tag:blogger.com,1999:blog-6447687153835230548Sat, 05 Oct 2024 01:59:04 +0000antenaKristin Reevescobalt studiomiguel cortezBridgeportCo-prosperityDan Bruttig and Erin ThurlowJoe CassanLiz BornRenovation CreepSalvador Jiménez FloresThe Workhouse TestVictoria Martinezalberto aguilarart of comedycontemporary artinstallationmighty fine artsnew medianick blackpilsensteve cruztexploitationantenanoreply@blogger.com (lapsus5)Blogger108125tag:blogger.com,1999:blog-6447687153835230548.post-8727132058042174198Sat, 30 Jan 2016 17:23:00 +00002016-01-30T11:23:35.867-06:00alberto aguilarantenacontemporary artinstallationpilsenAlberto Aguilar<div class="separator" style="clear: both; text-align: center;">
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<span style="background-color: white; color: #141823; font-family: helvetica, arial, sans-serif; font-size: 14px; line-height: 20.8444px;">Alberto Aguilar</span><br style="background-color: white; color: #141823; font-family: helvetica, arial, sans-serif; font-size: 14px; line-height: 20.8444px;" /><span style="background-color: white; color: #141823; font-family: helvetica, arial, sans-serif; font-size: 14px; line-height: 20.8444px;">April 8 - May 6, 2016</span><br style="background-color: white; color: #141823; font-family: helvetica, arial, sans-serif; font-size: 14px; line-height: 20.8444px;" /><br style="background-color: white; color: #141823; font-family: helvetica, arial, sans-serif; font-size: 14px; line-height: 20.8444px;" /><span style="background-color: white; color: #141823; font-family: helvetica, arial, sans-serif; font-size: 14px; line-height: 20.8444px;">Opening Friday April 8, 2016 from 6pm-10pm</span><br style="background-color: white; color: #141823; font-family: helvetica, arial, sans-serif; font-size: 14px; line-height: 20.8444px;" /><br style="background-color: white; color: #141823; font-family: helvetica, arial, sans-serif; font-size: 14px; line-height: 20.8444px;" /><span style="background-color: white; color: #141823; font-family: helvetica, arial, sans-serif; font-size: 14px; line-height: 20.8444px;">Antena</span><br style="background-color: white; color: #141823; font-family: helvetica, arial, sans-serif; font-size: 14px; line-height: 20.8444px;" /><span style="background-color: white; color: #141823; font-family: helvetica, arial, sans-serif; font-size: 14px; line-height: 20.8444px;">1755 S. Laflin St.</span><br style="background-color: white; color: #141823; font-family: helvetica, arial, sans-serif; font-size: 14px; line-height: 20.8444px;" /><span style="background-color: white; color: #141823; font-family: helvetica, arial, sans-serif; font-size: 14px; line-height: 20.8444px;">Chicago, IL 60608</span><br style="background-color: white; color: #141823; font-family: helvetica, arial, sans-serif; font-size: 14px; line-height: 20.8444px;" /><a href="; rel="nofollow nofollow" style="background-color: white; color: #3b5998; cursor: pointer; font-family: helvetica, arial, sans-serif; font-size: 14px; line-height: 20.8444px; text-decoration: none;" target="_blank"> class="word_break" style="display: inline-block;"></span>www.antenapilsen.com/</a><br style="background-color: white; color: #141823; font-family: helvetica, arial, sans-serif; font-size: 14px; line-height: 20.8444px;" /><br style="background-color: white; color: #141823; font-family: helvetica, arial, sans-serif; font-size: 14px; line-height: 20.8444px;" /><span style="background-color: white; color: #141823; font-family: helvetica, arial, sans-serif; font-size: 14px; line-height: 20.8444px;">Bio: Alberto Aguilar wrote this biography but will be speaking in third person. For no specific reason he has omitted the word art from this short paragraph but has made one exception. Alberto is a Chicago based ___ist and teaches at Harold Washington College. He is coordinator of Pedestrian Project a program dedicated to making ___ more accessible and available to all. Currently he is ___ist in residence at the ___ Institute of Chicago. Aguilar's creative practice often incorporates whatever materials are at hand as well as exchanges with his family, other ___ists, and people he encounters. His work bridges media from painting and sculpture to video, installation, performance, and sound, and has been exhibited at Chicago’s Museum of Contemporary ___, the Queens Museum, Crystal Bridges Museum, the Nelson-Atkins Museum and the Minneapolis Institute of ___.</span>2016/01/alberto-aguilar.htmlnoreply@blogger.com (Miguel)0tag:blogger.com,1999:blog-6447687153835230548.post-4827930318225034295Fri, 15 Jan 2016 06:49:00 +00002016-01-15T00:49:21.993-06:00Alberto Aguilar reopens Antena<div class="separator" style="clear: both; text-align: center;">
