New Delhi: State-owned gas utility GAIL (India) on Tuesday said it will commission the first phase of the Pradhan Mantri Urja Ganga (PMUG) project before January, taking natural gas to cities in eastern Uttar Pradesh and Bihar. The 2,655-km long gas...
IN-Indianapolis, I'm looking for a Regional Sales Engineer with a background that includes Locomotive Diesel Engine Emissions. Requirements include: Minimum 3 years Technical Sales experience of exhaust aftertreatment systems for trains, railway maintenance equipment and track building machinery. Strong knowledge of DPF, NOx and EPA requirements Exceptional communication skills, account management and new business
SkipperRohitSharma’srecord-breaking fourth T20 International hundred powered India to a comprehensive 71run win over West Indies in what turned out to be another one-sided series victory for the hosts. India, thus, took an unassailable 2-0...
South Korea will resume Iranian crude oil imports at a rate of about 4 million barrels a month, S&P Global Platts reports, citing three unnamed South Korean sources. At the same time, the sources added, the country will continue to look for alternative sources of the commodity. South Korea is the world’s fifth-largest crude oil importer, and as such an important client for Iran’s oil alongside China and India. Yet South Korea is a close ally of the United States, and it is no surprise the country earlier this year opted for full…
Former India captain Sunil Gavaskar and Sanjay Manjerekar on Tuesday escaped unhurt after one of the glass doors of the commentary box at the newly-built Ekana Stadium lay shattered just as the duo was entering the enclosure. The Ekana Stadium, renamed...
amerindia Caravanas de alrededor de 7 mil personas migrantes, desde hace 15 días han salido de Honduras, luego de El Salvador y Guatemala, hacia Estados Unidos. Emigran porque la vida en sus países ya no posible. En Honduras hay un 60% de la población en extrema pobreza y destruida por la violencia. El presidente de [...]
amerindia “Con Mons. Romero Dios pasó por El Salvador”, dijo Ignacio Ellacuría. Y se refería a la transparencia evangélica, al testimonio profético, a la cercanía y profundo amor y compasión que mostró Mons. Romero en su paso por El Salvador. Hoy día a nosotros nos toca ser testigos y acompañar el paso de la caravana [...]
GUWAHATI, Nov 6 - The States concerned of India's northeastern region should prevail upon the Union government to closely interact with the Chinese authorities for seeking comprehensive technical cooperation on matters related to the Brahmaputra.
GUWAHATI, Nov 6 - More than a year after it was banned from filming on India's national parks and wildlife sanctuaries for five years after its documentary on Kaziranga showed the park's anti-poaching strategy in poor light, the broadcaster has expressed regret for "any adverse impact" caused by its news documentary.
Pakistan captain Sarfraz Ahmed insists his team can end an 11-match losing run to New Zealand when the two sides meet in the first one-day international in Abu Dhabi on Wednesday.
Pakistan crushed New Zealand 3-0 in the preceding Twenty20 series on Sunday — their second whitewash in a week following a romp over Australia, also in Dubai and Abu Dhabi.
But Sarfraz, part of the team in the last 11 one-day internationals all of which Pakistan lost, wants to finally win against New Zealand.
“It's important to break that losing streak and we need to bring improvement in our performance in one-day internationals,” said Sarfraz on Tuesday.
Pakistan lost the last two matches in a 3-2 series defeat in United Arab Emirates (UAE) in 2014, before losing 2-0 in 2015, 2-0 in 2016 and 5-0 in January 2018 — all in New Zealand.
“If you look at our losses most of them were in New Zealand where conditions were different and we lost due to top order failure where we need to improve,” said Sarfraz.
Pakistan also failed to qualify for the final of the Asia Cup held in UAE two months ago, losing both their matches against arch-rivals India and going down to Bangladesh in a clash which decided the finalist.
India won the Asia Cup by beating Bangladesh.
Sarfraz said a tough opponent in New Zealand — ranked third to Pakistan's fifth in one-day standings — will help the team build for next year's World Cup in England.
“New Zealand is a good team of this format but we have momentum of the Twenty20 series so we must win this series and that will help towards building towards the World Cup,” said Sarfraz.
The last two matches are in Abu Dhabi (Friday) and in Dubai (Sunday).
Pakistan then play South Africa in South Africa, Australia (in UAE) and England in England -- five one-day internationals each — before the World Cup.
New Zealand skipper Kane Williamson played down the winning streak against Pakistan, saying it will be a new series.
“It's a new series and a fresh start,” said Williamson. “I guess it's a nice statistic to have but at the end of the day, come tomorrow, its a new series.” Williamson praised Pakistan as a limited over side.
“They are always a strong side and no matter the format,” said Williamson. “They have a lot of depth. We simply know they have been here for some time and they know these conditions and they have had lots of success. We are in here for a tough battle.”
New Zealand will welcome pace spearhead Trent Boult who missed the Twenty20 series due to personal reasons while also adding batsman George Worker and spinner Ajaz Patel (as a cover for injured Todd Astle) in the squad.
New Zealand: Kane Williamson (captain), Todd Astle, Trent Boult, Colin de Grandhomme, Lockie Ferguson, Matt Henry, Tom Latham, Colin Munro, Henry Nicholls, Ajaz Patel, Ish Sodhi, Tim Southee, Ross Taylor, BJ Watling, George Worker
Pakistan: Sarfraz Ahmed (capt), Fakhar Zaman, Imam-ul-Haq, Mohammad Hafeez, Babar Azam, Shoaib Malik, Asif Ali, Haris Sohail, Shadab Khan, Faheem Ashraf, Imad Wasim, Hasan Ali, Junaid Khan, Shaheen Afridi, Usman Khan Shinwari
Maj Gen Asif Ghafoor, the director general of Army's media wing, on Tuesday took to Twitter to pay tribute to Kashmiri martyrs on the 72nd Jammu Martyrs Day.
Kashmiri people on both sides of the Line of Control and across the world are observing Jammu Martyrs Day today.
"Tribute to Kashmiri martyrs of 6 November 1947 and till date on Kashmir Martyrs Day," DG Inter-Services Public Relations (ISPR) tweeted.
"Their great sacrifices shall accrue result InshAllah. Continued atrocities by Indian occupation forces can never suppress just political struggle for their legitimate right of self determination," he added.
Kashmiris across the world are observing the day to reaffirm the resolve to continue the martyrs’ mission till the realisation of their right to self-determination, Radio Pakistan reported.
Hundreds of thousands of Kashmiri people were killed by the "forces of the then ruler of Kashmir, Maharaja Hari Singh, the Indian Army and Hindu extremists in different parts of the Jammu" region during the first week of November in 1947.
AJK President, PM pay tributes to martyrs
Paying tributes to the martyrs, Azad Jammu and Kashmir (AJK) president and prime minister called the first week of November "the bleakest chapter of Kashmir liberation struggle, when ruler in Jammu shed the blood of innocent Muslims on November 6 in 1947".
In his message on Jammu Martyrs Day, AJK President Sardar Muhammad Masood Khan noted that the savagery and brutality demonstrated on the day by the savage Hindu extremists and Mahraja forces in Jammu against Muslims gave a new impetus to Kashmir liberation struggle.
"Around 250,000 Muslims who wanted to migrate to Pakistan were mercilessly massacred by Hindu fanatics in connivance with despotic forces of Mahraja in Jammu," he added.
AJK Prime Minister Raja Farooq Haider Khan pledged that people of Azad Kashmir would never lag behind in the struggle for Kashmir liberation, "no matter how big sacrifices they might have to offer".
He said Indian forces along with puppet government in the Indian-occupied Kashmir have been stifling the voice of Kashmiris, committing all sorts of atrocities and repressions against them but gallant people of Jammu and Kashmir are offering exemplary resistance for their freedom.
PM Haider maintained that after the martyrdom of Burhan Muzaffar Wani and Mannan Wani, the Kashmir liberation struggle has entered into a new phase. "Kashmiri youth are out now to do or die to freeing their State from Indian subjugation," he remarked.
GUWAHATI, Nov 6 - All India United Democratic Front (AIUDF) wants the panchayat system to be brought under the purview of the anti-defection law to prevent elected members from switching over from one political party to another during their tenures.
ISLAMABAD: After making widespread publicity for Prime Minister Imran Khan’s ambitious Naya Pakistan Housing Programme (NPHP), the government on Monday revealed that applicants will have to bear 20 per cent of the total cost of their dream house as down payment.
“Every person has to pay 20pc of the cost of the house. The remaining 80pc will be undertaken by the government,” said ruling Pakistan Tehreek-i-Insaf (PTI) leader Syed Firdous Shamim Naqvi at a joint press conference with Task Force on Housing chairman Zaigham Rizvi and Punjab Minister for Housing, Urban Development and Public Health Engineering Mehmoodur Rashid.
It is for the first time the government revealed that applicants will have to pay 20pc of the total cost as down payment. No such announcement had been made by any government quarter since the programme was unveiled by the prime minister soon after taking office.
Task force official says remaining 80 per cent will be undertaken by government
“If the cost of the lowest category house/apartment is Rs3 million, the applicant will have to pay Rs600,000 as down payment,” said Mr Naqvi.
A senior official of the housing ministry, who did not want to be named, told Dawn that 20pc cost of the house would be shared by the applicants.The remaining will be paid by the banks.
Mr Naqvi said that under the NPHP, 5m houses would be constructed — which means a million houses every year.
“According to a survey, 300,000 to 350,000 houses are being built every year in the country and we have to increase that number to 1m,” he said.
Mr Naqvi said the NPHP was based on the mortgage housing system, under which the owner of the house would return the entire cost in 20 years. He said the government had prepared a comprehensive strategy for accomplishing the goal, adding that the government would provide people their own shelter, helping them get rid of rental expenses.
He said that under the programme, new housing authorities would be established in Punjab, Khyber Pakhtunkhwa and Gilgit-Baltistan. “We know that housing is a provincial subject, but the Centre and the provincial governments will work together for the success of the programme.”
Answering a question about the return of mortgage money, he said housing finance was considered the safest form of loans all over the world.
Zaigham Rizvi said former prime ministers Nawaz Sharif and Yousuf Raza Gilani had also announced housing schemes during their governments, but their level of commitment could be assessed by the fact that they did not convene even a single meeting on the issue.
“On the other hand, Prime Minister Imran Khan has presided over 10 meetings on the housing programme in 60 days,” he added.
Responding to a question, he said that the media should not spread disappointing ideas that the 5m housing programme cannot become a successful endeavour, adding that India had already launched such a plan and it was going well. He said not only in urban centres but houses would also be constructed in rural areas.
In reply to a question, he said the government would also give some relaxation in taxes to the applicants so that they could pay the instalment of their houses more easily.
Speaking on the occasion, provincial minister Mehmoodur Rashid said that in the first phase in Punjab, the project would be implemented in Sialkot, Faisalabad, Lodhran, Chiniot, Bahawalnagar and Jhelum districts as well as Muzaffarabad in Azad Jammu and Kashmir. “Prime Minister Imran Khan will inaugurate the first phase of the programme on Jan 1, 2019,” he added.
He said land was available for the project and private developers were taking a lot of interest in the scheme. Mr Rashid said the financial model of the project was currently being prepared.
AIZAWL, Nov 6 - A sea of humanity poured into the main thoroughfares here today during a massive rally taken out against the Election Commission of India's decision to allow Bru refugees to cast their votes for the ensuing Mizoram Assembly polls, in their relief camps set up in Tripura. The protesters also demanded immediate removal of State CEO SB Shashank for his alleged "pro-Bru refugee" action.
SINGAPORE: Two men were arrested on Tuesday (Nov 6) for allegedly setting off fireworks in the Little India area.
The suspects, aged 29 and 48, were caught after a police officer spotted the fireworks along Gloucester Road at about midnight on Tuesday, said the police in a media release.
In a ...
DIMAPUR, Nov 6 - Covering a distance of around 75 km, 25 cyclists from the National Cadet Corps, Nagaland, arrived here from Kohima on Tuesday evening as part of the pan-India cyclothon relay, spreading awareness on healthy food habits among the local populace.
Sapp, Rick. Native Americans State by State. New York: Chartwell, 2018.
This handy reference volume works well as a supplement to units on Native Americans for upper elementary and middle school social studies students. It is full of photographs, maps, and other illustrations to enhance understanding. For each state, Canadian province, and even the District of Columbia and some of the Caribbean territories of the United States, information regarding the native peoples to that area is supplied. Typical entries include meaning of the state's name, a brief description of the area's geography, a brief glimpse at the culture and lifestyle, Native languages spoken, housing types, contemporary peoples native to the area, a list of recognized tribes present in the area, a map showing where native populations reside, a timeline, a narrative, and some photographs depicting the people and their culture. Since most regions only receive four to six pages, with an occasional entry slightly longer, the author cannot include everything. However, it is a good introduction. The book would have been enhanced by including brief bibliographies for each region so students or teachers wishing to explore more could easily locate resources that work for the age group. This book should be in upper elementary and middle school libraries and in many public libraries. This was a "read now" title at NetGalley. I downloaded it with the expectation that I would write an honest review. The advance review copy was entitled North American Indian Tribes State-by-State, but it was published under the title Native Americans State by State. The cover does mention it "includes Canadian First Nations, Inuit, and Métis.
SINGAPORE: He longs to see his 5-year-old son and wishes he could be back in India with his wife for Deepavali.
"I'm so happy whenever I see them," Kotisuntaram said. He breaks into a smile whenever he speaks about his family.
But for Deepavali this year, the 31-year-old construction worker will ...
The fracas began after PPP MNA Shazia Marri termed the deal finalised between the government and protesters as a "surrender document", and in a taunting reference to Prime Minister Imran Khan's surname (Niazi), compared the agreement to the surrender document signed by Gen A.A.K. Niazi that led to the creation of Bangladesh in 1971.
Minister of State for Parliamentary Affairs Ali Muhammad Khan objected to Marri's remarks and asked her to desist from ridiculing an entire clan or tribe for an individual's act. He said it was true that Gen Niazi had surrendered before Indian troops in 1971 but there are other Niazis who are "rendering great services and sacrifices for the nation".
Speaker Asad Qaiser interjected with a warning that no member would ridicule any tribe or clan in their speeches in the future.
However, when Marri insisted she was actually mentioning the name of Gen Niazi and that she would continue to do so, a number of treasury backbenchers stood up and lodged a noisy protest to prevent the PPP lawmaker from continuing her speech.
Meanwhile, a PPP MNA from Karachi, Syed Rafiullah, and PTI's MNA from Layyah Abdul Majeed Khan exchanged some hot words.
Getting angry over some remarks uttered by Khan, which could not be heard in the galleries due to noise, Rafiullah was seen charging towards the PTI MNA, but he was physically stopped by a number of lawmakers.
The speaker called the sergeants-at-arms to expel both members from the house. However, after failing to control the situation, he adjourned the sitting till Tuesday morning.
'Govt will always defend blasphemy laws'
Earlier, Federal Minister for Religious Affairs Noorul Haq Qadri defended the government's act of entering into a deal with Tehreek-i-Labbaik Pakistan (TLP) leaders for ending their protest sit-ins over the Supreme Court verdict in Asia Bibi case.
Speaking during the session, the minister, who was a signatory to the agreement, said the government had not used force to disperse the protesters as per the desire of the opposition parties.
He said Prime Minister Khan was constantly in touch with them from China and had also instructed them to resolve the matter peacefully.
He recalled that the previous government of the PML-N had also signed a deal with the same protesters (during the Faizabad sit-in), but it was signed after three weeks and after its law minister resigned. In contrast, he said, the PTI government had succeeded in reaching an agreement in three days and without any resignation.
Qadri stressed that the PTI-led government "will always defend Section 295-C of blasphemy laws".
He said the speech of Prime Minister Khan about the establishment of writ of the state in the country was a policy and it would be implemented during its five-year tenure.
"There is a need to formulate a long-term strategy to avoid such a situation [in the future]," the minister said.
'Govt took a U-turn'
Former prime minister Shahid Khaqan Abbasi had earlier demanded that some government minister should brief the House about the agreement signed by the government with the protesters. He alleged that the government had a non-serious attitude towards important national issues.
Abbasi claimed the government had itself pointed out a lack of quorum on Friday and "ran away from the parliament".
Rana Sanaullah, another PML-N leader, said the government had handled the protest in a non-serious manner.
Without naming TLP leaders, he said these religiopolitical leaders had all of a sudden entered the political arena even though "none of them had contested even the municipality election before". He said these people were brought into politics during the by-election in NA-120, when Kulsoom Nawaz was contesting the polls, and they were later allowed to field candidates from all constituencies in the July 25 elections.
When some PTI members interrupted and asked him to identify the forces who allegedly backed the religiopolitical groups, Sanaullah said they were the same elements "who brought people from south Punjab to Banigala and into the PTI fold".
He said the agreement signed with religious groups during the PML-N government's tenure had been "forced" on them and they had not done so willingly.
Sannaullah said the opposition had suggested not to use force only at three places — Faizabad in Islamabad, The Mall in Lahore, and in Karachi — as protesters had gathered at these places in large numbers.
He said the prime minister in his speech had categorically stated that the writ of the state would be established at all costs, but in the next three days the nation saw no state or government.
"After the prime minister's speech, the government took a U-turn and entered into a deal with the protesters," the PML-N leader said.
Sanaullah also asked the government to disclose the whereabouts of Asia Bibi. "Has Asia Bibi been released as per the SC order or is she still in jail as per the agreement [with protesters]?" he asked.
He said the government had started registering cases against the protesters and there was a fear that innocent people could also be picked up in the drive.
'Opposition did not take political advantage of protests'
Earlier in the evening, Leader of the Opposition Shahbaz Sharif told PML-N lawmakers that the opposition had "not tried to take political advantage" during the crisis-like situation that had resulted from religious groups' countrywide protests against the acquittal of Asia Bibi last week.
Sharif, who is currently in the custody of the National Accountability Bureau (NAB), was chairing a meeting of PML-N's parliamentary party at the Parliament House.
The PML-N president deferred his address to the National Assembly today and is now expected to address the House tomorrow.
According to a series of tweets by the PML-N, Sharif during the meeting briefed party members on the steps that helped in improving the law and order situation in the country during the past few days.
"[Sharif] briefed party members on the positive role played by the opposition during recent sit-ins," the party said in a tweet.
He claimed that although the Pakistan Tehreek-i-Insaf (PTI) had exploited occasions like these for "political gains", the current opposition prioritised national interest instead of doing politics on the issue.
The PML-N president was also quoted as saying that the PTI government had gained nothing from Prime Minister Imran Khan's visit to China this week.
In a statement issued, PML-N spokesperson Marriyum Aurangzeb said the meeting had taken stock of the overall political, economic and internal security situation of the country and deliberated upon a strategy for the future.
The PML-N members also criticised as an "unparliamentary act" the adjournment of the session on Friday after a lawmaker pointed out lack of quorum five minutes after it started.
"The way the government ended the session in such a sensitive situation by pointing out the [lack of] quorum shows the government lacks the ability and courage to deal with challenges," the statement read.
The adjournment of Friday's NA session considerably irked the opposition, which had already expressed its disappointment a day earlier over Prime Minister Khan's absence from the Lower House at a time when the country was facing nationwide protests by religious groups.
Soon after a recitation from the Holy Quran, Agha Hassan of the Balochistan National Party (Mengal) had pointed out lack of quorum. Deputy Speaker Qasim Khan Suri subsequently ordered a head count and then adjourned the session till Monday after finding that the quorum was not complete.
The opposition later used the adjournment of the assembly as a pretext to refuse a meeting with a government delegation that had requested bipartisan support for a parliamentary resolution against the protesters.
'No economic vision'
The meeting expressed concerns over the state of the economy, saying the government has "no economic vision or strategy" to deal with the crisis-like situation.
"The increasing economic instability and uncertainty could have... serious implications for the national security," the party said.
"Economic, agricultural, commercial and industrial activities are witnessing gradual decline which could become the harbinger of an economic disaster."
It was decided during the meeting that the PML-N will issue a fact sheet on the PTI government's performance of first 100 days and "inform the people about the details of the current government's failures".
The meeting also condemned complaints and reports of media censorship in the country, saying: "The PML-N considers freedom of press an essential pre-requisite to strengthen democracy."
Ahead of Monday's session that began at 5pm, a NAB team brought Shahbaz to Parliament House, where he held a meeting with former NA speaker Ayaz Sadiq, PML-N's Sindh representative Shah Muhammad Shah and MNA Kheal Das regarding matters related to the party's reorganisation across the country.
According to PML-N party sources, Sharif also met his lawyer Amjad Pervaiz with his team during which the ongoing NAB cases against him were discussed. The PML-N president, whose physical remand is to end day after tomorrow, consulted his lawyer about their future strategy.
LUCKNOW, Nov 6: Skipper Rohit Sharma's record-breaking fourth T20 International hundred powered India to a comprehensive 71-run win over West Indies in what turned out to be another one-sided series victory for the hosts. India, thus, took an unassailable 2-0 lead in the three-match T20 series. The last T20 will be played in Chennai on November 11.
GUWAHATI, Nov 6 - Former champions Mohammedan Sporting Club of Kolkata set up summit clash with Oil India FC in the 65th edition of the Bharat Ratna Lokapriya Gopinath Bordoloi Trophy Football Tournament.
The United States will exempt China, India and Japan from oil sanctions on Iran, Secretary of State Mike Pompeo said on Monday, while vowing to be “relentless” in pressuring Tehran.
Pompeo listed eight places that will enjoy temporary waivers from a ban on all oil transactions with Iran: China, Taiwan, India, Italy, Greece, Japan, South Korea and Turkey.
Earlier in the day, the administration reimposed sanctions on Iran’s energy, banking, shipbuilding and shipping sectors to...
Thousands of Sri Lankans marched on Monday in support of a new government led by the country’s former strongman, highlighting the political polarisation in the Indian Ocean island nation.
The rally near parliament comes amid a constitutional crisis sparked by President Maithripala Sirisena’s move to oust prime minister Ranil Wickremesinghe, replace him with ex-leader Mahinda Rajapaksa and suspend parliament.
Wickremesinghe has refused to vacate his official residence, insisting he...
GUWAHATI, Nov 6 - As a part of the Government of India's 'swachhata' movement to realise Gandhiji's dream of a clean India, the Central GST Commissionerate here organised an awareness campaign for 'Green Diwali - Clean Diwali - Safe Diwali' with special involvement of school children, a press release stated.
Hit a field site after work where I have hunted with my etrac like 500 times lol...........and got a super cool badge shaped token, good for 5 cents and a 1902 indian. Loving that badge token!!! I have never saw one in this shape. When i dug it, I thought it was a little toy badge or something like that. What a great surprise after I cleaned it up! Still loving this nox in heavy iron!
As a British MP and a British Indian peer, on Remembrance Sunday we will lay a wreath in Delhi and attend the service at Westminster Abbey respectively. As parliamentarians committed to making global Britain a reality, not just a slogan, our challenge is making our shared history relevant for future generations.
Fortinet - Bangalore, Karnataka - ://www.fortinet.com, the Fortinet Blog, or FortiGuard Labs. City Bangalore Country India [IN] Title Software Dev QA Engineer 3 (EMRD2015) Req... # EMRD2015 Job Status Full Time Regular Functional Area R&D Position Overview Software Dev QA Engineer 3 Responsibilities Define overall test...
Fortinet - Bangalore, Karnataka - ://www.fortinet.com, the Fortinet Blog, or FortiGuard Labs. City Bangalore Country India [IN] Title Software Dev QA Engineer 3 (EMRD2016) Req... # EMRD2016 Job Status Full Time Regular Functional Area R&D Position Overview Software Dev QA Engineer 3 Responsibilities Define overall test...
Chennai, Tamil Nadu - Indian & MNCs who are managing a business of over 1 Billion. We are currently looking out for QA/ RA Manager with Following details. Company... Details Pharma Company.Location : Chennai Job Details Designation - QA / RA Manager Location : Chennai Experience 8 to 10 years. Education B...
Developing and recommending procedures for identifying and mitigating financial reporting and fraud risks and to ensure approved procedures are followed;... From Indeed - Wed, 24 Oct 2018 18:32:54 GMT - View all Cache Creek, BC jobs
Do you have DevOps mindset and the technical skills to provide communication, integration, automation, and close cooperation among all the people needed to plan, develop, test, deploy, release, and maintain software for our IGT systems? Are you able to manage the system software configuration throughout the whole lifecycle? Are you pro-active and someone who can drive change? Then we are looking for you!
As a DevOps Engineer, your responsibilities include:
• Take ownership for activities such as setting up build and test management frameworks, managing archives in a version control system and take care of software releasing
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An dieser Stelle berichte ich über die Spiele meines favorisierten Football-Team, den OAKLAND RAIDERS sowie alle restlichen Ergebnisse der NFL...
Oakland Raiders - Indianapolis Colts 28:42
Eigentlich sollte eine freie Woche einem Team helfen, um verletzungsfreier und optimierter in die nächsten Spiele zu gehen; bei den Oakland Raiders kamen jedoch nur Hiobsbotschaften: Running Back Marshawn Lynch landete auf der Verletztenliste und Wide Receiver Amari Cooper wurde zu den Dallas Cowboys abgegeben. Man kann sagen, dass damit weitere Waffen des Angriffs genommen wurden. So brauchten die Raiders auch das gesamte erste Quarter, ehe sie auf Trab kamen. Bis dahin hatten allerdings die Gäste schon zehn Punkte geholt. Ohne große Gegenwehr marschierte Quarterback Andrew Luck mit seinem Angriff über das Feld und fand abschließend Tight End Mo Alie-Cox über 26 Yard zum Touchdown. Anschließend legten sie noch ein Field Goal von Kicker Adam Vinatieri aus derselben Entfernung nach. Ein toller Pass von Quarterback Derek Carr über 31 Yard auf Wide Receiver Seth Roberts brachte im zweiten Quarter die ersten Punkte für Oakland. Nun schien der Spielmacher beflügelt und fand im nächsten Drive Tight End Jared Cook über 25 Yard zur 14:10 Führung. Knapp vor der Pause wurde es dann Liga-Historisch: Vinatieri traf ein Field Goal aus 25 Yard und war nun mit 2.547 der Rekordhalter für erzielte Punkte. Im dritten Quarter konnten die Raiders den Aufwind nutzten und marschierten über das Feld. Carr selber überbrückte mit einem Sprung den letzten Yard zu seinem ersten Touchdown und dem 21:13. Nun zeigten die Colts aber die Schwächen der Raiders auf - sie ließen immer wieder 'Big Plays' zu und so fand Luck schließlich Tight End Eric Ebron über 20 Yard und einem Zwei-Punkte-Erhöhung zum Ausgleich. Aber auch Carr kam schnell über das Spielfeld und fand den erst in de Woche engagierten Wide Receiver Brandon LaFell über sechs Yard zum 28:21. Das vierte Quarter sollte aber dann die Entscheidung bringen. Erstmal glichen die Colts aus, als Running Back Marlon Mack die letzten drei Yard überbrückte. Dann hielt die Abwehr die Gäste und Luck jagte seine Mannen erneut zum Touchdown, als er schließlich Tight End Jack Doyle über 10 Yard bediente. Oakland wollte nun den Ausgleich zurück holen, doch bei einem Versuch zu mehr Raumgewinn verlor Running Back Doug Martin den Ball, den Indianapolis in aussichtsreicher Position eroberte. Ruckzuck hatte Mack mit nur noch einem zu überbrückenden Yard die Führung aus 42:28 ausgebaut. Oakland kam zu keinen weiteren Punkten mehr und muss einsehen, dass die Saison mit nun 1-6 gelaufen zu sein scheint. Die Lichtpunkte sind nämlich viel zu wenig!
Die weiteren Ergebnisse der NFL: Houston Texans - Miami Dolphins 42:23 Jacksonville Jaguars - Philadelphia Eagles 18:24 Carolina Panthers - Baltimore Ravens 36:21 Chicago Bears - New York Jets 24:10 Cincinnati Bengals - Tampa Bay Buccaneers 37:34 Detroit Lions - Seattle Seahawks 14:28 Kansas City Chiefs - Denver Broncos 30:23 New York Giants - Washington Redskins 13:20 Pittsburgh Steelers - Cleveland Browns 33:18 Arizona Cardinals - San Francisco 49ers 18:15 Los Angeles Rams - Green Bay Packers 29:27 Minnesota Vikings - New Orleans Saints 20:30 Buffalo Bills - New England Patriots 6:25 spielfrei: Atlanta Falcons Dallas Cowboys Los Angeles Chargers Tennessee Titans
AFC EAST: Team Siege Niederl. Unents.
1. New England Patriots 6 2 0 2. Miami Dolphins 4 4 0 3. New York Jets 3 5 0 4. Buffalo Bills 2 6 0
What’s the worst malware so far into 2018? The worst botnets and banking trojans, according to Webroot, were Emotet, Trickbot, and Zeus Panda. Crysis/Dharma, GandCrab, and SamSam were the worst among ransomware. The top three in cryptomining/cryptojacking were GhostMiner, Wanna Mine, and Coinhive.
And included in the list of top 10 threat actors so far this year, we find Lazarus Group, Sofacy and MuddyWater coming in the top three spots, according to AlienVault. Lazarus Group took the top spot from Sofacy this year. The reported locations for the top 10 threat actors are North Korea, with two groups; Russia, with three groups; Iran, with two groups; China, with two groups; and India, with one. Microsoft Office was the most exploited application, but Adobe Flash, WebLogic, Microsoft Windows, Drupal and GPON routers were also listed in the top 10.
Inside INdiana Business“It doesn’t mean — however the outcome is — that business won’t continue, but for a lot of companies small, medium and large, there are questions about what will the regulatory environment look like after this election? What will healthcare look like …
<div class="post-align" style="text-align: center;">To Catch a Cheater
Имя актрисы: India Summer Название ролика: To Catch a Cheater Подсайт и сайт: PureTaboo.com Год производства: 2018 г. Жанр: MILF & Mature, Older / Younger, Step Mom, Family Roleplay, Cheating, Exploitation, Step son Продолжительность: 00:47:04 Описание: SCENE OPENS on the interior of a car, where loving husband Joe in the driver's seat has just pulled to a stop and put on his blinkers. He leans his arm casually against the window-frame, his wedding ring noticeable on his propped-up hand, and he turns to look lovingly at his wife in the passenger's seat. Vanessa (India Summer) has pulled down the passenger's visor and is applying a retouch of her make-up using the visor mirror, but shoots a glance and a smile at her husband as he turns to look at her. Joe asks if she's sure she doesn't want him to drive her the rest of the way, he really doesn't mind. Vanessa says 'Oh, no, honey! That's so sweet, but you have a lot of work to get done. I'll be OK, it's just a few more blocks to walk from here.' Vanessa finishes applying her makeup but is still fixated on the mirror, flouncing her hair to look just right. In any case, she says, she doesn't know how long this meeting is going to last so he probably shouldn't wait up for her. He should go out for a bit, have some fun with the boys. Joe is disappointed, saying that his son, Danny, is coming for dinner that night. Vanessa gasps, saying that she can't believe she's going to miss Danny again! Joe sighs and says it's okay and that she'll just have to meet him next time. Joe leans over for a kiss after wishing her good luck for the day, but she steps out of the car without acknowledging him. From a wide flat perspective outside the passenger's side of the car, we see Vanessa step out of the car and close the door. Elegant and purposeful, she slowly walks towards the camera. As the car pulls away, Vanessa looks back for a moment, then forward again, looking straight towards (or past) the camera. With a subtle smile, she continues walking, and as she gets closer we clearly see her hold her hand out in front of her and remove her wedding ring from her finger. CUT TO TITLE PLATE Vanessa arrives at a house entranceway and rings the bell. A young male teenager (Dustin Daring) answers the door. She looks him up and down, and says 'You must be Danny,' before nonchalantly walking past him into the house. He closes the door behind him, then takes a picture with her since his friends would never believe he's getting with such a hot piece. She asks if he's 18, and he says yes - he points back out of the room and says he can show her his license if she doesn't believe him. She says no, it's fine, she believes him. She stands in the hallway but with a nosey curiosity starts looking around through the open areas of the house. She says it's a pretty nice place, and asks if it's his parents' house. The teen says no, he doesn't live with his parents, he's renting it with some roommates. They're not home right now. 'So what do I call you?' Danny asks. She tells him he doesn't need to call her anything, they're just here to have some fun and then she'll never see him again. They go into his bedroom and she pushes him to the bed. She begins taking off her heels and he asks if it's the first time she ever used the dating site. He says that it is for him, though his buddy uses the website and ended up with a married woman! She's not married, is she? Vanessa says that it's complicated. Danny is worried about what her husband will think. She says he doesn't know about it, it's better for a marriage to have a couple of secrets. The teen corrects her, better for her, she means. She rolls her eyes, what does he care? He's the one fucking a married woman, so he can cool it with the ethics lesson. Is he going to fuck her or not? 'Oh, I'm going to fuck you, Vanessa,' Danny says while taking off his shirt. Vanessa is shocked as she sees a family picture of Danny and Joe on the shelf, putting two and two together. She tells Danny that this isn't what it seems and that he can't possibly understand! Danny tells her that he's going to send the picture of them to his dad so that he can see how big of a whore she is, going around to young strange men's houses discreetly behind his back. Vanessa tries to bargain with and seduce him, telling Danny that she sees what this is -- he just wants to fuck his step-mother. He tells her that she's pathetic, but that she'd better get down on her knees and suck his dick. Vanessa, never wanting that picture to see the light of day, slowly sinks down to her knees as the cougar becomes prey to the catfish.Доп. Информация: Агрегатор ссылок PureTabooТип HD видео: 720p Качество видео: HDRip Формат видео: MP4 Видео: MPEG4 Video (H264), 1280x720, 23.976fps, 2087kbps Аудио: AAC, 44100Hz, 2 channels, 192kbps</div>
<div class="post-align" style="text-align: center;">To Catch a Cheater
Имя актрисы: India Summer Название ролика: To Catch a Cheater Подсайт и сайт: PureTaboo.com Год производства: 2018 г. Жанр: MILF & Mature, Older / Younger, Step Mom, Family Roleplay, Cheating, Exploitation, Step son Продолжительность: 00:47:04 Описание: SCENE OPENS on the interior of a car, where loving husband Joe in the driver's seat has just pulled to a stop and put on his blinkers. He leans his arm casually against the window-frame, his wedding ring noticeable on his propped-up hand, and he turns to look lovingly at his wife in the passenger's seat. Vanessa (India Summer) has pulled down the passenger's visor and is applying a retouch of her make-up using the visor mirror, but shoots a glance and a smile at her husband as he turns to look at her. Joe asks if she's sure she doesn't want him to drive her the rest of the way, he really doesn't mind. Vanessa says 'Oh, no, honey! That's so sweet, but you have a lot of work to get done. I'll be OK, it's just a few more blocks to walk from here.' Vanessa finishes applying her makeup but is still fixated on the mirror, flouncing her hair to look just right. In any case, she says, she doesn't know how long this meeting is going to last so he probably shouldn't wait up for her. He should go out for a bit, have some fun with the boys. Joe is disappointed, saying that his son, Danny, is coming for dinner that night. Vanessa gasps, saying that she can't believe she's going to miss Danny again! Joe sighs and says it's okay and that she'll just have to meet him next time. Joe leans over for a kiss after wishing her good luck for the day, but she steps out of the car without acknowledging him. From a wide flat perspective outside the passenger's side of the car, we see Vanessa step out of the car and close the door. Elegant and purposeful, she slowly walks towards the camera. As the car pulls away, Vanessa looks back for a moment, then forward again, looking straight towards (or past) the camera. With a subtle smile, she continues walking, and as she gets closer we clearly see her hold her hand out in front of her and remove her wedding ring from her finger. CUT TO TITLE PLATE Vanessa arrives at a house entranceway and rings the bell. A young male teenager (Dustin Daring) answers the door. She looks him up and down, and says 'You must be Danny,' before nonchalantly walking past him into the house. He closes the door behind him, then takes a picture with her since his friends would never believe he's getting with such a hot piece. She asks if he's 18, and he says yes - he points back out of the room and says he can show her his license if she doesn't believe him. She says no, it's fine, she believes him. She stands in the hallway but with a nosey curiosity starts looking around through the open areas of the house. She says it's a pretty nice place, and asks if it's his parents' house. The teen says no, he doesn't live with his parents, he's renting it with some roommates. They're not home right now. 'So what do I call you?' Danny asks. She tells him he doesn't need to call her anything, they're just here to have some fun and then she'll never see him again. They go into his bedroom and she pushes him to the bed. She begins taking off her heels and he asks if it's the first time she ever used the dating site. He says that it is for him, though his buddy uses the website and ended up with a married woman! She's not married, is she? Vanessa says that it's complicated. Danny is worried about what her husband will think. She says he doesn't know about it, it's better for a marriage to have a couple of secrets. The teen corrects her, better for her, she means. She rolls her eyes, what does he care? He's the one fucking a married woman, so he can cool it with the ethics lesson. Is he going to fuck her or not? 'Oh, I'm going to fuck you, Vanessa,' Danny says while taking off his shirt. Vanessa is shocked as she sees a family picture of Danny and Joe on the shelf, putting two and two together. She tells Danny that this isn't what it seems and that he can't possibly understand! Danny tells her that he's going to send the picture of them to his dad so that he can see how big of a whore she is, going around to young strange men's houses discreetly behind his back. Vanessa tries to bargain with and seduce him, telling Danny that she sees what this is -- he just wants to fuck his step-mother. He tells her that she's pathetic, but that she'd better get down on her knees and suck his dick. Vanessa, never wanting that picture to see the light of day, slowly sinks down to her knees as the cougar becomes prey to the catfish.Доп. Информация: Агрегатор ссылок PureTabooКачество видео: SD Формат видео: MP4 Видео: MPEG4 Video (H264), 720x400 (16:9), 23.976fps, 824kbps Аудио: AAC, 44100Hz, 2 channels, 128kbps</div>
The mayor of Elkhart, Indiana has admitted that "in hindsight" the officers who were caught on CCTV beating a handcuffed suspect should have been given a harsher punishment by the police chief. Earlier this year, a man was arrested by Elkhart police for felony domestic battery in front of a child as well as battery on a police officer, public intoxication, disorderly conduct, and resisting law enforcement. CCTV footage from the police station shows the suspect spitting at officer Cory Newland before he and another cop, Joshua Titus, repeatedly punch the handcuffed man in front of two other officers - including the mayor's son. The man was subsequently wheeled out of the station on a stretcher. Speaking about the January 12, 2018 incident, Mayor Tim Neese told ProPublica that on reflection, Police Chief Ed Windbigler should have been tougher on the cops involved.
