Agricultural Production Assistant - Canopy Growth Corporation - Niagara-on-the-Lake, ON   

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Must have knowledge of greenhouse processes. Legalization has opened up the recreational cannabis market in Canada, and the global demand for medical cannabis…
From Canopy Growth Corporation - Mon, 07 Oct 2019 21:03:41 GMT - View all Niagara-on-the-Lake, ON jobs
          

Nursery Workers - HRIC - Agassiz, BC   

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Nursery and Greenhouse Workers (8432). Greenhouse, Nursery, and Floriculture Production (1114). Cedar tree nursery requires full time seasonal workers from 2nd…
From WorkBC - Tue, 27 Aug 2019 20:08:27 GMT - View all Agassiz, BC jobs
          

Greenhouse worker - HRIC - Chilliwack, BC   

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Nursery and Greenhouse Workers (8432). Greenhouse, Nursery, and Floriculture Production (1114). Full time seasonal greenhouse vegetable workers required for…
From WorkBC - Fri, 30 Aug 2019 02:08:34 GMT - View all Chilliwack, BC jobs
          

GZD series vibrating feeder machine, feeder equipment   

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Introduction: Vibrating feeder can feed lump or granulated materials to the other devices evenly and continuously. In sand and gravel production line, the continuous feeding of the Vibrating feeder he...CITICHL HEAVY INDUSTRIES CO.,LTD
          

table lock   

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In our production environment, sometimes table lock occurs. During table lock, i have identified the blocker and holder session, and sqls. While checking one session is on inactive session, and query for both sessions are like "SELECT" statements. Ho...
          

Stat gather impact on production environment   

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On OLTP production environment, during huge transaction period, what is an impact if we run the stat gather of used schema for transaction???, It will missed any indexes, and other operation issues???
          

alert logs are not generating   

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I have check one production 12 DB environment. On this environment, there is not alert_<SID>.log files. Is the alert log file should there or missing?? if missing can we re-generate ??, So, it is difficult to monitoring the DC-Dr sync alerts and othe...
          

Trump/Perdue not that into Farmers...   

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UPDATE 10/7: I think farmers have had enough, maybe, I hope anyway...
1. “I went to Madison feeling financially scared and emotionally depressed but hopeful,” said Paul Adams, who runs a 500-cow organic dairy near Eleva, WI."I came home feeling financially scared, emotionally depressed, unwanted, and unneeded.”

2. Brittany Olson left her Barron County farm at 2am to make the trip to Expo and hear Perdue speak. “To go through the effort to see the USDA secretary, only for him to say that small farms like ours likely have no future made me feel like little more than a peasant in a system of modern-day feudalism,” Olson said.

3. “To me, it really drew a line in the sand on just where this administration stands,” said Chippewa County dairy farmer George Polzin.
Danielle Erdvick summed it up this way in the story:
But I sense a fire growing in the belly of the family farmers I meet in my work with Farmers Union. Farmers are weary. But there’s a growing flicker that’s starting to feed a change in the narrative. No more will they be spoon-fed a top-down vision for rural America. Instead, I see a drive for a farmscape where fair prices, local food systems, clean water, and land conservation are at the heart of farm policy. How can we achieve it? It’ll take actually enforcing America’s antitrust laws and holding corporations accountable when they try to monopolize an industry. It’ll mean addressing market manipulation. It’ll mean not raising our hackles, as farmers and ag groups, every time someone wants to talk about clean water or livestock siting. It’ll mean continuing to adopt regenerative practices and thinking outside the box so we’re protecting our natural resources for our children and grandchildren.
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Farmers will never stop voting for Republicans. Sadly, GOP promises of "small government" simply mean they don't really have to do anything for their constituents, and deregulation is anything that basically leaves them alone.

Tariff War is not Their Fight: It seems farmers are okay sacrificing their livelihoods for big corporate interests seeking intellectual rights and protections. 