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2016/01/alberto-aguilar-reopens-antena.htmlnoreply@blogger.com (Miguel)0tag:blogger.com,1999:blog-6447687153835230548.post-1163163425816696303Sat, 31 Oct 2015 02:31:00 +00002015-10-30T21:31:50.688-05:00Antena 2016<div class="separator" style="clear: both; text-align: center;">
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<br />2015/10/antena-2016.htmlnoreply@blogger.com (Miguel)0tag:blogger.com,1999:blog-6447687153835230548.post-3131132083353504305Fri, 14 Aug 2015 05:57:00 +00002015-08-14T00:57:43.124-05:002016<div class="separator" style="clear: both; text-align: center;">
Antena reopens 2016. </div>
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<br />2015/08/2016.htmlnoreply@blogger.com (Miguel)0tag:blogger.com,1999:blog-6447687153835230548.post-6623288569356819452Wed, 13 May 2015 02:12:00 +00002015-06-12T17:35:04.333-05:00Hot for O.S.<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Arial; font-weight: bold; vertical-align: baseline; white-space: pre-wrap;"><span style="font-size: large;">Hot for O.S.</span></span></div>
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<span style="font-family: Arial; font-size: 15px; font-weight: bold; vertical-align: baseline; white-space: pre-wrap;">Artists:
<span id="docs-internal-guid-ea58c75e-5736-bd54-caf1-42f850ce65cf" style="font-weight: normal;"><span style="font-style: italic; font-weight: bold; vertical-align: baseline;">_ʝ⌡△✕✕✕5̶¥̶N̶_ </span><span style="font-weight: bold; vertical-align: baseline;"> (jonCates && 愛真 Janet Lin)</span></span></span></div>
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<span style="font-family: Arial; font-size: 15px; font-weight: bold; vertical-align: baseline; white-space: pre-wrap;">Patrick Quinn</span></div>
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<span style="font-family: Arial; font-size: 15px; font-weight: bold; vertical-align: baseline; white-space: pre-wrap;">Paul Hertz</span></div>
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<span style="font-family: Arial; font-size: 15px; font-weight: bold; vertical-align: baseline; white-space: pre-wrap;">Jon Satrom</span></div>
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<span style="font-family: Arial; font-size: 15px; font-weight: bold; vertical-align: baseline; white-space: pre-wrap;">Jason Soliday </span></div>
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<span style="font-family: Arial; font-size: 15px; font-weight: bold; vertical-align: baseline; white-space: pre-wrap;">Jeff Kolar</span></div>
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<span style="font-family: Arial; font-size: 15px; font-weight: bold; vertical-align: baseline; white-space: pre-wrap;">Amelia Winger-Bearskin</span></div>
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<span style="font-family: Arial; font-size: 15px; font-weight: bold; vertical-align: baseline; white-space: pre-wrap;">Amanda Gutierrez</span></div>
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<span style="font-family: Arial; font-size: 15px; font-weight: bold; vertical-align: baseline; white-space: pre-wrap;">Huong Ngo
<span id="docs-internal-guid-ff43a0d9-70fd-1724-50a9-d651b452feab" style="font-weight: normal;"><span style="font-weight: bold; vertical-align: baseline;">George Monteleone</span></span>
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<span style="font-family: Arial; font-size: 15px; font-weight: bold; vertical-align: baseline; white-space: pre-wrap;">Patrick Lichty</span></div>
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<span style="font-family: Arial; font-size: 15px; font-weight: bold; vertical-align: baseline; white-space: pre-wrap;">Brett Ian Balogh</span></div>
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<span style="font-family: Arial; font-size: 15px; font-weight: bold; vertical-align: baseline; white-space: pre-wrap;">Sam Lavigne</span></div>
