. Es una cuestión más de planteamiento que de contenido. Valga este detalle para adelantar que esta película suele llevar a cabo el proceso inverso al que debería, partiendo de la metáfora o la idea para en función de ella situar o imponer algo a los personajes, en lugar de derivar esa abstracción de sus acciones o conflictos, tal como puedan discurrir según el avance de la trama. Esto se confirma con la supuesta razón que ha llevado a Rebeca y Marc al caserío: parece cuanto menos rebuscado que se trasladen hasta allí y elaboren un plan metódico, escribiéndolo por ordenador, apoyándose en libros y archivos, fijando ciertos horarios, para simplemente rememorar su pasado y confesarse algunas verdades ocultas, que es algo que o bien deberían haber hecho ya o deberían hacer de manera totalmente distinta, ya sea improvisada o compelida.

El metraje está repleto de leitmotivs, ya presentes en el cine anterior de Medem, como la taquigrafía, la luna llena, el sexo en la playa, la amante rusa, incluso las vacas, […] pero aquí no están tan bien ligados a la trama principal.


Medem es consciente de que las circunstancias exigen una explicación adicional, más concreta, pero nos la ofrece tarde y mal, cuando ya muy avanzado el metraje se nos informa de que fue la pareja de la madre de Marc, escritora, la que les pidió ir al caserío, pues ahí encontró ella su fuente de inspiración literaria. Esto es relevante, porque se subordina la historia de los dos protagonistas a su plasmación novelística, y a partir de ahí se diseña una compleja estructura de flashbacks donde aparecen los demás individuos del árbol genealógico. Por ejemplo los abuelos de Marc tienen los rasgos destacados de Josep María Pou y Ángela Molina, mientras que la madre de Rebeca está interpretada por Najwa Nimri. Sin embargo aparecen como peones del destino transmitido por sus descendientes, antes que como personajes de carne y hueso. Esto sobre todo es cierto para los mentados abuelos, a los que se quiere dar un cierto aire trágico, patente en sus orígenes y su desenlace, pero nos es bastante indiferente su suerte, pues no se ha ofrecido ninguna escena entre ellos que nos aporte suficiente información sobre sus vicisitudes o nos haga partícipes de sus sentimientos. Hay un bonito plano contrapicado en una boda con los dos abuelos de Marc y la madre de Rebeca donde se apunta una conexión mayor, cuando las dos mujeres unen sus manos (de nuevo) aquí para que la mayor simule tocar el piano sobre los dedos de la otra, como si fueran teclas. Pero ese elemento musical no goza del desarrollo que luego pueda otorgar la debida carga sentimental a su reaparición.

El metraje está de hecho repleto de leitmotivs, ya presentes en el cine anterior de Medem, como la taquigrafía, la luna llena, el sexo en la playa, la amante rusa, incluso las vacas, con una de ellas subida a la copa del famoso árbol, pero aquí no están tan bien ligados a la trama principal. Por ejemplo cuando se anuncia la luna llena, bajo la cual los dos protagonistas quieren compartir algo relevante, al igual que hicieron sus antepasados, no se cumple esa anunciada trascendencia, sino que enseguida el relato sigue otros derroteros. En otras palabras, hay anticipaciones insatisfechas y conclusiones aceleradas, porque rara vez se deja a cada secuencia el tiempo debido para su retroalimentación. Pongamos otro ejemplo ilustrativo: hacia un momento temprano de la historia, cuando conocemos a la entonces joven madre de Marc, esta es rescatada de la mafia georgiana por un tal Olmo (Joaquín Furriel) y los dos huyen en coche, pero de repente él se desvía hacia la playa, y ante la duda de ella, se limita a decir que le apetece nadar. Esta decisión ilógica funcionaría si se tratara de un personaje absurdo o trastornado, y aunque este pudiera ser el caso por su origen de orfandad y exilio y los asuntos turbios a los que ahora se dedica, su evolución nos transmite en cambio una frustrante serenidad. La sosa interpretación de Furriel tampoco ayuda. Cervantes en el papel coprotagonista parece también algo descolocado, mientras que Corberó o Nimri sí funcionan mejor: salen pues ganando las mujeres, que al final son las que aportan la pasión mejor entendida a este contexto. El mismo se nos presenta en definitiva de forma errática, con un montaje ambicioso pero no siempre afinado (incluso al principio en esa llegada al caserío, cuando los protagonistas van redescubriendo sus habitaciones hay planos subjetivos de acercamiento cortados a destiempo), no exento de virtudes estéticas pero que en su conjunto nos hacen añorar el primer cine del director, donde la historia contaba mucho más que la suma de sus partes. | ✷✷✷✷✷ |


Ignacio Navarro Mejía
© Revista EAM / Madrid



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          Enchanted Parks 2018 - Trailer part 2      Cache   Translate Page      

Cast: chris lavelle


          Dropbox Extensions te permite editar archivos sin salir de Dropbox       Cache   Translate Page      

Dropbox Extensions te permite editar archivos sin salir de Dropbox #source%3Dgooglier%2Ecom#https%3A%2F%2Fgooglier%2Ecom%2Fpage%2F%2F10000

Año a año vemos como "la nube" está más presente en nuestras vidas, permitiéndonos guardar todo tipo de archivos y poder acceder a ellos desde cualquier lugar.

Dropbox es una de las principales herramientas de almacenamiento en la nube, pero no quieren quedarse solo en eso. Por este motivo, hace unas horas presentaron 'Dropbox Extensions', un sistema que nos permite hacer todo tipo de cosas sin tener que abandonar Dropbox.

Prometen que agregarán más integraciones

Con Dropbox Extensions podemos realizar tareas con las que normalmente tendríamos que abrir una aplicación de terceros. Actualmente ya han llegado a acuerdos con compañías como Adobe, Autodesk, Vimeo, Pixlr o DocuSign.

Eso significa que si nos llega un documento que debemos firmar, podremos integrar la firma digitalmente y enviarlo sin salir de Dropbox. También podemos editar una imagen con Pixlr o abrir un archivo DWG con Autodesk.

De todos modos, lo verdaderamente importante de este anuncio es ver cómo evoluciona este nuevo sistema, ya que han asegurado que seguirán añadiendo "más socios e integraciones al ecosistema".

Los usuarios con cuentas gratuitas también podrán utilizarlo

Dropbox busca que el usuario no tenga que instalar tantas aplicaciones para realizar tareas sencillas. Para utilizar 'Extensions', simplemente tendremos que utilizar el menú "abrir con" y seleccionar el servicio que queramos.

Dropbox

Dropbox Extensions estará disponible para todos los usuarios a partir del 27 de noviembre, y uno de los puntos positivos es que los usuarios que tengan cuentas gratuitas también podrán utilizarlo.

También te recomendamos

No hay que esperar al Black Friday: trucos para llevarte ya lo mejor en tecnología al mejor precio (y sin riesgos)

Project Infinite, o cómo Dropbox va a sincronizarlo todo aunque no quepa en tu ordenador

Ahora Plex reconocerá tus películas también en Google Drive, Dropbox y OneDrive

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La noticia Dropbox Extensions te permite editar archivos sin salir de Dropbox fue publicada originalmente en Genbeta por Santi Araújo .


          Dropbox mise sur les partenariats pour capter les flux de travail      Cache   Translate Page      
Autodesk, DocuSign, Vimeo... Dropbox mise sur l'intégration, dans son interface web, de fonctions issues de logiciels tiers.
          Des responsables marocains agacés par une exposition pro-sahraouie à Paris      Cache   Translate Page      
Des irresponsables du Makhzen semblent émus par l'exposition des photos retrouvées dans les portefeuilles de soldats marocains victimes de l'aventure d'Hassan II dans sa guerre contre le Polisario !
Alors que ces pauvres soldats faits prisonniers de guerre, ont été oubliés par le régime alaouite plus de 30 ans dans les camps de réfugiés sahraouis à Tindouf et une fois libérés pour des raisons humanitaires, ils n'ont fait, jusqu'à ce jour, l'objet d'aucune reconnaissance officielle en tant que vétérans de guerre en signe de gratitude pour leur sacrifice ! Ils continent à toucher jusqu'à aujourd’hui une pension de misère et à chaque fois qu'ils manifestent pour attirer l'attention sur leur misérable situation, le régime alaouite leur envoie ses hordes pour les matraquer !
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Des responsables marocains agacés par une exposition pro-sahraouie à Paris
Publié Le : Dimanche, 04 Novembre 2018
Paris – La galerie dédiée à l’art du Sahara occidental qu’abrite le centre Pompidou à Paris a suscité une animosité chez le président de la Fondation marocaine des musées, Mehdi Qotbi, qui s’en est plaint auprès du Président de l'Établissement français.
Citant une dépêche de l'agence Algérie Presse Service, le responsable marocain a accusé le Centre national français d'art et de culture Georges-Pompidou de « participer à la propagande » du Front Polisario. Le Président de la Fondation marocaine des musées a été visiblement agacé par les preuves tangibles apportées par les pièces de cette exposition d'art sur l'identité particulière du peuple sahraoui.
Figurant parmi les collections permanentes du centre poly-culturel français, la galerie intitulée Necessità dei volti (La nécessité des visages) témoigne du mouvement de résistance armée qu'a mené le front Polisario face à l'entreprise d'annexion marocaine du territoire sahraoui. Parmi les documents exposés, une collection de photographies issues des archives du Musée national de la résistance, qui se trouve dans le camp des réfugiés sahraouis de Tindouf, dont un collectif d'artistes pro-sahraouis a pu scanner un total de 483. Le résultat, un livre de fabrication manuelle qui atteste de la réalité militaire de la lutte sahraouie pour l'autodétermination pendant les années 70.
Artiste sculpteur, journaliste et écrivain, Jean Lamore qui supervise cette galerie est l'auteur et le réalisateur du film-documentaire Building Oblivion (La construction de l'oubli), sélectionné en 2010 au 3e Festival international des films sur les droits de l'homme à Naples. Le militant humaniste et, accessoirement, co-fondateur de Mamba, revue culturelle à la croisée des chemins de l'art, des sciences et de la politique, avait tenu à préserver de l'oubli le "véritable crime contre l'Humanité" que représente le mur édifié dans les années 80 par le Maroc pour diviser le territoire du Sahara occidental.
Building Oblivion (Excerpt 2) from jean lamore on Vimeo.
Parmi les auteurs de l'oeuvre, figurent aux côtés du Franco-Américain Lamore, l'Italien Patrizio Esposito, co-auteur de Una storia Sahrawi (Une histoire sahraouie), et la photographe palestinienne Yasmine Eid-Sabbagh, membre de la Fondation arabe pour l’image. D'autres pièces constituent l'exposition, où le roman Polisario, un'astronave dimenticata nel deserto (Polisario, un vaisseau spatial oublié dans le désert) côtoie la collection photo Vedere l'occupazione (Voir l'occupation). Une expression artistique polyphonique dont tout épris de culture ne saurait tolérer la censure.
http://www.aps.dz/…/80183-des-responsables-marocains-agaces…
Building Oblivion (Excerpt 2) from jean lamore on Vimeo.
https://vimeo.com/27146134
http://qvbotdu.x.incapdns.net/…/e31d5105fa759cf9aa94da244b1…



          Offer - Motorbike Buyer - UK      Cache   Translate Page      
Selling your bike has never been so easy. We are used bikes buyers who provide you with the best services for your motorbike. This all takes you to enter the details pertaining to your van into our simple valuation section. Address: 42 Townsend Rd, Chesham HP5 2AA, UK England Site: http://motorbikebuyer.co.uk/ Email: office@motorbikebuyer.co.uk Phone: +44-149-479-2479 Vimeo : https://vimeo.com/user70141641 Twitter : https://twitter.com/motorbikebuyer Google : https://plus.google.com/u/0/101599781092907067155 Facebook : https://www.facebook.com/Motor-Bike-Buyer-1475659032480735/
          На Vimeo появился канал с голографическими видео      Cache   Translate Page      

На Vimeo появился канал с голографическими видео

Компания Vimeo в сотрудничестве с бруклинской фирмой Looking Glass Factory запустила видеоканал, в котором будут размещаться исключительно голограммы. Понятно, что пока ассортимент канала очень ...  

IGROBZOR - Лента игровых новостей рунета - Все новости в одной ленте


          11月3日(土)のつぶやき      Cache   Translate Page      

中川 翔子 『RAY OF LIGHT』
youtube.com/watch?v=EbTJug…

— Hitori Japan (@hitori_japan) 2018年11月3日 - 08:12

Dario Rossi "TECHNO RAVE PARTY mode: ON" live @ Piazza del Popolo, Rome
youtu.be/amoewMRz7LU?li…

— Hitori Japan (@hitori_japan) 2018年11月3日 - 09:12

VISUATARI - 3d Videomapping installation on Vimeo
vimeo.com/40653022

— Hitori Japan (@hitori_japan) 2018年11月3日 - 10:12

ヨーロッパの美しすぎる景色[微速度撮影]
vimeo.com/92179785

— Hitori Japan (@hitori_japan) 2018年11月3日 - 11:12

Tu Meri Full Video | BANG BANG! | Hrithik Roshan & Katrina Kaif | Vishal... youtu.be/YAOIbHBEvi0

— Hitori Japan (@hitori_japan) 2018年11月3日 - 12:12

Persona 4 OP 「Pursuing My True Self」
youtube.com/watch?v=D6mXJH…

— Hitori Japan (@hitori_japan) 2018年11月3日 - 13:12

m-flo loves MONDAY満ちる / A.D.D.P. youtu.be/XnMgobO6CLA YouTubeさんから

— Hitori Japan (@hitori_japan) 2018年11月3日 - 14:12

作品が溜まってきたのでまとめました!
#自己紹介
#これが私の代表作 pic.twitter.com/ASUhCgBFIT

— 晴季 (@02ESyRaez4VhR2l) 2018年11月3日 - 11:47

BOSSにコーンスープが出ていたんですね...😅 pic.twitter.com/XhvGiZGp0o

— 猛者(スーファミ電池交換担当並びにクルクルランダー) (@mosa_sfcbattery) 2018年11月2日 - 19:04

DAOKO × 岡村靖幸『ステップアップLOVE』MUSIC VIDEO
youtu.be/wsl8HS_lVHE

— Hitori Japan (@hitori_japan) 2018年11月3日 - 15:12

hide - DICE
youtu.be/W6s41bYxYf0

— Hitori Japan (@hitori_japan) 2018年11月3日 - 16:12

pic.twitter.com/SUOnWrdYZr

— ... (@FLICTERIA) 2018年11月3日 - 16:05

Midtown Award受賞作。たんぽぽの綿毛で作られた建築。儚くて凄く良い pic.twitter.com/i0GFTzKLA3

— 山岡 潤一 Junichi Yamaoka (@jun1chi) 2018年10月31日 - 16:46

pic.twitter.com/rTYULgth8M

— ... (@FLICTERIA) 2018年11月3日 - 16:02

Luna Sea - IN SILENCE
youtu.be/rBsviA3ugZM

— Hitori Japan (@hitori_japan) 2018年11月3日 - 18:12

The Trashmen - Surfin Bird - Bird is the Word 1963 (RE-MASTERED) (ALT End Video) (OFFICIAL VIDEO)
youtu.be/9Gc4QTqslN4

— Hitori Japan (@hitori_japan) 2018年11月3日 - 19:12

岸田教団&THE明星ロケッツ_GATE~それは暁のように~_
youtu.be/qVEVRTUAy0M

— Hitori Japan (@hitori_japan) 2018年11月3日 - 21:12

Raccoon attacking a guy. - YouTube
youtube.com/watch?v=G7hBv-…

— Hitori Japan (@hitori_japan) 2018年11月3日 - 22:12

[Official Video] Little Drummer Boy - Pentatonix - YouTube
youtube.com/watch?v=qJ_MGW…

— Hitori Japan (@hitori_japan) 2018年11月3日 - 23:12
          На Vimeo появился канал с голографическими видео      Cache   Translate Page      

Компания Vimeo в сотрудничестве с бруклинской фирмой Looking Glass Factory запустила видеоканал, в котором будут размещаться исключительно голограммы. Понятно, что пока ассортимент канала очень сильно ограничен, но обе компании готовы поделиться своими SDK, которые помогут разработчиком насыть канал разнообразными роликами.

Создание площадки инициировано подразделением Vimeo под названием Vimeo Creator Labs. Задачей это группы является внедрение новых технологий, и голограммы – одна из них. А решения Looking Glass Factory поднимают удобство просмотра на новый уровень, так как созерцать голографические изображение на экране под любым куда удобнее, чем делать то же самое при помощи гарнитуры или шлема.

Правда, «голографическое удовольствие» стоит не дешево. Пользователи, поучаствовавшие в коллективном финансировании решений, получат в декабре экран диагональю 8,9 дюйма за $400. В широкую продажу устройство поступит позже, а продаваться будет уже за $600.

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          Reviewed: New Logo and On-air Look for Network 10 by Principals and In-house      Cache   Translate Page      

“7/10 Would Watch Again”

New Logo and On-air Look for Network 10 by Principals and In-house

First launched in 1964 (as Independent Television System, then The 0/10 Network, then Network Ten), Network 10 is one of five free-to-air networks in Australia (similar to the U.S.'s NBC, ABC, CBS, and FOX). Its programming covers the range of a regular major network from reality TV, to scripted shows, to game shows, and more. Network 10 now encompasses more than the original single channel, including 10 Peach and 10 Boss, as well as other digital extensions. Acquired by CBS Corporation in 2017, Network 10 introduced a new identity designed by Sydney, Australia-based Principals in collaboration with Network 10's in-house design team.

From its founding in the 1960's 10 has always prospered when it has broken with the pack and offered Australians refreshingly different entertainment choice. Now under the confident ownership of CBS, 10 is ready to trailblaze once more, investing in a raft of fresh counterprogramming concepts and reigniting its once famous larrikin personality. The new identity system reflects 10's ambition to be the local leaders in escapist entertainment and connects the network's growing family of channels and catch-up platforms through a bold new mark and mischievous language.

Principals project page

New Logo and On-air Look for Network 10 by Principals and In-house
Primary logo.
New Logo and On-air Look for Network 10 by Principals and In-house
Logo on a background.

