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oboist, oboe reed maker, teacher Tue, 25 Aug 2026 12:31:54 +0000 en hourly 1 32 32 70940028 How Oboe Shaper Width Controls Your Oboe Reed’s Pitch, Opening, and Scrape /how-shaper-width-controls-your-oboe-reeds-pitch-opening-and-scrape/ /how-shaper-width-controls-your-oboe-reeds-pitch-opening-and-scrape/#respond Thu, 06 Aug 2026 12:51:29 +0000 /?p=35858 How Oboe Shaper Width Controls Your Reed’s Pitch, Opening, and Scrape I own a large collection of shaper tips, which has given me a lot of hands-on experience experimenting with different oboe shaper widths.. While I enjoy displaying them in my office, they also serve a practical purpose: I use many of them to help customers explore their preferred shapes when buying shaped cane from my business. When I was in college, I loved wide shapes that could take a lot of air and required significant physical manipulation to play in tune. Today, however, I prefer the stability of a narrow shape. Understanding how these different shapes actually function is critical. When we find ourselves troubleshooting an oboe reed that sags in pitch, collapses, or feels stuffy, our immediate instinct is usually to reach for the scraping knife. But the structural reality of a reed is determined long before we start scraping. Oboe shaper width is one of the most fundamental variables we manage at the reed desk. It directly dictates a reed’s natural pitch, tip structure, and exactly where you need to focus your knife work. Understanding how shaper width alters these mechanics allows you to make precise, structural adjustments before your knife ever touches the cane. 1. How Oboe Shaper Width Affects Pitch and Intonation Shaper width establishes the baseline geometry for pitch and register response: Narrower Shapes: Historically linked to systems like the French oboe, narrow shapes naturally raise the overall pitch. They offer strong pitch stability and prevent sagging, but if you use a shape that is excessively narrow for your setup, it can choke the reed and dampen its natural resonance. Wider Shapes: Historically aligned with German-style reed making, wider shapes lower the pitch and create a larger internal volume. However, if a shape is too wide, the reed will develop a chronic tendency to play flat, making the extreme upper register incredibly difficult to speak. 2. Matching Oboe Shaper Width to Gouge Thickness Shaper width fundamentally changes how your cane utilizes the natural circular arc of the tube: Wider Shapes: These preserve a wider segment of the tube’s arc. This extra width acts like a stronger spring, naturally creating a robust, open tip. Because the extra width is doing the heavy lifting to keep the reed open, you can pair a wide shape with a gouge that has slightly thinner sides without risking structural collapse. Narrower Shapes: These utilize a smaller segment of the tube’s arc, resulting in a flatter, smaller tip opening. To keep a narrow reed open, vibrant, and rich in low-register overtones, you must pair a narrow shape with a gouge that possesses heavier sides to provide that missing structural support. (For a deeper dive into these measurements, check out my guide on understanding side thickness). 3. Adapting Your Scraping Focus for Different Shaper Widths Your shaper tip width completely shifts where you need to concentrate your scrape: Wider Shapes: Because the wide geometry naturally maintains openness and vibration, you don’t need to thin the sides as aggressively. Instead, you can shift your focus toward thinning and clarifying the tip to maximize response and articulation. Narrower Shapes: Because the structure is inherently flatter and less open, you must carefully balance the sides and back so the reed speaks freely without choking. Precise knife control is essential here to prevent the tone from becoming shallow or overly bright. Key Takeaway for the Reed Desk Before reaching for the gouger or switching shapers entirely, evaluate your setup as a complete ecosystem. Your oboe shaper width, the side thickness of your gouge, and your scraping focus all work together in harmony to determine how your reed performs on the instrument. ]]> /how-shaper-width-controls-your-oboe-reeds-pitch-opening-and-scrape/feed/ 0 35858 Oboe Reed Gouging: Understanding Side Thickness for Better Reeds /oboe-reed-gouging-understanding-side-thickness-for-better-reeds/ /oboe-reed-gouging-understanding-side-thickness-for-better-reeds/#respond Mon, 20 Jul 2026 15:45:28 +0000 /?p=35834 Oboe Reed Gouging: Understanding Side Thickness for Better Reeds When we find ourselves troubleshooting an oboe reed that leaks, runs flat, or collapses under pressure, our immediate instinct is usually to reach for the scraping knife. But the structural reality of a reed is determined long before we ever tie cane to a staple. It all begins with proper oboe reed gouging. Among all the variables we manage at the reed desk, oboe reed gouging and side thickness are critical—and most frequently overlooked. This is especially true for oboists using a double radius gouging machine.  While some oboists like the control and variation they get from a double radius oboe gouger, these machines can also introduce a lot of variability in the side thickness of the cane The sides of your gouge dictate the foundational structure, tip opening, pitch stability, and overall playability of the finished reed. When your center-to-side proportions are off, you are essentially fighting a losing battle against the physics of the cane. Troubleshooting Oboe Reeds: When Your Gouge is Too Thick or Thin When adjusting your oboe gouging machine, hitting the correct side-to-center ratio is everything. Straying too far in either direction creates immediate structural issues. Here is why your reeds might be failing at the desk: Why does my oboe reed play flat? (Sides are too heavy): If the sides of your gouge are too thick, you will almost certainly struggle with air leakage along the rails. Additionally, a reed with excessively thick sides has a strong, chronic tendency to play flat in pitch. Why does my oboe reed collapse? (Sides are too thin): If the sides are too thin, the finished reed will lack the structural resilience to stay open, causing it to pinch shut and collapse. Furthermore, thin sides place the corners of your tip dangerously close to the hard outer bark of the cane. Instead of scraping the softer, vibrant inner cortex, you will find yourself battling the dense, water-repelling outer layer—making the final stages of the tip incredibly difficult. How Center-to-Side Balance Affects Pitch and Stability Even if your overall measurements are close, how that thickness transitions from the center to the sides is just as important as the numbers themselves. Asymmetry makes it nearly impossible to achieve a symmetrical opening at the tip. If the sides are uneven, scraping the reed evenly from side to side becomes an uphill climb, directly compromising the evenness of the vibrations. To prevent this, the center of your gouge must possess enough strength to balance the sides. If this balance is incorrect, the sides of the reed can easily pull apart as the cane dries out, resulting in “loose sides”—one of the most common causes of structural failure. To ensure a smooth, stable response, avoid any sudden drop-offs in thickness. A gradual, seamless transition from the centerline to the sides is essential for oboe pitch stability. Adjusting Your Gouge for Shaper Tips and Climate Because the gouge establishes the foundation of the reed, your measurements shouldn’t be entirely static. Matching Your Shaper Tip: The gouge must balance your chosen shaper. As a general rule, the narrower the shaper tip, the heavier the sides of the gouge need to be to maintain a healthy opening. Wider shaper tips naturally allow you to use a gouge with thinner sides. Adjusting for Winter Climates: Humidity dictates how cane behaves. In dry winter climates, building more strength into the reed by utilizing a gouge with slightly heavier sides helps the tip maintain a proper opening and keeps the cane vibrating freely in dry air. What is the Ideal Oboe Gouge Thickness? To keep your oboe reeds stable and vibrant, standard manuals generally recommend aiming for the following proportions: Measurement Area Ideal Thickness Centerline 0.58 mm – 0.60 mm Sides 0.45 mm – 0.50 mm Center-to-Side Difference 0.10 mm – 0.15 mm For most setups, a centerline of 0.60 mm and side measurements of 0.45 mm (a clean 0.15 mm difference) serves as an incredibly reliable, safe baseline. The next time you are sitting down for a tying session, take a moment to run a micrometer down the sides of your gouged cane. Tuning this balance at your gouging machine can save you hours of frustration with the knife. ]]> /oboe-reed-gouging-understanding-side-thickness-for-better-reeds/feed/ 0 35834 Oboe Reed Scraping for Beginners: A Three-Line Method /oboe-reed-scraping-beginners-three-line-method/ /oboe-reed-scraping-beginners-three-line-method/#comments Mon, 08 Jun 2026 20:59:56 +0000 /?p=35806 Oboe Reed Scraping for Beginners: A Three-Line Method Learning to scrape an oboe reed is often the most intimidating part of becoming an oboist. Many students struggle with knowing where to remove cane and how deep to go. By visualizing the blank reed as a series of distinct, proportional sections, you can move away from guesswork and start building a professional-grade oboe reed with confidence. Find more about tying oboe reed blanks here The Oboe Reed Architecture: A Simple Map While every cane is unique, you can use these three visual markers to maintain the correct proportions for a responsive reed: Line 1 (Bottom of the Heart): Place this halfway between the thread and the tip. This serves as the foundation for your heart scrape. Line 2 (Back of the Blend): Mark this halfway between Line 1 and the tip. This defines the back of your blend area. Line 3 (The Tip Area): Place this between Line 2 and the tip. This is where your thinnest cane will reside. The Key to Resonance: The Progressive Taper The golden rule of oboe reed-making is the taper: your reed must be the thinnest at the very tip and become progressively thicker as you move toward the heart. Mastering this gradient is the most important skill for achieving consistent vibration and tone. Step-by-Step Scraping Workflow Follow these stages to build your blank systematically: Define the Tip: Start by scraping back to Line 3. Ensure you remove the bark (epidermis) and the milky-colored cortical parenchyma layer. Define the Blend: Once the tip is clear, extend your scrape to Line 2. Remember to carry your strokes all the way off the tip of the blank—never stop in the middle of a stroke. Define the Heart: Finally, lengthen your scrape up to Line 1. Maintaining a smooth transition here is vital for a responsive reed. Pro-Tip for Better Reeds Allow your cane to rest. I strongly advise letting your reed dry completely after these initial steps. Returning to your reed a day or two later allows the internal stresses of the cane to stabilize, which leads to a more stable, longer-lasting, and better-playing instrument. Learn how to tie an oboe reed blank ]]> /oboe-reed-scraping-beginners-three-line-method/feed/ 1 35806 The Art of the Perfect Wrap: A Step-by-Step Guide to Tying Oboe Reeds /art-perfect-wrap-step-step-guide-tying-oboe-reeds/ /art-perfect-wrap-step-step-guide-tying-oboe-reeds/#respond Sun, 07 Jun 2026 23:53:02 +0000 /?p=35789 The Art of the Perfect Wrap: A Step-by-Step Guide to Tying Oboe Reeds ​For every oboe player, the journey from musician to craftsman begins at the tying block. Tying—or binding—your own reeds can feel incredibly daunting at first. You are managing wet cane, high-tension nylon thread, a brass staple, and a mandrel, all while trying to maintain precision down to the millimeter. ​If you’ve ever wound up with a pile of split cane or a reed that leaks like a sieve, you aren’t alone. The secret to mastering this process isn’t just manual dexterity; it’s understanding the mechanical relationship between the cane and the brass tube. ​Here is a comprehensive, easy-to-follow breakdown perfect for keeping open on your workbench. ​Phase 1: Preparation & Setup ​Before you touch a spool of thread, your materials need to be perfectly prepped. Shortcuts here will ruin the reed before you even begin wrapping. ​Soak the Cane: Immerse your gouged, shaped, and folded cane in warm water for 15 to 20 minutes. If it’s too dry, it will split down the center the moment you apply thread pressure. If it’s over-soaked, it becomes mushy and won’t hold its structural memory. ​Prepare the Thread: Ensure your nylon thread is unspooled slightly and anchored securely to your tying table or peg. You need enough resistance to pull against to create maximum tension. ​The Mandrel Handle: Place your brass staple securely onto the mandrel. This isn’t just a placeholder; the mandrel acts as your handle, giving you the leverage needed to handle the high tension of the wrap. ​Phase 2: The Step-by-Step Guide ​1. Mount and Fold ​Take your soaked cane and fold it precisely over your thumb or a folding knife. Slip the bottom tabs of the cane over the top of the brass staple. Slide the staple onto your mandrel so you have a solid, steady grip. ​2. Align and Measure ​This is where patience pays off. Look