And then the last shoe dropped; Ag Sec. Sonny Perdue told us what big corporate Republican politicians were really thinking about family farmers:

Perdue told reporters that he doesn’t know if the family dairy farm can survive as the industry moves toward a factory farm model ... “In America, the big get bigger and the small go out. I don’t think in America we, for any small business, we have a guaranteed income or guaranteed profitability.”
A few farmers suddenly realized what was really going on...
Jerry Volenec, a fifth-generation Wisconsin dairy farmer with 330 cows, left the Perdue event feeling discouraged about his future. “What I heard today from the secretary of agriculture is there’s no place for me. Can I get some support from my state and federal government?"

Darin Von Ruden, president of the Wisconsin Farmers Union and a third-generation dairy farmer who runs a 50-cow organic farm (said) getting bigger at the expense of smaller operations like his is “not a good way to go.  Do we want one corporation owning all the food in our country?” 
Democrats, Governor Tony Evers backs Family Farms, despite never getting their vote, but after Sonny Perdue's comment, even our laid back Gov. had to say something:

"Are they struggling? Absolutely. But I think at the end of the day we need to get behind them rather than saying, ah maybe you should go larger. I, frankly, resent that the Department of Agriculture secretary from the federal government came in and kind of lambasted them."
But don't take Evers word for it, here's a comment made at the Minnesota Farmfest about CAFO's. Note: Why were visa's for dairy labor ever determined to be seasonal and not year around?:


Trump Piled on First: Remember this...
Wisconsin dairy farmers are still feeling the sting of Trump's visit to Milwaukee in July, where the president downplayed the suffocation felt by farmers here because of Trump's own tariffs.

Trump: "Some of the farmers are doing well. ... We're over the hump. We're doing really well."
Farmer Response...:
"If he's saying farmers are over the hump, he would be badly mistaken," said Darin Von Ruden, a third generation dairy farmer. "In order to get over the hump we need to stop losing dairy farms."
From PBS's Market to Market: Trump's says farmers are happy...


Farmers are slamming Trump's $28 billion farm bailout — more than double Obama's 2009 payment to automakers — as a 'Band-Aid'.
Perdue editorial doesn't repair Damage: Nope, his word salad backtrack to obscure how he really feels, is a little late. In fact, Perdue reminds farmers how this whole problem was really Trump creation:
Purdue: "President Donald Trump has made it his mission to support American agriculture and negotiate better trade deals so our productive farmers can sell their bounty around the globe."
And don't forget how Scott Walker pushed oversupply in the dairy industry.

Here's what one farmer, "a great patriot," really thinks about Trump:



In Gays Mills, WI, over production and large dairy farms are locking many out of getting into farming. From WPT's Portraits from Rural Wisconsin:


          

Driver’s view: Richard Ledger’s Claas Lexion 8900 combine   

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Farmers Weekly

Kent farmer Richard Ledger is one of several UK growers to have run a pre-production version of Claas’ latest range-topping Lexion combines. We get the verdict from driver Nigel Richardson. What made you choose a Claas Lexion? We’ve had the biggest Lexions on offer for the past 15 years to allow us to cover our […]

The post Driver’s view: Richard Ledger’s Claas Lexion 8900 combine appeared first on Farmers Weekly


          

Job profile: What’s it like to work in animal genetics?   

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Farmers Weekly

Advances in genetics are key to efficient, profitable livestock production and feeding the world with healthy, tasty meat.   If you’ve got a gift for science or maths and fancy the idea of working in a cutting-edge profession, this is a sector you should consider.   Stephen Waite, 31, managing director, JSR Genetics and Pigs, tells […]

The post Job profile: What’s it like to work in animal genetics? appeared first on Farmers Weekly


          

Jungle Majesty   

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Here’s a fantastic 11-piece fantasy tribal set that will let your Freak 5 and all your Genesis characters express their wild side. Jungle Majesty has the marvelous meshes and multiple morphs as well as the terrific textures you have some to expect from the SickleYield/Marieah production team. It includes a collection of animal skin clothing – kilt, loincloth, foot wraps, bracers, dress and top in lush animal fur and supple leather – for you to mix and match. For expressing majesty, there’s a bone crown and tooth circlet as well as a mighty club and a feathered spear for getting down to the business of conquest, defense and dominion. And just for decoration, there’s a fang necklace. This set includes the equivalent of an extensive extra-product worth of quality jungle textures, mostly in Shader Mixer fur. You can mix and match the touchable Zebra, Lion, Bear, Jaguar, Leopard and Tiger fur pieces with the black and brown leathers to create your own unique wild fantasy or tribal expression.

