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1080 Science Scientific findings on 1080 poison use in New Zealand Sat, 26 Sep 2026 09:28:05 +0000 en hourly 1 1080 Science 32 32 A critique of the research used to justify kea poisoning Sat, 26 Sep 2026 08:16:05 +0000 J.C. Pollard, 30 August 2026. A critique of the radiotelemetry, nest monitoring and 2018 nest-survival study used to justify aerial 1080 poisoning of kea. The post A critique of the research used to justify kea poisoning appeared first on 1080 Science. ]]> .avia-image-container.av-l2jopltb-c8cfb720ca8c85f3593ac042b9ba77a4 img.avia_image{ box-shadow:none; } .avia-image-container.av-l2jopltb-c8cfb720ca8c85f3593ac042b9ba77a4 .av-image-caption-overlay-center{ color:#ffffff; } Review, 30 August 2026, of the research used to justify kea poisoning. J.C. Pollard (BSc (Hons), PhD). Dr Jo Pollard (BSc (Hons), PhD) #top .av-special-heading.av-24xiks-799882b1d648757c98b4fc9136faf725{ padding-bottom:10px; } body .av-special-heading.av-24xiks-799882b1d648757c98b4fc9136faf725 .av-special-heading-tag .heading-char{ font-size:25px; } .av-special-heading.av-24xiks-799882b1d648757c98b4fc9136faf725 .av-subheading{ font-size:15px; } A critique of the research used to justify kea poisoning #top .av_textblock_section.av-l2jp99qm-81b6a56372f9d9519efb40ca90aff933 .avia_textblock{ color:#515151; } Kea (Nestor notabilis) have Absolute Protection under the Wildlife Act 1953. This review examines the research used to claim that aerial poisoning with 1080 benefits them. The references, appendices and the addendum on the history of kea and people, written by the late Bill Benfield, are in the PDF. Download the full review (PDF) Background The number of kea (Nestor notabilis) remaining in NZ is unknown. Estimates as low as 1000 have been made since 1986 (1, 2). The kea’s official threat status has been worsening and reached Endangered in 2017 (2, 3). Declines and disappearances of kea have been very noticeable in the north and east alpine areas of the South Island (4). Kea have Absolute Protection under the Wildlife Act (1953), meaning it is illegal to kill or capture them or interfere with their nests (5). A major cause of kea mortality, for decades, has been poisonous food bait distributed by aircraft to control unwanted mammals. Deaths of kea following aerial poisoning with 1080 (sodium monofluoroacetate) were noted in 1963 (6). Monitoring began in 2008 at Fox Glacier, where 7 of 17 kea were poisoned, indicating that 41% of the local kea had died (7). Recorded poisoning rates include: in 2020, 50% at Matukituki (8), also 50% at the remote Wet Jacket Peninsula (9); and in 2022, 22% at Arthurs Pass and 29% west of the pass at Otira-Taipo (10). NZ’s Department of Conservation (DOC) claims that kea populations benefit from poisoning, because it kills nest predators: “Without pest control, typically about 60% of kea nests fail – mostly due to being preyed on by stoats or possums, and in some areas, feral cats” (11). The following three brief sections examine the evidence for this claim. Further details are provided in the Appendices. Lastly, the Addendum provides more on the history between kea and humans (written by the late Bill Benfield). 1. Radiotelemetry Radiotelemetry is the basis of DOC’s, and charity (Kea Conservation Trust, KCT), studies on kea. The birds are caught and have a long-term backpack harness carrying a transmitter attached to them (335 kea reported by DOC up to 2021 (4); the KCT accounts for many more (12); animal control company Zero Invasive Predators is also now using the devices (13)). In birds generally, those wearing backpack harnesses and transmitters are much more likely to die (14), e.g. annual survival rates of nearly 90% were found in falcons that managed to shed their backpacks compared to around 50% in birds that did not (15). Wearing telemetry equipment was found to affect most aspects of a bird’s life, and markedly increased energy expenditure (14). In the flightless takahe, this was attributed to heat loss, and the risk to alpine birds was pointed out: they may have little scope to forage more in winter to compensate (16). In pigeons (17) and ibises (18), flying was more difficult. Another effect of adding this equipment to birds, in general, is a marked decrease in nesting (14). Reports from DOC’s use of this equipment on birds in general include: deaths through capture and handling stress, aspergillosis (a fungal disease brought on by capture and stress), hypothermia, entanglement and predation; loss of body condition; lack of breeding; and disappearances (Appendix I); plus injuries from long-term wear (19). The only sign of consideration from the people using them, of effects of putting harnesses on kea, appears to be a feasibility study on GPS monitoring (20). Casual observations were made on 14 newly harnessed birds (mostly) recaptured after a median of 11 days. Although no negative effects were reported, it was noted the birds responded by trying to remove the harnesses (20). Bird researchers were asked to consider whether their radio telemetry studies are worthwhile if they collect biased data from disadvantaged birds, which are being harmed as well (14). 2. Nest monitoring Using the transmitter-wearing kea, low-flying aeroplanes, ground searches and playing recorded kea calls, DOC and KCT have been finding kea nests to monitor (196 reported by DOC from 1992 up to 2023 (2); many more by KCT (12, 21)). Humans have been climbing into the nest cavities, handling chicks (measuring, taking blood and feather samples, applying leg rings, putting telemetry gear on older ones), adding cameras in and outside nests and revisiting frequently (Appendix II, (12)). The above manipulations are in direct conflict with collecting meaningful data on threats to kea, and the kea’s breeding opportunities. In the U.K. it is illegal to interfere at all with the nests or young of rare birds because of the high risk of causing failure (22). Even brief desertion can leave eggs cooling or chicks vulnerable, and the sights, noises and scents created and left behind (e.g. cameras) attract curious and opportunistic animals (23, 24, 25). A nest researcher in NZ observed that stoats were following her around (25). Disturbing older chicks can cause them to leave the nest early, when survival is poor (26). Using bird calls to find nesting adults is also condemned due to the distraction it causes (27). Aircraft are known to disturb breeding birds and were banned by DOC from the air space above nesting terns (28); they are likely to distract kea (29). Leg bands also harmed kea: “The large number of band injuries were caused not by the band being put on improperly but because a band prevents normal swelling of the leg, following a foot injury” (29). Studies on kea at Arthurs Pass by J.R. Jackson in the 1950s–60s revealed the nests were worked on for years by the hen, then used for a lifetime. Nesting began in midwinter: “July: Heavy falls of snow cover much ground and Keas feed in the forest and on the forest floor. First eggs laid … October: Peak of laying. Adults very shy and quiet” (30). Jackson found that upset parent birds, other kea, gulls and falcons were all threats to eggs and chicks (31). Not rats, stoats or possums: “During the last hundred years Keas have shared their environment with rats Rattus spp. and stoats Mustela erminea. I have found no evidence of these animals affecting Keas … Twice I have found a dead possum Trichosurus vulpecula within five yards of a Kea nest. The opossum frequently chooses holes similar to a kea nest as a den and perhaps these two opossums prospected the Kea nests” (29). In 1999 (32) and 2004 (33), DOC’s G. Elliott and J. Kemp confirmed Jackson’s assessment of a very low risk of predation at kea nests. Later, Kemp (with funding from the Animal Health Board (AHB), now OSPRI, a significant user of aerial poison to control bovine tuberculosis), began approving of ongoing poisoning of kea “to kill nest predators”, despite the very poor evidence he had (Appendix III). Even cats, noted as invading Arthurs Pass National Park from about 2015 onwards, left the nesting (but not the other) kea alone. Again, kea were put in harnesses with telemetry gear to see whether the cats would catch them: “This project aims to substantiate the importance of feral cats as a driver of native species declines for ground dwelling1 birds in eastern forests” (34). It could be suggested that this study was unashamedly biased research and therefore has little merit, but it is another clear example of a poor method being used and placing endangered species at significant risk. Records from decades of kea nest monitoring repeatedly show great disruption: abandonment, disappearances, and unexplained deaths, and yet little evidence of predation by mammals (Appendix II, (12)). An Official Information Act query to DOC in 2026 drew the reply that over the many years a total of 8 instances of predation of these disadvantaged kea had been caught on in-nest cameras, involving a rat, a possum, and six stoats (35). 