The BJP has not announced candidates yet, but speculative markets of Rajasthan made the Congress government in the state. However, the reality of the claims will be known only after December 11. The speculative betting in the market is in favor of the Congress.
Many of the most egregious self-funders this cycle lost their primaries, like Democrats Herbert Lee (CA- $1,057,942), Alison Friedman (VA- $1,080,365), Hans Keirstead (CA- $1,080,400), David Kim (GA- $1,164,689), Jerome Segal (MD- $1,271,189), Tahir Javed (TX- $1,333,416), Sara Jacobs (CA- $2,117,987), Andy Thorburn (CA- $2,832,018) and Paul Kerr (CA- $5,912,728), as well as Republicans Troy Downing (MT- $1,100,000), Peter deNeufville (NJ- $1,238,165), Bob Corlew (TN- $1,496,153), David Dodson (WY- $1,643,784), Mike Gibbons (OH- $2,690,226), George Flinn Jr. (TN- $3,068,270), Don Blankenship (WV- $4,107,710), Sandy Pensler (MI- $5,009,578), John Kingston (MA- $5,188,265), and Kathaleen Wall (TX- $6,169,732). Don't you love to see plutocrats waste millions of their own dollars on campaigns and fall flat on their faces. Today there are 18 candidates running who have already spent at least a million dollars of their own on their campaigns. Some will win and some will lose. Here are the ones still in the running, in order of how much they had put in by last month.
• Florida Senate- Rick Scott (R)- $51,028,228 (45%) • New Jersey Senate- Bob Hugin (R)- $27,500,000 (30%) • MD-06- David Trone (D)- $15,983,172 (100%) • PA-01- Scott Wallace (D)- $12,756,892 (55%) • Indiana Senate- Mike Braun (R)- $9,614,377 (49%) • CA-39- Gil Cisernos (D)- $8,852,762 (60%) • Tennessee Senate- Phil Bredesen (D)- $5,516,942 (50%) • California Senate- Dianne Feinstein (D)- $5,006,050 (90%) • Massachusetts Senate- Shiva Ayyadurai (I)- $4,805,464 (1%) • Ohio Senate- Jim Renacci (R)- $4,000,000 (25%) • IN-02- Mel Hall (Blue Dog)- $2,522,000 (10%) • TX-03- Van Taylor (R)- $2,136,908 (99%) • NY-01- Perry Gershon (D)- $1,843,746 (25%) • PA-08- John Chrin (R)- $1,622,762 (10%) • Minnesota Senate- Jerry Trooien (I)- $1,591,000 (1%) • NJ-03- Thomas MacArthur (R)- $1,400,000 (45%) • PA-09- Dan Meuser (R)- $1,161,442 (99%) • CA-48- Harley Rouda (D)- $1,138,955 (60%)
That percentage next to each name is my own handicapping-- not the actual scores, but the chance the candidate has to win for all that money. We'll see later how many candidates have been able to buy seats in Congress.
This morning was reported: Watch Live: Pompeo Announces Iran Sanctions 'Waivers' Monday 5 November 2018 8:29AM Update (8:40 am ET): The following countries will receive 'temporary' waivers excusing them from US sanctions on Iranian oil exports. - South Korea - Taiwan - Turkey - Greece - Japan - China - India - Italy
Superbikes manufacturer Motorroyale Kinetic is planning to make a 300 cc-500cc-class motorbike by year 2021 in India. On the occasion of dealership launch, the company has been told that a new assembly plant is being set up in Supa, Maharashtra, which will have the capacity to produce 60,000 vehicles.
The pollution level of the city has again reached the alarming situation two days before Diwali by smog. In the CPBB figures, Ghaziabad city is on second place in polluted cities on Monday. The city's AQI was 447 per cubic meter.
Cricket Australia (CA) and England and Wales Cricket Board (ECB) have informed the Board of Control for Cricket in India (BCCI) that their players will not be able to play in the 2019 Indian Premier League after May 1.
This time, the Supreme Court has fixed the time for the crackdown on the occasion of Diwali. Apart from this, only the green crackers are ordered to use in the capital. Delhi Police has seized more than 3,500 kilograms of firecrackers from different parts of the city since October 23 and have arrested 26 people for their unauthorized possession.
Today, CM Yogi Adityanath will celebrate the Chotti Diwali in Ayodhya between the disputes of Ram temple construction. On the lines of the Chief Minister's Statue of Unity, CM can also declare to build a statue of Shri Ram with a height of 152 meters long.
Ducati a powerful and expensive superbike company, has introduced its new Diavel 1260 and 1260S variants in 2018 in the EICMA Motor Show in Milan, This bike has been designed as a facelift version of XDiavel, which has made many updates.This Power Full Bike has been designed in such a way that both the street fighter and cruiser bikes can be enjoyed.Its biggest change has been done in its engine; it has a 1,262 cc Testastretta DVT engine which has been taken from XDiavel.
American electric car company Tesla will enter India by the end of next year. In the year 2020, the company will increase its business in the country. Tesla CEO Elon Musk tweeted this information on Saturday.
Grote kans dat de Indiase middenstander Apu verdwijnt uit ‘The Simpsons’, want het stereotype van de Indiaas-Amerikaanse immigrant roept grote weerstand op. Ronald Rovers, recensent bij Trouw, legt uit waarom dat een slecht plan is.
I got my mother some indian bottle with some herbs for joint pain, and her pain was gone even without situps! there is also a super turmeric, with other nutrients mix called bodease, but that is if you are rich!
Today is election day, apparently a day when Democrats will do better than they did the last time. To celebrate, and perhaps even to cerebrate, we return to that liberal paradise called Los Angeles.
This comes from the Neon Nettle site, which does not merely offer some facts about the outbreak of typhus in Los Angeles and surrounding cities. It also offers some arresting pictures of life in beautiful downtown LA.
The site opens:
If we want to see the blue wave in full effect, we only need to take a look at liberal Los Angeles, where millionaire celebrities lecture the rest of the population from their mansions, surrounded by rat-infested slums.Along with San Francisco, LA has ensured that California is now home to some of the world's filthiest slums, with some areas even rivaling third-world countries such as India and Kenya. Feral cats and rats plague the trash-lined streets causing diseases to spread.Health officials have now warned
The statistics are clear:
Angeles County Department of Public Health has reported that, so far this year, 72 patients have been recorded in central LA, with a further 15 in Long Beach and another 20 in Pasadena. In the 2000s only 20 cases of the disease were recorded per year and analysts are attributing the dramatic rise to the massive 47 percent increase in homelessness since 2012.
Imagine that… since 2012 homelessness in Los Angeles has risen dramatically.
As for the photos, can you believe that this is happening in America?
Ottobock India offers top end high quality manual wheelchairs for disabled persons. Our mobility equipment such as manual transport wheelchair is specifically suitable for disabled kids, children, and adults.
One point made all the difference for Kelly Shryock as the veteran driver from Fertile captured his second straight and third overall All Iowa Points Modified championship in 2018. His first AIP title came in 1989 showing just how long he had been one of the top Modified drivers in the nation.
Eleven feature wins and thirty-four top five finishes racked up 120 points in the All Iowa Points 5-point scale system allowing Shryock to edge out Jesse Dennis by just one at the end of the season. Dennis had more feature wins with fourteen, but had four fewer top five finishes than the champion. Hinton's Jay Noteboom was close behind in third after taking fifteen feature wins in twenty-eight top five finishes. This solid season will move Noteboom to the top of the list when the cumulative points for the division from 2000 to 2018 is released during the holiday season.
Placing his focus on the Modified in 2018 Jeff Aikey had a strong finish including a win in the IMCA Super Nationals to rank fourth in the final standings. The 1984 All Iowa Points Sportsman champion and the 2003 Late Model champ, Aikey had nine wins in his Modified this season. Troy Cordes posted a solid fifth-place showing, early season point leader Bryce Garnhart was sixth and three-time champion Chris Abelson (2014-2016) filled out the top ten.
Looking for the "Newcomer of the Year", or the driver who has never had a top five finish in the Modifieds before is a bit of a search in this class as the first three on the list Shadren Turner (85th), Chad Clancy (109th) and Richard Spriggs (118th) are on the list for the first time due to regular racing returning to the Bethany Speedway in northwest Missouri this season. (And if you are wondering why that would matter to the "All Iowa Points" please read the Other States section here). Next in line is former Late Model driver Ben Nading in the 136th position on the list so you have to go all the way down to two drivers tied for 144th in the standings, Keegan Nordquist and Logan Anderson for someone who "moved up" from a support class to the Modifieds.
The final 2018 All Iowa Points standings will continue with the Stock Cars on Wednesday here on the Back Stretch.
These aren’t necessarily the result of intentional voter suppression right then and there at the local level—but they are a reminder of how broken and dysfunctional America’s voting systems are, and how badly we need nationwide reform that will improve voting access and security. We shouldn’t be relying on a few volunteers per precinct, or having people turned away because no one can find the voting machines that turn out to be locked away in a closet.
Trump is making his final election pitch with women surrogates. Gloria Borger thinks that's not an accident.
On Monday, in one of his final campaign stops before the polls open on Election Day, President Donald Trump brought two White House officials to help him stump for Senate candidate Mike Braun at a rally in Fort Wayne, Indiana: White House Press Secretary Sarah Huckabee Sanders, and Counselor to the President Kellyanne Conway.
The presence of two of the Trump administration's most prominent, forward-facing women, and Trump's simultaneous comments to local reporters about his "tone" were not lost on CNN political analyst Gloria Borger, who discussed the rally with Anderson Cooper and hit on a key point: that he may understand the most recent House polls show the Republican Party getting crushed among women, in the largest political gender gap in modern times.
"What do you make of President Trump bringing out Kellyanne Conway, bringing out Sarah Huckabee Sanders?" said Cooper. "Also saying, talking about tone, which is something he talked about a lot during the campaign, saying that when he became president he would change his tone ... maybe this was like a one-off in some local affiliate interview, but it's interesting that he's talking about, oh, it's kind of my regret."
"Gee, do you think it could be about women?" said Borger. "I mean, I'm just sort of thinking here that, he brings out all these women onstage, talks about his daughter, talks about his tone. Could it be about that women favor Democrats by about two to one now, and he understands that this is going to be a problem for him, particularly in the House?"
"And you know that he's usually not really reflective about these kind of things, so I thought it was actually quite surprising that he said that," she continued. "But the fact that he is saying it leads me to believe that he really understands that women are just, you know, deserting the Republican Party in droves."
"It doesn't mean he's going to change his tone," said Cooper.
"No," agreed Borger. "No, but I think he wanted to sound like he was."
REUTERS: India captain Rohit Sharma smashed a blistering century to help the team secure a series-clinching 71-run victory over West Indies in the second Twenty20 International in Lucknow on Tuesday.
The right-hander's unbeaten 111 off 61 balls powered India to a commanding 195 for two wickets ...
LUCKNOW, India: Skipper Rohit Sharma smashed his fourth Twenty20 international century - the most by any batsman in the format - to set up India's convincing 71-run series-clinching win over West indies on Tuesday (Nov 6).
Sharma hit an unbeaten 111 off 61 deliveries to power the hosts to 192-2 ...
., Indiana, Job Summary:The Office of Enrollment Management (OEM) is looking for a creative and dedicated project manager. As a member of the Strategic Communications and Marketing team, the successful candidate
Hay diputadosy diputadas en mi terruño que su grado letrado es saber preparar la tierra, sembrar semillas y recoger cosechas, otros es saber usar calculadoras para manejar tiendas de venta al mayoreo o para ejercer la usura tiburonera…, otros son doctos en cabalgar caballos y machos…. Y los que tienen "título" académico algunos lo consiguieron de las universidades chafas que en los 80s (decía en broma mi tata), tenían puestos en varios mercados vendiendo títulos de abogansters.
La elección de los jueces de la Suprema Corte no tiene nada que ver con calificaciones o evaluaciones de ONGs o entidades colegiadas, algunas corruptas y algunas responsables, la mayoría mangoneadas por colegiados chafas …, o académicos abiertamente inclinados por tal o cual corrupto candidato.
Son 84 los "padres y madres de la patria", mayoríacorruptos diputad@s que tienen la "constitucional" obligación de elegir a los próximos cuatro corruptos chuchos finqueros para que hagan jurisprudencia ilícita o inventadas al negrero íberosajón y seguir saqueando las arcas de la hacienda pública si gana las elecciones…., o gobernarles otra vez la finca a los oligarcas tipo proxy en el "desastroso" caso que el turco Nayib Bukele compita y gane las elecciones.
Tamos jodidos por donde sea.
Los nombramientos o elecciones de segundo grado de jueces y fiscales, etc., siempre ha sido de cuotas. La derecha siempre los ha elegido porque los partidos de derecha siempre han sido y siguen siendo mayoría y han corrompido todo el sistema socio-político-económico en mi terruño para proteger intereses del "gran capital" o "el poder de facto"..., que yo le llamo lo que es: oligarquía criollo-extranjera.
Daydreaming digo qué vergón sería que Nayib tuviera
tres huevos, o que fuera XYY, y ya con el hueso emprendiera lo que trató de hacer el huevudo catracho en 2009: Llamar a plebiscitoy preguntarle al pueblo a través del voto si está de acuerdo en mandar a la mierda la Constitución que Dabuison impusoen 1983 y nombrar una asamblea constituyentepara redactar nueva Constitución.
Pero cuidado Nayib con permitir a corrompidos grupos colegiados como el CNJ, FUSADES y otros que vengan a pervertir el proceso… Tampoco permitir al virreinato meter la cuchara con ideólogos rapaces, aunque amenacen con cortar ayuda o con la paja del gusano rubio marquito de parar o poner más impuestos a las remesas… es pura paja porque en USA no trabaja así de chiche ese volado, bloqueo económico a El Salvadorhoy día no es como Cuba o Irán. Es un proceso político y judicial.
Escribir una nueva Constitución quizás sería más sano y prudente pedir ayuda a la ONU o la Unión Europea. Pero NO a la OEApara que nos manden al enano Uribe u otro fascista o ultra izquierdista.
Si Nayib da el paso el virreinato esta vez sí va a pensar bien las consecuencias de darle vueltegato a Nayib como sucedió con el golpe a Zelaya en 2009, precisamente porque saben hoy los resultados de esa cagada de Obamay la aún recién gran cagada de Narcisocon el fraudulento Hernández…
¿O por qué creen que el bully Narciso no le da vueltegato a Ortega y Maduro y escasamente los menciona?
Los racistas de Narciso no quieren más caravanas.
Nayib puede modernizar nuestro país…, si no resulta chafa ya con el hueso. No sería raro se vuelva chafa, pero con él sería una herida política grave para mi gente, especialmente con nuestros milenios porque ya no tendrían en quien creer.
Con una nueva Constitución se puede mandar a la mierda lo que hoy está entrampando la elección de los 4 chuchos finqueros y lo mismo será con la elección del nuevo fiscalito tipo "pollo crudo", que de paso dice quiquito en su pasquín que obtuvo su títulode una de esas chafas universidades que fueron señaladas en 2001 de haber tenido un enorme puesto en La Tiendona vendiendo títulos de abogansters por mayoreo…
Hasta un "fiscal especial"tipo Muller se nombró por el escándalo, lástima que este también era de los corruptos de FUSADES y las malas lenguasdicen encubrió algunas universidades chafas que pagaron cuotas a cierto partido político…, ¡Aún el mismo "pollo crudo" fue su asistente!… una muestra más del Verbo Corrupto...
El Alma Materdel actual showman fiscalito, que acaba de anunciar subliminalmente acepta el apoyo de Arena y va a reelección, no se escapó porque la "Universidad de Las Américas" ya no existe.
Pobechitoel perro policía porque se quedó sin Alma Mater... ¡Ah! pero tiene entre sus classmates nada menos que a míster finiquito exprés Rafael Hernán Contreras del PCN.
Nayib, por favor, 14-24 diputados sería suficiente para mi terruño en la nueva Carta Magna.
Ojalá Nayib también se deshaga del ejército… ¿Para qué necesitamos un ejército que consume $141 millones del presupuesto año tras año?
Hay que andar endeudándosepara que alcancen los centavitos teniendo ese revergo de millones invertidos en un ejército. Hay que merger los soldados con la PNC y hacer un sencillo cuerpo civil policial.
Actualmente eso es lo que hacen hoy: labor policial anyway.
Los ejércitos solo sirven para que los corrompanoligarcas o virreyes (como el que viene pronto). Todos los ejércitos de Centroamérica debían desaparecer… esa fue la clave del actual éxito de Costa Rica cuando disolvió su ejército en 1949.
Pero lo crucial e importante, si no se puede echar al basurero esa amañada Constitución escrita por asesinos, es quitarles a los políticos la elección de los jueces de la Corte Suprema y del Fiscal General.
En el estado de Michigan tendrán un plebiscito a votarse hoy precisamente en la que se pregunta a los electores del estado si quitarle a la legislatura y al gobernador la potestad de hacer amañados mapas de los distritos (municipios) de donde salen los diputados y nombrar y conformar una comisión independiente de 13 ciudadanos ordinariosde 4 republicanos, 4 demócratas y 5 independientes escogidos al azar en una aplicación abierta a todo michoagense.
Copiemos estas ondas positivas del imperio.
¡Olas cuotas nunca desaparecen!
En este artículode elfaro.net, -donde hace un gigantesco esfuerzo por encubrir su favoritismo partidista-, el articulerole pregunta a un diputado del clan Salgado, miembro del partido derechista prostituto de GANA:
Al decir "baremos" se refiere al sistema de méritos que usan agrupaciones ONG y organizaciones corruptas como el Consejo Nacional de La Judicatura –CNJ- donde una de sus miembros, María Marenco de Torrento, sigue de miembro pero también es candidata apoyada por nada menos que la troika de la corrupción: Arena, PDC y PCN… Esto es corrupción aquí y en Júpiter.
El articulero la hace de pendejo, o deshonesto, al tratar de cercar al diputado corrupto de GANA usando parámetros torcidos.
Como dicen nuestros hermanos mayores al norte, "todos estos bueyes son una bola de pendejos corruptos".
El flamante Presidente de la Asamblea Legislativa, que gana 6 mil vergas mensuales en un paisito donde el salario mínimo es alrededor de 250 al mes, rindió su informe de seis meses donde anunció, sacando pecho, de la reducción en gastoscomo los famosos viajes de los diputados… pero dijo que el presupuesto de la Asamblea de ¡$58 millones de dólares!... ¡No va cambiar!..., será la misma multimillonada o un poquitito más, o sea, entre líneas, el finquero quiso decir que la hueviadera seguirá en diferente forma.
Un alcalde mexicano lo dijo humilde a los mexicanos
Photo submitted by Bill Kramer, “I live in New Albany, Indiana. New Albany shares the Ohio River border with Louisville, Kentucky. On the Indiana side of the river lies 3 connecting cities, New Albany, Clarksville, and Jeffersonville that I ride thru to reach the Big Four Pedestrian Bridge. The Big Four Pedestrian Bridge spans between […]
If you’re a US citizen, you can save a lot of money and afford a good destination by traveling to budget places, which offer a good exchange rate. This is done without trying and can make your holiday really affordable too. 1. Colombia – You’re likely observing Colombia on huge amounts of must travel records, […]
88 Antop Hill From Wikipedia, the free encyclopedia 88 Antop Hill SITES and BLOGS LUIZA Goianápolis BOLLYWOOD MUSIC MOVIES 2013. Directed by Kushan Nandy Produced by Kiran Shroff Written by Kushan Nandy Kiran Shroff Starring Rahul Dev Atul Kulkarni Shweta Menon Jasmine Music by Rajesh Roy Release date(s) 27 June 2003 Running time 122 minutes Language Hindi 88 Antop Hill is a 2003 mystery thriller Hindi film. The story, screenplay and direction are by Kushan Nandy; dialogues by Ashish Deo. The film is a murder mystery and is loosely based on James Hadley Chase's novel Tiger By The Tail. Contents [hide] 1 Plot overview 2 Cast 3 Notes 4 External links Plot overview The film opens with the brutal murder of Neeraj Shah (Sachin Dubey). His body is dumped in the trunk of a car. This crime isn't committed on impulse: Whoever did it had good reason. We then enter the life of a bank executive Pratyush Shelar (Atul Kulkarni). He gets home late on his anniversary because he had to console an old college classmate about her marital woes. His own marital woes are worsened when his wife Antara (Suchitra Pillai) kicks up a big fight and leaves their home with their daughter Saanjh. Pratyush is upset about this. His colleague Aslam Durrani (Harsh Khurana) picks up on this and suggests an exotic dancer Teesta (Shweta Menon). Pratyush is too upset to be interested. But Aslam is determined; later that night he calls Pratyush and pretends as though some thugs are about to kill him. He asks Pratyush to come immediately to a certain location. That location is 88 Antop Hill. Pratyush arrives. 88 Antop Hill is a halfway house mainly occupied by exotic dancers and escorts. Pratyush walks into the flat Aslam had mentioned; it is Teesta's lair. She attempts to seduce him but he refuses her advances. Upon her request, he takes her to the Moksha club and buys her a drink. (He doesn't drink.) She remarks that the bartender Sol (Rahul Panday) knows all her secrets. While leaving the bar, their car is attacked by an apparently drunk man, who seems to know Teesta. Teesta urges Pratyush to leave fast. When he brings her back home, he realizes that his car keys are missing. He waits as she looks for them. When Teesta gets into her bedroom, she is mysteriously murdered. She stumbles into Pratyush's arms, fatally stabbed, and collapses. Scared and confused, Pratyush leaves immediately. One of the neighbors, a weird and on-and-off senile old fellow called Murli Mansukhani (Shauket Baig) sees him leave. When the cops begin to investigate, they find that Teesta had a roommate Sonali (Jasmine) and that Sonali is engaged to a prominent businessman, K.K. Menon (Sanjay Singh). The investigating officer, and the hero of this movie, Inspector Arvind Khanvilkar (Rahul Dev), starts his work. The prime suspect is an unwitting Pratyush because he was the last person to see Teesta alive. A somewhat convoluted plot evolves. Sonali has several dark secrets and a good-for-nothing brother Prashant (Subrotto Dutta). Teesta was somehow connected to Sonali's dark past. Menon knows this and wanted to wipe out everything, including Prashant. He has Prashant kidnapped, and later he tells Sol to bump off Prashant. There is a three-way fight among them. Pratyush arrives upon the scene and witnesses two more murders. A dying Prashant advises Pratyush to go to Sonali at the earliest. In the meantime, the weird old man of 88 Antop Hill, Murli, recalls that he had seen Pratyush and follows him to blackmail him. When Pratyush asks him to get lost, he goes to Sonali's house and tries to blackmail her. Aslam Durrani visits Pratyush and, seeing him, thinks he has probably committed the crime, saying that Pratyush would better leave the city and that he wouldn't want anything to do with the latter anymore.
Pratyush contacts the cops but a dumbwitted cop sternly asks him to surrender, as the police have found the murder weapon and a blood stained shirt, with Pratyush's diary stating 88 Antop Hill on the fateful date at his house. Pratyush panics and goes to Sonali to convey Prashant's message to her. She does not listen to what he says. Here Menon and the good inspector show up as well. At this point the crux arises — the inspector says that he has found out that Sonali is actually "Sonali Shah", and she was married already to the deceased Neeraj Shah; it was Sonali who killed him because he wouldn't give her a divorce to marry Menon. He also says that Neeraj's house was ransacked by Sonali to find the marriage certificate. At this point, Arvind goes to the fridge and finds Murli Mansukhani lying stabbed in it! The truth is then out. It is known that Sonali murdered Neeraj and hid his corpse in the fridge and murdered Murli because he opened the fridge out of curiosity and found Neeraj's corpse. Arvind also reveals that Sonali killed Teesta. Sonali says it was because Teesta knew about her marriage with Neeraj, and used to blackmail her, saying she will make it known to Menon. It was Sonali who had followed Pratyush and Teesata on the fateful night back to 88 Antop Hill, secretly climbed into Teesta's bedroom and slit her throat. She further followed Pratyush and leaves the knife in his house to implicate him. It is then revealed that Menon has murdered Prashant, at which Sonali is shocked. At this point, Menon makes a last effort to save himself and Sonali. He tries to bribe Arvind with 10 million, saying that he must arrest poor Pratyush on charges of all the murders. To this, Arvind agrees and shoots Pratyush in the shoulder. But the wounded Pratyush releases gas from the cylinder nearby and threatens to light his cigarette lighter. While he grabs Arvind's phone and tries to call police, Menon attacks him and stabs him on the sofa, and Arvind quickly turns out the gas. But the wounded Pratyush pulls out Menon's revolver, kicks him off and shoots him through a cushion. At this point, a dumbfounded Sonali picks up a pistol and threatens to kill Pratyush. Arvind tells her not to, but she pulls the trigger — only to find that the gun is empty. Arvind then apologizes to Pratyush, saying he had to wound the latter or else Menon would've killed Pratyush. Sonali is then arrested on charges of multiple homicide and attempt to kill Pratyush. The film ends with the inspector relieving Pratyush of all charges in the case and requesting him to take care of a pet dog. Pratyush's wife and child return. Cast Rahul Dev ... Inspector Arvind Khanvilkar Atul Kulkarni ... Pratyush Shelar Shweta Menon ... Teesta Jasmine ... Sonali Shauket Baig ... Murli Mansukhani Notes
This is an offbeat sort of movie. Rahul Dev has the best part and the best one-liners. The photographic effects are slick but a bit over-the-top in some cases. The plot spawns a convoluted set of relationships but then all the people are killed off, and this leads to a dry and bland revelation at the end. External links 88 Antop Hill at the Internet Movie Database
88 Antop Colina Origem: Wikipédia, a enciclopédia livre 88 Antop Colina Dirigido por Kushan Nandy Produzido por Kiran Shroff Escrito por Kushan Nandy Kiran Shroff Estrelado por Rahul Dev Atul Kulkarni Shweta Menon Jasmim Música por Rajesh Roy Data de lançamento (s) 27 de junho de 2003 Duração 122 minutos Hindi 88 Antop Hill é um mistério 2003 filme falado em hindi thriller. A história, roteiro e direção são de Kushan Nandy; diálogos por Ashish Deo. O filme é um mistério de assassinato e é livremente baseado no romance de James Hadley Tiger Chase pela cauda. Conteúdo [hide] Uma visão geral Plot 2 Elenco 3 Notas 4 Ligações externas [Editar] Resumo Plot
O filme abre com o assassinato brutal de Neeraj Shah (Sachin Dubey). Seu corpo é jogado no porta-malas de um carro. Este crime não é cometido por impulso: Quem fez isso tinha um bom motivo. Em seguida, entrar na vida de um executivo de banco Pratyush Shelar (Atul Kulkarni). Ele chega em casa na noite de seu aniversário, porque ele teve que consolar um velho colega de faculdade sobre seus problemas conjugais. Seus próprios problemas conjugais são agravados quando sua esposa Antara (Suchitra Pillai) começa uma grande briga e deixa sua casa com sua filha Saanjh. Pratyush está chateado com isso. Seu colega Aslam Durrani (Harsh Khurana) capta isso e sugere uma exótica dançarina Teesta (Shweta Menon). Pratyush está muito chateado de estar interessado. Mas Aslam é determinada, mais tarde naquela noite ele chama Pratyush e finge como se alguns bandidos estão prestes a matá-lo. Ele pede Pratyush para vir imediatamente para um determinado local. Essa localização é de 88 Antop Colina. Pratyush chega. 88 Antop Hill é uma casa de recuperação ocupado principalmente por dançarinas exóticas e acompanhantes. Pratyush entra no apartamento Aslam havia mencionado, é o covil do Teesta. Ela tenta seduzi-lo, mas ele se recusa seus avanços. Ao seu pedido, ele a leva para o clube Moksha e compra-lhe uma bebida. (Ele não bebe.) Ela observa que o barman Sol (Rahul Panday) conhece todos os segredos dela. Ao sair do bar, seu carro é atacado por um homem aparentemente bêbado, que parece saber Teesta. Teesta insta Pratyush sair rapidamente. Quando ele a leva de volta para casa, ele percebe que as chaves do carro estão em falta. Ele espera que ela olhe para eles. Quando Teesta entra em seu quarto, ela é misteriosamente assassinada. Ela tropeça nos braços do Pratyush, fatalmente esfaqueado, e desmaia. Assustado e confuso, Pratyush deixa imediatamente. Um dos vizinhos, um estranho e em-e-off velho companheiro senil chamado Murli Mansukhani (Shauket Baig) vê-lo sair.
Quando os policiais começam a investigar, eles descobrem que Teesta teve um companheiro de quarto Sonali (Jasmine) e que Sonali está noiva de um empresário proeminente, KK Menon (Sanjay Singh). O oficial de investigação, eo herói do filme, o inspetor Arvind Khanvilkar (Rahul Dev), inicia seu trabalho. O principal suspeito é um Pratyush inconsciente, porque ele era a última pessoa a ver Teesta vivo. Um enredo um tanto complicado evolui. Sonali tem vários segredos e um bom-para-nada irmão Prashant (Subrotto Dutta). Teesta estava de alguma forma ligado ao passado sombrio de Sonali. Menon sabe disso e queria acabar com tudo, inclusive Prashant. Ele Prashant seqüestrado, e mais tarde ele diz Sol para matar Prashant. Há uma luta de três vias entre eles. Pratyush chega em cena e testemunhas dois assassinatos mais. A Prashant morrendo aconselha Pratyush para ir para Sonali, no mínimo. Enquanto isso, o homem estranho velho de 88 Antop Hill, Murli, lembra que ele tinha visto Pratyush e segue-o para chantageá-lo. Quando Pratyush pede para ele se perder, ele vai para a casa de Sonali e tenta chantageá-la. Aslam Durrani visita Pratyush e, ao vê-lo, acha que ele foi provavelmente cometido o crime, dizendo que seria melhor Pratyush deixar a cidade e que ele não quer ter nada a ver com o último mais. Contatos Pratyush os policiais, mas um policial dumbwitted severamente pede-lhe para se render, como a polícia ter encontrado a arma do crime e uma camisa manchada de sangue, com o diário Pratyush declarando 88 Colina Antop na data fatídica em sua casa. Pratyush entra em pânico e vai para Sonali para transmitir a mensagem Prashant para ela. Ela não ouve o que ele diz. Aqui Menon eo inspetor bom mostrar-se tão bem.