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<span style="font-family: Arial; font-size: 15px; font-weight: bold; vertical-align: baseline; white-space: pre-wrap;">David Tracy</span></div>
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<span style="font-family: Arial; font-size: 15px; vertical-align: baseline; white-space: pre-wrap;"><span style="line-height: 1.38;"><span id="docs-internal-guid-ea58c75e-5737-4031-5fd3-d1047e02141b"><span style="vertical-align: baseline;">Performances by Satrom & Soliday, </span><span style="font-size: 13px; font-style: italic; vertical-align: baseline;">_ʝ⌡△✕✕✕5̶¥̶N̶_ </span><span style="vertical-align: baseline;"> (jonCates && 愛真 Janet Lin), and Jeff Kolar</span></span>
</span>Curated by Miguel Cortez</span></div>
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<span style="font-family: Arial; font-size: 15px; font-weight: bold; vertical-align: baseline; white-space: pre-wrap;">Opening Friday June 5, 2015 from 6pm-10pm</span></div>
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<span style="font-family: Arial; font-size: 15px; vertical-align: baseline; white-space: pre-wrap;">1950 W. 21st St.</span></div>
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<span style="font-family: Arial; font-size: 15px; vertical-align: baseline; white-space: pre-wrap;">Chicago, IL 60608</span><span style="font-family: Arial; font-size: 15px; vertical-align: baseline; white-space: pre-wrap;"><br class="kix-line-break" /></span><a href="; style="text-decoration: none;"><span style="font-family: Arial; font-size: 15px; text-decoration: underline; vertical-align: baseline; white-space: pre-wrap;">;
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<span style="font-family: Arial; font-size: 15px; vertical-align: baseline; white-space: pre-wrap;"><b><i>Hot for O.S.</i></b></span><span style="font-family: Arial; font-size: 15px; vertical-align: baseline; white-space: pre-wrap;"> is a tongue in cheek title for a show with artists who work with new technology. While we all are staring at our phones and tablets during our bus or train trips, these artists use new media and create artwork that is unique and challenge the norms of how we experience art.</span></div>
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<span style="font-family: Arial; font-size: 15px; vertical-align: baseline; white-space: pre-wrap;">Regarding the title, O.S. or Object Sexuality is a sexual fetish for people who fall in love or feel strong feelings of attraction to </span><span style="background-color: white; font-family: Arial; font-size: 15px; vertical-align: baseline; white-space: pre-wrap;">inanimate objects. Although these artists are not necessarily in love with their objects(or are they?), they do have a passion.</span></div>
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<span style="font-family: Arial; font-size: 15px; font-weight: bold; vertical-align: baseline; white-space: pre-wrap;"><u>About the artists:
</u></span><span style="background-color: white; font-family: Arial; font-size: 15px; font-weight: bold; vertical-align: baseline; white-space: pre-wrap;">Amanda Gutierrez</span><span style="background-color: white; font-family: Arial; font-size: 15px; vertical-align: baseline; white-space: pre-wrap;"> is a video artist born in Mexico City, </span><a href="; style="line-height: 1.38; text-decoration: none;"><span style="background-color: white; font-family: Arial; font-size: 15px; text-decoration: underline; vertical-align: baseline; white-space: pre-wrap;">Amanda Gutiérrez</span></a><span style="background-color: white; font-family: Arial; font-size: 15px; vertical-align: baseline; white-space: pre-wrap;"> completed her graduate studies at The School of the Art Institute of Chicago, specializing in Performance and New Media. In Mexico, she completed her undergraduate studies in Stage Design at the INBA/ENAT. For twelve years, she has worked in the field of performance and sound art, fusing the two disciplines in installation projects. Among her video series is </span><span style="background-color: white; font-family: Arial; font-size: 15px; font-style: italic; vertical-align: baseline; white-space: pre-wrap;">A brief history of fictions</span><span