Price: $21.95 Special Price: $10.98


          

Gazmo Episode 0: New Beginnings   

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A re-imaging of a classic alien tale. We actually filmed this episode back in February 2009, but we hit some post-production woes. It needed to be greatly modified in the editing stage. And now here it is for your viewing pleasures!

The post Gazmo Episode 0: New Beginnings appeared first on StuffWeLike.


          

Professional Video Camera   

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A professional grade, high definition video camera that is small enough to be moved quickly around the indie film set, yet large enough to be taken seriously at the site of breaking news.

This ENG (Electronic News Gathering) camera comes with high-resolution textures,eight figure poses for Victoria 4 and Michael 4 (four for each)and poses to place the camera in their hands.

The camera is fully rigged and pose-able for animation. Detailed geometry and bump maps provide all the buttons, knobs and switches we come to expect on today's cutting edge production equipment. It was carefully modeled to have as few polygons as practical for use in complex scenes, but takes full advantage DAZ Studio and Carrara's Sub-D features for your closeups.

Price: $9.95 Special Price: $4.98


          

Deutsch CEO Mike Sheldon Reflects on Two Decades at the Agency   

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By Doug Zanger
Senior Editor

Adweek
Reprinted with permission

Deutsch North America’s CEO Mike Sheldon 
is hanging up his cleats. It’s not a retirement, per se, but a move away from Deutsch in Los Angeles after 22 years.

During his tenure, the Michigan native has presided over highs and lows. Most notably, Sheldon is credited with turning Deutch’s then-nascent L.A. operation into one of the staples of the market, taking it from a handful of people to, at its peak, a 600-plus juggernaut. The agency continues to create standout work for brands, including high profile campaigns for Taco Bell, Dr. Pepper and others.

On the downside, the agency split from Target, yet won the Reebok business shortly after that. Additionally, after nine years—and being credited with reviving Volkswagen’s fortunes with breakout work including the oft-referenced “The Force”—Deutsch and the carmaker ended their relationship.

Yet with all of the ups and downs (common in any agency), Sheldon, who spent six years at TBWA\Chiat\Day pre-Deutsch, remained upbeat and steadfast in his mission to build and retain a positive outlook and culture. Adweek caught up with Sheldon to find out a little more about his time at Deutsch and what’s next.

I’ll start with the predictable question. Why now?
Mike Sheldon: It’s a confluence of events. I’ve been doing this for 22 years, and I turned 60 a couple of weeks ago. I’ve been talking to [IPG CEO] Michael Roth about this for a while and want to see what else is out there. I’m not ready to go feed pigeons on a park bench. I want to see what the universe brings. I still have a lot of energy and interest in new and exciting ventures, and I figured after 22 years at Deutsch and 37 years in advertising, maybe there’s something else out there for me.

What would you say, outside of the obvious things like technology, are the most significant changes you’ve seen at Deutsch L.A.?
We’ve always been about investing ahead of revenue. In the future, it will be the same. You have to stay ahead of the business, or you’ll get run over. We got into digital production years ago, 
and started Steelhead [Deutch’s in-house production company] a few years ago. Experiential is now huge, analytics are as well. The future is going to be like the past: Unless you stay ahead, it will get the best of you.

How does an agency “stay ahead”?
For us, it’s having rock-solid clients like Taco Bell, Keurig Dr. Pepper and H&R block that appreciate the partnership and long-term commitment and depths of understanding that an agency can have into a client’s business and provide value way beyond any marketing communication. Then some clients want a TV spot or need to spend time looking at their consumer base. You have to go with the flow since there aren’t a ton of AOR relationships. I keep telling everybody to think of yourself as the ultimate Swiss army knife because that’s what we need to be a good, successful agency moving forward.