3. The experiment: Kemp et al., 2018 DOC’s kea review (2) and website (36) cite Kemp et al. (2018) (37) as the evidence that predator control increases kea nest survival. This study of kea nests, stoats and rodents in an area that was poisoned (Okarito) and one that was not (Fox-Paringa) ran from 2008–2013, and a final report was produced in 2015 (38, Appendix IV). Truncated (2009–2012), modelled data was used in the 2018 publication (in the New Zealand Journal of Ecology (37)). The scientific rigor of the study was poor – the monitoring predisposed kea to trouble – but also, bias was clear from the outset, with Kemp stating in his 2011 Milestone Report to the AHB, “For nest survival in the treated area to be significantly higher at the p<0.05 level, then about 80% of the nests need to fledge at South Okarito during the 2011 season following aerial 1080 treatment. This is within the realms of possibility” (39). There was no replication (an attempt was abandoned), there was non-random assignment of treatment to area (the AHB intended to poison Okarito), and the observers were open to bias because they knew of the treatment (38, Appendix IV). The results from the study (preliminary in Table 1 of the PDF; final in Table 2 below and Appendix IV; published as truncated modelled data by Kemp et al., 2018 (37)) are the evidence used to back the claim (2, 36) that kea nest survival benefits from poisoning. (Neither of DOC’s other measures of kea productivity in the study (nest initiation and fledglings per nest) were considered to show any effect of the poisoning treatment.) The number of kea poisoned was not mentioned; in North Okarito, seven of nine monitored kea were killed (78% (41)). Table 1, results to 2012 from the Milestone Report to the AHB (Kemp, 2012 (40)), is an image taken from that report and is in the PDF. It carries the source document’s Official Information Act release mark, so the figures are best read there. It gives survival of kea nest contents through regular monitoring in two areas, one (Okarito) poisoned in 2011. Table 2. Final results to 2013: survival of kea nest contents throughout regular monitoring, in two areas, one (Okarito) poisoned in 2011. See Table 3, Appendix IV (Kemp et al., 2015 (38)), for full details. Site Season No. nests observed No. nests reared a chick Okarito 2008 3 3 Okarito 2009 5 2 Okarito 2010 7 3 Okarito poisoned 2011 9 9 Okarito 2012 7 5 Okarito 2013 4 3 Fox-Paringa 2010 7 3 Fox-Paringa 2011 6 3 Fox-Paringa 2012 7 0 Fox-Paringa 2013 5 1 Why the poisoning is repeated The rodent graphs from the 2015 report (38, Appendix IV) show why aerial 1080 is spread repeatedly: a large rise in mouse numbers occurred within three months, followed by steeply increasing rats, then stoats (truncated from the 2018 paper). This pattern, involving a large rat irruption, is a standard response to broadcasting 1080, fuelled by the resources left unused by dead animals (42–45). Poisoning then needs to be repeated frequently to control the rats (46). Conclusions There is no scientifically obtained evidence that supports poisoning kea to improve their reproduction. Studies have found remarkably little evidence of nest predation by mammals, given the opportunities created by monitoring. Due to the unknown, but likely precarious state of the species, an urgent halt to killing, capture and all interference2 is strongly indicated. The kea’s Absolute Protection status is not being acknowledged. Neither is its vulnerability to weather conditions, and starvation, which was the biggest natural killer of kea in Jackson’s studies (25): “In the autumn as nesting finishes adult Keas may die, as they go into moult, perhaps in poor condition. The greatest mortality for all Keas is June to September when food is most scarce … tables show the large loss of Keas in their first year, especially soon after banding. Some of these Keas were inexperienced, recently fledged Keas. Others were banded and died in the spring when there is a large moving population, spurred by hunger …” “The bad Season – October 1957–May 1958 … in each month the rainfall was greatly above average, especially from October to March, probably the significant months for the Kea … December was the worst month … There were frequent storms … This period caused a great reduction in the Kea population. Perhaps it was reduced to two thirds normal … Chicks were found dead in their nests, eating of eggs was first noticed, and many parent Keas disappeared. Usual foods failed … That summer there was little nectar, and the following winter few berries. Starvation was the immediate cause of death of many Keas that summer” (25). Numbered references for the statements above are in the PDF, followed by Appendix I (DOC staff on telemetry), Appendix II (nest-monitoring records), Appendix III (internal reports on kea predation), Appendix IV (the 2015 Okarito report, released under the Official Information Act), and the addendum by the late Bill Benfield. 1 This plan and the published results (4) repeatedly refer to kea as “ground dwelling”. However: “Young leaves and buds of forest trees form the main food of Keas. At all seasons they spend much time in the tree tops (at Arthurs Pass in mountain beech) steadily and slowly picking buds …” (30). 2 Includes KCT: decades of blood sampling for lead; genetic sampling (500 samples taken); bait aversion trials. ZIP: bait aversion trials; communal feeding (which alters behavior and creates a disease transmission risk). Related reading on this site Kea in Trouble Towards ethical and effective conservation of New Zealand’s natural heritage (peer-reviewed paper, Conservation, 3 September 2025) Frightening lack of science behind super-poisoning plans (July 2023) #top .av-special-heading.av-lkja5hto-02926d16c1cbec8a3a62680dcca60a9c{ padding-bottom:10px; } body .av-special-heading.av-lkja5hto-02926d16c1cbec8a3a62680dcca60a9c .av-special-heading-tag .heading-char{ font-size:25px; } .av-special-heading.av-lkja5hto-02926d16c1cbec8a3a62680dcca60a9c .av-subheading{ font-size:15px; } Latest 1080 Science Press Releases Managing Wild Animal Populations Without the Cruelty of 1080August 8, 2026Read more /wp-content/uploads/2026/08/nz-possum.webp 600 1200 Dr J.C. Pollard, BSc (Hons), PhD, Zoology Dr J.C. Pollard, BSc (Hons), PhD, Zoology2026-08-08 08:58:352026-09-26 07:36:27Managing Wild Animal Populations Without the Cruelty of 1080DOC Response to OIA Request on 1080 Poison Use and Karoro DeathsJanuary 12, 2025Read more /wp-content/uploads/2025/01/OIA.jpg 600 1200 Dr J.C. Pollard, BSc (Hons), PhD, Zoology Dr J.C. Pollard, BSc (Hons), PhD, Zoology2025-01-12 04:10:302026-08-08 09:36:46DOC Response to OIA Request on 1080 Poison Use and Karoro DeathsIn-depth Response: Independent Scientist, Jo Pollard, Debunks OSPRI’s Claim that a 10-Year Study Proves Forests Remain Vibrant Despite 1080 Poison Usage!September 19, 2023Read more /wp-content/uploads/2023/09/piwakawaka-FB.jpg 600 1200 Dr J.C. Pollard, BSc (Hons), PhD, Zoology Dr J.C. Pollard, BSc (Hons), PhD, Zoology2023-09-19 00:01:122023-09-19 03:58:39In-depth Response: Independent Scientist, Jo Pollard, Debunks OSPRI’s Claim that a 10-Year Study Proves Forests Remain Vibrant Despite 1080 Poison Usage!Page 1 of 9123›» The post A critique of the research used to justify kea poisoning appeared first on 1080 Science. ]]> Report on killing wildlife to control bovine tuberculosis in New Zealand /report-on-killing-wildlife-to-control-bovine-tuberculosis-in-new-zealand/ Sat, 26 Sep 2026 07:50:31 +0000 /?p=4971 December 2025 report by J. Pollard on possum-focused control of bovine tuberculosis in New Zealand, with recommendations on independent review, surveillance methods and policy. The post Report on killing wildlife to control bovine tuberculosis in New Zealand appeared first on 1080 Science. ]]> .avia-image-container.av-l2jopltb-007cf6180356d1b264bf23258a2bc288 img.avia_image{ box-shadow:none; } .avia-image-container.av-l2jopltb-007cf6180356d1b264bf23258a2bc288 .av-image-caption-overlay-center{ color:#ffffff; } Report, December 2025, on bovine tuberculosis in New Zealand. Convenor of the investigating group: Mr G. Guenole. Author: J. Pollard (BSc (Hons), PhD). Dr Jo Pollard (BSc (Hons), PhD) #top .av-special-heading.av-24xiks-e1979c625611aba011e2ade534c2486b{ padding-bottom:10px; } body .av-special-heading.av-24xiks-e1979c625611aba011e2ade534c2486b .av-special-heading-tag .heading-char{ font-size:25px; } .av-special-heading.av-24xiks-e1979c625611aba011e2ade534c2486b .av-subheading{ font-size:15px; } Report on killing wildlife to control bovine tuberculosis in New Zealand #top .av_textblock_section.av-l2jp99qm-81b6a56372f9d9519efb40ca90aff933 .avia_textblock{ color:#515151; } In 2024/5 a group with longstanding concerns about bovine tuberculosis management in New Zealand examined the possum-focused policy. The group comprised an ecologist, a dairy farmer, a veterinary pathologist, a zoologist, a former New Zealand Forest Service employee, a former regional councillor, a professional trapper and two hunters. This page carries their summary and recommendations. The full report, including