style="background-color: white; font-family: Arial; font-size: 15px; vertical-align: baseline; white-space: pre-wrap;">, which consists of four projects performed under the same methodology and work strategies from documentary and performance. This series has won two awards: The Fellowship Competition 2007 and CAAP 2008, and was selected as a finalist for the national award Artadia Art Chicago 2009. Gutiérrez has had artist residencies at CMM (Multimedia Center) in Mexico City, Mexico (2001), ZKM (Zentrum für Kunst und Medientechnologie) in Karlsruhe, Germany (2002), and Artist Village in Taipei, Taiwan (2009). She has also received scholarships from the Artist Residencies Program 2009 FONCA-BANFF Centre and the prize-EMARE EMAN at the residency FACT Liverpool. In the present she is the recipient of the Mexican grant for established artist: Sistema Nacional de Creadores ( National System of Creators). </span><a href="; style="line-height: 1.38; text-decoration: none;"><span style="background-color: white; font-family: Arial; font-size: 15px; text-decoration: underline; vertical-align: baseline; white-space: pre-wrap;">www.amandagutierrez.net</span></a></div>
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<span style="font-family: Arial; font-size: 15px; font-weight: bold; vertical-align: baseline; white-space: pre-wrap;">Amelia Winger-Bearskin</span><span style="font-family: Arial; font-size: 15px; vertical-align: baseline; white-space: pre-wrap;"> is graduating from NYU – ITP (</span><a href="; style="text-decoration: none;"><span style="font-family: Arial; font-size: 15px; text-decoration: underline; vertical-align: baseline; white-space: pre-wrap;">Interactive Telecommunications Program</span></a><span style="font-family: Arial; font-size: 15px; vertical-align: baseline; white-space: pre-wrap;">) in New York City in 2015 ( </span><a href="; style="text-decoration: none;"><span style="font-family: Arial; font-size: 15px; text-decoration: underline; vertical-align: baseline; white-space: pre-wrap;">PBS MediaShift</span></a><span style="font-family: Arial; font-size: 15px; vertical-align: baseline; white-space: pre-wrap;">). In 2014 her video artwork was included in the 2014 Storytelling : La biennale d’art contemporain autochtone, 2e édition (Art Biennale of Contemporary Native Art) at </span><a href="; style="text-decoration: none;"><span style="font-family: Arial; font-size: 15px; text-decoration: underline; vertical-align: baseline; white-space: pre-wrap;">Art Mur </span></a><span style="font-family: Arial; font-size: 15px; vertical-align: baseline; white-space: pre-wrap;">(Montreal, Canada). She is also the co-founder of the </span><a href="; style="text-decoration: none;"><span style="font-family: Arial; font-size: 15px; text-decoration: underline; vertical-align: baseline; white-space: pre-wrap;">‘Stupid Hackathon’</span></a><span style="font-family: Arial; font-size: 15px; vertical-align: baseline; white-space: pre-wrap;"> with Sam Lavigne-in its </span><a href="; style="text-decoration: none;"><span style="font-family: Arial; font-size: 15px; text-decoration: underline; vertical-align: baseline; white-space: pre-wrap;">second year</span></a><span style="font-family: Arial; font-size: 15px; vertical-align: baseline; white-space: pre-wrap;"> and has had </span><a href="; style="text-decoration: none;"><span style="font-family: Arial; font-size: 15px; text-decoration: underline; vertical-align: baseline; white-space: pre-wrap;">press</span></a><span style="font-family: Arial; font-size: 15px; vertical-align: baseline; white-space: pre-wrap;"> in a </span><a href="; style="text-decoration: none;"><span style="font-family: Arial; font-size: 15px; text-decoration: underline; vertical-align: baseline; white-space: pre-wrap;">few </span></a><span style="font-family: Arial; font-size: 15px; vertical-align: baseline; white-space: pre-wrap;">recent </span><a href="; style="text-decoration: none;"><span style="font-family: Arial; font-size: 15px; text-decoration: underline; vertical-align: baseline; white-space: pre-wrap;">publications,</span></a><span style="font-family: Arial; font-size: 15px; vertical-align: baseline; white-space: pre-wrap;"> most recently </span><a href="; style="text-decoration: none;"><span style="font-family: Arial; font-size: 15px; text-decoration: underline; vertical-align: baseline; white-space: pre-wrap;">The Guardian.