You’ve touched on a couple of successful points in your tenure. Aside from those, what would say is another significant accomplishment?
By far, the idea of kindness. There are a lot of really good people in this business—brilliant and creative people. But that has to be combined with being kind and putting your employees first and, unfortunately, making some of those difficult decisions like walking away from a prickly client. It doesn’t get talked about much in this business, but being good to other humans is a business asset.

Anything you would have done differently over the past two-plus decades?
I thought that I could have started an agency at one point, but it was never in the cards or the right things for me. I used to think that I should have done that, but looking back, I’ve realized how much I’ve enjoyed and valued my time here.

One of the tougher times for the agency was the end of the VW relationship. What did you learn from that?
I’d be less than truthful if I didn’t say it was a kick in the gut after nine years of really great results, fantastic work and a great brand point of difference. But that’s advertising. That’s what we signed up for. There are a lot of things that you can’t control, and the best advertising executives have a short memory. So while that stung, nine months later, it’s a distant memory, and we’re on to all the work that’s currently filling up the plate. You can’t take that stuff too seriously, personally or emotionally—it’ll eat you alive.

What’s your view on the agency world today?
It’s a tougher time than it’s ever been in the business, but it’s also kind of a mind game now. You have to stay positive, keep pitching and pushing. Anybody that reads too much of the press or gets bummed out about anything is dead because this business is just unforgiving. So it’s staying ahead. It’s innovating, it’s adding new divisions. It’s not being afraid to invest and keeping both feet on the gas. Otherwise, there’s just too much gravity pulling things down right now. Clients will always pay for ideas, great execution and results-driven communications.

What’s next for you?
I’m going to keep the aperture wide open. I have purposely not overplanned this. My goal is to see what the universe brings in. That might be taking a bike ride on a random Tuesday, consulting, bringing in a direct-to-consumer product to life, or another type of product to life. I really want to stay open.

Is Lil’ Sweet, Diet Dr. Pepper’s mascot, the most underrated ever?
I think he might be. But, in all seriousness, 
we love Lil’ Sweet, and that brand continues to defy gravity year after year because it’s the coolest, weirdest campaign in the world.


Doug Zanger is a senior editor at Adweek focusing on creativity and agencies. Find him on Twitter at @zanger.

This article originally ran in Adweek and is reprinted with permission.
 

 


          

Die Setter - NIGHT SHIFT - NAPCO - Shelby Charter Township, MI   

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Set up machines for continuous production by positioning and aligning mold, connecting water, hydraulics, and air feeds as required.
From Westlake Chemical - Wed, 28 Aug 2019 10:14:15 GMT - View all Shelby Charter Township, MI jobs
          

Chronicle AM: Marijuana Arrests Increased Last Year, CA Psilocybin Decrim Init Filed, More... (10/1/19)   

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Marijuana arrests nationwide increased last year despite spreading legalization, a California psilocbyn decriminalization initiative has been filed, and more.

[image:1 align:right caption:true]Marijuana Policy

Marijuana Arrests Increased Again Last Year Despite More States Legalizing, FBI Data Shows. According to the FBI's annual Uniform Crime Reports released Monday, the number of marijuana arrests in the US last year was 663,367, a slight increase over the 659,700 pot arrests tallied in 2017 and the 653,249 tallied in 2016. This despite the fact marijuana is now legal for adults in 11 eleven states and medical marijuana is legal in 33 states. Before 2016, marijuana arrests had been declining for roughly a decade.

Psychedelics

California Psilocybin Decriminalization Initiative Filed. A group of activists calling itself Decriminalize California has filed a psilocybin decriminalization initiative with state officials. The group has submitted ballot language to the attorney general's office and is now awaiting approval for an official title and summary. Once that is completed, activists will have 180 days to come up with 625,000 valid voter signatures to qualify for the November 2020 ballot. The initiative would decriminalize "personal possession, storage, use, cultivation, manufacturing, distribution in personal possession amounts without profit, transport, and consumption of psilocybin mushrooms" by individuals 18 and older.