down the sides of the reed to make sure the two blades are perfectly parallel and aligned—this prevents “slippage” where one blade shifts left or right. Use a ruler to set your total starting length. For standard staples, you are aiming for a total length of 72mm to 73mm from the very bottom of the cork to the tip of the cane. ​3. The Anchor Wrap ​Hold the cane firmly against the staple with your non-dominant hand. Take your thread and wrap it around the cane just below the top of the staple. Make a simple crossover knot to anchor it. Keep a firm grip on the thread to maintain high tension from this moment forward. ​4. The Critical Ascent ​Begin wrapping upward toward the ears of the cane, keeping each rotation of the thread perfectly flush against the last. ​The Golden Rule: You must stop wrapping exactly at the top edge of the internal brass staple. ​If you tie even a hair past the brass, you will “choke” the reed, sealing the sides together and ruining its opening. If you tie too low, the reed will leak air from the sides, and it won’t speak properly in the low register. Finding this exact boundary line is the hallmark of a great reed maker. ​5. Lock and Cast Off ​Once you hit that sweet spot at the top of the brass, reverse direction. Wrap back down over your initial threads to lock them in place. Finish the reed with three or four half-hitch knots (casting off) at the base of the cane to secure it completely. Trim the excess thread cleanly with a sharp knife or razor. ​Pro-Tips for Troubleshooting ​Watch the Opening: If you notice the cane opening is dropping flat or closing up as you tie, your tension might be uneven, or your cane wasn’t centered on the staple. ​The Leak Test: Before you even think about scraping, seal the bottom of the staple with your finger and suck the air out of the reed tip. If it holds a vacuum and “pops” when you let go, you’ve got a perfect, airtight seal. If it doesn’t hold air, the thread didn’t cover the overlap correctly  Learn how to begin scraping oboe reeds in the next post ]]> /art-perfect-wrap-step-step-guide-tying-oboe-reeds/feed/ 0 35789 Reed Knife Sharpening, A Guide For Reed Makers /reed-knife-sharpening-guide-reed-makers/ /reed-knife-sharpening-guide-reed-makers/#comments Fri, 15 Oct 2021 15:38:16 +0000 /?p=25909 I am very grateful to be able to share this incredibly helpful sharpening guide with website visitors. Thank you to Daryl Caswell for writing this amazing little reed knife sharpening guide, the oboe community really appreciates you for sharing your great knowledge of sharpening with us. I am especially fortunate to have been given permission by Daryl Caswell and Barbara Schneider to scan and post a PDF version of this book. I hope that you find this manual as helpful and enlightening as I did when I first stumbled upon it years ago. Printed copies of the book are available through ALakotareeds.com by following this link. Buy Landwell Reed Knives here 1. Introduction This guide provides an analytical, scientific approach to sharpening reed knives. By understanding the metallurgy of your knife and the physics of the scraping process, you can adapt your sharpening technique to different cane qualities, humidity levels, and stages of reed making. 2. Key Sharpening Concepts Understanding these fundamental terms is crucial for successful sharpening: * Rake Angle: The angle at which the scraping burr cuts into the reed. * Chip Thickness: The amount of cane removed per stroke. * Scraping Force: The downward and horizontal pressure applied to the knife. * Lift Angle: The angle at which the spine of the knife is raised from the stone. * Burr Root Thickness: The thickness at the base of the burr, which determines burr strength and flexibility. 3. The Sharpening Process (Double Hollow Ground) Step Purpose Tool 1 Set the first angle (for completely dull knives) Fine diamond stone 2 Form a rough burr Fine diamond stone 3 Smooth the burr Fine India oil stone 4 Stiffen the burr Fine India oil stone 5-6 Remove/Refine the burr Fine India oil stone 7-8 Set the scraping profile Fine India oil stone 9 Final cleaning stroke Fine India oil stone 4. Troubleshooting Problem Likely Cause Suggested Solution Burr crumbles Burr breaks instead of bending (root too thick) Reduce root thickness by grinding on a diamond stone Edge skates/chatters Improper rake angle Repeat refinement steps with lighter pressure Edge wears quickly Root thickness too small Wear edge down, then restart sharpening process Landwell reed knife sharpening guide copy ]]> /reed-knife-sharpening-guide-reed-makers/feed/ 1 25909 Review of the Fox-Laubin oboe /review-fox-laubin-oboe/ /review-fox-laubin-oboe/#comments Wed, 26 Oct 2016 17:49:53 +0000 /?p=1123 Two Great American Oboe Makers Into One; A Review Of The New Fox-Laubin Professional Oboe I recently had the opportunity to try a couple of the new Fox-Laubin oboes. I have been wondering about these instruments since I saw the release on the Fox website months ago. Being a long-time fan of everything Laubin since I was twelve years old, I wanted to get my hands on one of these new oboes. My first teacher played on Laubin oboes and I knew the name from an early age. They have always been the gold standard of oboe within my mind and for good reason. I have a long and wonderful relationship with Fox products as well. I grew up playing a Fox Renard 330 intermediate oboe from the time I was 14 until well into my third year of college. The 330 is the best intermediate oboe on the market in my opinion. Whenever I am asked by band directors or students what they should purchase I without hesitation advise them to purchase Fox 330s. They sound good, have a good scale, are very durable and hold a very high resale value. I am a total “gearhead” when it comes to oboe related products. When presented with the question “What would you do if you were rich” my answer is, exactly what I do now, but I would have hundreds of oboes and reed making machines, ohh and I would probably buy a new car. I love trying new toys and I like to see what new developments are happening in the oboe world in terms of instrument design or reed making tools. When two of the great U.S oboe makers came together in collaboration I knew I wanted to see and hear what was happening. I was very excited to hear that two of the  companies with the greatest influence on my oboe education were going to collaborate on a project together. I wanted to know a bit more about this instrument, and I wanted to try the Fox-Laubin oboe myself. I reached out to Fox in an attempt to have them send me an instrument to try and review. Sarah at Fox and Alex Laubin worked with me to try the oboes and share my thoughts with the oboe community. I am grateful for the generosity of time and resources provided by both companies. An introduction to Laubin and Fox oboes I am sure most oboists will be familiar with both Laubin and Fox. They have both been making high quality products for the better part of a century. For anyone new to either maker let me share a little history and my thoughts about the individual makers. A.Laubin Inc “The story of A. Laubin, Inc. began in 1931 when Alfred Laubin, a professional oboist and instrument repairman, dissatisfied with the quality of professional oboes available at the time, built his first oboe. After several attempts, Mr. Laubin was able to make an oboe which met the demands of his own playing career. A painting of Al Laubin at work. The intonation and reliability of his instruments impressed his professional oboist friends, many of whom began requesting and playing his oboes. By the 1950’s, oboe-making had become a full-time occupation, and more musicians had the opportunity to own Laubin instruments. Around 1956, Alfred’s eldest son Paul joined the business, doing repair work and eventually learning every aspect of oboe-making before taking over the business when Alfred died in 1976.” (taken from ) The two most important oboe makers in the united states historically  are Loree and Laubin. Loree became the choice instrument for many oboists due to the influence of Marcel Tabuteau. He brought the American school of oboe playing to the United states and along with it the Loree oboe. Loree was prominent within most professional orchestras until Laubin started making oboes to compete with the French maker. I have heard and read on several occasions that until recently (1990’s or so) it was said that 80% of American players used Loree instruments, and the 15% played on Laubin oboes . Laubin’s smaller market share being limited to their output of only a few instruments being produced every year. I currently play a rosewood Laubin made in 1985. The instrument I play is actually the first oboe I ever heard played in live performance. It was my teacher, Tamara Field’s  instrument, she gave it to me as a gift several years ago. “Rosie” as it has been named, was the instrument that brought a tear to my eye and made me understand that I was going to be an oboist. The Laubin oboes I have tried over the years have a certain difficult to describe characteristic within the sound. The sound is complex and resonant within the whole overtone spectrum. To  my ears I describe the quality like this; Laubin oboes do not filter overtones out of the sound, which I find to be the case with some other makers, which I feel leaves a stuffy feel and sound. The Laubin oboes I have tried seem to resonate within the core and center of the sound not filtering out undesired sound but amplifying the desired sounds. The oboe unifies the whole overtone spectrum within the sound into one homogeneous sound. The sound has more dimensions to it than simply “dark” or “bright” two terms I attempt to avoid when I describe sound. Where I would describe some sounds to be flat or two-dimensional in terms of depth of sound, Laubin oboes always seem to have a third dimension in the sound that is difficult to describe in words. This is an ill-articulated description of my own perception of the sound I hear, every oboist may hear and describe it differently. Sound and Perception Ramble I recently came across a book which describes the painting techniques of Leonardo Da Vinci. He was able to produce images with great depth and life-like qualities, unlike any  other painter before him. He succeeded in this by layering many very thin sheets of color which varied in pigment, one on top of another. This layering created a shimmering effect in the paints that brought spirit into the work. When I came across this information my mind went to sound and music and I began drawing comparisons between the layers of thin color and sound quality. I often describe the overtones within a tone as “the sound within the sound” to my students. They are the layers within the sound , like the thin layers of paint one on top of another. Dependant on how these layers are placed the artist can create different effects. My own taste in tone wants to hear a sound that is made up of many different layers to create a complex and rich sound. To me, this richness brings more life to the sound and music. Like a painter, we oboists must discover our own styles to bring life into what we do. I perceive some oboes create a sound which is flat, like one color mixed and spread onto the canvas. The color itself may be gorgeous to look at on a wall but does not bring life into a work of art. The sound quality is not only about the presence of overtones within the sound, but how those overtones blend together within the sound. Some oboes have a very complex and rich sound but the overtones all sound like separate entities to my ears when I play the instrument. I would describe it as too much distance between the different overtones. For me it decreases the dolce quality within the sound and limits my feeling of expression. When I try different oboes I am attracted to an instrument that produces a sound that is rich in many thin layers and not a solid color. This is a matter of taste and perception and not advice or a rule so much as sharing my own preferences. This may give an idea of how I am evaluating the Fox-Laubin oboes. The other characteristic I have always admired in Laubin oboes is the is not just the sound and even scale, but the connection between notes. How fluidly an instrument connects one note to the next, is a quality I always listen for whenever I am trying any oboe. I find Laubin oboes have a very fluid connection from one note to the next. I understand this quality has a lot to do with with the undercutting of the tone-holes and bore design in the production of the instruments. Fox Products “Fox Products Corporation is an American manufacturer of bassoons, contrabassoons, oboes and English horns. The founder of the company, Hugo Fox, was an American bassoonist. In his time as principal bassoon of the Chicago Symphony (1922-49), he conceptualized the possibility of world-class bassoons made in the United States. During the summer after his retirement in 1949, Mr. Fox returned to his hometown of South Whitley, Indiana, where he opened shop in pursuit of this goal. After two years of arduous tuning and acoustical work, he finished the first Fox bassoon in 1951 In the 1960s Hugo’s son, Alan, began to learn the art of instrument manufacturing. Alan led Fox Products Corporation for more than fifty years and oversaw developments in both the company’s acoustical and manufacturing capabilities. In the years since its initial offering of bassoons, Fox Products has developed a contrabassoon (1970), a complete line of oboes (1974) and English horns (1999)”. (Taken from the Fox Website ) I will admit that I have not played on too many professional Fox oboes. I did try the new Sayen professional oboe a couple years ago and I was very happy with the quality. I found them to have a rich sound, be very comfortable in the hands, and visually appealing with their gold posts. I was trying them at the University of Massachusetts double reed day, so I did not have a chance to give them the full run down. I recently had a short conversation with Pedro Diaz about the Sayen oboe and he said “ The tone is robust, even, the scale is easy. It has just the right amount of resistance for me.” The Fox-Laubin oboe I took a trip to the Laubin shop recently with Basil Reeve and had an opportunity to talk about the Fox-Laubin oboes with Paul and Alex Laubin. Alex told me a little about the collaboration between the two makers. The initial woodwork and keywork are done by Fox. The Oboes sent to Laubin  have a smaller bore than a finished oboe . The instruments have the tradition cork and skin pads that all Laubin oboes are made with. Unlike the standard Laubin oboes, the Fox-Laubin has a third octave key, a feature many oboists have come to expect from elite level instruments. Laubin then finishes the bore and tone holes with their tools and machines, a process that takes many hours of precise work. The result is an instrument that feels and looks like a professional Fox oboe, but has a sound and playing quality more similar to the Laubin oboe. There were not any finished Fox-Laubin oboes at the Laubin shop when I visited , but Alex kindly agreed to send me a couple upon completion in a few weeks. 