The old logo was first introduced in 1991 and originally had none of the bevels, gradients, shadows, and highlights that plagued the latest version. After nearly 30 years the logo had probably built a considerable amount of equity likely akin to NBC's peacock or CBS' eye, making the change for those used to the logo rather hard to bear. Having, myself, no emotional and historical connection with the old logo I would say it was about time for it to be retired. It wasn't a pleasant logo in 1991 and it wasn't a pleasant logo two weeks ago. Perhaps there was something to be salvaged in the oddity of the extended letters under the hand of a good typographer but given that they changed to the number "10" instead of spelling it out, it's a moot point.

The new logo is good. It's not great. It's not bad. It has an accessible, mainstream, trying-to-please-everyone aesthetic that is hard to both argue against and cheer for. I like the how the top of the "1" is formed from a quarter slice of the "0" and I wish they had done a solid color shadow instead of the drop shadow as that would have given this a more crisp, confident look. I like how the "1" and "0" overlap to form a single shape and I like how it fits inside the circle. I don't love any of it but I don't hate any of it either. For a free-to-air network channel it's par for the course.

"Our aim here is simple: make our brands more distinctive, give them stronger cut-through in a hyper-competitive media sector, ensure greater consistency across our family of brands, strengthen our already deep engagement with audiences, and underline our entertainment credentials. If you cut out the jargon, what this means is that TV's wild child has its voice back," he said.

Network 10 press release

New Logo and On-air Look for Network 10 by Principals and In-house
Mostly all logos, before and after.
New Logo and On-air Look for Network 10 by Principals and In-house
Mostly all new logos.

Changing all the old names to new "10"-based names makes sense as does adapting them to the new logo. All the different type treatments are questionable in terms of cohesiveness -- i.e., they don't cohesive-ify -- but they do manage to convey a specific persona in the combination of the font choices, the colors, and their names. 10 Peach is more friendly and accessible; 10 Boss is more hardcore. Perhaps they could have all been unified in the same style as the more broad typography of 10 Play and 10 Daily but then I would probably be writing about how all the type treatments are the same. I actually like the 10 Play and 10 Daily treatments and how they added one splash of color in the wordmark part. Overall, they are fine in the same way as the primary logo.

New Logo and On-air Look for Network 10 by Principals and In-house
Guidelines.
New Logo and On-air Look for Network 10 by Principals and In-house
New Logo and On-air Look for Network 10 by Principals and In-house
Brand book (I think).
New Logo and On-air Look for Network 10 by Principals and In-house
App.
New Logo and On-air Look for Network 10 by Principals and In-house
New Logo and On-air Look for Network 10 by Principals and In-house
Ads.
New Logo and On-air Look for Network 10 by Principals and In-house
Things on desktops.
New Logo and On-air Look for Network 10 by Principals and In-house
Cup and car.

It's hard to tell what's going on in static applications. I mean, I can tell what's going on but it looks to be all over the place at the moment, ranging from minimalist stuff like the "Enter 10" ad to don't-know-when-to-stop stuff like the Masterchef ad above it. In general though, you can see the potential of the logo being recognizable across the different expressions. And going back to my comment about the shadow of the "1" being a hard shadow instead of a drop shadow... the image above shows that but unfortunately it's not very effective as it makes the top of the "1" look detached. I was thinking something like in the Thumbtack logo. But that ship has sailed.

New Logo and On-air Look for Network 10 by Principals and In-house
Animation stills.
Reel presented by Network 10.
Reel presented by Principals. Similar but a little different.
And one more promo-y kind of reel.

The on-air look is overall fine but also has a feeling of trying all the tricks in the book to see what sticks without an overarching concept or approach driving everything in a more focused way. But, again, it's fine. There's nothing in here to passionately dislike -- perhaps the most contentious thing is turning the "10" into a face, which I think is kind of harmless fun. Overall, nothing groundbreaking here and I can only imagine the on-air look being an improvement over whatever was there before in support of the old logo. This is a decent system that plays well as a major, national network.


          Behind the Scenes of RAMS, as Told by Director Gary Hustwit and Mark Adams of Vitsœ      Cache   Translate Page      

If you work in design, study design, or even if industrial design is on your radar in any capacity, you are likely familiar with the work of Dieter Rams. Known for his time designing iconic products for Braun and later Vitsœ, Rams' 10 Principles of Design have garnered him a top spot on the list of most influential industrial designers of our time. We won't give too much of Rams' design story away, as director Gary Hustwit did the work for us with his new feature-length documentary, RAMS, which is all about the life and philosophies of the eponymous designer. 

RAMS hasn't released yet, but I had the exciting chance to attend the New York screening at SVA's theater last month. I was expecting the film to serve as a timeline for Rams-designed products, but the crowd ended up being treated to so much more. Instead of solely focusing on Rams' work, Hustwit chose to tell a more compelling story—that of a designer who spent his entire career bringing beloved consumer products to life but deeply regrets (and continues to contemplate) the role his products played in creating a wasteful, disposable society. 

Hustwit structured the documentary around Rams' backstory, both personal and professional. The film comprised of dialogue from Rams and his colleagues sandwiched between moments left with nothing but the powerful sounds of Brian Eno's original soundtrack and striking visuals of products and architecture. Naturally, I left hungry for more information, but there was no denying that Hustwit's stripped-down editing style appropriately played homage to Rams' 10 Principles of Design and the designer's personality.

To give a glimpse into the making of RAMS, I've combined tidbits from the Q&A session held after the NYC screening with Hustwit and Mark Adams, Managing director of Vitsœ, with a separate follow-up interview with Hustwit:

When you started working on RAMS, did you realize the film would turn into something larger than design—a whole commentary on consumerism?

Gary Hustwit: Yeah, the contradiction of Dieter regretting being a designer and feeling like he played a part in getting us to the consumerist point we're at is exactly why I wanted to do this. He said something early on in the film about how we are going through another period of technological and social change due to a completely different global/cultural situation. Working on this film has been three and a half years of meeting with Dieter, talking with him and trying to understand how things have changed. The world has changed in a lot of ways over that time, and I think that is reflected in the kind of conversations I was having with Dieter and with the other people in the film. 

A lot of what Dieter has done over the past 20 years since he's been out of design has really crystallized his thinking around sustainability issues and his whole less but better philosophy. That is what pushed me over the edge to do the film. If it would have just been, "Wow Dieter is amazing, look at all this amazing design he did"... That's fine too, but that was only part of what interested me in his story. 

In some ways, I wish I didn't have to talk about his designs. I realize that they're obviously the reason he's well-known, but I was much more interested in encapsulating his philosophy in the film than I was talking about the radius of a curve on a radio. Dieter spent so much time thinking about how we relate to consumer electronics and decided to not be involved in creating digital products. He has this really objective view on the behavioral changes that smartphones and additional technology have brought around. He has this incredible point of view that's informed by a 60-year career of designing and making products.

"It was a lot of work to persuade Dieter and Ingeborg to open up one last time. They felt that everything they've said is already in the public domain. They have nothing more to say, and yet this seemed to be a glaring omission. I think it's fantastic that we've got this." —Mark Adams

Mark Adams: I'm a great believer in the pendulum. It swings, and it can over-swing. I think Dieter would certainly have the argument that the digital pendulum is over-swinging at the moment. We just need to come back somewhat. Dieter often talks about what limited resources he had growing up and what limited education he had because his education was frankly completely interrupted by the war. He took a great deal of inspiration from that. He would go back to, "Where did the modern movement come from?" Well, the modern movement came from the destruction of WWII. Therefore, it was all about cleanliness and light—it wasn't about cool white spaces that were going to have a particular aesthetic. It was all about health. It was all about sweeping away the destruction that had become before.

Rams' 10 Principles of Design were, rightfully so, a major theme in RAMS. Did you consider the Principles while filming and editing the documentary? Which principle out of Rams' 10 Principles of Design do you think shines through most in the film (deliberately or non-deliberately)?

GH: We had the 10 principles taped up on the wall next to the editing computer, and number 10 ended up shining through the most. I kept thinking about number 10 in terms of how to structure the film and even just with incorporating simplicity as much as possible into the making of the film. It'd be impossible to make a cluttered, messy film about Dieter Rams. I kept thinking about that as well as the overall length of the film. It was longer before, but I kept going through it and reducing, reducing, reducing. That's the editing process for a documentary anyway, but for this one, it felt especially critical. With every scene we had to ask ourselves, do we need this extra line? Well, no, the point's been made. Okay great. We went down the list and tried to make it as streamlined as possible.

Given that Dieter and his wife Ingeborg are extremely private people, what particular factors did you have to take into consideration when deciding how to approach, and eventually, document them on film?

GH: They really are very private people. I think there's a generational difference, and it might even be a German thing. This idea of sharing details about your private life and talking about your personal relationship with someone else is not something that they do. I would've loved to interview Ingeborg. We spent a ton of time with her, but she didn't want to talk on camera, and I respected that. But, they kind of chastised me a little bit about it (laughs). They were like, "We're not like you Americans—always wanting to talk about everything that you feel."

Dieter is really fastidious about his house, which is one of the reasons why he doesn't like the media and doesn't let people come into his house anymore to do any kind of filming or photography. He's tired of having people disrupt his living space. We look at that house and we think it's like a museum or something—it's amazing. But it's really their private home that they've lived in for 50 years, and you have to respect that. Everything from taking our shoes off when we're inside and being really careful about everything to just showing overall respect for their environment was really important. For all of the filming we did in his home, we didn't use lighting. Luckily, there's a ton of natural light in that house, and it looks beautiful. 

"Everybody wants things quickly now, but it's refreshing to take your time sometimes. This film took me three and a half years. Could I have made it in one year? Probably, but it wouldn't have been the same." —Gary Hustwit

We were trying to do as little filmmaking as possible—just the bare minimum of our equipment and our crew. It was really, really stripped down, and I think he appreciated that when we came into his space. It's definitely the reason he came back to work with us again. Every time I saw him after that first time, he would bring it up. "Oh, you guys were so amazing, you had no equipment." He appreciated that we were low impact basically—as little design as possible. 

Everybody wants things quickly now, but it's refreshing to take your time sometimes. This film took me three and a half years. Could I have made it in one year? Probably, but it wouldn't have been the same. I wouldn't have documented all the things I got to document like building the Vitsœ headquarters. Even working with Brian Eno wouldn't have happened if I had finished the film earlier. There are benefits to slowing down the process, especially with a long-form documentary.

What was the process of working with Brian Eno like, and how did you connect with him?

GH: I had a sense that somehow Rams and Eno would work together. There's some sort of shared aesthetic there, and I had a feeling that maybe Eno was a fan of Rams. I called Eno's manager and sure enough, he was a fan, and it went from there. Brian just wants to be in the studio creating. Anything else is extraneous. I would show him a ton of footage, and then he would use it as inspiration to write and then he'd send us tracks. I'm a huge fan of his work, so it was incredible to work with him. I think there is something there—a lot of times I can't put my finger on it, but I know there was some crossover or some sort of a symbiosis.

Why did you decide to start using Kickstarter to help fund your films, including RAMS?

GH: I originally got into film through music. I'd helped some friends produce a couple music documentaries, and in those cases, the fans of the band wanted to see the result even more than we did. Engaging the audience and involving them in the process of making the documentaries was already something that we were doing. I always think along the lines of, "How am I going to go into a boardroom of investors and convince them to make a film about a font?" It would never have happened. But there are other people like you who want to see these projects made too, so why can't we get together and make this thing happen? Kickstarter formalized this idea.

What were some of the main challenges you and your team faced while creating RAMS?

GH: Subtitles change the way you pace the film. There's that looking and reading, looking and reading, looking and reading; it gets hard. When I first came up with the idea for the film four years ago, I wanted it just to be in Dieter's voice, and it was going to be simple. Objectified and Urbanized both had other languages besides English, but it was very specific for scenes—only two or three minutes at a time—so it wasn't like this where the majority of the dialogue is German. But you have to do these things in a person's original language. It would have been silly to have Dieter push through and try to do it all in English. I ended up having a great group of design experts, finders, curators, and others who would be right next to me, having the conversations with topics already in mind. Then we'd take breaks and discuss them afterward.

"The 10 principles worked for Rams, but people can and should make their own principles. Create a written set of ideals and then, when you see something that you think is bad, you have a framework to justify why it is bad." —Gary Hustwit

The 99% of things you have to leave out is also tough. Dieter has had an incredibly long career. I was more interested in his ideas and philosophies, especially about culture now, than I was about his classic Braun designs. Trying to balance all of these themes out was a huge challenge. It really was about the 10 principles. I was trying to keep things as pure as possible, but there's so much to talk about. I think we definitely go into the specifics of his designs and design philosophy. I'm not sure it would have come out if we didn't—maybe the zen diaries of Dieter Rams or something. It took me ten years to get enough trust to film him in the backyard with a bonsai tree. Maybe in another ten years, we'll finish shooting something else.

Are there any other designers that you can see yourself making a feature-length film about in the future?

GH: Every designer or architect in any of my films deserves a full-length documentary. I can't exactly say why Dieter was the one that I decided to do. Part of it was that I felt that if I didn't push and try to do it, then it would never happen. I kept thinking about how if I didn't do it, there won't be a Dieter Rams film or there'll be some crappy one that comes out after he's dead. I mean, I personally really wanted to watch it, and that's what motivates me. There are so many incredible designers who all deserve having films about them, and I'm assuming you guys want to watch more design documentaries about designers, so I'll try to keep making them.

The architecture in the film was particularly striking. Who is the architect of Rams' house?

MA: It's unattributed who actually designed the whole estate. It's one of those don't believe everything you read on the internet things. Dieter does not live in a house that he designed. He designed the interior, but he did not design the dimensions of it.

On a similar note, the Vitsœ headquarters was a major setting in the film due to Rams' involvement during the design process. Who is the actual architect of the building?

MA: No architects for the Vitsœ building. We started with academics about eight years ago, sitting down at Cambridge University and Imperial College and contemplating, "How might we go about this?". We had about 30 really good brains who contributed to it. Only when we got to the point where we completely designed it, we then had to deliver it. We were then told that you legally have to have architects involved. So at that point, we brought in a firm of delivery architects who were specialists in timber architecture.

Dia:Beacon was one of the main inspirations for the building. I measured out every aspect of Dia:Beacon one cold Sunday in February. Being in that space and talking to the gallery assistants was the final confirmation for me. They have very artistically educated gallery assistants who just oozed the joy of being in a naturally lit space. That's what we'd been wanting to do. We came away from that day and just said, "Absolutely this is what we have to do."

Vitsœ is a rare kind of furniture company that doesn't relentlessly come up with new products, which is very much in line with Rams' philosophy. In a culture where you typically need to make more product to make more money, how can this type of business be sustainable?

MA: I get this question asked often: How can you have a viable business from persuading as many customers as possible to buy as little as possible from you that they're going to use preferably for generations? We actually see people put our furniture in their wills and hand it on. The way we do it? There are 7.2 billion people on this planet, and the vast majority of them have not heard of Vitsœ. That is our opportunity—every single person that we can take from operating a certain way to coming over to our side. We see that word "fulfillment" come across them. There are those few objects experiences that you have in your life that genuinely give you fulfillment rather than short term satisfaction. That is the trick. Once we get people into our world, they very rarely leave it. Then we see them literally physically drag other people into our spaces and say, "Here you are, Vitsœ." They all bloody well sought us out. So that is the only way in which the model works. It's that tremendous power of word of mouth.

As Neils Vitsœ was coming towards the end of his life, there was very much the chip on his shoulder that he knew he had always been 30, 40 years ahead of the curve, and yet commercially that is a very very difficult place to be. Dieter often talks about the late '50s, early '60s at Braun, and how there were senior resignations from the company at that point because what they were doing was way too far ahead of the market. There were people inside the company who were saying, "This is insanity, this is not going to work." There's no doubt in my mind that the Vitsœ journey is a difficult one. If anyone wants to go and setup a business to make money, do not do it like Vitsoe. I would, however, argue that we need many more businesses like Vitsœ on our single planet with its single planet's worth of resources when 7.2 billion of us are here and we need three planets.

You get a sense of humility from watching the documentary, but in person, do you get the feeling that Dieter recognizes his impact on design and the world at large?

GH: I don't think he regrets the work that he did—I think he's really proud of it—but, I think he sees the connections from the 1960s post-war mass production to where we're at now. I think feeling complicit in that development is his regret, along with the sustainability part of this; being someone who is working at a company that was churning out a lot of mass-produced plastic goods. I think the difference is that they designed them to last. You can buy a Braun juicer from the 70s or a coffee maker or any of these products or an alarm clock, they still work just as well as they did back then. It's just a different philosophy. I think as you see that change, he's really annoyed by it, as you can tell from the film.

"Dieter is not interested in any more products—he's interested in transmitting his 65 years of experience to the next generations." —Mark Adams

A student came up to me after watching the film and said, "Wow, the 10 Principles are such a great idea. We need to be able to talk more about what's good and bad design like Dieter does, but I don't really know how to do that." That was really what the ten principles were about. They weren't meant to be this overreaching design philosophy or for Rams to push out to the masses; they were created for his team to have some rules because, at the time, they didn't have any guidelines during their design process. The 10 principles worked for Rams, but people can and should make their own principles. Go home and write down the things that are important to you—the things you want to do or don't want to do with your work. Create a written set of ideals and then, when you see something that you think is bad, you have a framework to justify why it is bad.

MA: Can I take you back to the birth of this film? I didn't know it was the birth of it and nor did Gary at the time, but it was about seven years ago in the back of one of Dieter's favorite designs—the black London Taxi. He and I had been in traffic for a while, and we were talking about the state of the world around us as we often do. I was trying to be reassuring to him, and he looked at me earnestly with his steely eyes (because you can look across at each other in a London taxi), and he said, "Mark, but is anyone even listening?"

His fear is that when he dies, his 65 years of professional experience and everything that he has learned will be gone. If we have one unique characteristic as human beings that sets us apart from animals, it's the ability to transmit our knowledge—to learn and to teach. When Gary suggested maybe four years ago that this documentary could be a possibility, that was the argument that I took to Dieter. Maybe this is your opportunity for more people to listen. Now I'm out here promoting this film so I can take back the reassurance to Dieter that there are people listening. That people really do want to hear what he has to say, what he has learned. Dieter is not interested in any more products—he's interested in transmitting his 65 years of experience to the next generations.

*****

Learn more about RAMS here.


          Hur vår vikt har förändrats sedan 50-talet      Cache   Translate Page      

630 visningarAtt bekämpa fetmaepidemin, handlar det bara om att dra ner på kolhydrater – eller handlar det om andra saker? Kan vegetabiliska fröoljor göra oss feta på cellnivå? Och kan mättat fett, å andra sidan, skydda dig från att gå upp i vikt?