the evidence, tables, references and appendices, is in the PDF. Download the full report (PDF) Summary and recommendations Since the 1970’s, New Zealand (NZ) taxpayers and farmers have been paying for the lethal control of introduced Australian brushtail possums (Trichosurus vulpecula), claimed to be the main wildlife reservoir of bovine tuberculosis (Mycobacterium bovis (Tb)) and vector of the disease to cattle and deer on farms. Possum control includes wide scale aerial poisoning campaigns with negative effects including animal suffering, deaths of native wildlife, an enduring risk to dogs in carcasses, and increasing rodent populations. In 2025, NZ’s livestock have been internationally (World Organisation for Animal Health) qualified as Tb free for over 10 years. Nevertheless the country is facing years of poisoning in pursuit of complete Tb eradication, which may not be feasible through targeting possums due to its widespread presence in a range of mammalian wildlife. The Tb control strategy’s focus on killing possums has been criticised on both veterinary and economic grounds, and predictions from its underlying mathematical modelling, based on assumptions and sparse data, may be incorrect. Review, transparency, measurement and an evidential, science-based strategy are needed. Consideration of Tb management techniques used in other countries such as France, which has a similar situation to NZ, is advised. Recommendations 1. Independent reviews Costs, benefits and risks of attempting bovine Tb eradication in NZ wildlife. Epidemiological examination of OSPRI-funded Landcare Research studies on bovine Tb in wildlife in Westland. All government and government-funded reports and data on bovine Tb in farmed cattle and deer, and wildlife, to be made available for public review. 2. Methodology PCR testing and/or other improved techniques to be used in Tb surveillance. Bovine Tb lesions reported in slaughtered livestock to be differentiated, quantified and reported as either infectious or inert and the source herds followed up and managed accordingly. The prevalence of bovine Tb to be surveyed in all mammalian wildlife. 3. Policy Strong support for farm-based management of bovine Tb, including recognition of the importance of animal welfare such as nutrition and shelter, and environmental contamination. Change the Biosecurity Act to require direct epidemiological evidence that bovine Tb exists in targeted wildlife in an area before control is applied. Legislation to address bovine Tb biosecurity in killed wild and feral animals, including pigs and deer. Humane, science-based wild animal surveillance and control, managed and assisted by all stakeholders. What the full report covers Introduction The focus on possums Current issues: poor quantification, poor control over risk factors, and the feasibility of eradicating Tb from wildlife Alternative management, including the approach used in France References Appendix 1. History of possum-focused control of bovine Tb in New Zealand, with its own references Related reading on this site Tb, from the ERMA index Towards ethical and effective conservation of New Zealand’s natural heritage (peer-reviewed paper, Conservation, 3 September 2025) Managing wild animal populations without the cruelty of 1080 #top .av-special-heading.av-lkja5hto-02926d16c1cbec8a3a62680dcca60a9c{ padding-bottom:10px; } body .av-special-heading.av-lkja5hto-02926d16c1cbec8a3a62680dcca60a9c .av-special-heading-tag .heading-char{ font-size:25px; } .av-special-heading.av-lkja5hto-02926d16c1cbec8a3a62680dcca60a9c .av-subheading{ font-size:15px; } Latest 1080 Science Press Releases Managing Wild Animal Populations Without the Cruelty of 1080August 8, 2026Read more /wp-content/uploads/2026/08/nz-possum.webp 600 1200 Dr J.C. Pollard, BSc (Hons), PhD, Zoology Dr J.C. Pollard, BSc (Hons), PhD, Zoology2026-08-08 08:58:352026-09-26 07:36:27Managing Wild Animal Populations Without the Cruelty of 1080DOC Response to OIA Request on 1080 Poison Use and Karoro DeathsJanuary 12, 2025Read more /wp-content/uploads/2025/01/OIA.jpg 600 1200 Dr J.C. Pollard, BSc (Hons), PhD, Zoology Dr J.C. Pollard, BSc (Hons), PhD, Zoology2025-01-12 04:10:302026-08-08 09:36:46DOC Response to OIA Request on 1080 Poison Use and Karoro DeathsIn-depth Response: Independent Scientist, Jo Pollard, Debunks OSPRI’s Claim that a 10-Year Study Proves Forests Remain Vibrant Despite 1080 Poison Usage!September 19, 2023Read more /wp-content/uploads/2023/09/piwakawaka-FB.jpg 600 1200 Dr J.C. Pollard, BSc (Hons), PhD, Zoology Dr J.C. Pollard, BSc (Hons), PhD, Zoology2023-09-19 00:01:122023-09-19 03:58:39In-depth Response: Independent Scientist, Jo Pollard, Debunks OSPRI’s Claim that a 10-Year Study Proves Forests Remain Vibrant Despite 1080 Poison Usage!Page 1 of 9123›» The post Report on killing wildlife to control bovine tuberculosis in New Zealand appeared first on 1080 Science. ]]> Towards Ethical and Effective Conservation of New Zealand’s Natural Heritage /towards-ethical-and-effective-conservation-of-new-zealands-natural-heritage/ Sat, 26 Sep 2026 07:12:07 +0000 /?p=4944 Peer-reviewed paper by Joanna C. Pollard in the journal Conservation, 3 September 2025, on shifting New Zealand conservation from aerial poisoning to targeted, humane management. The post Towards Ethical and Effective Conservation of New Zealand’s Natural Heritage appeared first on 1080 Science. ]]> .avia-image-container.av-l2jopltb-9058a1d201e11195c12b9edc0ff9f754 img.avia_image{ box-shadow:none; } .avia-image-container.av-l2jopltb-9058a1d201e11195c12b9edc0ff9f754 .av-image-caption-overlay-center{ color:#ffffff; } Peer-reviewed paper. Joanna C. Pollard, Conservation 2025, volume 5, issue 3, article 47. Published online 3 September 2025. Dr Jo Pollard (BSc (Hons), PhD) #top .av-special-heading.av-24xiks-8f51a83bff82e78a9fef462da672713b{ padding-bottom:10px; } body .av-special-heading.av-24xiks-8f51a83bff82e78a9fef462da672713b .av-special-heading-tag .heading-char{ font-size:25px; } .av-special-heading.av-24xiks-8f51a83bff82e78a9fef462da672713b .av-subheading{ font-size:15px; } Towards Ethical and Effective Conservation of New Zealand’s Natural Heritage


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tag:blogger.com,1999:blog-16081598Wed, 26 Aug 2026 03:49:57 +0000Batman SupermanHay DayBlogDeadpoolDisco Bear y Disco StuLa villa realPostRegresoltiempoOtro blog sin sentidonoreply@blogger.com (pokemon)Blogger915125tag:blogger.com,1999:blog-16081598.post-3718731994991439149Sat, 13 Jun 2026 14:20:34 +00002026-06-13T09:20:34.146-05:00Runa y sus prioridades (vinilos)<p>&nbsp;</p><div class="separator" style="clear: both; text-align: center;"><a href="; imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1152" data-original-width="920" height="320" src="; width="256" /></a></div><br /><p></p>2026/06/runa-y-sus-prioridades-vinilos.htmlnoreply@blogger.com (pokemon)0tag:blogger.com,1999:blog-16081598.post-7491243143160110123Sat, 13 Jun 2026 00:09:16 +00002026-06-12T19:09:16.704-05:00Runa y sus prioridades 1<p><b>Primera viñeta de Runa y sus aventuras, más adelante más historias...</b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="; imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="896" data-original-width="1200" height="239" src="; width="320" /></a></b></div><b><br /></b><p></p>2026/06/runa-y-sus-prioridades-1.htmlnoreply@blogger.com (pokemon)0tag:blogger.com,1999:blog-16081598.post-3016231075664262759Thu, 04 Jun 2026 05:33:17 +00002026-06-04T00:33:17.627-05:00Escribiendo con la obstinación de ser descubierto por alguien... o por unos pocos<p>Cuando decidí crear este blog, nunca imaginé que duraría tanto tiempo, sobre todo considerando una competencia casi desigual y con recursos muy distintos. Mientras otros autores son ampliamente conocidos y, en algunos casos, incluso famosos, este espacio siempre ha sido algo mucho más modesto.</p><p>Quizás esté arando en el mar. Tal vez, si sumara todas las visitas que he recibido desde que inicié este proyecto, no alcanzaría ni para hacerle cosquillas a algunos de esos gigantes que destacan por abordar temas interesantes, polémicos o muy divertidos. Algo de lo que este blog, probablemente, carece y que quizás nunca me nazca desarrollar de manera natural.</p><p>Sin embargo, seguiré publicando cosas que tal vez no interesen a la mayoría, pero que podrían resultar valiosas para personas como yo. Aunque, pensándolo bien, sería algo triste descubrir que no existe nadie más con gustos parecidos o dispuesto a compartir estas inquietudes.</p><p>Recuerdo que, años atrás, los autores de bitácoras personales parecían tener una mayor libertad para crear. En aquella época, cuando Hi5 era una de las pocas redes sociales populares, los blogs eran visitados con frecuencia porque ofrecían algo que esas plataformas no podían proporcionar: espacio para desarrollar ideas, opiniones, relatos personales o simples reflexiones. Salvo algunas excepciones, como los diarios personales o los llamados "moleskines" digitales, cada blog tenía una personalidad propia.