6 weeks later I would receive the instruments for trial. Arrival of the Fox-Laubin oboes I heard the knock on my door, signaling the arrival of my new toys for the next week. I order and receive supplies for my reed making business nearly every day, but I still get excited opening those packages up and pulling out the contents. I sometimes joke that the only reason I make oboe reeds professionally is to support my oboe reed making habit. Sometimes I feel as though I play the oboe to support my oboe reed making habit, I am not sure my priorities are straight. I was looking forward to receiving this package from Laubin all day and I quickly skipped into my home and opened it up. I pulled the two cases out from the sea of packing peanuts and examined the sleek french style cases. I have seen the Fox-Laubin logo several times up to this point, but it still surprises me to see the two companies marked as one on the case cover. There is a fresh turkey feather nestled between the case and case cover, a tool Paul Laubin swears by in the cleaning of oboes. I open the cases to see a couple shiny brand new oboes in front of me. The fresh silver keywork against an ebony and red back drop is a beautiful sight to my eyes. I can’t help but think “ahhh pretty”. I had a few colleagues over to try the oboes over the next week and their reactions were similar. What is it about those new, untouched keys that are so visually appealing, Something lodged within our psyches saying “shiny is goooood”. The oboes rise from their slumber to play a few minutes of long tones before I need to leave to teach a lesson. I bring one of the oboes with me. I arrive at my student’s house and rush inside to have him try my new toy. I explain why I have the instrument and let him try it. He plays a few notes and expresses that he likes it. I sit and listen for a couple minutes and get a sense of the resonance as an observer. This student is an advanced high schooler and he  currently plays on a Fox 330. He plays beautifully on that instrument. We talk a bit about the instrument and compare it to his oboe. He expressed that it feels very similar to his ergonomically, but is heavier due to the grenadilla wood body. I try both oboes and agree that that do feel very similar, which I would have expected since the keywork is made by the same maker. I find both oboes to be very comfortable to play ergonomically. There is not too much reach for the pinkies, a characteristic that can vary a lot between different oboes. The student asks about the third octave key, and I explain that it is an option that is standard on most professional oboes and is expected by many oboists .The  recent  Fox Renard 330 oboes also include a third octave key but his does not. I explain to him that Laubin does not usually install a third octave key due to the impact it has on the bore of the instrument, but in this collaborative effort they agreed to include it since it is something many oboists expect. I pry the oboe from his hands, we finish the lesson and I return home I play the other instrument at home and leave them both for the next day. Over the next week I play both instruments for small amounts of time each day, listening and evaluating them against my own taste, but also what I might expect from the two makers. I also made a few reeds for each instrument, trying to figure out what type of oboe reed works best for these specific instruments. I sent these along with the instruments when I returned them, so you may receive one of these reeds with your trial of the instruments from Laubin. ( oboe reeds available at ALakotareeds.com) My Evaluation of the Fox-Laubin oboes I received. Tone- The tone of both instruments was very rich, complex and beautiful. I would describe them to have the quality of depth in the sound I hear within the other Laubin oboes I have tried. Neither of the Fox-Laubin oboes I tried felt stuffy or had a “dead” sound. The sound was even and balanced within all octaves. I thought the overtones blended nicely allowing a lot of flexibility in tone color. Pitch- Both instruments played right at pitch for the reeds I use on my Laubin and Loree oboes. I did not need to adjust my reeds for the overall pitch of the instruments. Scale- When I first received and tried the instruments there were a few notes that did not seem to “lock in” in terms of the scale with my reeds. The scale observations are to be expected to some extent with any variation in oboe and reed. Over the week I made a few different reeds for the instruments and I was able to find a solution with just reeds. The reeds I settled on were a bit thinner on the side integration of the tip to heart with slightly less taken from just behind the heart an area I like to really dig out for depth of tone. This is a reference to my own reed making so your results may vary. There are likely as many ways to a similar outcome as there are oboists. As I reflect on the oboes and how they felt I think I would try using a shape with slightly narrower throat and more flare at the tip. A Pfieffer/Mack shape comes to mind… don’t mind me,  I am thinking out loud.. well in text. Body and Keywork The keywork is very comfortable. I would describe it as having a slightly lower profile than Laubin oboes, meaning the keys feel slightly closer to the body of the instrument. This a professional level oboe with all trill, third octave and alternate keywork (no left C# just in case you were wondering). The Grenadilla wood was very smooth and tightly grained. Connection of notes I had no problem phrasing from one note to the next with either oboe. The oboes allowed subtlety of phrasing and smooth core sound connection between notes. The low profile keywork adds a great feeling of connection with the sound for me. Smooth fingers and keys equal smooth sound within my mind. I have my theories that this quality has to do with the undercutting of the tone holes bore design and the skin pads. I feel the skin pads may offer slightly more cushion in contact which transfers into the sound quality. I am hypothesizing here and may be outrageously wrong. I am interested in  experimenting  on my Loree oboe (blasphemy?!?) Overall impression I think these oboes are worth a look for anyone in the market for a new professional level oboe. They are expertly made inside and out. With a price tag under $7000 they are slightly more affordable than some other makes of professional level oboes. Laubin oboes currently have an 8-10 year wait and cost over $12,000 each.  I have been on the list for a few years now and am currently looking for a buyer for one of my kidneys on the black market for the time when my name finally comes up. Private message me if you are interested in a slightly used organ. (This is a joke please do not message me about black market organ sales). These instruments will provide a great upgrade to any student playing on the intermediate Fox Renard instruments. They feel very similar ergonomically and will provide a very smooth transition. These oboes are available in limited quantities through Laubin and Fox Dealers. Please find more information on the website links provided. If you have tried the new Fox-Laubin oboes and care to share your own impressions please feel free to do so in the comment section below. Also feel free to share your thoughts on the other Laubin and Fox products you have tried if you feel so inclined. I am always interested to hear everyone else’s thoughts and opinions. Happy oboe-ing. /* ]]> /review-fox-laubin-oboe/feed/ 3 1123 An Introduction To Breath Support For Oboists. /introduction-breath-support-oboists/ /introduction-breath-support-oboists/#comments Sun, 18 Sep 2016 17:07:28 +0000 /?p=1107 What is breath support/Air support? Recently, I had a brief interaction with a young oboist on the IDRS Facebook page about feeling discomfort while playing the oboe. The conversation went into the topic of breath support and how to breathe properly into the oboe. I spend a lot of time thinking about this topic since it has been a rather tough lesson for me to learn. I work very hard to find proper breathing and support strategies. I attribute improper breathing and air support to a lot of the challenges I had early on in my playing.  it is something that must be felt to understand. It is one of those concepts that a teacher may try to explain for years, but the student will not understand until they find the correct sensation. Perhaps I am projecting my own difficulties onto others, and this is not such a challenge for other oboists. I hope the oboists struggling with support and tension might find my perspective helpful. The oboe has been described as “the ill winded instrument that no one blows well.” I take this to refer to the somewhat counter-intuitive process of supporting without overblowing. I find it helpful to separate the concept of breath support from the air itself. The support controls the air but it is not the air. The support is the bodily sensations and muscles that pressurize the air within the system. I like to relate breath support and air to an air compressor. The body system is not so different than an air compressor in function. The compressor pressurizes the air to a certain level within the air tank and it is released through a small valve. The oboe player pressurizes the air similarly with their body and the air is released through a small valve, the lips, and the oboe reed. Each system must pressurize the internal environment to a certain level to function optimally. The oboist must use their muscles to pressurize the air to the needed level. The support is the system within the body that creates the pressure. The air is affected by the support, however, I feel the two can and should be separated conceptually. Another way to say this is “you can still support even if you are not pushing air”. Find the sensation of support and the air will flow better. A visual and mental representation of breath support I like to use is a hand squeezing a balloon ( courtesy of my mentor Fredric Cohen). Imagine a balloon is inflated but not tied. When the nozzle of the balloon is released the air will move out of it at a certain speed. When the hand is placed on the bottom of the balloon and gently squeezes the air pressure within the balloon increases and causes the air to escape at a faster speed. Supporting can be compared to the