I den här föreläsningen från konferensen Low Carb Breckenridge 2018 besvarar LCHF-pionjären och författaren dr Michael Eades de frågorna.

Se en ytterligare ett par minuter av föreläsningen ovan (transkription). Hela föreläsningen, med svensk text och transkription, ser du här med provmånad eller medlemskap:

Vad gör oss feta? – Dr Michael Eades

Bli medlem (gratis att testa en månad) och du får omedelbar tillgång till föreläsningar, intervjuer, videokurser, frågor och svar, filmer och mycket mera. Du får också tillgång till vårt populära verktyg veckomenyer. Läs vidare →

Inlägget Hur vår vikt har förändrats sedan 50-talet dök först upp på Diet Doctor.


          Är alkohol hälsosamt?      Cache   Translate Page      

I helgen publicerade SVT en nyanserad och förklarande artikel om huruvida det egentligen är hälsosamt eller inte att dricka alkohol:

Att stora mängder alkohol är skadligt är alla överens om – men hur är det med det måttliga drickandet?

Påståendet att ett glas vin eller en öl, förutom att vara gott eller ge välbehövlig avslappning, kan vara nyttigt har blivit en sanning för många och har upprepats av såväl läkare som forskare, alkoholindustrin och media.

Och visst, många studier har visat att de som dricker måttliga mängder alkohol lever längre. Det finns också studier som visat att den som dricker måttligt har lägre risk att drabbas av hjärtkärlsjukdomar, diabetes typ 2 och demens än personer som inte dricker alls eller dricker mycket. Men det finns problem med studierna som visar att alkohol kan vara nyttigt.

SVT: Därför är påståendet om att alkohol kan vara nyttigt mestadels fel

Det finns studier som pekar på fördelar och det finns andra studier som pekar på nackdelar med alkohol. Artikeln ovan ger en liten vägledning i hur man kan tänka kring dessa studier och andra, liknande studier, som berör kostområdet.

Mer

Många upplever fördelar för hälsa och viktnedgång genom att avstå från alkohol. Om man äter LCHF och ändå vill ta ett glas vin någon gång ibland kan vi tipsa om våra guider:

Guide: Alkohol och LCHF – bäst och sämst

Guide: Sju saker du bör veta om alkohol och LCHF

Video om hälsa

          Vimeo Launches Channel Dedicated To Holographic Content      Cache   Translate Page      
A few years ago, 3D video content seemed to be the in thing, where we saw handset makers launch smartphones that would feature glasses-free 3D displays. Then we saw TV makers also launch similar devices, some that required glasses, some that did not require glasses, although admittedly the trend has somewhat died down. However it seems that Vimeo might be trying to push the next trend which comes in the […]
          Julius Caesar Was Buried in a Pet Cemetery      Cache   Translate Page      

Julius Caesar Was Buried in a Pet Cemetery from Utopia on Vimeo.
          Scuba Salad      Cache   Translate Page      
Nemo's Garden is a technological endeavor, aimed at making underwater farming an economically viable, long-term alternative form of agriculture,

20181105_UNDERWATERGREENHOUSE_EH_PKGWB from Great Big Story on Vimeo.
          ShowReel 2018      Cache   Translate Page      

Montador y Ayudante de postproducción.

Softwares: Premiere, Mocha Pro, Nuke, After Effects, DaVinci Resolve, Photoshop.

Cast: Nacho Hoyos


          ILLUMINARIUM3000 Backstage      Cache   Translate Page      

Cast: ILLUMINARIUM3000


          Dropbox Extensions: in arrivo l’integrazione con App indipensabili      Cache   Translate Page      

Dropbox quest’oggi ha annunciato il lancio di Dropbox Extensions, una serie di nuove integrazioni che consentiranno agli utenti di avviare...

L'articolo Dropbox Extensions: in arrivo l’integrazione con App indipensabili proviene da iSpazio.


          Napoleon’s War with the Bank of England and Nathan Rothschild      Cache   Translate Page      
Napoleon Bonaparte Monetary Reformer from Dick Eastman on Vimeo.
          На Vimeo появился канал с голографическими видео      Cache   Translate Page      
Компания Vimeo в сотрудничестве с бруклинской фирмой Looking Glass Factory запустила видеоканал, в котором будут размещаться исключительно голограммы. Понятно, что пока ...
          Link tab flickering      Cache   Translate Page      

Replies: 0

Vimeo video of the issue

It’s been a few months now but all links I try to create on any wyswyg flickers like this. I always have to create the link on the ‘Text’ tab.

I’ve shared the issue with all other workers on our studio and none of them have this problem. Even using same browser/computer model/versions.

Video recorded on Chrome build 70.0.3538.77, macbook pro with OS Sierra 10.13.6.

Any ideas?


          Announcing Dropbox Extensions with strategic and category-leading partners      Cache   Translate Page      

This announcement is a big step in the evolution of our global collaboration platform and partner ecosystem with powerful new capabilities called Dropbox Extensions. Users will be able to initiate workflows directly within Dropbox across popular content types (including DWG, PDF, Word, image, and multimedia files) and compatible partner applications from Adobe, Autodesk, DocuSign, Vimeo, as well as other category-leading tools. With these integrations, users will be able to launch actio...

Read the full story at https://www.webwire.com/ViewPressRel.asp?aId=231001


          Vimeo Launches Channel Dedicated To Holographic Content      Cache   Translate Page      
none
          'Solar Walk' Reka Bucsi      Cache   Translate Page      

          Parallels Toolbox 3 Released With Dark Mode and Other macOS Mojave Features      Cache   Translate Page      
Parallels Toolbox for Mac has been updated with a handful of macOS Mojave features, including Dark Mode support and the ability to annotate screenshots with the new and improved systemwide Take Screenshot tool.


Parallels Toolbox 3, a free update for existing users, features three new tools for quickly uninstalling apps, viewing local times in various locations around the world, and revealing files and folders that are normally hidden in macOS.

The complete list of new and enhanced features added in Toolbox 3, as outlined in Parallels' press release:
  • Uninstall Apps: Easily remove applications and their files with a single click for faster removals.
  • World Time: See local times in various locations around the world to save time when working with colleagues globally.
  • Hidden Files: Reveals and conceals files normally hidden in MacOS to reduce desktop clutter and increase productivity.
  • Annotate Screenshots: Available only for macOS Mojave users, they can now use the Take Screenshot tool to add helpful markups including text, arrows, circles and more for quicker use in emails or presentations
  • Support for playlist download from video hosting websites: Quickly download playlists from Facebook, YouTube, Vimeo, and many more
  • Safari Extension for Download Video: Users can now enjoy a download video extension on their Safari browsers for quicker access downloading online videos to their desktops (compatible with macOS Mojave and Safari 12)
  • Dark Mode: Support for the setting in macOS Mojave
  • Customizable "Save As": Each individual tool now allows new files to be saved in customizable locations, rather than the same default destination, for streamlined efficiency
  • Resize Image: HEIF now joins JPEG, TIFF, and PNG as supported formats
  • Record Audio: Users can now save audio recordings in a MP3 file format, with the built-in microphone in a single click. You can also record from an external microphone or the computer if it's selected as the input source in System Preferences › Sound
Demo videos:




Parallels Toolbox adds a dropdown menu to the macOS menu bar with a collection of tools and shortcuts that simplify common tasks to just a click or two, such as taking screenshots, resizing images, hiding the desktop, recording audio, switching resolutions, creating password-protected archives of files, and more.

Parallels Toolbox 3 is available today for $19.99 per year for new users. The annual subscription includes free updates with new and enhanced tools as they become available "several times a year." Lower-priced Toolbox Packs with specific collections of tools are also available from $9.99 per year.

Note that while Parallels is best known for its virtualization software that allows for Windows and Linux to be run within macOS, its Toolbox software can be used natively on any compatible Mac or Windows PC.

Related Roundup: macOS Mojave

Discuss this article in our forums


          Rolling Meadows, IL Indian Wedding by Neuvision Production      Cache   Translate Page      

The plethora of high-spirited rituals and celebrations that surrounded Khushbu and Ronak’s wedding reflected all the splendor of their rich background! With a handful of pre-wedding celebrations and a gorgeous ceremony, Neuvision Production created a charming same day edit film to indulge the couple and all their guests during the grand reception with the best and sweetest moments of their same day and previous events!  The Meadows Club was the couple’s choice to hold their grand Indian wedding. This fabulous venue served as inspiration for Dream Occasions to create the majestic white theme that the couple requested for the ceremony day. The heavenly scenery matched with the glorious mehndi design that maharani Khushbu donned creation of Henna Moments that was worthy of her marvelous matrimonial magnificence! The main event was followed by an equally big soiree where JSM Entertainment set up the party mood and made everyone danced until the wee hours of the night. Watch all the grandeur of this charming love story below!


          Naperville, IL Ismaili Wedding by Aria Cinema Films      Cache   Translate Page      

Sarish and Ali’s wedding highlight video is a charming display of traditions and family love brought to us by the brilliant Aria Cinema Films. The beautiful compilation of events sets us at Naperville where this lovely pair first celebrated a beautiful Sangeet night and then their wedding reception at the Belvedere Events & Banquets after they tied the knot in a formal wedding ceremony at the Ismaili Community Center and Jamatkana! The well-attended affair was registered by the photo crew of Vek Photo in a sequence of timeless images you can see featured in our Platinum Guide Blog! The lovely Sarish was infused with a traditional flair for her ceremony and donned a swoon-worthy style for her reception thanks to the Chicago based bridal makeup & hair artist, Bushra Abbasi! Henna Raza from Professional Party Planners transformed the couple’s wedding wishes and ideas into reality exceeding all expectations. Anmol Catering provided a fantastic meal and a splendid catering service that helped the newlyweds close their celebrations with a delicious touch! Immerse yourself into the wedding day of Sarish and Ali right here!


          The Muslim bacon prank      Cache   Translate Page      
If you have a great Youtube or Vimeo video to share send it to videos@whaleoil.co.nz The post The Muslim bacon prank appeared first on Whale Oil Beef Hooked | Whaleoil Media.
          Comment on Android and Vimeo by Anonymous      Cache   Translate Page      
If you take a close look at a damaged hard drive drive you'll notice a circuit board on the bottom. The hard disk might demonstrate a significant failure and it's possible, that you're able to make the matters worse by trying to resolve the hard disk problem all on your own. Then, to access specific info, you can merely search your external hard disk data recovery. The drive ought to be well cushioned to stop more damage. Before replacing your hard disk completely, you can try to repair it. The external hard drive may add extra storage space without a lot of hassle. When the drive was shipped, call or email the data recovery company with the tracking information so that they may be well prepared to receive it and inform you whether there are any delays in the delivery procedure. Most people know of a hard drive, and might even understand what it appears like. The hard disk drive is just one of the vital regions of the computer. A damaged hard disk drive is among the most unpleasant forms of hardware failure. All you have to do to is reformat the hard disk. Based on what you intend to use your hard drive for, however, you might have the choice of using either type. Hard drives continue to be the most typical sort of non-volatile storage employed in computers. The external hard drive for backup can help to minimize the possibility of data lost. <a href=https://asapdatarecovery.com/data-recovery/>hdd data recovery service</a>
          Comment on Android and Vimeo by Anonymous      Cache   Translate Page      
We offer 20-40% discount on flights and hotels for travelers. Come in t.me/travoltaclub_bot Or find in the Telegram: @travoltaclub_bot ----Open for cooperation with agencies, resellers, etc.----
          Comment on Android and Vimeo by Anonymous      Cache   Translate Page      
Вы тут правильно сказали, почитайте об этом <a href="http://westio.ru/articl.php">мою статью</a>, что бы вы ни создали, они всегда будут правы. Их любимые слова: "Нужно сделать так и так", "А я говорил, а никто не слушал".
          Comment on Android and Vimeo by Anonymous      Cache   Translate Page      
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          Comment on Android and Vimeo by Anonymous      Cache   Translate Page      
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          Comment on Android and Vimeo by Anonymous      Cache   Translate Page      
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          Comment on Android and Vimeo by Anonymous      Cache   Translate Page      
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          K/DA - POP/STARS      Cache   Translate Page      

Весь мир уже посмотрел этот клип. Пусть побудет и у нас в коллекции.

Ролик - часть масштабного шоу с церемонии открытия чемпионата мира по League of Legends. В клипе и на шоу разработчики представили четыре новых игровых образа (серия K/DA). Новые героини не только "снялись" в клипе, но и стали участницами виртуального выступления - станцевали на сцене вместе с живыми исполнительницами. Как это было, можно посмотреть здесь.

Авторы анимации - французская студия Fortiche Prod (они уже не первый год создают промо-материалы для League of Legends)

Информация
Автор: Fortiche Prod
Аниме: Original animation
Музыка: (G)I-DLE - Pop Stars (feat. Madison Beer and Jaira Burns)

K/DA - POP/STARS

Подробнее


          Dropbox Extensions arrive to enhance third-party integrations with Adobe, Autodesk, Vimeo, DocuSign, more      Cache   Translate Page      

Dropbox is out today with news that it is refreshing its third-party software integration program with new capabilities and partnerships. Dropbox Extensions will offer new features along with integration from big names like Adobe, Autodesk, Vimeo, Docusign, and more.

more…

The post Dropbox Extensions arrive to enhance third-party integrations with Adobe, Autodesk, Vimeo, DocuSign, more appeared first on 9to5Mac.


          INCIACTIVA Q, nuevo sistema de pago. Invitacion gratis. #initiativeq      Cache   Translate Page      

¿Perdiste la oportunidad de obtener bitcoin hace siete años?, No te querrás perder esto!


La Iniciativa Q es un intento de ex empleados de PayPal para crear un nuevo sistema de pago en lugar de las tarjetas de crédito que se diseñaron en la década de 1950. El sistema utiliza su propia moneda, la Q, y para que las personas comiencen a utilizar el sistema una vez que esté listo, se están asignando Q de forma gratuita a las personas que se inscriban ahora (la cantidad disminuye a medida que se incorporan más personas, así que es mejor inscribirse temprano). Inscribirse es gratis y solamente te pedirán tu nombre y una dirección de correo electrónico. No hay nada que perder, pero si este sistema de pago se convierte en un método de pago líder en el mundo, tus Q pueden valer mucho.

Este es mi enlace de invitación: https://initiativeq.com/invite/HE7NK9ya7


Este enlace dejará de funcionar una vez que se me acaben las invitaciones. Avísame después de que te hayas inscrito, porque necesito verificarte de mi parte.




          Motion Design: Ant-Man and the Wasp End Titles Sequence      Cache   Translate Page      
Motion Design: Ant-Man and the Wasp End Titles Sequence
Motion Design: Ant-Man and the Wasp End Titles Sequence
AoiroStudio Nov 07, 2018

After recently experiencing about 20+ hours flights during the past month, I had the chance to catch-up on recent movie releases that I haven't had the time to watch during summer. One of them was Marvel's Ant-Man and the Wasp, it was a pretty entertaining movie. If you haven't watched it, give it a watch! It's definitely a different tone from Infinity War. At the end of the movie, you can have a chance to watch the End Titles Sequence by the amazing folks from Elastic and their team. It's a very fun approach because for a few seconds you would think: "is it real toys?". Make sure to watch the video and the production stills below.

More Links

Production Stills

Motion Design: Ant-Man and the Wasp End Titles SequenceMotion Design: Ant-Man and the Wasp End Titles SequenceMotion Design: Ant-Man and the Wasp End Titles SequenceMotion Design: Ant-Man and the Wasp End Titles SequenceMotion Design: Ant-Man and the Wasp End Titles SequenceMotion Design: Ant-Man and the Wasp End Titles SequenceMotion Design: Ant-Man and the Wasp End Titles SequenceMotion Design: Ant-Man and the Wasp End Titles SequenceMotion Design: Ant-Man and the Wasp End Titles SequenceMotion Design: Ant-Man and the Wasp End Titles Sequence

Credits

  • Design Studio: Elastic
  • Creative Director: Andy Hall
  • Art Director: Jeff Han
  • Color TD: Andrew Young
  • Storyboard Artist: Lance Slaton
  • CG Leads: Max Ulichney, Yongsub Song
  • CG Artists: Michael Cardenas, Josh Dyer, Mike Kash, Thomas McMahan, Dustin Mellum, Chris Nolan, Joe Paniagua, Carlo Sa, Christian Sanchez, Byron Slaybaugh, Marcos Vaz, Ariana Ziae-Mohseni
  • Previs Artists: Paulo de Almada, Chris Leone, Dirk Valk
  • Head of CG: Kirk Shintani
  • Production Coordinator: Megan Rodriguez
  • Senior Producer: Paul Makowski
  • Senior Executive Producer: Luke Colson
  • Head of Production: Kate Berry
  • Managing Supervisor: Jennifer Sofio Hall

          Endocrinologist      Cache   Translate Page      
Posted on: 2018-11-07

 

About Us:

 

St. Vincent Healthcare is part of SCL Health, a faith-based, nonprofit health care organization.
 
Interested in making a difference? Then check us out. Our rich heritage and mission, and our focus on health care delivery that values person-centered care, excellence and accountability are a winning combination as we bring health and hope to our patients.
 

Fast Facts

  • Billings, Mont. (est. 1898)
  • Largest tertiary care hospital and Level II Trauma Center in Montana serving patients in eastern and south-central Mont. and northern Wyo.
  • 2,100 associates, 529 medical staff
  • 286 beds (201 are staffed)

Services & Expertise

  • Cancer Care
  • Childrens Healthcare
  • Comprehensive Regional Services
  • Neuroscience
  • Heart Center
  • Oncology
  • Orthopedic Services
  • Womens Services

St. Vincent Healthcare is an award-winning hospital providing person-centered care. We are People Healing People throughout the communities that we serve, especially the poor and vulnerable.

 
Visit:
www.svh-mt.org

Endocrinology Opportunity in Montana
St Vincent Healthcare in Billings, Montana is looking for a team-oriented and motivated Endocrinology Physician to join our busy and growing program. Our physicians take a team approach to diagnosing endocrine and diabetic conditions, and finding the best treatments and solutions for the people in our community.
Our Endocrinology and Diabetes physicians collaborate with other specialists in our full-service organization, such as cardiology, nephrology, podiatry, and wound care, to prevent and treat diabetic and endocrine related diseases.
  • Opportunities for program development and leadership
  • Experienced and collegial team
  • Large patient referral base
  • Competitive Salary with productivity incentives
  • Student loan repayment, Signing bonus, and relocation

St Vincent Healthcare is located in Billings, Montana, a family-oriented community that provides an outstanding quality of life (and was voted Outdoor Magazines #1 Town in 2016). Montana is truly splendid; offering views, adventure and landscapes that are incomparable to anything in the US. With two national parks, excellent fly fishing, hiking trails, 12 different ski hills, and over 300 days of sunshine, Montana is an outdoor enthusiast's paradise!