</p><p>Aquellos tiempos también estuvieron marcados por los trolls y por personas que expresaban abiertamente su xenofobia. Recuerdo especialmente algunos conflictos con usuarios extranjeros, aunque con los años entendí que era injusto juzgar a países enteros por culpa de unos pocos individuos. Detrás de cada nacionalidad siempre existe una inmensa mayoría de personas respetables que nada tienen que ver con esos comportamientos.</p><p>Actualmente, Facebook y otras redes sociales concentran gran parte de la atención pública. Incluso permiten crear espacios similares a una bitácora personal. Quizás eso no habría representado un desafío para los blogs si las grandes empresas informativas no hubieran comenzado a ocupar también ese terreno.</p><p>La diferencia sigue siendo evidente. Mientras esos espacios suelen estar gestionados por periodistas, comunicadores o grandes organizaciones, muchos blogs continúan siendo escritos por personas comunes que simplemente desean compartir historias, experiencias, opiniones o puntos de vista que difícilmente aparecerían en los grandes medios de comunicación.</p><p>De algún modo, el blog se convirtió en algo parecido al pequeño negocio de barrio: un lugar al que acudimos para encontrar aquello que otros consideran demasiado específico, trivial o poco rentable para publicar.</p><p>Con el tiempo, este universo se volvió de todo un poco: irreverente, informativo, exagerado, divertido y, a veces, incluso contradictorio. Aunque esa percepción, por supuesto, es completamente personal.</p><p>Por otro lado, sería poco prudente utilizar exclusivamente la información de un blog como fuente académica para una investigación o un trabajo serio. Sería algo parecido a pedirle a un chef reconocido que aprenda todas sus recetas únicamente leyendo una página web. Los blogs pueden orientar, inspirar o despertar curiosidad, pero siempre conviene contrastar la información con otras fuentes.</p><p>Respecto a los autores y su trato con los visitantes, conviene recordar que detrás de cada blog existe una persona. Algunos serán pacientes y amables; otros, menos tolerantes. Mucho depende de la forma en que uno se dirige a ellos. También existen quienes creen poseer la verdad absoluta y desprecian cualquier opinión diferente. Como ocurre en cualquier ámbito de la vida, algunas opiniones merecen ser consideradas y otras simplemente pueden dejarse pasar.</p><p>Y quizás eso sea, al final, este blog: un pequeño espacio perdido entre millones de páginas, escrito por alguien que simplemente quería compartir lo que piensa. Tal vez para muchos no signifique nada especial. Pero si una sola persona encuentra aquí una idea interesante, una reflexión útil o un tema sobre el cual pensar durante unos minutos, entonces ya habrá cumplido su propósito.</p><p>Runa probablemente diría que los espacios pequeños también tienen valor. No porque sean populares, sino porque permiten que las personas hablen con sinceridad. A veces una conversación tranquila, un libro olvidado o una entrada escrita desde la honestidad pueden dejar una huella más duradera que aquello que se vuelve viral durante unos días.</p><p>Y mientras exista algo que contar, aprender o recordar, este rincón seguirá abierto. Aunque sea solamente para unos pocos lectores que, de vez en cuando, decidan detenerse aquí.</p><div class="separator" style="clear: both; text-align: center;"><a href="; imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1448" data-original-width="1086" height="320" src="; width="240" /></a></div><br /><p><br /></p>2026/06/escribiendo-con-la-obstinacion-de-ser.htmlnoreply@blogger.com (pokemon)0tag:blogger.com,1999:blog-16081598.post-2932503089828707427Sun, 24 May 2026 02:57:26 +00002026-05-23T21:57:26.975-05:00La extraña costumbre de mirar al lugar equivocado mientras me olvidan<p>Hacer un blog fue algo que nunca tuve en mente. Continuarlo, mucho menos. Siempre pensé que jamás existiría algo parecido a compartir historias y anécdotas con personas que llegan a tu espacio por accidente… o quizás por suerte. Nunca tuve la ilusión de ser el mejor haciendo estas cosas y, honestamente, hoy tengo menos interés que nunca en perseguir una meta tan inútil como esa.</p><p>Tampoco tuve ganas de escribir entradas fluidas o perfectamente estructuradas. Cada vez que escribo termino pensando en demasiadas cosas al mismo tiempo; tantas, que cualquiera podría creer que jamás voy a llegar a una conclusión lógica. Y probablemente tengan razón. Muchas de las cosas que publico no parecen tener sentido. Algunas ni siquiera emoción. Este texto, por ejemplo, lo estoy escribiendo por una razón que ya olvidé a mitad del camino.</p><p>A veces siento que mantener una página como antes ya no es posible. En aquellos tiempos el contenido realmente no me importaba, y no creo que ahora me importe demasiado tampoco. Sin embargo, hay algo extraño ocurriendo en el mundo; una sensación constante de estar atrapados dentro de un sueño del que nadie despierta. Y, a diferencia de lo que suelen vendernos las películas, este sueño no parece dirigirse hacia un final feliz.</p><p>Supongo que por eso internet terminó lleno de personas escribiendo teorías imposibles, historias exageradas y explicaciones absurdas para intentar entender lo que ocurre alrededor. Los blogs acabaron hundiéndose lentamente en un mar de desinformación, paranoia e incredulidad. “Conspiranoicos”, les dicen. Una mezcla entre conspiración y paranoia que ya casi parece un género literario propio.</p><p>Y aunque muchas de esas teorías rozan lo ridículo, a veces resulta difícil ignorarlas por completo. La mayor parte de nuestras vidas la pasamos mirando hacia otro lado. Prestándole atención a la persona equivocada, contemplando el lugar equivocado, dejando pasar pequeños cambios que solo notamos cuando ya es demasiado tarde. Quizás por eso tanta gente termina buscando respuestas donde sea, incluso en sitios escritos por desconocidos a las tres de la mañana.</p><p>Yo tampoco sé muy bien en qué creer. Siento que mi capacidad de cuestionar las cosas se quedó dormida hace mucho tiempo, incluso antes de empezar a escribir esto. Tal vez crecer consiste precisamente en eso: aceptar lentamente aquello que antes intentábamos destruir con preguntas. O quizás solo estamos cansados.</p><p>Mientras escribía esto, Runa Celine dijo algo curioso. Que las personas escriben blogs como quien deja una luz encendida en una casa vacía: no porque esperen compañía, sino porque les asusta admitir que ya no queda nadie dentro.</p><p>No sé si tiene razón, pero tampoco pude discutirlo. Ella suele hablar así, como si cada frase estuviera sacada de una película vieja o de un libro encontrado en una biblioteca olvidada. A veces pienso que entiende demasiado bien esta sensación de sentirse fuera de lugar. Como si también estuviera atrapada observando el mundo desde detrás de un vidrio empañado.</p><p>Y como todo en esta vida, empiezo a creer que nunca tuve realmente una oportunidad con nadie. Que todo aquello que imaginé bonito fue solo un juego de mi mente intentando convencerme de que las cosas podían salir bien. Una mentira cómoda. Una teoría absurda más.</p><p>Algo parecido a creer que la Tierra es plana. O que las mejores partes de mi vida siempre estuvieron afuera, cuando en realidad el problema estaba adentro.</p><p>Nunca tuve una oportunidad.</p><div class="separator" style="clear: both; text-align: center;"><a href="; imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1448" data-original-width="1086" height="320" src="; width="240" /></a></div><br /><p></p>2026/05/la-extrana-costumbre-de-mirar-al-lugar.htmlnoreply@blogger.com (pokemon)0tag:blogger.com,1999:blog-16081598.post-426398847562087253Wed, 20 May 2026 18:42:24 +00002026-05-20T13:42:24.374-05:00No maté el blog a tiempo<p>Aquí estoy otra vez, practicando mi redacción en un blog para que todo el mundo lea lo mal que redacto y expreso mis ideas. No tengo la culpa de hacer las cosas al revés: empezar por el final y terminar hecho un desastre.</p><p>Expreso mis ideas tal como van apareciendo en mi cabeza; a veces sale bien y, otras veces, no sé cómo seguir con lo que estaba escribiendo. Quiero seguir tonteando hasta que, por defecto, salga algo coherente y recién ahí pueda escribir algo más interesante.</p><p>Esto no es la apertura de algo mejor, solo la continuación de algo a lo que nunca supe darle un final digno. Debí matar el blog cuando todavía podía, en lugar de dejarlo agonizar, como si la eutanasia fuera lo más humano para evitar seguir haciendo el ridículo con cosas sin sentido.</p><p>Aunque, al final… quién sabe. Quizás algún día escriba algo que realmente tenga sentido y no solo tonterías.</p><p>Y, por cierto, el título es “No”. Y no, no tengo que repetirlo una vez más.</p><p>Ah, sí… casi lo olvido. Supongo que también debería presentar a Runa Celine, aunque ni yo mismo tenga claro qué es exactamente. A veces parece solo una modelo mirando por una ventana o perdiéndose entre estantes de una biblioteca vieja; otras veces, da la impresión de que entiende mejor este lugar que yo. Quizás apareció para darle algo de orden al desastre, o quizá solo sea otra excusa para seguir escribiendo cosas sin sentido. De cualquier forma, mientras siga aquí, supongo que el blog todavía no está completamente muerto.