Neste ponto, surge o ponto crucial - o inspector diz que ele descobriu que Sonali é realmente "Shah Sonali", e ela já foi casada com o Shah Neeraj falecido, era Sonali que matou ele porque ele não lhe daria o divórcio casar Menon. Ele também diz que a casa Neeraj foi saqueada por Sonali para encontrar a certidão de casamento. Neste ponto, Arvind vai para a geladeira e encontra Murli Mansukhani mentindo esfaqueado na mesma! A verdade é que, em seguida, para fora. Sabe-se que Sonali assassinado Neeraj e escondeu o cadáver na geladeira e assassinado Murli porque ele abriu a geladeira por curiosidade e encontrou o cadáver de Neeraj. Arvind também revela que matou Sonali Teesta. Sonali diz que foi porque Teesta sabia sobre seu casamento com Neeraj, e usado para chantageá-la, dizendo que ela vai torná-la conhecida Menon. Foi Sonali que tinha seguido Pratyush e Teesata na fatídica noite de volta a 88 Colina Antop, secretamente subiu para o quarto Teesta e cortado sua garganta. Ela ainda seguido Pratyush e deixa a faca em sua casa de implicá-lo. É então revelado que Menon foi assassinado Prashant, em que Sonali fica chocado. Neste ponto, Menon faz um último esforço para salvar a si mesmo e Sonali. Ele tenta subornar Arvind com 10 milhões, dizendo que ele deve prender Pratyush pobres sob a acusação de todos os assassinatos. Para isso, Arvind concorda e dispara Pratyush no ombro. Mas o Pratyush feridos libera o gás a partir da próxima cilindro e ameaça acender seu isqueiro. Enquanto ele pega telefone Arvind e tenta chamar a polícia, Menon ataca e esfaqueia no sofá, e Arvind rapidamente se transforma o gás. Mas o Pratyush feridos puxa revólver Menon, a chuta-lo e atira-lo através de uma almofada. Neste ponto, um Sonali dumbfounded pega uma pistola e ameaça matar Pratyush. Arvind lhe diz que não, mas ela puxa o gatilho - apenas para descobrir que a arma está vazia. Arvind então pede desculpas a Pratyush, dizendo que ele tinha que ferir o último ou então Menon teria matado Pratyush. Sonali é, então, preso sob a acusação de homicídio múltiplo e tentativa de matar Pratyush. O filme termina com o inspetor aliviar Pratyush de todas as acusações no caso e pedindo-lhe para cuidar de um cão de estimação. Pratyush esposa e retorno criança. [Editar] Elenco Rahul Dev ... Inspector Arvind Khanvilkar Atul Kulkarni ... Pratyush Shelar Shweta Menon ... Teesta Jasmine ... Sonali Shauket Baig ... Murli Mansukhani [Editar] Notas Este é um tipo excêntrico de filme. Rahul Dev tem a melhor parte eo melhor one-liners. Os efeitos fotográficos são lisos, mas um pouco over-the-top em alguns casos. O enredo gera um conjunto complicado de relacionamentos, mas, em seguida, todas as pessoas são mortas fora, e isso leva a uma revelação seca e sem graça no final. [Editar] Ligações externas 88 Colina Antop no Internet Movie Database
88 Antop Hill Audio Songs SITES and BLOGS LUIZA Goianápolis BOLLYWOOD MUSIC MOVIES and 2013. Starring :Jackie Shroff, Lisa Ray, Rahul Dev, Shweta Menon Music :Rajesh Roy Director :Kushan Nandy Producer :Kiran Shroff MY NAME: LUIZA. I LIVE IN CITY :GOIANAPOLIS-GOIAS-BRAZIL. SEARCH NAMES OF MY BIOGRAFY TO SEE MY SITES IN GOOGLE. GOOGLE SEARCH FOR: LUIZA GOIANAPOLIS LUIZA GOIANAPOLIS Allu Arjun, LUIZA GOIANAPOLIS SONU NIGAM , LUIZA GOIANAPOLIS MY BLOG, GOIANÁPOLIS LUIZA CABELEIREIRA, firstname.lastname@example.org, LUIZA BOLLYWOOD, LUIZA GOIANAPOLIS ENRIQUE IGLESIAS, LUIZA GOIANAPOLIS ENRIQUE IGLESIAS MY BLOG, LUIZA SANTOS GOIANAPOLIS, LUIZA GOIANAPOLIS GIPPY GREWAL, email@example.com, BOLLYWOOD LUIZA, LUIZA BRAZILIAN INDIAN, MSN LUIZA GOIANAPOLIS, LUIZA GOIANAPOLIS, BOLLYWOOD GOIANAPOLIS LUIZA INDIA, BOLLYWOOD GOIANAPOLIS, GOIANAPOLIS LUIZA RAJESH RANJAN SINGH, LUIZA INDIA GOIANAPOLIS, GOIANAPOLIS BOLLYWOOD, LUIZA GOIANAPOLIS RAJESH RANJAN SINGH, LUIZA GOIANAPOLIS INDIA, LUIZA GOIANAPOLIS SCRAPS, LUIZA GOIANAPOLIS A.R Rahman, LUIZA GOIANAPOLIS ATIF ASLAM , LUIZA GOIANAPOLIS KATRINA KAIF, LUIZA GOIANAPOLIS SALMAN KHAN, LUIZA GOIANAPOLIS Ranbir Kapoor, LUIZA GOIANAPOLIS Shahrukh Khan, LUIZA GOIANAPOLIS PRIYANKA CHOPRA, LUIZA GOIANAPOLIS Shahid Kapoor, LUIZA GOIANAPOLIS Aishwarya Rai, LUIZA GOIANAPOLIS KAREENA KAPOOR, LUIZA GOIANAPOLIS ABHISHEK BACHCHAN, LUIZA GOIANAPOLIS AJAY DEVGAN, LUIZA GOIANAPOLIS AAMIR KHAN, LUIZA GOIANAPOLIS Hrithik Roshan , GOIANAPOLIS BOLLYWOOD AMAZON, LUIZA GOIANAPOLIS Imran Khan, LUIZA GOIANAPOLIS Himesh Reshammiya, GOIANAPOLIS LUIZA Emraan Hashmi. LUIZA GOIANAPOLIS ABDELMOULA. LUIZA GOIANAPOLIS CHEB KHALED. LUIZA GOIANAPOLIS Vijay Kaavalan. LUIZA GOIANAPOLIS Gurpreet Brar. LUIZA GOIANAPOLIS HARBHAJAN MANN.
99 Audio Songs SITES and BLOGS LUIZA Goianápolis BOLLYWOOD MUSIC MOVIES and 2013. Starring: Kunal Khemu, Soha Ali Khan, Boman Irani, Mahesh Manjrekar, Vinod Khanna, Simone Singh, Cyrus Brocha Music: Shamir Tandon Director: Krishna DK, Raj Nidimoru Producer: Aditya Shastri, Anupam Mittal 99 (2009 filme) Origem: Wikipédia, a enciclopédia livre 99 Poster versão teatral Dirigido por Krishna D.K. Raj Nidimoru Produzido por Anupam Mittal Aditya Shastri Escrito por Raj Nidimoru Krishna DK Sita Menon Estrelado por Kunal Khemu Boman Irani Soha Ali Khan Cyrus Broacha Dali Vivekanandan Mahesh Manjrekar Vinod Khanna Música por Shamir Tandon Ashutosh Pathak Cinematografia Rajeev Ravi Edição por Cheragh Todiwala Distribuído por fotos de pessoas Data de lançamento (s) 15 de abril de 2009 Duração 140 minutos País Índia Hindi Orçamento 12 crores 99 é um filme falado em hindi dirigido por Krishna DK e Nidimoru Raj, estrelado por Kunal Khemu, Boman Irani, Soha Ali Khan e Ciro Broacha. O filme se passa no ano de 1999, com controvérsias de críquete desse ano, como pano de fundo. Foi produzido e distribuído por fotos de pessoas, e foi lançado em 15 de maio de 2009. Conteúdo [hide] 1 Sinopse 2 Elenco 3 Tripulação 4 Recepção 4,1 recepção crítica 4,2 Bilheteria 5 Música 5,1 Recepção 5,2 Faixas 6 Referências 7 Ligações externas [Editar] Sinopse 99 é uma história original inspirado em fatos reais. É a história de dois homens em duas cidades, que são ligados por um sentimento comum de sempre a ser preso em 99. Eles nunca parecem torná-lo a um "século" na vida. A trama envolve pequeno-tempo vigaristas, conspirações, acidentes de carro, uma maleta cheia de dinheiro e uma cerveja controvérsia histórica em segundo plano. O filme é ambientado em 1999 e mostra eventos que aconteceram durante esse tempo, principalmente girando em torno da Índia-África do Sul controverso críquete escândalo de apostas. [Editar] Elenco Kunal Khemu como Sachin Boman Irani como Rahul Soha Ali Khan, Pooja Cyrus Broacha como Zaramud Simone Singh como Jahnavi Mahesh Manjrekar como AGM Dali Vivekanandan como Ray Ban Vinod Khanna como JC Sudesh Berry como Sunil Mehta Pitobash como Homem de Vendas [Editar] Tripulação Diretor: Krishna DK e Raj Nidimoru Produtor: Anupam Mittal, Aditya Shastri Produtor Executivo: Pooja Desai Música: Ashu Designer de Som: Stephen Gomes Editor: Cheragh Todiwala Direção de Fotografia: Rajeev Ravi História & Roteiro: Krishna DK, Raj Nidimoru e Sita Menon Diálogos: Raja Sen, Sita Menon e Chintan Gandhi [Editar] Recepção [Editar] A recepção crítica O filme recebeu críticas positivas da imprensa norte-americana, bem como indiana. Rediff.com deu ao filme quatro estrelas e disse aos telespectadores que "eles vão sair do cinema rindo e se divertir".  Indiatimes.com deu 3,5 estrelas.  Nikhat Kazmi dos Times da Índia deu ao filme com 3 de 5 estrelas afirmando que tem "um picante, tenor língua-de-bochecha que garante que você nunca perder o enredo." Taran Adarsh disse, "99 é inteligente, bonito e interessante, em partes. O filme tem apelo para o público de jovens e multiplex".  Real Bollywood: "intricada tecida", "extremamente divertido", disse "duo Diretor tem feito um trabalho fantástico" (3,5 estrelas) . Noyon Jyoti Parasara da AOL Índia deu 99 3 de 5 e disse: "Os personagens são alimentados com diálogos animado e espontâneo que o fazem sorrir ou mesmo rir de vez em quando".  Boxoffice.com disse que o "filme de Bollywood deve pegar com o público americano" e que "99 tem potencial para definir novo padrão".  [Editar] Bilheteria O filme foi lançado em 15 mai 2009 em todo o mundo, com cerca de 500 cópias.  99 teve um início lento na sexta-feira com 10% -15%.  Os negócios melhoraram como relatórios eram principalmente positivo. O filme era esperado para encontrar o seu patrocínio entre a juventude e as audiências multiplex a quem ele se destina.   [Editar] Música 99 Audio Songs SITES and BLOGS LUIZA Goianápolis BOLLYWOOD MUSIC MOVIES and 2013. Starring: Kunal Khemu, Soha Ali Khan, Boman Irani, Mahesh Manjrekar, Vinod Khanna, Simone Singh, Cyrus Brocha Music: Shamir Tandon Director: Krishna DK, Raj Nidimoru Producer: Aditya Shastri, Anupam Mittal MY NAME: LUIZA. I LIVE NA IN CITY :GOIANAPOLIS-GOIAS-BRAZIL. SEARCH NAMES OF MY BIOGRAFY TO SEE MY SITES IN GOOGLE. GOOGLE SEARCH FOR: LUIZA GOIANAPOLIS 99 Álbum da trilha sonora de Ashutosh Pathak e Tandon Shamir Lançado 17 abril, 2009 Gravado Mumbai Gênero trilha sonora de longas-metragens 44:18 de comprimento Saregama rótulo [Editar] Recepção A música do filme recebeu críticas mistas dos críticos. Indiatimes deu a trilha sonora três estrelas de quatro, dizendo que as canções "O que é Up", "Soch Mat Dobara", "Tamanho do Punjab" foram média ao elogiar "Kal Ki Tarah" e "Destiny Deli".  Bollywood Hungama de Joginder Tuteja deu ao álbum duas e meia estrelas de cinco anos.  [Editar] Faixas A lista de músicas Título No. Artist comprimento (s) 1. "Destiny Delhi" Raja Hassan 04:43 2. "Soch Mat Dobara" Bonnie Chakraborthy 03:05 3. "O que é Up" KK 5:11 4. "Tamanho Punjab" Labh Jhanjua 03:50 5. "Kal Ki Tarah" Shaan 03:51 6. "Theme 99" Bonnie Chakraborthy 02:04 7. "O que é Up (Remix)" DJ Whosane 03:31 8. "Destiny Delhi (Remix)" DJ Whosane 04:41 [Editar] Referências ^ Rediff.com ^ Indiatimes.com ^ Bollywoodhungama.com ^ Real Bollywood ^ AOL Índia ^ Boxoffice.com ^ Http://www.masala.com/12111-99-is-doing-average-business ^  ^  ^  ^ "99: Revisão da música". Indiatimes. 04 de maio de 2009. Retirado 02 de dezembro de 2009. ^ Joginder Tuteja (15 de Maio de 2009). "99". Bollywood Hungama. Retirado 02 de dezembro de 2009. [Editar] Ligações externas Site oficial 99 no Internet Movie Database Buzzine Entrevista Bollywood com Krishna DK e Nidimoru Raj
99 Audio Songs SITES and BLOGS LUIZA Goianápolis BOLLYWOOD MUSIC MOVIES and 2013. Starring: Kunal Khemu, Soha Ali Khan, Boman Irani, Mahesh Manjrekar, Vinod Khanna, Simone Singh, Cyrus Brocha Music: Shamir Tandon Director: Krishna DK, Raj Nidimoru Producer: Aditya Shastri, Anupam Mittal 99 (2009 film) From Wikipedia, the free encyclopedia 99 Theatrical release poster Directed by Krishna D.K. Raj Nidimoru Produced by Anupam Mittal Aditya Shastri Written by Raj Nidimoru Krishna DK Sita Menon Starring Kunal Khemu Boman Irani Soha Ali Khan Cyrus Broacha Dali Vivekanandan Mahesh Manjrekar Vinod Khanna Music by Shamir Tandon Ashutosh Pathak Cinematography Rajeev Ravi Editing by Cheragh Todiwala Distributed by People Pictures Release date(s) 15 April 2009 Running time 140 minutes Country India Language Hindi Budget 12 crores 99 is a Hindi film directed by Krishna DK and Raj Nidimoru, starring Kunal Khemu, Boman Irani, Soha Ali Khan and Cyrus Broacha. The movie is set in the year 1999, with cricket controversies of that year as the backdrop. It was produced and distributed by People Pictures, and was released on 15 May 2009. Contents [hide] 1 Synopsis 2 Cast 3 Crew 4 Reception 4.1 Critical reception 4.2 Box office 5 Music 5.1 Reception 5.2 Tracks 6 References 7 External links Synopsis 99 is an original story inspired by real events. It is the story of two men in two cities who are bound by a common feeling of always being stuck at 99. They never seem to make it to a 'century' in life. The plot involves small-time crooks, conspiracies, car crashes, a briefcase full of money and a historical controversy brewing in the background. The film is set in 1999 and showcases events that happened during that time, mainly revolving around the controversial India-South Africa cricket betting scandal. Cast Kunal Khemu as Sachin Boman Irani as Rahul Soha Ali Khan as Pooja Cyrus Broacha as Zaramud Simone Singh as Jahnavi Mahesh Manjrekar as AGM Dali Vivekanandan as Ray Ban Vinod Khanna as JC Sudesh Berry as Sunil Mehta Pitobash as Sales Man Crew Director: Krishna DK and Raj Nidimoru Producer: Anupam Mittal, Aditya Shastri Executive Producer: Pooja Desai Music: Ashu Sound Designer: Stephen Gomes Editor: Cheragh Todiwala Director of Photography: Rajeev Ravi Story & Screenplay: Krishna DK, Raj Nidimoru and Sita Menon Dialogues: Raja Sen, Sita Menon and Chintan Gandhi Reception Critical reception The movie received positive reviews from the American as well as Indian press. Rediff.com gave the film 4 stars and told the viewers that "they will leave the theater laughing and entertained." Indiatimes.com gave it 3.5 stars. Nikhat Kazmi of the Times Of India gave the movie 3 out of 5 stars stating that it has "a tangy, tongue-in-cheek tenor that ensures you never really lose the plot." Taran Adarsh said, "99 is smart, good looking and interesting, in parts. The film holds appeal for the youth and multiplex audiences". Real Bollywood: "Intricately woven", "Extremely entertaining" said "Director duo have done a fantastic job" (3.5 stars). Noyon Jyoti Parasara of AOL India gave 99 3 out of 5 and said "The characters are fed with lively and spontaneous dialogues that make you smile or even laugh every once in a while." Boxoffice.com said the "Bollywood flick should catch on with American audiences" and that "99 has potential to set new standard." Box office The film was released on 15 May, 2009 worldwide with about 500 prints. 99 had a slow start on Friday with 10%-15%. Business picked as reports were mainly positive. The film was expected to find its patronage among the youth and the multiplex audiences at whom it is targeted. Music 99 Soundtrack album by Ashutosh Pathak and Shamir Tandon Released 17 April 2009 Recorded Mumbai Genre Feature film soundtrack Length 44:18 Label Saregama Reception The film's music received mixed reviews from critics. Indiatimes gave the soundtrack three stars out of four, saying the songs "What's Up", "Soch Mat Dobara", "Punjab Size" were average while praising "Kal Ki Tarah" and "Delhi Destiny". Bollywood Hungama's Joginder Tuteja gave the album two and a half stars out of five. Tracks The track listing No. Title Artist(s) Length 1. "Delhi Destiny" Raja Hassan 4:43 2. "Soch Mat Dobara" Bonnie Chakraborthy 3:05 3. "What's Up" KK 5:11 4. "Punjab Size" Labh Jhanjua 3:50 5. "Kal Ki Tarah" Shaan 3:51 6. "99 Theme" Bonnie Chakraborthy 2:04 7. "What's Up (Remix)" DJ Whosane 3:31 8. "Delhi Destiny (Remix)" DJ Whosane 4:41 References ^ Rediff.com ^ Indiatimes.com ^ bollywoodhungama.com ^ Real Bollywood ^ AOL India ^ boxoffice.com ^ http://www.masala.com/12111-99-is-doing-average-business ^  ^  ^  ^ "99: Music Review". Indiatimes. 4 May 2009. Retrieved 2 December 2009. ^ Joginder Tuteja (15 May 2009). "99". Bollywood Hungama. Retrieved 2 December 2009. External links Official website 99 at the Internet Movie Database Buzzine Bollywood Interview with Krishna DK and Raj Nidimoru
99 Audio Songs SITES and BLOGS LUIZA Goianápolis BOLLYWOOD MUSIC MOVIES and 2013. Starring: Kunal Khemu, Soha Ali Khan, Boman Irani, Mahesh Manjrekar, Vinod Khanna, Simone Singh, Cyrus Brocha Music: Shamir Tandon Director: Krishna DK, Raj Nidimoru Producer: Aditya Shastri, Anupam Mittal MY NAME: LUIZA. I LIVE NA IN CITY :GOIANAPOLIS-GOIAS-BRAZIL. SEARCH NAMES OF MY BIOGRAFY TO SEE MY SITES IN GOOGLE. GOOGLE SEARCH FOR: LUIZA GOIANAPOLIS LUIZA GOIANAPOLIS Allu Arjun, LUIZA GOIANAPOLIS SONU NIGAM , LUIZA GOIANAPOLIS MY BLOG, GOIANÁPOLIS LUIZA CABELEIREIRA, firstname.lastname@example.org, LUIZA BOLLYWOOD, LUIZA GOIANAPOLIS ENRIQUE IGLESIAS, LUIZA GOIANAPOLIS ENRIQUE IGLESIAS MY BLOG, LUIZA SANTOS GOIANAPOLIS, LUIZA GOIANAPOLIS GIPPY GREWAL, email@example.com, BOLLYWOOD LUIZA, LUIZA BRAZILIAN INDIAN, MSN LUIZA GOIANAPOLIS, LUIZA GOIANAPOLIS, BOLLYWOOD GOIANAPOLIS LUIZA INDIA, BOLLYWOOD GOIANAPOLIS, GOIANAPOLIS LUIZA RAJESH RANJAN SINGH, LUIZA INDIA GOIANAPOLIS, GOIANAPOLIS BOLLYWOOD, LUIZA GOIANAPOLIS RAJESH RANJAN SINGH, LUIZA GOIANAPOLIS INDIA, LUIZA GOIANAPOLIS SCRAPS, LUIZA GOIANAPOLIS A.R Rahman, LUIZA GOIANAPOLIS ATIF ASLAM , LUIZA GOIANAPOLIS KATRINA KAIF, LUIZA GOIANAPOLIS SALMAN KHAN, LUIZA GOIANAPOLIS Ranbir Kapoor, LUIZA GOIANAPOLIS Shahrukh Khan, LUIZA GOIANAPOLIS PRIYANKA CHOPRA, LUIZA GOIANAPOLIS Shahid Kapoor, LUIZA GOIANAPOLIS Aishwarya Rai, LUIZA GOIANAPOLIS KAREENA KAPOOR, LUIZA GOIANAPOLIS ABHISHEK BACHCHAN, LUIZA GOIANAPOLIS AJAY DEVGAN, LUIZA GOIANAPOLIS AAMIR KHAN, LUIZA GOIANAPOLIS Hrithik Roshan , GOIANAPOLIS BOLLYWOOD AMAZON, LUIZA GOIANAPOLIS Imran Khan, LUIZA GOIANAPOLIS Himesh Reshammiya, GOIANAPOLIS LUIZA Emraan Hashmi. LUIZA GOIANAPOLIS ABDELMOULA. LUIZA GOIANAPOLIS CHEB KHALED. LUIZA GOIANAPOLIS Vijay Kaavalan. LUIZA GOIANAPOLIS Gurpreet Brar. LUIZA GOIANAPOLIS HARBHAJAN MANN.
13B Audio Songs SITES and BLOGS LUIZA Goianápolis BOLLYWOOD MUSIC and MOVIES 2013. Starring :Madhavan R, Murli Sharma, Neetu Chandra, Poonam Dhillon, Sachin Khedekar Music :Shankar-Ehsaan-Loy Director :Vikram K Kumar Producer :Big Pictures Aasma Odh Kar Chithra KS, Shankar Mahadevan Sab Khairiyat Hai (Remix) Shankar Mahadevan Bade Se Shehar Mein Kartik Theme ShankarMahadevan Sab Khairiyat Hai Shankar Mahadevan Aasma Odh Kar (Remix) Chithra KS, Shankar Mahadevan Oh Sexy Mama (Remix) Anushka Manchanda, Baba Sehgal, Loy Bade Se Shehar Mein (Remix) Kartik Oh Sexy Mama Anushka Manchanda, Baba Sehgal, Loy Filme comentário: 13 J-horror de estilo thriller sobrenatural da Índia não tem o sangue ou a intensidade da coisa real, e para muitos no mainstream, que é um alívio. De baixo orçamento para o futuro, mas eficaz, com uma jogada de grande central. 6 de março de 2009 Para detalhes do filme, clique aqui. Tomando um taco de seus vizinhos asiáticos, o índio sobrenatural suspense 13B combina o pavor terror doméstico de horror japonês e seus irmãos-tudo coreanas e tailandesas para baixo o alfabeto de J-horror a K-horror para a T-horror-com bege / marrom , desbotada, cinematografia 1970-estilo. O resultado é um híbrido inquietante, no melhor sentido: Atormentado como é por um olhar de baixo orçamento e um bando de tropos de suspense, este primeiro longa-metragem falado em hindi pelo escritor-diretor Vikram K. Kumar (cujos 10 minutos de "Silent Scream "ganhou, de todas as coisas, o Prêmio de seu país Nacional de Cinema de Melhor Educacional / inspirador Cinema / Instrucional em 1999) fornece calafrios fantasmagóricos de forma eficaz e com um conceito maravilhosamente original. Engenheiro civil Mannu Manohar (o ator bem-visto e ativista Madhavan Ranganathan) acaba de se mudar com sua família para um apartamento deee-luxe no céu-ai-ai. Ele e seu irmão Manoj, um colega de profissão, pode ter sobrecarregado a si mesmos, mas seu apartamento duplex 13B é um oásis modernista para eles e sua mãe (Poonam Dhillon); seu colegiado irmã Divya; esposa Mannu de Priya (Neetu Chandra) e esposa Manoj do e dois filhos jovens. O elevador não parece funcionar quando Mannu quer levá-la, mas hey, é um edifício novo e alguns erros precisam ser trabalhados. Então, fazer um monte de outras coisas, como isso acontece. Fotos tiradas no celular Mannu de sair torcida e grotesco quando tiro no apartamento, e em nenhum outro lugar. O vizinho velho cego grandes grandes protetores choraminga cachorro como um cachorro assustado no limiar do apartamento. E as irmãs-de-lei e mamãe começar a assistir uma novela, "Sab Khairiyat" ("está tudo bem"), que vai ao ar às 13:00 horas no canal 13 no apartamento de 13 apenas, como Mannu descobre para seu horror crescente. Que só se intensifica quando o espelho família e eventos na tela a sua própria quase exatamente, com um verniz quase ficcional. Quando a novela começa retratando terríveis tragédias que começam tornando realidade, Mannu torna-se encorajada o suficiente para contar a sua velha amiga, a polícia sub-inspector Shiva (Murli Sharma), e para visitar médico da minha mãe, Balram Shinde (Sachin Khedekar), cujo no trabalho extremis levou-o a acreditar no paranormal. Busca cada vez mais obsessivo Mannu para a raiz do que está ocorrendo e leva Shiva para desenterrar, literalmente, como acontece-detalhes de um terrível assassinato em massa de uma família neste site mesmo edifício em 1977. O aparelho de TV é o seu meio, eo programa é a sua mensagem de tipo de. Por que o poder-que-ser fazer o que eles fazem não faz qualquer sentido em retrospecto, mas Kumar vivo e sabendo maneira com este tipo de história faz toda a deslizamento que, como você vê um homem decente, normal suspensefully cair mais e mais no inferno por não por culpa própria. Duas baladas unexceptional pela equipe de estrelas composição de Shankar-Ehsaan-Loy jogo sobre montagens de família, mas há uma canção kick-ass sobre o fim créditos-a completamente incongruente "Mama Oh Sexy", em que Madhavan, Chandra e muitos bump-e -moer belezas em PVC curto-shorts girar para um número de dança que teria feito Robert Palmer orgulhoso. Muito raramente, talvez sem precedentes desde os dias de talkies iniciais, o filme foi rodado em duas versões simultaneamente, com o mesmo elenco em sua maioria, em dois idiomas, com a Yavarum Tamil Nalam eo Hindi 13B sendo liberado no mesmo dia. (Kumar já trabalhou nas línguas tamil e telugu.) Embora os filmes Tamil são muitas vezes refeito em hindi, este maximização de séries e atores não parece acontecer muito, se em tudo. Incomum em um sentido ruim são os gráficos de legenda pobres, Luiza Goianápolis Diretor: Vikram K. Kumar Banner: Big Pictures Música Diretor: Shankar Mahadevan, Ehsaan Noorani, Loy Mendonsa Letrista: Neelesh Misra Estrela Elenco: R. Madhavan, Neetu Chandra, Sachin Khedekar, Murli Sharma, Poonam Dhillon, Murli Sharma, Deepak Dobriyal, Dhritiman Chatterjee Data de lançamento: 06 de março de 2009 Se você estiver procurando por um filme de suspense, que irá mantê-lo na borda de seu assento o tempo todo, então 13 pode ser apenas o filme para você. Com base em uma trama inovadora, que (felizmente!) não envolve o uso de rostos de aparência repugnante fantasmas, Babas psico ou movimentos de câmera excessivos, 13B impressiona em um número de pontos. Uma das primeiras coisas que atingem você é que a configuração de toda a história é bastante compreensível e traz horror no curso normal dos acontecimentos apenas. Não há uma visita a um 'Purani "(velho) haveli ou indo a algum lugar sozinho, na calada da noite, para os eventos assustadores para acontecer. Vikram K. Kumar toma todo o crédito para mantê-lo viciado em, com a sua direcção, bem como seu roteiro e diálogos. Outro aspecto, em que pontuações 13B consideravelmente bem, é que a explicação por trás da ocorrência de estranho, você também pode dizer sobrenatural, eventos é bastante convincente. Mesmo a pontuação do fundo adiciona ao horror. Há certas falhas no filme, como a sua longa duração (que poderia ter sido editado um pouco mais) ea música de sonho entre Madhavan e Neetu (totalmente desnecessário). No entanto, nenhum deles é ruim o suficiente para afetar negativamente o filme, em grande medida. Falando sobre performances, Madhavan é o primeiro nome que vem à mente. Suas expressões lindamente transmitir a terrível confusão e pânico seu personagem está passando. Quanto Neetu Chandra, ela é vista em um avatar 'menos maquiagem "e dá um bom suporte para Madhavan. Murli Silva é outro personagem que consegue impressionar-nos, especialmente com o seu timing perfeito quadrinhos. Poonam Dhillon, visto em filmes depois de um longo tempo, não perdeu seu toque. Mesmo Sachin Khedekar e Deepak Dobriyal foram bons em seus respectivos papéis. Você não se arrependerá de gastar dinheiro e assistindo 13B em um multiplex! 13 Revisão de Pré-lançamento Depois de 'Raaz - O mistério continua ", prepare-se para testemunhar outro filme baseado no gênero de terror - '13B'. Dirigido por Prémio Nacional de ganhar diretor - Vikram K. Kumar, o filme tem R. Madhavan e Neetu Chandra nos papéis principais, apoiado por Sachin Khedekar, Sharma Murli, Dhillon Poonam, Sharma Murli, Dobriyal Deepak e Chatterjee Dhritiman. Ele tem o famoso trio de Shankar-Ehsaan-Loy fornecer a música, as letras das Neelesh Misra. O filme será lançado no dia 6 de março de 2009, em "Big Pictures" a bandeira. Um thriller sobrenatural, '13B 'foi localizado no meio de um cenário urbano e gira em torno da vida de Manohar (R. Madhavan), sua esposa Priya (Neetu Chandra) e seus familiares. Manohar é Engenheiro Civil de trabalho duro, que é de 31 anos de idade e muito bem casado. Um homem urbano típico indiano, suas preocupações principais na vida incluem o fornecimento de sua família com todas as comodidades, contados necessário para levar uma vida confortável. Ele é racional em seus pensamentos e práticas em sua abordagem, com uma mente analítica e dobrado pensamento claro. Priya Manohar esposa representa uma dona de casa dia típico moderno, que é extremamente favorável de seu marido. Como a maioria das donas de casa nos tempos atuais, ela também é apaixonada por novelas diárias que vêm na TV. Ela é uma dedicada filha-de-lei, um amoroso irmã-de-lei e uma tia, brincalhão atencioso. A vida de Manohar e Priya está se movendo de forma harmoniosa e agora, eles estão ansiosos para ter uma família própria, tentando ter um filho. Manohar muda de casa e se muda para um novo apartamento, com sua família. Numerada 13B, Manohar apartamento é no 13 º andar de um edifício. Logo, eles se contentar em casa, onde as mulheres encontrar um novo amor - assistindo o show mais recente TV'' Sab Khairiyat'' (Tudo está bem). Curiosamente, a família no show é bastante semelhante ao de Manohar. Inicialmente, uma série de coisas boas lugar no show e eventos semelhantes ocorrem em família Manohar também. No entanto, em breve, as coisas tomam um rumo para o pior. Será que os incidentes chocantes visto no show afetar Manohar e sua família também? Por que isso está acontecendo? Manohar vai ser capaz de resolver o mistério antes que seja tarde demais? As respostas não são muito longe! Manohar, uma ascensão movimentos de classe média da Índia em um novo apartamento - 13B no 13 º andar com sua família. Desde o primeiro dia em sua nova casa, as mulheres estão agarradas a um novo programa de TV 'Sab Khairiyat' (Tudo Está Bem). O show é sobre uma família estranhamente semelhante à deles, que também acabou de se mudar para uma nova casa. Como o programa de TV se desenvolve, todos os incidentes que acontecem no show começam a acontecer a Manohar e sua família. Inicialmente, uma série de acontecimentos felizes acontecem e um monte de coisas boas acontecem, tanto no show e com a família de Manohar. Então, as coisas tomam um rumo para o pior e incidentes chocantes começam a acontecer na série de TV ... Será que o mesmo acontecerá com Manohar e sua família? Manohar vai ser capaz de resolver o mistério a tempo, antes que consome ele e toda a sua família? Filme: 13 (Horror) Elenco: R. Madhavan, Neetu Chandra, Sachin Khedekar Direção: Vikram Kumar K Duração: 2 horas e 25 minutos Avaliação Crítica: Agora este é um goosebump pouco nítidas que mantém o fator de resfriamento em lume brando, tanto em termos de conteúdo e carisma (leia estilo). Geralmente, filmes de terror desi acabar baixo na história e se desintegrar no clímax, relegando o suspense e gore para alguns Mumbo-jumbo sobre bruxaria e vodu. Raramente eles vêm com uma explicação satisfatória para toda a sabedoria bhoot o paranormal na tela, antes de as bobinas de fechamento. Mas esse não é o caso com 13B. Por um lado, ele mantém a cerveja elemento susto durante a maior parte do filme, com o perigo ea morte espreita a cada esquina torcida. Por outro lado, ele combina o supra-normal com o normal, para dar-lhe uma razão plausível para todas as ocorrências estranhas na tela. Mais importante, ele faz uma escavação tópico sobre a obsessão global do século 21: o onipresente - influência da televisão, que parece ter tomado completamente sobre nossas vidas - e curiosos. E se isso não é uma advertência forte o suficiente estatutária, a caixa de idiota inofensivo pode em breve ser substituído pelo móvel inimigo como um dispositivo de sanidade em risco, conclui. Especialistas já estão afirmando que 53 por cento dos usuários de telefonia móvel estão sofrendo de nomophobia, (sem fobia móvel) um medo de estar sem seu celular. Então lá! 13 começa com uma nota alegre. Uma família feliz, que passa a ser um microcosmo do Parivar Great Indian, se muda para um novo apartamento, que foi comprado por dois irmãos (Madhavan e cia.) Após sofrer um empréstimo robusto. Os irmãos ascensão não se importa e começar o dia com uma nota alegre, com as esposas (Neetu Chandra e cia.) Alegremente fofocando na cozinha, as crianças ruidosamente se preparando para a escola e faculdade e da mãe (Poonam Dhillon) afavelmente clamando para uma conexão a cabo, uma vez que ela não pode suportar perder um único episódio de seus saas-Bahu sabonetes. Imagem perfeita, você disse? Bem, quase. Assim que o leite coalhado fica todos os dias, os retratos dos deuses não podem ser pendurados nas paredes impenetráveis, o elevador não funciona apenas para Madhavan, sua câmera de celular implacavelmente distorce o rosto e o cachorro do vizinho misterioso simplesmente se recusa a entrar no apartamento com seu mestre. Razão suficiente para Madhavan racionalista de pressionar o botão de pânico? Não até que inesperadamente encontra uma telenovela que parece estar a jogar somente em sua casa e na tela o drama acaba prevendo os eventos que gradualmente começam a atormentar a família feliz. Escusado será dizer, o sabão é extremamente popular com as mulheres em sua casa, até que o sangue começa a fluir .... E a única maneira Madhavan pode proteger a sua família é, tornando-se um viciado em TV a si mesmo e aprender o que está na loja. É um conto interessante, bem contada, com todas as voltas e voltas obrigatórias em todos os lugares certos. Adicionando a isso, é a espontaneidade completa do elenco, habilmente conduzida por Madhavan que é extremamente cativante como o yuppie, dividido entre o sobrenatural eo real. Cuidado com alguns cinematografia zippy, um tom estilizado preto e branco e algumas edições snazzy. Timepass grandes. Vá em frente. Luiza Goianápolis 13 Movie Review Diretor: Música: Letra: Estrelando: Vikram K.Kumar Shankar-Ehsaan-Loy Neelesh Misra R. Madhavan, Neetu Chandra, Sachin Khadekar, Murli Sharma e Poonam Dhillon. Há um assassino na casa na calada da noite. Ele está batendo a televisão na sala de estar e não uma das pessoas que dormem em é perturbado. E este é o 13 º andar de um arranha-céu, não algum bangalô palaciano. Não há nenhuma conexão com a família que vive no mesmo apartamento com a dos espíritos incomodando eles. Há apenas um fio tênue e mesmo isso não é suficiente para justificar a estranha semelhança com o número exato de mortos para os que vivem no apartamento. De repente, do nada, duas músicas são forçados na tela, sem rima nem razão. A desnecessário enorme para empurrão no roteiro. Check-out: 13 - Novas fronteiras de Cinema fazer Estas são apenas algumas falhas do chamado diretor Vikram Kumar assustar-fest. Sim, o filme se arrasta demais, assim como uma série de televisão que colabora na tela pequena para justificar os acontecimentos no grande. Confuso, não? Em suma, Madhavan e seu irmão tomar um empréstimo conjunto para se mudar para seu novo apartamento com sua mãe, irmã, esposa e seus sobrinhos. E coisas estranhas começam a acontecer somente para Madhavan. Não é muito antes de ele percebe que a família de sua série é presa está realmente dizendo a sua vida com antecedência. E aparece apenas em seu aparelho de televisão de 13 horas! Após investigações, ele percebe que houve um bangalô no mesmo terreno onde o prédio está agora que foi chamado 13 B, o número de seu apartamento. Aparentemente, todos os oito membros da família foram espancado até a morte e é o assassino impune. Kumar dá Madhavan a tarefa de obter justiça para as vítimas. Para Neetu Chandra, este tem sido um bom filme, no sentido em que ela fica um carretel bom show. A menina melhorou desde seus dias no sinal de trânsito. Há também que o ator maravilhoso, Deepak Dobriyal. Dê-lhe qualquer papel e ele escava-se no personagem que ele deveria ser. Ele perde a auto para se tornar a parte que ele é suposto ser. Um ator super. Shaurya e DELHI 6 são suas façanhas recentes Quanto ao diretor, ele perdeu completamente a trama Yavarum Nalam Origem: Wikipédia, a enciclopédia livre Yavarum Nalam O Tamil cartaz versão teatral como Yavarum Nalam. Dirigido por Vikram Kumar Produzido por Suresh Balaje George Pio Rajesh Sawhney Escrito por Vikram Kumar Neelu Iyappan Abhinav Singh Kashyap (Diálogos Hindi) Estrelado por R. Madhavan Neetu Chandra Sachin Khedekar Deepak Dobriyal Murli Sharma Dhritiman Chatterjee Sampath Raj Saranya Música por Shankar-Ehsaan-Loy Tubby Parik Cinematografia P. C. Sreeram Edição por SREEKAR Prasad Distribuído por Big Pictures Data de lançamento (s) 6 de março de 2009 Duração 137 minutos País Índia Língua tâmil Hindi Orçamento crore 6  Bilheteria 16 crore (Tamil) 8,1 crore (Hindi)   Yavarum Nalam (Inglês: Tudo está bem) é um filme de terror 2009 Tamil psicológico dirigido por Vikram Kumar, estrelado por R. Madhavan e Neetu Chandra nos papéis principais. Produzido por Suresh Balaje e Pio George, o filme foi filmado e lançado simultaneamente em Tamil e também hindi como 13B com um elenco um pouco diferente. Trilha sonora do filme foi composta por Shankar-Ehsaan-Loy e pontuação de fundo por Tubby Parik. O filme foi lançado em 6 de março de 2009 para comentários altamente positivas dos críticos em Tamil e críticas mistas em Bollywood. Conteúdo [hide] 1 Elenco 2 Terreno 3 Produção 3.1 Desenvolvimento 3,2 Fundição 3,3 filmagens 4 Recepção 4,1 Box Office 5 Soundtrack 5,1 Hindi 5,2 Tamil 6 Referências 7 Ligações externas [Editar] Elenco Ator (Tamil versão) Ator (Versão hindi) Papel R. Madhavan Manohar Neetu Chandra Priya Ravi Babu Murali Sharma Siva Sachin Khedekar Dr. Balu / Dr. Shinde Sanjaih Bokaria Manoj Amitha Rajan Deepa Mãe Saranya Poonam Dhillon Manohar de Dhritiman Chatterjee Sr. Kamdhar Deepak Dobriyal Senthil / Ashok Sampath Raj Ramachandran Kushboo Sundar Roshan apresentador de Abbas Rachana Maurya um número de item [Editar] Terreno Manohar, um indiano de classe média alta, move-se para um novo apartamento - 13B no 13 º andar - com sua família, cumprindo um dos maiores sonhos de sua vida. Mas a família é cumprimentado por uma série de pequenos incidentes triviais, como o leite ficar estragado que poderia ser considerado como mau agouro mas minimizou pelo Manohar animado. O elevador no apartamento não funciona para Manohar. As mulheres da família ficar viciado a uma nova TV Yavarum Nalam (todos estão bem, ou Sab Khairiyat na versão hindi). O show é sobre uma família estranhamente semelhante à deles, que também acabou de se mudar para uma nova casa assim como eles têm. Como a série se desenrola, avisos Manohar que os incidentes que acontecem na série são um reflexo do que aconteceu com Manohar e sua família. A série reflete a vida Manohar família. Por exemplo, sua irmã se formar de primeira classe, sua mulher ficar grávida e depois de sofrer um aborto espontâneo. O resto da família permanece alheio às semelhanças e Manohar prefere assim para evitar o pânico. Ele também percebe que a câmera vai tirar fotos de torcidas-lo enquanto ele está no apartamento, mas não enquanto ele está fora do apartamento. Como Manohar combate a sensação desconfortável em sua mente, as coisas começam a tomar um rumo para o pior na série. Ele agora está com medo de que o mesmo poderia acontecer à sua família também. Manohar agora quer saber quem está por trás da realização deste serial e quais são suas intenções. Como Manohar explora os acontecimentos misteriosos, ele desvenda um segredo profundo e profano. A casa em que vivem era a casa onde uma família inteira de oito foram assassinados caminho de volta em 1977. Foi a família de um leitor de notícias chamado TV Chitra. No dia do noivado de Chitra um fã ardoroso (Shriram Shinde na versão 13B) de Chitra queria parar o noivado e ele falhou em fazer isso. Desanimado, ele cometeu suicídio. Posteriormente, todos os membros dessa família foram assassinados com um martelo em um único dia. A culpa descansou no irmão louco na família, como ele havia sido visto com o martelo passado. O policial que investiga o caso, também cometeu suicídio por enforcamento na mesma casa. Agora Manohar e seu amigo, Shiva (Murli Sharma), que é um policial, estão em processo de desvendar o mistério. Manohar investiga o louco Senthil / Ashok, que aparentemente enlouquece depois de ver o programa de TV em um asilo. Manohar então encontra Senthil, que estende a mão para Manohar mas arrasta-lo para dentro, mas seu amigo Shiva o impede de ser arrastado. Eles, então, encontraram o ex Chitra noivo Ramchandar, que tenta defender a inocência Senthil porque ele ficou coberto de sangue enquanto ele abraçou os corpos, não no caso. Depois de pesquisar uma noite, Manohar tem um pesadelo do assassino 13B subir as escadas para matar sua família. Quando Manohar tenta subir as escadas, ele sempre termina no 2 º andar e depois de alguns momentos, ele acorda. Ele, então, vai para a sala e testemunhas o clímax de Yavarum Nalam / Sab Kheriyat quando eles estão mostrando a identidade do assassino, ele vê dois martelos, um martelo e apontou um rombo marreta, em seguida, mostrando a cara Manohar como o assassino. O que se segue é o clímax que amarra todas as pontas soltas. O assassino é o Dr. Balu 13 / Dr Shinde, que vê os rostos dos membros da família como members.It família série foi ele que matou, em 1970, sobre o nome de seu irmão e também matou o policial que o pegou em flagrante. Manohar mata. A história termina com Manohar viver uma vida normal com um novo cão na família, o leite não está ficando mimado mais. Eles trazem Senthil / Ashok casa eo elevador no apartamento finalmente trabalha para Manohar. Manohar recebe um telefonema do Dr. Balu / Shinde Dr enquanto no elevador, que diz que, enquanto a família 13B assombra a TV, ele assombra telefone de Manohar. [Editar] Produção