 Qualifications:

  • Must be American Board Certified/Eligible

          Physician Clinic - Internist      Cache   Translate Page      
Posted on: 2018-11-07

St. Vincent Healthcare is part of SCL Health, a faith-based, nonprofit health care organization.
 
Interested in making a difference? Then check us out. Our rich heritage and mission, and our focus on health care delivery that values person-centered care, excellence and accountability are a winning combination as we bring health and hope to our patients.
 

Fast Facts

  • Billings, Mont. (est. 1898)
  • Largest tertiary care hospital and Level II Trauma Center in Montana serving patients in eastern and south-central Mont. and northern Wyo.
  • 2,100 associates, 529 medical staff
  • 286 beds (201 are staffed)

Services & Expertise

  • Cancer Care
  • Childrens Healthcare
  • Comprehensive Regional Services
  • Neuroscience
  • Heart Center
  • Oncology
  • Orthopedic Services
  • Womens Services

St. Vincent Healthcare is an award-winning hospital providing person-centered care. We are People Healing People throughout the communities that we serve, especially the poor and vulnerable.

 
Visit:
www.svh-mt.org

St. Vincent Healthcare seeks a BE/BC physician for

our Internal Medicine Associates Clinic.

Established practice of eight physicians and five

NP/PAs

1:9 telephone only call

Hospital employed position eliminates

administrative burden

On-site laboratory

Start Date Bonus, Relocation Reimbursement

and Student Loan Assistance




          Physician - Pulmonary Critical Care      Cache   Translate Page      
Posted on: 2018-11-07

About us:


St. Vincent Healthcare is part of SCL Health, a faith-based, nonprofit health care organization.

 
Interested in making a difference? Then check us out. Our rich heritage and mission, and our focus on health care delivery that values person-centered care, excellence and accountability are a winning combination as we bring health and hope to our patients.
 

Fast Facts

  • Billings, Mont. (est. 1898)
  • Largest tertiary care hospital and Level II Trauma Center in Montana serving patients in eastern and south-central Mont. and northern Wyo.
  • 2,100 associates, 529 medical staff
  • 286 beds (201 are staffed)

Services & Expertise

  • Cancer Care
  • Childrens Healthcare
  • Comprehensive Regional Services
  • Neuroscience
  • Heart Center
  • Oncology
  • Orthopedic Services
  • Womens Services

St. Vincent Healthcare is an award-winning hospital providing person-centered care. We are People Healing People throughout the communities that we serve, especially the poor and vulnerable.

 
Visit: 
www.svh-mt.org

Opportunity Description:


Pulmonary/Critical Care Physician


St Vincent Healthcare is looking for a BE/BC Pulmonary Critical Care Physician to join our dynamic and comprehensive program. At St Vincent Healthcare, we are committed to providing exceptional patient care, as well as providing a high standard of living for our physicians. St Vincent Healthcare is located in Billings, Montana, a family-oriented community that provides an outstanding quality of life, where you can practice state of the art medicine and also live only minutes away from unlimited access to amazing year-round activities. With two national parks, excellent fly fishing, hiking trails, 12 different ski hills, and over 300 days of sunshine, Montana is an outdoor enthusiast's paradise!

  • Well-established practice with a collegial group of 5 Intensivists and 2 pulmonologists, and excellent support staff and advance practice professionals
  • Newly remodeled ICU
  • Region's largest Level II trauma center
  • Pulmonology and Critical Care shifts
  • Comprehensive Pulmonology and Intensive Care program with state of the art technology
  • Competitive Salary
  • Signing bonus and paid relocation
  • Loan repayment
  • Excellent benefits
Qualifications:
  • Must be American Board Certified/Eligible

          Cardiothoracic Surgeon      Cache   Translate Page      
Posted on: 2018-11-07

 About Us:


St. Vincent Healthcare is part of SCL Health, a faith-based, nonprofit health care organization.
 
Interested in making a difference? Then check us out. Our rich heritage and mission, and our focus on health care delivery that values person-centered care, excellence and accountability are a winning combination as we bring health and hope to our patients.
 

Fast Facts

  • Billings, Mont. (est. 1898)
  • Largest tertiary care hospital and Level II Trauma Center in Montana serving patients in eastern and south-central Mont. and northern Wyo.
  • 2,100 associates, 529 medical staff
  • 286 beds (201 are staffed)

Services & Expertise

  • Cancer Care
  • Childrens Healthcare
  • Comprehensive Regional Services
  • Neuroscience
  • Heart Center
  • Oncology
  • Orthopedic Services
  • Womens Services

St. Vincent Healthcare is an award-winning hospital providing person-centered care. We are People Healing People throughout the communities that we serve, especially the poor and vulnerable.

 
Visit: 
www.svh-mt.org

Opportunity Description:

Cardiothoracic Surgeon
 
We are looking for a team-oriented and skilled Cardiothoracic Surgeon who is motivated to make a difference in their community. Our Heart and Vascular program is dedicated to improving the lives of people in Montana, and decreasing heart related diseases in this region. At St Vincent Healthcare, we equip our Heart and Vascular Team with state-of-the-art technology to heal our community, such as a new Hybrid Operating Room, TAVR, Electrophysiology program, full cardiac imaging services, and other advanced treatments.

  • Dedicated and experienced cardiovascular surgical team
  • Competitive Salary with productivity incentives
  • Employed position
  • Signing bonus, relocation and loan assistance
  • Excellent benefits
  • Collegial work environment and collaborative team for your personal and professional growth
  • Regions largest Level II Trauma Center
  • Regional and State-wide Referral base
  • Enjoy a climate with all 4 seasons, and the extensive outdoor recreation that Montana has to offer year-round
  • St Vincent Healthcare is a Truven Top 100 Hospital in 2016 and 2017

St Vincent Healthcare is located in Billings, Montana, a family-oriented community that provides an outstanding quality of life (and was voted Outdoor Magazines #1 Town in 2016). Montana is truly splendid; With two national parks, excellent fly fishing, hiking trails, 12 different ski hills, and over 300 days of sunshine, Montana is an outdoor enthusiast's paradise!

Qualifications:
  • American Board Certified or Eligible
  • Must have at least 5 years experience

          Physician - Sleep Medicine      Cache   Translate Page      
Posted on: 2018-11-07

About Us:

 

St. Vincent Healthcare is part of SCL Health, a faith-based, nonprofit health care organization.
 
Interested in making a difference? Then check us out. Our rich heritage and mission, and our focus on health care delivery that values person-centered care, excellence and accountability are a winning combination as we bring health and hope to our patients.
 

Fast Facts

  • Billings, Mont. (est. 1898)
  • Largest tertiary care hospital and Level II Trauma Center in Montana serving patients in eastern and south-central Mont. and northern Wyo.
  • 2,100 associates, 529 medical staff
  • 286 beds (201 are staffed)

Services & Expertise

  • Cancer Care
  • Childrens Healthcare
  • Comprehensive Regional Services
  • Neuroscience
  • Heart Center
  • Oncology
  • Orthopedic Services
  • Womens Services

St. Vincent Healthcare is an award-winning hospital providing person-centered care. We are People Healing People throughout the communities that we serve, especially the poor and vulnerable.

 
Visit: 
www.svh-mt.org

Opportunity Description:

Sleep Medicine Opportunity in Montana

St Vincent Healthcare in Billings, Montana is looking for a team-oriented and motivated Sleep Medicine Physician to join our growing Sleep and Respiratory program. Our Sleep physicians take a team approach to identifying the source of sleep issues, and finding the best treatments and solutions for the people in our community.
  • Three bed sleep center with upcoming plans for expansion
  • Newly remodeled clinic
  • Experienced and collegial team, Busy program
  • Competitive Salary with productivity incentives
  • Student loan repayment, Signing bonus, and relocation
  • State-wide and Regional referral base

St Vincent Healthcare is a Truven Top 100 Hospital in 2016 and 2017

St Vincent Healthcare is located in Billings, Montana, a family-oriented community that provides an outstanding quality of life (and was voted Outdoor Magazines #1 Town in 2016). With two national parks, excellent fly fishing, hiking trails, 12 different ski hills, and over 300 days of sunshine, Montana is an outdoor enthusiast's paradise!

Qualifications:
  • Must be American Board Certified/Eligible

          Pulmonary Critical Care Physician      Cache   Translate Page      
Posted on: 2018-11-07

About us:


St. Vincent Healthcare is part of SCL Health, a faith-based, nonprofit health care organization.

 
Interested in making a difference? Then check us out. Our rich heritage and mission, and our focus on health care delivery that values person-centered care, excellence and accountability are a winning combination as we bring health and hope to our patients.
 

Fast Facts

  • Billings, Mont. (est. 1898)
  • Largest tertiary care hospital and Level II Trauma Center in Montana serving patients in eastern and south-central Mont. and northern Wyo.
  • 2,100 associates, 529 medical staff
  • 286 beds (201 are staffed)

Services & Expertise

  • Cancer Care
  • Childrens Healthcare
  • Comprehensive Regional Services
  • Neuroscience
  • Heart Center
  • Oncology
  • Orthopedic Services
  • Womens Services

St. Vincent Healthcare is an award-winning hospital providing person-centered care. We are People Healing People throughout the communities that we serve, especially the poor and vulnerable.

 
Visit: 
www.svh-mt.org

Opportunity Description:


Pulmonary/Critical Care Physician


St Vincent Healthcare is looking for a BE/BC Pulmonary Critical Care Physician to join our dynamic and comprehensive program. At St Vincent Healthcare, we are committed to providing exceptional patient care, as well as providing a high standard of living for our physicians. St Vincent Healthcare is located in Billings, Montana, a family-oriented community that provides an outstanding quality of life, where you can practice state of the art medicine and also live only minutes away from unlimited access to amazing year-round activities. With two national parks, excellent fly fishing, hiking trails, 12 different ski hills, and over 300 days of sunshine, Montana is an outdoor enthusiast's paradise!

  • Well-established practice with a collegial group of 5 Intensivists and 2 pulmonologists, and excellent support staff and advance practice professionals
  • Newly remodeled ICU
  • Region's largest Level II trauma center
  • Pulmonology and Critical Care shifts
  • Comprehensive Pulmonology and Intensive Care program with state of the art technology
  • Competitive Salary
  • Signing bonus and paid relocation
  • Loan repayment
  • Excellent benefits
Qualifications:
  • Must be American Board Certified/Eligible

          Koka’s Beat Machine No. 1      Cache   Translate Page      
Koka's Beat Machine No. 1 from nikoladze on Vimeo. Koka’s beat machines are purely mechanical musical instruments, which are manually programmable and produce different kinds of rhythmic and melodic patterns. See more!
          Das Groesste Verbrechen | 05. Nov. 2018      Cache   Translate Page      
Das Groesste Verbrechen | 05. Nov. 2018 from Clustervision Reloaded on Vimeo. Der UN Migrationspakt ist ein zutiefst antichristliches Unternehmen; eine von vielen Massnahmen im Zusammenhang mit „white genocide“. Biblische Beweisführung im Film.
          На Vimeo появился канал с голографическими видео      Cache   Translate Page      
none
          Chris Hedges: American Psychosis + Hedges Says Vote for Howie Hawkins for Governor in NY      Cache   Translate Page      
Dandelion Salad with Chris Hedges Amanda Zackem on Oct. 23, 2018 Pulitzer-prize winning Journalist, Author and Activist Chris Hedges, discusses modern day consumerism, totalitarian corporate power and living in a culture dominated by pervasive illusion. “American Psychosis” is this week’s Staff Pick Premiere. Read more about it here: https://vimeo.com/blog/post/staff-pick-premiere-american-psychosis For more information: americanpsychosis.com americancanary.org Staff […]
          A heap of Trouble      Cache   Translate Page      
We've survived the midterms (more or less), and a distraction is needed. This was originally posted to MetaFilter in 2004, 14 years ago... so, yep, it's a double...but, tonight, it might be just what you need.... where else will you find 10 naked men? (full frontal nudity, don't say I didn't warn you!)

          5SP Harder, Better, Faster, Stronger.      Cache   Translate Page      

Greyscale Gorilla Contest
I inspired in the Manga´s explosions and animation. Enjoy it!

Cast: And Studio

Tags: Greyscale Gorilla, Harder better faster stronger, animation, manga, explosions, After effects, cinema 4d, Jose Andreu and Five secon projects


          adidas Harden_vol1      Cache   Translate Page      

| Full Screen recommended |
Client:adidas
Directed by Bounce
Creative Director:Rob chien
Designer:陳奇逸 ChiGer Chen
Storyboard:陳奇逸 ChiGer Chen
Animation:陳奇逸 ChiGer Chen
Music & Sound Design:AudioJungle
----------------------------------------

Cast: ChigerChen


          Material Basics in Redshift Renderer for Cinema 4D Tutorial (& Preset!)      Cache   Translate Page      

In this tutorial we'll be making and using a simple and versatile material preset for Redshift renderer in Cinema 4d.

Download Rich Nosworthy's RS Shaderball scene here: dropbox.com/s/zkyc4605ilu842t/RS_ShaderBallScene.zip?dl=0

And download my Redshift material preset here:
dropbox.com/s/c9n4u8j64xlgqhj/Redshift_Material_Preset_TH.c4d?dl=0
or here:
gumroad.com/products/rkUKf/edit

Hope this tutorial helps you out.
Check out my work at: thomhaig.com

Cast: ThomHaig

Tags: redshift, cinema 4d, materials, tutorial, shaders, preset, download, textures, photoreal, CG and CGI


          1位: 澤屋まつもと -shizuku-雫酒2016 720ml      Cache   Translate Page      

蔵元から販売を任せていただいている。蔵直・正規取扱店。モダン食中酒の最高峰。繊細で深く、潔く官能的 「SHIZUKU 澤屋まつもと」 東条産特A山田錦 その一番ピュアな部分を一滴、一滴ポタリポタリ

澤屋まつもと -shizuku-雫酒2016#source%3Dgooglier%2Ecom#https%3A%2F%2Fgooglier%2Ecom%2Fpage%2F%2F10000

価格:8,640円(税込)

澤屋まつもと -shizuku-雫酒2016#source%3Dgooglier%2Ecom#https%3A%2F%2Fgooglier%2Ecom%2Fpage%2F%2F10000

モダン食中酒の最高峰。
繊細で深く、潔く官能的 「SHIZUKU 澤屋まつもと」東条産特A山田錦 
その一番ピュアな部分を一滴、一滴ポタリポタリ


モダン酒の食中酒を目指して甘味を絞り込む設計の「澤屋まつもと」

必然的に旨味中心の味構成だけど。

このお酒は異常な盛り上がりを見せる。


それは原料米の力、特A山田錦の有名生産地「東条」


そのポテンシャルを無尽に引き出した旨味・旨味の酒

その一番ピュアな部分を一滴、一滴 ポタリ、ポタリ

もっとも優雅でエッセンスが詰まった部分を詰めた 「澤屋まつもと -shizuku-雫酒2016」

まろやかで繊細で深く優しい 潔く官能的な余韻 

お楽しみくださいませ。






IMG_8706


12734062_1657024324550050_6709976962013098999_n 「ShusendoMini 伏見地下街店」
〒460-0003
名古屋市中区錦二丁目13-24 伏見地下街
地図はクリック ↑ ↑
TEL&FAX:052-212-8150
営業時間/月曜~金曜12:00~21:00
      /土曜    11:00~20:00  
定休日/日曜・祝日

名古屋市西区「酒泉洞堀一」の新店です。地下鉄伏見駅東改札口から200m

伏見地下街B出入り口とC出入り口の間にあります。
日本酒と自然派ワイン・国産ワインにこだわったショップです。

※8坪のミニ店舗ですのでこのブログに紹介の季節限定酒中心に絞ったラインナップです。
定番日本酒は一部、焼酎、リキュールは少量在庫となり弊社ホームページ掲載の全商品は在庫しておりません。

http://shusendomini.net/
facebook  https://www.facebook.com/shusendomini/
地図地下街

地図



———————————————————

「酒泉洞堀一」 名古屋市西区枇杷島3-19-22

※こちらは本格焼酎・和リキュールも含め全商品の在庫がございます。
飲食店様のご相談窓口もこちらとなります。

地図はこちら TEL052-531-0290 FAX052-532-7890
メール  info@syusendo-horiichi.co.jp Facebook 酒泉洞堀一

※この情報は実際のページと異なる場合がございますので、最新の情報は実際のページにてご確認ください。


          MTS DOSTUP      Cache   Translate Page      

Client — Mosaic Digital Agency
Brand — MTC
Creative, Design, Motion — Alex Frukta

2018.

MTS ACCESS.
Animation Illustration for limited content art project «ACCESS». 
behance.net/gallery/72087499/MTC-Access

What is access? 
This is an opportunity that is not given to everyone, 
access is given to those who are looking for something new, expanding their horizons. Today only units have no phone, and progress does not stand still: astronomers in search of new worlds, scientists penetrate deeply and split space and time into details.
I fantasize about the app of the future, where an interested person can touch parallel matter, get access to another world. 
In my work, another reality is depicted, perhaps it is a form of life, and maybe just a freakish breed of local space. We observe how the hand gets the same access - the tactile new world that has not been studied before.

МТС ДОСТУП.
Анимационная иллюстрация для лимитированного контента арт проекта «ДОСТУП». 

Что такое доступ? 
это возможность которая дается не всем, доступ получают те кто ищут что то новое, расширяют свой кругозор. 
Сегодня у единиц нет телефона, а прогресс не стоит на месте: астрономы в поиске новых миров, 
ученые проникают глубоко и раскалывают пространство и время на детали. 
Я фантазирую на тему приложения будущего, с помощью которого интересующийся 
сможет прикоснуться к параллельной материи, получить доступ к иному миру. 
В моей работе отображена другая реальность, возможно это форма жизни, а может всего лишь причудливая порода местного пространства. Наблюдаем как рука получает тот самый доступ - осязая новый доселе не изученный мир. 

Cast: MRfrukta

Tags: Flat, technology, jungle, future, night, tatto, cyber, iphone, hand and code


          ”Människor är inte trasiga från början”      Cache   Translate Page      

1 visningar

Hur är det att vara LCHF-läkare i Tyskland? Är den tyska sjukvården medveten om kraften av en kostomläggning? När gick det fel – och när kommer kosten att bli del av konventionell behandling?