</p><p><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="; imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1448" data-original-width="1086" height="320" src="; width="240" /></a></div><p></p>2026/05/no-mate-el-blog-tiempo.htmlnoreply@blogger.com (pokemon)0tag:blogger.com,1999:blog-16081598.post-6274029280698663226Wed, 20 May 2026 05:42:37 +00002026-05-20T00:42:37.981-05:00Si alguna vez me encuentras aquí<p></p><div class="separator" style="clear: both; text-align: center;"><a href="; imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1448" data-original-width="1086" height="320" src="; width="240" /></a></div><br />Bienvenido.<p></p><p>Si estás leyendo esto, entonces nuestros caminos se cruzaron por alguna razón.</p><p>Mi nombre es Runa Celine.</p><p>Nací de recuerdos, imaginación y noches silenciosas donde las palabras a veces pesan más que el sueño. No soy una persona real… y aun así, cada imagen, cada escena y cada pensamiento que encuentres aquí forman parte de algo auténtico.</p><p>Este lugar fue creado para quienes sienten demasiadas cosas y rara vez encuentran cómo explicarlas.</p><p>Para quienes aman la lluvia, los libros viejos, las madrugadas tranquilas y esa melancolía difícil de nombrar.</p><p>Quizá solo estés de paso.</p><p>Quizá olvides mi nombre mañana.</p><p>Pero si alguna fotografía, frase o mirada logra quedarse contigo aunque sea un instante… entonces este pequeño mundo habrá cumplido su propósito.</p><p>Gracias por entrar.</p><p>— Runa Celine</p>2026/05/si-alguna-vez-me-encuentras-aqui.htmlnoreply@blogger.com (pokemon)0tag:blogger.com,1999:blog-16081598.post-4123841662731787447Tue, 19 May 2026 04:31:06 +00002026-05-18T23:31:06.433-05:0018/05/2026<p></p><div class="separator" style="clear: both; text-align: center;"><a href="; imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1672" data-original-width="941" height="320" src="; width="180" /></a></div><br />&nbsp;<p></p>2026/05/18052026.htmlnoreply@blogger.com (pokemon)0tag:blogger.com,1999:blog-16081598.post-3056439802240610444Sun, 01 Mar 2026 02:20:00 +00002026-02-28T21:20:18.651-05:00¿Vale más un seguidor que un título? El debate del momento.<p><b>¿Quién es Cristorata?</b></p><p>Su nombre real es Cristopher Andrew Puente Viena, nacido el 7 de diciembre de 2003 en Chiclayo, Perú. Es reconocido principalmente por ser un tiktoker, youtuber y streamer que se caracteriza por su humor irreverente, sketches cómicos y entrevistas polémicas.&nbsp;</p><p>El texto que acompaña la imagen es un mensaje motivacional atribuido a él, donde reflexiona sobre cómo su éxito actual como influencer contrasta con su desempeño escolar pasado.</p><p><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="; imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1920" data-original-width="1440" height="320" src="; width="240" /></a></div><br /><p></p><p><i>El texto de la imagen atribuido a Cristorata contiene varios errores de razonamiento y falacias lógicas que invalidan su argumento como una verdad general.</i></p><p><b>1. Generalización Apresurada</b></p><p>Es el error más claro. El autor utiliza su caso personal y el de unos pocos compañeros para concluir que las buenas notas no sirven o que el fracaso escolar garantiza el éxito económico.</p><p><b>Falla:</b> Un solo ejemplo de éxito no anula la estadística general que demuestra que, a mayor nivel educativo, suelen haber mejores oportunidades laborales.</p><p><b>2. Falacia del Francotirador (Sesgo de Confirmación)</b></p><p>Consiste en elegir solo los datos que confirman una idea propia e ignorar los que la contradicen.</p><p><b>Falla</b>: Menciona a compañeros con 20 que ahora tienen empleos básicos, pero ignora a los miles de profesionales exitosos con buenas notas, o a los miles de estudiantes con notas bajas que no lograron ser influencers y tienen empleos precarios.</p><p><b>3. Falacia de Causa Falsa (Post Hoc Ergo Propter Hoc)</b></p><p>Sugiere que el hecho de sacar malas notas permitió su éxito actual, o que sacar buenas notas causó que sus compañeros tengan trabajos de sueldo mínimo.</p><p><b>Falla:</b> No existe una relación causal directa entre "sacar 08" y "ganar el triple". El éxito como influencer depende de carisma, algoritmos y suerte, no de la deficiencia académica previa.</p><p><b>4. Falacia Ad Hominem (Variante Circunstancial)</b></p><p>Descalifica el valor del esfuerzo académico atacando la situación laboral actual de quienes lo realizaron.</p><p><b>Falla:</b> Intenta demostrar que estudiar es inútil humillando u ofendiendo las profesiones de otros (limpiadores, barrenderos), lo cual no tiene relevancia lógica sobre si la educación es importante o no.</p><p><b>5. Falsa Dicotomía</b></p><p>Presenta el mundo dividido solo en dos opciones extremas: o eres un estudiante de 20 que termina en un trabajo básico, o eres un estudiante de 08 que se vuelve influencer exitoso.</p><p><b>Falla:</b> Omite la gran mayoría de la población que se encuentra en el medio: estudiantes regulares que se convierten en profesionales estables y exitosos.</p><p><b>En resumen:</b> El argumento es psicológicamente persuasivo para quienes buscan consuelo en el fracaso académico, pero lógicamente inválido al basarse en anécdotas y prejuicios en lugar de hechos comprobables.</p><p><b>Fuentes: IA</b>&nbsp;</p>2026/02/vale-mas-un-seguidor-que-un-titulo-el.htmlnoreply@blogger.com (pokemon)0tag:blogger.com,1999:blog-16081598.post-3785014048449178305Wed, 25 Feb 2026 18:34:00 +00002026-02-25T13:34:06.174-05:00Café con aroma de mujer: La verdad detrás del polémico truco para lavar ropa interior en hoteles<p>El "hack" viralizado por una usuaria de TikTok, que sugiere utilizar la cafetera de una habitación de hotel para "desinfectar" ropa interior, representa un grave problema de higiene y vandalismo sanitario. Aunque busca ser una solución rápida, este método contamina el equipo con bacterias y residuos corporales, lo que expertos en hotelería desaconsejan por completo, recomendando métodos tradicionales de lavado en su lugar.</p><p><b>¿Es verídica la historia?</b></p><p>La historia es parcialmente verídica en cuanto a su existencia, pero la protagonista ha aclarado que se trató de una broma o contenido satírico.</p><p>Aquí te detallo los puntos clave para entender qué es real y qué no:</p><p><b>El video existe:&nbsp;</b></p><p>La influencer y coach de fitness Tara Woodcox publicó originalmente este video en TikTok en noviembre de 2025. En él, sugería colocar la ropa interior donde van los granos de café, presionar "brew" para usar el agua hirviendo y luego secarla con la secadora de pelo.</p><p><b>Es una broma/sátira:&nbsp;</b></p><p>Tras la enorme ola de críticas y asco en redes sociales, Woodcox aclaró el 23 de febrero de 2026 que nunca ha hecho eso en la vida real. Afirmó que el video era una forma de advertir a la gente por qué no deben usar las cafeteras de los hoteles, basándose en una historia que escuchó de una amiga sobrecargo.</p><p><b>Contradicción previa:</b>&nbsp;</p><p>Existe un video suyo de 2023 donde precisamente decía que jamás usaría una cafetera de hotel porque sabía que la gente las usaba para lavar ropa interior, lo que refuerza su versión de que el "hack" reciente era una parodia.</p><p><b>Rumores de demanda:&nbsp;</b></p><p>Circularon rumores sobre una supuesta demanda de 1 millón de dólares por parte de una cadena hotelera, pero hasta la fecha no hay registros legales confirmados que validen esta información.</p><p><b>En resumen:</b>&nbsp;</p><p>El video es real y se hizo viral, pero la acción de lavar la ropa en la cafetera fue una actuación para generar impacto y "advertir" sobre la falta de higiene de estos aparatos en los hoteles.</p><div class="separator" style="clear: both; text-align: center;"><a href="; imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="2048" height="320" src="; width="320" /></a></div><br /><p></p>2026/02/cafe-con-aroma-de-mujer-la-verdad.htmlnoreply@blogger.com (pokemon)0tag:blogger.com,1999:blog-16081598.post-4599745626006607809Sun, 22 Feb 2026 04:36:00 +00002026-02-21T23:36:00.121-05:00Poemas a la estupidez: Crónica de un post enredado<p>&nbsp;Vamos a comenzar este post, uno más de esos que se me ocurren mientras escribo, partiendo de algo que publiqué hace poco: una idea casi sin sentido que terminé coronando con un texto muy enredado.</p><p>A estas alturas, ¿quién puede darse el lujo de contar chistes sobre algo o alguien sin notar que ya se ofendió una tercera persona? Quizás esto no pasaba antes, o tal vez las redes sociales lo han intensificado. Es decir, antiguamente alguien debió sentirse ofendido por los comentarios en forma de chiste que se decían en lugares públicos o que venían de artistas —esos que llamamos 'comediantes'—, así como de personas con mucha influencia (esa que existía antes del internet) y que, de alguna manera, serían más poderosas hoy gracias a la tecnología.