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Rabbi Dr. Aaron Levine Memorial Fri, 23 Aug 2013 22:41:15 +0000 en-US hourly 1 Rabbi Dr. Aaron Levine Memorial false Rabbi Dr. Aaron Levine Memorial podcast Rabbi Dr. Aaron Levine Memorial /wp-content/plugins/powerpress/rss_default.jpg c9c7bad3-4712-514e-9ebd-d1e208fa1b76 Rebbetzin Nachama Warshavchik – Matzeva /rebbetzin-nachama-warshavchik-matzeva/ Fri, 23 Aug 2013 22:40:34 +0000 ]]> tesr /tesr/ Mon, 05 Mar 2012 21:04:31 +0000 ]]> Rabbi Dr. Aaron Levine Memorial full false 34:48 <iframe width="320" height="24" src="/?powerpress_embed=409-podcast&amp;amp;powerpress_player=default" title="Blubrry Podcast Player" frameborder="0" scrolling="no"></iframe> yeshayahu 55 /yeshayahu-55/ Mon, 05 Mar 2012 20:45:43 +0000 ]]> Rabbi Dr. Aaron Levine Memorial full false 34:48 <iframe width="320" height="24" src="/?powerpress_embed=404-podcast&amp;amp;powerpress_player=default" title="Blubrry Podcast Player" frameborder="0" scrolling="no"></iframe> Yeshayahu 2 /yeshayahu-2/ Sun, 04 Mar 2012 22:06:27 +0000 ]]> Yeshayahu 10:1 /yeshayahu-101/ Sun, 04 Mar 2012 21:33:55 +0000 [display_podcast] ]]> Rabbi Dr. A. Yehuda Warburg /25/ Sun, 11 Dec 2011 20:09:11 +0000 Recollections of Dayan Rabbi Dr. Aaron Levine by Rabbi Dr. A. Yehuda Warburg Posted June 1, 2011 in the Jewish Press Rabbi Dr. Aaron Levine, z”l, passed away on the first day of Pesach. Prior to his demise, Rabbi Levine prepared a foreword to a forthcoming book authored by one of his colleagues wherein he writes the following: “In referring to the highest level of truth finding in a judicial proceeding, our Sages make use of the phrase ‘hadan din emet la amitoe.’ What is being conveyed here is that knowledge of the law is not sufficient to render a verdict of truth. In order for the dayan to arrive at the correct verdict the precise facts of the case must be discovered as well. “Over the past 15 years the Beth Din of America has been in the forefront in creative innovation of the judicial process in monetary matters. At once, this innovation consists of insuring that the panel it assigns is not only thoroughly versed in the relevant halacha, but it is well equipped by virtue of educational background and professional work experience to grasp the reality on the ground. This entails a relentless commitment to relevant fact finding, taking nothing at face value, and understanding the implications of the facts for commercial behavior of the parties. “A second prong of innovation consists of the documentation that must accompany the verdict that the panel hands over to the litigants at the conclusion of the proceedings. First, the claims of plaintiff must be meticulously recorded. Respondent’s rebuttals and counterclaims are then, duly recorded. Next, a thorough discussion of the issues from a halachic perspective is presented. Finally, the verdict is rendered and this verdict is demonstrated to have flowed from a halachic underpinning ” The above description of the workings of the Beth Din of America, the halachic forum which benefited from his erudite reasoned piskei din (decisions) for over a decade in actuality is an autobiographical sketch of Rabbi Levine’s persona. He possessed a relentless commitment to relevant fact finding, taking nothing at face value, and understanding the implications of the facts and above all, a drive to ascertain the truth. Throughout his tenure at the beth din, he communicated to his fellow dayanim and to the litigants his wealth of knowledge in halacha and economics. Rabbi Levine was not a talmid hacham who happened to have and use a smattering of economics, and he was certainly not an economist who happened to be a talmid hacham. He was who he was. His ability to resolve complex halachic issues regarding partnership dissolutions, labor relations, securities investments and the like were a testament to his mastery of economic reality and economic theory as well as his expertise in choshen mishpat. His mastery of the worlds of choshen mishpat and economics was known among the dayanim of various battei din throughout New York city as well as the parties, toenim (rabbinical advocates) and attorneys who appeared before him. His tenure as a dayan which spanned over a quarter of a century, influenced a change in the stylistic format of his writings. Whereas, his initial works, Free Enterprise and Jewish Law, Economics and Jewish Law, and Economic Public Policy and Jewish Law are discursive presentations of diverse topics of economic import, his later contributions, Case Studies in Jewish Business Ethics and Moral Issues in the Marketplace in Jewish Law which provide ananalysis ofthe halaChic rules which ought to govern marketplace were communicated to the reader in a series of cases. In short, through his recent contributions, Rabbi Levine, as a professor of economics introduced his readers to the richness of halacha and economics by scrutinizing the fact patterns of various cases. Utilizing such an approach has found a warm reception for all of us who are appreciative of the myriad of cases mentioned in the sea of the Talmud and in the over three hundred thousand teshuvot penned by rabbinic luminaries who rendered their pesakim in replying to cases posed to them. Rabbi Levine’s pursuit for halachic truth and his strident admonishment of litigants who spoke disingenuously was only matched by his penchant for peace – a goal he valued and memorialized in his writings and piskei din. In his last din Torah which dealt with an employee termination, despite the fact that the tovea failed to advance a claim for severance during the beth din proceedings, in Rabbi Levine’s mind there was a need to impart to the nitva (defendant) that he should “go the extra mile” for a fellow Jew. Consequently, he instructed the nitva to consider the awarding of severance to an employee who was dismissed due to poor job performance. As a professor of economics who learnt and examined for decades the American liberal ethos of rugged individualism and crass materialism, Dayan Levine emerges from the fray and communicates a Torah message in moral education to an employer in how to treat his employee. This message resonates throughout his writings – imitatio dei (lit. the imitation of God) – the halachic imperative to emulate Hashem’s attributes of mercy in our social conduct. Rabbi Levine imparted to us the gift of his creative originality, his sense of self-effacement and humility and above all his sensitivity in interacting with his fellow man. Yehi zichro baruch. Rabbi Dr. A. Yehuda Warburg is a dayan serving the chassidic, modern Orthodox and yeshiva communities of N.Y. and N.J ]]>


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Alpha M Men's Lifestyle Coach for Style, Grooming, and Fitness Tue, 20 Oct 2026 23:31:45 +0000 en-US hourly 1 /wp-content/uploads/2018/09/cropped-favicon-2-32x32.png Alpha M 32 32 You’re Too Young to Look This OLD /mistakes-that-make-men-look-old-and-tired/ Tue, 20 Oct 2026 00:51:28 +0000 Guys in their 40s, 50s, and even 60s look absolutely incredible because they’ve taken care of themselves. The goal isn’t to desperately try to look 25 forever. It’s to age well, look healthy, and feel confident in how you present yourself. You don’t wake up one morning suddenly looking old. It’s usually the accumulation of thousands of little decisions you’ve made over the years. When you’re young, you can get away with eating like crap, drinking too much, not sleeping, skipping workouts, and neglecting your skin because your body is incredibly forgiving. Eventually, however, those decisions start catching up with you. You don’t need to obsess about looking younger—you simply want to look incredible for your age. Start taking care of yourself now, and choose the better option more often than the bad one, because certain mistakes can age a man incredibly fast. Some are grooming mistakes, some are lifestyle choices, and others come down to simply neglecting yourself. The good news is that a lot of these things are within your control. Aging is inevitable. How you age is optional. 1. Neglecting Your Teeth – Yellow, stained, or discolored teeth automatically make you look older. Clean, bright teeth make your entire face look fresher and more youthful. Your smile is one of the first things people notice, so taking care of your teeth can make a huge difference. 2. Ignoring Tired-Looking Eyes – Your eyes can instantly reveal whether you look healthy and energized or exhausted and stressed. Dark circles, puffiness, bags, and bloodshot eyes can make you look significantly older. Poor sleep, allergies, too much sodium, dehydration, and other health factors can contribute, so figure out what’s causing the problem instead of simply ignoring it. 3. Not Staying Properly Hydrated – Dehydration can make your skin look dull, dry, ashy, and more wrinkled. Proper hydration helps your skin look healthier and more vibrant. If you’re dealing with puffiness around your eyes, cold compresses or rollers can help temporarily, but you also need to address hydration and your overall lifestyle. 4. Trying Too Hard to Hide Gray Hair – Gray hair isn’t necessarily the problem. In fact, I think gray hair and a little silver in your beard can look incredibly sexy. The mistake is dyeing your hair or beard an obviously unnatural jet black or dark shade that screams, “I’m trying to look younger!” If you’re going to color your hair, keeping some gray can look much more natural. Personally, I’m embracing mine. 5. Ignoring Thinning Hair and Hair Loss – Hair loss can make a guy appear older, and my philosophy has always been to address thinning hair early rather than waiting until you’ve lost a significant amount. I started noticing my own hair thinning years ago and decided to take action. Male-pattern hair loss is associated with DHT, which is why I’ve focused so much attention on hair and scalp health and why Pete & Pedro developed DHT Defense Shampoo. 6. Letting Yourself Get Out of Shape – Being overweight and out of shape can make you look older, while muscle, strength, and physical fitness tend to create a more youthful appearance. Take care of your body. Exercise consistently, pay attention to your diet, and avoid constantly loading yourself with processed foods, excessive sugar, and foods that leave you feeling bloated and puffy. Being fit isn’t about trying to look 20—it’s about looking strong and healthy at whatever age you are. 7. Letting Your Grooming Go – An overgrown, unkempt beard, wild eyebrows, nose hair, ear hair, and poorly maintained facial hair can instantly make you look older. These are small details, but together they signal that you’ve stopped paying attention. Keep your beard trimmed and edged, manage your eyebrows, and take care of those random hairs that start showing up as you get older. 8. Dressing Too Young—or Too Old – There are two ways guys screw this up. Some dress way too young for their age and look like they’re desperately trying to hang onto their youth. Others completely give up and start dressing like an old man. Neither works. Focus on classic, stylish clothing that fits properly, looks current, and makes you feel confident. You don’t need to chase every trend, but you also shouldn’t stop caring about style just because you’re getting older. 9. Drinking Too Much Alcohol – Excessive alcohol can absolutely beat you up visually. It can contribute to redness, bloodshot eyes, puffiness, bloating, and weight gain. It can also lead to poor food choices. If you’re constantly drinking and wondering why you look tired, inflamed, and older than you should, alcohol may be part of the equation. 10. Smoking or Vaping – Whether it’s nicotine, weed, vaping, or smoking, regularly inhaling smoke can work against your appearance. It can affect your teeth and contribute to premature skin aging. If looking younger and healthier matters to you, you’ve got to address it. 11. Neglecting Your Skin – Skincare does not need to be complicated. Wash your face, moisturize morning and night, and take care of the skin around your eyes. Consistency matters more than having some ridiculously complicated 15-step routine. Your skin is one of the biggest indicators of age, so you’ve got to take care of it. 12. Not Getting Enough Sleep – Sleep is one of the most underrated things you can do for your appearance and your overall health. When you’re chronically sleep-deprived, you’ll look tired because you are tired. It can also make weight management harder. Prioritize your sleep just like you prioritize your workouts, grooming, and diet. ]]> 7 Casual Outfits That Will Make You More Attractive /7-casual-outfits-that-will-make-you-more-attractive/ Sun, 18 Oct 2026 16:19:22 +0000 If you want to absolutely CRUSH IT this fall and winter, I’ve got seven outfits that are going to take your style to the next level! Fall is my favorite time of year for fashion because you can experiment with layers, textures, colors, and combinations that make you look incredibly stylish without trying too hard. This past weekend, I took my wife out to dinner with some friends, and I wore an outfit that earned me a ton of compliments. I knew I looked good when I left the house, but getting that kind of positive reinforcement? DAMN! That’s when you know you’ve nailed it! The best part? Looking amazing doesn’t have to be complicated, expensive, or rocket science. It’s about combining quality basics, getting the fit right, and wearing everything with confidence. You don’t need an overflowing closet or ridiculously expensive designer clothing to look amazing. You need a collection of well-fitting, versatile basics that you can mix and match creatively. Experiment with textures, embrace seasonal colors, understand the power of layering, and don’t be afraid to try something different. Bottom line? When you combine well-fitting clothes, thoughtful color combinations, interesting textures, and a healthy dose of confidence, you’ll look better than 99% of the other dudes out there. Steal these outfits, make them your own, and get ready to absolutely CRUSH IT this fall and winter! Here are seven outfits I’m loving this season! 