Ivor Cummins samtalar med dr Christian Selig under konferensen The Low Carb Universe på Mallorca.

Se ett par minuter av intervjun ovan (transkription). Hela videon, med svensk text och transkription, ser du med provmånad eller medlemskap:

”Människor är inte trasiga från början” – Dr Christian Selig

Bli medlem (gratis att testa en månad) och du får omedelbar tillgång till föreläsningar, intervjuer, videokurser, frågor och svar, filmer och mycket mera. Du får också tillgång till vårt populära verktyg veckomenyer.

LCHF-läkare

          Vimeo представи канал с холографско видео      Cache   Translate Page      

Стрийм услугата Vimeo активно усвоява най-новите видео технологии. Компанията стартира канал, в който се публикуват и ще се публикуват единствено холографски клипове и филми. Холограмата е основният конкурент на виртуалната реалност: при наличието на специален дисплей е възможно цялостното потапяне в триизмерното виртуално пространство без да се налага използването на специални VR очила. Vimeo стартира […]

Материалът Vimeo представи канал с холографско видео е публикуван за пръв път на kaldata.com.


          Vimeo lance une chaine dédiée aux vidéos Holographiques      Cache   Translate Page      
Vous disposez d’un écran « holographique » Looking Glass Factory ? Bonne nouvelle, Vimeo pense à vous: le service de partage vidéo vient en effet de lancer une chaine entièrement dédiée aux contenus holographiques. Seul l’écran lenticulaire de Looking Glass permettra de visionner ces contenus, et même si pour l’instant …

Lire la suite

Aimez KultureGeek sur Facebook, et suivez-nous sur Twitter



          Saturday 11 3 18 morning call      Cache   Translate Page      
A shortboard session and SUP foiling downwind attempt number, what was it, 14? Below is a bit of technical analysis, skip to the windsurfing photo if you're not interested.

It was the first time with the Maliko 280 and also the first time with the 29.5 inches long mast. I know, never change two things if you want to appreciate the difference, but the long mast was already on and I was too lazy to change it. The result wasn't much different from what is has been so far. I got up 5-6 times and was able to time the longest glide which was 45 seconds (and it was a lot longer than what previously "felt" like 45 seconds, confirming the impression that the flow of the time when flying up there seems to be different).

The bigger/heavier is the stuff you put under your board, the slower the board will paddle. And that obviously didn't help at all with the catching of the little bumps. But, a bigger wing will have more lift and so what I figured out this time is that with the 280 it's not so much about catching the bumps (they were very small), but more about getting enough of a little push so that by virtue of strong paddling and pumping, you might get it up on the foil. I think I posted already a clip of an excellent foiler able to paddle and pump a SUP board on the foil in a lake with no wind. So, in that sense, the 280 did help. Every time I got up was not because of catching a bump, but because I had enough push to make it come up by paddling and pumping.

Only when flying, the long mast eventually became an advantage, as a couple of times it made my flight longer by avoiding overfoiling. I already had no doubt that with the short mast it would be easier to take off, but I wasn't expecting Alex Aguera to comment on the phone that that would actually be MUCH easier. The long mast is: longer, thicker, wider, stiffer, heavier and overall draggier. That is the price to pay to avoid frequent overfoilings, but when you're learning to take off in the middle of a semi-flat ocean it sure doesn't help.

Next time could be as soon as today, it depends how by back recovers, as all that strong paddling on one side and that pulling the nose of the board up with the right leg really messes it up. Nonetheless, I absolutely love this incredibly difficult challenge and the environment where it takes place. I don't know if I'll ever learn, but for sure my ability to zenfully turn numerous possible frustration moments into joy for being out there by myself and trying, is already at master levels.

Up at Hookipa, the Aloha Classic saw another good day of competition. Here's a photo by Jimmie Hepp from this gallery.


This is a one minute recap of some sick moves from the completed Pro's contest.
IWT Aloha Classic 2018 Pro Men & Women Final Day from International Windsurfing Tour on Vimeo.


5am significant buoy readings
South shore
W
1.6ft @ 13s from 216° (SW)

SW
1.4ft @ 13s from 179° (S)

SE
1.6ft @ 13s from 155° (SSE)

Lanai
1.1ft @ 14s from 203° (SSW)

Surprising little readings at all the buoys (Barbers not in the Surfline page at the moment). Just like Pat Caldwell, I was expecting not to find anything at all:"Greatest odds for surf to climb a notch would be Monday from 208-220 degrees. A marginal gale in the Tasman 10/27-28 was the source."

Now, if in the water there was a bigger swell from any direction, let's say a NW ground swell or a strong E windswell, those readings wouldn't be there, in my opinion. Without being "overwhelmed" by other bigger swells, the buoys are ably to pick whatever tiny background energy there's in the water, but unfortunately the Ala Moana webcam confirms the lack of a proper swell. Some little lines once in a while, better than flat though.


North shore
Pauwela
4.1ft @ 8s from 62° (ENE)
3.5ft @ 5s from 56° (ENE)

Small windswell only today, it will be windy though, tough call for the head judge of the Aloha Classic as the wind is predicted to get light towards the end of the waiting period.
8am update: they called the contest off for the day.

Wind map at noon.


North Pacific has a small WNW fetch and the windswell one.


South Pacific has a small S fetch and a mistery very deep south in the Tasman Sea one indicated in the great circle ray map, which I couldn't really find for sure in the windy.com map. Might be because there's 6 hours of difference between the two.


Morning sky.

          Women, women, women      Cache   Translate Page      
[starttext]
Listen in on the Morning Joe panel analysis of the significant impact women are expected to have on the outcome of today's midterm elections with veteran columnist Mike Barnicle, MSNBC Hardball’s Chris Matthews, NBC News Capitol Hill correspondent Kasie Hunt, and Morning Joe co-hosts Joe Scarborough and Mika Brzezinski. “Look at the long lines of people waiting to vote, most of them...the majority are women,” says Barnicle.

[endtext]
          Immigration across the aisle      Cache   Translate Page      
[starttext]
Listen in on the conversation between the Morning Joe panel and Rep. Ben Ray Luján (D-NM), chairman of the Democratic Congressional Campaign Committee, about immigration. Asks veteran columnist: “Congressman, most people are familiar with President Trump's immigration policy and it's pretty ugly, as most people realize. But one question hangs out there continually: What's the Democrats' position on immigration?” Hear Luján’s response here about immigration reform that is “tough” and “fair."

[endtext]
          POTUS motivates voters      Cache   Translate Page      
[starttext]
“I’m looking at something that Donald Trump has given the country that very few people have ever given the country: He's gotten millions of people to vote who have never voted before. They’ve already voted….The early voting numbers are such that I think the Democrats are going to have a very, very big night,” says veteran columnist Mike Barnicle as the Morning Joe panel shares its outlook on today’s midterm elections. Listen to more here with Mika Brzezinski and Bob Woodward.

[endtext]
          What moments are you collecting?      Cache   Translate Page      

35 from ARC'TERYX on Vimeo.

The post What moments are you collecting? appeared first on @rscottjones.


          Dropbox 將支援使用第三方程式於線上直接編輯各類檔案      Cache   Translate Page      
自 Dropbox 誕生以來,就是不少人儲存重要文件的選擇之一,而隨著時間發展,它也從原本單純的儲存空間,逐漸進化成一個可以完成各類協同工作的便利服務。就在今天,Dropbox 宣布推出了一款名為擴充工具(Extensions)的新功能,透過合作對象包含 Adobe、DocuSig、Vimeo、Nitro、Pixlr 和 Smallpdf 等著名軟體公司的協助,未來用戶將不需要額外下載或打開其它的程式,就能直接在網頁上使用各種「工作流程(workflows)」,對各類檔案進行基本的編輯和操作囉。
          Li-Day: Чудесная Италия: Курортный город Амальфи      Cache   Translate Page      

амальфитанское побережье город амальфи

Солнечная Италия занимает одно из лидирующих мест в списке лучших туристических направлений мира. Обилие достопримечательностей и разнообразие предлагаемых этой замечательной средиземноморской страной вариантов отдыха способно удовлетворить даже самых пресытившихся впечатлениями путешественников. Когда туристам, наконец, надоедает бродить по руинам Римской империи, они всегда могут отправиться на заснеженные лыжные курорты или банально поваляться на пляже, наслаждаясь солнцем, морем и тотальным бездельем.

Чудесный отдых без переплат ожидает гостей на популярных сочинских курортах. Остановиться с комфортом в Адлере можно в современном гостиничном комплексе Кипарис https://gkkiparis.ru/plyazh/ на первой береговой линии. Всего пара минут ходьбы, и вот вы уже нежитесь в солнечных лучах на черноморском побережье.  

амальфитанское побережье город амальфи

В список самых популярных пляжных курортов Италии входит и живописное Амальфитанское побережье. Сорренто, Четара, Майори, Позитано, Минори и столица региона город Амальфи радушно встречают отдыхающих с мая по октябрь.

В маленьком курортном Амальфи проживает около 6 000 жителей. Расположенный у Салернского залива старинный город имеет богатое прошло и является памятником в списке наследия ЮНЕСКО. Считается, что основан он был в 4 столетии Константином Великим. Со временем Амальфи стал богатым приморским городом и столицей богатой средневековой торговой республики. В период своего процветания он конкурировал с Пизой и Генуей, но в ходе войн и соперничества был разграблен, после чего навсегда потерял экономическое влияние.

амальфитанское побережье город амальфи

Современный Амальфи предлагает своим гостям живописные виды, многочисленные средневековые достопримечательности и комфортное размещение в первоклассных отелях. Это идеальное место для пляжного отдыха, где можно во всей полноте ощутить всю прелесть и особый колорит средиземноморского побережья Италии.  

амальфитанское побережье город амальфи

Покрытое пышной растительностью скалистое Амальфитанское побережье усеяно разноцветными зданиями. Колоритные узкие улочки его небольших прибрежных городов представляют собой бесконечные переходы и ступеньки, а домики местных жителей утопают в придворовых садах, где растут виноград, оливки, апельсиновые и лимонные деревья. Что может быть лучше отдыха в этих замечательных местах! Не удивительно, что именно побережье Амальфи облюбовали творческие личности и представители европейской элиты.


амальфитанское побережье город амальфи


амальфитанское побережье город амальфи

 

амальфитанское побережье город амальфи
 




          Dropbox 将支持使用第三方应用于线上直接编辑各类文件      Cache   Translate Page      
自 Dropbox 诞生以来,就是不少人储存重要文件的选择之一,而随着时间发展,它也从原本单纯的存储空间,逐渐进化成一个可以完成各类协同工作的便利服务。就在今天,Dropbox 宣布推出了一款名为扩展工具(Extensions)的新功能,通过合作对象包含 Adobe、DocuSig、Vimeo、Nitro、Pixlr 和 Smallpdf 等著名软件公司的协助,未来用户将不需要额外下载或打开其它的程序,就能直接在网页上使用各种「工作流程(workflows)」,对各类文件进行基本的编辑和操作啰。
          Vimeo uruchamia kanał wyłącznie dla filmów holograficznych, wyświetlanych na Looking Glass      Cache   Translate Page      

Tabletowo.pl Vimeo uruchamia kanał wyłącznie dla filmów holograficznych, wyświetlanych na Looking Glass Aplikacje Ciekawostki Technologie   Hologramy to domena filmów science-fiction i w formie, w której można takie trójwymiarowe obrazy tam zobaczyć, raczej nieprędko pojawią się w naszych domach. Nie znaczy to jednak, że nie eksperymentuje się z rozwiązaniami, które mają za zadanie imitować projekcję obrazów z efektem głębi, uzyskiwanym bez pomocy dodatkowych okularów. Serwis Vimeo zamierza je wspierać, otwierając kanał […]

Przeczytaj pełny artykuł tutaj: Vimeo uruchamia kanał wyłącznie dla filmów holograficznych, wyświetlanych na Looking Glass

Artykuł Vimeo uruchamia kanał wyłącznie dla filmów holograficznych, wyświetlanych na Looking Glass pochodzi z serwisu Tabletowo.pl.


          Roadside Attraction      Cache   Translate Page      

After a very famous airplane arrives at Palm Beach International Airport, an otherwise ordinary stretch of Florida highway attracts a cluster of excited onlookers and selfie-takers.

"Roadside Attraction" is this week's Staff Pick Premiere! Read more about it here: vimeo.com/blog/post/Roadside-Attraction

Cast: Topic and Ivete Lucas & Patrick Bresnan


          Blindspotting: A Director's Diary      Cache   Translate Page      

Last year, I directed my first feature film. I tried to capture the experience as intimately as I could.
Also, we didn't have money for a proper BTS crew.

filmed by Carlos Lopez Estrada in July of 2017
Edited by Peter Ventrella for Rolling Thunder Productions.
Courtesy of Lionsgate Entertainment

Cast: Carlos Lopez Estrada


          Tiny Boundaries      Cache   Translate Page      


An interesting example of how shedworking/tiny homes work in practice, this mobile workspace and microhouse belongs to Lynton and Pi Davidson who work in the media industry but are now basing themselves on the island of Jura in Scotland's inner Hebrides (where George Orwell finished writing 1984) where the local population is around the 200 mark.

It's designed and built by Dutch tiny house specialists  Liberté and designer Woonpioniers, and serves as both a tiny mobile home and office where the couple can live but also work. The couple specifically wanted a space that they could travel with that could be used as a studio in which to work, as well as a space where they could run events or workshops. And at the same time, they needed somewhere in which to live for short periods.

So it has a kitchen, sleeping loft, composting toilet and shower room plus office space and has a woodburning stove as well as solar power. The video below explains more about the whys and wherefores and is an excellent watch (put together by KLCK). You can read more about them and all involved at tinyboundaries.com.

Tiny Boundaries from KLCK. on Vimeo. ------------------------------------------
Wednesday posts are sponsored by Eurodita, the leader in serving smart dealers

          UPCOMING: SPECIAL EVENT: This Weekend! "Catharsis: A Vigil for Healing" on The National Mall is back for the 4th year! All Night long Friday & Saturday, starting on FRI, Nov 9 at noon until SUN, Nov 11 at noon! This year's Art Theme is "Waking from the American Dream" Come out for Art, Workshops, Dancing on The Mall and more! All are Welcome, totally Free!      Cache   Translate Page      
This Weekend! Catharsis on the Mall 2018 on the National Mall, in the shadow of the Washington Monument
This year's Art Theme is "Waking from The American Dream"
Friday, November 9 - Sunday, November 11
Free, all ages welcome

View and share the facebook event page here

View a list of all of the events and many of the workshops on the Catharsis events page on facebook.

Friday November 9 begins at noon, Sunday, November 11 ends at noon
All night long, with daytime and evening events!
All are welcome to this Free event!
See a recap video from 2016 to get a sense of what to expect!

Please donate if you can! Every donation, no matter how big or small, helps to make this volunteer run event (organized by so many wonderful friends of mine in the Burning Man Community) happen and also helps to keep this event free and open to the public! Think, cup of coffee donation even.

**Note: This is an entirely outdoor event. It may be cold outside so please come prepared and dress in layers. In the past years it has been very cold, this year it won't be nearly as cold, but low temps on Saturday night are predicted to be around freezing, with warmer temps the daytime and on Friday and Sunday. It's best to come prepared, especially at night when it gets cooler and more damp.**

Schedule Summary
  • Friday 12:00pm – 8:00pm: Workshops, panels, speakers, and live music
  • Friday 8:00pm - 11:00pm: Opening ceremony, fire dancing and cathartic dancing with DJs; DJs continue until 3:00am
  • Saturday 10:00am – 8:00pm: Workshops, panels, speakers, DJs and dancing
  • Saturday 8:30pm: Ceremonial burning of the Temple with accompanying fire conclave performance
  • Saturday 10:00pm til Sunrise: DJs and Cathartic dancing
  • Sunday 6:00am: Sunrise March for Peace, Love and Disco to the White House and the Capitol with the Peace, Love and Disco Tank
  • Sunday 9:00am - 12:00pm: Concluding activities on the Mall
Schedule: The full schedule of events is now online. See schedule here!

Location: See map and learn more about the location here! This year Catharsis on the Mall 2018 will be held on the National Mall, south of Constitution Ave and west of 15th St NW, between the Washington Monument and the World War II Memorial.

Nearest Metro: Smithsonian (Blue/Orange/Silver), 5-10 minute walk; Archives (Green/Yellow) 15-20 minute walk; Farragut North (Red) 15 minute walk
Driving Directions: German American Friendship Garden / 1600 Constitution Ave NW
Parking: Parking meters along the National Mall run from 7am - 8pm every day with a 3 hour limit. Driving with plans to park is discouraged. You may want to consider uber, lyft, via or any ride share option that can drop you off right there and pick you up. NPS Meter FAQ / alternative suggestions.

More info: Learn more about the event on the main website here! You can also connect with Catharsis on The Mall on their facebook page here

Vigilers can expect to find: a like-minded community of participants who care about healing for ourselves, each other and our society; large scale art, workshops, speakers, music and activities during the day and evening; a variety of small scale local art provided by YOU; healing and gathering spaces; music and cathartic dancing until sunrise.

Note: Camping is not permitted on the National Mall. If you are coming from out of town, please make lodging arrangements before you arrive. 

What should you bring if you come out?
  • Whatever personal food and water you will need for your time at Catharsis. Food and water will NOT be available and there really isn't much in walking distance, especially at night, so please come prepared. 
  • Warm clothes for Saturday night – we will have some heaters but last year got really COLD
  • Flashlight / head lamp
  • Blankets, chairs, and/or mats
  • Small container for cigarette butt disposal, if you smoke
  • If traveling from out of town, plans for sleeping accommodations OFF the National Mall
  • Your active, creative spirit and energy, awareness of your own journey home and readiness to meet others in theirs
What NOT to bring:
  • Sleeping bags, overnight gear, intentions to sleep on The Mall (permit does not allow this)
  • Any form of campfire, fireworks, firearm, camping stove, generator, fire staffs, etc...
  • Alcohol or any illegal substances, including cannabis as this is Federal property
"Catharsis on the Mall is a vigil for healing and an acknowledgement of our journeys. It is a space for consciousness, not for inebriation. Furthermore, it is on public, federal property and all federal laws are in effect."