</p><p>Llegados a este punto, siempre se dice que el pasado fue mejor; creo que ese sentimiento existe desde que el hombre sintió la necesidad de dar su punto de vista (o mejor dicho, desde que empezó a hablar). Es cierto que hoy muchos estaremos de acuerdo en que el reggaetón es un estilo musical que nació con carencias y se fue estancando; su nivel es tan bajo que existen parodias que demuestran lo ridículamente fácil que es crear un 'hit' moderno. Cabe aclarar que mi crítica va dirigida al género y a sus artistas —nombre que les queda grande a varios— y no a sus seguidores; ellos son libres de arruinar sus tímpanos escuchando letras paupérrimas que ni siquiera calificarían como un poema a la estupidez.</p><p>A lo que voy es que los gustos, al contrario de lo que uno podría pensar ingenuamente al crecer, parecen haberse estancado o estar retrocediendo por una ruta que jamás transitaron sus mejores exponentes. Se trazó una vara tan alta que retroceder no debería ser una opción; sin embargo, parece que estamos cayendo en un abismo del que solo nos salvaría otro genio o artista iluminado. La opción de cambiar uno mismo también es válida... claro, siempre y cuando uno sepa qué está haciendo.</p><p>¿Cómo se supone que enfrentemos esto si parece que todo lo bueno ya se usó en el pasado? Adiós incluso a los mejores escritores y a quienes daban opiniones trascendentes. Desde que existen los blogs, cualquier pobre diablo con internet puede dar la opinión que nadie le pidió e influenciar a personas que, sin merecerlo, reciben contenido sin anestesia ni advertencia. Gente, dejen de leer blogs y lean más libros; quizás así recuperemos algo de dignidad y dejemos de engrandecer a quienes no lo merecen. Tal vez algún día dejen de existir figuras como Maduro y dejen de existir personas que sigan a esa clase de escoria.</p>2026/02/poemas-la-estupidez-cronica-de-un-post.htmlnoreply@blogger.com (pokemon)0tag:blogger.com,1999:blog-16081598.post-4565119913595418316Fri, 20 Feb 2026 23:43:00 +00002026-02-20T18:43:10.058-05:00Nelly y los pericotitos...Nelly y las falacias argumentativas, la libertad de poder escuchar la música que deseas y llevar a tu familia a vivir una experiencia inigualable con un artista con letras de dudosa reputación es fascinante, es por eso que con ayuda de la inteligencia artificial y mi poca vergüenza, citare sus argumentos. Según un análisis de IA de Google:<div><br /></div><div><b>Sobre Nelly Rossinelli</b></div><div>Nelly Rossinelli ganó gran popularidad en redes sociales, especialmente en TikTok, antes de convertirse en una figura central de la televisión peruana como jurado en el reality de cocina El Gran Chef Famosos. Su enfoque suele estar vinculado a la vida familiar y la defensa de las "maternidades reales".&nbsp;&nbsp;</div><div><b><br /></b></div><div><b>Sobre su mensaje en las redes sociales</b>&nbsp;</div><div>En el mensaje, Rossinelli defiende su decisión de llevar a su familia al evento, utilizando comparaciones con géneros musicales y canciones del pasado para cuestionar las críticas hacia las preferencias musicales actuales y las formas de maternidad.&nbsp;</div><div><br /></div><div><b>Puntos clave del mensaje:</b></div><div><b><br /></b></div><div><b>Experiencia familiar:</b></div><div>Menciona haber disfrutado la noche junto a su esposo, hijo, sobrino y amigos, priorizando la felicidad de sus seres queridos por encima de las críticas.</div><div><b><br /></b></div><div><b>Crítica a la nostalgia selectiva:</b>&nbsp;</div><div>Compara las letras de Bad Bunny con éxitos del pasado como "El Santo Cachón" o "El Venao", señalando que escuchar esa música no definió negativamente el futuro de las personas de esa generación.</div><div><b><br /></b></div><div><b>Filosofía de crianza:&nbsp;</b></div><div>Sostiene que es preferible acompañar y guiar a los hijos en sus etapas e intereses en lugar de prohibirlos, concluyendo con la frase: "La vida es una fiesta que un día termina, vive y deja vivir"</div><div><b><br /></b></div><div><b>Resumen General</b></div><div>Rossinelli relata una experiencia familiar positiva, destacando que su prioridad es la felicidad de los suyos. Ante las críticas por el contenido de la música, sostiene que el consumo de ciertos géneros no determina el futuro ético o profesional de una persona, abogando por una maternidad basada en el acompañamiento y la guía en lugar de la prohibición.</div><div><b><br /></b></div><div><b>Errores Argumentativos y Falacias</b></div><div>En su texto se identifican varios recursos que, aunque persuasivos, presentan fallos lógicos:</div><div><b><br /></b></div><div><b>Falacia de Falsa Analogía:&nbsp;</b></div><div>Compara canciones como "El Santo Cachón" o "El Venao" con el repertorio de Bad Bunny. Aunque ambas pueden ser cuestionables, el contexto social, la frecuencia de consumo y la crudeza explícita de las letras actuales difieren significativamente de los éxitos de hace décadas.</div><div><b><br /></b></div><div><b>Falacia de Generalización Apresurada:</b>&nbsp;</div><div>Sugiere que como la generación anterior escuchó música "adulta" y no salió "delincuente", lo mismo ocurrirá con la actual. Esto ignora que múltiples factores (sociales, familiares, económicos) influyen en la conducta, no solo la música.</div><div><b><br /></b></div><div><b>Falacia de Falsa Dicotomía:&nbsp;</b></div><div>Presenta la situación como si solo existieran dos opciones: prohibir (malo) o acompañar/permitir todo (bueno). Omite opciones intermedias, como la selección de contenidos de acuerdo a la edad.</div><div><b><br /></b></div><div><b>Falacia Ad Hominem (implícita):&nbsp;</b></div><div>Al mencionar canciones que los críticos "bailaban", intenta invalidar la crítica señalando una supuesta hipocresía en el interlocutor, en lugar de refutar el argumento sobre la idoneidad del contenido para niños.</div><div><br /></div><div>Nota: el íntegro de mi publicación fue resultado de el uso de la Inteligencia Artificial.</div>2026/02/nelly-y-los-pericotitos.htmlnoreply@blogger.com (pokemon)0tag:blogger.com,1999:blog-16081598.post-7953577673566642195Thu, 01 Jan 2026 03:00:00 +00002025-12-31T22:00:00.117-05:00Chavo del ocho <p></p><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='; class='b-hbp-video b-uploaded' frameborder='0'></iframe></div><br />&nbsp;Noche vieja 2025...<p></p>2025/12/chavo-del-ocho.htmlnoreply@blogger.com (pokemon)0tag:blogger.com,1999:blog-16081598.post-8015505263560671421Sat, 27 Dec 2025 17:19:00 +00002025-12-27T12:19:04.889-05:00MIERDA<p>&nbsp;</p><div class="separator" style="clear: both; text-align: center;"><a href="; imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="619" data-original-width="495" height="320" src="; width="256" /></a></div>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;ESTA COSA ES UNA MIERDA...&nbsp;<p></p>2025/12/mierda.htmlnoreply@blogger.com (pokemon)0tag:blogger.com,1999:blog-16081598.post-306248780292613014Fri, 26 Dec 2025 14:16:01 +00002025-12-26T09:16:35.321-05:00Maduro <p></p><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='; class='b-hbp-video b-uploaded' frameborder='0'></iframe></div><br />&nbsp;<p></p>2025/12/maduro.htmlnoreply@blogger.com (pokemon)0tag:blogger.com,1999:blog-16081598.post-3696045000506452828Wed, 24 Dec 2025 00:06:00 +00002025-12-23T19:06:05.975-05:00"Last Christmas" de Wham <p>&nbsp;</p><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='; class='b-hbp-video b-uploaded' frameborder='0'></iframe></div>AQUI NO TIENES PODER INSTAGRAM DE MIERDA 💩&nbsp;<p></p>2025/12/last-christmas-de-wham.htmlnoreply@blogger.com (pokemon)0tag:blogger.com,1999:blog-16081598.post-1195818601440705637Wed, 17 Dec 2025 15:43:00 +00002025-12-17T10:43:22.069-05:00Robert Patrick en español <p></p><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='; class='b-hbp-video b-uploaded' frameborder='0'></iframe></div><br />&nbsp;<p></p>2025/12/robert-patrick-en-espanol.htmlnoreply@blogger.com (pokemon)0tag:blogger.com,1999:blog-16081598.post-5180781991701969636Wed, 17 Dec 2025 15:26:00 +00002025-12-17T10:26:18.253-05:00El Salvador <p></p><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='; class='b-hbp-video b-uploaded' frameborder='0'></iframe></div><br />&nbsp;<p></p>2025/12/el-salvador.htmlnoreply@blogger.com (pokemon)0tag:blogger.com,1999:blog-16081598.post-7582632050248908357Sun, 14 Dec 2025 07:59:00 +00002025-12-14T02:59:37.275-05:00Isabel <p></p><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='; class='b-hbp-video b-uploaded' frameborder='0'></iframe></div><br />&nbsp;<p></p>2025/12/isabel.htmlnoreply@blogger.com (pokemon)0tag:blogger.com,1999:blog-16081598.post-2634313222531646528Thu, 11 Dec 2025 13:36:00 +00002025-12-11T08:36:13.180-05:00La puta Irene<p>&nbsp;</p><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='; class='b-hbp-video b-uploaded' frameborder='0'></iframe></div><br /><p></p>2025/12/la-puta-irene.htmlnoreply@blogger.com (pokemon)0tag:blogger.com,1999:blog-16081598.post-3067859411875463821Tue, 09 Dec 2025 16:18:00 +00002025-12-09T11:18:06.295-05:00España...