1. The Sophisticated Cashmere & Black Slacks Combo – I’m starting with the outfit that earned me all those compliments! I paired sleek black wool slacks with a luxurious camel-colored Mongolian cashmere sweater and black Chelsea boots. The contrast between the warm camel and black is incredibly sophisticated, masculine, and sexy. Black slacks are one of the most versatile pieces you can own, and the cashmere instantly elevates the entire look. Swap the camel sweater for maroon, gray, or black for a monochromatic vibe. Swap the Chelsea boots for loafers to keep it refined, or go with minimal sneakers for a more casual look. Simple, stylish, and absolutely KILLING IT! 2. The Elevated Denim Shirt & Black Slacks – For this outfit, I’m keeping the black slacks and Chelsea boots but switching things up with a lightweight denim button-down shirt layered over a textured cream-colored tank top. The denim creates a fantastic contrast against the black pants, while the cream base layer adds depth and dimension. Tuck everything in for a cleaner, more polished silhouette, or leave the denim shirt unbuttoned as an overshirt for a relaxed, casual look. You can also ditch the tank entirely and wear the denim shirt on its own. This combination proves that changing one piece can completely transform an outfit! 3. The Classic Jeans, White Tee & Corduroy Trucker Jacket – This is one of my absolute FAVORITES! I’m rocking medium-wash blue jeans, a crisp white Pima cotton T-shirt, minimal white leather sneakers, and a textured corduroy trucker jacket. The jeans, white tee, and sneakers combo is timeless, but adding a lightweight jacket instantly turns this summer staple into a fall look. The corduroy adds texture, personality, and a touch of rugged masculinity. This outfit is perfect for a weekend farmers market, grabbing drinks, or a casual daytime date. It’s effortless, comfortable, and incredibly stylish. 4. The Cozy Cardigan & Earth-Tone Combination – Cardigans are HUGE, and I’m absolutely loving them! For this outfit, I’m pairing light-colored chinos, a simple white T-shirt, chocolate-brown suede loafers, and a chunky, textured cardigan. The creams, tans, browns, and other earthy tones create a warm, sophisticated fall aesthetic. Wear the cardigan open for a relaxed look or button one or two buttons for something more intentional. The beauty of this outfit is that you’re incorporating summer basics while adding seasonal texture and warmth. It’s simple, versatile, and incredibly sharp! 5. The Monochromatic Gray & Black Flannel Outfit – Monochromatic outfits CRUSH IT every single time! I’m pairing dark gray corduroy pants with a soft black-and-gray flannel shirt, black Chelsea boots, and a suede belt with a black buckle. Corduroy, flannel, and suede create visual interest through contrasting textures while keeping the color palette cohesive. The double-pocket flannel adds a slightly casual vibe, but tucking it in creates a clean, flattering silhouette. Want to dress it down? Untuck the shirt and swap the boots for sneakers. You can even experiment with brown footwear and accessories, since gray pairs beautifully with both black and brown. 6. The Rugged Camo Cargo Pants & Denim Trucker Jacket – This outfit is a little outside the box, but trust me, gentlemen, it WORKS! I’m combining camouflage cargo pants with a simple white T-shirt, a denim trucker jacket, and tan suede chukka boots. The camo adds personality and a playful edge, while the denim jacket and suede boots balance everything with masculine textures. It’s rugged, casual, and stylish without looking like you’re trying too hard. If camo isn’t your thing, experiment with other patterned pants or chinos. You can also swap in a suede bomber or corduroy trucker jacket and trade the boots for sneakers. The key is to have fun with your style and be willing to experiment! 7. The Refined Merino Wool Polo & Gray Slacks – This final outfit is SEXY! I’m pairing tailored light gray wool slacks with a fitted black merino wool polo and black dress shoes or loafers. The contrast is sharp, sophisticated, and incredibly flattering. The merino wool adds a luxurious texture, while the polo offers a polished alternative to a traditional button-down. If light gray isn’t your favorite, charcoal works beautifully. Want something more casual? Swap the wool slacks for jeans and the loafers for sneakers or boots. The result is an elevated, versatile look that transitions effortlessly from dinner dates to casual evenings out. ]]> The Most Interesting Thing About You Isn’t You /the-most-interesting-thing-about-you-is-not-you-secret-to-being-liked/ Sat, 17 Oct 2026 15:45:21 +0000 One night, I was out enjoying myself when I ran into a guy who was absolutely determined to be the center of attention. You know the type. He was loud, obnoxious, constantly interrupting people, and somehow managed to turn every conversation back to himself. It didn’t matter what anybody else was talking about because this dude had a bigger story, a better experience, or a more impressive opinion. He wasn’t having conversations. He was putting on a performance, and the rest of us were apparently supposed to be his audience. A phrase from Family Guy perfectly describes what I was witnessing: This guy was insisting upon himself. If you’re familiar with the episode where Peter Griffin says he doesn’t care for The Godfather because “it insists upon itself,” you’ll get the reference. It’s become a popular way to describe someone or something that comes across as pretentious, self-important, or desperately trying to convince everyone of its greatness. And this guy? He was the human embodiment of that phrase. The harder he tried to impress everybody, the less impressive he became. Watching him was fascinating because I realized something: There’s a huge difference between being interesting and trying to convince people you are. Here’s something I’ve learned over the years. If you want to be somebody that people genuinely enjoy being around, stop worrying so much about being interesting and start being interested. Seriously. That’s it. That’s the secret. Instead of walking into a room wondering how you’ll impress everybody, walk in wondering what you might learn about the people around you. It’s a subtle shift in perspective, but it completely changes how you interact with the world. Ironically, the less you focus on being the most interesting guy in the room, the more interesting you become. I’ve talked about the art of listening for years because I genuinely believe it’s one of the most underrated social skills a man can develop. Everybody wants to talk. Everybody wants to share their opinions, tell their stories, and feel like what they have to say matters. But how many people actually listen? I mean REALLY listen? Not the kind of listening where you’re just waiting for the other person to stop talking so you can jump in with your own brilliant observation. I mean being fully present, paying attention, and making someone feel like, in that moment, what they’re saying is the most important thing in the world. People want to feel important, valued, and heard. One of the easiest ways to do that is to listen more and speak less. Put your phone away, make eye contact, and stop scanning the room for somebody more important to talk to. When somebody is sharing something with you, give them your attention. You don’t need the perfect response or an incredible story to contribute. Sometimes, the most powerful thing you can say is, “Tell me more about that.” It’s amazing how much people open up when they realize you genuinely care about what they have to say. But being interested goes beyond simply keeping your mouth shut. It’s about asking better questions. Think about the typical conversations we have when meeting somebody new. “What do you do?” “Where are you from?” “How long have you lived here?” There’s nothing wrong with those questions, but they’re pretty surface-level. Instead, try asking something that invites a more meaningful response. “What’s your favorite part of what you do?” “How did you get interested in that?” “What’s something you’re really excited about right now?” Questions like these encourage people to share their passions, experiences, and personalities instead of just reciting facts about themselves. And here’s where things get really interesting. When you ask better questions, you start discovering how fascinating other people really are. That quiet guy in the corner might have traveled the world, the woman you just met might have started a business from absolutely nothing, and the older gentleman sitting next to you might have lived through experiences you couldn’t begin to imagine. Everyone has a story, but you’ll never hear it if you’re too busy telling your own. Curiosity opens doors that ego keeps closed. Another incredibly powerful way to show genuine interest is to remember the little things. If somebody mentions that their daughter is graduating next month, remember it. If a coworker tells you they’re nervous about an upcoming presentation, ask how it went. If a friend mentions they’re dealing with something difficult, follow up. These little gestures might seem insignificant, but they communicate something incredibly meaningful: “I was listening. I remember. You matter.” And gentlemen, that is how you build relationships that go beyond superficial conversations and casual acquaintances. Now, don’t misunderstand me. I’m not suggesting you become a silent observer who never contributes to a conversation. That’s not the goal. Being interested doesn’t mean you have to stop being interesting. You absolutely should share your experiences, opinions, accomplishments, and stories. The difference is understanding when to contribute and when to step aside. Have a conversation, not a competition. If somebody shares an accomplishment, celebrate it instead of immediately trying to top it. If somebody tells a funny story, laugh instead of desperately searching for an even funnier one. Not every interaction needs to become a contest for attention. And while we’re talking about sharing, let me tell you something else. You don’t have to constantly advertise how successful, intelligent, wealthy, or accomplished you are. Confidence doesn’t require a press release. There’s nothing wrong with being proud of what you’ve achieved, but there’s a difference between sharing something because it’s relevant to the conversation and sharing it because you need validation. People can usually tell the difference. The most confident, secure people I’ve met don’t feel compelled to prove their worth every five minutes. They’re comfortable enough with themselves to let somebody else shine. That comfort also means being willing to show a little vulnerability. You don’t have to have all the answers, and you don’t have to pretend you’ve never failed, struggled, or made a ridiculous mistake. Some of the best conversations happen when people stop trying to look perfect and start being real. Being able to laugh at yourself, admit when you’re wrong, or acknowledge that you don’t know something makes you relatable. I’ve made plenty of mistakes in my life, and I’m not afraid to talk about them. Authenticity creates connection in a way that carefully manufactured perfection never will. There’s also an incredible personal benefit to becoming more interested in other people: Your world gets bigger. Think about it. When you’re constantly focused on yourself, your experiences, and your opinions, you’re operating within a pretty limited universe. But when you become curious about other people, you expose yourself to different perspectives, unfamiliar experiences, new ideas, and opportunities you might never have encountered otherwise. You might discover a new hobby, learn something that changes how you think, develop an unexpected friendship, or even stumble into a business opportunity. Every person you meet knows something you don’t. The next time you’re at a party, a networking event, a family gathering, or even standing in line for coffee, try a little experiment. Instead of thinking about what you’ll say next, challenge yourself to learn three interesting things about someone else. Ask a question, listen to the answer, ask a follow-up, and resist the temptation to redirect the conversation back to yourself. Most importantly, don’t treat this like a manipulative social trick designed to make people like you. People can sense when your interest is fake. The objective isn’t to manufacture charm. It’s to develop genuine curiosity and appreciation for the people around you. I think back to that guy I encountered that night, desperately trying to dominate every conversation and convince everybody how fascinating he was. What struck me wasn’t just how exhausting he was to be around. It was how much he was missing. He was surrounded by people with their own stories, experiences, and perspectives, but he was so focused on being noticed that he never really noticed anybody else. And that’s the irony of the whole thing. You don’t become memorable by demanding attention. You become memorable by making other people feel seen. So, gentlemen, the next time you walk into a room, stop asking yourself how you can be the most interesting person there. Start asking yourself how you can be the most interested. You might be surprised by how much more people enjoy your company—and how much richer your own life becomes. ]]> This YouTuber Calls Me a Fake Natty. Here’s My Response /this-youtuber-calls-me-a-fake-natty-heres-my-response/ Fri, 16 Oct 2026 12:16:53 +0000 I normally don’t respond to critics, but recently a fitness influencer accused me of using steroids, TRT, and other performance-enhancing drugs to maintain my physique at 50 years old. He’s wrong. I’ve never used any of those substances, and I wanted to address this because I don’t want guys thinking they need drugs to build an incredible body. I’ve worked out consistently since I was 12, and my physique is the result of nearly four decades of dedication, not shortcuts. My formula is simple: Consistency: I’ve exercised regularly for 38 years without taking extended breaks. Weight Training: I lift heavy, train hard, and focus on progressive overload. Nutrition: I eat a consistently healthy diet, prioritize protein, and enjoy occasional indulgences in moderation. Cardio: I run, walk, or do other cardiovascular exercise almost every day. Rest and Recovery: I prioritize eight to nine hours of quality sleep and give my muscles time to recover. Vitamins and Micronutrients: I watch for nutritional deficiencies and support my health with appropriate supplementation.   