More about Catharsis, directly from their website:

Catharsis on the Mall was initiated and originally organized by a group of individuals in Washington, DC, acting in accordance with Burning Man’s ten principles. We are not formally affiliated with Burning Man, although many of our contributors identify with the Burning Man community at large. We sought a local experience that integrated the best of our burner values with the immediate desire for political and cultural change that brings people to DC.

Immediate experience is, in many ways, the most important cornerstone in our culture. As we continue to connect and intersect with the broader DC community, we seek to overcome barriers that stand between us, better recognizing our own inner selves and the immediate realities of those around us. We seek to provide space for arts, healing, culture, and activism to come together, mediated by radical inclusion, participation and self-expression. In this unique space we can see and hear ourselves and each other in ways that go far beyond our common day-to-day. No thought or idea can be substituted for this experience…

The annual “Catharsis on the Mall” now in it's fourth year, is the culmination of an entire year of planning and organizing. It is a vigil that features lectures, discussions, workshops, community art, music, and unstructured spaces intended to facilitate seeing and healing for wounds in ourselves, each other and in our society. The most important highlight of the event is “The Temple Burn.” The Temple is a non denominational sanctuary, a place of sacredness and solemnity; a place for remembrance, grief, and renewal that anchors the event. The burning of the temple expresses this transition, letting go, the continual flow of life; it encourages the lived experience of catharsis. It’s what makes the temple a sacred experience for each individual.

Catharsis is set on a national stage, with broad scope seeking to affect the federal government’s culture and identity to one of compassion, collaboration and healing. Catharsis is the first and only event permitted to burn a structure on the National Mall and allow amplified music for 24 hours, allowing individuals to enjoy the sunset and sunrise. The event is collaboratively co-created each year by dozens of core volunteers and hundreds of participants. In 2016 the core organizers formalized Catharsis on the Mall, LLC and a board of directors to guide and lead the event forward.

Catharsis on the Mall is and plans to remain free and open to the public. ALL are WELCOME!
Catharsis is held on The National Mall
between The Washington Monument and the World War II Memorial
south of Constitution Ave, west of 15th St NW
Metro: Smithsonian (Blue/Orange/Silver), 5-10 minute walk; Archives (Green/Yellow) 15-20 minute walk; Farragut North (Red) 15 minute walk

          Red Giant Universe 1.2 Update      Cache   Translate Page      
Red Giant has updated its Universe plug-in suite to version 1.2 for both free and paid users. The update adds nine new effects and transitions, Sony Vegas support and Premiere Pro improvements. Check out the full rundown of the new additions in the below video. [vimeo https://vimeo.com/104742333 w=700] More details in the press release below.  Portland, […]
          Red Giant Teases “Universe” . . . Coming Soon      Cache   Translate Page      
Red Giant, maker of Magic Bullet Looks and other popular video plug-ins, released a teaser video today for Red Giant Universe. The end of the video teases a URL to RedGiant.com/Universe, which currently shows only a sign-up form and social media links. [vimeo https://vimeo.com/86038181 w=640&h=360] There’s some of speculation going on in the comments on Vimeo […]
          Vimeo apre un canale video dedicato agli ologrammi      Cache   Translate Page      

Logo Vimeo

Una nuova tecnologia per gli ologrammi permetterà di vedere i video 3D senza visori. Vimeo apre un canale dedicato a questi filmati

The post Vimeo apre un canale video dedicato agli ologrammi appeared first on Wired.


          More Baby Blue Teasers      Cache   Translate Page      

Canada's Blue Tile Lounge Skateshop hits us with two more Baby Blue teasers featuring Dylan Barnes, John Lennie, and Pat O’Rourke.

          Comment on Android and Vimeo by Anonymous      Cache   Translate Page      
Extreme Power Belt - пояс для похудения и коррекции фигуры https://clck.ru/EXwok Единственный аксессуар, который может уменьшить размер талии на двенадцать сантиметров всего за две секунды. А если носить Xtreme Power Belt регулярно, то можно легко избаваться от лишнег жира на животе!
          dirty image      Cache   Translate Page      

shot on Leica T
video by Ruslan Pelykh instagram.com/ruslanpelykh
ruslanpelykh.com

Cast: Ruslan Pelykh


          Napoleon’s War with the Bank of England and Nathan Rothschild      Cache   Translate Page      
Napoleon Bonaparte Monetary Reformer from Dick Eastman on Vimeo.
          „Am Puls der Zeit” – Der 4. Bundeskongress Musikunterricht      Cache   Translate Page      

Neue Medien und interkulturelles Lernen, Inklusion, fächerübergreifendes Lernen oder Kooperationen mit außerschulischen Partnern – das sind nur einige der Themen, zu denen den mehr als 1000 Teilnehmerinnen und Teilnehmern beim 4. Bundeskongress Musikunterricht in Hannover Veranstaltungen zur Weiterbildung geboten wurden. In unzähligen Kursen und Workshops, Podiumsdiskussionen und Konzerten bekamen sie hier neuen musikalischen und pädagogischen Input.

Ein Film von nmzMedia für den Bundesverband Musikunterricht.

299449445
Auf der media-Übersichtsliste anzeigen

          Vimeo otvorio kanal za holografske video sadržaje      Cache   Translate Page      
Vimeo već ima reputaciju koja ga smešta među servise koji pomeraju granice video tehnologija, pa je nedavno napravio još jedan korak u tom smeru. Naime, servis je nedavno lansirao kanal koji je namenjen samo za holografske video sadržaje, koji nastaju metodom stvaranja i reprodukcije [...]
          Past Life: The Artwork of Candice Angelini; A New Film by Morbid Anatomy Museum Filmmaker in Residence Ronni Thomas      Cache   Translate Page      

Our good friend--and former filmmaker in residence at The Morbid Anatomy Museum--Ronni Thomas just launched his newest film, about the artwork of Candice Angelini. You can see the film above; you can also see it--along with many of Ronni's other excellent films--at The Midnight Archive.

Here is what Ronni has to say about the film; hope you enjoy!
When I was introduced to artist Candice Angelini it was like a flash of lightning. Her masks, dolls and head dress work were the type of uncanny, one of a kind creations I am in constant search of.  And then I heard her story. I knew I needed to fly to southern France to capture her unique and mysterious process. Here in my latest film, this former asylum nurse details how her artwork is a sort of cleansing of her previous lives. I hope you find her work and her personality as charming as I do. Her work and all my films are freely available at themidnightarchive.com

          Watch: Terrifying Car Park Horror Short Film 'Reverse' by Josh Tanner      Cache   Translate Page      
"Check surroundings for safety." One more horror short to keep you all freaked out every night. Reverse is another horror short film by Australian filmmaker Josh Tanner, and writer/producer Jade van der Lei. The two also just made and released the horror short The Rizzle earlier this October, which was part of Hulu's Huluween Film Fest competition. This short has an entirely different concept, about a guy trying to leave an underground car park, but something doesn't want him to leave there. Starring Joel Stanton and Connor Clarke. They wanted to try and make a film utilizing the ever-evolving technology in cars to create tension and scares. Featuring cinematography by Kieran Fowler, with music composed by Stevan Markovic. Enjoy. Thanks to Josh (again) for the tip on this one. Original description from Vimeo: "A man attempts to exit an underground car park. Something doesn't want him to." Reverse is directed by Australian filmmaker Josh Tanner of Perception Pictures, written by Josh ...
          The Muslim bacon prank      Cache   Translate Page      
If you have a great Youtube or Vimeo video to share send it to videos@whaleoil.co.nz The post The Muslim bacon prank appeared first on Whale Oil Beef Hooked | Whaleoil Media.
          Cut it out: Knife fails      Cache   Translate Page      
If you have a great Youtube or Vimeo video to share send it to videos@whaleoil.co.nz The post Cut it out: Knife fails appeared first on Whale Oil Beef Hooked | Whaleoil Media.
          Ferrari Testarossa to the Sahara a 2000mile adventure      Cache   Translate Page      
If you have a great Youtube or Vimeo video to share send it to videos@whaleoil.co.nz More Harry’s garage but back to real cars as promised. An older video (3 years ago) where Harry Metcalfe takes his 30 year old Ferrari Testarossa to the Sahara desert. This emulates a journey made in 1995 by a UK […] The post Ferrari Testarossa to the Sahara a 2000mile adventure appeared first on Whale Oil Beef Hooked | Whaleoil Media.
          Watch: Security Camera Horror Short Film 'Monitor' is Seriously Scary      Cache   Translate Page      
"It's our ability to conflate the physical and the virtual world that makes this whole apparatus work in the first place." Another scary horror short to watch to keep the thrills going beyond just the month of October. Monitor is a horror short film made by Matt Black & Ryan Polly, of a Texas-based filmmaking cooperative called Maker Table. Similar to, but different, than the other horror short Monitor (about a baby monitor), this one is about a sleep-deprived corner store clerk who wonders if he's seeing things when a man appears on his security camera monitors. Starring Gunner Willis, Jacob Daniels, and Tyler Burditt. This really is a much scarier version of the monitor concept, with the mysteriousness playing perfectly with the horror. Thanks to Ryan for the tip on this. Original description from Vimeo: "A sleep-deprived corner store clerk wonders if he's seeing things when a man mysteriously appears on his security camera feed... but not in the store ...
          Watch: Freaky Horror Short Film 'The Fitting' Directed by Wil Manzano      Cache   Translate Page      
"This has to be it, right?" "Yes, definitely." Another new horror short to serve up even though we're already through October. The Fitting is a short film directed by Wilfredo "Wil" Manzano, made by the production company The Nocturnal. It's about two actors who are heading to a wardrobe fitting for an indie film, only to discover it's actually not a film they're being fitted for. The Fitting stars Tayler Hamilton and Sterling Williams. This is a fairly simple short film, but gets very freaky very fast near the end and just keeps going. I feel like there's more missing, though. Did she get out? Do they find her? Who knows! We'll never know... Thanks to Wil for the note. Original description from Vimeo: "Two young actors arrive at a wardrobe fitting only to realize it is not a film they're being fitted for." The Fitting is directed by the producer / filmmaker Wilfredo "Wil" Manzano - visit his official website ...
          Watch: Unsettling Horror Short 'The Collection' Isn't What It Seems      Cache   Translate Page      
Even though it isn't October anymore, it doesn't mean we can't still feature new horror short films. Take this one, for example, another creepy new horror suspense short that will leave you feeling a bit unsettled. The Collection is a horror short made by three filmmakers and friends: Carlos Baena, Carlos Puertolas, and Rani Naamani. All of them have worked in the VFX or animation industries in San Francisco, and also love to make films on the side. The Collection stars Bob Roden and Carla Westlund. It's a deceptive film with a sucker punch ending, which is what makes it so unsettling. Warning: this contains some graphic violence. Thanks to Carlos for the tip on this. Embedded directly from Vimeo, there's no official description for this short. The Collection is co-directed and co-written by friends/filmmakers Carlos Baena (@Carlos_Baena), Carlos Puertolas, and Rani Naamani (@RaniNaamani). Produced by Elizabeth Ussery; made by Night Wheel Pictures and Side Films. Featuring cinematography by Harold Escotet, ...
          How it’s made: Space pens      Cache   Translate Page      
If you have a great Youtube or Vimeo video to share send it to videos@whaleoil.co.nz The post How it’s made: Space pens appeared first on Whale Oil Beef Hooked | Whaleoil Media.
          Carol Burnett show outtakes      Cache   Translate Page      
If you have a great Youtube or Vimeo video to share send it to videos@whaleoil.co.nz The post Carol Burnett show outtakes appeared first on Whale Oil Beef Hooked | Whaleoil Media.
          Jordan Peterson: ‘There was plenty of motivation to take me out. It just didn’t work’      Cache   Translate Page      
If you have a great Youtube or Vimeo video to share send it to videos@whaleoil.co.nz The post Jordan Peterson: ‘There was plenty of motivation to take me out. It just didn’t work’ appeared first on Whale Oil Beef Hooked | Whaleoil Media.
          Dropbox Uzantılar ile web’de dosya düzenlemeyi kolaylaştırıyor      Cache   Translate Page      
Dropbox Uzantılar ile web’de dosya düzenlemeyi kolaylaştırıyor

Dropbox Uzantılar adını verdiği yeni özelliğini duyurdu. Söz konusu özellik sayesinde bulut depolama servisinin kullanıcılarının işlerini platform üzerinden hâlletmesinin hatırı sayılır ölçüde kolaylaşması amaçlanıyor. Üçüncü taraf yazılım eklentileri olan Uzantılar sayesinde kullanıcılar, ayrı bir tarayıcı penceresi veya uygulama açmalarına gerek kalmadan Dropbox’ın web arayüzü üzerinde işlerini tamamlayabilecek.

Dropbox’ın yeni özelliği için birlikte çalıştığı ilk iş ortakları arasında Adobe, DocuSign ve Vimeo gibi şirketler bulunuyor.

Devamını okuyun >>


          Vimeo Users Can Now Publish Directly To LinkedIn Pages      Cache   Translate Page      

With its latest partnership with LinkedIn, Vimeo shows its effort in creating more efficient service for video professionals.

The post Vimeo Users Can Now Publish Directly To LinkedIn Pages appeared first on Social Media Week.


          Picture the New Testament (Lighting the Lamp Video Podcast #175)      Cache   Translate Page      

Por medio de las mismas y sin necesidad de gafas o accesorios complementarios podemos acceder a unos de los vídeos que a modo de demostraciones han subido al canal. Por ahora el contenido es muy escaso, pero para facilitar que este aumente, desde Vimeo han creado un tutorial que permite a los desarrolladores subir contenido propio a la plataforma.

El problema por ahora radica en la exclusividad que supone el hacerse con una pantalla compatible. Y es que las pantallas de Looking Glass tienen un precio de 399 dólares, un coste que además es exclusivo para los que colaboraron en la campaña de crowfunding. Para los compradores nuevos, tener una pantalla holográfica supondrá el pagar 599 dólares.

Se trata de una apuesta de futuro, una forma de marcar un nuevo camino que lo diferencie de otras propuestas. La ruta para vídeo en 4K con HDR o incluso para contenido en 8K ya está abierta, así que esta propuesta es una forma de explorar nuevos contenidos aunque por ahora su uso no pasa de ser minoritario entre el gran público.

Vía | TechCrunch
Fuente | Vimeo

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Vimeo se apunta a la moda de los vídeos en 360 grados, el 3D y resoluciones 8K

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La noticia Vimeo quiere abrir un nuevo mercado en el streaming de vídeo y lanza su propio canal con contenido holográfico fue publicada originalmente en Xataka Smart Home por Jose Antonio .


          Dropbox Extensions: in arrivo l’integrazione con App indipensabili      Cache   Translate Page      

Dropbox quest’oggi ha annunciato il lancio di Dropbox Extensions, una serie di nuove integrazioni che consentiranno agli utenti di avviare...

L'articolo Dropbox Extensions: in arrivo l’integrazione con App indipensabili proviene da iSpazio.


          The Climb.      Cache   Translate Page      

Cast: Mackenzie Annette


          Game Box      Cache   Translate Page      

Project for Stop Motion class.

Cast: Mackenzie Annette

Tags: video games, retro and stop motion


          Logran explotar una vulnerabilidad en Microsoft Edge que permite acceder a otras apps desde el navegador      Cache   Translate Page      

Logran explotar una vulnerabilidad en Microsoft Edge que permite acceder a otras apps desde el navegador#source%3Dgooglier%2Ecom#https%3A%2F%2Fgooglier%2Ecom%2Fpage%2F%2F10000

Los investigadores de seguridad Yushi Laing y Alexander Kochkov han creado una prueba de concepto en la que evidencian cómo lograron explotar una vulnerabilidad zero day en Microsoft Edge que puede permitir a un tercero malicioso ejecutar comandos en el ordenador de un usuario de forma remota.

En el vídeo publicado en Vimeo podemos ver como son capaces de ejecutar la página de inicio de Chrome en Firefox a través de Microsoft Edge, y aunque suene como un trabalenguas lo que prueba es que han logrado acceder a otras apps más allá de sus permisos normales a través del navegador de Microsoft.

Fueron dos las vulnerabilidades descubiertas que podrían permitir a un usuario anónimo ejecutar código de forma remota y potencialmente tomar el control del dispositivo. Laing mostró un adelanto del exploit en su cuenta de Twitter el pasado 2 de noviembre, ahí enseña cómo podía ejecutar la calculadora de Windows desde Microsoft Edge.

Empezó en Firefox y terminó en Edge

El investigador, especializado en encontrar exploits, inicialmente estaba revisando tres bugs de ejecución remota de código en Firefox como parte de una cadena de exploit, y en ese proceso encontró dos fallos similares en Edge.

Su objetivo entonces fue desarrollar un exploit estable en Edge que permitiera escapar por completo del sandbox, para recargar la app con permisos manipulados. Esto permitiría al usuario ejecutar funciones y acceder a otras más allá de sus permisos normales, así como a los datos de otras aplicaciones.

Las recompensas por escapar por completo el sandbox en Edge y ganar privilegios elevados alcanzan los 80.000 dólares

Microsoft aún no ha recibido detalles sobre esta vulnerabilidad, aunque Liang publicó el vídeo y dice tener el código de la prueba de concepto lista. Los investigadores están planeando publicar con todos los detalles una vez que logren romper completamente el sandbox en Edge, además de buscar un método para escalar los privilegios de ejecución a todo el sistema para tomar control total del equipo.

Vía | BleepingComputer


          Cedi Osman takes blame for Cavaliers loss in Orlando: 'It was on me tonight'      Cache   Translate Page      

Nearly 40 minutes after his critical mistake played a key role in Cleveland's painful loss against the Orlando Magic, Osman was still reeling.

ORLANDO -- With his hood covering his wet hair and Beats headphones around his neck, Cedi Osman stared down at the floor inside the visitor's locker room at the Amway Center.

He was shaken. Disappointed. Sorry.

Nearly 40 minutes after his critical mistake played a key role in Cleveland's painful 102-100 loss against the Orlando Magic, Osman was still reeling.

"Obviously it was a bad pass. That was a huge mistake. I think it cost us the game," Osman said.

Aaron Gordon had just made a basket for the Magic, cutting the Cavaliers' lead to three points. With the shot clock turned off, JR Smith inbounded the ball to George Hill who snapped a pass to Osman alone across the timeline.

All Osman had to do was hold the ball, force the Magic to foul and cap a sizable comeback at the free throw line. Instead, Osman tried to get the ball back to Hill, as the veteran point guard was streaking down the opposite side with about three steps on the closest defender.