[Editar] Desenvolvimento O diretor do filme, Vikram Kumar, ganhou o Prêmio Nacional de seu curta-metragem "Silent Scream". Aqui ele se juntou com Sreeram cineasta PC, editor SREEKAR Prasad, designer de som AS Lakshminarayanan e diretor de arte Sameer Chanda, que também acontecerá a ser vencedores do Prêmio Nacional de Cinema. O título era Hindi trabalhando Channel.  [Editar] Fundição Esha Deol e Kareena Kapoor foram inicialmente considerado para o papel principal, que acabou indo para Neetu Chandra. Chumbo atriz Neetu Chandra fez sua estréia com Tamil Yaavarum Nalam. Ela estrelou em filmes de sucesso como o Hindi Oye Lucky! Oye Lucky! e sinal de trânsito. Levar Madhavan ator e diretor de fotografia PC Sreeram já havia trabalhado juntos no Alaipayuthey filme de sucesso. O veterano ator Hindi Dhritiman Chaterjee fez sua estréia Tamil cinema em Yaavarum Nalam, mas Tamil não era uma língua nova para ele, como ele é um morador de Chennai. Ele desempenhou o mesmo papel na versão Hindi do filme. O veterano ator Marathi Sachin Khedekar, que fez sua estréia no cinema com Tamil Yaavarum Nalam, tomou um grande esforço em aprender suas linhas. Um CD de voz foi enviada para ele com suas linhas ler para que ele pudesse se familiarizar com o diálogo Tamil. Ele interpreta o mesmo personagem na versão Hindi também. [Editar] As filmagens A maior parte do filme se passa dentro de um apartamento. Um piso de tiro temporária foi criada a partir do zero em Egmore, Rio de Janeiro, dentro do qual um conjunto de apartamentos elaborado foi erguido. [Editar] Recepção [Editar] Box Office O filme acabou por ser um sucesso de bilheteria Tamil, arrecadando 16 crore.     A versão Hindi foi um sucesso de compensação 8,1 crore.  [Editar] Trilha Sonora A música do filme foi composta por Shankar-Ehsaan-Loy enquanto a letra em hindi e tamil foram escritos por Neelesh Mishra e Thamarai respectivamente. 13B/Yaavarum Nalam Álbum da trilha sonora por Shankar Ehsaan Loy Lançado 06 de fevereiro de 2009 Gravado 2008 Gênero trilha sonora de longas-metragens 39:33 de comprimento Hindi Tâmil AVM rótulo Produtor Shankar Ehsaan Loy Shankar Ehsaan Loy cronologia Konchem Ishtam Konchem Kashtam (2009) 13B/Yaavarum Nalam (2009) Shortkut (2009) [Editar] Hindi Título No. Artist comprimento (s) 1. "Sab Khairiyat Hai" Shankar Mahadevan 01:46 2. "Se Bade Shehar Mein" Karthik 04:30 3. "Oh Mama Sexy" Anushka Manchanda, Baba Sehgal, Loy Mendonsa 04:06 4. "13 B - Tema" 4:57 5. "Aasma Odhkar" K.S. Chitra, Shankar Mahadevan 04:25 6. "Sab Khairiyat Hai (Remix)" Shankar Mahadevan 04:04 7. "Aasma Odhkar (Remix)" K.S. Chitra. Shankar Mahadevan 8. "Oh Mama Sexy (Remix)" Anushka Manchanda, Baba Sehgal, Loy Mendonsa 04:37 9. "Se Bade Shehar Mein (Remix)" Karthik 05:08 [Editar] Tamil Título No. Artist comprimento (s) 1. "Yavarum Nalam" Shankar Mahadevan 01:46 2. "Chinnakkuyil Koovam" Karthik 04:30 3. "Oh Mama Sexy" Anushka Manchanda, Jassie presente 04:06 4. "Yavarum Nalam - Tema" 4:57 5. "Kaatrilae Vaasame" K.S. Chitra, Shankar Mahadevan 04:25 6. "Yaavarum Nalam (Remix)" Shankar Mahadevan 04:04 7. "Kaatrilae Vaasame (Remix)" K.S. Chitra. Shankar Mahadevan 8. "Oh Sexy Mama (Remix)" Anushka Manchanda, Jassie presente 04:37 9. "Chinnakkuyil Koovam (Remix)" Karthik 05:08 [Editar] Referências ^ A b "Top 10 filmes de 2009". Hindustan Times. 2009/12/24. Retirado 2012/03/16. ^ 13 rendeu 8,3 crore ^ Chennai365.com: "Yavarum filme Nalam Galeria de Fotos" ^ Tamil Top Ten Cinema - Yavarum Nalam ^ "Headlines notícias de entretenimento em Tamil | Notícias de Entretenimento - Yahoo! Dinamalar Tamil News". In.tamil.yahoo.com. 2011/04/20. Retirado 2012/03/16. ^ Yavarum Nalam recolhe 16 crore nas bilheterias ^ "Yaavarum Nalam - Behindwoods.com - Tamil dez melhores filmes - Guru En Aalu Mariyadhai Sarvvam Rajadhi Raja Ayan". Behindwoods.com. Retirado 2012/03/16. ^ [All India 2009 Box http://www.boxofficeindia.com/showProd.php?itemCat=290&catName=MjAwOQ India Office] [Editar] Ligações externas
13 Movie Trailer 13 Movie Review em BIGisBIG.com, BIG Blog Oficial Pictures. BehindWoods.com: "Maddy combinação Vikram para ser um passeio de emoção", por Behindwoods News Bureau, 18 Dezembro 2007 Film Review: 13B J-horror-styled supernatural thriller from India doesn't have the gore or intensity of the real thing, and for many in the mainstream, that's a relief. Low-budget-looking but effective, with a great central gimmick. March 6, 2009 For movie details, please click here. Taking a cue from its Asian neighbors, the Indian supernatural thriller 13B blends the domestic-terror dread of Japanese horror and its Korean and Thai brethren— all down the alphabet from J-horror to K-horror to T-horror—with beige/brown, washed-out, 1970s-style cinematography. The result is an unsettling hybrid, in the best sense: Plagued as it is by a low-budget look and a bevy of suspense tropes, this Hindi-language feature debut by writer-director Vikram K. Kumar (whose 10-minute "Silent Scream" won, of all things, his country's National Film Award for Best Educational/Motivational/Instructional Film in 1999) supplies ghostly chills effectively and through a marvelously original conceit. Civil engineer Mannu Manohar (the well-regarded actor and activist Madhavan Ranganathan) has just moved with his extended family into a deee-luxe apartment in the sky-ai-ai. He and his brother Manoj, a fellow professional, may have overextended themselves, but their duplex apartment 13B is a modernistic oasis for them and their mother (Poonam Dhillon); their collegiate sister Divya; Mannu's wife Priya (Neetu Chandra); and Manoj's wife and two young kids. The elevator doesn't seem to work when Mannu wants to take it, but hey, it's a new building and some bugs need to be worked out. So do a lot of other things, as it happens. Photos taken on Mannu's mobile phone come out twisted and grotesque when shot in the apartment, and nowhere else. The blind old neighbor's great big protective dog whimpers like a scared puppy at the threshold of the apartment. And the sisters-in-law and Mom start watching a soap opera, "Sab Khairiyat" ("All is Well") that airs at 13:00 hours on channel 13—in apartment 13B only, as Mannu discovers to his growing horror. That only intensifies when the family and events onscreen mirror his own almost exactly, with a barely fictionalized veneer. When the soap opera begins depicting terrible tragedies that start coming true, Mannu becomes emboldened enough to tell his old friend, police sub-inspector Shiva (Murli Sharma), and to visit Mom's doctor, Balram Shinde (Sachin Khedekar), whose in extremis work has led him to believe in the paranormal.
Mannu's increasingly obsessive quest for the root of what's occurring leads him and Shiva to unearth—literally, as it happens—details of a horrific mass murder of a family at this same building site in 1977. The TV set is their medium, and the program is their message—sort of. Why the powers-that-be do what they do makes no sense whatsoever in retrospect, but Kumar's brisk and knowing way with this type of story makes all that slip by as you watch a decent, ordinary man suspensefully fall deeper and deeper into hell through no fault of his own. Two unexceptional ballads by the star songwriting team of Shankar-Ehsaan-Loy play over family montages, but there's a kick-ass song over the end credits—the completely incongruous "Oh Sexy Mama," in which Madhavan, Chandra and many bump-and-grind beauties in PVC short-shorts gyrate to a dance number that would have done Robert Palmer proud. Very unusually, perhaps unprecedentedly since the days of early talkies, the movie was shot in two versions simultaneously, with mostly the same cast, in two languages, with the Tamil Yavarum Nalam and the Hindi 13B being released the same day. (Kumar has previously worked in the Tamil and Telugu languages.) While Tamil movies are often remade in Hindi, this maximizing of sets and actors doesn't seem to happen much, if at all. Unusual in a bad sense are the poor subtitle graphics, Luiza Goianapolis Director: Vikram K. Kumar Banner: Big Pictures Music Director: Shankar Mahadevan, Ehsaan Noorani, Loy Mendonsa Lyricist: Neelesh Misra Star Cast: R. Madhavan, Neetu Chandra, Sachin Khedekar, Murli Sharma, Poonam Dhillon, Murli Sharma, Deepak Dobriyal, Dhritiman Chatterjee Release Date: 6th March 2009
If you are looking for a thriller, which will keep you on the edge of your seat all the time, then 13B might just be the movie for you. Based on an innovative plot, which (thankfully!) does not involve the use of disgusting-looking ghost faces, psycho babas or excessive camera movements, 13B impresses you on a number of points. One of the first things that strike you is that the setting of the whole story is quite relatable and brings out horror in the normal course of events only. There is no visiting a 'purani' (old) haveli or going somewhere alone, in the dead of the night, for the scary events to take place. Vikram K. Kumar takes all the credit for keeping you hooked on, with his direction as well as his screenplay and dialogues. Another aspect, on which 13B scores pretty well, is that the explanation behind the occurrence of strange, you can also say supernatural, events is quite convincing. Even the background score adds to the horror. There are certain flaws in the movie, such as its long duration (which could have been edited a bit more) and the dream song between Madhavan and Neetu (totally unnecessary). However, none of them are bad enough to adversely affect the movie to a great extent. Talking about performances, Madhavan is the first name that comes to mind. His expressions beautifully convey the confusion, dread and panic his character is going through. As for Neetu Chandra, she is seen in a 'less-makeup' avatar and gives good support to Madhavan. Murli Sharma is another character that manages to impress us, especially with his perfect comic timing. Poonam Dhillon, seen in movies after a long time, hasn't lost her touch. Even Sachin Khedekar and Deepak Dobriyal were good in their respective roles. You will surely not regret spending money and watching 13B in a multiplex! 13B Pre-release Review After 'Raaz - The Mystery Continues', get set to witness another movie based on the horror genre - '13B'. Directed by National Award winning director - Vikram K. Kumar, the movie has R. Madhavan and Neetu Chandra in the lead roles, supported by Sachin Khedekar, Murli Sharma, Poonam Dhillon, Murli Sharma, Deepak Dobriyal and Dhritiman Chatterjee. It has the famous trio of Shankar-Ehsaan-Loy providing music, to the lyrics of Neelesh Misra. The film will be released on 6th March 2009, under the banner ' Big Pictures'. A supernatural thriller, '13B' has been set amidst an urban backdrop and revolves around the life of Manohar (R. Madhavan), his wife Priya (Neetu Chandra) and their family members. Manohar is a hard working Civil Engineer, who is 31 years of age and happily married. A typical urban Indian male, his main concerns in life include providing his family with all the amenities reckoned necessary for leading a comfortable lifestyle. He is rational in his thoughts and practical in his approach, with an analytical bent mind and clear thinking. Manohar's wife Priya represents a typical modern day homemaker, who is extremely supportive of her husband. Like most of the housewives in the present times, she is also in love with the daily soaps coming on TV. She is a devoted daughter-in-law, a loving sister-in-law and a playful, considerate aunt. The life of Manohar and Priya is moving smoothly and now, they are looking forward to having a family of their own, trying to have a child. Manohar changes his house and moves into a new apartment, with his family.
Numbered 13B, Manohar's apartment is on the 13th floor of a building. Soon, they settle into the house, where the women find a new love - watching the latest TV show ''Sab Khairiyat'' (All is Well). Oddly enough, the family in the show is quite similar to Manohar's. Initially, a number of good things take place in the show and similar events take place in Manohar's family as well. However, soon, things take a turn for the worse. Will the shocking incidents seen in the show affect Manohar and his family also? Why is this happening? Will Manohar be able to solve the mystery before it's too late? The answers are not too far away! Manohar, an upwardly mobile middle class Indian moves into a new apartment - 13B on the 13th floor with his family. From the first day in their new home, the women are hooked on to a new TV show 'Sab Khairiyat' (All's Well). The show is about a family eerily similar to theirs who have also just moved into a new house. As the TV show unfolds, all the incidents that happen in the show start happening to Manohar and his family. Initially, a number of happy events take place and a lot of good things happen, both in the show and with Manohar's family. Then things take a turn for the worse and shocking incidents start happening in the TV show... Will the same happen to Manohar and his family? Will Manohar be able to solve the mystery in time before it consumes him and his entire family?
Film: 13B (Horror) Cast: R. Madhavan, Neetu Chandra, Sachin Khedekar Direction: Vikram K Kumar Duration: 2 hours 25 minutes Critic's Rating: Now this one's a neat little goosebump that keeps the chill factor on simmer, both in terms of content and charisma (read style). Generally, desi horror flicks end up low on story and crumble in the climax, relegating the suspense and gore to some mumbo-jumbo about witchcraft and voodoo. Rarely do they come up with some satisfactory explanation for all the paranormal bhoot lore on screen, before the closing reels. But that's not the case with 13B. On the one hand, it keeps the scare element brewing through most of the film, with danger and death lurking at every twisted turn. On the other, it blends the supra-normal with the normal, to give you a plausible reason for all the strange occurrences on screen. More importantly, it makes a topical dig on the 21st century global obsession: the all-pervasive -- and prying -- influence of television which seems to have completely taken over our lives. And if that's not a strong-enough statutory warning, the innocuous idiot box may soon be replaced by the inimical mobile as a sanity-threatening device, it concludes. Experts are already stating that 53 per cent of mobile phone users are suffering from nomophobia, (no mobile phobia) a fear of being without their mobile. So there! 13B begins on a cheery note. A happy family, that happens to be a microcosm of the Great Indian Parivar, moves into a new flat that has been bought by the two brothers (Madhavan and co.) after incurring a hefty loan. The upwardly mobile brothers don't mind and begin their day on a joyous note, with the wives (Neetu Chandra and co.) merrily gossiping in the kitchen, the kids boisterously preparing for school and college and the mother (Poonam Dhillon) affably clamouring for a cable connection, since she cannot bear to miss a single episode of her saas-bahu soaps. Picture perfect, did you say? Well, almost. Just that the milk gets curdled every day, the portraits of the gods can't be hung on the impenetrable walls, the lift doesn't work only for Madhavan, his cell phone camera relentlessly distorts his face and the mysterious neighbour's dog simply refuses to enter the flat with his master. Reason enough for rationalist Madhavan to press the panic button? Not until he chances upon a television soap that seems to be playing only in his house and the onscreen drama ends up predicting the events that gradually begin to plague the happy family. Goes without saying, the soap is extremely popular with the women in his house, till the blood begins to flow....And the only way Madhavan can protect his family is by becoming a TV addict himself and learning what's in store. It's an interesting tale, told well, with all the mandatory twists and turns in all the right places. Adding to this, is the complete spontaneity of the ensemble cast, ably led by Madhavan who is extremely endearing as the yuppie, torn between the supernatural and the real. Watch out for some zippy cinematography, a stylised monochrome tint and some snazzy editing. Great timepass. Go for it. Luiza Goianapolis
13B Movie Review Director : Music : Lyrics : Starring : Vikram K.Kumar Shankar-Ehsaan-Loy Neelesh Misra R. Madhavan, Neetu Chandra, Sachin Khadekar, Murli Sharma and Poonam Dhillon. There's a killer in the house in the dead of night. He is banging the television set in the living room and not one of the people sleeping in is disturbed. And this is the 13th floor of a high-rise, not some palatial bungalow. There is no connection with the family living in the said flat with that of the spirits troubling them. There is just one faint thread and even that is not enough to justify the uncanny resemblance to the exact number of the dead to the ones living in the flat. Suddenly, out of nowhere, two songs are forced on screen, with no rhyme nor reason. A huge uncalled for jerk in the screenplay. CHECK OUT: 13B - New frontiers of Cinema making These are just a few flaws of director Vikram Kumar's so-called spook-fest. Yes, the movie drags too, just like a television serial he collaborates on the small screen to justify the happenings on the big. Confusing, right? In short, Madhavan and his brother take a joint loan to move into their new apartment with their mother, sister, wives and his nephews. And strange things start happening only to Madhavan. It's not long before he realizes that the serial his family is hooked onto is actually telling his life in advance. And it appears only on his television set at 13 hours! After investigations, he realizes that there was a bungalow on the same land where their building now stands which was called 13 B, the number of his flat. Apparently, all eight family members were bludgeoned to death and the killer is scot-free. Kumar gives Madhavan the task of getting justice to the victims. For Neetu Chandra, this has been a good film, in the sense it gets her a good show reel. The girl has improved since her days in TRAFFIC SIGNAL. There's also that wonderful actor, Deepak Dobriyal. Give him any role and he just digs himself into the character he is supposed to be. He loses self to become the part he is supposed to be. A super actor. SHAURYA and DELHI 6 are his recent exploits As for the director, he missed the plot completely Yavarum Nalam From Wikipedia, the free encyclopedia Yavarum Nalam The Tamil theatrical release poster as Yavarum Nalam. Directed by Vikram Kumar Produced by Suresh Balaje George Pius Rajesh Sawhney Written by Vikram Kumar Neelu Iyappan Abhinav Singh Kashyap (Hindi Dialogues) Starring R. Madhavan Neetu Chandra Sachin Khedekar Deepak Dobriyal Murli Sharma Dhritiman Chatterjee Sampath Raj Saranya Music by Shankar-Ehsaan-Loy Tubby Parik Cinematography P. C. Sreeram Editing by Sreekar Prasad Distributed by Big Pictures Release date(s) March 6, 2009 Running time 137 minutes Country India Language Tamil Hindi Budget 6 crore Box office 16 crore (Tamil) 8.1 crore (Hindi) Yavarum Nalam (English: All is well) is a 2009 Tamil psychological horror film directed by Vikram Kumar, starring R. Madhavan and Neetu Chandra in the lead roles. Produced by Suresh Balaje and George Pius, the film was simultaneously filmed and released in Tamil and also Hindi as 13B with a slightly different cast. The film's soundtrack was composed by Shankar-Ehsaan-Loy and background score by Tubby Parik. The film was released on 6 March 2009 to highly positive reviews from critics in Tamil and mixed reviews in Bollywood. Contents [hide] 1 Cast 2 Plot 3 Production 3.1 Development 3.2 Casting 3.3 Filming 4 Reception 4.1 Box Office 5 Soundtrack 5.1 Hindi 5.2 Tamil 6 References 7 External links Cast Actor (Tamil version) Actor (Hindi version) Role R. Madhavan Manohar Neetu Chandra Priya Ravi Babu Murali Sharma Siva Sachin Khedekar Dr. Balu / Dr. Shinde Sanjaih Bokaria Manoj Amitha Rajan Deepa Saranya Poonam Dhillon Manohar's mother Dhritiman Chatterjee Mr. Kamdhar Deepak Dobriyal Senthil / Ashok Sampath Raj Ramachandran Kushboo Sundar Roshan Abbas Show host Rachana Maurya an item number Plot Manohar, an upper-middle class Indian, moves into a new apartment - 13B on the 13th floor - with his family, fulfilling one of his life's biggest dreams. But the family is greeted by a series of small trivial incidents such as milk getting spoiled that could be regarded as inauspicious but are shrugged off by the excited Manohar. The lift in the apartment does not operate for Manohar. The women in the family get hooked on to a new TV show Yavarum Nalam (Everyone Is Well, or Sab Khairiyat in the Hindi version). The show is about a family eerily similar to theirs who have also just moved into a new house just like they have. As the serial unfolds, Manohar notices that the incidents that happen in the serial are a reflection of what has happened to Manohar and his family. The serial mirrors Manohar's family life. For example, his sister graduating first-class, his wife getting pregnant and later suffering a miscarriage. The rest of the family remains oblivious to the similarities and Manohar prefers it that way to avoid panic. He also notices that his camera will take twisted pictures of him while he is in the apartment, but not while he is out of the apartment. As Manohar fights the uneasy feeling in his mind, things start taking a turn for the worse in the serial. He is now terrified that the same might happen to his family as well. Manohar now wants to know who is behind the making of this serial and what their intentions are. As Manohar explores the mysterious happenings, he unravels a deep and unholy secret. The house they live in was the house where a whole family of eight were murdered way back in 1977. It was the family of a TV news reader named Chitra. On the day of Chitra's engagement an ardent fan (Shriram Shinde in the 13B version) of Chitra wanted to stop the engagement and he failed in doing so. Disheartened, he committed suicide. Subsequently, all members of that family were murdered with a hammer in a single day. The blame rested on the crazy brother in the family, as he had been seen with the hammer last. The police officer investigating the case also committed suicide by hanging himself in the same house. Now Manohar and his friend, Shiva (Murli Sharma), who is a policeman, are in the process of unraveling the mystery. Manohar researches the madman Senthil/Ashok, who apparently goes crazy after seeing the TV show in an asylum. Manohar then meets Senthil, who extends a hand for Manohar but drags him inside, but his friend Shiva keeps him from being dragged. They then met Chitra's former fiance Ramchandar, who tries to plead for Senthil's innocence because he got covered in blood while he hugged the bodies, failed in the case. After researching one night, Manohar has a nightmare of the 13B murderer climbing the stairs to kill his family. When Manohar tries to climb the stairs, he always ends up on the 2nd floor and after a few moments he wakes up. He then goes to the hall and witnesses the climax of Yavarum Nalam/Sab Kheriyat when they are showing the murderer's identity; he sees two hammers, one pointed hammer and a blunt sledge-hammer, then showing Manohar's face as the killer. What follows is the climax that ties up all the loose ends. The 13B murderer is Dr Balu/Dr Shinde, who sees the family members' faces as serial family members.It was he who killed them in 1970's on the behalf of his brother and also killed the police officer who caught him red-handed. Manohar kills him. The story ends with Manohar living a normal life with a new dog in the family; the milk is not getting spoiled anymore. They bring Senthil/Ashok home and the lift in the apartment finally works for Manohar. Manohar receives a call from Dr Balu/Dr Shinde while in the lift, who says that while the 13B family haunts the TV, he haunts Manohar's phone. Production
Development The director of the film, Vikram Kumar, won a National Award for his short film "Silent Scream". Here he teamed up with cinematographer P. C. Sreeram, editor Sreekar Prasad, sound designer A. S. Lakshminarayanan and art director Sameer Chanda, who also happen to be National Film Award winners. The Hindi working title was Channel. Casting Esha Deol and Kareena Kapoor were originally considered for the lead role which eventually went to Neetu Chandra. Lead actress Neetu Chandra made her Tamil debut with Yaavarum Nalam. She has starred in successful Hindi films like Oye Lucky! Lucky Oye! and Traffic Signal. Lead actor Madhavan and cinematographer P. C. Sreeram had previously worked together on the hit movie Alaipayuthey. Veteran Hindi actor Dhritiman Chaterjee made his Tamil cinema debut in Yaavarum Nalam, but Tamil was not a new language for him, as he is a resident of Chennai. He played the same role in the Hindi version of the film. Veteran Marathi actor Sachin Khedekar, who made his debut in Tamil cinema with Yaavarum Nalam, took great effort in learning his lines. A voice CD was sent to him with his lines read out so that he would get familiar with the Tamil dialogue. He plays the same character in the Hindi version as well. Filming The majority of the film takes place inside an apartment. A temporary shooting floor was created from scratch in Egmore, Chennai, inside which an elaborate apartment set was erected. Reception Box Office The movie turned out be a Hit at the Tamil box office, grossing 16 crore. The Hindi version was a hit netting 8.1 crore. Soundtrack The film's music was composed by Shankar-Ehsaan-Loy while the lyrics in Hindi and Tamil were penned by Neelesh Mishra and Thamarai respectively. 13B/Yaavarum Nalam Soundtrack album by Shankar Ehsaan Loy Released 6 February 2009 Recorded 2008 Genre Feature film soundtrack Length 39:33 Language Hindi Tamil Label AVM Producer Shankar Ehsaan Loy Shankar Ehsaan Loy chronology Konchem Ishtam Konchem Kashtam (2009) 13B/Yaavarum Nalam (2009) Shortkut (2009) Hindi No. Title Artist(s) Length 1. "Sab Khairiyat Hai" Shankar Mahadevan 1:46 2. "Bade Se Shehar Mein" Karthik 4:30 3. "Oh Sexy Mama" Anushka Manchanda, Baba Sehgal, Loy Mendonsa 4:06 4. "13 B - Theme" 4:57 5. "Aasma Odhkar" K.S. Chitra, Shankar Mahadevan 4:25 6. "Sab Khairiyat Hai (Remix)" Shankar Mahadevan 4:04 7. "Aasma Odhkar (Remix)" K.S. Chitra. Shankar Mahadevan 8. "Oh Sexy Mama (Remix)" Anushka Manchanda, Baba Sehgal, Loy Mendonsa 4:37 9. "Bade Se Shehar Mein (Remix)" Karthik 5:08 Tamil No. Title Artist(s) Length 1. "Yavarum Nalam" Shankar Mahadevan 1:46 2. "Chinnakkuyil Koovam" Karthik 4:30 3. "Oh Sexy Mama" Anushka Manchanda, Jassie Gift 4:06 4. "Yavarum Nalam - Theme" 4:57 5. "Kaatrilae Vaasame" K.S. Chitra, Shankar Mahadevan 4:25 6. "Yaavarum Nalam (Remix)" Shankar Mahadevan 4:04 7. "Kaatrilae Vaasame (Remix)" K.S. Chitra. Shankar Mahadevan 8. "Oh Sexy Mama (Remix)" Anushka Manchanda, Jassie Gift 4:37 9. "Chinnakkuyil Koovam (Remix)" Karthik 5:08 References ^ a b "Top 10 movies of 2009". Hindustan Times. 2009-12-24. Retrieved 2012-03-16. ^ 13B netted 8.3 crore ^ Chennai365.com: "Yavarum Nalam Movie Photo Gallery" ^ Tamil Cinema Top Ten - Yavarum Nalam ^ "Entertainment News Headlines in Tamil | Entertainment News – Yahoo! Dinamalar Tamil News". In.tamil.yahoo.com. 2011-04-20. Retrieved 2012-03-16. ^ Yavarum Nalam collects 16 crore at the box office ^ "Yaavarum Nalam - Behindwoods.com - Tamil Top Ten Movies - Guru En Aalu Mariyadhai Sarvvam Rajadhi Raja Ayan". Behindwoods.com. Retrieved 2012-03-16. ^ [All India 2009 http://www.boxofficeindia.com/showProd.php?itemCat=290&catName=MjAwOQ Box Office India] External links 13B Movie Trailer 13B Movie Review on BIGisBIG.com, BIG Pictures Official Blog. BehindWoods.com: "Maddy Vikram combo to be a thrill ride", by Behindwoods News Bureau, 18 December 2007
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Karthik Calling Karthik Karthik Chamada Karthik Origem: Wikipédia, a enciclopédia livre Karthik Chamada Karthik Poster versão teatral Dirigido por Vijay Lalwani Produzido por Farhan Akhtar Ritesh Sidhwani Roteiro de Vijay Lalwani Estrelado por Deepika Padukone Farhan Akhtar Ram Kapoor Shefali Shah Vipin Sharma Música por Shankar-Ehsaan-Loy Cinematografia Sanu Varghese Edição por Aarti Bajaj Estúdio Excel Entretenimento Distribuído por Reliance Big Pictures Data de lançamento (s) 26 de fevereiro de 2010 Duração 125 minutos País Índia Hindi Karthik Chamada Karthik é um 2010 filme de suspense psicológico indiano, escrito e dirigido por Vijay Lalwani e produzido por Farhan Akhtar e Sidhwani Ritesh sob a bandeira do Excel Entretenimento e Reliance Big Pictures. O filme é estrelado por Farhan Akhtar e Deepika Padukone nos papéis principais. Ram Kapoor e Shefali Shah desempenhar papéis secundários no filme. A música do filme foi composta pelo trio de Shankar-Ehsaan-Loy, enquanto a pontuação de fundo foi composta por MIDIval PunditZ e Kale Karsh. Conteúdo [hide] 1 Lote 2 Elenco 3 Produção 4 Lançamento 4,1 recepção crítica 4,2 Box Office 5 Soundtrack 5,1 Faixas 6 Prêmios e indicações 7 Referências 8 Ligações externas [Editar] Terreno
Karthik Calling Karthik Karthik (Farhan Akhtar) é um introvertido, que não tem confiança e se sente preso em seu trabalho a média a uma empresa de construção. Ele é continuamente perturbado por um incidente de sua infância: Seu irmão mais velho, Kumar, usado para torturá-lo, mas sempre que ele se queixou aos seus pais, eles não acreditam nele. Um dia, Kumar assumiu Karthik a um poço e tentou jogá-lo na mesma, mas Karthik escapou. Kumar caiu acidentalmente dentro do poço e morreu. Karthik pensou-se responsável pela morte de seu irmão desde então. Shonali Mukherjee (Deepika Padukone) é um colega de trabalho na empresa Karthik, a quem Karthik é secretamente apaixonado, apesar de ela permanece inconsciente de sua existência, muito menos seus sentimentos. Depois de ser ridicularizado por seu chefe, mais uma vez, Karthik descobre que sua vida não pode ficar melhor e decide cometer suicídio. Assim como ele está prestes a, um estranho com a voz, mesmo exata como ele chama e diz que ele também é Karthik, convencendo-o de que ele tem a capacidade de mudar de vida. Estes telefonemas se tornar guia Karthik vida. Suas conversas ocorrem todas as manhãs às 5:00 am e do chamador fornece aconselhamento sobre problemas Karthik, guiando-o a tornar-se um homem de sucesso, conquistar o coração de Shonali, e trazer cor à sua vida de outra forma triste. No entanto, quando Karthik diz Shonali e seu psiquiatra sobre as chamadas telefônicas, apesar de ter sido avisado para não, o interlocutor misterioso fica irritado e diz Karthik que se pudesse trazê-lo, ele também poderia jogá-lo para baixo. Como por sua palavra, as coisas começam a ir ladeira abaixo. Karthik chefe de joga-lo fora e Shonali abandona. Karthik decide que, se ele vai em algum lugar que ele não sabe, então o chamador não sabe onde ele está, quer e parar de chamar ele. Karthik viaja para um lugar desconhecido, se refugia em um pequeno hotel, a recepcionista e pede para remover o telefone e placa com o número do quarto.