I’m not against testosterone replacement therapy when it’s medically necessary, but I am against healthy young men using it simply to get bigger or see faster results. Before considering hormone therapy, focus on improving your diet, sleep, exercise, and overall lifestyle. I also want to emphasize that LOOKING healthy and actually BEING healthy are two different things. That’s why I regularly monitor my blood work, including testosterone, cholesterol, and cardiovascular health markers. I personally use Merrick Health for comprehensive testing and encourage guys to understand what’s happening inside their bodies. Bottom line: Your health is your most valuable asset. You don’t need steroids, peptides, or testosterone to build an impressive physique. You need discipline, patience, consistency, and a commitment to taking care of yourself. Do the right things consistently over months, years, and decades, and you’ll be amazed at what’s possible! ]]> 9 Things About Sex I Wish I Knew When I was Younger {I’m 50} /aaron-marino-wishes-he-knew-about-sex-sooner/ Wed, 14 Oct 2026 00:24:18 +0000 We live in a world where sex is everywhere, but for some reason, having an open, honest conversation about it is still uncomfortable, especially for men. Confidence is one of the most attractive qualities you can bring into an intimate relationship, but genuine confidence comes from understanding yourself, communicating openly, and being comfortable enough to address your insecurities. Sex shouldn’t be something we’re afraid to discuss. The more honest conversations we have, the more we can eliminate unrealistic expectations, reduce unnecessary anxiety, and develop healthier relationships. Take care of yourself, take care of your partner, and remember that being a great lover has far more to do with what’s happening between your ears than what’s happening between your legs! Lessons to save yourself from frustration, insecurity, & unnecessary stress 1. Stop Letting Size Control Your Confidence. I spent too much time worrying about Big Al’s size, and that insecurity affected my confidence, enjoyment, and connection with my partners. What I’ve learned is that size matters a whole lot more to most men than it does to most women. Being attentive, confident, connected, and genuinely interested in your partner’s pleasure is far more important than being hung like a mythical beast. 2. Porn Is Entertainment, Not an Instruction Manual. Gentlemen, what you’re watching is scripted, exaggerated, and meant to entertain. It doesn’t accurately represent what real intimacy should look like. When you compare yourself or your partner to what you see on screen, you’re setting yourself up for disappointment and insecurity. Longer, harder, and more extreme doesn’t automatically mean better. Real intimacy is about connection, communication, and mutual enjoyment. 3. One Bad Performance Doesn’t Mean You Have a Problem. Everybody has an off night! Stress, anxiety, alcohol, distractions, and a million other things can interfere with your performance. Don’t assume something is wrong right away or let one experience destroy your confidence. However, if erectile difficulties become persistent, don’t ignore them. There are treatments available, including prescription medications. I discuss Rouette Ready, a three-ingredient sublingual ED medication that combines blood-flow support with apomorphine to address arousal signals. Discuss it with a qualified healthcare provider to determine whether it’s appropriate for you. 4. Duration Doesn’t Equal Satisfaction. Lasting forever doesn’t necessarily make you a bedroom superstar. What matters is being present, paying attention, and making sure your partner is enjoying herself. Slow down, focus on foreplay, and recognize that intimacy isn’t a race to the finish line. Sometimes quick and spontaneous is exciting, but great sex is about the experience, not how long you can keep the clock running. 5. Communicate With Your Partner About What They Actually Enjoy. One of the biggest mistakes men make is assuming they know what their partner wants. Just because something worked with a previous partner, or because you’ve seen it in a movie, doesn’t mean your current partner enjoys it. Everybody has different preferences, desires, and boundaries. Ask questions, listen, and create an environment where you both feel comfortable expressing what you like. Communication is sexy, gentlemen! 6. Don’t Rush the Buildup. Intimacy doesn’t begin with penetration. It starts long before that with flirting, anticipation, playful conversation, affection, and creating desire. Think of it like a spicy Porsche. You don’t just jump in, throw it into Sport Plus, and expect everything to be ready immediately. You’ve got to warm up the engine! Take your time and enjoy the entire experience instead of focusing exclusively on the destination. 7. Bigger Isn’t Worth Getting Hurt. I understand that a lot of guys wish they were bigger, but pursuing size through unsafe methods can lead to serious injuries. I’ve personally hurt myself using a pump, and I learned that these devices aren’t toys. Certain enlargement procedures, implants, and stretching techniques can cause lasting damage. You also need to be mindful of excessively rough activity because penile injuries can be serious. No perceived improvement in size is worth sacrificing your health or sexual function. 8. Wrap That Rascal! Protection is incredibly important. Just because somebody is taking birth control doesn’t mean you’re protected against sexually transmitted infections. And just because somebody looks healthy doesn’t mean they aren’t carrying an infection. Many STIs have no obvious symptoms. Condoms help reduce the risk of infection and unintended pregnancy, both of which can have significant consequences. Take responsibility for your sexual health and protect yourself and your partner. 9. Never Let Embarrassment Prevent You From Getting Help. Whether you’re dealing with erectile dysfunction, premature ejaculation, an injury, problematic pornography use, or anything else affecting your sexual health, don’t allow embarrassment or insecurity to keep you from seeking help. Medical professionals, treatments, and resources are available. You deserve a healthy, satisfying sex life, and there’s absolutely nothing wrong with asking for assistance when something isn’t right. ]]> 18 Mistakes That Make You Look Fat and Sloppy /mistakes-that-make-men-look-fat-and-sloppy/ Sun, 11 Oct 2026 17:30:25 +0000 If your goal is to look bigger, heavier, and sloppier than you actually are, congratulations! You’re probably making some of these style mistakes. You don’t necessarily need to change your body to look dramatically better. Sometimes all you need to do is change how you’re dressing. Style is about working with what you’ve got, understanding what flatters you, and making sure every piece of clothing helps you look like the best version of yourself. The foundation of incredible style is wearing clothing that fits your body properly. Trends come and go, but fit is timeless. Your clothing shouldn’t be too tight, too loose, too long, too short, or unnecessarily bulky. You don’t have to spend a fortune to look amazing, but you do need to understand your proportions and make smart decisions about the clothing you put on your body. One reason I fell in love with style years ago is that style is like visual smoke and mirrors. By understanding how colors, fabrics, patterns, and fit work together, you can minimize areas you’re less confident about while emphasizing your best physical attributes. The wrong clothing can make you look heavier, shorter, and sloppier, but the right clothing can make you look leaner, more muscular, more confident, and incredibly well put together. The reality is that you don’t need to be overweight to look overweight. The wrong fit, fabric, color, or styling decision can add visual bulk, throw off your proportions, and make an otherwise decent outfit look terrible. The good news? Most of these mistakes are incredibly easy to fix. Here are the biggest offenders and what to do instead. You don’t need to be overweight to LOOK overweight 1. Visible Undershirts: Nobody should see your undershirt peeking out from underneath your shirt. It looks sloppy and unfinished. If you need an undershirt for sweat protection, choose a deeper V-neck that stays hidden, or opt for lightweight, breathable fabrics that keep you cool and dry. 2. Shirts That Are Too Tight: Gentlemen, just because you can squeeze into a shirt doesn’t mean it fits. If the fabric stretches across your stomach or the buttons pull when you sit down, you’ll look heavier. Size up and choose a tailored fit that follows your body without squeezing it. 3. The Dreaded Muffin Top: One of my biggest style pet peeves is excess fabric bunching around the waist or a waistband squeezing your midsection. The solution starts with a properly tailored shirt that isn’t skin-tight or excessively boxy. When you tuck it in, pull the fabric down and smooth the excess toward the back for a clean, streamlined look. 4. Pants That Pucker at the Waist: If you’re tightening your belt so much that your pants bunch and wrinkle around the waistband, your pants are too big. Conversely, pants that squeeze your waist create unwanted bulges. Find the correct waistband size so your pants sit comfortably without excessive tightening. 5. Pockets That Flare Out: If the side pockets of your chinos, khakis, or dress pants are popping open, your pants are probably too tight through the waist, hips, seat, or crotch. This creates unnecessary width and makes you look heavier. Try sizing up or choosing a different cut. 6. Wearing the Wrong Belt (or No Belt): A worn-out, poorly coordinated belt can ruin an otherwise great outfit. When you tuck in your shirt and your pants have belt loops, I recommend a clean, properly sized belt that coordinates with your shoes. One of my favorites is Anson Belt because of its interchangeable straps and buckles, sleek design, and micro-adjustable ratchet system that delivers a precise fit without traditional belt holes. 7. An Unaligned Gig Line: Your gig line is the vertical alignment of your shirt buttons, pants fly, and belt buckle. When these elements don’t line up, your entire outfit looks slightly off. Center everything for a polished, intentional appearance. 8. Sloppy Rolled Sleeves: Rolling your sleeves without any structure creates unnecessary bulk and makes you look disheveled. Instead, fold your sleeve neatly up toward your elbow, then tuck and smooth the fabric underneath for a crisp, controlled roll. 9. Visible No-Show Socks or Sagging Socks: If you’re wearing no-show socks, they should actually be invisible. Likewise, dress socks that constantly slide down your ankles make you look sloppy. Choose socks that fit well and stay where they belong. 10. Bulky Sweaters and Heavy Fabrics: Thick, oversized sweaters can add unnecessary visual weight to your frame. I prefer lightweight, luxurious materials like merino wool because they add texture and sophistication without making you look bigger. 11. Poorly Fitting Suits: An oversized suit makes you look boxy, while a suit that’s too tight makes you look like you’re stuffed into it. Experiment with different jacket sizes and lengths rather than automatically accepting the first measurement you’re given. Sometimes a shorter or slightly smaller jacket creates better proportions, but if the jacket pulls open when buttoned, it’s too small. Invest in tailoring when necessary. 12. Baggy, Untapered, or Overly Tight Pants: Your pants should follow the natural shape of your legs without squeezing or drowning them in fabric. I recommend tapering your pants when needed and making sure the length is correct. Excess material puddling around your ankles makes you look shorter and heavier, while a sagging crotch visually shortens your legs. 13. Floppy, Lifeless Collars: A collar that collapses, curls, or loses its shape instantly makes your shirt look cheap and sloppy. Make sure your collars maintain their structure and sit neatly against your neck. 14. Pit Stains and Yellowing Shirts: Nothing ruins a clean outfit faster than yellow underarm stains or discoloration around the collar. White shirts are especially vulnerable. Undershirts can protect your clothing, and choosing an aluminum-free deodorant may reduce some yellow staining. If your shirt is permanently stained, gentlemen, it’s time to replace it. 15. Wearing Too Much Bright White: Bright white reflects light and can make your body appear visually larger. It can also emphasize yellowing or discoloration in your teeth because of the contrast. If you want a leaner look, darker shades are often more flattering. 