International

ONDCP Releases Data on Coca Cultivation and Production in Peru. On Tuesday, the White House Office of National Drug Control Policy (ONDCP) released the results of the annual US Government estimates measuring coca cultivation and potential cocaine production for the Republic of Peru. The estimates found that cultivation "remained elevated" at more than 125,000 acres, up slightly from 2016 and 2017, but still below the recent record of about 180,000 acres in 2013. "The ongoing coca cultivation in Peru and across the Andean Region of South America remains a significant threat to the United States. As part of the Trump Administration's whole-of-government approach to the addiction crisis, we will continue to support our partners in Peru to curb cultivation and production in critical growing regions. We are committed to bringing those who profit off the international drug trade to justice to help accomplish our goal of saving lives," ONDCP Director Jim Carroll said.


          

Journalier de production - ALPHACASTING INC. - Saint-Laurent, QC   

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À l’aide de petites meules ou ''mini-grinders'' (8 pouces de diamètre), le nettoyeur (la nettoyeuse) de pièces a pour responsabilité d’éliminer les défauts de…
From Indeed - Fri, 02 Aug 2019 14:45:05 GMT - View all Saint-Laurent, QC jobs
          

Mondial Tourisme renforce sa production hivernale sur le bassin méditerranéen   

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En agence depuis fin août, la brochure hiver 2019/2020 du TO spécialiste du bassin méditerranéen fait peau neuve en proposant un style plus épuré et renforce sa production sur ses destinations phares.
          

Global Roundup 10/4 - Alice Ripley in SUNSET BOULEVARD, CHASING RAINBOWS, LITTLE SHOP And More!   

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BroadwayWorld presents a comprehensive weekly roundup of regional stories around our Broadway World, which include videos, editor spotlights, regional reviews and more. This week, we feature ALMOST FAMOUS, Rob McClure As MRS. DOUBTFIRE, and more!

Check out our top news and features from around the BroadwayWorld below! Want more great global content? Check out our "Around The World" section!


Top Stories

VIDEO: George Salazar and MJ Rodriguez Perform 'Suddenly Seymour' on THE LATE LATE SHOW - Pasadena Playhouse's Little Shop of Horrors is now on stage through through October 20! Last night, George Salazar (Seymour) and MJ Rodriguez (Audrey) appeared on The Late Late Show where they performed Suddenly Seymour. Watch the video below! In addition to Salazar and Rodriguez, the production stars Amber Riley as "Audrey ll." They are joined by Kevin Chamberlin, three-time Tony Award nominee known for his theatre roles such as Horton in Seussical and Fester in The Addams Family on Broadway in the role of "Mr. Mushnik." Matthew Wilkas, known for his starring role in the gay indie film Gayby and for playing Peter Parker in Broadway's Spider-Man:Turn Off The Dark has been announced for the role of "Orin Scrivello." The cast of Little Shop of Horrors is rounded out by Brittany Campbell, Tickwanya Jones, and Cheyenne Isabel Wells, and puppeteers Tyler Bremer, Kelsey Kato, Tim Kopacz, Sarah Kay Peters, and Paul Turbiak.
(Read more)


VIDEO: Alice Ripley Stars In North Shore Music Theatres's SUNSET BOULEVARD - BroadwayWorld has a first look at Alice Ripley as Norma Desmond in North Shore Music Theatre's production of Andrew Lloyd Webber's Masterwork, SUNSET BOULEVARD, playing for two-weeks only from Tuesday, September 24 thru Sunday, October 6, 2019.
(Read more)


Breaking: BE MORE CHILL Will Get A London Upgrade in 2020 -
Be More Chill is to transfer to London to make its UK premiere at The Other Palace on Wednesday 12 February 2020. Be More Chill is based on the groundbreaking novel of the same name by Ned Vizzini.
(Read more)


VIDEO: Get a First Look at Footage From CHASING RAINBOWS: THE ROAD TO OZ at Paper Mill Playhouse - Performances are underway for Chasing Rainbows: The Road to Oz at Paper Mill Playhouse! With a book by Marc Acito, musical adaptation and additional music by David Libby, and conceived by and additional lyrics by Tina Marie Casamento, the show plays through Sunday, October 27, 2019.
(Read more)


Top Reviews


Salt Lake City: Contributor Tyler Hinton reviews PHANTOM at the Hale Centre Theatre, writing "Maury Yeston's PHANTOM on Hale Centre Theatre's Centre Stage has been cast, designed, and directed to magnificence. Experience a new, more human side to the story you know so well through this magnificent, emotional production of a beautifully crafted musical."