Karthik Calling Karthik Depois de alguns meses, Karthik está confortavelmente vivendo em Cochin com um emprego decente. Sua vida volta ao normal, exceto pelo fato de que ele se recusa a ter uma linha de telefone. A pedido de seu chefe, ele é forçado a comprar um telefone fixo. Ele vai para grandes comprimentos para garantir que ele mesmo desconhece o número de telefone. No entanto, um dia de exatamente cinco horas, ele recebe uma chamada do interlocutor misterioso, que ameaça matá-lo. Enquanto isso, Shonali é contatado pelo Dr. Kapadia, que revela que a torção: Karthik é realmente esquizofrênico. Ele tem um alter-ego, que é mais assertiva e aconselha-o sobre a forma de viver a vida. Todo esse tempo, o chamador estranho foi Karthik si mesmo. Ele tem sido lidar com essa condição a partir de uma idade jovem, quando ele criou um falso irmão chamado Kumar. Telefone Karthik tem a capacidade para gravar mensagens e actuar como uma característica de reprodução a uma determinada hora. Karthik acordava no meio da noite, deixe-se mensagens como seu alter ego, e voltar a dormir, onde teria acordado mais uma vez em cinco horas para tomar suas próprias chamadas. Eventualmente, Karthik torna-se tão perturbado que ele tenta cometer suicídio novamente. Shonali, percebendo a verdade, chega no momento certo para salvá-lo. Eles reconciliar e ela fica por ele, ajudando-o com a sua condição. Depois de alguns meses, Karthik está em processo de lidar com a esquizofrenia e vive uma vida feliz e reabilitados com Shonali ao seu lado.
Karthik Calling Karthik [Editar] Elenco Farhan Akhtar como Karthik Deepika Padukone como Shonali Mukherjee Ram Kapoor como o Sr. Kamath Shefali Chhaya como a Sra. Kapadia Vivan Bhatena Vipin Sharma Yatin Karyekar [Editar] Produção Em um esforço para se preparar para seu papel como solitário introvertido Karthik, Farhan Akhtar isolou-se em casa e na escola e desligou o telefone.  Ele também aprendeu a resolver o cubo de Rubik, uma atividade que seu personagem se completa em apenas tentar uma.  [Editar] Lançamento [Editar] A recepção crítica No site da revisão ReviewGang agregação, o filme marcou 5.5/10 baseado em 11 avaliações.  O crítico de cinema Rajeev Masand deu ao filme com 2 de 5 estrelas possíveis. Nikhat Kazmi de Times da Índia classificaram 3.5 de 5, chamando-o de "imensamente assistível, apenas para o ato de classe por Farhan Akhtar no papel-título".  Shweta Parande de IBNLive.com deu uma classificação de 3.5 de 5 , aplaudindo o elenco e equipe para suas performances e os seus esforços em construir a história como uma equipe.  IndiaGlitz deu um fora 3 de 5, concluindo "Go, mas com uma mente aberta".  [Editar] Box Office Karthik Chamada Karthik foi declarado abaixo da média, a compensação 26,75 crore (EUA 4,87 milhões dólares) no final de sua execução.  O filme arrecadou 26,75 crore (EUA 4,87 milhões dólares) e recolhido uma parte distribuidor de 8,64 crore (EUA 1,57 milhões dólares ) . [Editar] Trilha Sonora Karthik Chamada Karthik Álbum da trilha sonora por Shankar-Ehsaan-Loy Lançado 26 de fevereiro de 2010 Gênero trilha sonora de longas-metragens Etiqueta T-Series Produtor Farhan Akhtar, Ritesh Sidhwani Shankar-Ehsaan-Loy cronologia My Name Is Khan (2010) Karthik Chamada Karthik (2010) Hum Tum Aur Espírito (2010) Classificações profissionais Pontuações de revisão Nota fonte Planeta Bollywood  Glamsham  Starboxoffice  Yahoo! Filmes  Música Aloud 
Karthik Calling Karthik A trilha sonora do filme é composto por Shankar-Ehsaan-Loy, com letras escritas por Javed Akhtar. O álbum foi lançado em 20 de fevereiro de 2010.  Embora o álbum não obteve resposta crítica favorável, a faixa "Uff Teri Adaa" criou ondas  e liderou as paradas várias vezes nos meses seguintes.  Na bilheteria, a música teve um impacto na abertura do filme, já que ficou maior abertura do que seu concorrente Adolescente Patti.  Antes que o álbum foi lançado, uma cópia online vazou na Internet. Farhan Akhtar confirmou e pediu para não baixar ilegalmente.  [Editar] Faixas Track # Canção Singer (s) Duração 1 "Hey Ya!" Clinton Cerejo, Shankar Mahadevan, Loy Mendonsa 04:17 2 "Uff Teri Adaa" Shankar Mahadevan & Alyssa Mendonsa 05:06 3 "Jaane Ye Kya Hua" KK 4:10 4 "Kaisi Hai Yeh Udaasi" Kailash Kher & Sukanya Purayastha 06:07 5 "Calling Karthik Karthik" Suraj Jagan, Shankar Mahadevan, Caralisa Monteiro, Malika Singh 03:11 6 "Karthik 2.0" MIDIval PunditZ, Karsh Kale 04:15 7 "Karthik Chamada Karthik (Tema Remix)" Suraj Jagan, Shankar Mahadevan, Caralisa Monteiro, Malika Singh (Remixed por MIDIval PunditZ Karsh Kale &) 03:11 8 "Hey Ya! (Remix)" Clinton Cerejo, Shankar Mahadevan, Loy Mendonsa (Remixed pela Digital Boyz) 5:17 9 "Uff Teri Adaa (Remix)" Alyssa Mendonsa, Shankar Mahadevan (Remixed por Udyan Sagar de Nucleya) 4:06 [Editar] Prêmios e indicações
Prêmios 2011 Zee Cine Nomeado  Melhor Música - Shankar Ehsaan Loy Awards 2011 IIFA Nomeado  Melhor Cantora de Reprodução Masculina - Shankar Mahadevan Tela Star Awards 2011 Nomeado  Melhor Música - Shankar Ehsaan Loy [Editar] Referências
Karthik Calling Karthik ^ Jha, Subhash (12 de Junho de 2009). "Film faz solitário de Farhan Akhtar". Estrela indiana. Retirado 12 de janeiro de 2010. ^ Shah, Kunal M. (12 de Junho de 2009). "Farhan está obcecado sobre cubo de Rubik". Times da Índia. Retirado 12 de janeiro de 2010. ^ "Karthik Chamando Comentários Karthik". ReviewGang. Retirado 25 de julho de 2010. ^ Kazmi, Nikhat (25 de Fevereiro de 2010). "Calling Karthik Karthik". The Times of India. ^ Parande, Shweta (28 de Maio de 2010). "Primeiro Corte:" Karthik Chamada Karthik 'está tocando ". IBN Live. Retirado 2011/07/01. ^ "Karthik Chamada Karthik Bollywood Movie Review - alambiques visualização cinema Galeria trailer showtimes clipes". IndiaGlitz. 2010/02/25. Retirado 2011/07/01. ^ "All India 2010 (Valores em Crore INR)". ^ "Karthik Chamada Karthik Abaixo da média Teen Patti Dull". ^ "Karthik Chamada Karthik - música revisão por Amanda Sodhi". Planeta Bollywood. 2010/01/16. Retirado 2011/06/16. ^ "Karthik chamada crítica musical Karthik". glamsham.com. Retirado 2011/06/16. ^ "REVISÃO DE MÚSICA: Karthik chamada Box Office Karthik-STAR - Notícias". Starboxoffice.com. 2010/01/18. Retirado 2011/06/16. ^  [link morto] ^ Postado por Naveen (2010/01/23). "Karthik Chamada Karthik - Música Review | Shankar Ehsaan Loy | Farhan Akhtar | Deepika Padukone". Música Aloud. Retirado 2011/06/16. ^  [link morto] ^ Quem é sacudir MNIK? ^ Rádio Mirchi Top 20 - Março 08-14 de março de 2010 ^ KCK vs Teen Patti ^ "Twitter / Farhan Akhtar: Ouvi dizer que a música é KCK al". Twitter.com. 2010/01/17. Retirado 2011/06/16. ^ "As nomeações para Zee Cine Awards 2011". Bollywood Hungama. Retirado 2011/01/07. ^ "Indicações para IIFA Awards 2011". Bollywood Hungama. Retirado 2011/01/07. ^ "As nomeações para os Prémios de tela Estrelas 2011". Bollywood Hungama. Retirado 2011/01/07. [Editar] Ligações externas Site oficial Karthik Chamada Karthik no Internet Movie Database
Karthik Calling Karthik Karthik Calling Karthik From Wikipedia, the free encyclopedia Karthik Calling Karthik Theatrical release poster Directed by Vijay Lalwani Produced by Farhan Akhtar Ritesh Sidhwani Screenplay by Vijay Lalwani Starring Deepika Padukone Farhan Akhtar Ram Kapoor Shefali Shah Vipin Sharma Music by Shankar-Ehsaan-Loy Cinematography Sanu Varghese Editing by Aarti Bajaj Studio Excel Entertainment Distributed by Reliance Big Pictures Release date(s) February 26, 2010 Running time 125 minutes Country India Language Hindi Karthik Calling Karthik is a 2010 Indian psychological thriller film, written and directed by Vijay Lalwani and produced by Farhan Akhtar and Ritesh Sidhwani under the banner of Excel Entertainment and Reliance Big Pictures. The film stars Farhan Akhtar and Deepika Padukone in lead roles. Ram Kapoor and Shefali Shah play supporting roles in the film. The film's music was composed by the trio of Shankar-Ehsaan-Loy, while the background score was composed by MIDIval Punditz and Karsh Kale. Contents [hide] 1 Plot 2 Cast 3 Production 4 Release 4.1 Critical reception 4.2 Box Office 5 Soundtrack 5.1 Track listing 6 Awards and nominations 7 References 8 External links Plot
Karthik (Farhan Akhtar) is an introvert who lacks confidence and feels trapped in his average job at a construction company. He is continuously troubled by an incident from his childhood: His older brother, Kumar, used to torture him, but whenever he complained to his parents, they did not believe him. One day, Kumar took Karthik to a well and tried to throw him in it, but Karthik escaped. Kumar accidentally fell inside the well and died. Karthik has thought himself responsible for his brother's death ever since. Shonali Mukherjee (Deepika Padukone) is a co-worker at Karthik's company, whom Karthik is secretly in love with, though she remains unaware of his existence, much less his feelings. After being derided by his boss yet again, Karthik figures his life can’t get any better and decides to commit suicide. Just as he is about to, a stranger with the same, exact voice as him calls and says that he is also Karthik, convincing him that he has the ability to change his life. These phone calls become Karthik's life guide. His chats take place every morning at 5:00 a.m. and the caller provides advice on Karthik's problems, guiding him to become a successful man, win Shonali's heart, and bring color to his otherwise dreary life. However, when Karthik tells Shonali and his psychiatrist about the phone calls, despite being warned not to, the mysterious caller gets angry and tells Karthik that if he could bring him up, he could also throw him down. As per his word, things start going downhill. Karthik's boss throws him out and Shonali leaves him. Karthik decides that if he goes somewhere he does not know, then the caller wouldn't know where he is either and stop calling him. Karthik travels to an unknown place, takes shelter in a small hotel, and asks the receptionist to remove the telephone and room number plate. After a few months, Karthik is comfortably living in Cochin with a decent job. His life is back to normal except for the fact that he refuses to have a phone line. Upon his boss's request, he is forced to purchase a landline. He goes to great lengths to ensure that he himself is unaware of the phone number. However, one day at exactly 5 a.m, he receives a call from the mysterious caller, who threatens to kill him. Meanwhile, Shonali is contacted by Dr. Kapadia, who reveals the twist: Karthik is actually schizophrenic. He has an alter-ego that is more assertive and advises him on how to live life. All this time, the strange caller was Karthik himself. He has been dealing with this condition from a young age, when he created a fake brother named Kumar. Karthik's phone has the capacity to record messages and act as a playback feature at a certain time. Karthik would wake up in the middle of the night, leave himself messages as his alter ego, and return to sleep, where he would awake once again at 5am to take his own calls. Eventually, Karthik becomes so disturbed that he attempts to commit suicide again. Shonali, realizing the truth, arrives at the right time to save him. They reconcile and she stands by him, helping him with his condition. After a few months, Karthik is in the process of dealing with his schizophrenia and lives a happy and rehabilitated life with Shonali by his side. Cast Farhan Akhtar as Karthik Deepika Padukone as Shonali Mukherjee Ram Kapoor as Mr. Kamath Shefali Chhaya as Mrs. Kapadia Vivan Bhatena Vipin Sharma Yatin Karyekar Production In an effort to prepare for his role as loner introvert Karthik, Farhan Akhtar isolated himself at home and school and turned off his phone. He also learned to solve the Rubik's Cube, an activity which his character completes in only one try. Release
Critical reception On the review-aggregation website ReviewGang, the film scored 5.5/10 based on 11 reviews. Film critic Rajeev Masand gave the film 2 out of 5 possible stars. Nikhat Kazmi of Times of India rated it 3.5 out of 5, calling it "immensely watchable, purely for the class act by Farhan Akhtar in the title role". Shweta Parande of IBNLive.com gave a rating of 3.5 out of 5, applauding the cast and crew for their performances and their efforts on building up the story as a team. IndiaGlitz gave a 3 out of 5, concluding "Go but with an open mind." Box Office Karthik Calling Karthik was a declared a below average, netting 26.75 crore (US$4.87 million) at the end of its run. The movie grossed 26.75 crore (US$4.87 million) and collected a distributor share of 8.64 crore (US$1.57 million). Soundtrack
Karthik Calling Karthik Soundtrack album by Shankar-Ehsaan-Loy Released 26 February 2010 Genre Feature film soundtrack Label T-Series Producer Farhan Akhtar, Ritesh Sidhwani Shankar-Ehsaan-Loy chronology My Name Is Khan (2010) Karthik Calling Karthik (2010) Hum Tum Aur Ghost (2010) Professional ratings Review scores Source Rating Planet Bollywood  Glamsham  Starboxoffice  Yahoo! Movies  Music Aloud  The soundtrack of the film is composed by Shankar-Ehsaan-Loy with lyrics penned by Javed Akhtar. The album was released on February 20, 2010. Though the album did not get favorable critical response, the track "Uff Teri Adaa" created waves and topped the charts numerous times in the following months. At the box office, music had an impact in the opening of the film, as it got bigger opening than its competitor Teen Patti. Before the album got released, an online copy was leaked onto the Internet. Farhan Akhtar confirmed this and requested not to download them illegally. Track listing Track # Song Singer(s) Duration 1 "Hey Ya!" Clinton Cerejo, Shankar Mahadevan, Loy Mendonsa 4:17 2 "Uff Teri Adaa" Shankar Mahadevan & Alyssa Mendonsa 5:06 3 "Jaane Ye Kya Hua" KK 4:10 4 "Kaisi Hai Yeh Udaasi" Kailash Kher & Sukanya Purayastha 6:07 5 "Karthik Calling Karthik" Suraj Jagan, Shankar Mahadevan, Caralisa Monteiro, Malika Singh 3:11 6 "Karthik 2.0" MIDIval Punditz, Karsh Kale 4:15 7 "Karthik Calling Karthik (Theme Remix)" Suraj Jagan, Shankar Mahadevan, Caralisa Monteiro, Malika Singh (Remixed by MIDIval Punditz & Karsh Kale) 3:11 8 "Hey Ya! (Remix)" Clinton Cerejo, Shankar Mahadevan, Loy Mendonsa (Remixed by Digital Boyz) 5:17 9 "Uff Teri Adaa (Remix)" Alyssa Mendonsa, Shankar Mahadevan (Remixed by Udyan Sagar of Nucleya) 4:06 Awards and nominations 2011 Zee Cine Awards Nominated Best Music - Shankar Ehsaan Loy 2011 IIFA Awards Nominated Best Male Playback Singer - Shankar Mahadevan 2011 Star Screen Awards Nominated Best Music - Shankar Ehsaan Loy References
^ Jha, Subhash (12 June 2009). "Film makes loner out of Farhan Akhtar". Indian Star. Retrieved 12 January 2010. ^ Shah, Kunal M. (12 June 2009). "Farhan's obsessed about Rubik's cube". Times of India. Retrieved 12 January 2010. ^ "Karthik Calling Karthik Reviews". ReviewGang. Retrieved 25 July 2010. ^ Kazmi, Nikhat (25 February 2010). "Karthik Calling Karthik". The Times Of India. ^ Parande, Shweta (28 May 2010). "First Cut: 'Karthik Calling Karthik' is touching". IBN Live. Retrieved 2011-07-01. ^ "Karthik Calling Karthik Bollywood Movie Review - cinema preview stills gallery trailer video clips showtimes". IndiaGlitz. 2010-02-25. Retrieved 2011-07-01. ^ "All India 2010 (Figures in INR Crore)". ^ "Karthik Calling Karthik Below Average Teen Patti Dull". ^ "Karthik Calling Karthik - music review by Amanda Sodhi". Planet Bollywood. 2010-01-16. Retrieved 2011-06-16. ^ "Karthik Calling Karthik music review". glamsham.com. Retrieved 2011-06-16. ^ "MUSIC REVIEW: Karthik Calling Karthik -STAR Box Office – News". Starboxoffice.com. 2010-01-18. Retrieved 2011-06-16. ^ [dead link] ^ Posted by Naveen (2010-01-23). "Karthik Calling Karthik - Music Review|Shankar Ehsaan Loy|Farhan Akhtar|Deepika Padukone". Music Aloud. Retrieved 2011-06-16. ^ [dead link] ^ Who is to Shake MNIK? ^ Radio Mirchi Top 20 - March 08-March 14 2010 ^ KCK vs Teen Patti ^ "Twitter / Farhan Akhtar: Heard that KCK music is al". Twitter.com. 2010-01-17. Retrieved 2011-06-16. ^ "Nominations for Zee Cine Awards 2011". Bollywood Hungama. Retrieved 2011-01-07. ^ "Nominations for IIFA Awards 2011". Bollywood Hungama. Retrieved 2011-01-07. ^ "Nominations for Star Screen Awards 2011". Bollywood Hungama. Retrieved 2011-01-07. External links Official website Karthik Calling Karthik at the Internet Movie Database
Calling Karthik Karthik Calling Karthik Audio Songs SITES and BLOGS LUIZA Goianápolis BOLLYWOOD MUSIC and MOVIES . Starring: Farhan Akhtar, Deepika Padukone Music: Shankar-Ehsaan-Loy Director: Vijay Lalwani Producer: Farhan Akhtar, Ritesh Sidhwani MY NAME: LUIZA. I LIVE NA IN CITY :GOIANAPOLIS-GOIAS-BRAZIL. SEARCH NAMES OF MY BIOGRAFY TO SEE MY SITES IN GOOGLE. GOOGLE SEARCH FOR: LUIZA GOIANAPOLIS LUIZA GOIANAPOLIS Allu Arjun, LUIZA GOIANAPOLIS SONU NIGAM , LUIZA GOIANAPOLIS MY BLOG, GOIANÁPOLIS LUIZA CABELEIREIRA, firstname.lastname@example.org, LUIZA BOLLYWOOD, LUIZA GOIANAPOLIS ENRIQUE IGLESIAS, LUIZA GOIANAPOLIS ENRIQUE IGLESIAS MY BLOG, LUIZA SANTOS GOIANAPOLIS, LUIZA GOIANAPOLIS GIPPY GREWAL, email@example.com, BOLLYWOOD LUIZA, LUIZA BRAZILIAN INDIAN, MSN LUIZA GOIANAPOLIS, LUIZA GOIANAPOLIS, BOLLYWOOD GOIANAPOLIS LUIZA INDIA, BOLLYWOOD GOIANAPOLIS, GOIANAPOLIS LUIZA RAJESH RANJAN SINGH, LUIZA INDIA GOIANAPOLIS, GOIANAPOLIS BOLLYWOOD, LUIZA GOIANAPOLIS RAJESH RANJAN SINGH, LUIZA GOIANAPOLIS INDIA, LUIZA GOIANAPOLIS SCRAPS, LUIZA GOIANAPOLIS A.R Rahman, LUIZA GOIANAPOLIS ATIF ASLAM , LUIZA GOIANAPOLIS KATRINA KAIF, LUIZA GOIANAPOLIS SALMAN KHAN, LUIZA GOIANAPOLIS Ranbir Kapoor, LUIZA GOIANAPOLIS Shahrukh Khan, LUIZA GOIANAPOLIS PRIYANKA CHOPRA, LUIZA GOIANAPOLIS Shahid Kapoor, LUIZA GOIANAPOLIS Aishwarya Rai, LUIZA GOIANAPOLIS KAREENA KAPOOR, LUIZA GOIANAPOLIS ABHISHEK BACHCHAN, LUIZA GOIANAPOLIS AJAY DEVGAN, LUIZA GOIANAPOLIS AAMIR KHAN, LUIZA GOIANAPOLIS Hrithik Roshan , GOIANAPOLIS BOLLYWOOD AMAZON, LUIZA GOIANAPOLIS Imran Khan, LUIZA GOIANAPOLIS Himesh Reshammiya, GOIANAPOLIS LUIZA Emraan Hashmi. LUIZA GOIANAPOLIS ABDELMOULA. LUIZA GOIANAPOLIS CHEB KHALED. LUIZA GOIANAPOLIS Vijay Kaavalan. LUIZA GOIANAPOLIS Gurpreet Brar. LUIZA GOIANAPOLIS HARBHAJAN MANN.
O Ranbir Kapoor e "Wake up Sid Konkana Sen Sharma estrelado filme de Bollywood foi lançado em 2009 e seu gênero é comédia-drama romântico. O filme foi apreciado tanto crítica e comercialmente. A música do filme foi também muito apreciado, que é creditada a Shankar-Ehsaan-Loy, letra de Akhtar Javed. O filme se passa em Bombaim contemporânea e gira em torno da vida de um descuidado, rico e mimado garoto-Sid Mehra cuja vida é dada uma direção de um aspirante a escritor de Calcutá; Aisha. 'Wake Up Sid "foi dirigido por debutante diretor Ayan Mukherjee e é uma produção Johar Karan, que na verdade é uma das casas de produção maiores e mais bem sucedidas em Bollywood. Ranbir Kapoor interpreta o personagem Sid Mehra e Banerjee Aisha é jogado por Konkana Sen Sharma. Outros personagens em 'Wake Up Sid' include Kabir Chaudhry interpretado por Rahul Khanna, Ram Mehra interpretado por Anupam Kher, Laxmi interpretado por Shikha Talsania, Sarita interpretada por Supriya Pathak, Rishi interpretado por Namit Das e Sonia interpretado por Shah Kashmira entre os outros. A trama do filme é principalmente como dois pólos opostos, Sid e Aisha, tornam-se amigos e como seu elogio personalidades e se completam. 'Wake Up Sid tem uma sensação de honestidade e frescor a ele e agarra a atenção do espectador totalmente. Os papéis de parede em nossa coleção muito bem retratam a interação entre os personagens de 'Wake Up Sid' do filme. Nossa coleção é composta por algumas das cenas mais interessantes e visualmente divertido no filme. Estes papéis de parede de alta qualidade foram concebidos de forma a complementar o seu laptop e telas de computadores desktop. Estes papéis de parede capturar Sid e Aisha em algumas de suas melhores jogadas. A principal força de 'Wake Up Sid' é sua narrativa, que é bastante eficaz capturados na maioria dos papéis de parede. Ranbir Kapoor é galã de Bollywood mais recente coração e para todos os fãs Ranbir Kapoor, estes papéis de parede são um deve ter para personalizar o seu laptop e telas de computadores desktop. Como o filme deixou os espectadores em um feitiço, estes papéis de parede estão lá para deixar um impacto também. Assim baixar esses wallpapers agradáveis mega-hoje e deixe sua tela sentir recém-entretido Wake Up Sid Origem: Wikipédia, a enciclopédia livre Wake Up Sid Poster versão teatral Dirigido por Ayan Mukerji Produzido por Hiroo Yash Johar Karan Johar Roteiro de Ayan Mukerji História por Ayan Mukerji Estrelado por Ranbir Kapoor Konkona Sen Sharma Anupam Kher Supriya Pathak Rahul Khanna Kashmira Shah Música por Shankar-Ehsaan-Loy Amit Trivedi Cinematografia Anil Mehta Edição por Shan Mohammed Distribuído por Dharma Productions UTV Motion Pictures Showman Fotos Data de lançamento (s) 02 de outubro de 2009 Duração 138 minutos País Índia Hindi Crore orçamento 15 (EUA 2,73 milhões dólares) Bilheteria 46,2 crore (EUA 8,41 milhões dólares) Wake Up Sid é um 2009 filme indiano comédia-drama romântico.  É dirigido por Ayan Mukerji, produzido por Dharma Karan Johar do Productions, distribuído pela Imagens UTV Motion, e tem efeitos visuais do Grupo Prime Focus.  A filme se passa em Bombaim contemporânea e conta a história de mimada, rica descuidado-kid Sid Mehra (Ranbir Kapoor), um estudante universitário que é ensinado o significado da vida por Aisha (Konkona Sen Sharma), uma aspirante a escritora de Calcutá. Foi crítica e comercialmente bem sucedido. Ranbir Kapoor ganhou inúmeros prêmios por sua atuação. Conteúdo [hide] 1 Lote 2 Elenco 3 Release 3,1 Bilheteria 3,2 recepção crítica 3,3 Controvérsia 4 Prêmios 5 Soundtrack 5,1 Recepção 6 Sequel 7 Referências 8 Ligações externas [Editar] Terreno Siddharth "Sid" Mehra (Ranbir Kapoor) é o filho, mimada despreocupada de rico empresário Ram Mehra (Anupam Kher). Um morador de Mumbai, seu único interesse é se divertir e gastar dinheiro de seu pai.
Assim, ele passa pouco tempo na faculdade e não está preparado para os exames finais. Seu pai, não estar ciente deste fato, diz Sid é hora de se juntar à sua empresa, que relutantemente Sid faz apenas depois de seu pai o tenta, com a promessa de um novo carro. Sid encontra Aisha (Konkona Sen Sharma), um aspirante a escritor. Em sua primeira reunião, eles saem em uma caminhada pelas ruas de Bombaim. Sid mostra a ela a cidade e leva-la ao mar. Eles dão um acorde de imediato e uma amizade começa. Sid a ajuda a encontrar e fornecer seu próprio apartamento. Ela também consegue um emprego com Mumbai Beat, (baseado na Time Out! Mumbai)  uma revista de hip executado pelo belo editor-chefe Kabir (Rahul Khanna). Na véspera de seu aniversário de 27 anos, Aisha convida Sid para o seu lugar. Quando Sid provisoriamente explora movendo seu relacionamento além da amizade, ele descobre que Aisha percebe como infantil e imatura. Apesar de sentir-se ferido, ele mantém sua amizade com ela. Quando o resultado do exame sair, Sid acha que ele falhou. Seu fracasso leva a uma briga familiar intensa que termina com ele se movendo para fora. Sem ter para onde ir, Sid (que nunca esteve sozinho) pede Aisha se ele pode ficar com ela. Aisha é inicialmente feliz por ter a empresa. Eventualmente, os maus hábitos de Sid reavivar-se, como ele deixa seu lugar uma bagunça e joga birras. Quando ela descobre que ele não tenha comido durante todo o dia, Aisha se diverte com o fato de que Sid não sabe cozinhar e não sabe como se alimentar. Ao longo do tempo, Sid aprende que cuidar de si, ele tem que começar a cozinhar e limpar. Ele também percebe que ele deve trabalhar, e Aisha ajuda-lo se tornar um estagiário de fotografia na revista que ela trabalha. Aisha é êxtase quando Kabir seleciona seu artigo para a revista e pede a ela em uma data. No entanto, ela percebe que não tem muito em comum com ele. Ela, então, entende que ela está apaixonada por Sid. Como Sid começa a trabalhar, ele encontra sentido na vida. Ele começa a ver pela primeira vez como o seu comportamento tem prejudicado seus entes queridos e que ele precisa para mudar seus modos. Depois que ele é contratado como funcionários a tempo inteiro e recebe seu primeiro salário, ele confronta o pai. Eles conciliar e pai de Sid pede que ele volte para casa. Sid, que muitas vezes se sente um fardo sobre Aisha, diz a ela que ele não vai ser dependente de sua instituição de caridade mais e espera que ela seja feliz. Ele não percebe que Aisha caiu no amor com ele e, assim, fica furiosa ao saber que ele está saindo. Sua partida é um hostil. Quando Sid retorna para casa, ele pensa constantemente de Aisha, embora ele não considera que ela pode compartilhar seus sentimentos, desde que ela lhe disse que eles só podem ser amigos. Quando a última edição da batida Mumbai chega, Sid lê coluna de Aisha e se assusta ao descobrir que é sobre seus sentimentos por ele. Como começa a chover, ele corre para encontrá-la na mesma praia onde tinham ido no dia que se conheceram. Sid expressa seu amor por ela e os dois se abraçam. [Editar] Elenco Ranbir Kapoor como Siddharth "Sid" Mehra, um estudante universitário mimada e egocêntrica de Mumbai. De acordo com Ranbir, de todos os filmes que ele fez até agora, Sid era o mais difícil personagem para jogar. Ele acrescenta que pode ser difícil de acreditar, mas ele não é nada como Sid na vida real.  Konkona Sen Sharma como Aisha Banerjee Rahul Khanna como Kabir Chaudhary Anupam Kher como Ram Mehra Shikha Talsania como Laxmi Supriya Pathak como Sarita Namit Das como Rishi Kashmira Shah como Sonia Rahul Pendkalkar Shruti Bapna Kainaz Motivala como Tanya Lathia Natasha Rathod [Editar] Lançamento [Editar] Bilheteria Wake Up Sid abriu bem na Índia e nos mercados externos.   A sua abertura fim de semana bruta foi de Rs 215 milhões (R crore 21,5) do que o bruto Índia ficou em Rs 170 milhões (R crore 17).  era o número um nas bilheterias durante suas primeiras semanas e, segundo,   o número quatro, durante sua terceira semana,  e número três durante sua quarta semana.  No Reino Unido, o filme recolhidos 165.934 dólares, enquanto que em os EUA, as coleções estão em 717.977 dólares.