"I just saw G Hill because he was wide open and that layup, like if he scored fast the clock will go and at that time JC was running through the middle and I didn't see JC," Osman said, as he replayed his biting mistake. "I should just keep it in my hands and we (win) the game. It was a bad decision."

It wasn't the only one on this night. At the end of that miscue was Clarkson colliding with D.J. Augustin, being whistled for a foul and sending Augustin -- a 90 percent free-throw shooter -- to the stripe where he cut into the lead even more. That applied immense pressure to the still-learning Cavs and they were visibly rattled. 

Seconds later, Kyle Korver had an inbounds pass stolen away from him.

Instead of going to the line with a chance to increase the lead to three points, the Magic were racing to the other end of the floor where Evan Fournier was fouled.

There was also George Hill attacking quickly, not solidifying the final possession while giving Orlando one last shot at the game-winner.

Untimely blunders and unfavorable whistles led to Cleveland's undoing. Osman, however, could only think about one play.

He wasn't sulking over his defense against Fournier on the game-winning shot. Osman felt he did his best and contested the shot well. For him, it was all about that "stupid turnover."

"It was a huge disappointment from myself," he said. "That was a mistake that for myself as a professional for a lot of years should not have made that. Just a bad decision and I have to live with it. I said I'm sorry to the guys about the game. That's how I feel. It was on me tonight."

Following the game, head coach Larry Drew told Osman to "keep his head up."

"He knows that if he could do it all over again he would've held onto the ball," Drew said. "Be strong with the ball, make them foul us. We'll learn from that. We get in this situation again, we'll know what to do."

Tristan Thompson, one of the team leaders who recorded season-highs in points (19) and rebounds (16), had a similar message before heading back to Cleveland.

"Many plays and many stretches where we could have put ourselves in better position," Thompson said. "The last minute is a great learning experience for us. It's great to have Cedi out there, Rodney out there and Jordan Clarkson out there to be in those situations. We trust them.

"I think it's a great learning experience for them and if ever in that situation again we will learn from that and continue to grow. I think no one should hold their head down. As long as we compete we will give ourselves a chance to win ballgames and that has to be our mentality moving forward and that's what we did today."

A win is the only thing that will help break the Cavs out of this rut. Everyone understands that. But all was not lost on Monday night. 

As hard as it is for some to hear and as difficult as it is for some within the organization to admit, the Cavaliers are rebuilding. There are steps along this arduous journey. With that comes growing pains. They need to show pride in sufficient performances like these because they're no longer a given.

Many of these players are being thrust into new spots. It takes time to learn how to win. It takes experience in those pressure-packed situations before being fully comfortable.  

When the Cavs were plowing through the Eastern Conference and earning trips to the Finals, Osman was either overseas or cheering from the bench. Same with Clarkson, who also earned meaningful crunch time minutes on Monday night. When the Cavs won their first game of the season against the Atlanta Hawks, it was a rout, no need to make the proper plays at the end.

Monday was the first time they had taken a lead into the fourth quarter. It was the first time they were in a one-possession game that late. It was the first time they had to go to someone other than LeBron James to seal a win in the closing seconds. Admittedly, they didn't handle it well.

But Osman, who owned his mistake, was the only person leaving the Amway Center with his head down because efforts like Monday, apart from the ghastly final 30 seconds, provide a roadmap to future success.

"The more you're in those situations, the more you know what to do," Drew said. "And like I said, I'm a big stickler in, even losses, let's make sure we have a takeaway. And the takeaway in those situations, we know what the takeaway is. We'll be in that situation again. We put ourselves in that position game after game after game, we'll win some games."


          Dropbox เปิดตัว Extensions เรียกใช้แอพภายนอกได้จากหน้าเว็บ Dropbox โดยตรง      Cache   Translate Page      

Dropbox เปิดตัว Extensions ส่วนขยายให้เราสามารถรันไฟล์ด้วยแอพภายนอกได้จากหน้าเว็บของ Dropbox เลย เสมือนว่าหน้าเว็บ Dropbox เป็น file manager ที่อยู่ในเครื่อง

ตัวอย่างการใช้งานได้แก่ เปิดไฟล์ PDF ด้วย Docusign เพื่อเซ็นเอกสารได้จากหน้า Dropbox โดยไม่ต้องสลับไปยังหน้าต่างอื่น, ตัดต่อวิดีโอบน Vimeo หรือแต่งภาพด้วย Pixlr เป็นต้น

Dropbox Extensions จะเปิดให้บริการในวันที่ 27 พฤศจิกายนนี้ เบื้องต้นยังมีการเชื่อมต่อกับแอพภายนอกจำนวนหนึ่ง และจะค่อยๆ ขยายจำนวนพาร์ทเนอร์เพิ่มขึ้นในอนาคต

ที่มา - Dropbox

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          Vimeo (iPhone/iPad) 7.1.0      Cache   Translate Page      
none
          Homeopatía, azúcar y dietas, en ‘Hoy por hoy’ #Magonia #noticias      Cache   Translate Page      

Toni Garrido, el doctor Jordi Montero, J.M. Mulet, Tom Kallene y yo hablamos el pasado miércoles de homeopatía, azúcar y dietas, en la octava entrega de la temporada de mi colaboración en Hoy por hoy, en la Cadena SER. La entrada Homeopatía, azúcar y dietas, en 'Hoy por hoy' aparece primero en Magonia.

Puedes seguir leyendo esta entrada en 'Magonia' si pinchas en el título.

          Dropbox to integrate file editing features      Cache   Translate Page      
Dropbox has partnered with the likes of Adobe and Vimeo to release a variety of third-party software plugins.
          Logran explotar una vulnerabilidad en Microsoft Edge que permite acceder a otras apps desde el navegador      Cache   Translate Page      

Logran explotar una vulnerabilidad en Microsoft Edge que permite acceder a otras apps desde el navegador#source%3Dgooglier%2Ecom#https%3A%2F%2Fgooglier%2Ecom%2Fpage%2F%2F10000

Los investigadores de seguridad Yushi Laing y Alexander Kochkov han creado una prueba de concepto en la que evidencian cómo lograron explotar una vulnerabilidad zero day en Microsoft Edge que puede permitir a un tercero malicioso ejecutar comandos en el ordenador de un usuario de forma remota.

En el vídeo publicado en Vimeo podemos ver como son capaces de ejecutar la página de inicio de Chrome en Firefox a través de Microsoft Edge, y aunque suene como un trabalenguas lo que prueba es que han logrado acceder a otras apps más allá de sus permisos normales a través del navegador de Microsoft.

Fueron dos las vulnerabilidades descubiertas que podrían permitir a un usuario anónimo ejecutar código de forma remota y potencialmente tomar el control del dispositivo. Laing mostró un adelanto del exploit en su cuenta de Twitter el pasado 2 de noviembre, ahí enseña cómo podía ejecutar la calculadora de Windows desde Microsoft Edge.

Empezó en Firefox y terminó en Edge

El investigador, especializado en encontrar exploits, inicialmente estaba revisando tres bugs de ejecución remota de código en Firefox como parte de una cadena de exploit, y en ese proceso encontró dos fallos similares en Edge.

Su objetivo entonces fue desarrollar un exploit estable en Edge que permitiera escapar por completo del sandbox, para recargar la app con permisos manipulados. Esto permitiría al usuario ejecutar funciones y acceder a otras más allá de sus permisos normales, así como a los datos de otras aplicaciones.

Las recompensas por escapar por completo el sandbox en Edge y ganar privilegios elevados alcanzan los 80.000 dólares

Microsoft aún no ha recibido detalles sobre esta vulnerabilidad, aunque Liang publicó el vídeo y dice tener el código de la prueba de concepto lista. Los investigadores están planeando publicar con todos los detalles una vez que logren romper completamente el sandbox en Edge, además de buscar un método para escalar los privilegios de ejecución a todo el sistema para tomar control total del equipo.

Vía | BleepingComputer

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Microsoft se queda sin tiempo y Google expone un fallo de seguridad en Edge antes de que tenga solución

EL FUTURO DEL COCHE ELÉCTRICO PASA POR ESTOS PUNTOS

Tus inicios de sesión pueden quedar expuestos a los rastreadores por culpa del navegador

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La noticia Logran explotar una vulnerabilidad en Microsoft Edge que permite acceder a otras apps desde el navegador fue publicada originalmente en Genbeta por Gabriela González .


           Kommentar zu Droht 2019 das Ende von Youtube? Dieses Mal ist die Lage ernst! von Solist       Cache   Translate Page      
Textkopie, von mir: Man sollte auch wissen, das Petitionen nur BITTGESUCHE für uns Sklaven sind. Also auch mit genug Stimmen abgelehnt werden können, ohne Probleme. Das bedeutet nur, sie kommen auf den Tisch. Ich habe auch schon erlebt, wo ne Petition inhaltlich WIRKLICH an die Wurzel der Probleme ging (zu dem ganzen feindlichen System, um da evt gegenwirken zu können... die haben fleissig Stimmen gesammelt und nur wenige Tage vor Beendigung wurde die Petition einfach entfernt, was die Unterzeichner mehrheitlich dann nicht mehr mitbekommen haben können, Hauptsache Beschäftigungstherapie. Was auch schon geschah, das man ne Frist (absichtlich?!!!) verstreichen lies und die Petition einreichte, als es zu spät war noch was zu machen und Manche Petitionen klingen zwar erstmal gut, aber sind es nicht unbedingt und Andere kann man sofort erkennen, das sie gegen Unsereiner gerichtet ist. Auch Demos snd mehrheitlich gesteuert, aber eigenes Thema (Übrigens auch die großen Revolutionen UND Kriege die letzten Jahrhunderte). Also erst lesen und dann.... nur ein kleiner Tipp. Die Plattform change.org, dahinter stecken auch keine Gutmenschen (Im Sinne von wirklich gut, nicht die man so abwertend nennt und in Wahrheit schlechte Menschen sind, Manche werden mich sicher verstehen).... Ich suche da mal was.... CHANGE.ORG: DIE FINANCIERS UND DER EIGENTLICHE ZWECK HINTER DER ONLINE-PETITIONSPLATTFORM https://www.konjunktion.info/2018/08/change-org-die-financiers-und-der-eigentliche-zweck-hinter-der-online-petitionsplattform/ 13 AUGUST 2018 1.862 AufrufeArtikel versendenbill gates, Change.org, manipulation, Online-Petition, Social Engineering, usa, wahlen Fast jeder dürfte schon einmal eine Mail von Change.org, verbunden mit dem Aufruf an einer Online-Petition zu einem bestimmten Thema teilzunehmen, in seinem Mailkasten gefunden haben. Aber was wissen wir eigentlich über die Organisation Change.org? Finanziert wird das Portal laut eines Artikels der New York Times von 2014 von Leuten wie Bill Gates, Gründer von Microsoft Jerry Yang, Mitgründer von Yahoo, Evan Williams, Mitgründer von Twitter Richard Branson, Chef von Virgin Airlines Pierre M. Omidyar, Mitgründer von ebay Reid Hoffman, Mitgründer von LinkedIn und ein paar weiteren Personen von insgesamt etwa einem Dutzend Investoren, die Change.org finanziell über Wasser halten. Change.org ist, was viele nicht wissen dürften, keine Non-Profit-Organisation, sondern eine For-Profit-Organisation wie Change.org-Financier Pierre M. Omidyar auf seiner eigenen Website schreibt: Obwohl es sich um ein Dot-org-Websuffix handelt, handelt es sich um eine gewinnorientierte Firma. — (Despite having a dot-org web suffix, it is a for-profit company.) Der Geschäftsführer von Change.org, Ben Rattray bestätigt mit nachfolgender Aussage (indirekt) Omidyar: Der Grund, warum wir aufgabenorientierte Investoren mit langfristigen Horizonten suchen, ist, dass wir uns somit auf das Produkt konzentrieren können. — (The reason we want mission aligned investors with long-term horizons is so we can focus on the product.) Doch von welchem “Produkt” spricht hier Rattray eigentlich? Eigentlich ist die Antwort auf die Frage ganz einfach und offensichtlich. Das “Produkt” ist Social Engineering. Unter Social Engineering versteht man: Die Verwendung einer zentralisierten Planung, um den sozialen Wandel zu bewältigen und die zukünftige Entwicklung und das Verhalten einer Gesellschaft zu regulieren. (Im Kontext der Informationssicherheit) Die Verwendung von Täuschung, um Einzelpersonen dazu zu bringen, vertrauliche oder persönliche Informationen preiszugeben, die für betrügerische Zwecke verwendet werden können. — (1. The use of centralized planning in an attempt to manage social change and regulate the future development and behavior of a society. (In the context of information security) The use of deception to manipulate individuals into divulging confidential or personal information that may be used for fraudulent purposes.) Im bereits erwähnten Artikel der New York Times von 2014 stellt der Autor im Bezug auf Definition 1 die indirekte Frage, wie viel Einfluss Change.org wirklich auf die Gesellschaft mit seinem Tun hat, und bekommt die entsprechende Antwort von Rattray geliefert: Petitionen sind jedoch nicht alles, was Change.org anstrebt. Herr Rattray sagte, er hoffe, dass es auch eine Plattform für die Organisation von Wahlen, Fundraising und mehr werden würde. — (But petitions are not all that Change.org aspires to organize. Mr. Rattray said he hoped it would also become a platform for organizing voting, fund-raising and more.) Und Change.org ist inzwischen nicht “untätig geblieben” und gilt als wichtige Plattform zur Beeinflussung von Wählermeinungen und Stimmungsbilder. Auch bei den anstehenden Mid-Term-Wahlen im November 2018 wird Change.org versuchen, die Wähler mit bestimmten Themen und Online-Petitionen in eine gewollte Richtung zu drängen, die sicherlich nicht zum Nutzen der einfachen Menschen sein wird. Wenn dann zudem die “vereinte Macht der US-Medien” dazu kommt, werden sich nur noch sehr wenige kritische Stimmen gegen den Mainstream auflehnen (können). Berücksichtigt man dann noch die aktuelle “Säuberungswelle” von Youtubern, Twitter-Accounts usw. dazu, kann sich jeder selbst denken, welche Propagandawelle demnächst auf uns zurollen wird. Noch ne Anmerkung von mir: Ich erinnere ein Foto, schon Jahre her, da wurden Leute von sozialen Netzwerke, die Big Bosse und Eigentümer von Obama gemeinsam eingeladen und sassen ALLE an einem Tisch. dabei der Yahoo Boss, Google Gründer, glaube ich, jedenfalls von Google, Oracle und einige mehr, ich kann nicht mehr beschwören, ob auch von Youtube bei war, jedenfalls zensiert seit JAHREN auch Youtube wie Bolle, nicht erst seit letzten Gesetz "gegen" eben solche Plattformen. Wofür teilweise Youtube sogar SELBER verantwortlich, Klickzahlen werden manipuliert, Vieles Merkwürdige geschieht da..., was ich damit sagen will, natürlich sind solche Gesetze übelst, aber in Wahrheit spielt YT, Google, auch Vimeo ect da mit und wenn Opposition heucheln, meinen es i.d.R. nicht wirklich so. Wer hat übrigens das Internet erfunden? Viel Spass beim recherchieren, der Feind und entsprechend wird auch auf Aufklärung negativ eingewirkt. Das möchte man nicht.... Weitere Kopie (Teilantwort an eine Userin): Es gibt oder gab z.B. ne ANGEBLICHE Graswurzelbewegung avaaz.org. Mal gegen Delphinmorde, mal gegen Monsanto und Bienensterben, im TV sah mal bei 3 sat einen Redner, von den Grünninen, im Hintergrund eine Demo zu sehen und eine riesige Pappmacheebiene, darauf stand AVAAZ.org Dann Demos gab es in Indien, betreff Vergewaltigungen von Frauen und dann erinnere ein Foto, mit vielleicht gerade mal 5 Frauen, die indisch aussahen, vor einer Wand. Theoretisch hjätte es auch in Hintertupfingen aufgenommen sein können. Hielten ein Schild, mit indischen Schriftzeichen, darunter aber stand: AWAAZ.org, dann ne angeblich vergewaltigte Frau, ich glaube aus Österreich, die waren (mit Mann, der dabei gesessen hatte) in Indien und die Frau wurde von mehreren Männern angeblich vergewaltigt und der Mann mußte zusehen. als sie darüber berichteten, auch der Mann, erschien mir wie ein Unbeteiligter, keine Emotionen, was mich verwunderte und ich bestreite nicht, das in Indien es Vergewaltigungen und Säureattentate ect gibt und genauso mit Monsanto und Bienensterben, aber sie steuern trotzdem auch dies in gelenkte Bahnen... Aber bevor mich noch mehr verfranze in allem Möglichen.... AVAAZ.ORG wurde von ROCKEFELLER finanziert, gegründet und von einer ominösen Werbefirma AUSGETÜFTELT. Nebenbei.... machten Propaganda zum Krieg gegen Syrien und Libyen, natürlich im Namen von Menschenrechten. sie sammelten Unterschriften und Geld dafür. Dazu hatten zwei Förderer, die auf ihrer Webseite standen: Microsoft (Bill Gates) und IBM. BEIDE fand ich auch als Werbepartner bei dem PSEUDO-Aufklärermedium: Deutsche Wirtschaftsnachrichten im Netz. Die binnen weniger Tage BEIDE dort am Start sah, war ja nicht jeden Tag drauf. DAMALS konnte man noch dort kommentieren, die ZENSIERTEN schlimmer, als manch MSM im Netz. Wurden danach auch noch von einem Bilderberger aufgekauft, vom Dornierverlag, zumindest kaufte sich zu Teilen ein, hatte größere Anteile, aber schon zuvor waren nicht koscher. Ein Stück weit Wahrheit ist natürlich bei Allen dabei. Da Du fragtest... Naja, ich bin jeden Tag sehr viele Stunden jeden Tag im Netz und da bekommt man eben etwas hier, etwas da, , etwas von Usern ect mit und man versucht dann Dinge miteinander zu verknüpfen, hätte ich ein besseres Gedächtnis, ist wirklich nicht gut, aber im Gegensatz zu früher dennoch deutlich besser. Manches bleibt etwas besser im Kopf durch dauernde Wiederholungen, wenn man auch immer wieder Dinge verlinkt oder ein Video auch drei mal ansieht. Leider verschwindet dann Anderes dafür wieder schnell aus dem Hirn, aber gebildete Meinung bleibt. also warum man ne Meinung hat, auch wenn man nicht mehr so gut oder nicht sagen kann, durch was man Sie sich bildete oder nur noch paar Fetzen davon Aber ich informiere mich schon ne Weile längst nicht mehr so wie "früher" und tagesaktuell, dafür schreibe deutlich mehr und verlinke und habe eben da paar Dinge zu abgespeichert, die gerne immer wieder bringe oder Ähnliches und Manches davon finde auch noch wichtiger, wie nur das Galama zu betrachten, also eben das größere Bild. Zu Chemtrails habe z.B. auch paar Links gespeichert, zu 9/11, zu Russland eben.... Zu den False Flags hatte auch, aber da ist das Alllermeiste gelöscht, Kanäle auch dicht und.... Das BESTE ist weg, das bei Bedarf einkopieren kann, leider wurde ja überall schon und immer wieder, auch wenn Videos neu gesucht hatte, Reuploads oft wieder... wieder gelöscht.... Es wurden auch Kanäle mit vielen Videos dicht gemacht, da fehlen dann mal tausend oder 2000 Videos im Extremfall, ich könnte da zwei Beispiele nennen und Beide hatten auch selbst übersetzte Clips und eigenes....und du findest höchstens Bruchteile wieder, sofern darum weisst, sofern Reuploads.
          VIENNA AUDIO AT SOUNDMIT TURIN      Cache   Translate Page      