Connecticut: Contributor Joseph Harrison reviews QUIXOTE NUEVO at Hartford Stage, writing "There are some stories that have a timeless quality, speaking to the aches and the joys of modern life regardless of the era in which they are told. Such is the classic tale of Don Quixote, a story that, when Miguel de Cervantes published it in 1605, took on a certain meaning and century after century has been seen through an evolving lens, from comic novel to tragic statement against nobility. But in Octavio Solis' new play QUIXOTE NUEVO, which opens Hartford Stage's 2019/2020 season, the infamous Spanish Knight of La Mancha has become the Latino Knight of La Plancha (Texas) battling border surveillance drones instead of windmills and fighting for the undocumented versus the poor citizens of war-ravaged Spain."


Buffalo: Contributor Michael Rabice reviews MEAN GIRLS at Shea's Buffalo Theatre, writing "The brilliant comedian Tina Fey has brought her clique of nasty teenage girls to town to open the First National Tour of her Broadway hit musical, MEAN GIRLS. After the success of the film version, Fey and her husband, composer Jeff Richmond, have added music to the story of teenage angst and meanness. The genre has been well populated over the years, with growing up and adolescent relationships proving to be great fodder for shows like GREASE, BYE, BYE, BIRDIE, HAIRSPRAY, HIGH SCHOOL MUSICAL and most recently, THE PROM."


Boston: Contributor Nancy Grossman reviews Alice Ripley in SUNSET BOULEVARD at North Shore, writing "In the annals of musical theater, Norma Desmond is one of those larger than life characters, like Mame Dennis, Dolly Levi, and Eva Peron, who cries out for an actor with a specific and rare combination of skills to play the role. Tony Award-winner Alice Ripley ascends to playing the faded silent-screen star in the North Shore Music Theatre production of SUNSET BOULEVARD, after originating the role of Betty Schaefer in the 1994 original Broadway cast which starred Glenn Close. In so doing, Ripley joins the pantheon of singular talents who have put their personal stamp on the musical iteration of Norma, stepping out of the shadow of the indelible mark Gloria Swanson made on celluloid in Billy Wilder's 1950 film."


Regional Editor Spotlight:

Nancy Grossman

From producing and starring in family holiday pageants as a child, to avid member of Broadway Across America and Show of the Month Club, Nancy has cultivated her love of the art and respect for the craft of theatre. She fulfilled a dream when she became an adult-onset tap dancer in the early 90's ("Gotta dance!"); she fulfills another by providing reviews for BroadwayWorld.com. Nancy is a member of the Boston Theater Critics Association, the organization which bestows the annual Elliot Norton Awards which honor the outstanding achievements of the Boston theater community, and she formerly served on the Executive Board of the Independent Reviewers of New England (IRNE). Nancy is an alumna of Syracuse University, has a graduate degree from Boston University, and is a retired Probation Officer-in-Charge in the Massachusetts Trial Court system.


Join Team BroadwayWorld! Interested in joining our team, but not exactly sure what we do? All of your questions are answered, along with every open position from guest and student bloggers, Regional Editors, and more! Find out where we have open positions available here!


          

Nominations Open For The 2019 BroadwayWorld Fargo Awards, Presented by TodayTix!   

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Nominations are NOW OPEN for the 2019 BroadwayWorld Fargo Awards, brought to you by TodayTix!

Regional productions, touring shows, and more are all included, honoring productions which opened between October 1, 2018 through September 30, 2019. Our local editors have set the categories and now YOU get to nominate and vote for your favorites! Nominations are reader-submitted and will be open through October 31.