</span></a><span style="font-family: Arial; font-size: 15px; vertical-align: baseline; white-space: pre-wrap;"> She has been a featured artist at numerous international performance festivals since 2008 in cities not limited to: Beijing, China, Manila, Philippines, Seoul, South Korea, Sao Paulo, Brazil, New York NY and Washington, DC. She performed as part of the 2012 Gwangju Biennial and created an interactive portion of The Exchange Archive at the Museum of Modern Art (MoMA) in 2013. </span><a href="; style="text-decoration: none;"><span style="font-family: Arial; font-size: 15px; text-decoration: underline; vertical-align: baseline; white-space: pre-wrap;">;
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<span style="background-color: white; font-family: Arial; font-size: 15px; font-weight: bold; vertical-align: baseline; white-space: pre-wrap;">Brett Ian Balogh</span><span style="background-color: white; font-family: Arial; font-size: 15px; vertical-align: baseline; white-space: pre-wrap;"> is a Chicago-based artist working at the intersection of objects, sounds and spaces. He is currently an instructor at the School of the Art Institute of Chicago, the University of Illinois at Chicago and the Illinois Institute of Technology, teaching courses in new media, architecture, digital fabrication, radio and sound. Brett is a free103point9 transmission artist and has exhibited and performed at P.S.1 (NY), Diapason (NY), Devotion Gallery (NY); The MCA (Chicago) and The Hyde Park Arts Center (Chicago) among others.</span></div>
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<span style="background-color: white; font-family: Arial; font-size: 15px; font-weight: bold; vertical-align: baseline; white-space: pre-wrap;">David Tracy </span><span style="background-color: white; font-family: Arial; font-size: 15px; vertical-align: baseline; white-space: pre-wrap;">is a designer and artist currently residing in New York City by way of Chicago. David worked as an architect in Chicago before pursuing a Master’s degree at the Interactive Telecommunications Program at NYU. He develops projects that explore the digital presence of physical objects, internet augmented perception, and interactive space. </span></div>
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<span id="docs-internal-guid-ff43a0d9-70fc-5c5c-70e5-2135bfe1d532"><span style="background-color: white; font-family: Arial; font-size: 15px; font-weight: bold; vertical-align: baseline; white-space: pre-wrap;">George Monteleone </span><span style="background-color: white; font-family: Arial; font-size: 15px; vertical-align: baseline; white-space: pre-wrap;">was born in Philadelphia and grew up in the rural enclave of Jim Thorpe (formerly known as Mauch Chunk), Pennsylvania. He studied cognitive science at Northwestern University, and developed his creative practice at the School of the Art Institute of Chicago and the Skowhegan School of Painting and Sculpture. His work explores potential structures of social and affective experience, which he considers a specialized inquiry in the field of science, and a fundamental component in the practice of art. He has screened, performed, and exhibited collaborative work at venues including The Kitchen (New York City, NY), Recess (New York City, NY), The Edinburgh International Film Festival (Edinburgh, Scotland), The Crossroads Moving Image Festival (San Francisco, CA), Roots & Culture CAC (Chicago, IL), and The Hyde Park Arts Center (Chicago, IL). He has also co-authored research articles published in the Proceedings of the National Academy of Sciences, the Journal of Personality and Social Psychology, and the Journal of Cognitive Neuroscience. He currently resides in New York City, makes ongoing remote contributions to research at the University of Chicago Center for Cognitive and Social Neuroscience, and teaches in the program in Digital Arts and Multimedia Design at La Salle University as well as the Department of Film at Brooklyn College. </span></span></div>