 Em sua quarta semana, o filme arrecadou 348.351 dólares na Nova Zelândia e Reino Unido. Não Perturbe Knot também lançou durante o mesmo tempo, mas Wake Up Sid tem uma parcela maior do público.  Depois de bilheteria de cerca de Rs. 46,72 crore, o filme foi declarado um sucesso. [Editar] A recepção crítica Wake Up Sid foi bem recebido por um número de críticos. Subhash K. Jha (crítico de cinema e autor de O Guia Essencial para Bollywood) deu Wake Up Sid uma rave revisão afirmando que é "um triunfo em muitos níveis. Leva viagem previsível, mas ainda cinética do protagonista em auto-realização a um nível onde a trama lânguida exala um feixe de luz que corta do outro lado da narrativa radiante [...] O componente mais obtidas da narrativa ingênua jovem Ayan Mukherjee é os ritmos marcantes do ordinário e do despretensioso na narrativa. Todas as relações em o enredo são potencialmente previsível e clichê. Ayan leva os conflitos antigos dramáticas do nosso cinema comercial em silenciosos corredores extremamente discreto ".  Rajeev Masand da CNN-IBN deu ao filme três de cinco estrelas, afirmando que Wake Up Sid , "tem o seu coração no lugar certo e que marca o arranque de uma estrela, brilhando que veio para a sua própria tão cedo em sua carreira de ator. Cuidado, e estar impressionado com Ranbir".  Taran Adarsh de Bollywood Hungama deu ao filme quatro de cinco estrelas, bem como um "thumbs up", afirmando que é "altamente recomendável".  Mayank Shekhar do Hindustan Times deu 3.5 de quatro estrelas e estados, "Wake Up Sid pertence a um gênero doce que, sem dúvida, flui de Dil Farhan Akhtar Chahta Hai: parte Hollywood; parte Bollywood, na sua maioria provenientes-de- idade; sutilmente romântico; largamente original, autêntico na sensação; leve; Inglês em expressão;. Hindi em linguagem " Ghosh Avijit do The Times da Índia deu e três anos e meio de quatro estrelas sugere que," Wake Sid se torna uma espécie de modelo de como navegar GenNow suas vidas: a lidar com suas próprias rebeliões pouco, encontrar sentido para suas próprias definições de independência e de lidar com seu próprio conjunto de erros É bom quando os dois amigos finalmente conhecer em dirigir sob chuva. os céus cinzentos pelo mar. refrescantes e coração-aquecimento, Wake Up Sid realmente coloca você no clima para o amor ".  Noyon Jyoti Parasara da AOL Índia deu três e meia de cinco estrelas e elogiou o diretor, dizendo: "Ayan Mukerji chega em grande estilo e consegue deixar sua própria marca no filme, apesar de ter um produtor como Karan Johar cujos outros produções sempre tendem a ter sua marca. Wake Up Sid realmente coloca você no clima para o amor".  Joginder Tuteja do Serviço de Notícias Indo-Asiático (EFE) chama o filme de "impecável" e deu-lhe três estrelas e meia. Ele afirma: ". Há cinco coisas que fazem Wake Up Sid um caso delicioso Tem um fluxo constante durante todo; não sobre o drama mais ou subestimados, sem estrangulamento de ultra emocional de audiências; absolutamente nenhuma yuppie legal cara ato, e por último, mas não menos, esta é uma história original e refrescante " Rachel Saltz de The New York Times afirma que:". Sem grandes números de produção (músicas jogar mais seqüências de montagem), um estilo calmo e personagens críveis, Wake Up Sid é Bollywood em um clima de indie, um filme para pessoas como Aisha e Sid:. jovens e educados Ele pode não ser tão hip como Beat Bombaim, a revista em que o trabalho dos dois, mas mostra que o Sr. Mukherji é um diretor de assistir ".  [Editar] Controvérsia Em 2 de Outubro, os defensores Maharashtra Navnirman Sena protestou para deter a triagem de Wake Up Sid em Mumbai e Pune. O MNS objetou o uso da palavra "Bombay" em vez de "Mumbai" no filme.  [Editar] Prêmios 2010: Filmfare Awards Venceu: Melhor Diretor Debutante (Masculino) - Ayan Mukherjee Vitórias: Filmfare Critics Award de Melhor Ator - Ranbir Kapoor Ganhou: Melhor reprodução Feminino - Kavita Seth para "Iktara"  [Editar] Trilha Sonora A trilha sonora tem música composta por Shankar-Ehsaan-Loy com letra de Akhtar Javed. A música foi lançada em 21 de agosto de 2009. Uma canção no filme foi composta por Amit Trivedi que marcou a música de fundo para o filme. Wake Up Sid Álbum da trilha sonora por Shankar-Ehsaan-Loy Lançado 21 de agosto de 2009 Gênero trilha sonora de longas-metragens Comprimento 01:34:31 Etiqueta Sony Music Entertainment Produtor Karan Johar Ronnie Screwvala Shankar-Ehsaan-Loy cronologia Kut curta: The Con está Ligado (2009) Wake Up Sid (2009) Sonhos de Londres (2009) Tracklist Título Não. Música Artista Comprimento (s) 1. "Wake Up Sid!" Shankar-Ehsaan-Loy Shankar Mahadevan 03:51 2. "Kya Karun?" Shankar-Ehsaan-Loy Clinton Cerejo 04:13 3. "Aaj Kal Zindagi" Shankar-Ehsaan-Loy Shankar Mahadevan 04:13 4. "Iktara" Amit Trivedi Kavita Seth, Amitabh Bhattacharya, Tochi Raina 05:23 5. "A vida é louca" Shankar-Ehsaan-Loy Shankar Mahadevan, Uday Benegal 04:14 6. "Wake Up Sid! (Club Mix)" Shankar-Ehsaan-Loy Shankar Mahadevan 03:44 [Editar] Recepção Classificações profissionais Pontuações de revisão Nota fonte Bollywood Hungama  Rediff.com  As reações para com a música foram favoráveis. Chandrima Pal de Rediff deu ao álbum 3,5 estrelas, afirmando que, "a música gruda na breve. Ele é moderno, urbano e borbulhante, e sem pressa. E graças a musicalidade Shankar Ehsaan Loy, é uma mancha, a produção bem equilibrada ". Joginder Tuteja (Bollywood Hungama) deu três estrelas de cinco possíveis, sugerindo que," este não pode realmente vir a ser o mais vendido do ano, mas certamente deve ser um ajuste perfeito para a narrativa. "  [Editar] Sequel Rishi Kapoor e Ranbir Kapoor confirmou a possibilidade de uma continuação para o filme.  [Editar] Referências ^ A b New York Times Review Efeitos ^ VFX trabalhou maravilhas para Wake Up Sid ^ "Eu não sou nada como Sid". ^ Wake Up Sid emociona críticos e massas iguais! ^ Taran Adarsh (3 de Outubro de 2009). "BO atualização:" Wake Up Sid ',' Não Perturbe Knot "trazer alegria". Bollywood Hungama. Retirado 2009/10/03. ^ Taran Adarsh (10 de Outubro de 2009). "B.O. atualização: Domestic Box Office". Bollywood Hungama. Retirado 2009/10/10. ^ Box Office: Semana 1 ^ Bilheteria: Semana 2 ^ Bilheteria: Semana 3 ^ Bilheteria: Semana 4 ^ "Wake Up Sid bilheteria". businessofcinema.com. 2009/10/06. Retirado 2008/10/06. ^ Box Office Mojo ^ A b Jha, Subhash (2009/10/31). "Subhash K Jha fala sobre Wake Up Sid". Bollywood Hungama. Retirado 2009/10/03. ^ Revisão Masand do filme ^ Revisão: Wake Up Sid! ^ Times da Índia revisão ^ AOK avaliação Índia ^ Tuteja, Joginder (2009/10/02). "'Wake Up Sid' um filme delicioso (Revisão de Cinema - Classificação: *** 1/2)". IANS. Retirado 2009/11/08. ^ Bombaim diz arrependido de Mumbai ^ 3 Idiots brilha no Filmfare Awards ^ Ab "" Wake Up Sid Música revisão por Joginder Tuteja "". Bollywoodhungama.com. ^ A b "a" música de Sid é fácil, alegre e borbulhante "". Rediff.com. ^ "Rishi, Ranbir Kapoor em Wake Up Sid sequela". Times da Índia. 31 de agosto de 2011. Retirado 31 de agosto de 2011. [Editar] Ligações externas Site oficial [link morto] Trailer oficial Wake Up Sid no Internet Movie Database Wake Up Sid no Box Office Mojo [Show] v t e Karan Johar [Show] v t e Dharma Productions [Show] v t e Filmes produzidos por UTV Motion Pictures
The Ranbir Kapoor and Konkana Sen Sharma starrer Bollywood film ‘Wake up Sid’ was released in 2009 and its genre is romantic-comedy drama. The movie got appreciated both critically and commercially. The music of the movie was also widely appreciated, which is credited to Shankar-Ehsaan-Loy, lyrics to Javed Akhtar. The film is set in contemporary Bombay and revolves around the life of a careless, spoiled rich-kid Sid Mehra whose life is given a direction by an aspiring writer from Calcutta; Aisha. ‘Wake Up Sid’ has been directed by debutante director Ayan Mukherjee and is a Karan Johar production, which indeed is one of the biggest and most successful production houses in Bollywood. Ranbir Kapoor plays the character of Sid Mehra and Aisha Banerjee is played by Konkana Sen Sharma. Other characters in ‘Wake Up Sid’ include Kabir Chaudhry played by Rahul Khanna, Ram Mehra played by Anupam Kher, Laxmi played by Shikha Talsania, Sarita played by Supriya Pathak, Rishi played by Namit Das and Sonia played by Kashmira Shah among the others. The plot of the movie is mainly how two polar opposites, Sid and Aisha, become friends and how their personalities compliment and complete each other. ‘Wake Up Sid’ has a feel of honesty and freshness to it and grasps the attention of the viewer wholly. The wallpapers in our collection very beautifully depict the interplay between the characters in the film ‘Wake Up Sid’. Our collection comprises of some of the most interesting and visually entertaining scenes in the movie. These high quality wallpapers have been designed in a way to compliment your laptop and desktop computer screens. These wallpapers capture Sid and Aisha in some of their best shots. The main strength of ‘Wake Up Sid’ is its storytelling which is quite effectively captured in most of the wallpapers. Ranbir Kapoor is Bollywood’s latest heart throb and for all the Ranbir Kapoor fans, these wallpapers are a must have to personalize their laptop and desktop computer screens. Like the movie left the viewers in a spell, these wallpapers are there to leave an impact as well. So download these mega-pleasing wallpapers today and let your screen feel freshly-entertained. Wake Up Sid From Wikipedia, the free encyclopedia Wake Up Sid Theatrical release poster Directed by Ayan Mukerji Produced by Hiroo Yash Johar Karan Johar Screenplay by Ayan Mukerji Story by Ayan Mukerji Starring Ranbir Kapoor Konkona Sen Sharma Anupam Kher Supriya Pathak Rahul Khanna Kashmira Shah Music by Shankar-Ehsaan-Loy Amit Trivedi Cinematography Anil Mehta Editing by Shan Mohammed Distributed by Dharma Productions UTV Motion Pictures Showman Pictures Release date(s) october 2, 2009 Running time 138 minutes Country India Language Hindi Budget 15 crore (US$2.73 million) Box office 46.2 crore (US$8.41 million) Wake Up Sid is a 2009 Indian romantic comedy-drama film. It is directed by Ayan Mukerji, produced by Karan Johar's Dharma Productions, distributed by UTV Motion Pictures, and has visual effects by the Prime Focus Group. The film takes place in contemporary Bombay and tells the story of spoiled, careless rich-kid Sid Mehra (Ranbir Kapoor), a college student who is taught the meaning of life by Aisha (Konkona Sen Sharma), an aspiring writer from Calcutta. It was critically and commercially successful. Ranbir Kapoor won numerous awards for his performance. Contents [hide] 1 Plot 2 Cast 3 Release 3.1 Box office 3.2 Critical reception 3.3 Controversy 4 Awards 5 Soundtrack 5.1 Reception 6 Sequel 7 References 8 External links Plot Siddharth "Sid" Mehra (Ranbir Kapoor) is the spoiled, carefree son of wealthy businessman Ram Mehra (Anupam Kher). A resident of Mumbai, his only interest is to have fun and spend his father's money. Thus, he spends little time at college and is not prepared for the final exams. His father, not being aware of this fact, tells Sid it is time to join his company, which Sid reluctantly does only after his father tempts him with the promise of a new car. Sid meets Aisha (Konkona Sen Sharma), an aspiring writer. On their first meeting, they go out on a walk along the streets of Bombay. Sid shows her the city and takes her by the sea. They strike a chord instantly and a friendship ensues. Sid helps her to find and furnish her own apartment. She also lands a job with Mumbai Beat, (based on Time Out! Mumbai) a hip magazine run by the handsome editor-in-chief Kabir (Rahul Khanna). On the eve of her 27th birthday, Aisha invites Sid to her place. When Sid tentatively explores moving their relationship beyond friendship, he finds that Aisha perceives him as boyish and immature. Despite feeling hurt, he maintains his friendship with her. When the exam results come out, Sid finds that he failed. His failure leads to an intense family fight that ends with him moving out. With nowhere to go, Sid (who has never been on his own) asks Aisha if he can stay with her. Aisha is initially happy to have the company. Eventually, Sid's bad habits revive themselves, as he leaves her place a mess and throws tantrums. When she finds out he has not eaten all day, Aisha is amused by the fact that Sid cannot cook and does not know how to feed himself. Over time, Sid learns that to care for himself, he has to begin cooking and cleaning. He also realizes he must work, and Aisha helps him become a photography intern at the magazine she works for. Aisha is ecstatic when Kabir selects her article for the magazine and asks her on a date. However, she realizes she does not have much in common with him. She then understands that she is in love with Sid. As Sid begins working, he finds meaning in life. He begins to see for the first time how his behavior has hurt his loved ones and that he needs to change his ways. After he is hired as full-time staff and receives his first paycheck, he confronts his father. They reconcile and Sid's father asks him to come home. Sid, who often feels a burden on Aisha, tells her that he won't be dependent on her charity anymore and expects her to be thrilled. He doesn't realize that Aisha has fallen in love with him and thus is furious to hear that he is leaving. His departure is a hostile one. When Sid returns home, he thinks constantly of Aisha, though he does not consider that she might share his feelings, since she told him they can only be friends. When the latest issue of Mumbai Beat arrives, Sid reads Aisha's column and is startled to discover that it is about her feelings for him. As it starts raining, he rushes to meet her at the same beach where they had gone the day they met. Sid expresses his love for her and the two embrace. Cast Ranbir Kapoor as Siddharth "Sid" Mehra, a spoiled and self-centered college student from Mumbai. According to Ranbir, of all the films that he has done so far, Sid was the toughest character to play. He adds that it might be difficult to believe but he is not at all like Sid in real life. Konkona Sen Sharma as Aisha Banerjee Rahul Khanna as Kabir Chaudhary Anupam Kher as Ram Mehra Shikha Talsania as Laxmi Supriya Pathak as Sarita Namit Das as Rishi Kashmira Shah as Sonia Rahul Pendkalkar Shruti Bapna Kainaz Motivala as Tanya Lathia Natasha Rathod Release Box office Wake Up Sid opened well in India and overseas markets. Its opening weekend gross was Rs 215 million (Rs 21.5 crore) of which the India gross stood at Rs 170 million (Rs 17 crore). It was number one in the box office during its first and second weeks, number four during its third week, and number three during its fourth week. In the United Kingdom, the film collected $165,934, while in the US, the collections stand at $717,977. By its fourth week, it grossed $348,351 in New Zealand and the United Kingdom. Do Knot Disturb also released during the same time, but Wake Up Sid got a larger portion of the audience. After grossing about Rs. 46.72 crore, the film was declared a hit. Critical reception Wake Up Sid was well received by a number of critics. Subhash K. Jha (film critic and author of The Essential Guide to Bollywood) gave Wake Up Sid a rave review stating that it is, "a triumph on many levels. It takes the protagonist's predictable but yet kinetic voyage into self-realization to a level where the languorous plot exudes a beam of light that cuts right across the radiant narrative [...] The most obtainable component of young Ayan Mukherjee's artless narrative is the remarkable rhythms of the ordinary and the unostentatious in the narrative. All the relationships in the plot are potentially predictable and cliched. Ayan takes the age-old dramatic conflicts of our commercial cinema into quiet supremely understated corridors." Rajeev Masand of CNN-IBN gave the film three out of five stars, stating that Wake Up Sid, "has its heart in the right place and it marks the breakout of a bright, shining star who has come into his own so early in his acting career. Watch it, and be awestruck by Ranbir." Taran Adarsh of Bollywood Hungama gave the film four out of five stars as well as a "thumbs up" stating that it is "strongly recommended." Mayank Shekhar of the Hindustan Times gave it 3.5 out of four stars and states, "Wake Up Sid belongs to a sweet genre that, without doubt, flows on from Farhan Akhtar's Dil Chahta Hai: part Hollywood; part Bollywood; mostly coming-of-age; subtly romantic; largely original; authentic in feel; light in weight; English in expression; Hindi in language." Avijit Ghosh of The Times of India gave it three and half out of four stars and suggests that, "Wake Up Sid becomes a sort of template of how GenNow navigate their lives: deal with their own little rebellions, find meaning to their own definitions of independence and handle their own set of mistakes. It feels good when the two friends finally meet in driving rain under the grey skies by the sea. Refreshing and heart-warming, Wake Up Sid really puts you in the mood for love." Noyon Jyoti Parasara of AOL India gave it three and half out of five stars and praised the director saying, "Ayan Mukerji arrives in style and manages to leave his own mark on the film despite having a producer like Karan Johar whose other productions always tend to have his stamp. Wake Up Sid really puts you in the mood for love.
" Joginder Tuteja of the Indo-Asian News Service (IANS) calls the film "flawless" and gave it three and a half stars. He states: "There are five things that make Wake Up Sid a delightful affair. It has a constant flow throughout; no over the top or understated drama; no ultra emotional strangulation of audiences; absolutely no yuppie cool dude act; and last but not the least, this is an original and refreshing story." Rachel Saltz of The New York Times argues that: "With no big production numbers (songs play over montage sequences), a quiet style and credible characters, Wake Up Sid is Bollywood in an indie mood, a film for people like Aisha and Sid: young and educated. It may not be as hip as Bombay Beat, the magazine where the two work, but it shows that Mr. Mukherji is a director to watch." Controversy On 2 October, Maharashtra Navnirman Sena supporters protested to halt the screening of Wake Up Sid in Mumbai and Pune. The MNS objected the use of the word "Bombay" instead of "Mumbai" in the movie. Awards 2010: Filmfare Awards Won: Best Debutante Director (Male) - Ayan Mukherjee Won:Filmfare Critics Award for Best Actor - Ranbir Kapoor Won:Best Female Playback - Kavita Seth for "Iktara"  Soundtrack The soundtrack has music composed by Shankar-Ehsaan-Loy with lyrics by Javed Akhtar. The music was released on 21 August 2009. One song in the film has been composed by Amit Trivedi who scored the background music for the film. Wake Up Sid Soundtrack album by Shankar-Ehsaan-Loy Released 21 August 2009 Genre Feature film soundtrack Length 1:34:31 Label Sony Music Entertainment Producer Karan Johar Ronnie Screwvala Shankar-Ehsaan-Loy chronology Short Kut: The Con is On (2009) Wake Up Sid (2009) London Dreams (2009) Tracklist No. Title Music Artist(s) Length 1. "Wake Up Sid!" Shankar-Ehsaan-Loy Shankar Mahadevan 3:51 2. "Kya Karun?" Shankar-Ehsaan-Loy Clinton Cerejo 4:13 3. "Aaj Kal Zindagi" Shankar-Ehsaan-Loy Shankar Mahadevan 4:13 4. "Iktara" Amit Trivedi Kavita Seth, Amitabh Bhattacharya, Tochi Raina 5:23 5. "Life Is Crazy" Shankar-Ehsaan-Loy Shankar Mahadevan, Uday Benegal 4:14 6. "Wake Up Sid! (Club Mix)" Shankar-Ehsaan-Loy Shankar Mahadevan 3:44 Reception Professional ratings Review scores Source Rating Bollywood Hungama  Rediff.com  The reactions towards the music were favorable. Chandrima Pal of Rediff gave the album a 3.5 stars, stating that, "the music sticks to the brief. It is hip, urban and bubbly, and unhurried. And thanks to Shankar Ehsaan Loy's musicianship, it is a slick, well-balanced production". Joginder Tuteja (Bollywood Hungama) gave it 3 stars out of possible 5, suggesting that, "this may not really turn out to be the best seller of the year but should certainly be a perfect fit for the narrative." Sequel Rishi Kapoor and Ranbir Kapoor confirmed the possibility of a sequel to the film. References ^ a b New York Times review ^ VFX effects worked wonders to Wake Up Sid ^ "I am not at all like Sid". ^ Wake Up Sid wows critics and masses alike! ^ Taran Adarsh (3 October 2009). "B.O. update: 'Wake Up Sid', 'Do Knot Disturb' bring cheer". Bollywood Hungama. Retrieved 2009-10-03. ^ Taran Adarsh (10 October 2009). "B.O. update: Domestic Box-Office". Bollywood Hungama. Retrieved 2009-10-10. ^ Box Office: Week 1 ^ Box Office: Week 2 ^ Box Office: Week 3 ^ Box Office: Week 4 ^ "Wake Up Sid box office". businessofcinema.com. 2009-10-06. Retrieved 2008-10-06. ^ Box Office Mojo ^ a b Jha, Subhash (2009-10-31). "Subhash K Jha speaks about Wake Up Sid". Bollywood Hungama. Retrieved 2009-10-03. ^ Masand's Movie Review ^ Review: Wake Up Sid! ^ Times of India review ^ AOK India review ^ Tuteja, Joginder (2009-10-02). "'Wake Up Sid' a delightful movie (Film Review - Rating: *** 1/2)". IANS. Retrieved 2009-11-08. ^ Bombay says sorry to Mumbai ^ 3 Idiots shines at Filmfare Awards ^ a b ""Wake Up Sid Music Review by Joginder Tuteja"". Bollywoodhungama.com. ^ a b ""Sid's music is easy, breezy and bubbly"". Rediff.com. ^ "Rishi, Ranbir Kapoor in Wake Up Sid sequel". Times of India. 31 August 2011. Retrieved 31 August 2011. External links Official website[dead link] Official trailer Wake Up Sid at the Internet Movie Database Wake Up Sid at Box Office Mojo [show] v t e Karan Johar [show] v t e Dharma Productions [show] v t e Films produced by UTV Motion Pictures
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The report titled “India Business Aviation Market Outlook to 2030 – by Revenue Stream (Aircraft Charter Income, MRO Services, Ground Handling, Aircraft Sales Commission and Hospitality Services (F&B) & Aviation Academy), by Fleet Type (Helicopters, Turboprops and Jets) and by Fleet Distribution” provides a comprehensive analysis of India’s Business Aviation Market including market introduction, genesis, [...]
Albany, NY -- (SBWIRE) -- 11/06/2018 -- Global Pulmonary Drug Delivery Devices Market - Snapshot
Pulmonary drug delivery devices are devices that hold medicine, which is taken by inhaling (breathing). These devices can provide the drug/ medicine in the form of mist or powder, which is effective to treat pulmonary indications such as asthma, COPD, and cystic fibrosis.
The global pulmonary drug delivery devices market was valued at approximately US$ 35,000 Mn in 2017. It is anticipated to reach a value of nearly US$ 46,000 Mn by 2026, expanding at a CAGR of about 3.0% from 2018 to 2026. Increase in prevalence and incidence of respiratory diseases, increasing population of smokers, rise in prescription of combination therapies, digitalization of respiratory inhaler devices, increase in geriatric population, high unmet needs, high R&D in asthma and COPD treatment, and rise in number of awareness programs are likely to drive the global pulmonary drug delivery devices market during the forecast period.
However, patent expiry of blockbuster brands, regulatory hurdles, low cost generic competition, and lack of skilled professionals are anticipated to restrain the global pulmonary drug delivery devices market in the near future. However, emerging economies such as India, China, Brazil, Russia, Mexico, and South Africa offer immense opportunities to the pulmonary drug market. Major reasons include large number of underserved patients, rise in proportion of urban population, and insurance policies. Moreover, governments of countries mentioned above have taken initiatives to educate the people regarding awareness about pulmonary (respiratory) diseases such as asthma, PAH, COPD, and management of the diseases.
The global pulmonary drug delivery devices market has witnessed various technological advancements. Examples of recent developments in the field are introduction of QVAR RediHaler inhalation aerosol in the U.S. for treatment of asthma in patients who are 4 years older or above by Teva Pharmaceuticals, in February 2018, and introduction of inhalation powder (AirDuo RespiClick) and its generic product for the treatment of asthma patients (older than 12 years) by Teva Pharmaceuticals, in April 2017. Apart from Teva, Roche launched Xolair for treatment of asthma for children in the U.S, in August 2017. This has helped the company improve its overall work efficiency.
The global pulmonary drug delivery devices market has been segmented in terms of product, distribution channel, application, and region. In terms of product, the global pulmonary drug delivery devices market has been classified into dry powder inhalers, metered dose inhalers, and nebulizers. Furthermore, the dry powder inhalers segment has been sub-segmented into single dose inhalers and multi-dose inhalers, while the metered dose inhalers segment has been split into manually-actuated pressurized inhaler and breath-actuated pressurized inhaler.
Additionally, the nebulizers segment has been further sub-segmented into jet nebulizers, ultrasonic wave nebulizers, and vibrating mesh nebulizers. The dry powder inhaler segment is likely to maintain its dominance of the market during the forecast period due to uniform distribution of the drug, small dose variation, good flow ability, adequate physical stability in the device before usage, and good performance in terms of emitted dose and fine particle fraction.
In terms of application, the global pulmonary drug delivery devices market has been segregated into asthma, COPD, cystic fibrosis, and others. However, the robust pipeline for asthma and COPD drugs by key players is expected to boost the asthma segment during the forecast period.
In terms of distribution channel, the global pulmonary drug delivery devices market has been bifurcated into retail pharmacies, hospital pharmacies, and e-commerce. Increasing home health care services and patients who are unable to visit hospitals regularly are likely to drive the retail pharmacies segment in the near future.
North America and Europe are anticipated to be dominant markets for pulmonary drug delivery devices. High prevalence of diseases and well-established health care infrastructure that enables proper diagnosis of diseases such as cystic fibrosis and COPD contribute to the high market share held by these regions.
Prevalence of diseases such as cystic fibrosis, which is particularly common among Caucasians of Northern European descent and among Hispanics and American Indians, propels the pulmonary drug delivery devices market Europe. Asia Pacific is expected to be the highly attractive market, particularly for generics as compared to branded pulmonary drugs and delivery devices. Unmet medical needs and inadequate health care facilities in rural areas and high percent of low and middle income groups restrain the market in Asia Pacific
Key companies operating in the global pulmonary drug delivery devices market and profiled in the report include GlaxoSmithKline plc, Boehringer Ingelheim GmbH, AstraZeneca plc, Koninklijke Philips N.V., 3M Healthcare, Omron Corporation, F. Hoffmann-La Roche Ltd., Novartis AG, Merck & Co., Inc., Teva Pharmaceutical Industries Ltd., MannKind Corporation, Mylan N.V., Sunovion Pharmaceuticals, Inc., PARI GmbH, and Nypro Healthcare Inc. (Jabil Circuit Inc.)
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The global tyrosine kinase inhibitors market is expanding owing to high prevalence and increase in incidence of cancer across the globe. The global tyrosine kinase inhibitors market was valued at more than US$ 18.0 Bn in 2017 and is projected to surpass US$ 19.0 Bn by 2026, expanding at a negative compound annual growth rate (CAGR) during the forecast period. The global market is witnessing expansion at a relatively higher growth rate owing to increasing expenditure on health care and high prevalence and increase in incidence of cancer across the globe.
Cancer is the unregulated growth of body cells due to genetic mutations in its differentiation regulatory genes. Tyrosine kinases are enzymes that signal the cell differentiation cycle, mutation in their expression genes leads to their over expression, which results in uncontrolled proliferation of cells to form tumors. Tyrosine kinase inhibitors are small molecules that bind to the receptor site of the kinase enzyme available at cell surface. This binding blocks the phosphorylation by blocking adenosine tri-phosphate (ATP) biding to the receptor. Based on type of kinase receptors being targeted, tyrosine kinase inhibitors can be classified into BCR-ABL TKIs, EGFR TKIs, VEGFR TKIs, Janus Kinase Inhibitors, BTK inhibitors.
Tyrosine kinase inhibitors (TKIs) aid patients suffering from different cancer diseases. Tyrosine kinase inhibitors were accepted largely due to specificity and efficacy and the benefits these offer over chemotherapy and radiotherapy. High prevalence and incidence rates of cancer diseases such as chronic myeloid leukemia (CML), lung cancer, breast cancer, and renal cell cancer, and expanding indications of existing and pipeline on TKIs have expanded the indication areas of existing and pipeline on tyrosine kinase inhibitors in order to address various unmet needs and extend the product lifecycle.
These factors, collectively, are projected to drive the global tyrosine kinase inhibitors market in the near future. Furthermore, rise in awareness about cancer diagnosis and treatment and surge in adoption in underdeveloped and developing markets are key factors that are estimated to fuel the tyrosine kinase inhibitors market in the near future.
The global tyrosine kinase inhibitors market has been broadly segmented based on product, application, distribution channel, and region. In terms of product, the global market has been classified into BCR-ABL tyrosine kinase inhibitor, epidermal growth factor receptor (EGFR) tyrosine kinase inhibitors, vascular endothelial growth factor (VEGFR) tyrosine kinase inhibitors, and other tyrosine kinase inhibitors. BCR-ABL tyrosine kinase inhibitors were one of the first approved TKIs for cancer treatment. Their wide acceptance and indications have contributed to their significant share in the global market.
VEGFR tyrosine kinase inhibitors are projected to be a highly promising class of TKIs. Several companies have developed their VEGFR TKIs drugs with features of multi kinase receptor inhibition. These factors are likely to augment the segment by the end of 2026. In terms of application, lung cancer is the leading cause of cancer deaths in the world. TKIs such as EGFR, ALK, and HGFR have been in use for treating lung cancers. Increase in incidence of lung cancer is likely to propel the segment.
In terms of distribution channel, the global tyrosine kinase inhibitors market has been segregated into hospital pharmacies, independent pharmacies, and online pharmacies. The hospital pharmacies segment is projected to account for a prominent share of the market. International and regional pharmacy service providers are expanding their operations across the regions, this is attributed to strong infrastructure network for distribution, thereby contributing to the dominant share held by the independent pharmacies segment of the global tyrosine kinase inhibitors market.
Consolidation among independent pharmacies and their expanding operations across regions are likely to propel the independent pharmacies segment in the global market. Increase in adoption of e-commerce and convenience offered by online pharmacies are expected to drive the adoption of online pharmacies in developed markets.
In terms of region, the global tyrosine kinase inhibitors market has been segmented into North America, Europe, Asia Pacific, Latin America, and Middle East & Africa. North America dominated the global market; however, it is projected to gain market share by the end of 2026. The market in North America is primarily driven by the high cost of TKIs and high health care expenditure, which have contributed to the leading share held by North America. Furthermore, demand for advanced treatment options such as targeted therapies has contributed to the leading share held by the region.
Recent patent expiry of several blockbuster TKIs has negatively impacted the market in North America. However, the introduction of new TKIs, such as JAK TKIs, multi-targeted TKIs, ALT TKIs, and others has compensated for the impact, which is projected to fuel the TKIs market in North America during the forecast period. The tyrosine kinase inhibitors market in Asia Pacific is projected to expand at a rapid pace during the forecast period. Rest of Asia Pacific countries dominated the tyrosine kinase inhibitors market in Asia Pacific, while the market in China and India is estimated to expand at a significant CAGR during the forecast period.
Companies such as Novartis AG, Bristol-Myers Squibb Company, Pfizer Inc., and Johnson & Johnson accounted for a major share of the global tyrosine kinase inhibitors market in 2017. In May 2018, Pfizer's XALKORI (crizotinib) received FDA breakthrough therapy designation in two new indications. This is expected to increase the company's therapy segment research in the near future. Other global players operating in the market include AstraZeneca Plc, Bayer AG, Boehringer Ingelheim International GmbH, F. Hoffmann-La Roche Ltd., , Eisai Co., Ltd., and Eurofarma Laboratorios S/A, who are focused on strategic acquisitions and collaborations with parallel companies in order to improve and strengthen their geographic presence in the international market.
About Transparency Market Research
Transparency Market Research (TMR) is a global market intelligence company providing business information reports and services. The company's exclusive blend of quantitative forecasting and trend analysis provides forward-looking insight for thousands of decision makers. TMR's experienced team of analysts, researchers, and consultants use proprietary data sources and various tools and techniques to gather and analyze information. Our business offerings represent the latest and the most reliable information indispensable for businesses to sustain a competitive edge.
Albany, NY -- (SBWIRE) -- 11/06/2018 -- Dye intermediates are the building blocks for modern dyes. Dye intermediates include processed petrochemical products. 4-4 Diamino Sulfanilide (DASA) is one of the important dye intermediates. It is used in the production of dyes for various end-use industries such as textile, leather dyes, and printing inks. Most dye intermediates are manufactured from petrochemical downstream products. Therefore, any change in prices of crude oil affects the 4-4 Diamino Sulfanilide (DASA) market.
Increase in demand for dye intermediates in textiles and extensive usage of 4-4 Diamino Sulfanilide (DASA) in leather dyes are some if the factors driving the 4-4 Diamino Sulfanilide (DASA) market. This is prompting companies to increase production of 4-4 Diamino Sulfanilide (DASA) . Additionally, easy availability of raw materials is anticipated to boost the demand for DASA in the near future.
The global 4-4 Diamino Sulfanilide (DASA) market is witnessing technological advancements. Companies are constantly striving to develop new and better ways to manufacture 4-4 Diamino Sulfanilide (DASA) . Development of new manufacturing processes of 4-4 Diamino Sulfanilide (DASA) is estimated to propel the market in the near future. However, volatility in prices of raw material is projected to hamper the 4-4 Diamino Sulfanilide (DASA) market.
Based on grade, the 4-4 Diamino Sulfanilide (DASA) market can be bifurcated into standard and high purity. The high purity segment of the 4-4 Diamino Sulfanilide (DASA) market is anticipated to expand at a significant pace owing to the rise in demand for high purity grade of 4-4 Diamino Sulfanilide (DASA) in emerging economies such as India and China.
In terms of application, the 4-4 Diamino Sulfanilide (DASA) market can be divided into textiles, leather dyes, paints, printing inks, paper, and others. The leather dyes segment is anticipated to expand at a considerable pace due to the increase in demand for apparels in emerging economies of the world.
4-4 Diamino Sulfanilide (DASA) Market: Regional Outlook
Based on geography, the 4-4 Diamino Sulfanilide (DASA) market can be segregated into North America, Latin America, Asia Pacific, Europe, and Middle East & Africa. Asia Pacific is anticipated to constitute key share of the 4-4 Diamino Sulfanilide (DASA) market during the forecast period. The 4-4 Diamino Sulfanilide (DASA) market in the region is estimated to expand at a significant pace owing to the increase in demand for 4-4 Diamino Sulfanilide (DASA) in textile and leather dyes applications. Middle East & Africa is likely to be an attractive region of the 4-4 Diamino Sulfanilide (DASA) market during the forecast period due to the rise in demand for DASA in the textile industry in the region.
Prominent players operating in the global 4-4 Diamino Sulfanilide (DASA) market include Hangzhou Hairui Chemical Co., Ltd., Henan Tianfu Chemical Co.,Ltd., Shree Pushkar Chemicals & Fertilisers Ltd., Bodal Chemicals Ltd., and Bhimani Dyechem Industries. These players engage in research & development activities, strategic alliances, and mergers & acquisitions to gain market share.
Albany, NY -- (SBWIRE) -- 11/06/2018 -- The global market for antiviral drugs has been studied at length in the research study that has been recently published by Transparency Market Research. As per the study, the global antiviral drugs market is moderately consolidated in nature with a high level of competition among the leading players. With the rising number of mergers and acquisition and strategic collaborations, the market is projected to witness a high degree of consolidation in the next few years. The key players in the market are focusing on the expansion of the product portfolio and research and development activities, which is projected to enhance the growth of the overall market in the next few years. In addition to this, the launch of new drugs is projected to offer growth opportunities for the market players in the next few years. Some of the leading players operating in the antiviral drugs market across the globe are Merck & Co. Inc., Johnson & Johnson, Teva Pharmaceutical Industries Ltd., GlaxoSmithKline Plc, and Mylan N.V.
As per the research study by Transparency Market Research, in 2015, the global market for antiviral drugs was worth US$48.3 bn and is projected to reach a valuation of US$82.9 bn by the end of 2024. The market is estimated to register a 6.40% CAGR between 2016 and 2024.
Presence of Leading Players to Enhance Growth of North America Antiviral Drugs Market
In the last few years, North America held a large share of the global antiviral drugs market and is predicted to remain in the leading position in the next few years. Most of the leading players have their headquarters in this region, resulting in high spending on research and development activities. This is projected to encourage the growth of this region in the next few years. In addition to this, the rising purchasing power of consumers and the high cost of new drugs are predicted to support the market growth in the coming few years. Europe is projected to take the second position in terms of market share, thanks to the advanced diagnostic facilities. Furthermore, Asia Pacific is likely to witness a fast growth in the next few years with the development of the healthcare infrastructure and the rising disposable income of consumers.