After the nomination period ends, BroadwayWorld's local editors will proof the list for eligibility and errors, then voting will begin in early November and run through December 31. Winners will be announced in January!

This year the BroadwayWorld Regional Awards are bigger and better than ever, including over 100 cities across America, Canada, Central and South America, Europe, and Asia!

Please carefully and accurately fill in the nomination form for your region, making sure the production meets the eligibility requirements described above.

TodayTix has joined forces with BroadwayWorld to offer more access to the best theater in your city. By gathering the best prices into one place in TodayTix Ticket Central, sharing exclusive TodayTix Lottery and Rush programs, and providing insider tips on how to score the best prices on trending shows, planning your next night out is now easier than ever.

Download the app or visit TodayTix.com to get started.

Don't miss out on making sure that your favorite theatres, stars, and shows get the recognition they deserve!


          

we love Bruno Mars   

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Peter Gene Hernandez (born October 8, 1985), better known by his stage name Bruno Mars, is an American singer-songwriter and record producer. Raised in Honolulu, Hawaii by a family of musicians, Mars began making music at a young age. After performing in various musical venues in his hometown throughout his childhood, he decided to pursue a musical career and moved to Los Angeles after graduating from high school. Mars began producing songs for other artists, joining production team The Smeezingtons.
After an unsuccessful stint with Motown Records, Mars signed with Atlantic Records in 2009. He became recognized as a solo artist after lending his vocals and co-writing the hooks for the songs "Nothin' on You" by B.o.B, and "Billionaire" by Travie McCoy. He also co-wrote the hits "Right Round" by Flo Rida featuring Ke$ha, and "Wavin' Flag" by K'naan. In October 2010, he released his debut album, Doo-Wops & Hooligans. Anchored by the worldwide number one singles "Just the Way You Are" and "Grenade", the album peaked at number three on the Billboard 200.[2] He was nominated for seven Grammys at the 53rd Grammy Awards, winning Best Male Pop Vocal Performance for "Just the Way You Are".
Mars' music is noted for displaying a wide variety of styles and influences, and contains elements of many different musical genres. He has worked with an assortment of artists from different genres; Mars acknowledges the influences that his collaborations have had on his own music. As a child, he was highly influenced by artists such as Little Richard,[3] Elvis Presley and Michael Jackson and would often impersonate these artists from a young age. Mars also incorporates reggae and Motown inspired sounds into his work. Jon Caramanica of The New York Times referred to Mars as "one of the most versatile and accessible singers in pop".[4]
Bruno Mars' is the number one selling artist worldwide for 2011 by digital sales. With three singles in the top ten including first place with 12.5 million sales the single "Just The Way You Are".[5]

http://en.wikipedia.org/wiki/Bruno_Mars

          

Spider-Man: Far From Home VFX Breakdown by Framestore   

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Spider-Man: Far From Home VFX Breakdown by Framestore For Marvel Studios’ Spider-Man: Far From Home, we took on the dazzling ‘Illusion Battle,’ a mesmirising sequence which sees Mysterio play on Peter’s very worst fears by conjuring psychedelic environments, freakish characters and a dramatic narrative. Working with Production VFX Supervisor Janek Sirrs, the team crafted the […]

The post Spider-Man: Far From Home VFX Breakdown by Framestore appeared first on CG Record TV | A Channel for CG Artists.


          

Robot Democratization: A Machine for Every Manufacturer   

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With collaborative robots proliferating, we wanted to know who’s using these robots and what tasks they’re doing. Design News caught up with Walter Vahey, executive vice-president at Teradyne, a company that helps manufacturers gear up their automation. Vahey sees a real change in the companies that are deploying robotics. For years robots were tools only for the largest manufacturers. They required expensive care and feeding in the form of integrators and programming. Now, collaborative robots require configuration rather than programming, and they can be quickly switched from task to task.