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<span style="background-color: white; font-family: Arial; font-size: 15px; font-weight: bold; vertical-align: baseline; white-space: pre-wrap;">Hương Ngô</span><span style="background-color: white; font-family: Arial; font-size: 15px; vertical-align: baseline; white-space: pre-wrap;"> is an interdisciplinary artist, born in Hong Kong as a refugee and based everywhere. Her work draws from a range of performance-based practices in order to engage specifically with the potential of the anti/de-colonial gesture and more broadly to explore how political agency is embedded in the performative. A graduate of the School of the Art Institute of Chicago, she was a fellow at the Whitney Independent Study Program and recently received the Fulbright U.S. Scholars Grant to realize a project in Vietnam. She has presented her solo and collaborative work at the Museum of Contemporary Art (Chicago, IL), the Yerba Buena Center (San Francisco, CA), the New Museum (New York City, NY), Momenta Art (Brooklyn, NY), Vox Populi (Philadelphia, PA), the Queens Museum (Queens, NY), The Kitchen (New York City, NY), Madison Museum of Contemporary Art (Madison, WI), the Tate Modern (London, UK), the National Gallery (Prague, CZ) through the 2005 International Prague Art Biennial, amongst many other artist-run and nonprofit spaces. She is the recipient of the 2011 Rhizome Commission (with Fantastic Futures), has been in residence through the Lower Manhattan Cultural Council (New York City, NY), SOMA (Mexico City, MX), and the Camargo Foundation (Cassis, FR). This summer, she will be in residence at Latitude (Chicago, IL) and Millay Colony (Austerlitz, NY). </span><a href="; style="text-decoration: none;"><span style="background-color: white; font-family: Arial; font-size: 15px; text-decoration: underline; vertical-align: baseline; white-space: pre-wrap;">;
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<span style="background-color: white; font-family: Arial; font-size: 15px; font-weight: bold; vertical-align: baseline; white-space: pre-wrap;">Jason Soliday</span><span style="background-color: white; font-family: Arial; font-size: 15px; vertical-align: baseline; white-space: pre-wrap;"> is an electronic musician who has been an active member of Chicago’s sound-making community for over fifteen years, performing improvised and semi-composed works as a solo artist as well as a member of various bands and collaborative projects. Current projects XTAL fSCK with new media/glitch artist Jon Satrom, Cleaved Clever with Jake Rodriguez (bran(…)pos), several recording projects with EVP researcher Michael Esposito, and an improvising duo with bassist Darin Gray (Chikamorachi, Dazzling Killmen, etc.). From 2005 to 2012 he was also the main organizer at Enemy, a performance space in Chicago focusing on sound art and improvised music. </span><a href="; style="text-decoration: none;"><span style="background-color: white; font-family: Arial; font-size: 15px; text-decoration: underline; vertical-align: baseline; white-space: pre-wrap;">www.soundcloud.com/cranks-satori</span></a></div>
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<span style="background-color: white; font-family: Arial; font-size: 15px; font-weight: bold; vertical-align: baseline; white-space: pre-wrap;">Jeff Kolar</span><span style="background-color: white; font-family: Arial; font-size: 15px; vertical-align: baseline; white-space: pre-wrap;"> is a sound artist and curator working in Chicago, USA. His work, described as “speaker-shredding” (Half Letter Press), “wonderfully strange” (John Corbett), and “characteristically curious” (Marc Weidenbaum), often activates sound in unconventional, temporary, and ephemeral ways using appropriation and remix as a critical practice. His solo and collaborative projects, installations, and public performances often investigate the mundane sonic nuances of everyday electronic devices. Jeff is a free103point9 Transmission Artist, and the founder and director of Radius, an experimental radio broadcast platform. </span><a href="; style="text-decoration: none;"><span style="background-color: white; font-family: Arial; font-size: 15px; text-decoration: underline; vertical-align: baseline; white-space: pre-wrap;">;