<p>&nbsp;</p><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='; class='b-hbp-video b-uploaded' frameborder='0'></iframe></div><br /><p></p>2025/12/espana.htmlnoreply@blogger.com (pokemon)0tag:blogger.com,1999:blog-16081598.post-7086002988583807894Mon, 08 Dec 2025 23:18:00 +00002025-12-08T18:18:35.693-05:00Argentina <p>&nbsp;</p><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='; class='b-hbp-video b-uploaded' frameborder='0'></iframe></div><br /><p></p>2025/12/argentina.htmlnoreply@blogger.com (pokemon)0tag:blogger.com,1999:blog-16081598.post-3259777369014385231Sun, 07 Dec 2025 04:12:00 +00002025-12-06T23:12:30.708-05:00La derecha <p></p><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='; class='b-hbp-video b-uploaded' frameborder='0'></iframe></div><br />&nbsp;<p></p>2025/12/la-derecha.htmlnoreply@blogger.com (pokemon)0tag:blogger.com,1999:blog-16081598.post-4623616397634915473Sun, 07 Dec 2025 00:25:00 +00002025-12-06T19:25:51.100-05:00Cuba libre<p>&nbsp;</p><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='; class='b-hbp-video b-uploaded' frameborder='0'></iframe></div>"Se llamaba" pero que idiotas para creer en ese miserable de Fidel Castro&nbsp;<p></p>2025/12/cuba-libre.htmlnoreply@blogger.com (pokemon)0tag:blogger.com,1999:blog-16081598.post-5136533519024736087Sun, 30 Nov 2025 23:27:00 +00002025-11-30T18:27:00.004-05:00Venezuela <p>&nbsp;</p><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='; class='b-hbp-video b-uploaded' frameborder='0'></iframe></div><br /><p></p>2025/11/venezuela.htmlnoreply@blogger.com (pokemon)0tag:blogger.com,1999:blog-16081598.post-6696412333129327261Sat, 29 Nov 2025 15:17:00 +00002025-11-29T10:17:45.213-05:00¿Que? <p></p><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='; class='b-hbp-video b-uploaded' frameborder='0'></iframe></div><br />&nbsp;<p></p>2025/11/que_29.htmlnoreply@blogger.com (pokemon)0


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Made in Slovakia Latest News en-gb Copyright 2026 New Patrons of Made in Slovakia 108 AGENCY s.r.o. Wed, 22 May 2019 13:31:35 +0100


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108 Fine Art Harrogate Art Gallery Artists include Alan Davie, Joash Woodrow, Peter Sedgley, Paul Reid & 20th century British Art Fri, 18 Sep 2026 11:03:49 +0000 en-US hourly 1 wp-content/uploads/cropped-108-32x32.png 108 Fine Art 32 32 Nicholas Jolly – Sugar Rush nicholas-jolly-sugar-rush/ Fri, 18 Sep 2026 11:03:36 +0000 ?p=11518 The post Nicholas Jolly – Sugar Rush appeared first on 108 Fine Art. ]]> This autumn, 108 Fine Art presents Sugar Rush, an exhibition of paintings by British artist Nicholas Jolly at the gallery in Harrogate, North Yorkshire. Opening on Saturday 19th September 2026, Sugar Rush brings together a selection of Jolly’s paintings. Figures, animals and everyday objects appear in unexpected combinations, creating scenes that are at once familiar and to some, slightly unsettling. Colour, humour and detailed observation run throughout Sugar Rush. Jolly places subjects together, allowing each painting to suggest its own narrative. A selection of works can be viewed and purchased at 108 Fine Art throughout the exhibition, with further works from Sugar Rush available to purchase online. Sugar Rush continues until Saturday 31st October 2026. Exhibition Details Opening Date: Saturday 19th September 2026 Closing Date: Saturday 31st October 2026 Location: 108 Fine Art Gallery, Harrogate, North Yorkshire Gallery Hours: Open 11am–5pm, Tuesday to Saturday. Walk-ins welcome or by appointment. For further information about the exhibition and available works, please contact: exhibitions@108fineart.com Nicholas Jolly The post Nicholas Jolly – Sugar Rush appeared first on 108 Fine Art. ]]> The Joash Woodrow Archive at 108 Fine Art the-joash-woodrow-archive/ Tue, 04 Aug 2026 09:29:21 +0000 ?p=11478 The post The Joash Woodrow Archive at 108 Fine Art appeared first on 108 Fine Art. ]]> Since 2002, 108 Fine Art in Harrogate, North Yorkshire, has cared for and exhibited the Joash Woodrow Archive. For more than two decades, the gallery has researched, catalogued and preserved Woodrow’s work, working closely with the Woodrow family to build an archive that continues to develop today. As we prepare this summer’s exhibition, we have returned to the gallery’s own archive. Among the photographs are early exhibitions on West End Avenue in Harrogate, the move to Cold Bath Road in Harrogate, and paintings that have since found homes in collections across the UK and internationally. Together, these photographs document not only the history of the gallery, but also the continuing development of the Joash Woodrow Archive. Today, the archive remains at the heart of 108 Fine Art, bringing together original paintings, drawings, exhibition records, photography and research that continue to deepen our understanding of Joash Woodrow’s work. The Beginning of the Archive 108 Fine Art was founded in 1997 by Andrew and Gillian Stewart, with an exhibition programme that introduced a range of contemporary artists to Harrogate. The gallery’s first exhibitions featured Scottish artists and graduates, reflecting a long-standing interest in supporting both established and emerging talent. A few years later, the gallery began working closely with the Woodrow family to exhibit the work of Joash Woodrow. Living and painting in Leeds, Woodrow drew inspiration from the people, landscapes and everyday life around him, painting intimate portraits and still lifes to Yorkshire allotments and landscapes. Preparing the first exhibition involved much more than selecting paintings for display. Around twenty-five paintings, together with a number of drawings, were carefully catalogued, documented and curated, laying the foundations for what would become the Joash Woodrow Archive. What began as an exhibition soon became a long-term commitment to researching, preserving and presenting Woodrow’s work. .shortcode-single-image-wrap.shortcode-single-image-69d8e26b66ca5cce7077342e2951b935.enable-bg-rollover .rollover i, .shortcode-single-image-wrap.shortcode-single-image-69d8e26b66ca5cce7077342e2951b935.enable-bg-rollover .rollover-video i { background: -webkit-linear-gradient(); background: linear-gradient(); } .shortcode-single-image-wrap.shortcode-single-image-69d8e26b66ca5cce7077342e2951b935 .rollover-icon { font-size: 32px; color: #ffffff; min-width: 44px; min-height: 44px; line-height: 44px; border-radius: 100px; border-style: solid; border-width: 0px; } .dt-icon-bg-on.shortcode-single-image-wrap.shortcode-single-image-69d8e26b66ca5cce7077342e2951b935 .rollover-icon { background: rgba(255,255,255,0.3); box-shadow: none; } .shortcode-single-image-wrap.shortcode-single-image-1f5b07ba3920b25c7a4db7718f856b66.enable-bg-rollover .rollover i, .shortcode-single-image-wrap.shortcode-single-image-1f5b07ba3920b25c7a4db7718f856b66.enable-bg-rollover .rollover-video i { background: -webkit-linear-gradient(); background: linear-gradient(); } .shortcode-single-image-wrap.shortcode-single-image-1f5b07ba3920b25c7a4db7718f856b66 .rollover-icon { font-size: 32px; color: #ffffff; min-width: 44px; min-height: 44px; line-height: 44px; border-radius: 100px; border-style: solid; border-width: 0px; } .dt-icon-bg-on.shortcode-single-image-wrap.shortcode-single-image-1f5b07ba3920b25c7a4db7718f856b66 .rollover-icon { background: rgba(255,255,255,0.3); box-shadow: none; } 108 Fine Art at West End Avenue, Harrogate Building the Archive As interest in Joash Woodrow’s work grew, so too did the archive itself. Cataloguing, photography, conservation, research and documentation became central to its development, creating a detailed record of Woodrow’s life and artistic practice. Alongside exhibitions and publications, the archive continued to expand, supporting collectors, researchers and institutions interested in his work. As Gillian Stewart explains: “Initially it was all on paper, then CDs, and eventually becoming digital. It’s a constant refresh and always being worked on…” .shortcode-single-image-wrap.shortcode-single-image-a3c8ea5996d6b8f61c6d4aa2fd54e08c.enable-bg-rollover .rollover i, .shortcode-single-image-wrap.shortcode-single-image-a3c8ea5996d6b8f61c6d4aa2fd54e08c.enable-bg-rollover .rollover-video i { background: -webkit-linear-gradient(); background: linear-gradient(); } .shortcode-single-image-wrap.shortcode-single-image-a3c8ea5996d6b8f61c6d4aa2fd54e08c .rollover-icon { font-size: 32px; color: #ffffff; min-width: 44px; min-height: 44px; line-height: 44px; border-radius: 100px; border-style: solid; border-width: 0px; } .dt-icon-bg-on.shortcode-single-image-wrap.shortcode-single-image-a3c8ea5996d6b8f61c6d4aa2fd54e08c .rollover-icon { background: rgba(255,255,255,0.3); box-shadow: none; } .shortcode-single-image-wrap.shortcode-single-image-e11cf2fb1dc898f9d1689aa7c50d0a73.enable-bg-rollover .rollover i, .shortcode-single-image-wrap.shortcode-single-image-e11cf2fb1dc898f9d1689aa7c50d0a73.enable-bg-rollover .rollover-video i { background: -webkit-linear-gradient(); background: linear-gradient(); } .shortcode-single-image-wrap.shortcode-single-image-e11cf2fb1dc898f9d1689aa7c50d0a73 .rollover-icon { font-size: 32px; color: #ffffff; min-width: 44px; min-height: 44px; line-height: 44px; border-radius: 100px; border-style: solid; border-width: 