16. Bright, Bold Colors That Add Visual Bulk: Vibrant yellows, reds, greens, and blues can draw attention and make certain areas appear more prominent. If you want to look slimmer and more streamlined, try darker, softer, or more subdued versions of those colors. 17. Horizontal Stripes and Unflattering Patterns: Horizontal stripes tend to emphasize width, while vertical stripes can create the illusion of a longer, leaner silhouette. Be strategic with your patterns and choose designs that complement your proportions rather than exaggerate them. 18. Oversized Graphic T-Shirts: Large graphics across your chest or midsection draw attention to those areas and can make your torso look bigger. Graphic tees can also look sloppy in the wrong setting. If you’re trying to look sharper, choose simpler, cleaner designs that don’t overwhelm your frame. ]]> Do you have a third place that’s JUST yours? It’s powerful! /do-you-have-a-third-place-thats-just-yours-its-powerful/ Sat, 10 Oct 2026 15:45:15 +0000     You’ve got a place you call home and a place you call work—but do you have a third place that’s just yours? My third place is pretty obvious. It’s the gym. It has been the gym for basically my entire life. I was 11 when I watched Rocky, and something about seeing Rocky train completely blew my little mind. I wanted muscles, I wanted to be strong, and I wanted to feel like that dude. So when I was 12, and my mom asked what I wanted for Christmas, I didn’t ask for a bike, a video game, or some other toy. I asked for a gym membership. And from that point on, I was hooked. Every day after school, my mom would drive me to the gym, drop me off, and then come back an hour and a half or two hours later to pick me up. I freaking loved it. If they had let me sleep there, I probably would have. The gym wasn’t just someplace I went to exercise. It became someplace I felt comfortable. It was familiar. I knew the people. I knew the sounds. I knew the smells—which, admittedly, weren’t always awesome. It felt like my place. All these years later, it still does. I’ve trained in different gyms, lived in different places, built businesses, gotten married, gotten older, and gone through pretty much every phase of life imaginable. But the gym has always been there. It’s been one of the few constants in my life, and I recently realized there’s a name for what the gym has been to me all these years: my “third place.” Sociologist Ray Oldenburg popularized the term in his 1989 book The Great Good Place. The concept is incredibly simple. Your first place is home, your second place is work, and your third place is somewhere else you regularly go where you can relax, interact with other people, and feel like you belong. Traditionally, these places might have been coffee shops, pubs, barbershops, churches, parks, community centers, or neighborhood hangouts. Today, your third place could be a gym, golf course, running club, hiking trail, volunteer organization, martial arts studio, or pretty much anywhere you regularly show up and connect with other people. What makes a third place powerful is that you don’t necessarily need to have deep conversations every time you go there. You don’t even need to be friends with everybody. There’s something incredibly valuable about simply being a regular. The guy behind the counter knows your name. Somebody asks how your weekend was. You see the same dude at the gym every Tuesday morning. You joke with the barista. You nod at the same people on the trail. These interactions might seem insignificant, but collectively they create something incredibly important: connection. And I think guys especially underestimate how much we need that. A lot of men get older, and their worlds gradually get smaller without them even realizing it. You’ve got your family, your job, and your responsibilities. Maybe you’ve got a couple of buddies you text occasionally, but everybody is busy. Nobody necessarily decides, “I’m going to stop having a social life.” It just happens. Work gets demanding, kids need you, people move, and friendships fade. Before you know it, your entire existence can basically become home, work, home, work, home, work. This is where having a third place becomes incredibly powerful. It gets you out into the world. It exposes you to people who aren’t your coworkers or family members. It creates opportunities for spontaneous interaction, which is something I think we’re losing because so much of our lives now happens through screens. You can order your groceries without talking to anybody. You can work from home without seeing anybody. You can entertain yourself endlessly without leaving the couch. Technology has made life unbelievably convenient, but convenience isn’t always the same thing as connection. Researchers studying adult development have repeatedly found that social connection matters tremendously to our long-term well-being. Researchers associated with the Harvard Study of Adult Development have even used the term “social fitness” to describe the idea that relationships require ongoing attention and maintenance, just like our physical fitness does. I love that concept because you wouldn’t expect to get physically fit by working out once every six months. Relationships aren’t really that different. Connection requires repetition. You have to show up. A third place gives you a natural way to do exactly that without making it feel like work. You don’t need to schedule a formal friendship appointment for Thursday at 3:30. You just go someplace you enjoy going anyway. You become familiar with people, and they become familiar with you. Over time, conversations happen. Relationships develop, you hear different perspectives, you laugh and learn things, and you start feeling like you’re part of something instead of simply moving from one obligation to the next. Another thing I love about third places is that they can be great equalizers. At the gym, nobody really cares about your job title. The weights don’t give a damn how much money you make. The treadmill isn’t impressed by your house or your car. You’re simply another dude trying to get through a workout. The same thing can happen at a barbershop, coffee shop, church, golf course, or volunteer organization. You meet people you probably never would have encountered professionally or socially, and you interact on neutral ground. Third places can also become part of your identity in a really healthy way. I’m a husband, an entrepreneur, a business owner, Alpha, and Pete & Pedro. But I’m also simply a dude who loves going to the gym. That part of me existed long before any of the other stuff. Having someplace that connects you to an identity outside of your career and responsibilities can be incredibly grounding, especially when life gets stressful or things change. And now that I think about it, I probably have another third place: Starbucks. If you know me, you know I freaking love coffee, and I’m at Starbucks pretty much every day. But it isn’t only about the coffee. I talk to people, I know people there, and I’ve had conversations and made connections there. Hell, I even discovered somebody at Starbucks who eventually came to work with us at Pete & Pedro. Think about that: a random place I regularly went for coffee actually ended up affecting my business and my life because I was out in the world interacting with people. Your third place doesn’t need to be my third place. Maybe you hate gyms and think Starbucks coffee tastes like burnt dirt. That’s cool. Your place could be a


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Aaron Neville Official Site of Aaron Neville Wed, 06 Sep 2023 19:55:14 +0000 en-US hourly 1 Tell It Like It Is – OUT NOW! /news/tell-it-like-it-is-out-now/ Wed, 06 Sep 2023 19:53:29 +0000 Aaron Neville shares his story, complete with stories of overcoming struggles and finally achieving success, in his debut memoir ‘Tell It Like It Is’: now available! Read all about Neville’s incredible path through life and own the book here. Also, check out some of the events and media celebrating the release! Some early reviews are in… “Iconic New Orleanian, platinum-record singer and songwriter Aaron Neville, a Grammy Hall of Famer… candidly reveals his little-known personal and professional struggles.” – Booklist   “A gratifying, spiritual, and hopeful against-all-odds memoir.” – Library Journal (Starred Review)   “The author’s life has been an inspiration…A worthwhile musical survivor’s story.” – Kirkus ]]> Aaron Neville will ‘Tell It Like It Is’ at the San Diego Festival of Books August 19th /news/aaron-neville-will-tell-it-like-it-is-at-the-san-diego-festival-of-books-august-19th/ Wed, 09 Aug 2023 19:45:00 +0000 Appearing virtually at the San Diego Union-Tribune’s Festival of Books, Aaron Neville will recall some of his most fascinating stories from his brand new memoir, ‘Tell it Like it Is’ in conversation with George Varga of the San-Diego Tribune.  For more information, click here!   ]]> TELL IT LIKE IT IS: My Story – Available Everywhere September 5th! /news/tell-it-like-it-is-my-story-available-everywhere-september-5th/ Mon, 10 Jul 2023 19:34:55 +0000 HACHETTE BOOKS: For the first time, legendary singer and songwriter Aaron Neville tells his personal story of overcoming poverty, racism, addiction, and loss through faith, family, and music.   “When Aaron Neville sings he is the mightiest of Archangels. The truth he’s written in these pages is no less powerful. He tells his riveting story with all the triumphs and sorrows, joys and frustrations he has experienced in his eight decades of life.” — Linda Ronstadt “[Neville] leaves readers sharing his conviction that his life has been something of a miracle and that ‘my voice was my salvation.’…The author’s life has been an inspiration….A worthwhile musical survivor’s story.” — Kirkus With a career that spans six decades, Aaron Neville’s many accomplishments include four platinum albums, three hit #1 songs on the Adult Contemporary chart, and the 2014 Grammy Hall of Fame induction of his R&B classic “Tell It Like It Is.” Despite this massive success, Neville never thought he’d be here for this long. Instead, his road to acclaim is a circuitous one, fraught with challenges. Born in a housing project in New Orleans of Black and Native American heritage, Aaron Neville – known for his trademark falsetto – began singing in the projects of New Orleans. But although he always wanted to sing, life often got in the way of this dream. A married father by the age of eighteen, Aaron had a family to care for and often couldn’t support them through music alone. So while he had a national Top 10 with “Tell It Like It Is” in the ’60s, Neville didn’t return to the spotlight until the late 70s with the Neville Brothers, the “First Family of New Orleans Music.” In between his times in the public eye, Neville worked a wide variety of jobs—loading cargo, painting houses, digging ditches—to care for his family. He also served a six-month stint in Orleans Parish Prison for car theft at the age of 19, was later sentenced for burglary, and struggled with a heroin addiction into the early ‘80s. Neville again reached the top of the charts in 1989 with his album of duets with Linda Ronstadt, Cry Like a Rainstorm, Howl Like the Wind. The album featured the #1 Grammy-winning hits “Don’t Know Much” and “All My Life.” Neville followed this with a string of hits including “Don’t Take Away My Heaven,” “Even If My Heart Would Break,” and a hugely popular cover of the Main Ingredient’s “Everybody Plays the Fool.” Aaron’s story is one of overcoming incredible odds. By all accounts he should not have made it in the music industry. Yet, here he is. Even more remarkably, Aaron’s story has never been told in full until now. TELL IT LIKE IS: My Story (Hachette Books, 9/5/23) marks the first time the award-winning artist showcases the entirety of his career and life. Aaron adds, “To all my fans and friends, I hope that you enjoy reading about my journey through life. All the ups and downs, ins and outs… buckle up, stay in the saddle, while I tell it like it is…and like it was.” With raw and unflinching honesty, Neville’s reflections shed light on a life not usually chronicled in literature: that of a mixed-race Black man overcoming incredible odds through faith, family, music and resilience. ]]> Best American Roots Performance – 65th Annual GRAMMY Awards /news/best-american-roots-performance-65th-annual-grammy-awards/ Fri, 10 Feb 2023 16:08:16 +0000 First of all, I want to thank God, St. Jude, and everyone involved in this song about my life and stompin’ grounds. Thank you to my team from Red Light Management; Marc Allan, Daniel Romanoff. Deep gratitude and congratulations to the producers: Eric Krasno, David Gutter, Martin Shore and Take Me to the River. Thank you to the musicians who played on the recording, The Dirty Dozen Brass Band, Charlie the horn man, my son Ivan Neville, my nephew Ian Neville, George Porter Jr. Thank you to the Recording Academy / GRAMMYs, my friends, the mighty Neville Brothers and to my dynamic wife Sarah A. Friedman, who without her I don’t think I’d be here. ]]> /news/2021/ Thu, 06 May 2021 15:00:34 +0000 ]]> Aaron Neville at 80 /news/aaron-neville-at-80/ Sun, 24 Jan 2021 14:58:06 +0000 Ahead of his big 80th birthday, Aaron was interviewed by TIDAL Magazine about his career, influences and his imitable singing style. Check out the full piece here.   ]]> AARP Magazine – Coping With Quarantine /news/aarp-magazine-coping-with-quarantine/ Tue, 16 Jun 2020 20:41:48 +0000 AARP – David Hochman: As America (and the world) continues to shelter in place to stem the spread of COVID-19, we are discovering that social media offer more glimpses than ever into the lives (and living rooms) of actors, musicians and journalists. Hear more on how some famed personalities are coping during the pandemic — and what they’re learning about the world and themselves in the process. Aaron Neville, 79, soul and R&B vocalist and musician Currently sheltering: At home with his wife, Sarah Ann Friedman COURTESY OF SARAH A FRIEDMAN Aaron Neville watering plants inside the greenhouse at his New York farm. “They said that being almost 80, I would be a prime candidate to get the virus. Plus, I have asthma. I don’t want to get sick. So, I canceled my tour dates and we’ve been home and isolated on our farm in New York. Sarah runs the farm. I do the watering in the greenhouse and whatever else I can. We have about 100 chickens, plus strawberries, tomatoes and honeybees. We have enough food in our freezer thanks to two cows we used to have. Their names were T-Bone and Ribeye. Being from New Orleans, I make a lot of red beans. “Our living room is now a recording studio. I have my piano plugged into the computer and I play free concerts on Sunday on Facebook. I’m drawn back, almost in a reverie in my mind, to playing the stuff I heard when I was a kid. I play spiritual music. I play doo-wop. It’s what I’m connecting with the most, and it’s bringing so much comfort right now. “The rest of the time I’m doing what everybody else is doing. I’m staying in. Playing solitaire sometimes. Playing dominoes. Walking out in the yard with my dog, Apache. He’s a shih tzu Pomeranian. About 15 pounds, but he thinks he’s 100 pounds. In the afternoons, I watch my soaps. The Young and the Restless and The Bold and the Beautiful. “We have a plethora of trees here. I call them my cathedraI. I’ll sit out there and I’ll pray. I pray all the time lately. I pray for my family. I pray for New Orleans. It’s sad what’s going on in my city. So many people sick. I feel for them. I feel for the whole world, wherever people are suffering. I pray and I sing. That’s getting me through. They say he that sings prays twice. What else can you really do?” Read the full piece on AARP.org. ]]> Jazz Festing In Place – 2020 /news/jazz-festing-in-place-2020/ Thu, 23 Apr 2020 18:41:24 +0000 Thanks to WWOZ, this year we’re ‘Jazz Festing In Place’ for everyone’s health and safety. Join me Friday, April 24th at 11:00am (NOLA time) to hear my Gospel Tent set from 2010. And tune in all weekend and next for broadcasts from the last 50 years of Jazz Fest! Listen live here:  ]]> Warm Your Heart – Live Stream /news/warm-your-heart-live-stream/ Sat, 21 Mar 2020 13:36:18 +0000 Please join me this Sunday for a live stream from Freville Farm, LLC, at 1pm ET. Attending Church is very important to me. In absence during this time, I have been tuning into Mass on TV and the internet like many of you. I’m looking forward to bringing you all some spiritual music in hopes that it adds to our unified healing. ]]> Jazz Fest & Tampa Bay Blues Festival – Postponed /news/tampa-bay-blues-festival-postponed/ Fri, 13 Mar 2020 20:19:14 +0000 My performances at this year’s New Orleans Jazz & Heritage Festival & Tampa Bay Blues Festival has been officially postponed. Jazz Fest is being postponed to the Fall (official dates will be forthcoming) and the Tampa Bay Blues Fest will be taking place in April 2021.   See full statements below from the festivals with more details for ticket-holders. *** JAZZ FEST 2020 TO BE RESCHEDULED FOR THE FALL At the direction of City of New Orleans authorities, in response to ongoing COVID-19 health concerns, the 2020 New Orleans Jazz & Heritage Festival presented by Shell will not occur this April and May, as scheduled. The health and safety of the community, our musicians, Festival fans, participants, sponsors and staff are paramount, and we urge everyone to follow the guidelines and protocols put forth by public health officials. Jazz Fest 2020 will now take place in the fall.  We will announce exact dates and additional details soon.  All purchases for the original dates will be honored for the fall dates. Thank you for your support and patience, and we look forward to seeing everyone this fall. *** TAMPA BAY BLUES FESTIVAL After consultations with the Mayor’s office for the City of St Petersburg, we have learned that our festival scheduled for April 3, 4, 5, 2020 must be rescheduled for a later date. We did everything within our power to save the event, but the corona virus and health concerns in Florida have mandated this result. All ticket and VIP buyers will be honored on our rescheduled date. We do believe the festival will return on April 9, 10, 11, 2021. For those desiring a refund, arrangements will be made to return monies paid to us through Etix or otherwise. Details will be provided here, as soon as we have more information. We are very saddened by this development, but these circumstances are beyond our control. Our City manages the use of Vinoy Park, and has removed the venue as an option for us. We are so very grateful for our tremendously loyal fans and sponsors who support us every year. Your well-being is paramount in our thinking and we hope you’ll join us again at the next Tampa Bay Blues Festival. Please stay safe and know that we truly care about each of you. Best wishes! ]]>


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Aaron's cc: ROPMA Fri, 22 Dec 2023 05:56:15 +0000 en-US hourly 1 /wp-content/uploads/2018/08/cropped-aarons-cc-masthead-Aug2018a-1-32x32.jpg Aaron's cc: 32 32 Muslims Worldwide Throw a Fit over Israeli Bomb-Sniffing Dog Named after Mohammed’s Child Bride Aisha /muslims-worldwide-throw-a-fit-over-israeli-bomb-sniffing-dog-named-after-mohammeds-child-bride-aisha/ /muslims-worldwide-throw-a-fit-over-israeli-bomb-sniffing-dog-named-after-mohammeds-child-bride-aisha/#respond Fri, 22 Dec 2023 05:56:15 +0000 /?p=9281 Test IDF bomb-sniffing dog “Aisha” Forget the “20,000 dead children” and the 1200 Israelis, Thais and others raped, tortured and murdered Oct. 7 and the 240 hostages held by Hamas – Muslims worldwide are now freaking out over an Israeli Army video showing an IDF bomb-sniffing dog named “Aisha”, who was the Prophet Mohammed’s 9-year-old child bride. Doggie-cam footage showed Aisha, an IDF dog soldier, Source: Muslims Worldwide Throw a Fit over Israeli Bomb-Sniffing Dog Named after Mohammed’s Child Bride Aisha ]]> /muslims-worldwide-throw-a-fit-over-israeli-bomb-sniffing-dog-named-after-mohammeds-child-bride-aisha/feed/ 0 Mohamster Dance /mohamster-dance/ Thu, 16 Aug 2018 09:38:47 +0000 ]]> Spider-Mohammed Will Make You Gay /spider-mohammed-will-make-you-gay/ Thu, 16 Aug 2018 09:21:24 +0000 ]]> Lenin’s Next /lenins-next/ Thu, 16 Aug 2018 09:11:11 +0000 ]]> When Pigs Fly… Into Mohammed’s Mouth /when-pigs-fly/ Wed, 08 Aug 2018 00:36:39 +0000 Tammy Bruce used to feature this animation of mine. ]]> What Seemed to Push Aaron’s Arab DDOS Hackers Over the Edge? /what-seemed-to-push-aarons-arab-ddos-hackers-over-the-edge/ Tue, 02 May 2006 12:23:36 +0000 UPDATE: WELCOME POWER LINE FANS! Have I missed you in the list below? Lemme know if you covered the hack attack or your blog went down as a result. Blogs in boldface were down on Friday. Over 100 blogs and close to 110 different posts. Aaron’s cc: DDOS This, Jihadis! Ace of Spades HQ: Hack Attack Knocks Out Major Pro-War Blogs Almost Average: – Hey! – Brilliance Lost Anti-Idiotarian Rottweiler: And The Gifts Keep Rolling In Autonomous Source: You can’t shut down freedom of speech BeltwayBlitz: Jihadists Attack Right-Wing Websites; Leave Lefties Unmolested? Babalu Blog: The Religion of Peace? Big Lizards: Distributed Denial of Service Attack Blogs4Bush: We’re Back… Hosting Matters DOS Attack Cap’n Bob & the Damsel: Aliens Cause Global Warming Captain’s Quarters: Still More Server Problems Castle Arggh! – John Donovan: **** Chuck Simmins: DDoS Classical Values: The best defense is a good chicken hawk! Classical Values: Local reporting wastes time and shoe leather! Conservative Cat:  Aftershocks From The Friday Cyberterror Attack Counterterrorism Blog: *** Dean’s World: Cyber-Fascism discarded lies – hyperlinkopotamus: D.O.S. attack this morning on the blogosphere Donkey Cons: Blog-O-Rama 4-28 Don’t Go Into The Light: DOS attack Down with Absolutes: Bitches wanna be startin’ somethin’? Everyday Thoughts Collected – By Randy Thomas: Further Evidence That The World is Ending Florida Cracker: DOS Attack FullosseousFlap’s Dental Blog: Hosting Matters Watch: Blogs Down – Hack Attack GOP Bloggers: B4B Server Down Hillbilly White Trash: Cyber Terrorists Strike Hog On Ice: – Aaron DDOS-Blogs from Otisville – Muslims, Illegals, and Flakes, Oh My! – The Answer to Mrs. Malkin’s Question Honestyrain Hugh Hewitt: And We’re Back! Hyscience: We are standing in solidarity … IMAO: Where Did IMAO Go? Ask Saudi Arabia Indepundit (Lt. Smash): Hack Attack Targets Blogs Instapundit (see also back-up site here): YES THERE’S A DOS ATTACK Is Full of Crap: – You’re getting DDOSed by blenders, microwave ovens, and refrigerators now, Aaron. – Heading off to other blogs – Good News Bad News – Hosed Matters Islam/Dhimmi Watch: When Jihadis attack free speech Blogs down for hours today. Islamic Evil:  Daily Update Jeff Quinton: *** Judeopundit: You know you’ve made it . . . Left Wing = Hate:Terrorist attacking Conservative Bloggers websites Little Green Footballs: Hosting Matters Attacked Little Green Footballs: Hosting Matters Attacked, Round Two Little Platoon: Islamofascists DOS attack on US websites and blogs. Local Liberty: Not All Bad Lone Star Times: Conservative blogs hit by Islamohackers Mattsapundit: Hackers Cripple Major Conservative Blogs Maverick Philosopher: Big Hack Attack medGadget: From Saudi With Love Men’s News Daily: Conservative Blogs Suffer Cyber Attack Originating in Saudi Arabia Michael Totten: *** Michelle Malkin: – BLOGS DOWN: HACK ATTACK – ANOTHER CYBERATTACK ON BLOGS – The Islamists’ war on the Internet (prior coverage) – Jihad in cyberspace (prior coverage) – Internet jihad continues (prior coverage) Moonbattery:  Islamothug Attacks Repelled Mountaineer Musings: *** Mudville Gazette: DOS ATTACK MY Vast Right Wing Conspiracy: For Aaron’s Hackers National Review’s The Corner: RIGHT BLOGS BESEIGED Never Yet Melted: Saudi Hackers Attack Blogs NoisyRoom.net: ANOTHER CYBERATTACK ON BLOGS Nyominx: “Internet Jihad” Hits Close to Home OKIE on the LAM – In LA: Islamists Attack Conservative Websites Ordinary Everyday Christian: Hugh Hewitt, Powerline, Other Blogs Under Attack Outside The Beltway | OTB: Blogs Under Hack Attack Overlawyered: Site outages PAXALLES:  Patterico: DoS Attack Peaktalk: DOS ATTACK Power Line:  – WE’RE BACK – ROUND TWO  Pundit Guy: DOS Attack Radioblogger: *** Riehl World View: Blog Down! Blog Down! Right Minded: Hack attack Right Wing Nation: – Another Attack – Aaron is Back Samizdata: *** Say Uncle: Hey, We’re Back! Security Watchtower: Hosting Matters Hacked She Who Will Be Obeyed – Beth Donovan: – Happy Happy Joy Joy – More On Cyber Terrorism Small Dead Animals: DOS Attack Something… and Half of Something: More Cyber Terrorism from the Religion of Murder, Mayhem, Death and Destruction™ SondraK: *** StarfishCoffee: When providing a little help comes back to bite ya… Suitably Flip: Cyberjihadis Roast the Stomachs of Bloggers Everywhere Tales of a Closet Extrovert: “Internet Jihad” Hits Close to Home Tel-Chai Nation: Cyberjihadists on the rampage again, this time in The American Mind: Attacking Weblogs The American Princess: We’re Fairly Well Versed On This Internets Thing The Club for Growth Blog: Blogosphere Gets Attacked The English Guy: Blogosphere Parts Down The Indepundit: Hack Attack Targets Blogs The Jawa Report: Saudi Online Terrorists Hacking Again. The Moderate Voice: Host For Many Blogs Was Under Attack The Other Side of Kim du Toit: Cyber Jihad, Perhaps? The Peach Pit: About Last Week The Peking Duck: This site is still shaky The Queen of All Evil: Denial of Service Attack The Ramblings of an Ordinary Guy: Hosting Matters down. The Remedy: Not All Bad  The Strata-Sphere: Major DoS Attack On Hosting Matters The Tech In Black: The Internet Jihad Theodore’s World: Saudi Arabia Having A Bad Day Thoughts by Seawitch: Exercising Freedom of Speech Ticklish Ears: I’m Back Up! Tim Blair : *** Transterrestrial Musings: Word To The Wise Unalienable Rights Blog: Hack-Attacks Target Right-wing Blogs UrbanGrounds: Internet Jihad Webloggin:  – Webloggin Last Week, Media Matters This Week – Another CyberAttack on Blogs – Don’t Let Apparent Cyber Attack Lead to Hysteria and Wrong Conclusions Wizbang: – And, We’re Back! – Hosting Matters Experiences Hack Attack  – Uh, Hey Guys. Mind if I Blog Here? Yourish:I’m back! I’m back! Hooray, I’m back! ]]>

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