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<span style="background-color: white; font-family: Arial; font-size: 15px; font-weight: bold; vertical-align: baseline; white-space: pre-wrap;">Jon Satrom</span><span style="background-color: white; font-family: Arial; font-size: 15px; vertical-align: baseline; white-space: pre-wrap;"> is a constructive deconstructivist, a creative problematizer, a collaborative agitator and a systems spelunker. His realtime A/V performances (w/ Jason Soliday & Rob Ray, && others), experimental video-works, net.art, and artware (w/ Ben Syverson) have been consumed within various space-times across multiple planes. Satrom co-founded the r4wb1t5! microFestival framework (w/ jonCates) and the </span><a href="; style="text-decoration: none;"><span style="background-color: white; font-family: Arial; font-size: 15px; vertical-align: baseline; white-space: pre-wrap;">GLI.TC/H</span></a><span style="background-color: white; font-family: Arial; font-size: 15px; vertical-align: baseline; white-space: pre-wrap;">conference/festival/gathering (w/ Nick Briz, Evan Meaney, && Rosa Menkman). He has taught and developed courses in the new-media path of the Department of Film Video New Media Animation at the School of the Art Institute of Chicago, the TECHNE lab at the University of Colorado in Boulder, and directs the Chicago-based boutique digital studio studiothread. Sharing, bringing folks together, creative problem creating and investigating structures though failure, kludges, and glitches fuel his endeavors. </span><a href="; style="text-decoration: none;"><span style="background-color: white; font-family: Arial; font-size: 15px; vertical-align: baseline; white-space: pre-wrap;">;
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<span style="background-color: white; font-family: Arial; font-size: 15px; font-weight: bold; vertical-align: baseline; white-space: pre-wrap;">Patrick Lichty </span><span style="background-color: white; font-family: Arial; font-size: 15px; vertical-align: baseline; white-space: pre-wrap;">is a technologically-based media artist, writer, independent curator, co-founder of the performance art group Second Front, and animator for the activist group, The Yes Men. He began showing technological media art in 1989, and deals with works and writing that explore the social relations between us and media. Venues in which Lichty has been involved with solo and collaborative works include the Whitney & Turin Biennials, Maribor Triennial, Performa Performance Biennial, Ars Electronica, and the International Symposium on the Electronic Arts (ISEA). </span><a href="; style="text-decoration: none;"><span style="background-color: white; font-family: Arial; font-size: 15px; vertical-align: baseline; white-space: pre-wrap;">;
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<span style="background-color: white; font-family: Arial; font-size: 15px; font-weight: bold; vertical-align: baseline; white-space: pre-wrap;">Patrick Quinn</span><span style="background-color: white; font-family: Arial; font-size: 15px; vertical-align: baseline; white-space: pre-wrap;"> is an artist, hacker and researcher concerned with destabilizing structures of enclosure and promoting open culture. He utilizes a variety of remixological processes and trangressive media strategies to form a tangential counter-discourse to capitalism. This counter-discourse takes the form of participatory media art projects that attempt to inspire widespread revolt against commodified information and move society beyond the property form. In 2015, Quinn founded SURVANT-Cryp (</span><a href="; style="text-decoration: none;"><span style="background-color: white; font-family: Arial; font-size: 15px; text-decoration: underline; vertical-align: baseline; white-space: pre-wrap;"> style="background-color: white; font-family: Arial; font-size: 15px; vertical-align: baseline; white-space: pre-wrap;">), a Brooklyn-based experimental music + zine imprint utilizing dead drops + .onion sites to distribute music + zines + poetics. He has participated in art + hacking projects in Chicago, New York, San Francisco, Detroit, Dallas, Basel and Cape Town. Quinn studied at the School of the Art Institute of Chicago and received a Master of Fine Arts degree from Vermont College of Fine Arts in 2015. </span></div>