A short excerpt video on some features of models 601, 603, 604, 609, 610, 615.
From the SOUNDMIT demo.
Vienna Audio Modular System is built on TouchDesigner 099

Cast: DoktorBang


          Vimeo’dan holografi teknolojisini bekleyenlere sevindirici haber      Cache   Translate Page      

holografiVimeo, gelecekte standart haline gelecek hologram teknolojisi için dikkat çekici bir projeye imza attı. Servis yakın zamanda sadece holografik videoya adanmış bir kanal başlattı. Göreceğiniz klipler şu anda demolar oluştururken, holografik klipleri görmek için uygulamaları tek seferde başlatmak zorunda kalıyor. Üreticiler kendi holografik videolarını yükleyebilirler ve Vimeo’nun bunları formatta yürütmek için bir öğreticisi de bulunuyor. İçeriklerin izlenebilmesi için kullanıcıların Looking Glass’ın imzasını taşıyan holografik göstergesini satın alması gerekiyor. Bu cihaz yardımıyla kullanıcılar gözlüksüz holografik deneyimi yaşayabiliyor. 8,9 inçlik ekranı bünyesinde barındıran cihaz aralık ayında 399 dolardan piyasaya sunulacak. Bu fiyatın cihazı erken satın alanlar için geçerli olacağını söyleyelim. Cihazın final satış fiyatının 600 dolar olacağını şimdiden söyleyebiliriz. Geleceği şimdiden yaşamak isteyen kullanıcılar için 399 dolarlık fiyatın çok da yüksek olmadığını belirtelim. Cihazın Türkiye’de satışa sunulması ise beklenmiyor. Holografi nedir? Holografi, lazer ışınlarına dayanılarak gerçekleştirilen üç boyutlu görüntü işlemine verilen addır. Uzayda bir cismin varlığına ait bilgi bize genellikle ses veya […]

The post Vimeo’dan holografi teknolojisini bekleyenlere sevindirici haber appeared first on Teknoloji haberleri - LOG.


          Dragon Baby      Cache   Translate Page      

Iron Baby's little brother...

Images...
http://docs.google.com/folder/d/0B7-20H6iLUf9QzdyZURXeHFIWHc/edit

Music
drunkmums.bandcamp.com/

Cast: Patrick Boivin

Tags: patrick boivin, bruce lee, kung fu and fight


          At The Rim - The EAF allowance (Australia).      Cache   Translate Page      
The Employee Assistance Fund (EAF) explainer video in Auslan from Ryan Gook on Vimeo.
          Canary Mission: Why is JVP endorsing an Anti-Semite?      Cache   Translate Page      


Jewish Voice for Peace (JVP) claims to speak for the Jewish People. So why do they associate with Manal Tamimi - an anti-semite who calls for violence against Jews?

https://canarymission.org/about

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          Behind the Scenes of RAMS: An Interview with Director Gary Hustwit and Mark Adams of Vitsœ      Cache   Translate Page      

If you work in design, study design, or even if industrial design is on your radar in any capacity, you are likely familiar with the work of Dieter Rams. Known for his time designing iconic products for Braun and later Vitsœ, Rams' 10 Principles of Design have garnered him a top spot on the list of most influential industrial designers of our time. We won't give too much of Rams' design story away, as director Gary Hustwit did the work for us with his new feature-length documentary, RAMS, which is all about the life and philosophies of the eponymous designer. 

RAMS hasn't released yet, but I had the exciting chance to attend the New York screening at SVA's theater last month. I was expecting the film to serve as a timeline for Rams-designed products, but the crowd ended up being treated to so much more. Instead of solely focusing on Rams' work, Hustwit chose to tell a more compelling story—that of a designer who spent his entire career bringing beloved consumer products to life but deeply regrets (and continues to contemplate) the role his products played in creating a wasteful, disposable society. 

Hustwit structured the documentary around Rams' backstory, both personal and professional. The film comprised of dialogue from Rams and his colleagues sandwiched between moments left with nothing but the powerful sounds of Brian Eno's original soundtrack and striking visuals of products and architecture. Naturally, I left hungry for more information, but there was no denying that Hustwit's stripped-down editing style appropriately played homage to Rams' 10 Principles of Design and the designer's personality.

To give a glimpse into the making of RAMS, I've combined tidbits from the Q&A session held after the NYC screening with Hustwit and Mark Adams, Managing director of Vitsœ, with a separate follow-up interview with Hustwit:

When you started working on RAMS, did you realize the film would turn into something larger than design—a whole commentary on consumerism?

Gary Hustwit: Yeah, the contradiction of Dieter regretting being a designer and feeling like he played a part in getting us to the consumerist point we're at is exactly why I wanted to do this. He said something early on in the film about how we are going through another period of technological and social change due to a completely different global/cultural situation. Working on this film has been three and a half years of meeting with Dieter, talking with him and trying to understand how things have changed. The world has changed in a lot of ways over that time, and I think that is reflected in the kind of conversations I was having with Dieter and with the other people in the film. 

A lot of what Dieter has done over the past 20 years since he's been out of design has really crystallized his thinking around sustainability issues and his whole less but better philosophy. That is what pushed me over the edge to do the film. If it would have just been, "Wow Dieter is amazing, look at all this amazing design he did"... That's fine too, but that was only part of what interested me in his story. 

In some ways, I wish I didn't have to talk about his designs. I realize that they're obviously the reason he's well-known, but I was much more interested in encapsulating his philosophy in the film than I was talking about the radius of a curve on a radio. Dieter spent so much time thinking about how we relate to consumer electronics and decided to not be involved in creating digital products. He has this really objective view on the behavioral changes that smartphones and additional technology have brought around. He has this incredible point of view that's informed by a 60-year career of designing and making products.

"It was a lot of work to persuade Dieter and Ingeborg to open up one last time. They felt that everything they've said is already in the public domain. They have nothing more to say, and yet this seemed to be a glaring omission. I think it's fantastic that we've got this." —Mark Adams

Mark Adams: I'm a great believer in the pendulum. It swings, and it can over-swing. I think Dieter would certainly have the argument that the digital pendulum is over-swinging at the moment. We just need to come back somewhat. Dieter often talks about what limited resources he had growing up and what limited education he had because his education was frankly completely interrupted by the war. He took a great deal of inspiration from that. He would go back to, "Where did the modern movement come from?" Well, the modern movement came from the destruction of WWII. Therefore, it was all about cleanliness and light—it wasn't about cool white spaces that were going to have a particular aesthetic. It was all about health. It was all about sweeping away the destruction that had become before.

Rams' 10 Principles of Design were, rightfully so, a major theme in RAMS. Did you consider the Principles while filming and editing the documentary? Which principle out of Rams' 10 Principles of Design do you think shines through most in the film (deliberately or non-deliberately)?

GH: We had the 10 principles taped up on the wall next to the editing computer, and number 10 ended up shining through the most. I kept thinking about number 10 in terms of how to structure the film and even just with incorporating simplicity as much as possible into the making of the film. It'd be impossible to make a cluttered, messy film about Dieter Rams. I kept thinking about that as well as the overall length of the film. It was longer before, but I kept going through it and reducing, reducing, reducing. That's the editing process for a documentary anyway, but for this one, it felt especially critical. With every scene we had to ask ourselves, do we need this extra line? Well, no, the point's been made. Okay great. We went down the list and tried to make it as streamlined as possible.

Given that Dieter and his wife Ingeborg are extremely private people, what particular factors did you have to take into consideration when deciding how to approach, and eventually, document them on film?

GH: They really are very private people. I think there's a generational difference, and it might even be a German thing. This idea of sharing details about your private life and talking about your personal relationship with someone else is not something that they do. I would've loved to interview Ingeborg. We spent a ton of time with her, but she didn't want to talk on camera, and I respected that. But, they kind of chastised me a little bit about it (laughs). They were like, "We're not like you Americans—always wanting to talk about everything that you feel."

Dieter is really fastidious about his house, which is one of the reasons why he doesn't like the media and doesn't let people come into his house anymore to do any kind of filming or photography. He's tired of having people disrupt his living space. We look at that house and we think it's like a museum or something—it's amazing. But it's really their private home that they've lived in for 50 years, and you have to respect that. Everything from taking our shoes off when we're inside and being really careful about everything to just showing overall respect for their environment was really important. For all of the filming we did in his home, we didn't use lighting. Luckily, there's a ton of natural light in that house, and it looks beautiful. 

"Everybody wants things quickly now, but it's refreshing to take your time sometimes. This film took me three and a half years. Could I have made it in one year? Probably, but it wouldn't have been the same." —Gary Hustwit

We were trying to do as little filmmaking as possible—just the bare minimum of our equipment and our crew. It was really, really stripped down, and I think he appreciated that when we came into his space. It's definitely the reason he came back to work with us again. Every time I saw him after that first time, he would bring it up. "Oh, you guys were so amazing, you had no equipment." He appreciated that we were low impact basically—as little design as possible. 

Everybody wants things quickly now, but it's refreshing to take your time sometimes. This film took me three and a half years. Could I have made it in one year? Probably, but it wouldn't have been the same. I wouldn't have documented all the things I got to document like building the Vitsœ headquarters. Even working with Brian Eno wouldn't have happened if I had finished the film earlier. There are benefits to slowing down the process, especially with a long-form documentary.

What was the process of working with Brian Eno like, and how did you connect with him?

GH: I had a sense that somehow Rams and Eno would work together. There's some sort of shared aesthetic there, and I had a feeling that maybe Eno was a fan of Rams. I called Eno's manager and sure enough, he was a fan, and it went from there. Brian just wants to be in the studio creating. Anything else is extraneous. I would show him a ton of footage, and then he would use it as inspiration to write and then he'd send us tracks. I'm a huge fan of his work, so it was incredible to work with him. I think there is something there—a lot of times I can't put my finger on it, but I know there was some crossover or some sort of a symbiosis.

Why did you decide to start using Kickstarter to help fund your films, including RAMS?

GH: I originally got into film through music. I'd helped some friends produce a couple music documentaries, and in those cases, the fans of the band wanted to see the result even more than we did. Engaging the audience and involving them in the process of making the documentaries was already something that we were doing. I always think along the lines of, "How am I going to go into a boardroom of investors and convince them to make a film about a font?" It would never have happened. But there are other people like you who want to see these projects made too, so why can't we get together and make this thing happen? Kickstarter formalized this idea.

What were some of the main challenges you and your team faced while creating RAMS?

GH: Subtitles change the way you pace the film. There's that looking and reading, looking and reading, looking and reading; it gets hard. When I first came up with the idea for the film four years ago, I wanted it just to be in Dieter's voice, and it was going to be simple. Objectified and Urbanized both had other languages besides English, but it was very specific for scenes—only two or three minutes at a time—so it wasn't like this where the majority of the dialogue is German. But you have to do these things in a person's original language. It would have been silly to have Dieter push through and try to do it all in English. I ended up having a great group of design experts, finders, curators, and others who would be right next to me, having the conversations with topics already in mind. Then we'd take breaks and discuss them afterward.

"The 10 principles worked for Rams, but people can and should make their own principles. Create a written set of ideals and then, when you see something that you think is bad, you have a framework to justify why it is bad." —Gary Hustwit

The 99% of things you have to leave out is also tough. Dieter has had an incredibly long career. I was more interested in his ideas and philosophies, especially about culture now, than I was about his classic Braun designs. Trying to balance all of these themes out was a huge challenge. It really was about the 10 principles. I was trying to keep things as pure as possible, but there's so much to talk about. I think we definitely go into the specifics of his designs and design philosophy. I'm not sure it would have come out if we didn't—maybe the zen diaries of Dieter Rams or something. It took me ten years to get enough trust to film him in the backyard with a bonsai tree. Maybe in another ten years, we'll finish shooting something else.

Are there any other designers that you can see yourself making a feature-length film about in the future?

GH: Every designer or architect in any of my films deserves a full-length documentary. I can't exactly say why Dieter was the one that I decided to do. Part of it was that I felt that if I didn't push and try to do it, then it would never happen. I kept thinking about how if I didn't do it, there won't be a Dieter Rams film or there'll be some crappy one that comes out after he's dead. I mean, I personally really wanted to watch it, and that's what motivates me. There are so many incredible designers who all deserve having films about them, and I'm assuming you guys want to watch more design documentaries about designers, so I'll try to keep making them.

The architecture in the film was particularly striking. Who is the architect of Rams' house?

MA: It's unattributed who actually designed the whole estate. It's one of those don't believe everything you read on the internet things. Dieter does not live in a house that he designed. He designed the interior, but he did not design the dimensions of it.

On a similar note, the Vitsœ headquarters was a major setting in the film due to Rams' involvement during the design process. Who is the actual architect of the building?

MA: No architects for the Vitsœ building. We started with academics about eight years ago, sitting down at Cambridge University and Imperial College and contemplating, "How might we go about this?". We had about 30 really good brains who contributed to it. Only when we got to the point where we completely designed it, we then had to deliver it. We were then told that you legally have to have architects involved. So at that point, we brought in a firm of delivery architects who were specialists in timber architecture.

Dia:Beacon was one of the main inspirations for the building. I measured out every aspect of Dia:Beacon one cold Sunday in February. Being in that space and talking to the gallery assistants was the final confirmation for me. They have very artistically educated gallery assistants who just oozed the joy of being in a naturally lit space. That's what we'd been wanting to do. We came away from that day and just said, "Absolutely this is what we have to do."

Vitsœ is a rare kind of furniture company that doesn't relentlessly come up with new products, which is very much in line with Rams' philosophy. In a culture where you typically need to make more product to make more money, how can this type of business be sustainable?

MA: I get this question asked often: How can you have a viable business from persuading as many customers as possible to buy as little as possible from you that they're going to use preferably for generations? We actually see people put our furniture in their wills and hand it on. The way we do it? There are 7.2 billion people on this planet, and the vast majority of them have not heard of Vitsœ. That is our opportunity—every single person that we can take from operating a certain way to coming over to our side. We see that word "fulfillment" come across them. There are those few objects experiences that you have in your life that genuinely give you fulfillment rather than short term satisfaction. That is the trick. Once we get people into our world, they very rarely leave it. Then we see them literally physically drag other people into our spaces and say, "Here you are, Vitsœ." They all bloody well sought us out. So that is the only way in which the model works. It's that tremendous power of word of mouth.

As Neils Vitsœ was coming towards the end of his life, there was very much the chip on his shoulder that he knew he had always been 30, 40 years ahead of the curve, and yet commercially that is a very very difficult place to be. Dieter often talks about the late '50s, early '60s at Braun, and how there were senior resignations from the company at that point because what they were doing was way too far ahead of the market. There were people inside the company who were saying, "This is insanity, this is not going to work." There's no doubt in my mind that the Vitsœ journey is a difficult one. If anyone wants to go and setup a business to make money, do not do it like Vitsoe. I would, however, argue that we need many more businesses like Vitsœ on our single planet with its single planet's worth of resources when 7.2 billion of us are here and we need three planets.

You get a sense of humility from watching the documentary, but in person, do you get the feeling that Dieter recognizes his impact on design and the world at large?

GH: I don't think he regrets the work that he did—I think he's really proud of it—but, I think he sees the connections from the 1960s post-war mass production to where we're at now. I think feeling complicit in that development is his regret, along with the sustainability part of this; being someone who is working at a company that was churning out a lot of mass-produced plastic goods. I think the difference is that they designed them to last. You can buy a Braun juicer from the 70s or a coffee maker or any of these products or an alarm clock, they still work just as well as they did back then. It's just a different philosophy. I think as you see that change, he's really annoyed by it, as you can tell from the film.

"Dieter is not interested in any more products—he's interested in transmitting his 65 years of experience to the next generations." —Mark Adams

A student came up to me after watching the film and said, "Wow, the 10 Principles are such a great idea. We need to be able to talk more about what's good and bad design like Dieter does, but I don't really know how to do that." That was really what the ten principles were about. They weren't meant to be this overreaching design philosophy or for Rams to push out to the masses; they were created for his team to have some rules because, at the time, they didn't have any guidelines during their design process. The 10 principles worked for Rams, but people can and should make their own principles. Go home and write down the things that are important to you—the things you want to do or don't want to do with your work. Create a written set of ideals and then, when you see something that you think is bad, you have a framework to justify why it is bad.

MA: Can I take you back to the birth of this film? I didn't know it was the birth of it and nor did Gary at the time, but it was about seven years ago in the back of one of Dieter's favorite designs—the black London Taxi. He and I had been in traffic for a while, and we were talking about the state of the world around us as we often do. I was trying to be reassuring to him, and he looked at me earnestly with his steely eyes (because you can look across at each other in a London taxi), and he said, "Mark, but is anyone even listening?"

His fear is that when he dies, his 65 years of professional experience and everything that he has learned will be gone. If we have one unique characteristic as human beings that sets us apart from animals, it's the ability to transmit our knowledge—to learn and to teach. When Gary suggested maybe four years ago that this documentary could be a possibility, that was the argument that I took to Dieter. Maybe this is your opportunity for more people to listen. Now I'm out here promoting this film so I can take back the reassurance to Dieter that there are people listening. That people really do want to hear what he has to say, what he has learned. Dieter is not interested in any more products—he's interested in transmitting his 65 years of experience to the next generations.

*****

Learn more about RAMS here.


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