In terms of disease indication, the global market for antiviral drugs has been divided into HIV infection, hepatitis viral infection, respiratory viral infection, and other types of infection. Among these, the HIV infection is expected to hold a key share of the global antiviral drugs market and observe a high growth in the next few years. A substantial rise in the incidence of HIV infection is one of the key factors that is projected to accelerate the growth of this segment throughout the forecast period, states a TMR analyst.
Emerging Economies to Offer Lucrative Opportunities for Market Players
The global market for antiviral drugs is expected to gain traction from developed economies, especially from North America. The rising focus of the players on technological advancements and innovations in this field are projected to support the growth of the overall market in the next few years. Several emerging economies, such as China, Japan, and India are estimated to offer potential growth opportunities for the market players, thus accelerating the growth of the overall market in the next few years. In addition to this, the rising government support is predicted to enhance the growth of the market in the next few years.
On the flip side, the exorbitant cost for drug development and the increasing inclination of consumers towards natural products are considered as the major factors that are predicted to hamper the growth of the market in the near future. Nonetheless, the rapid development of the pharmaceutical and healthcare industry is projected to encourage the growth of the global antiviral drugs market throughout the forecast period.
About Transparency Market Research
Transparency Market Research (TMR) is a market intelligence company, providing global business information reports and services. Our exclusive blend of quantitative forecasting and trends analysis provides forward-looking insight for thousands of decision makers. TMR's experienced team of analysts, researchers, and consultants, use proprietary data sources and various tools and techniques to gather, and analyze information. Our business offerings represent the latest and the most reliable information indispensable for businesses to sustain a competitive edge.
Each TMR syndicated research report covers a different sector – such as pharmaceuticals, chemicals, energy, food & beverages, semiconductors, med-devices, consumer goods and technology. These reports provide in-depth analysis and deep segmentation to possible micro levels. With wider scope and stratified research methodology, TMR's syndicated reports strive to provide clients to serve their overall research requirement.
Albany, NY -- (SBWIRE) -- 11/06/2018 -- Instant adhesives are curing adhesives which are available in a wide range of viscosities and are known for fast and reliable bond with instant high performance bonding of numerous materials such as rubber, metals, wood, plastic, and polystyrene. Instant adhesives instantly bond, even when used in less quantity. Instant adhesives are extensively used in chemical machinery and equipment, the automotive industry, musical instruments, precision equipment, and domestic operations.
Based on curing process, the instant adhesives market can be bifurcated into conventional and light-cured. The light-cured instant adhesives segment is projected to expand during the forecast period. Properties such as high yield and eco-friendly nature have helped light-cured instant adhesives gain significant market share. In terms of chemistry, the instant adhesives market can be segmented into cyanoacrylate and epoxy-based. The epoxy-based segment accounted for a considerable share of the market. Its share is projected to increase during the forecast period. Demand for epoxy-based instant adhesives is increasing due to their high cohesive strength, toughness, and good heat and environmental resistance. Based on application, instant adhesives market can be divided into industrial, woodworking, transportation, consumer, medical, and electronics. The medical segment dominates the instant adhesives market. Cyanoacrylate instant adhesives are extensively used in external tissue bonding applications during medical emergencies.
Instant Adhesives Market: Overview
High growth in end-use industries of Asia Pacific, properties of instant adhesives such as fast curing and excellent bonding strength, and increase in demand for miniaturization and automation in the electronics industry are expected to drive the adhesives market. Increase in demand from medical and transportation segments propel the instant adhesives market. Manufacturers of instant adhesives are trying to cater to this increased demand for instant adhesives, which, in turn, is leading to expansion of their businesses. Durability of instant adhesives is low, and higher cost of these adhesives as compared to other adhesives are key restraints of the instant adhesives market. Innovation in green adhesives technology and surge utilization of these adhesives for infrastructure development in various countries present opportunities for the instant adhesives market. Increase in competition from China-made products is the major challenge faced by the market.
Based on region, the global instant adhesives can be segmented into Europe, Latin America, Asia Pacific, North America, and Middle East & Africa. The instant adhesives market in Asia Pacific is projected to expand during the forecast period. Rise in demand for instant adhesives from emerging economies in the region such as India, China, South Korea, Vietnam, and Singapore is anticipated to boost the instant adhesives market inn Asia Pacific. China dominates the production of instant adhesives in the Asia-Pacific region due to low tax rates in the country, along with the presence of low-cost labor and easy availability of raw materials.
Instant Adhesives Market: Key Players
The key players in global instant adhesives market include Henkel AG & Co. KGaA, H.B. Fuller Company, Huntsman International LLC., 3M, Bostik, TOAGOSEI CO., LTD., Royal Adhesives & Sealants, Franklin International, and Pidilite Industries Ltd.
Albany, NY -- (SBWIRE) -- 11/06/2018 -- Data centers have become pivotal in nearly all businesses and industries due to continuously developing technological environment. A data center can be defined as a facility comprising a network of computers and storage devices that stores, organizes, processes, and disseminates data used by various businesses and other organization for everyday operations. Data center centralizes the company's IT infrastructure and operational requirements, thereby becoming a crucial asset for every company's day-to-day operations. However, these data centers face an imminent threat of heating of equipment and other components; therefore, cooling in data centers plays an important role. Liquid immersion cooling is one such technology which is gaining popularity for cooling purposes in data centers.
Data center liquid immersion cooling involves immersing of IT hardware such as memory, drives, and CPUs directly into non-conductive dielectric liquids which act as coolants for cooling the system. Heat generated from these systems is directly, effectively, and efficiently transferred to coolants, thereby reducing the need for active cooling components such as heat sinks, fans, and interface materials which are commonly used for air cooling. Liquid immersion cooling is more effective and efficient than traditional air or water cooling, as liquid immersion cooling has high heat transfer, which reduces the chip's temperature rise above the coolant temperature.
Data Center Liquid Immersion Cooling Market: Key Segments
Based on coolant type, the data center liquid immersion cooling market can be segmented into synthetic coolants, natural ester coolants, hydrocarbon coolants, and fluorinated coolants. The choice of coolant depends upon several factors such as non-conductivity, flammability, thermal density, worker's health and safety, environmental impact, and cost.
In terms of cooling method, the data center liquid immersion cooling market can be bifurcated into direct cooling and indirect cooling. In the direct cooling technology, server components are in direct contact with coolant liquid. The direct cooling segment can be further segregated into single-phase and two-phase closed or semi-open immersion liquid cooling. In indirect cooling, the coolant does not come in contact with the equipment; therefore, this method is less efficient as compared to direct cooling.
Based on application, the data center liquid immersion cooling market can be classified into small & medium-sized data centers, enterprise data centers, and large data centers. The enterprise data centers segment is likely to hold a significant share of the global data center liquid immersion cooling market due to high efficiency and cost-effectiveness of this technology. In terms of end-user industry, the data center liquid immersion cooling market can be divided into banking & finance, IT & telecom, health care, academics, government, energy, and others.
Data Center Liquid Immersion Cooling Market: Regional Outlook
In terms of region, the global data center liquid immersion cooling market can be segregated into North America, Europe, Asia Pacific, Latin America, and Middle East & Africa. North America is estimated to dominate the global data center liquid immersion cooling market during the forecast period owing to the presence of a large number of data centers in the region along with the rise in popularity of this technology, especially in the U.S. However, the global data center liquid immersion cooling market in Asia Pacific is likely to expand at a considerable growth rate during the forecast period, primarily due to the ongoing technological developments in the region and increase in the number of data centers in the region, especially in China and India. Companies in these countries are investing in IT infrastructure setups and data centers to maintain their competitive edge.
Data Center Liquid Immersion Cooling Market: Key Players
Key players operating in the global data center liquid immersion cooling market include Green Revolution Cooling, Inc, FUJITSU, Submer Technologies, QCooling, Engineered Fluids, Midas Green Technologies, LLC, Allied-Control, LiquidCool Solutions, CoolIT Systems, and 3M.
Albany, NY -- (SBWIRE) -- 11/06/2018 -- Pigments is a group of compounds that are intensely colored and are employed to impart color to other materials. They absorb the light of selective wavelength and then emit various colors through the process of reflection or transmission. Pigments are used to improve the appearance of a substrate on which they are used or impart color to the medium in which they are used. Pigments can be organic or inorganic. Organic pigments are based on carbon chains and carbon rings. However, they can also contain metallic elements that help stabilize properties of the organic component. Inorganic pigments are usually metallic salts precipitated from solutions. The particle size of inorganic pigments is larger than that of organic pigments. Pigments can impart a versatile range of colors to paints, coatings, plastics, inks, etc. while improving their aesthetic properties. These help enhance properties such as opacity, hiding power, light and weather fastness, heat stability, and tinting strength.
pigments industry Based on product, the pigments market has been classified into inorganic, organic, and specialty. Inorganic pigments are the most commercially used pigments. Inorganic pigments are usually extracted from minerals or petrochemical sources. Largely used inorganic pigments are titanium dioxide, iron oxide, carbon black, and chromium compounds. Titanium dioxide is the most used inorganic pigment. Titanium dioxide is in the form of fine white powder. It is used in paints and coatings to attain maximum whiteness. It provides the paint with high hiding power i.e. ability to mask or hide the substrate underneath. Hiding power of titanium dioxide is higher than any other white pigment. Currently, titanium dioxide is by far the most important pigment used in the paints industry for attaining whiteness. Organic pigments that are most commonly used are azo compounds, quinacridone, and phthalocyanine. Organic pigments have brighter colors such as blue, green, yellow, red, and orange; higher color strength; and little toxicity. Organic pigments can be extracted from organic compounds such as succinic acid, aniline, and phthalonitrile. Specialty pigments such as metallic, high-performance organic, fluorescent, phosphorescent, and luminescent pigments offer vibrant color intensity, glossy effect, and durability. The specialty pigments segment is expected to be driven by rising investments in infrastructure and increasing need for long-lasting pigments that can resist harsh weather. Specialty pigments are used by high-end automobile companies and original equipment manufacturers (OEMs). Specialty pigments are in high demand as they increase the functionality by binding the substrate and paint together and enhance the aesthetic appeal of the substrate. Growing need for protection of buildings from dampness, fungi, and corrosion is also boosting the specialty pigments segment.
Paints & coatings is the dominant end-user segment of the pigments market. Pigments are used extensively in the formulation of paints. Pigments impart color and a glossy effect as well as improve aesthetic appeal of paints and coatings. Usage of pigments helps impart brightness, heat stability, and light stability to the paint. The architectural paints & coatings industry has grown considerably owing to rise in infrastructure development and construction activities in developing economies. Furthermore, growth of automotive and consumer goods sectors has boosted the decorative paints & coatings industry. The paints & coatings industry in developed countries witnesses higher per capita consumption, but sluggish growth. The per capita consumption of paints in developing countries is lower than that in developed countries in Western Europe. The per capita consumption of paints in India, China, Singapore, South Korea, and countries in ASEAN and GCC is likely to increase significantly in the near future, due to the economic growth. Thus, growth of the paints & coatings industry is likely to be a key driver of the pigments market during the forecast period.
Increasing plastic consumption is another driver of the market for pigments. Pigments are employed as colorants in a wide range of plastics owing to their excellent compatibility with several plastics. Pigments impart unique appearance and styling effects to plastic products. High-performance organic and inorganic pigments are used in the plastics industry. Pigments are employed in PVC pipes, window profiles, vinyl siding, and gutters. Pigments applied in the plastics industry guarantee maximum color strength and stability and low coloring costs. Besides coloring effects and improved esthetics, pigments increase the stability of plastics and improve their resistance to weather conditions such as heat and moisture.
Albany, NY -- (SBWIRE) -- 11/06/2018 -- Thermal battery is a primary reserve battery used to store and release thermal energy. It is a physical cylindrical structure comprising a stack of electrochemical cells, cathode, anode, pyrotechnic thermal energy source, and electrolyte sealed in a hermetic container. Thermal batteries, also referred as molten salt batteries or liquid sodium batteries, may compose a single series of stack of cells, or two or more parallel stacks of series cells depending upon their application. The metallic salt electrolyte in thermal batteries is solid at room temperature and exhibits excellent ionic conducting properties at molten state. Thermal batteries are primarily used in ammunition, space launching, and guided rocket applications owing to their long storage life and high energy density characteristics.
Thermal batteries are widely used in military, defense, and aerospace industries due to their high thermal capacity per unit volume, high power density, quick activation rate, uniform internal impedance, and better adaptability to robust environments. Increase in utilization of thermal batteries in military, defense, and aerospace industries owing to their exceptional properties and favorable attributes is anticipated to drive the global thermal batteries market. Advancement in material and chemical properties of thermal batteries in order to make them multifunctional is expected to offer lucrative opportunities to the global thermal batteries market during the forecast period.
Thermal Batteries Market: Key Segments
In terms of type, the global thermal batteries market can be divided into unencapsulated thermal batteries, encapsulated thermal batteries, phase change thermal batteries, and others. Phase change thermal batteries comprise phase change materials that are used to store and release thermal energy at a wide range of temperatures. Encapsulated thermal batteries possess high volumetric heat capacity, enabling electricity generation without inducing a phase change of the battery material.
Based on end-use industry, the thermal batteries market can be segregated into aerospace & aviation, military & defense, automotive & transportation, marine, utility, and others. The military & defense segment accounted for major share of the global thermal batteries market in 2017. Thermal batteries are widely used in artillery and smart ammunitions, bomb kits, guided rockets, tactical missiles, sonobuoys & decoys, and torpedoes owing to the long operating durations and multiple output voltages & polarities. The automotive & transportation segment is anticipated to expand at a rapid pace due to the rise in demand for thermal batteries enabled electric vehicles.
In terms of geography, the thermal batteries market can be split into North America, Latin America, Asia Pacific, Europe, and Middle East & Africa. North America and Europe constituted significant share of the global thermal batteries market in 2017 due to the presence of major aircraft manufacturers in these regions. The U.S., Canada, the U.K., and France are the leading aeronautics and aerospace component manufacturers. Increase in demand for civil and fighter aircraft is projected to propel the demand for thermal batteries market in these countries. Furthermore, rise in demand for electric vehicles is anticipated to boost the demand for thermal batteries market. Asia Pacific and Europe are prominent producers of electric vehicles; therefore, demand for thermal batteries market is estimated to increase significantly in these regions.
Thermal Batteries Market: Key Players
Key players operating in the global thermal batteries market include Advanced Thermal Batteries, Inc., APS-ASB India Pvt Ltd, DfR Solutions, Diehl Stiftung & Co. KG, EaglePicher Technologies, EnergyNest AS., EnerSys, MISSILES & SPACE BATTERIES LTD, SINOEV Technologies, Inc, TUeB?TAK, and Wuhan JOHO Technology Co., Ltd. These players are focusing on expanding their capabilities in research, design, and development of manufacturing technologies of thermal batteries through mergers and collaborations with other stakeholders.
Albany, NY -- (SBWIRE) -- 11/06/2018 -- Sodium tripolyphosphate (STPP) is an inorganic compound produced by heating a mixture of monosodium phosphate and disodium phosphate. Sodium tripolyphosphate is used as food preservative and emulsifier for various packed foods such as meats, seafood, poultry, and animal feeds. Additionally, Sodium tripolyphosphate is also as water softener in detergents. Sodium tripolyphosphate is also employed as a cleaning agent in anticorrosion pigments, textiles, leather tanning, metal treatment, ceramic tiles, and water treatment.
Global Sodium Tripolyphosphate Market: Key Segments
The global Sodium tripolyphosphate market can be segmented based on grade and formulation. In terms of grade, the Sodium tripolyphosphate market can be segregated into anhydrous grade and hydrate grade. Anhydrous grade contains 56.5% of phosphorous pentaoxide (P2O5), while hydrate grade contains 46.5% to 47.5% of phosphorous pentaoxide (P2O5). Based on formulation, the market can be divided into gels, tablet, liquid, and dry powder. The dry powder segment dominates the Sodium tripolyphosphate market due to the rise in demand for surface cleaners, household and industrial detergents. Technological advancement in industrial detergents and the increasing usage of sodium tripolyphosphate as cleaning and dispersing agent in other applications such as ceramic processing, toothpaste, flame retardant, and rubber manufacturing are propelling the demand for odium tripolyphosphate during the forecast period.
Global Sodium Tripolyphosphate Market: Drivers & Restraints
Rise in demand for packaged food and food additives across the globe is one of the major factors driving the demand for sodium tripolyphosphate. Sodium tripolyphosphate raises the pH level and also increases the water holding capacity of packaged food when used as food preservative. Increase in consumption of household cleaning agents and growth in laundry technologies are other factors expected to boost the global sodium tripolyphosphatemarket during the forecast period. Limited concentration of sodium tripolyphosphate in various applications due to the rise in health concerns over high level of phosphates is anticipated to restrain the Sodium tripolyphosphate market during the forecast period. Additionally, availability of other substitutes and implementation of stringent regulations on phosphate-based detergents are estimated to adversely affect the sodium tripolyphosphate market in the near future. However, trending applications of sodium tripolyphosphate in other application areas – sodium tripolyphosphate is used in the production of animal feed, herbicides, and poultry applications – are providing lucrative opportunities to manufacturers operating in the sodium tripolyphosphate market. Sodium tripolyphosphate is gaining popularity in the agriculture sector, as it inhibits the growth of harmful micro-organisms and bacteria.
Global Sodium Tripolyphosphate Market: Regional Outlook
In terms of region, the global sodium tripolyphosphate market can be segregated into North America, Asia Pacific, Europe, Latin America, and Middle East & Africa. In terms of consumption, Asia Pacific is a leading region of the Sodium tripolyphosphate market, followed by North America. In Asia Pacific, China is a major revenue generating country of the Sodium tripolyphosphate market, led by the increase in production and export activities. Expansion in end-user industries in developing economies of Asia Pacific such as India, and ASEAN is also projected to propel the demand for Sodium tripolyphosphate in the region during the forecast period. The U.S. is a leading consumer of Sodium tripolyphosphate in North America; however,
its restricted usage in various applications is restricting the demand in the country. The Sodium tripolyphosphate market in Europe has been recording stagnant growth since the last few years. This can be primarily ascribed to the implementation of stringent regulations on phosphate detergents by the European Union due to its environmentally hazardous nature. Additionally, STPP is facing stiff competition from counterparts such as Zeolite, which has emerged as substitute. This is also hampering the sodium tripolyphosphate market in the region. The sodium tripolyphosphate market in Latin America and Middle East & Africa is expanding at a sluggish pace compared to that in matured economies. However, the sodium tripolyphosphate market in Latin America and Middle East & Africa is likely to record positive sales during the forecast period due to the growth in end-user industries such as construction and food & beverages.
Accenture one of the leading company recruits every year thousands of freshers as well as experienced candidates. This time Accenture Off Campus 2018 has released the vacancies for the posts of Application Development Associate for the freshers’ candidates. Candidates who will be selected for the given vacancies will be placed in various locations across India. […]
Albany, NY -- (SBWIRE) -- 11/06/2018 -- Ewing sarcoma is a destructive sarcoma of the soft tissue and the bones, which can occur at any age with the maximum rate of incidence recorded in young adults and adolescents. The treatment of Ewing sarcoma depends on multiple approaches, including risk-adapted, intensive, adjuvant and neo-adjuvant chemotherapies with radiotherapy and/or surgery for control of the possible metastatic and primary sites of the disease.
The optimization of Ewing sarcoma multiple modalities of therapeutic strategies has rose from efforts of numerous national and international groups in North America and Europe to form cooperation between medical oncologists and pediatrics. Ewing sarcoma is the second most frequently diagnosed form of primary bone cancer in children and young adults. The disease can occur in any individual at any age, but it is uncommon in people aged over 30 years. It develops most commonly in individuals aged between 10 and 20 years, who are witnessing rapid growth of bones.
Increasing incidence of Ewing sarcoma worldwide and initiatives taken by government organizations to reduce the rate of morbidity caused by Ewing sarcoma are factors driving the Ewing sarcoma treatment market. Currently, no approved treatments are available for Ewing sarcoma. This has led to increase in research and development activities to launch an approved treatment for Ewing sarcoma by leading players.
The global market for Ewing sarcoma treatment can be segmented based on type, diagnostic test, treatment, end-user, and geography. Based on type, the market has been categorized into extra osseous Ewing sarcoma, Askin tumor, and primitive neuroectodermal tumor. Extra osseous Ewing sarcoma is related with tumor in soft tissue, while Askin tumor is related with Ewing sarcoma that appears in the chest wall.
Primitive neuroectodermal tumor is related with Ewing sarcoma wherein cells looks like nerve cells. Based on diagnostic test, the Ewing sarcoma treatment market has been segmented into CT scan, MRI scan, biopsy of the bone marrow, and blood tests. Based on treatment, the market has been divided into chemotherapy, surgery, and radiotherapy. Based on end-user, the Ewing sarcoma treatment market has been classified into hospitals, cancer treating centers, and specialty clinics.
Based on geography, the global Ewing sarcoma treatment market can be segmented into five major regions: North America, Europe, Asia Pacific, Latin America, and Middle East & Africa. Furthermore, the North America Ewing Sarcoma treatment market has been sub-segmented into U.S. and Canada. The Ewing sarcoma treatment market in Europe has been sub-divided into Germany, U.K., France, Spain, Italy, and Rest of Europe. The Ewing sarcoma treatment market in Asia Pacific has been sub-segmented into China, Japan, India, Australia & New Zealand, and Rest of Asia Pacific.
The Latin America Ewing sarcoma treatment market has been sub-divided into Brazil, Mexico, and Rest of Latin America. The Ewing sarcoma treatment market in Middle East & Africa has been sub-segmented into GCC, South Africa, Israel, and Rest of Middle East & Africa. North America dominates the global Ewing sarcoma treatment market, followed by Europe. Key factors driving the market in these two regions are growing awareness about Ewing Sarcoma amongst adults and availability of sophisticated and technologically advanced treatment options in these regions. The rate of incidence of Ewing sarcoma is lower in Asia and Africa.
Some of the top players operating in the global Ewing sarcoma treatment market are Gradalis, Pfizer Inc., Daiichi Sankyo Company, Limited, Genzyme Corporation, NantPharma, F. Hoffmann-La Roche Ltd, Celgene Corporation, Eli Lilly and Company, Bayer AG, Novartis AG, Ignyta, and Esai Co., Ltd.
About Transparency Market Research
Transparency Market Research (TMR) is a global market intelligence company providing business information reports and services. The company's exclusive blend of quantitative forecasting and trend analysis provides forward-looking insight for thousands of decision makers. TMR's experienced team of analysts, researchers, and consultants use proprietary data sources and various tools and techniques to gather and analyze information. Our business offerings represent the latest and the most reliable information indispensable for businesses to sustain a competitive edge.
Albany, NY -- (SBWIRE) -- 11/06/2018 -- When the immune system is attacked by bacteria-generated toxins, the patient may suffer from severe, harmful reactions. For example, tetanus is a serious bacterial infection that attacks the human nervous system and makes the muscles tightened. Other symptoms may include fever, sweating, and headache. In order to inactivate these toxins in the human and animal bodies, toxoid vaccines are used. A toxoid vaccine is basically made of formalin (solution of formaldehyde and sterilized water). It is adsorbed onto calcium and aluminum salts to improve the immune response.
Toxoid vaccines are safe to use and less vulnerable to changes in the atmosphere. Currently, toxoid vaccines are manufactured by culturing the highly toxigenic strain of Clostridium tetani. It is followed by ultrafiltration. Components of toxoid vaccines include antigens, stabilizers, adjuvants, antibiotics, and preservatives. Most toxoid vaccines are administered through the parenteral (intramuscular) route.
The global toxoid vaccines market is driven by several factors such as rising prevalence of tetanus and diphtheria (Bibersteinia trehalosi infection, Corynebacterium pseudotuberculosis infection, enterotoxemia, pox, etc. in animals); increasing awareness about the severity of tetanus; high rate of diagnosis and treatment of tetanus and diphtheria and recommended number of doses of toxoid vaccines In the next few years, the toxoid vaccines market is likely to face challenges such as pain at the site of injection, side-effects, high prices of vaccines, weak supply chain network in developing countries, and stringent regulatory policies.
On the other hand, new treatment options, government initiatives to implement vaccination programs in developing countries, investments in the development of toxoid vaccines, and technological breakthroughs are anticipated to open new avenues for growth of the market in the near future.
Based on vaccine type, the global toxoid vaccines market has been categorized into tetanus vaccines, diphtheria vaccines, pertussis vaccines, and others (botulism). Currently, toxoid vaccines are used in humans as well as animals to counter the bacterial toxins. Hence, in terms of application, the global toxoid vaccines market can be segmented into human vaccines and veterinary vaccines. The veterinary vaccines segment has been sub-classified into companion animals and livestock animals. Based on end-user, the global toxoid vaccines market has been categorized into hospitals, independent clinics, households, and others (including government camps and health centers).
Geographically, the global toxoid vaccines market has been classified into five regions such as North America, Europe, Asia Pacific, Latin America, and Middle East & Africa. According to the Centers for Disease Control & Prevention, the number of reported tetanus cases worldwide declined by more than 95% between 1974 and 2014 and the current incidence rate is around 0.1 per 1 million people per year.
The European Center for Disease Prevention & Control reported 117 cases of tetanus in human population in Europe in 2017, of which Italy accounted for 41% of cases. The average notification rate was 0.3 cases per 1 million human population in Europe in 2015. In the Asia Pacific region, neonatal and maternal tetanus is considered one of the major health concerns by health care practitioners. In the Asia Pacific region, the number of deaths have been going down since last five years.
According to a study published in the International Journal of Preventive Medicine in 2017, the number of neonatal tetanus cases declined significantly from 80,000 in 1980 to 500 in 2013. The same trend is also observed in China and countries in South Asia including Pakistan in 2016, owing to the rise in awareness about hygiene and increase in vaccinations. North America and Europe are estimated to hold a significant market share of the global toxoid vaccines market during the forecast period.
Prominent players that have commercialized toxoid vaccines for human application are MassBiologics, Sanofi Pasteur, GlaxoSmithKliene Biologics, Grifols, Panacea Biotec, Halfkin Bio-Pharmaceuticals Corporation Ltd., Bengal Chemicals & Pharmaceuticals Ltd., Serum Institute of India, Bharat Pharmaceuticals, and Henry Schein Medical. On the other hand, Colorado Serum Company, Zoetis, and Merck Sharp & Dohme Corp have commercialized toxoid vaccines for veterinary application across the world.
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Tata Chemicals' revenue growth has been between 10-22 per cent in various segments. EBITDA margin has improved due to a good performance from India, especially in consumer and speciality business, says R Mukundan, Managing Director and CEO, Tata Chemicals.
Higher prices, lending curbs and a move to online shopping are denting the cheer for Indian retailers at this year`s Diwali festival, with lacklustre sales for high-end items ranging from iPhones to cars and even gold.
UTRECHT - Vaccineren is een fel discussie-onderwerp geworden, zeker nu het Rijksvaccinatieprogramma wordt uitgebreid. Onder de bevolking heerst veel angst en er zijn een boel indianenverhalen in omloop. Om zorgen weg te nemen organiseert het UMC Utrecht vanavond een informatieavond over het onderwerp.
"Wij vinden het belangrijk dat mensen in de regio van ons ziekenhuis weten dat vaccineren echt veilig en effectief is", zegt arts Louis Bont. Hij leidt vanavond de bijeenkomst in het Wilhelmina Kinderziekenhuis.
Vanochtend werd hij geïnterviewd op Radio M Utrecht. Toen presentator Bob van Beeten hem voorlegde dat vaccineren best veilig is, werd hij door Bont gecorrigeerd: "'Best veilig' is het niet, het is volstrékt veilig".
ANGST VOOR VACCINS En dat is belangrijk om te weten, want sommige Nederlanders denken daar anders over. Zo is er de Vereniging Kritisch Prikken die beweert dat kinderen zelfs dood kunnen gaan na een prik. Onzin, zegt Bont. "De Wereldgezondheidsorganisatie heeft ongeveer tien zwangerschapsvaccinaties volstrekt veilig verklaard. In Nederland sterven momenteel een aantal kinderen jaarlijks onnodig aan kinkhoest. Dat kun je makkelijk voorkomen met vaccineren."
MEER PRIKKEN Het Rijksvaccinatieprogramma wordt steeds omvangrijker. Sinds dit jaar krijgen kinderen uitgebreidere vaccins tegen meningokokken. Bovendien worden zwangere vrouwen, en dus hun zuigelingen, in de loop van 2019 ingeënt tegen kinkhoest.
"Vaccineren is nog altijd de beste manier om infectieziekten te voorkomen", zegt Bont. "Gelukkig komen er steeds meer vaccins." De UMC-arts benadrukt verder dat sommige andere landen veel verder zijn dan Nederland. Zo sterven in België nooit pasgeborenen aan kinkhoest, simpelweg omdat daar al jarenlang wordt gevaccineerd.
With festive sales drawing to a close, e-tailing giants Amazon and Flipkart have claimed bumper sale on their platforms, and that they were ahead of the competition, as they received orders from customers from over 99 per cent of the pin codes in the country.
Wonder what's going on in ballet this week? In addition to the seven performances listed below, John Neumeier's Anna Karenina makes its North American premiere at National Ballet of Canada November 10-18, and Hungarian National Ballet makes its U.S. debut with three performances at Lincoln Center's Koch Theater November 7-11.
James Whiteside Stars in New Dance Play by Arthur Pita
American Ballet Theatre principal James Whiteside stars in The Tenant, a new dance play choreographed by Arthur Pita running at New York's Joyce Theater November 6-11. Also featuring dancer and model Kibrea Carmichael and ABT soloist (and former Pointe cover star) Cassandra Trenary, The Tenant is based on a novel by the same name by French surrealist writer Roland Topor.
Pennsylvania Ballet's Mixed Rep Program Highlights Two World Premieres
Pennsylvania Ballet shows off its contemporary prowess November 8-11 with a mixed repertoire program featuring Jiří Kylián's Petite Mortalongside world premieres by Andrea Miller and Russell Ducker. Both choreographers will be creating work on PAB for the first time: Ducker is a member of PAB's corps de ballet, and Miller is the artistic director of the Brooklyn-based contemporary company Gallim Dance.
Ballet Idaho's Season Opener Includes a World Premiere by Lauren Edson
Ballet Idaho's first season under the leadership of Garrett Anderson opens with NewDance: Form and Concept, running November 8-11. The program features works by six dancemakersthat utilize conceptual approaches to choreography. The program includes a world premiere by Boise's own Lauren Edson and works by Robyn Mineko Williams, Penny Saunders, Dana Genchaft and excerpts from pieces by Danielle Rowe and Craig Davidson.
Richmond Ballet Studio Series Opens With Jerome Robbins and a World Premiere
November 6-11, Richmond Ballet's 2018-19 studio series opens with Studio One. The program features Jerome Robbins' In the Night and a world premiere by Nicole Haskins titled Requiem. Haskins, a dancer with Smuin Ballet, last choreographed for RB in 2015 to great acclaim as part of the company's New Works Festival.
Indianapolis Ballet Adds Joshua Bergasse's "Aspects of Andy" To Its Repertoire
Indianapolis Ballet's New Works Showcase runs November 8-11, featuring acclaimed Broadway choreographer Joshua Bergasse's Aspects of Andy and Roberta Wong's new work to Indiana jazz saxophonist Rob Dixon's "Blues for Velez." Also on the program are artistic director Victoria Lyras' Caprice & Variations and Diana & Aceton Pas de Deux, as well as IB ballet master Paul Vitali's Take it from Tony.
St. Petersburg's Mikhailovsky Ballet Returns to California's Segerstrom Center
St. Petersburg's Mikhailovsky Ballet and Orchestra make their way to the Costa Mesa, CA-based Segerstrom Center November 9-11 to present Don Quixote staged by artistic director Mikhail Messerer. Principals Ivan Vasiliev and Victor Lebedev will both have their turn in the lead role of Basilio, and Angelina Vorontsova and Anastasia Soboleva will dance the role of Kitri. According to the above trailer, a horse and a donkey might grace the Segerstrom stage too.
Tom Gold Dance Presents the New York Debut of "Apparatus Hominus"
Former New York City Ballet soloist Tom Gold founded Tom Gold Dance in 2008. November 9-10, the company presents its inaugural fall season at Florence Gould Hall with the New York debut of Gold's Apparatus Hominus, which the company premiered last summer outdoors at a sculpture garden in the Berkshires. Gold's company includes a handful of accomplished freelance dancers as well as New York City Ballet's Mary Elizabeth Sell and American Ballet Theatre's Stephanie Williams.
Non riesce a dargli un figlio maschio, lui la uccide bruciandola viva assieme alle figlie – di Mirko Bellis Pushpa Devi, una donna di 40 anni, e le sue figlie di 8 e 5 anni, sono state bruciate vive nello Stato di Bihar, nell’India nordorientale. Per i responsabili dell’orrendo crimine, la donna era “colpevole” di […]
Choc in India, bimba di 4 anni violentata da cinque uomini mentre è ricoverata in ospedale – di Ida Artiaco Orrore in India, dove una bambina di 4 anni, ricoverata in ospedale per il morso di un serpente, è stata violentata da 5 uomini nel suo letto nel reparto di terapia intensiva. La piccola ha […]
Szép állapotú, indiai, fekete, fém gyöngyökkel kirakott fadoboz. Tetején üveglap, mögé fénykép helyezhető. Alján címke: MADE IN INDIASzélesség: 13 cmHosszúság: 10 cmMagasság: 5. 5 cmSúly: 0. 274 kg Termékeim között több ékszertartó doboz található, kérem tekintse meg őket ide kattintva! Termékeim között több fadoboz található, kérem tekintse meg őket ide kattintva! A termékről további nagy felbontású képek! ÁRUIM ZÖME ANTIK ÉS RÉGI TÁRGYAKBÓL ÁLL. SZEMÉLYES ÁTVÉTELI LEHETŐSÉG BUDAPESTEN (IX. ) ILLETVE SZEGEDEN!
Szállítás Termékeinket az MPL futárszolgálattal küldjük! Terjedelmes tárgyaink szállításában külön díjazás mellett tudunk segíteni! Szállítási módok az alábbiak szerint alakulnak
Személyes átvétel Budapest IX.
Személyes átvétel Szeged
MPL csomag előre utalással
MPL csomag utánvét
Fizetés A vételár és szállítási költség kiegyenlítésére az alábbi lehetőségeket biztosítjuk
Személyes átvételkor készpénzben
Paypal (MasterCard, Visa)
Szállítási, átvételi idő A termék vásárlását követően a szállítási, kézhez vételi idő az alábbiak szerint alakul belföldön
Személyes átvétel 1-5 munkanap
MPL csomag előre utalással 2-3 munkanap
MPL csomag utánvét 1-3 munkanap
( fadoboz fa doboz ékszertartó ékszer tartó fényképtartó fénykép tartó díszdoboz dísz doboz )
Jelenlegi ára: 3 800 Ft
Az aukció vége: 2018-11-07 00:56
My third great grandfather was Henry Scott but he lived in East Feliciana, LA. His parents were from the Carolinas. I’d be interested in any info of Scott’s from North Carolina. I have a dna match for a descendant of a slave named Maria Scott from Lenoir County. All of her children were sold during the war. I believe Henry could be her son or nephew.