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<span style="background-color: white; font-family: Arial; font-size: 15px; font-weight: bold; vertical-align: baseline; white-space: pre-wrap;">Paul Hertz</span><span style="background-color: white; font-family: Arial; font-size: 15px; vertical-align: baseline; white-space: pre-wrap;"> is an independent artist and curator who teaches at the School of the Art Institute of Chicago. He delights in dysfunctional fortunetelling, faux symbolism, intermedia, code sourcery, glitching and social interfaces. He recently curated the group show "glitChicago" at the Ukrainian Institute of Modern Art. Another group show he curated, all.go.rhythm, will open at the Ukrainian in October 2015. He has been involved with algorithmic art and computational media for over 30 years. </span><a href="; style="text-decoration: none;"><span style="background-color: white; font-family: Arial; font-size: 15px; text-decoration: underline; vertical-align: baseline; white-space: pre-wrap;">;
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<span style="background-color: white; font-family: Arial; font-size: 15px; font-weight: bold; vertical-align: baseline; white-space: pre-wrap;">Sam Lavigne</span><span style="background-color: white; font-family: Arial; font-size: 15px; vertical-align: baseline; white-space: pre-wrap;"> is an artist and programmer based in Brooklyn. His work deals with surveillance, cops, data, and automation. He is a contributing editor at The New Inquiry, and the cofounder of the Stupid Shit No One Needs and Terrible Ideas Hackathon. </span><a href="; style="text-decoration: none;"><span style="background-color: white; font-family: Arial; font-size: 15px; text-decoration: underline; vertical-align: baseline; white-space: pre-wrap;"> style="background-color: white; font-family: Arial; font-size: 15px; vertical-align: baseline; white-space: pre-wrap;"><br class="kix-line-break" /></span></a></div>
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<span style="font-family: Arial; font-size: 15px; font-weight: bold; text-decoration: underline; vertical-align: baseline; white-space: pre-wrap;"><br /></span><span style="font-family: Arial; font-size: 15px; font-weight: bold; vertical-align: baseline; white-space: pre-wrap;"><span id="docs-internal-guid-ea58c75e-5737-b0a8-9619-5550d9b1ab27" style="font-weight: normal;"><span style="background-color: white; font-style: italic; font-weight: bold; vertical-align: baseline;">_ʝ⌡△✕✕✕5̶¥̶N̶_</span><span style="background-color: white; vertical-align: baseline;"> is the Noise Country duet of jonCates && 愛真 Janet Lin, who got married in a fever, hotter than a pepper sprout: jJ4xxx5YN.tumblr.com</span></span></span><br />
<span style="font-family: Arial; font-size: 15px; font-weight: bold; text-decoration: underline; vertical-align: baseline; white-space: pre-wrap;"><br /></span><span style="font-family: Arial; font-size: 15px; font-weight: bold; text-decoration: underline; vertical-align: baseline; white-space: pre-wrap;">About the curator:</span></div>
<span style="background-color: white; font-family: Arial; font-size: 15px; font-weight: bold; vertical-align: baseline; white-space: pre-wrap;">Miguel Cortez</span><span style="background-color: white; font-family: Arial; font-size: 15px; vertical-align: baseline; white-space: pre-wrap;"> is an artist/curator living in Chicago and born in Guanajuato, Mexico. He has studied filmmaking at Columbia College and art at the School of the Art Institute of Chicago. He currently runs Antena, an alternative art space located in Chicago's Pilsen neighborhood. His artwork has been shown at Gallery 414 in Fort Worth, Texas, at the Krannert Museum and at the National Museum of Mexican Art in Chicago. Other shows include exhibits in Dallas at Mighty Fine Arts Gallery, Glass Curtain Gallery and at VU Space in Melbourne, Australia. </span><span style="background-color: white; font-family: Arial; font-size: 15px; vertical-align: baseline; white-space: pre-wrap;"><a href="; style="text-decoration: none;"> />
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Jeff Kolar "Car Alarms"</span></div>
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<span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; line-height: normal;">Jeff Kolar "Car Alarms"</span><br />
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Patrick Lichty "drone fail"</span><br />
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