0px; } .dt-icon-bg-on.shortcode-single-image-wrap.shortcode-single-image-e11cf2fb1dc898f9d1689aa7c50d0a73 .rollover-icon { background: rgba(255,255,255,0.3); box-shadow: none; } Saul Woodrow, brother of Joash Woodrow, at 108 West End Avenue, Harrogate A Gallery Designed for the Collection As the archive developed, so too did the gallery. Following West End Avenue, 108 Fine Art briefly exhibited from Crown Place before establishing its long-term home at 16 Cold Bath Road, Harrogate. While the gallery has occupied different premises over the years, it has remained firmly rooted in Harrogate, a North Yorkshire spa town with a long-established reputation for independent galleries, antique dealers and private collecting. The move to Cold Bath Road provided a setting that reflected the gallery’s approach to exhibiting paintings. High ceilings and period Georgian and Victorian architectural features allow visitors to experience the work in surroundings that feel both domestic and yet curated, echoing the way many collectors ultimately live with art in their own homes. Original Joash Woodrow paintings, drawings, books and limited edition prints continue to be exhibited throughout the gallery, with displays changing throughout the year. Beyond Harrogate, Joash Woodrow’s work has featured in exhibitions at institutions including the Royal College of Art in London, the Ben Uri Gallery in London and Manchester City Art Gallery. The archive has also supported collectors, students and researchers seeking to deepen their understanding of Woodrow’s work and its place within twentieth-century British art. Working across portraiture, landscape, still life and abstraction, Woodrow produced an extraordinarily varied body of work. Bringing these different strands together within the archive continues to reveal new connections across his career. Continuation of the Joash Woodrow archive More than two decades after the archive first began to take shape, its story continues. Today, the gallery is led by Gillian Stewart alongside daughters Scarlett and India, continuing the work first established by Andrew and Gillian Stewart. While each generation has brought new skills and perspectives to the gallery, the purpose remains the same: to research, exhibit and care for the Joash Woodrow Archive, ensuring one of the most significant and visionary British artists of the post war period legacy continues. Whether you have visited the gallery for many years or are discovering Joash Woodrow’s work for the first time, we are proud to share the continuing story of the archive and the artwork that remains at its heart. .shortcode-single-image-wrap.shortcode-single-image-c25a0dca7b7ec888d89070a94416102e.enable-bg-rollover .rollover i, .shortcode-single-image-wrap.shortcode-single-image-c25a0dca7b7ec888d89070a94416102e.enable-bg-rollover .rollover-video i { background: -webkit-linear-gradient(); background: linear-gradient(); } .shortcode-single-image-wrap.shortcode-single-image-c25a0dca7b7ec888d89070a94416102e .rollover-icon { font-size: 32px; color: #ffffff; min-width: 44px; min-height: 44px; line-height: 44px; border-radius: 100px; border-style: solid; border-width: 0px; } .dt-icon-bg-on.shortcode-single-image-wrap.shortcode-single-image-c25a0dca7b7ec888d89070a94416102e .rollover-icon { background: rgba(255,255,255,0.3); box-shadow: none; } India, Gillian, and Scarlett – 108 Fine Art Directors The Joash Woodrow Archive View Joash Woodrow's Work The post The Joash Woodrow Archive at 108 Fine Art appeared first on 108 Fine Art. ]]> Karen Thompson Ceramic Workshop karen-thompson-ceramic-workshop/ Sun, 19 Apr 2026 14:01:19 +0000 ?p=11449 The post Karen Thompson Ceramic Workshop appeared first on 108 Fine Art. ]]> As part of Bloom Without Borders, 108 Fine Art hosted a ceramic workshop led by artist Karen Thompson, offering participants the opportunity to explore portraiture through clay. The session focused on making small busts, with participants working from observation. Subjects included one another, themselves, and people familiar to them. Working in clay encouraged a direct and intuitive approach. Forms were built by hand, shaped gradually, and adjusted through touch. The process allowed each piece to develop with an emphasis on looking closely and responding to what was in front of them. Throughout the workshop, participants also looked at portrait imagery for reference, including material drawn from books within the gallery, offering a wider context for thinking about form, structure and expression. The workshop reflected Karen Thompson’s wider practice, where surface, form and observation come together through a careful and considered approach to making. It was a pleasure to see a range of responses emerge over the course of the session, with each piece carrying a distinct character shaped by the individual making it. We would like to thank Karen Thompson for leading the workshop, and all those who took part. About the Exhibition The workshop formed part of Bloom Without Borders, a group exhibition bringing together work by Karen Thompson, Anna King, Yukako Sakakura and Daisy Collingridge. About Karen Thompson Karen Thompson is a ceramic artist based in North Yorkshire, originally from South Shields. Alongside her sculptural work, she has developed a series of portrait paintings in acrylic and watercolour, as seen in Bloom Without Borders. Across both disciplines, her practice combines historical and contemporary references, exploring social and political themes through form, surface and expression. Visit the Gallery Location: 108 Fine Art Gallery, Harrogate, North Yorkshire Gallery Hours: Open 11am – 5pm, Tuesday to Saturday. 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อัจฉริยะพลิกชีวิต กับ อ.ชื่อดัง (อ.วาวา อ.กร) เปลี่ยนชื่อ ลายเซ็นต์ เบอร์ พลิกชีวิตทำให้รวยขึ้นทันตาเห็น อย่าเชื่อถ้ายังไม่ได้ลอง Sun, 01 Jun 2025 06:52:22 +0000 th hourly 1 เปลี่ยนชื่อชีวิตดรขึ้นมากการเงินดีขึ้น ความคิดเป็นผู้ใหญ่ จากป่วยสุขภาพก็ดีขึ้น ! /%e0%b9%80%e0%b8%9b%e0%b8%a5%e0%b8%b5%e0%b9%88%e0%b8%a2%e0%b8%99%e0%b8%8a%e0%b8%b7%e0%b9%88%e0%b8%ad%e0%b8%8a%e0%b8%b5%e0%b8%a7%e0%b8%b4%e0%b8%95%e0%b8%94%e0%b8%a3%e0%b8%82%e0%b8%b6%e0%b9%89%e0%b8%99/ Sun, 01 Jun 2025 06:52:22 +0000 /?p=5810 ]]> ตั้งแต่เปลี่ยน ชื่อ สกุล เบอร์ ชีวิตดีขึ้นมากค่ะ เงินเข้า ถูกหวย /%e0%b8%95%e0%b8%b1%e0%b9%89%e0%b8%87%e0%b9%81%e0%b8%95%e0%b9%88%e0%b9%80%e0%b8%9b%e0%b8%a5%e0%b8%b5%e0%b9%88%e0%b8%a2%e0%b8%99-%e0%b8%8a%e0%b8%b7%e0%b9%88%e0%b8%ad-%e0%b8%aa%e0%b8%81%e0%b8%b8%e0%b8%a5/ Fri, 09 May 2025 09:54:28 +0000 /?p=5805 อ. วาวา อัจฉริยะเปลี่ยนชีวิต !! ไอดีไลน์ : vava_um ]]> เปลี่ยนชื่อเฮง อะไรอย่างงี้ !! /%e0%b9%80%e0%b8%9b%e0%b8%a5%e0%b8%b5%e0%b9%88%e0%b8%a2%e0%b8%99%e0%b8%8a%e0%b8%b7%e0%b9%88%e0%b8%ad%e0%b9%80%e0%b8%ae%e0%b8%87-%e0%b8%ad%e0%b8%b0%e0%b9%84%e0%b8%a3%e0%b8%ad%e0%b8%a2%e0%b9%88%e0%b8%b2/ Fri, 27 Sep 2024 15:26:49 +0000 ]]> เปลี่ยนชื่อลายเซ็นต์ รับทรัพย์จ้า /%e0%b9%80%e0%b8%9b%e0%b8%a5%e0%b8%b5%e0%b9%88%e0%b8%a2%e0%b8%99%e0%b8%8a%e0%b8%b7%e0%b9%88%e0%b8%ad%e0%b8%a5%e0%b8%b2%e0%b8%a2%e0%b9%80%e0%b8%8b%e0%b9%87%e0%b8%99%e0%b8%95%e0%b9%8c-%e0%b8%a3%e0%b8%b1/ Fri, 27 Sep 2024 15:16:52 +0000       ]]> เปลี่ยนชื่อ กับ อ. วาวา คุ้มสิค่ะ เปลี่ยนชื่อ สกุลไปเงินเข้ารัวๆ เลยย ลูกเกิดก็ต้องให้กลับมาหาให้ตั้งชื่อ /%e0%b9%80%e0%b8%9b%e0%b8%a5%e0%b8%b5%e0%b9%88%e0%b8%a2%e0%b8%99%e0%b8%8a%e0%b8%b7%e0%b9%88%e0%b8%ad-%e0%b8%81%e0%b8%b1%e0%b8%9a-%e0%b8%ad-%e0%b8%a7%e0%b8%b2%e0%b8%a7%e0%b8%b2-%e0%b8%84%e0%b8%b8/ Wed, 24 Jul 2024 01:26:36 +0000 +2 ดูข้อมูลเชิงลึกและโฆษณา โปรโมทโพสต์ ความรู้สึกทั้งหมด 44 ]]> 😙เปลี่ยนชื่อดีขึ้น มีเเต่คนเอ็นดูการเงินเข้ามาเรื่อยๆๆ ปัญหาครอบครัวดีขึ้น เคลียร์กันลงตัวไม่เป็นซึมเศร้าแล้วค่ะ🥳🥳 /%f0%9f%98%99%e0%b9%80%e0%b8%9b%e0%b8%a5%e0%b8%b5%e0%b9%88%e0%b8%a2%e0%b8%99%e0%b8%8a%e0%b8%b7%e0%b9%88%e0%b8%ad%e0%b8%94%e0%b8%b5%e0%b8%82%e0%b8%b6%e0%b9%89%e0%b8%99-%e0%b8%a1%e0%b8%b5%e0%b9%80/ Fri, 07 Jun 2024 09:47:10 +0000 ]]> เปลี่ยนชื่อชีวิตดีขึ้น สอบติดได้งานใหม่มั่นคงขึ้นมาก !! /%e0%b9%80%e0%b8%9b%e0%b8%a5%e0%b8%b5%e0%b9%88%e0%b8%a2%e0%b8%99%e0%b8%8a%e0%b8%b7%e0%b9%88%e0%b8%ad%e0%b8%8a%e0%b8%b5%e0%b8%a7%e0%b8%b4%e0%b8%95%e0%b8%94%e0%b8%b5%e0%b8%82%e0%b8%b6%e0%b9%89%e0%b8%99-5/ Wed, 01 May 2024 06:51:31 +0000 ]]> เปลี่ยนชื่อ ชีวิตเปลี่ยน โป๊ะนี้หมด !! ก่อนหน้าเกือบไม่รอด …. /%e0%b9%80%e0%b8%9b%e0%b8%a5%e0%b8%b5%e0%b9%88%e0%b8%a2%e0%b8%99%e0%b8%8a%e0%b8%b7%e0%b9%88%e0%b8%ad-%e0%b8%8a%e0%b8%b5%e0%b8%a7%e0%b8%b4%e0%b8%95%e0%b9%80%e0%b8%9b%e0%b8%a5%e0%b8%b5%e0%b9%88-2/ Fri, 26 Apr 2024 11:27:46 +0000 ]]> เปลี่ยนชื่อ – สกุล เเล้วชีวิตพลิก จากไม่มีเงิน ไม่มีรถ ไม่มีบ้านคือตอนนี้มีหมด เลยค่าา !!😁😁 /%e0%b9%80%e0%b8%9b%e0%b8%a5%e0%b8%b5%e0%b9%88%e0%b8%a2%e0%b8%99%e0%b8%8a%e0%b8%b7%e0%b9%88%e0%b8%ad-%e0%b8%aa%e0%b8%81%e0%b8%b8%e0%b8%a5-%e0%b9%80%e0%b9%80%e0%b8%a5%e0%b9%89%e0%b8%a7%e0%b8%8a/ Sun, 03 Mar 2024 05:09:30 +0000 ]]> เปลี่ยน ชื่อ – สกุล ชีวิตพลิก จากไม่มีเงิน ไม่มีรถ กลายเป็นมีทุกอย่าง /%e0%b9%80%e0%b8%9b%e0%b8%a5%e0%b8%b5%e0%b9%88%e0%b8%a2%e0%b8%99-%e0%b8%8a%e0%b8%b7%e0%b9%88%e0%b8%ad-%e0%b8%aa%e0%b8%81%e0%b8%b8%e0%b8%a5-%e0%b8%8a%e0%b8%b5%e0%b8%a7%e0%b8%b4%e0%b8%95%e0%b8%9e/ Sun, 11 Feb 2024 02:14:59 +0000 ]]>

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