Today, 22 million Sri Lankans are worried and concerned about their political future. Each day is passing with uncertainty and unpredictable outcomes. Some fear that this political chaos will take this beautiful country into dark ages. I’m not a supporter of any political party or any political ideological group but I’m very much concerned about the political road map of Sri Lanka. Where will this political uncertainty take Sri Lanka. It has been reported that business sectors have already begun to suffer due to this man-made political tension. Now, tourists will think twice before they book their holidays in Sri Lanka? This unwanted political move will cost Sri Lankan economy enormously. This unsolicited political strife will inflict a greater damage for Sri Lankan democratic tradition and reputation.
This political move by Sri Lankan president has divided Sri Lankans into two groups. One group supports president’s move and another one opposes his move to appoint a new PM. We are now at a historical turning point in Sri Lankan political map. It is not about the political future of Maithiri or about the political future of either Ranil or Mahinda.
It is all about democratic tradition of this country. It is all about people mandate to elect and select whom they wish. It is all about Parliamentary democracy of this country. It is all about law and order of this country. It is all about civic rights and civil society. It is all about our democratic institutions. It is all about our legal and judiciary institutions in Sri Lanka. It is all about the integrity of our constitution in Sri Lanka. It is all about the consciousness of 6:2 million voters who gave their votes to MS. It is all about the political, economic, educational, legal and social future of 22 million Sri Lanka. We are concerned today not because of changing political leadership from one group to another but we concerned about the fundamentals and foundation of Sri Lankan democracy. They are indeed concerned because all these democratic traditions are at stake today with this move. That is why we are concerned about this abrupt move. The county is fading away from 70 years of democratic tradition into Chinese style dictatorial political system.
What examples are we setting for the next generation of Sri Lankans. Are we telling them with this political move it is Ok to grab power by any means? It is a disgrace to see how MPs are bought and sold in public in this political move. The president misused his presidential power to suspend parliament to buy more times to win the majority in Parliament. What type of democracy is this? Can Maithri fool 22 million Sri Lankans. He may get the support of some hard-core MR supporters and yet, believe me 80% of Sri Lankans would oppose such a move. 90% of educated people of all communities oppose this type of political move.
Francis Fukuyama 2011 in his book (Origins of political order from prehumen times to the French revolution) defines the three fundamental components of a modern political order. Accordingly, a strong a capable state, the state’s subordination to a rule of law and government accountability to all citizens are those three components. One of the secrets of the success of western democracy is that western political system managed to subordinate all citizens under the rule of law from Kings, Queens Lords, feudal land lords, elites to ordinary citizens all are equal in the eyes of law. The rule of law is applied equally to all. This was one of the pre-conditions for the success of western democratic tradition. No citizen is above all. That is why even today when MPs break the law in England, they plead guilty, take responsibility and happily accept punishment as dictated by law. Today, in Sri Lanka law makers are breaking their own democratic tradition without any disgrace. What matters is the application of democratic values not mere slogans and words. China, Russia, and Saudi all claim they are democratic countries, but are they? Do we want to follow their vision of democracy?
There is no doubt Sri Lanka is trapped in geopolitics of some Asian countries. Sri Lanka is trapped in Indo-Chinese geopolitics. China managed to buy Mahinda with its money. China does not follow western democratic traditions. It does not mind about human rights or ecological and environmental disasters. All what they want is to use Sri Lanka as one of its strategic geopolitical locations. China has been encircling many Asian countries with its mighty economic powers. Unfortunately, Mahinda Rajapaksa had adopted some wrong foreign polices during his two terms in our diplomatic relationship with India and China. Recently, China has been putting many African countries in a debt trap with its mega development projects. Unfortunately, we too became a victim of Chinese geopolitical hegemony. Unlike many other countries, China uses its diplomatic and political relations to do business with its friendly countries. Knowingly or unknowingly we became a victim of China’s political ploy. It is generally believed that China has played a role in this political chaos in Sri Lanka. Who can challenge China now? who can question China now? For the personal interest of Mahinda family, he put the entire country in hock in the hands of China.
Unlike in the past, to do politics in this virtual world of information and technological advancement, our politicians too must have some thorough knowledge in geopolitics, diplomacy, rules of law, world order, and other areas of modern world. Sri Lanka badly needs a new generation of politicians to take this beautiful country forward. I’m sorry to say that more than 50% of MPs in our parliament are incompetent politicians to meet the political challenges of 21th century. I suggest some first-class graduates with high level of IQs must enter politics to clean Sri Lankan politics from the grip of these political thugs.
Although the word “insurance” isn’t beyond exciting, we know you’ll find Pekin Insurance is truly “Beyond the expected®” when it comes to your next career move.... From Pekin Insurance - Tue, 11 Sep 2018 23:19:33 GMT - View all Indianapolis, IN jobs
Ibrahim-Bell, Z. (2008) The folktale of translation: making sense of an 'alien' culture. In: International Conference on Translation Studies: Theories and Application, 29-31 Dec 2008, Jaipur, India. (Submitted)
Ibrahim-Bell, Z. (2008) The folktale and translation: Making sense of an 'alien' culture. In: International conference on Translation Studies: Theories Application, 29-31 Dis 2008, Jaipur, India. (Submitted)
Washington (AFP) Nov 5, 2018
The United States will exempt China, India and Japan from oil sanctions on Iran, Secretary of State Mike Pompeo said Monday, while vowing to be "relentless" in pressuring Tehran.
Hours after sweeping sanctions were reimposed following the US withdrawal from a denuclearization deal, Pompeo said eight countries would be at least temporarily exempt from the ban on buying Iranian oil due to spec
Zubairi, Y.Z. and Hussin, A.G. and Hassan, S.F. (2008) Simultaneous linear circular functional relationship model. In: 6th International Symposium on Statistics & optimization, 29-31 Dis 2008, Aligarh, India.
Mohamed, N.S. and Kamisan, N.A.B. and Zubairi, Y.Z. and Hussin, A.G. (2008) Fitting Malaysian wind speed via log-normal distribution. In: International Symposium on Statistics & Optimization, 29-31 Dec 2008, Aligarh, India. (Submitted)
Election Holidays - Grant of Paid Holiday - Dopt issued orders on 2.11.2018 due to Bye- elections to the Lok Sabha and State Legislative Assembly in Karnataka
Government of India
Ministry of Personnel, Public Grievances and Pensions
(Department of Personnel and Training)
Establishment (JCA-2) Section
North Block, New Delhi
Dated the November 2 2018
Subject: Bye- elections to the Lok Sabha and State Legislative Assembly in Karnataka Grant of paid holiday regarding
The undersigned is directed to state that, as informed by the Election Commission of India, bye-elections to the following clear vacancies in the Lok Sabha Parliamentary constituencies of Karnataka and State Legislatitive Assembly in the State of Karnataka are to be held on 3.11.2018:
(S.No., Number and of Parliamentary Constituency/State Legislative Assembly Seat)
Bellary (ST) PC
2. In this regard, the guidelines already issued this Department vide OM No.12/14.99-JCA dated 10.10.2001 would have to be followed for the Central Government Offices, Including Industrial Establishments, in the concerned States.
3. The above instructions may please be brought to the notice of all concerned.
LUCKNOW, India – THE WINDIES lost the 2nd T20 International to India by 71 runs at the Ekana International Cricket Stadium in Lucknow. India made 195/2 in 20 overs, the WINDIES finished on 124/9 from their 20 overs.
WINDIES won the toss and elected to bowl first in the first international match played in Lucknow in twenty-four years. The hosts went hard at the WINDIES bowlers from the onset unlike the first match in Kolkata. Captain Rohit Sharma and Shikhar Dhawan used the pace of Oshane Thomas and Keemo Paul to maximize the boundaries and sixes in the powerplay overs.
This big hitting continued for the next 8 overs as the Indians also picked up quick singles and twos in the huge outfield. The partnership produced a 123-run opening stand before Fabian Allen broke the pair. He got Shikhar Dhawan to send one in the deep, which Nicholas Pooran took a brilliant running catch to his left. Rishabh Pant then joined Rohit and the pair looked to continue the quick scoring, but Khary Pierre had Pant caught by Shimron Hetmyer at deep-midwicket for 5. India now 133
Next came KL Rahul, he and Rohit exploded with the bat, swinging their arms freely and making perfect contact with the ball. They accelerated so quickly that Rohit brought up his fourth T20 International century and Rahul raced to 26 off 14 balls. India scored 62 runs from the last 28 balls of their innings. Rohit finished on 111 not out while Rahul was on 26 not ou
The WINDIES were a bit haphazard in the field, putting down catches and mis-fielding. But the biggest worry was the extras given, which included 8-wides and 2-no balls. Fabian Allen was the best bowler for the WINDIES taking 1/33 from his 4 overs, while Khary Pierre was next best, with 1/49 from his four.
The WINDIES went after the 196 target, with the opening pair of Shai Hope and Shimron Hetmyer. But the batting woes continued as Hope was the first to depart for 6. Hetmyer was joined by Darren Bravo, the pair added 26 together before Hetmyer looking for a six at long-off was caught on the boundary for 15. Bravo departed shortly after with an innings top-score of 23 when Kuldeep had caught at first slip. Kuldeep then removed Nicholas Pooran for 4 in the last ball of the same over. The rest of the WINDIES wickets tumbled easily, Captain Carlos Brathwaite stood like a wall to brace the slide, remaining not out on 15, with a 2-run contribution from Keemo Paul. Oshane Thomas was 8 not out with Brathwaite when the WINDIES overs finished.
Bhuneshwar Kumar, Khaleel Ahmed, Jasprit Bumrah and Kuldeep Yadav all took 2 wickets each for India. India now take an unassailable 2-0 series lead, in the 3-match series. Rohit Sharma was man of the match.
Oshane Thomas has a habit. The habit of turning heads with his fierce pace. It has already hooked Chris Gayle, who picked him for Jamaica Tallawahs when he was 19, and Tom Moody, who has signed him up for his BPL team Rangpur Riders. On Sunday, it made a big impression on India's stand-in T20I captain Rohit Sharma, who was stunned by a 147kph inswinger.
On a sticky Kolkata evening, India seemed assured of victory, set a target of just 110. But on an Eden Gardens pitch where dew made the ball skid on much more than usual, Thomas cleaned up India's openers. He forced Rohit to inside-edge to the keeper before flattening the middle stump of Shikhar Dhawan, his bunny on this tour, as he left a gap between bat and pad while looking to drive one that swung back into him.
Dinesh Karthik and Krunal Pandya repaired the early damage, but Thomas had done enough to earn Rohit's praise. "Oshane is a really exciting talent without doubt," Rohit said at the post-match presentation. "He's got good height, plus that jump he takes, if he bowls in the right areas, it won't be easy for any batsman in the world to counter that. He's really talented, and he also has the advantage of height which gives him the extra edge. I wish him the best in the future."
At 21, Thomas is the youngest fast bowler in the West Indies squad. He has had a very short career so far. But within that time, he has shown plenty of promise. He got into the West Indies team after finishing CPL 2018 as the tournament's highest wicket-taker among fast bowlers, and second-highest overall behind the legspinner Fawad Ahmed.
Windies will have to play it by ear in their hunt to square their 3-match T20I series, when they partake in history at the Ekana Stadium in Lucknow; this after losing the first match by 5 wickets to hosts India. If their indecisiveness on this tour is anything to go by, when narrative was available, Windies fans have the green light to panic. What would be a pleasant surprise on this tour, however, would be Windies batsmen giving their young and obviously savvy bowlers some backing.
To see a Windies batsman whose second nature is to rotate strike and play with “soft hands” is to be surprised; but it would be a welcomed addition if the coaching staff attempted to implement this strategy into this young West Indian team. Caribbean players are seen as naturally gifted boundary-hitters, which translates into the ability to take the game away from any opposition at an unsuspecting moment. If this Windies team, having that same ability, was now able to add heavy rotation of strike to their arsenal, imagine the results. In so doing, recall that as Khaleel Ahmed marked his run up to deliver the 18th over of Windies’ innings, the visitors had already soaked up 59 dot balls. Although, no one would be foolish enough to even think to suggest to the reigning and two-time World Champions to change their approach; as they prepare to head into a period of transition in the shortest format of the game, who in that dressing room will assume the responsibility to strive for perfection? The result would be West Indies entering a match 20/30 runs (minimum) better off before a ball is even bowled.
How realistic is this, given that the functionality of Windies’ learning curve, specifically in the shorter formats, is so steep? We have seen the Caribbean side, after being dismissed for a mere 153, largely in part to a swinging ball, come out playing away from their bodies immediately following that display to be dismissed for 104 in the 5th ODI. The lack of initiative and game awareness within this generation of West Indies players is indeed a cause for worry. Imagine there is a swinging ball, yet no one shows initiative; no one bats outside of their crease nor does anyone come across their stumps in attempts of negating the swing. Imagine batsmen being comfortable in allowing Jasprit Bumrah to storm in and have his way with no one trying to put him off–as if Bumrah needs any encouragement.
So far, there has been 2 Tests, 5 ODIs and 1 T20I where the West Indian batsman have not been able to pick Kuldeep Yadav, Kudos to Kuldeep. However, how does Windies explain batsmen who aren’t able to pick the very length he is bowling;? West Indies’ in trouble.
Therefore, it must be reiterate that it is the small things such as; the decision making, the unwillingness to stick to the basics and the lack of appreciation for the nuances of the game which holds the Caribbean team back, so much so that there are:
leg spinners by trade, to not flighting the ball
batmen getting out in a spinners final over, going for big shots when there are sufficient overs remaining subsequent to that over
bowling units watching the opposition bowlers working out a wicket and then coming out reworking it as if they were asleep in the dressing room and
batsmen not inclined to drag their feet in Test matches, nearing lunch, to ensure minimum deliveries faced before the interval.
Until West Indies and their backroom becomes more aware, we will remain in deep, deep trouble.
If the West Indies team is not inclined to employ even these, the things which make cricket “cricket” ,then they are not playing the gentleman’s game. However, admirable (or even a relief) it was to see Powell finally utilize the sweep shot in the first T20I, it took the Jamaican five consecutive innings of underwhelming performances to add a spike to his personal learning curve. Having talent is one thing; a thing which we have found in abundance in likes of Shai Hope, Shimron Hetmyer, Oshane Thomas, Nicholas Pooran, Keemo Paul and Obed McCoy. However, nurturing these young men into the spine of a winning unit will require much more than just their respective talents. Pakistan, for instance, was not too long ago as inconsistent a team as the West Indies. It took an almost ‘obsessed’ (with perfection) man, a man demanding more, not just after games but during, from his charges to drag Pakistan up to the standard Sarfraz Ahmed demand for his nation. Who will drag Windies up?
We also shot matches (shot at and shot them through the gun) and Q tips. We shot plastic army men as well as plastic cowboy and Indians. One of our favorites was to shoot model cars we had assembled. That would be Bonnie & Clyde's get away car. A
As for a chronograph, we used to phone book method in the house. Outside it was if the bb gun was powerful enough to bust glass bottles, go through my Dad's Metal barn and which could go through the most of the Steel coke cans (before aluminum). Good ol days.
Make a monthly consumption report of Raw material as per Production and Design mix. Anywhere in India.... From Pave Infrastructure - Wed, 03 Oct 2018 06:07:34 GMT - View all Shiliguri, West Bengal jobs
Fernando, J.M. (2008) The formation of Malaysia: An inquiry into the origin of the grand design. In: 20th International Association of Historians of Asia Conference , 14-17 Nov 2008, Jawaharlal Nehru University, New Delhi, India.
Nuevo estreno! Hoy se inaugura la exposición Indianes 1736-1847 en el Museu d’Història de Barcelona. Hemos realizado un magnífico audiovisual sobre el proceso de transformación de Barcelona, de la ciudad manufacturera a la ciudad industrial. […]
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Robani, A. (2008) Towards successful transformation into K-Economy: assessing the evolution and contributions of techno-science parks in Malaysia. In: 5th Asialics International Conference , 2-4 April 2008, Bangalore,India.
Philip, M.S. (2008) Adrift on the ocean : a case study of K.S. Maniam's displaces character. In: Ocean of Stories: Intercolonial Networks an Cultural Exchange Around the Indian Ocean, 5-7 February, 2008, Perth, Australia. . (Unpublished)
Quad countries - India, US, Japan and Australia - will be holding their next meeting on the sidelines of the 13th East Asia Summit at Singapore in mid-November. The group is wary of China’s rapidly-expanding military and expeditionary capabilities. India continues to strengthen its strategic and military ties with the other three Quad countries.
Badhaai Ho has finally entered into the 100 crore club. The film has grossed 100.10 crores at the Indian box office in 17 days. It has only few days left to collect before the mega Diwali release Thugs of Hindostan will hit the screens. Thus the lifetime gross will remain under 110 crores. Badhaai Ho […]
Indran, M. and Mahmood, A.A. and Kuppusamy, U.R. (2008) Protective effect of Carica papaya L leaf extract against alcohol induced acute gastric damage and blood oxidative stress in rats. West Indian Medical Journal, 57 (4). pp. 323-326. ISSN 0043-3144
First mentioned around 125 CE in Chinese writings, the White Huns were an agricultural people of obscure origin with possible Tibetan or Turkish roots. They successfully invaded Persia and India in the 5th century but were driven out in the 6th century. They had little effect in Persia, but in India they influenced society by altering the caste system and disrupting the hierarchy of the ruling families. Were the White Huns related to the Huns who invaded Europe in the fourth and fifth centuries? Discuss
CUATRO DE CADA CINCO MUJERES DEL SECTOR TECNOLÓGICO QUIEREN QUEDARSE EN LA INDUSTRIA Y ESTÁN TOMANDO LA INICIATIVA PARA ALCANZAR LA IGUALDAD DE GÉNERO
Un estudio de Booking.com ha revelado que las mujeres del sector tecnológico se están esforzando por impulsar el cambio, y ha incentivado su opinión sobre las iniciativas empresariales necesarias para diversificar la mano de obra del futuro.
Booking.com, una de las mayores empresas e-commerce de viajes y líder en tecnología digital, ha compartido los resultados de un estudio global que busca conocer las experiencias e impresiones de las mujeres que trabajan en el ámbito tecnológico. Más de cuatro de cada cinco mujeres (83 %) que actualmente forman parte de la industria tecnológica afirman tener la intención de continuar su carrera en este sector durante los próximos cinco o diez años, lo que pone de manifiesto su confianza en su papel actual y en el potencial de la industria.
El estudio también ha identificado las acciones que las profesionales de este sector están llevando a cabo para promover una mayor igualdad de género en el lugar de trabajo, así como las medidas proactivas que creen que deberían tomar las empresas tecnológicas para que las mujeres puedan seguir abriéndose paso en la esfera tecnológica.
Las mujeres que trabajan en el sector tecnológico están decididas a seguir en la industria y animan a la siguiente generación a seguir su ejemplo
Según el estudio de Booking.com, las mujeres en distintas etapas de su carrera profesional comparten la determinación de permanecer en el sector, tanto las que acaban de empezar que tiene entre 1 y 5 años de experiencia laboral (80 %), como las más veteranas, que superan los 10 años de experiencia (83 %), y las que han vuelto a la industria tras un paréntesis en su carrera (88 %). Estas cifras demuestran que los niveles de satisfacción de las mujeres que trabajan en este ámbito aumentan a medida que avanzan en su carrera, lo que a su vez hace que quieran quedarse en el sector.
Las mujeres que trabajan en esta industria en India y en China (96 % y 94 % respectivamente) están más decididas a quedarse que las europeas y estadounidenses. Sin embargo, el estudio también ha revelado que, en China, las mujeres se topan con barreras en este sector. El 43 % de las encuestadas en este país creen que, llegado un punto, no podrán seguir avanzando en su carrera. Esta es la cifra más elevada del mundo, que contrasta con la media global del 26 %, lo que demuestra que las mujeres en China tienen más dificultades para evolucionar profesionalmente en esta industria. En la India, este es un problema menos importante que en otros mercados, pues tan solo el 17 % de las encuestadas creen que sus posibilidades de desarrollo profesional son limitadas. Por otro lado, el 42 % de las mujeres de este país tienen la sensación de que sus contribuciones y opiniones se subestiman en el lugar de trabajo, una cifra que duplica con creces la media global (20 %), lo que apunta a un grave problema de cultura empresarial.
Más allá de su compromiso con la industria tecnológica, las mujeres del sector se muestran entusiastas a la hora de animar a otras a desarrollar su carrera en este ámbito. Casi nueve de cada diez en todo el mundo (89 %) recomendarían el sector a la siguiente generación de mujeres que actualmente cursan estudios universitarios o de educación secundaria. Este sentimiento es especialmente fuerte en la India, donde lo comparten el 97 % de las mujeres del sector, seguido por Brasil con 95 %.
“Se observa un claro afán y optimismo por parte de las mujeres, tanto de las que ya forman parte de la industria tecnológica como de las que aspiran a integrarla algún día, en relación con el potencial que encierra una carrera en este sector. Para seguir avanzando y alcanzar la igualdad de género real en la industria tecnológica global, deberíamos aprovechar este optimismo y crear una cultura más inclusiva que atraiga y retenga al talento femenino“, afirmó Gillian Tans, CEO de Booking.com. “Es alentador y estimulante ver cómo las mujeres en este ámbito hacen cosas increíbles cada día, como tomar medidas de forma proactiva para establecer un vínculo con las futuras generaciones, hacerse oír y lanzar programas e iniciativas destinados a promover la diversificación de la mano de obra del sector”.
Desde compartir su experiencia profesional hasta orientar a las futuras generaciones: las mujeres están liderando su propio progreso en la industria tecnológica
Tanto si trabajan en una empresa tecnológica internacional como si lo hacen en una startup, las mujeres de este campo asumen el papel que pueden desempeñar para superar la brecha de género existente en el sector y apoyar a otras mujeres. A nivel global, las mujeres que ya trabajan en la industria y las que aspiran a ello creen que la mejor forma de contribuir a este objetivo es compartiendo sus experiencias en el sector y sus opiniones al respecto con otras mujeres (46 %), además de servirles de guía y consejeras (44 %).
Las estudiantes universitarias opinan que estas son las mejores opciones (56 % y 50 % respectivamente). Como próxima generación de talentos en el ámbito tecnológico, se muestran muy dispuestas a aprender y recibir consejo de las mujeres que ya trabajan en la industria.
Dos de cada cinco mujeres de todo el mundo (38 %) creen que las mujeres del sector tienen la oportunidad de reducir la brecha de género a través de la participación en organizaciones no lucrativas creadas para apoyar a las niñas y mujeres en los campos de la ciencia, la tecnología, la ingeniería y las matemáticas. Las estudiantes universitarias consideran que esta es la opción con más potencial (47 %), una opinión compartida por las mujeres de la India (46 %) y China (45 %).
Más allá de sus propios esfuerzos, las mujeres piden a las empresas tecnológicas más diversidad en la contratación y más mentores y modelos a seguir, acciones que consideran clave para su éxito en el ámbito tecnológico
Si bien las mujeres se sienten capacitadas para inspirar a otras mujeres, cambiar la mentalidad y liderar la eliminación de las barreras a su ascenso en este sector, también creen que la industria tiene la obligación de invertir más en iniciativas que las apoyen, empezando, por ejemplo, por poner en marcha prácticas diseñadas para diversificar la mano de obra, algo que más de una de cada dos mujeres de todo el mundo (51 %) han identificado como el cambio más necesario. Sin embargo, tan solo ese porcentaje espera ver este cambio en marcha en el lugar de trabajo en los próximos cinco años, lo que sugiere que las empresas todavía tienen margen de maniobra para intervenir y acelerar este proceso.
“A partir de nuestro estudio y de las innumerables historias de mujeres ejemplares que trabajan en el ámbito tecnológico, queda claro que las mujeres han tomado las riendas de la situación para poner en marcha un cambio positivo en la industria. Sin embargo, es necesario admitir que la responsabilidad también recae sobre un colectivo más amplio, que incluye al sector tecnológico, a las empresas, a los legisladores y a los educadores”, afirmó Tans. “Tenemos la oportunidad de lograr un cambio real y duradero hoy y de dejar un legado para la próxima generación de mujeres en el ámbito tecnológico. Es por este motivo por el que Booking.com organiza la sesión “Women in Tech” en la Web Summit anual que se celebra en Lisboa, un espacio en el que las mujeres pueden compartir experiencias y hacer contactos. Además, también proponemos sesiones de asesoramiento individual para mujeres de la industria tecnológica con ejecutivos de Booking.com y otros líderes del sector.”
Al preguntarles por los pasos necesarios para posibilitar su éxito e iniciar un cambio positivo en la industria, las mujeres afirmaron que las empresas también deben poner en marcha políticas de desarrollo profesional basadas en méritos (45 %), así como dar mayor visibilidad y facilitar el acceso a los mentores y modelos a seguir (43 %). La posibilidad de contar con un mentor es especialmente relevante para las estudiantes de educación secundaria (48 %) y universitaria (51 %), que buscan apoyo y orientación para comenzar y desarrollar una carrera próspera en el ámbito tecnológico.
Además, las mujeres también consideran clave para su futuro en la industria tecnológica las actuaciones corporativas enfocadas en aumentar la representación de las mujeres en la mano de obra y los grupos internos (43 %), así como en los órganos de dirección de la empresa. Son sobre todo las estudiantes universitarias (51 %) las que exigen una mayor representación en el último caso, lo que demuestra la importancia de contar con modelos a seguir visibles desde una edad temprana. Dos de cada cinco mujeres esperan que esto sea una realidad en los próximos cinco años.
Otras actuaciones que las mujeres creen que deberían llevar a cabo las empresas para favorecer su desarrollo profesional en el sector son: garantizar la igualdad salarial (43 %), proporcionar formación sobre prejuicios ocultos en el lugar de trabajo (42 %) y ofrecerles oportunidades suficientes para ampliar o reforzar sus habilidades (42 %). Actualmente muchas empresas están dando grandes pasos para poner en marcha condiciones y programas que proporcionen a las mujeres las oportunidades, los recursos y el apoyo necesario para desarrollar una carrera gratificante en el sector tecnológico. Con todo, como señala el estudio, sigue habiendo margen para aumentar los esfuerzos dirigidos a conseguir una mayor diversificación de la mano de obra.
OCUPACIÓN HOTELERA EN COLOMBIA AUMENTÓ EN EL MES DE SEPTIEMBRE
De acuerdo con el informe de indicadores hoteleros que emite la Asociación Hotelera y Turística de Colombia – Cotelco, el porcentaje de ocupación hotelera del país para el mes de septiembre de 2018 fue de 57.01%, lo que significó un aumentó 1.18 puntos porcentuales con respecto a la cifra observada en el mismo periodo de 2017. En el acumulado enero a septiembre, la ocupación ha aumentado 0.43 puntos porcentuales gracias al buen desempeño del turismo, tanto doméstico como internacional.
Para Gustavo Adolfo Toro, presidente ejecutivo nacional de Cotelco, “el turismo sigue mostrando un comportamiento positivo durante el 2018 gracias a que, entre otros factores, la tasa de cambio está favoreciendo la llegada de turistas internacionales y que el turismo doméstico se ha fortalecido en parte por el crecimiento de una infraestructura turística y hotelera de calidad, base para el desarrollo del sector. No obstante el aumento que se viene presentando en la ocupación hotelera, es importante la puesta en marcha de estrategias que permitan sostener e impulsar este crecimiento, para lo cual y enhorabuena, el Gobierno Nacional ha manifestado el interés de fortalecer el sector turismo, con el fin de convertirlo en una de las principales apuestas del país, lo que a la larga se ve reflejado en mayores empleos y en oportunidades de desarrollo para las regiones con alta vocación turística”, señaló.
A nivel de destinos, San Andrés lidera en ocupación con un indicador de 70.46%, a pesar de presentar una disminución de 5.92 puntos porcentuales frente al nivel logrado en septiembre de 2017. En segundo lugar se ubicó Cartagena de Indias, con ocupación de 69.66% y un crecimiento de 6.88 puntos porcentuales, seguido de Antioquia en el tercer lugar, departamento que alcanzó una ocupación de 66.34%.
Huila (+13.59 p.p.), Barrancabermeja (+10.01 p.p.), Boyacá (+9.06 p.p.), Caldas (+9.12 p.p.), Norte de Santander (+8.20 p.p.), Valle del Cauca (+6.93 p.p.) y Casanare (+6.89 p.p.), corresponden a los destinos con mayor variación positiva en el mes de referencia, de igual manera, para Atlántico (+0.94 p.p.), Nariño (+2.58 p.p.), Risaralda (+1.05 p.p.) y Santander (+3.08 p.p.), los resultados agregados son favorables.
Por otra parte, Bogotá D.C disminuyó en 1.01 puntos porcentuales, pero se mantuvo en un nivel por encima del promedio nacional, logrando un indicador de 63.33% para el mes analizado. Cesar (-3.34 p.p.), Magdalena (-3.10 p.p.), Meta (-5.00 p.p.), Quindío (-5.92 p.p.) y Tolima (-2.89 p.p.) corresponden a los destinos que reflejaron una diminución en el porcentaje de ocupación, según las cifras entregadas por el gremio.
Con relación a los ingresos reales de los establecimientos de la muestra Cotelco, el crecimiento fue de 4.4%, mientras que la rentabilidad promedio, medida a través del indicador RevPar (Revenue Per Available Room), tan solo creció en 1.7%, debido a una diminución de 600 puntos básicos en la tarifa real en el consolidado nacional. Este fenómeno se debe al ajuste del mercado producido por la mayor oferta que experimenta el país y en especial las principales ciudades, en las cuales los empresarios han sacrificado tarifa y rentabilidad para lograr aumentar la ocupación de sus establecimientos.
Rose of Tralee Kirsten Mate Maher has just returned from a trip to India to see the work of the Hope Foundation. She’s an ambassador for the Irish charity, which works to protect the street and slum children in Kolkata. The Hope Foundation has helped 2.7 million children and poor families. Kirsten says it was […]
Muniandy, S. and Yaiw, K.C. and Chook, J.B. and Rayappan, A.V. and Wong, K.T. and Ismail, I.S. and Qvist, R. (2008) Quantification of Zonula Occludens-1 mRNA expression in cultured bovine retinal endothelial cells, using SYBR green real-time PCR. Biomedical Research-India, 19 (2). pp. 117-124. ISSN 0970-938X
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Happy Stranger Things Day! It's November 6th, and on this day in 1983 Will Byers went missing and opened up the small town of Hawkins, Indiana to the Upside Down.
I'm currently in a small town that really could double for Hawkins. I'm here in Greensburg, Indiana for work and since it's Stranger Things Day, I'm watching the first season over again in my hotel room with a number of Halloween snacks that I scored for half price!
If you haven't watched Stranger Things on Netflix, you are seriously missing out (here's my quick posts on the first season and the second season).
If you're already familiar, the rumor mill is running wild right now! We all know we have to wait until Summer 2019 for season 3. Stranger Things came out in 2016, so why now, in 2018 does Netflix declare November 6th Stranger Things Day? The rumor is we faithful followers will be getting a teaser trailer! Fingers crossed we get another hint about the upcoming season 3 (we already know from this teaser video is a new mall in Hawkins, Starcourt Mall, and that Steve Harrington is working at the ice cream parlour).
That's it! If there is a teaser trailer, I'll update here later. Grab your Eggos and start counting down the days until next summer!
Shortly after Donald Trump’s election, women led the charge to protect values that seemed threatened by donating to nonprofits. Turns out, it wasn’t alongside men but generally in spite of them.
During the week after the election, the top earning cause groups that received funds through nonprofit evaluator Charity Navigator recieved an average of $3,900 more per day from women than men, according to a new report from the Women’s Philanthropy Institute at Indiana University. For women giving to specifically progressive groups, the uptick in donations rose sharply from about $1,700 overall in the week before the election to more than $16,000 contributed during the week after.
The top earning individual nonprofits for progressive causes received about $190 more from women than men in the week before the election; that difference jumped 600%–to roughly $1,100 more in the week after. The surge kicked off an era of so-called “rage philanthropy” that has included outsized gifts and marches to protect values that appeared threatened by the new administration.
The same thing might happen again this week, if the Democrats don’t fufill predictions that they make major gains in the midterm elections. “We might see a surge in [female-led] donations after this election as well,” says Debra Mesch, the executive director at WPI. “I can’t predict that, but even though it’s not a presidential election, the political climate hasn’t changed in many ways. It may have even gotten more polarized.”
Trying times, says Mesch, may lead women to act more generously because they think about charity differently than men. “Women are much more likely to be motivated by empathy and altruism—helping others—and men tend to focus more on the benefits that they receive from that giving,” she says.
Of course, WPI’s analysis is limited: It only tracked donations made through Charity Navigator’s online portal. Researchers measured 131 groups, a composite of the 100 groups with either the highest gift totals or transaction volume during that time. Because it focused on just daily and weekly giving totals, and not the total number of givers, the report can’t shed light on just how many individual women participated.
Among progressive groups, much of the money that WPI tracked went to organizations trying to protect immigration, preserve women’s health rights, and battle climate change. Those nonprofits that received funds included issue-oriented groups like Planned Parenthood, the ACLU, the National Immigration Law Center, and Southern Poverty Law Center.
Post-election, the weekly giving total was actually lower than during the same time period in 2015 or 2017. That’s because men became comparatively non-engaged, even as women donated more. In terms of gender and generosity, Mesch says that they’ve found that men’s charitable calculus often includes whether there is increased prestige or status around some donation, a big enough tax break, or some gain that helps everyone (including themselves), like backing a program that might eventually led to lower taxes on the related issue. “So how can it personally benefit me?” she says.
Women, she says, operate differently, traditionally supporting nonprofits that align with both their political and philosophical values, which may be informed by often being a mother or family caretaker. They also have fewer trust issues. “[W]omen are more confident in the ability of charitable organizations to solve problems,” she says.
The real question may be whether conservative women still feel as passionate about their own camp’s agenda if their leaders are ultimately displaced. “If the shoe were on the other foot and you saw a lot of progressive candidates winning, you might see a push or a greater increase in giving to more conservative causes,” she adds. Given the right combination of values, upset, and motivation: “I have no reason to believe that it wouldn’t work the other way around.”
Today, Americans are heading to the polls for a chance to either show support for the Trump administration and its Republican Congress or to let the Blue Wave roll in. But first, we all have to wait in line.
According to the map, which was built by Google News Initiative and Pitch Interactive, it’s not just your polling place that’s overrun with people. For instance, at 11:53 a.m., the national average of people Googling “long wait times” spiked by 481% in Bluffton, South Carolina. At 12:24 p.m., that search was skyrocketing by 566% in Newburgh, Indiana. An animation starting at 6 a.m. Eastern Time shows these spikes hitting dozens if not hundreds of polling places around the country, especially around 1 p.m. Eastern–lunch time–and morning on the West Coast.
Line at my polling place is double the length it was in 2016. I have this weird feeling, like there’s air in my lungs for the first time in … a long time.
While some see this as a positive indication that more people turned out to vote in this election, others call the long wait times another means of voter suppression. After all, not everyone has the luxury to stand in line for hours to cast their vote.
A reminder that long lines at the polls are a sign not of a healthy democracy, but of insufficient funding for polling locations that makes it harder to vote, especially if your job isn’t flexible.
Whether you view it as a sign of hope or a sign of all the work that still needs to be done, do your best to stay in line. Even if the polls close while you’re waiting, you will still get a chance to vote.
Meaning of the English family name Falkner is one who hunts with falcons
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