Vahey talked about robot companies such as Universal Robots (UR) which produces robot arms, and MiR, a company that produces collaborative mobile robots. He explained how they’re putting robotics in the hands of smaller manufacturers that previously could not afford advanced automation. The difference is that these robots are less expensive, they can be set up for production without programming, and they can be quickly reconfigured to change tasks.

Universal Robots, MiR, Taradyne, robotics, robots, automation, small manufacturers
Robots are now within the investment reach of small manufacturers. That's fueling a surge in the use of collaborative robots. (Image source: Universal Robots)

We asked Vahey what’s different about collaborative robots and what he’s seeing in robot adoption among smaller manufacturers.

Design News: Tell us about the new robots and how they’re getting deployed.

Walter Vahey: Companies such as Universal Robots and MiR are pioneering the robot space. They’re bringing automation to a broad class of users and democratizing automation. For small companies, the task at hand is to figure out how to fulfill their orders. It’s particularly challenging to manufacturers. In a tight labor market, manufacturers are facing more competition, growing demand, and higher expectations in quality.

Manufacturer can plug UR or MiR robots in very quickly. Everything is easy, from the specs up front to ordering to quickly arranging and training the robot. There’s no programming, and the robots have the flexibility to do a variety of applications. Every customer is dealing with labor challenges, so now they’re deploying collaborative robots to fulfill demand with high quality.

The whole paradigm has shifted now that you have a broader range of robot applications. You can easily and quickly bring in automation, plug it in ,and get product moving in hours or days rather than months. That’s what’s driving the growth at UR and MiR.

The Issue of Change Management

Design News: Is change management a hurdle?. Does the robot cause workforce disruption?

Walter Vahey: We really haven’t seen that as an issue. The overwhelming need to improve and fulfill demand at a higher quality level helps the manufacturers deploy. It outweighs other challenges. We help with the deployment, and the manufacturers are making the change easily.

We grew up as a supplier of electronic test equipment. Since 2015, we’ve entered the industrial automation market with a focus on the emerging collaborative robot space. We see that as a way to change the equation for manufacturers, making it faster and easier to deploy automation.

Design News: What about return on investment? Robotics can be a considerable investment for a small company/

Walter Vahey: The customers today are looking for relatively short ROI, and we’re seeing it from 6 months to a year. That’s a no brainer for manufacturers. They’re ready to jump in.

We work hard to make deployment less of an issue. We have an application builder, and we use it to prepare for deployment. The new user may have a pick-and-place operation. They choose the gripper, and we guide them to partners who make it easy to deploy.

The application builder helps the customer pick the gripper. The whole object is to get the customer deployed rapidly so the automation doesn’t sit. With MiR, the robot comes in, and we find an easy application for the mobile device. We take the robot around the plant and map it. We’ve work to guide customers through an application quickly and make the robot productive as soon as possible.

There are hundreds of partners that work with UR and MiR, providing grippers and end effectors. We have a system that customers can plug into. Customer can look at grippers from a wide range of companies. We’re not working just on the robot deployment. We work to get the whole system deployed so they can quickly get the ROI.

What Tasks Are the Robots Taking On?

Design News: Who in the plant is using the robots, and what tasks are involved?

Walter Vahey: There is a range of users. To be effective at training a robot and configuring it, the people best suited for it are the ones most aware of the task. To get the robot to be effective you have to know the task. By and large, the person who has been doing that task is best suited to train the robot. That person can then train other robots. Nobody’s better suited to do it than the people who know what needs to be done.

The tasks are broad set of applications. We automate virtually any task and any material movement. It’s not quite that simple, but it’s close. With UR, we’re doing machine learning, grinding, packing, pick-and-place, repetitive tasks, welding. It’s a very broad set of applications. In materials it’s also very broad. Parts going from a warehouse to a work cell, and then from the work cell to another work cell, up to a 1000-kilo payload. We’re moving robots into warehousing and logistics space, even large pieces of metal. The robots are well suited for long runs of pallets of materials.

Rob Spiegel has covered automation and control for 19 years, 17 of them for Design News. Other topics he has covered include supply chain technology, alternative energy, and cyber security. For 10 years, he was owner and publisher of the food magazine Chile Pepper.

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